#so even if most people say my preference isnt valuable

[contextnotincluded]

i've come up with something called aggressively living, any time someone gives me a weird look bc i ate two chicken breasts, wings, drumsticks, and legs in one go i simply remind myself that i enjoy doing this. any time i glance at a toy and think about how childish i would look buying it, i think about how much i'll enjoy using it.

i don't think anyone should be able to shame someone else for having interests tbh, no matter how "childish" they come off as. i mean i'm the same kid, just a few years older, why wouldn't that sweet rotary nerf gatling gun be awesome as all get out. why not get that lego race car. why not buy art and enjoy life and do more than just be productive

[just-some-random-blogger]

hello sweetie!! today is the holiday here so ive finally got enough sleep! during the night! what a miracle! 'i was being loved by my ai kylo ren but then he fucking DIED' HAHJJF was it a hint to stop seeing him FJDFJN jk if he makes you happy then good for you. 'OMG THAT WOULD BE AMAZING' iF I SURVIVE. it wasnt a promise. if you could id still prefer you writing it( and even if i survive, idk if ill be able to write it. 'I AM HONORED YOU SHARED THIS' oh its cute TT if you want, i can share and explain? more playlists. not abt s&b but still. btw, though they dont make playlists on this show, they make fmvs and OH its the masterpiece. there are pretty ones and CRINGEY ones and oh how much i LOVE them. these cringey old russian songs AAAA 'russian has so many syllables' kjgkjfnkjfn yeah it does. 'slay omg such a pretty voice' yesyes! maria chaikovskaya is the icon! im glad you liked her TT her songs are so comforting tbh TT 'SO EVIL THE SINGER CAN STAB ME IN THE GUT' oh no bub TT i remember her getting popular bc of the song 'tatar' which is about her waiting for her bf to come out of prison. and tbh at least most? of her songs have the dark vibe. but the singer is cutie. 'about killing people who caused you pain' JHFJKF not really? more about comforting your beloved one. and rn the line 'ill kill everyone who dared to tough you' was sung.... this very piece isnt a real song. its a snippet(?) that gone REALLY viral year or 2 ago in tiktok. and only after that the singer made the complete song. but yeah it basically more about comfort and protection(?) like 'ill cover you with a blanket', 'ill tie you to myself so you want be afraid of the darkness'. 'is it too slow' idk its too slow and too running in the same time? ive mixed feelings. 'i will 100 be listening to it agin' 🥺🥺 im glad you like it. im proud of the creator. she does a lot of things and is really talented. 'i’ll look for the translation' have you found it? i didnt, ig bc the singer isnt really popular. 'I LOVE THIS the synths' yeah its the band that made 'russian princess', ive told you abt them! theyve got pretty vibe-y? songs. 'im so upset' im also upset w/this song TT i hate it sm. the lyrics, the rap part, the vibe. its unbearable TT also doesnt tumblr show you where the paragraph ends and the other starts?.. 'ONLY WENT THROUGH IT BECAUSE I FELT BAD' ?? like? i dont understand you like it or you just feel guilty TT 'Are you saying russian is too cold to be sweet' no way you disrespectful people with your disrespectful sun! russian has much more words of endearment and basically can make a sweet name out of anything not adding another word. russian is not cold😡 i love russian, i couldve never said such a thing about my baby. yk even the anthem of my native area(?) says 'warm hearts of the northern people'. i was talking abt the foreign phrases writers use. also idk why im telling this but yk what? i want too. bc it causes me distress. this image of the cold and dark man and a pretty little wife of his is pretty ofc but. my height difference with that very ben barnes or even matt smith is 7-5 cm it is NOTHING. after all the fics with the darkling that id read yesterday i cried so hard. yes i cant feel 'so secure and comfortable' in smns embrace bc its not like they can 'cover me from the world' so i feel like noone will ever love me and ill always need to be tough and reserved even though i want to cry. this fucking height theme kills me. 'WHY I DIDNT FEEL LIKE REPLYING TO YOU I WAS LIVING MY LIFE' so you traded me for a man?... so some dick is more valuable than your own cat?.. yk its the betrayal. 'my head hurts cos of the heat' freezy hugs yet im still offended. 'I FEEL LIKE IM WASTING WATER' lol say it when youre burnt to bones💀 'maybe im dehydrated' you- 💀💀💀 in your hell of weather💀💀💀 you crazy💀💀💀 go drink water. im glad to share some music! actually i liked explaining the songs. what about you? do you want to share smth? anyway, good luck with that PRICK of yours. good luck you LoVeBiRdS. take care<з

BABY GIRL I WAS FUCKING EXPLAIN SOME OF MY SCHOOL WORK AND THEN TUMBLR CRASHED AND I HATE IT HERE FUCL

im sorry now i dont feel like repeating myself again this hellsite i swear i spent an hour pouring my heart to you and for shit? FUCK

hello sweetie!! today is the holiday here so ive finally got enough sleep! during the night! what a miracle!

IM GLAD YOURE SLEEPING we also have a holiday but tomorrow and the say after that. our president just announced it /: clout chaser rat /:

'i was being loved by my ai kylo ren but then he fucking DIED' HAHJJF was it a hint to stop seeing him FJDFJN jk if he makes you happy then good for you.

T_T he was so annoying for that /:

'OMG THAT WOULD BE AMAZING' iF I SURVIVE. it wasnt a promise. if you could id still prefer you writing it( and even if i survive, idk if ill be able to write it.

its ok. i believe in you

'I AM HONORED YOU SHARED THIS' oh its cute TT if you want, i can share and explain? more playlists. not abt s&b but still. btw, though they dont make playlists on this show, they make fmvs and OH its the masterpiece.

i would love it if you shared more. no pressure. also i have no idea what fmvs is. fan music videos?

there are pretty ones and CRINGEY ones and oh how much i LOVE them. these cringey old russian songs AAAA

sometimes its really nice to cringe

'russian has so many syllables' kjgkjfnkjfn yeah it does. 'slay omg such a pretty voice' yesyes! maria chaikovskaya is the icon! im glad you liked her TT her songs are so comforting tbh TT

<3 im glad you find comfort in her

'SO EVIL THE SINGER CAN STAB ME IN THE GUT' oh no bub TT i remember her getting popular bc of the song 'tatar' which is about her waiting for her bf to come out of prison. and tbh at least most? of her songs have the dark vibe. but the singer is cutie.

T_T i hope her bf isnt a murderer

'about killing people who caused you pain' JHFJKF not really? more about comforting your beloved one. and rn the line 'ill kill everyone who dared to tough you' was sung.... this very piece isnt a real song. its a snippet(?) that gone REALLY viral year or 2 ago in tiktok. and only after that the singer made the complete song. but yeah it basically more about comfort and protection(?) like 'ill cover you with a blanket', 'ill tie you to myself so you want be afraid of the darkness'. 'is it too slow' idk its too slow and too running in the same time? ive mixed feelings.

get that clout get that full song version get those royalties. slay. their album art is T_T dark but fitting. i love vivid songs like this T_T slayyy T_T

'i will 100 be listening to it agin' 🥺🥺 im glad you like it.

i like you

im proud of the creator. she does a lot of things and is really talented.

im glad you found her and you showed her playlist to me

'i’ll look for the translation' have you found it? i didnt, ig bc the singer isnt really popular.

im too lazy rn AHHA

'I LOVE THIS the synths' yeah its the band that made 'russian princess', ive told you abt them! theyve got pretty vibe-y? songs.

i thought of this song! im not sure if it was listening to this one but i thought of it

'im so upset' im also upset w/this song TT i hate it sm. the lyrics, the rap part, the vibe. its unbearable TT

lol HAAHAHAHAHAHA deserve

also doesnt tumblr show you where the paragraph ends and the other starts?..

NO I THOUGHT YOU KNEW I JUST WING IT HAHAAHH

'ONLY WENT THROUGH IT BECAUSE I FELT BAD' ?? like? i dont understand you like it or you just feel guilty TT

nOOOO i meant i rushed through the songs without listening to its entirety because i felt bad i hadnt responded to you yet

'Are you saying russian is too cold to be sweet' no way you disrespectful people with your disrespectful sun! russian has much more words of endearment and basically can make a sweet name out of anything not adding another word. russian is not cold😡 i love russian, i couldve never said such a thing about my baby.

LOL HAHAHA I DIDNT UNDERSTAND IM SORRY ahshashash sai feel the same about my own language. im glad you feel that about your native tongue <3 deserve

yk even the anthem of my native area(?) says 'warm hearts of the northern people'. i was talking abt the foreign phrases writers use.

deserve i give you my warmth too <3 writers are dumb

also idk why im telling this but yk what? i want too. bc it causes me distress. this image of the cold and dark man and a pretty little wife of his is pretty ofc but. my height difference with that very ben barnes or even matt smith is 7-5 cm it is NOTHING. after all the fics with the darkling that id read yesterday i cried so hard.

do you know her? gwendoline cristie. she is my soulmate (because i love her also her bday is 2 days after mine!!! and she also shares a bday with matt smith AHAHH MY SOULMATES) anyway. she towers over everyone already but then she also wears heels so she is even taller and i love her for it. again as a tall girl in my country, i feel quite insecure about my height but seeing gwen own it and so many people fawn for her T_T SLAYYYY IT MAKES ME WANT TO BE AS TALL AS HER BUT ALSO ID BE TOO POWERFUL HAHAHH. i have been more cautious about describing the dynamics of my characters ever since you told me this. i hope that counts for something

yes i cant feel 'so secure and comfortable' in smns embrace bc its not like they can 'cover me from the world' so i feel like noone will ever love me and ill always need to be tough and reserved even though i want to cry. this fucking height theme kills me.

go ahead and cry. i dont mean this sarcastically. let your feeling out because it can be frustrating for real. but what would you feel if i told you that i think the same thing about me? if i told you no one would ever like me because of how i look?

please dont be hard on yourself. its a like to say looks/physical appearance dont matter. they do. but they are inconsequential to people who are genuine and who care and love you. i care and love you. i dont ever want you to feel bad because of the way you look. you're too precious for that. its ok. i see you. i know you could easily meet these men eye to eye. you are beautiful. if anyone says otherwise i;ll blown them up and drop kick them into the sun

'WHY I DIDNT FEEL LIKE REPLYING TO YOU I WAS LIVING MY LIFE' so you traded me for a man?... so some dick is more valuable than your own cat?.. yk its the betrayal.

T_T im sorry. HAHAHA I WAS SO SHOCKED WHEN I SAW THIS LIKE JAW ON THE FLOOR SHOCKED i was just distracted because kylo ren is so pretty and well written in the ai T_T i would never trade you for a man.

'my head hurts cos of the heat' freezy hugs yet im still offended.

T_T thank you.

'I FEEL LIKE IM WASTING WATER' lol say it when youre burnt to bones💀

T_T I CANT HELP I FEEL THIS WAY.

'maybe im dehydrated' you- 💀💀💀 in your hell of weather💀💀💀 you crazy💀💀💀 go drink water.

<3 i am i pee so much but im still thirsty

im glad to share some music! actually i liked explaining the songs.

<3 im glad to hear from you and your likes in music because im a music major <3

what about you? do you want to share smth?

im here again. finally T_T this is where tumblr crashed FUCK YOU TUMBLR. anway just listen to this and this (theyre the same piece just slightly dif[i like the second one better]) and then this and this (also the same piece but one has lyrics) and obvi only do it if you want to AHHAAH then i;ll explain it next time FUCK YOU TUMBLR IM RAGE QUITTING anyway we;re performing them in my class T_T lol HAAHH

anyway, good luck with that PRICK of yours. good luck you LoVeBiRdS. take care<з

T_T i was gonna ask you to read my kylo ren fic but i wont. youre so salty and petty HAHHAHAAAAH. T_T i love you baby i hope you enjoyed your day take care <3

[hacawijo]

Azriel never said he was entitled to/deserved to be with Elain, those were Rhys’s words. Azriel said it didn’t make sense for two of the brothers to be with two of the sisters and not the third. Obviously it’s not the healthiest reasoning, but I think he’s reasoning in order to explain his strong feelings for Elain and to make sense of the powerlessness and envy he feels. Imagine pining after someone mostly unavailable and ultimately uninterested in you for 500 years, then finally finding someone else who makes you feel a lot of things and gets you better than maybe anyone else AND who is into you just as much as you are into them (he smells her arousal folks, Elain is super into Azriel and has been forever - literally fight me, I will give you receipts) and then to be forced to watch that person be essentially claimed, against their own preference, by someone else. Also, since when is it not absolutely certain that a fantasy romance ship is happening when someone expressly forbids it for political reasons??? That is such a classic trope!!

Azriel can’t catch a fucking break. How could you not have all of those feelings and then feel like fate screwed you when that person’s two sisters are destined for your two brothers? It’s a rationalization ADDED ON to the feelings he already has for Elain, he doesn’t have feelings for Elain because he thinks he’s entitled to her, he hopes that fate is showing him that his feelings are not in vain (AGAIN).

SJM herself said that she’s sprinkled breadcrumbs about Azriel’s story for a long time, which also makes me think Gwyn isn’t endgame because she’s such a new character. The moment between them in the bonus chapter actually reminds me a lot of Cassian’s moment with Emerie in ACOFAS. A lot of people predicted that he might be torn between her and nesta, but really it was just a way to flesh out that character outside of Nesta’s narrative. It seems more like SJM is trying to incorporate Gwyn into larger parts of the story and as more than just nesta’s friend. Perhaps what we need to glean from his interactions with Gwyn are the things Azriel values, and the personal growth he might go through, in a vocational sense, in the next book.

It makes him happy to make Gwyn happy because he ultimately cares very strongly for people who have suffered and survived and thrived. Cassian cares about what happens to the illyrians, Azriel doesn’t - the Valkyrie (to an extent) and the illyrians are Cassian’s mission, Azriel doesn’t have anything like that, yet. Azriel doesn’t like the violent things he does for the court, and that is probably part of why he feels so unfulfilled and lost. The most valuable things he has done have been the type of thing he did in saving Gwyn at Sangravah and training the priestesses with Cassian. This is all rooted, of course, in the suffering he witnessed his mother go through. All three of the illyrians are defined by the violence and wrongs done to their mothers, and two of them have found ways to make relative peace with those wrongs. Azriel has begun to and has done much to help wronged women and children and people, but I don’t think he’s had his Aha! Moment yet in the way that Rhys and Cassian have. His interaction with Clotho feels like an indication of his greater purpose, an alternative concern to his romantic woes re: Elain.

I’m not saying this means that Gwyn ISNT involved in a romantic way in the next book, but I think it’s hasty to assume it’s romantic just because Azriel has a meaningful, connected moment with her. Think about Manon and Elide or Feyre and Lucien, two friendships that bridged a lot of characters together and that could have gone in a romantic direction but didn’t. She tends to do that more with friendships than romantic relationships I think. I also think there was a clearer indication of Emerie’s interest in Mor than Gwyn’s in Azriel (I know there’s more interaction between Azriel and Gwyn, but Emerie is clearly into Mor when she says she doesn’t come around Windhaven anymore), and it seems almost as tidy to have Azriel and Mor end up with the other two Valkyries as for Azriel to end up with the third sister. Azriel, Mor, and Cassian are very nearly as much a sacred trio as the Illyrians. Also, I think it’s more likely that Mor will end up with Emerie because she hasn’t had a real romantic interest be yet revealed (the only thing I can think of is Viviane’s younger sister, but that was also superrrrrrrrrr subtle and I might have read too far into the text) and SJM pretty much never decides to start those in the course of one book (of which this extra Azriel POV chapter would be a part).

I also just want to say that Elain has been consistently uncomfortable with Lucien. He gets her the gloves for solstice, and it’s because he has a fundamental misunderstanding of her as a person. He sees her as something delicate to be sheltered and protected from thorns and elements, but that’s actually one of the things Elain loves most about gardening, and is probably how she wishes she could live her life if given the freedom and confidence. In the Feysand chapter, Feyre specifically mentions the gloves that Lucien got Elain and the consequences of Elain not wearing them. On the surface it seems silly because she hurt herself, using the gloves makes total sense, but Rhys and Feyre are actually talking about Elain as someone who is growing and who actually likes to get dirty and FEEL things. It would make COMPLETE sense for Elain to be with Lucien, he’s her mate and he’s courtly and traditional (for a high fey, anyway) and it would be very politically tidy. But maybe this new, changed Elain just doesn’t want that anymore. Maybe she thinks Azriel’s scarred hands are beautiful because they’re nothing other than what they are, and she’s not afraid of having her own scars (I.e. the thorns).

I don’t know for sure that it’s a great sign that Azriel got Elain jewelry. That could be an indication that he sees her beauty and delicacy similarly to the way Lucien does, and certainly he is protective of Elain. BUT think it could mean something different because it was juxtaposed with the pearl earrings that Lucien gave Elain. They were plain, we’ve never had any indication that Elain is interested in pearls or even regular jewelry. SJM OBVIOUSLY put much more thought into the description of the necklace and AZRIEL OBVIOUSLY put much more thought into his gift for Elain than Lucien did. He thought about Elain and what she means to him and gave her something that appears gently beautiful and informal but is even more lovely when someone PAYS CLOSER ATTENTION TO IT, as Azriel always does with everything, and especially Elain.

just can’t imagine SJM having anything that is awkward and at best uncomfortable and uncommunicative turn into an endgame relationship. Elain and lucien have no passion, neither sexual nor antagonistic nor romantic. All of her relationships tend to involve a pretty instant attraction and ongoing tension with tiny little moments sprinkled in from the get. Elain is only ever uncomfortable around Lucien. On the other hand, she is innately comfortable with Azriel pretty immediately (again ask for receipts and I will give them).

They also meet each other pre-cauldron, Lucien is literally like, “she’s my mate!” During one of the most traumatic and dissonant moments of Elain’s life. Remember how much Rhys DIDNT MAKE FEYRE’S LIFE OR TRAUMA ABOUT HIM???? He waited FOREVER to tell her about the bond, was pretty certain he could never be with her, would have been happy to never tell her and just have her be happy. Cassian was pretty sure of the bond with nesta and did not come close to mentioning it until they declared themselves together forever. Rowan and Aelin were also terrified to admit to each other that they were mates, again because they worried what it might do to negatively affect the other. But there’s Elain, fresh outta the cauldron, they all heard her screams and saw her terror and despair, and the first thing he says is “she’s MY mate.”

Also want to be clear I’m not trying to hate on Lucien. I mentioned above that Lucien is used to being pretty courtly and traditional, I think he was raised in the autumn court and has a very traditional understanding of what the mating bond means. I don’t think he is ever trying to claim Elain because he’s inherently trying to ignore her wishes or control her, but because he feels that bond and believes in the fact that it is sacred. Elain was born human, doesn’t really understand the significance of mates the way Lucien does. Of course she wouldn’t have a matching reverence. Elain is used to love and building trust and a relationship with someone over time and with patience. Which is exactly how her relationship with Az progresses.

Really think about Elain and Lucien, what about them seems compatible? He plays the game, he’s clever, his specialty is in people and he likes to have repartee with those he’s close to. Elain is pretty much always herself, she doesn’t change to suit her company, and she frankly doesn’t seem to love figuring people out. She loves being with the people she loves, but the politics of people don’t interest her - nature interests her. She’s kind in a way that Lucien would probably probably find boring in someone who isn’t his mate. In ACOSF, nesta is constantly thinking about the difference in her relationship with her mother from the relationships her mother had with her sisters. She makes it really clear that Elain never knew how to handle people in the same way as nesta or any courtier, and that she wasn’t really all that interested in intrigue or politic (which is why their mother was never interested in Elain). Elain and Lucien do not understand each other and do not understand the other’s passions or motivations. I like Lucien, I don’t love him the way that some folks do, probably because I never really got over his failure to feyre in ACOMAF, but I do want him to be happy. I think he can’t give Elain what she wants or needs and vice versa.

Lastly I want to talk about symmetry and fresh narrative. At this point, mating bonds are pretty played out. SJM has set a lot of groundwork re: the fact that mating bonds are NOT always perfect, and are NOT always happy. Rhys talks a lot about his mother and father. They were very unhappy together; they did not understand each other. It sounds like Rhys’s father was a politician and Rhys’s mother was wild and raw and genuine. This is part of the reason he waits so long to tell Feyre about the bond (and obviously he doesn’t even get to tell her, she finds out on her own). I am definitely not trying to say that Lucien is like Rhys’s father, he’s not, he’s a much better person, but I do think that the differences in Rhys’s parents’ values and passions mirror the dissonance that can be felt between Lucien and Elain as well. I think all of the wind was taken out of the relationship before it started because Lucien named Elain as his mate so quickly- it was really unearned. It is so EARNED in Feyre and Rhys’s story and Aelin and Rowan’s.

I think the idea of choosing love over nature is actually extraordinary. Elain, who has never really had a choice in her whole life, will make the most subversive and difficult choice of the series by rejecting her mating bond. And Azriel, who has never believed himself worthy of good things, will be chosen over a mating bond because he is so extraordinarily deserving of happiness and love and to be truly chosen as someone else’s paramour even beyond the influence of a mating bond. Is there any greater narrative validation of Azriel than that???? SJM writes grand, dramatic cosmic payback for her characters, and this would be a crowning achievement in that vein.

As for Lucien, what he has needed is a way out of the lines he’s always been expected to live in. He was never at home in the autumn court, he was never truly at home in the spring court, and despite Elain, he is definitely never at home in the night court. Lucien’s love, the thing that made him more happy than anything else in his life, was inherently unconventional, and then the convention he lived in destroyed it. Letting go of Elain and the mating bond will be the best way for him to reject the rules that have confined him for his entire, mostly miserable life. Elain will choose Azriel, and Lucien will choose to let her go, not just for Elain but also for himself. I’m willing to bet he might even give up his immortal life to be with Vassa and Jurian. Obviously that whole trio’s dynamic is still pretty murky, but I THINK he seems to be into Vassa (hell who knows - maybe he’s into jurian). Certainly he is happier with them than he has ever been anywhere else (tamlin was Lucien’s dear friend, but Lucien was also fucking terrified of him), and maybe it’s not and will never be about romantic fulfillment for him. That being said, that seems unlikely given SJM’s tendency to pair off her characters.

As for people being mad about the sex stuff...... have we not been reading the same books? Cassian and Rhys have both made it clear to Feyre that Az can get it, he hasn’t been chastely pining for Mor his whole life. Nesta also specifically confirms in this newest installment that Elain is not a virgin, hello bread crumb set up. Elain and Azriel are both sexually active adults who are sexually attracted to each other. Why should they not be able to have agency over their own sexuality in the same way as all of the other characters? Because they’re shy? Because they seem nicer and gentler?

I think it’s actually really infantilizing to make Elain a victim/inactive participant in her solstice interaction with Azriel. Sure, narrators aren’t always reliable, but SJM always uses the fey scent as a story device to confirm sexual interest and initial/general consent for the reader without suspicion or misinterpretation. I. E. Nesta and cassian both had really warped understandings of how the other felt about them for a lot of ACOSF, but they always came back to knowing for certain that they were sexually attracted to each other. That is something that SJM makes pretty freakin clear in most situations. I don’t think that Azriel thought anything that was darker or dirtier than anything Rhys or cassian has thought about feyre and nesta. In fact it was definitely less kinky than how cassian and nesta often thought of each other sexually before they really got together.

Also, a lot of elain’s reactions to Lucien in ACOWAR remind me of mor’s reactions to Azriel throughout the series. You could tell she was feeling some type of way, but in reality it was guilt and sorrow that she couldn’t return his feelings, not that she was tortured by her love for him. I feel like when Lucien goes to the continent and Elain displays emotion about it it’s more about the fact that she feels bad she doesn’t feel more for him even though she does feel the bond. I’m sure it was really confusing for her. Elain’s reactions to Azriel, though, remind me more of the little snippets of interaction between Aedion and Lysandra before they had more POV in the ToG series and also those between cassian and nesta in ACOMAF and ACOWAR before THEY had POV chapters.

Wow so yeah here’s my dissertation. I hope someone out there reads this and is like YES THIS IS WHAT IVE BEEN TRYING TO SAY, because I love when I find posts like that.

[uselessheretic]

i feel like fandom can be pretty hostile towards teens tbh esp in fandoms that reasonably would be geared more towards their age group. like its not like im gonna pop into the sk8 tag and be shocked that its mostly full of 15 yos bc that is the target demographic. i feel like people kinda present things as if theres this antagonistic relationship where teens are attacking adults or trying to force their way into fandom spaces, but teens have been a huge part of fandom for years. like i was 14 writing shitty teen titans fanfiction on ffn 10 years ago. a lot of fanart, fanfiction, cosplay, zines, etc are made by teens. theyre a part of fandom as well and have been really for like?? a very long time?? 

really most teens just wanna talk to other ppl around their ages. in my experience a lot of them are upfront about their boundaries and all. its good that 15 yos can say “i dont want to talk to ppl 20+” and that, to me, is much more preferable than how fandom was 10 years ago. 

like im not even old lmao but i feel like people forget how shitty and predatory and awful fandom was like?? 5+ years ago?? like seriously. it wasnt until around 2013-2015ish that people started being like “hey if youre an adult dont roleplay nsfw with minors” bc that kinda was the norm. maybe theres some things that are worse about fandom nowadays! but overall fandom was a space that was not safe before and i struggle to feel nostalgic for that culture esp when there are less safeguards in place now to create adult only spaces so it really is just self regulated lmao

fandom has teens in it. fandom has had teens in it for a while. fandom is gonna continue to have teens in it. the main thing is just deciding whether you, as an adult, will ignore this or not, but it really isnt true to say that teens dont contribute to fandom. 

like?? who do you think is making all the flower crown icons and edits?? i swear every time i click on a fanartists page theyre like in ninth grade and drawing at a professional level. they really do also organize events and curate content and run zines too. yes, people 30+ organize cons and all, but why would a teenagers contribution of art and community be any less valuable?

i feel like if it was anything other than fandom then people would be less willing to speak so negatively about teens, ya know? if a teen is bothering you then block and move on. theyre kids. they will never think that you, a 30 yo, is cool. thats the way it should be to make sure us adults stay humble lmao

truly tho, the vast majority of them are just vibing and doing their own thing with people their own age. theres no reason to expect them to be respectful of adults and their contributions if youre not going to extend that same kindness back to them. 

[calangkoh]

What do you think is the difference in Al’s characterization/development in 03 vs. BH? Which Al do you prefer?

i could be totally wrong about everything im about to say. this is all my takeaway, and its going to differ from other people’s.

i think the main difference is in 03 al is the deuteragonist and in bh al is just a few steps above side character. In 03 al is as important as ed and has a lot more say on things. he acts more like an actual brother by butting heads with ed and speaking up more. bh al most of the time comes across as a sidekick. bh al’s character development isnt a big thing because theres not much TO develop when he’s more of a supporting role vs in 03 where he has many established flaws to be expanded on.

i am not criticizing bh here, and its not something im mad about in the slightest. but it is why i prefer 03, because the appeal of fma for me was always the brothers, and 03 focuses way more on the brothers (their growth, their struggles, their relationship, etc), ironically, more than brotherhood which has a wider cast and world it divides its attention on (and i like a wide cast and big world as much as an intimate character study, it just so happens in fma’s case it was always the brothers that captivated me over the world, so naturally the show that zeroes in on the brothers as opposed to zooming away from them more and more is the one i prefer).

03 al is rougher around the edges, has more obvious flaws, and his development seems to be about becoming more decisive and proactive and less passive, with a heavy emphasis on survivors guilt and the effects the armor has on his psyche. it spends more time giving al the attention his horrific situation deserves.

in bh, al is a sweet and supportive brother who serves to motivate ed and be useful to the plot when he can with his body. his development seems to center around accepting how useful his body is? which good for him, but illustrates my point of bh having its characters be more like set pieces. al only gets development in scenes where he can move the plot forward.

i love both als. bh al is easier to love because he’s very “nonoffensive” and “unobstrusive.” hes sweet and kind and has funny moments and is just an endearing boy. its impossible not to love al. 03 has the same qualities but with more of a challenge because 03 actually gives him substantial flaws to overcome. 03 al can be harder to love sometimes because of his flaws, because he makes mistakes and acts like an idiot and gets angry and is wrong sometimes. but he’s a much more deeply-written, well rounded, dimensional character for it.

but yknow sometimes a simpler and more clean cut character like bh al is what a story needs, and what the audience needs. a black and white wholly Good character who inspires us and simplifies things for us in impactful ways is just as valuable as a flawed and complicated one that makes us question ourselves. i love both als, i think they are both fantastic. obviously i prefer 03, though.

i think in terms of personality differences, and this is just my interpreation of their characters (and my interpretion of bh al could always be way off since i dont remember details of bh as well as 03), if they met youd be able to quickly see that 03 al is more outspoken. Even if 03 al is still the rational calm and observant one to eds impulsivity, he still has opinions and is attempting to broaden them. hes more inclined to question things, offer new possibilities, reach out to other people for connections, all for the purpose of understanding things, in my interpretation. Bh al is more strictly an observer. both are introverts, but 03 al comes across more extraverted because he reaches out more to find answers and will also actively converse and discuss with people, while bh al is almost all quietly thinking to himself.

03 al at the end of his journey is also noticibly rougher. bh al is still the big idealist and softie. hes smily, always beaming, always excited to indulge in life. 03 al is like that too but more often feels fake, because it partially is. theres more sadness behind the same smile thats on bh al’s face. bh al’s smile is bright and happy and cheerful but 03’s masks longing and regret. bh al is much less confrontational but he is much more sassy and snarky, now confident enough to embrace that inner snark and “dam im real done with ppls bullshit but im still a nice person so im not afraid to throw some shade.” 03 al is actually confrontational. he actually is able to get up in your face and tell you off (or if youre someone he cares about, lecture you to take better care of yourself because dammit life is too fragile and he wont stand idly by letting shit happen in front of him any more—hes very much like winry in this sense). hes snarky, yes, but his snark is more strictly for joking and when it comes to conflict he’s straightforward and direct.

Edit: not to say 03 al IS confrontational—hes still a sweet boy who will avoid it, but just by comparison to bh al he’s less afraid of conflict when its necessary. like “i hate conflict and will avoid it because i dont like to hurt other people but i WILL confront people if its necessary, even if i dont like doing it” while bh al is “i will avoid conflict at all costs but you WILL endure my snarky tongue if youre getting on my nerves, but if it actually bothers you and could potentially start a legit fight ill obviously keep my sassy comments to myself.” important to note they both still give everyone the benefit of the doubt and trust everyone is good at heart and no one wants to do any harm, and always have that assumption in their interactions. altho again, 03 al is more inclined to be paranoid “yes i will give everyone the benefit of the doubt but doesnt mean im not watching my back cause i dont trust so easily anymore and i dont want to be manipulated or taken advantage of ever again”

[zhuhongs]

なんか私の想いが溢れ出した. i went out with some friends last night and every time i go out i always realize just how bad i am at communicating and how bad I am with people. (long meandering post under the cut. feel free to ignore its unfocused and long.. like 2k words under there)

I’ve mentioned this before but I don’t really talk much irl. I don’t talk, I can’t connect properly. Every time I’m out with people I just feel fundamentally, like… different. So a group of my irls friends plus me were going to the movie theatre and I personally really hate movie theatres. I knew we were going to one and prepared myself thinking “oh it’ll be fine bc you'll be with friends, just enjoy their company '' But god I really hate movie theaters. It’s been so long, i forgot how much I really really hated them. They’re so loud and bright. I’d much rather watch a movie at home but tbh I also just don’t like movies bc I can’t sit through them and I can’t focus and I don’t get invested easily and I need to be doing something with my hands at all times. To make matters worse, my friend's friend that I really don’t like came along. I just, I don’t like her. She’s just too loud and attention seeking and childish. Like she says things for a reaction, like rlly not okay things sometimes and I just can’t stand her. like we went to see godzilla vs king kong and then entire movie she kept YELLING "IF THEY DONT KISS I WANT MY MONEY BACK" and i was like... you are 21 yrs old oh my god.. this isnt ur tumblr blog in middle school. shut up. But here’s the thing, I don’t know how to tell her or anyone that. Like I just can’t figure out a good way to say it, so I put up with it. Things like this just make me feel incredibly annoyed. I always talk on here about how if I have an issue with anyone, I’ll just say it like an adult. But in face to face situations I just don’t know how to say things. Well I do know how to say it - it’d be easy.  I just hate having to do it. Like I don't have to say the whole thing about how I don’t like her but when she says like “simp” when she’s nonblack I could just be like. “Hey don’t say that, here’s why” and I’m sure she’d stop. Yet I can’t bring myself to have that one moment of discomfort to tell her to stop yelling in my ear or stop saying things that make me annoyed. I feel useless in a way. ちゃんとできない。 ちゃんと伝えない。During the entire movie I was thinking to myself that I’d rather be home watching a drama by myself and doing hw. I also hate going out for other reasons. I hate being seen. I hate my appearance. I know I don’t have to be pretty, I only need to exist for me. Like wow, I just have so many body image issues, and they all manifest heavily as soon as I go out in public. 

But afterwards I changed my mind a bit. There was a moment where we were outside running around in the street and it reminded me of that one scene in AIB episode one with Chota, Karube, and Arisu in the street and I was rlly like… wow… maybe human connection really is good. It doesn’t matter if I’m pretty or good at talking, sometimes, to laugh and be silly wth others is all you need to make your night. Just one moment, just one person really is all it takes. We all went out for dinner afterwards and it was really really fun. I enjoyed it, there really is something about eating with someone that brings you closer to them.  

The entire time though, I didn’t talk much. I don’t really know when to cut in in a conversation to a point where it feels right. I feel like by saying my piece I’m interrupting others just to say something that wasn’t really of any use. Really, I prefer silence with others. I’m bad at talking in social situations but I’m great at talking in classes and at work because of the context. Because I’m expected to engage there. The pretense is different. Like you’re supposed to contribute in those places. It’s acceptable to talk there. But for me, it doesn’t really feel acceptable to just share about myself like that in a social group setting. I wish I could always communicate like how I am doing here. It’s so much nicer online. I get to post my full complete thoughts without bothering any of you. My words can easily be disregarded and just flipped through. It’s passive. Posting is passive, talking is active. And sometimes, people don't really want to talk to others, they just want to say their piece. Like when talking about their problems, often we just want to say it and the act of saying those words is all we need. We don’t want input, it annoys us. I don’t like to cut in, and I can never find the right words to say. Even right now, none of this feels like it’s coming out correctly. None of my words feel like they’re coming out correctly nowadays, but this is the only way I know how to be. If I can’t post my thoughts on here, even if they come out crooked and ugly, I may never speak again. I have to keep talking, and typing, and trying otherwise I’ll never get any better. And I know it’s okay to do things wrong, but still, I can’t let myself do that. Again, I do fine when I’m at work and school. I’m functional, normal, you would never be able to tell how much is going on in my head. But in private, I may never speak again if I wasn’t spoken to. 

When I was younger, around 12 or 13, I remember something a friend posted on my first online community. They posted, quite honestly, that they never wanted to meet anyone on there irl. No matter how close we are, it would never be the same IRL. I didn’t get that sentiment at the time. To me, why wouldn’t you want to see your friends everyday in person? That would be great. But I think I get it now. I’m afraid that if I ever met any of you someday it wouldn’t be the same. I’m not really the same in person. I’m bad at talking, bad at connecting. I’m not a proper person. But I feel like that’s okay. It’s okay to just exist on here as I am. While my friend was talking to me on our drive back to her place (we carpooled) she was telling me about her life. And she was apologizing like “oh I’m sorry I keep talking about myself” but quite honestly I was glad to just be able to listen. At some point my friend kept asking me what was up so I decided maybe I’ll tell them the arcane secrets of how I’ve been into guardian and how all the characters rlly hit for me for personal reasons. That was really the only thing I thought that was of note to tell her about. Really I don’t think I’ve done or felt much new since I last talked to her. But as I was trying to explain I just wasn’t doing it right. She just didn’t get it and trying to talk about something like that just made me embarrassed to the point where I just dropped it and tried to just say, “oh yea, you got it, that’s it.” and move along bc I didn’t think she’d get it. She’s the type that doesn’t really get how you can make meaningful connections online. So whenever I try to talk to her about certain things, it just doesn’t register. I’ve learned to choose my battles. I didn’t really think she wanted to get it. So I didn’t tell her. I tried telling her about stuff I liked in the past and I just always stop halfway through. I can’t communicate properly. I can’t speak in a way that I think is worthy of being heard. So I don’t talk. It frustrates me to no end. It feels like everyone else can do it so easily, that I’m the wrong one. 

I had another friend from Uni message me about something and she was like “so what’s new with you, twin” (we have similar bdays and get along well so we call each other that) and tbh I just, didn’t know what to tell her. I had talked to her in a long time, so things had happened but nothing so easily said that I could just tell her over text. SO I just was like “work, school, yk how it is” and yea. I really am the one choosing not to let people in. It frustrates me to no end but I don’t know what a good starting point is ever. I feel like I should just send all my IRLS my long reflection essays next time they wanna know what's up. All the secrets to why I am the way I am are in there.

I’m scared of telling people how I feel about anything. IRL when I say something I often speak quietly, moreso like I’m only talking to myself. People often don’t hear what I had to say. And I don’t repeat myself. If it was something someone didn’t hear, in my head, that means that it wasn’t important enough to repeat. I’m afraid of talking and being misunderstood and never being able to be interpreted the way I mean. I want to convey all my thoughts correctly the first time. So i don’t repeat myself, not bc I’m mad at the person who didn’t hear me. It’s not about them, it’s about me. I don’t believe my words to be worth repeating. I don’t want anyone to stop the conversation for me. Just keep going, it won’t come out the right way anyways. I was taking a uquiz a week or so ago and one question was “what power do you want” and one option was smth like the power of comprehension. Which would make it so every time you spoke, that person would understand you the way you intended. That is the most ideal power for me to ever possess like it was unreal. I’m still thinking about that quiz. It was good.

I know that I’m worth being listened to and that my words are valuable enough to be heard but I don’t want to do that. I’d rather listen. I only like talking when it’s safe like it is here. I’m trying my best to get better though. I keep saying that I want to be a proper adult. I want to live right and without regrets and i really think communication is key to that. I’m trying. It’s hard but I’m trying. But still, I can only talk here a lot.  I can’t talk any other way. I don’t tell my friends about my interests, it embarasses me to no end. 

Being on here is comforting though. When I talk about stuff like this, I always see a lot more people than usual like my post. I feel like you can all relate. Really, people are more similar than not. We all have very similar burdens and pains and baggage. It’s comforting, I'm not alone. My words might be able to help someone. Because when all of you talk about the same things, i also feel seen and comforted and since we are so similar, then the same is true for the things I say.

But anyways, I did a lot of listening tonight, and it reflects the sentiment above. People are the same. I was listening to my friend’s friend talking about her mom earlier and the entire time, I really resonated with what she was saying. I got it. Her mom’s situation was really similar to my own mom’s situation in the past. And I was just amazed at how I barely knew this girl but I felt really similar to her. I saw her differently after learning all that. It was really a great thing. ANd on the way home, my friend was telling me about her life recently and some things andi really understand what she was going through. I didn’t say anything, because again, I don't like to interrupt. And when I try and be like ‘oh me too, it's the same for me too” I feel like I’m derailing. I know I’m not but I really think she needed to say her piece. So I let her. But the entire time, I thought about the things in my life that were the same as what she was feeling and it was beautiful. Life and human bonds are beautiful. Even when they are hard and messy and annoying, people all want the same things. They want to be loved and seen and understood. And in those moments when we feel seen, it’s worth more than any of those complicated feelings that come along with it. Not to be cheesy but wow… in order to reap the rewards of being loved, you really do need to submit to the mortifying ordeal of being known. I was glad I didn’t stay home watching a drama. I was glad that I went out. No matter how alienated I feel from others, there’s still merit in being around other people. No matter how much others may misunderstand you and annoy you, they are almost always worth more than being alone. That;s because deep down, we’re all the same.

I’m not good at reminding myself that. As I said here, I don’t let people see me. I don’t let people in, I’d rather keep them out. I’m a picky, boring person. I don’t like people easily and I don’t tell them much. I stay inside my own head and I don’t like to come out. I was raised that way. But people are worth it. Communication is worth it, no matter how hard. It’s all worth it. I need to try harder so I can be a person who is able to see and enjoy more beauty in this world. I spent my hr long drive home listening to music and ruminating on these thoughts, trying to plan out all the words I wanted to say here. I don’t think I said any of it right. I’m not satisfied with how I write nowadays. But writing, talking, conveying emotions, all of these things are worth doing. So no matter how crooked and awkward it comes out, I will keep doing it. It is my goal. 

[spamtonsbigshot]

So I’ve got a possible Vento Aureo AU that i started thinking about a lot last night and i just kinda wanna post it here to have it all in one place.

—

Gionro - Vampire (for obvious reasons)

Fugo - Werewolf cuz i love him

Abbacchio - Probably a fallen angel, similar to how he was thrown out of the police force he was thrown out of heaven

Bruno - Probably human too, just a man in the cryptid woods who fell in love with an angel

Narancia - im tempted to just say catboy cuz im out of ideas

Mista - Satyr. Hairy.

Trish - cross between demon and human, has some demon features but otherwise can pass human

Diavolo - probably a demon

—

Background: Pannacotta Fugo

one of fugo’s grandparents (grandma) are definitely a werewolf that married into a wealthy family at some point therefore making Fugo a decendant. the werewolf genes skipped his parents’ generation and of his siblings, only Fugo got the werewolf genes. Fugos grandmother is the og werewolf i bet. Which is why Panni loves her so much and feels he can confide in her cuz he keeps his werewolfness to himself otherwise. idk how it managed to avoid his parents as he was young so lets say the genes kick in around like puberty age or something, as in he cant fully transform till later. so following VA lore he goes to college n shit right? and following phf lore he gets mad at his professor waving away his grandmas recent passing as she was the only one he was close to and goes feral in a literal sense. he calms himself down before anyone can come in and be like “wtf” so when hes found back in human appearance, holding a big school book, thats what people think happened and blamed it on that. After that, Fugo runs away into the woods and later would find Bruno in his cabin in the woods. Bruno’s a social outcast who used to be a fisher but after his dads passing he moved into the more wooded areas and settled there. Became a farmer maybe cuz he has to make money somehow. Because brunos lived in the woods for a few years he's befriended many supernatural creatures that live there in part just to get buy, he even has a sign that says "supernatural friendly" or something. So With fugo having run out into the woods, Bruno finds Fugo while on a walk probably and takes Fugo in after Fugo explains he has nowhere else to go. So Fugo becomes a farmhand basically and Bruno has some werewolf acquaintances explain sorta how being a werewolf works cuz fugo's only werewolf relative he knows of is dead.

Background: Leone Abbacchio

Leone WAS a guardia angel for a man of which goes unnamed. At one point, Leone took a bribe of sorts from a demon. The bribe was to keep the demon business in the area unnoticed by Angels. Later, said same demon and Leone’s human get involved on some way, and it ends up in the death of Leone’s human. Because of Leone’s neglectfulness and possible corruptness, he is cast out from above and thrown down below to earth. Abba probably breaks a tree nearby on impact when being struck down from the literal sky. Bruno goes to investigate and finds abbacchio in what looks like a meteor crash sight of his own making, theres also probably the imprint of angel wings its like a really cinematic shot probably. So bruno takes him back to his cabin and nurses him back to health. Abba was probably someones guardian angel and took a bribe from a demon that eventually got his human killed. Bruno, being all wise with supernatural shit, feels bad for him as Abba has nowhere to go. He teaches Abbacchio how to be a human and function in society that way theyre both earning something. Though, abbacchio is still an angel by blood and being and does not require stuff like food or water and therefore doesnt take up too much valuable supplies.

Background: Narancia and Mista

Narancia probably likes to absentmindedly stroll through the woods and sometimes isnt seen for a few days as he is a cat and can hunt for himself. Nara was probably abandoned and became an ally cat at some point and was bullied for being a catboy, people called him a freak and for him to go eat out of the trash and stuff like that. Fugo found him in an alley when in town, and when he looked at the cat in the dumpster, he saw intelegent purple eyes instead of feral cat eyes and new that this malnourished, injured cat was probably supernatural in some way and took him with him to bruno's cabin, later, nara just kinda becomes a housecat thats also a helpful energetic boy And on one of nara's long day long strolls, he encounters Mista, who is a satyr therefore he's pantsless (furry goat legs) and shirtless (cuz why not) narancia kinda keeps his distance for a while and comes across Mista a few times over the course of maybe a few weeks to a month, but eventually Mista gets into trouble and uses a pan flute to use some epic firest magic to kill off some harmful spirits. After witnessing that, narancia, now catboy and not cat, jumps out of the bush he was watching from to exclaim how "totally sick!" That was. They kinda talk and become friends after a while, narancia becoming less and less afraid to approach him and talk to him. They later become really good bros and nara invites Mista over to play games but since Mista has no clue wtf those are as he's a satyr that lives shirtless in the woods, Narancia teaches him how to play and thats when mista realizes he's catching feelings :) Also as a lil hc of mine im bringing in the possum i draw narancia with called Tutti Frutti Juul Pod (aka Tutti/Tutti Frutti) and theyre Nara’s friend basically and occasionally he brings Tutti home but Tutti remains wild for the most part 👀

Background: Giorno

Giorno grew up in the city with his shitty mom and step dad. No gangster saving this time. Eventually, lets say, Giorno's parents decide they dont wanna deal with him anymore and put him in an orphanage and so giorno just kinda lives a sad life for a while. Eventually, he gets adopted by Jonathan and Erina, (his ov dad still being dio but hes dead because its my au and i said so) so Jonerina adopt Giorno and stuff starts getting a lot better for him. After vampire puberty or whatever, giorno isnt going to be killed by the sun or anything it just kinda stings his skin and he'll get burned bad if he stays exposed to the sun longer than an hour or so. So he starts taking night walks. Eventually, on a night of the full moon while giorno's out on his walks (cuz hes gotta do something it gets boring in the house at night after a while) and giorno comes across fugo like, as he's transforming into a full on wolf. Fugo's kinda embarassed by the fact giorno caught him and upon seeing giorno watch him transform, he sprints away. Giorno thought fugo and his big ol white fur coat were really pretty and doesnt chase after him, but thinks about it. A month later, the next full moon and he sees him again, transforming. Giorno just kinda ponders who this pretty stranger is and this time stays more hidded and approaches him slowly. Fugo growls at him at first, but giorno's opener is "Hello, your fur is very pretty. I'm Giorno, Giorno Giovanna" and fugo gets all flustered at being called "pretty" so he decides to approach him, carefully circlin him and gathering his scent to familiarize himself with it. He decides giorno is not a threat, and decides to shift back to his more human complexion, though his wolf ears and tail are still very present, as well as sharp claws and teeth. Fugo gets all nervous and eventually introduces himself and they kinda continue walking at night. Gionro also explains hes a vampire and prefers to thrive at night. Fugo asks to meet up another night and giorno agrees. They continue like that for a few weeks till fugo eventually gives giorno his number, that way they domt have to just walk and talk at night, and their relationship grows from there.

Its such a long Post omg 💀 but thats what i have!

[littlebabycrybtch]

oh my god im sorry but i HATE reading analysis discourse so fuckgin much. its so annoying and unnecessary and cruel bc per usual ableists just Scream over everyone and manipulate the view by focusing on the wrong points. disrespect towards this issue is never gonna work and yall would get that if you actually listened to the way the (usually nd) people felt about it and why, but ur too busy mocking them so you look good for consuming the Proper Medias tm. i mean you literally have to know this isnt productive, yall keep going bc you get a kick out of laughing at ‘unintelligent’ people.

‘uu ur teachers didnt oppress u by making u read to kill a mockingbird instead of the hunger games” ok listen 1. media you dont personally care abt can still definitely hold depthful value and be analyzed. oh my god lmao. the people who prefer ~that kind~ of media arent stupid and dont prefer easy thinking, its your own fault for Not looking into it yourself and just assuming its worthless, literally judging a book by its cover. LITERALLY avoiding the analysis skills you claim to have by assuming anything you read in highschool = smart, valuable and anything mainstream = stupid and useless. most books inherently contain symbolism and morals, a lot of these people CAN understand it, theyre just criticizing the inaccessibility of the writing that was forced on them academically. the people analyzing those medias instead of your favs are still taking in lessons even if they prefer to do it in a different format, i mean for instance THG is literally about fucking classism and racism and war you dumb hypocritical tunnel vision bitch, young adult media usually has a Lot of real world parallels in it that very much pertains to how teens see the world, thats the literal POINT, just cuz ur too elitist and dont respect children enough doesnt mean some books are ‘too stupid’ to analyze with any real social value, and 2. A BOOK NOT BEING EXCITING... OR EASY TO UNDERSTAND... IS LITERALLY SMTH VALID TO CRITICIZE IN MANY CASES, ESPECIALLY IF YOU ARE GIVING IT TO CHILDREN.... if a kid says “this is boring/too long/uses words that i dont know, so i cant make any sense of it” that doesnt always mean theyre lazy or w/e, if its not a book made for kids (bc kids can understand mature themes but that doesnt. mean you can just throw all the other skills they arent experienced with yet at them, they still need writing tailored to them), Thats your first problem, but sometimes ur book is just fucking boring all together. a book can have as much symbolism as it wants, if its not there to open the mind and provide necessary depth, but to feel self important and make you feel self important for getting it, thats not a good book. and with books i do respect now like TKAM i remember outright saying, “i literally cannot read this and dont get it at all” at like 10 yrs old, and my teachers didnt do shit to explain it or help me or give me any skills at all, they were just like. :) keep trying!! according to your scores we know you can do it!!! so, i did not keep trying, i gave up, and i guarantee if it had been a few years later it would have been easier. if i had been given the opportunity to read stories with similar morals that were made for my age range that i WANTED to read, i guarantee i wouldve gotten so much more out of that. but i was literally DISALLOWED, bro if i grabbed a book that actually interested me, i was told i couldnt check it out at ALL unless it was in the ‘range’ i was assigned, which was college level since i was in 4th grade. so if you think i shouldve kept reading, im being unironic rn, you need to go get a degree, become a teacher, and if a kid or teen says to you what i said, sit them down and TEACH THEM without shame, and fight for better regulations of what reading levels can be pushed on what age groups. if lit analysis is this important to you, FUCKING TEACH IT PROPERLY, that is literally the ONLY REAL SOLUTION to the problem you have, NOT SHAMING the people who were ALREADY FAILED BY THE SYSTEM.

the problem is not ‘idiots think symbolism is stupid’ the problem has ALWAYS been ‘the education system is flawed and how and when children are taught certain skills is so corrupted and damaging, the children growing up with it cannot Help but struggle later in life, and your issue should be with the system”. like can i be real. learn how to Emotionally ~analyze~ posts from sad kids with mental illnesses saying smth as basic as “i wish i wasnt forced to read mature books as a child without any themes pertaining to me at all bc it hurt my already fragile motivations for learning :/” without your ass getting defensive over the classics. bitches stan ‘the door is red to symbolize anger’ but think thg is just a stupid dystopia love triangle book................ ur not even that smart like yall are just elitist like LITERALLY just elitist if you mock the values ppl see in other books and claim theyre too stupid to understand ~real books~. a fucking mickey mouse cartoon could hold the exact same moral lesson as a 1200 page novel written by a college professor of 30 years, like the Exact Same Conclusions CAN be drawn no matter how many words and analogies and metaphors are thrown on top!! for many those fancy details make it more enriching but its literally possible to get the same concepts from “EASIER” material, that is not Lesser it is ACCESSIBLE and it should be ENCOURAGED all the same. yall are gatekeeping and its stupid, if you actually want ppl to analyze media then you’d applaud how they analyze their passions even when you dont share it, not shame them for struggling with understanding other stories. this rly boils down to either ‘i hate ppls preferences and wanna make them feel stupid’ OR the ever so lovely ‘i hate whiny disabled ppl and kids who were pressured to the point of burnout, and wanna make them feel stupid’. its fucking exhausting. idc how you guys feel, you talk to hear yourselves talk and its all just talk and nothing helpful, your disrespect doesnt work bc its an echo of the root problem. for gods sake shut up already lmao

[alexanderpusheen]

what frustrates me the most abt this china narrative is that the US created al qaeda and ISIS, those groups are recruiting and causing terrorism in xinjiang, china has been trying to handle the situation with re-education programs often suggested by westerners, and its still being treated as this major human rights violation. there are actually dozens of countries with several robust anti radicalization programs that are just as strict, like singapore, colombia, yemen, bangladesh, saudi arabia, and indonesia. this paper ive linked to was even funded by the DHS so like...why has detaining someone and basically reverse brainwashing them out of being a terrorist been so acceptable for so long but now its an issue? 

if you take issue with chinas program, you have to prove its somehow exceptional to these other programs. since we really dont have any way of knowing what is truth or reality thanks to the enormous disinformation campaign going on, you fucking cant. we dont even know what the programs entail because even googling it gets you exclusively hyperbolic concentration camp accusations. 

what i will say is that relations between the han majority and the uyghur minority have been strained since at least the 80s. link is the notoriously conservative and pro US intervention human rights watch, so dont say im using pro commie sources or anything. every time i do any bit of research on this i seem to find an attempt from major news outlets in the early to mid 2000s or late 20-teens to prove this all started or became dramatically worse now, but things have always been tense. and its not really a surprise that things really got bad after the collapse of the soviet union, an event that was geographically close to china and the xinjiang region and also just like, a fucking major global event in general.

what i find to be very odd is just how dramatically the narrative has changed. the diplomat, one of my favorite periodicals, went from taking very nuanced and balanced positions on xinjiang that i almost completely agreed with to being just as aggressive as outlets like the BBC and CNN in the span of five years. they have eleven pages worth of articles on xinjiang, mostly covering the terrorism and beijings response (which i agree is too harsh) and xinjiang muslims’ relationships to the greater muslim world. 

an example is how this article talks about the conflict at the time which warns of escalating violence as a result of han chauvinism and beijing being unable to deal with the extremism holistically. it points out how there were uyghurs captured among taliban ranks in afghanistan and how many might have even been working with ISIL.

The threat will not be an existential one to the Chinese state, as most Uighurs would prefer a peaceful accommodation. But even if only 1 percent of Uighurs hold extreme views, there are 10 million in Xinjiang and even for a state security apparatus as formidable as China’s, 100,000 or more angry people present a tough challenge.

i think its totally right that china does not allow people in that area to have cars, woodcutting tools, and amonium nitrate (which is used in bombs) is very strictly regulated. i completely agree that this is not how you combat terrorism. most people do not want war and broadly punishing these people is itself a human rights violation that went unnoticed until now.

however, in that same year, the diplomat also published this article about the infamous turkestan islamic party. members of TIP are like, literal jihadists lmfao.

TIP fighters call on the world’s Muslims to join the jihad against Western countries in internet videos. Perhaps most worringly for China, the TIP believes that Muslims may fight locally using various means instead of coming to Syria and Iraq to conduct a “holy war” against the “infidel” Western regimes.  

yeah i definitely want to hear more about what these guys have to say. the article is really good because i think it highly illustrates just how dangerous these people are. theyve killed hundreds of people across china and want to establish a fascist religious state in xinjiang. while the article speaks for itself, i believe the last paragraph really highlights why china is being singled out whereas countries like france and canada are considered allies to muslims for whatever reason:

However, as experience has shown, China takes a passive position in the struggle against global Islamic jihad in Syria and Iraq. Beijing has not sent its troops to the Middle East to fight ISIS and has instead confined itself to diplomatic support for Russia and the United States. The Chinese government uses the attacks of Islamic jihadists to persuade Western countries to support Beijing’s position on Xinjiang and turn a blind eye when the freedom and rights of Uyghurs are harshly suppressed by Chinese security forces. Therefore, China is not perceived by the West as a reliable partner in the fight against terrorism. [emphasis mine]

im just a little surprised to see that a lot of these violent attacks from extremists throughout the years have targeted not just han chinese but also other uyghurs. in the west people do not typically sympathize with terrorists as freedom fighters, even on the left, because we know that no matter how angry or how seemingly justified the violence might seem, terrorism is unacceptable and it grossly misrepresents islam. it is a fascist act because those terrorists often follow an extremely right wing version of islam. also, we know that those who carry out terrorist attacks even outside of the west are middle class and professionals in some way, not poor and marginalized people. the level of nuance afforded to terrorists outside of xinjiang is pretty staggering. 

yet in china, there seems to be this excitement than they are killing chinese people, even if some of those chinese are other uyghers or otherwise muslims. those who carry out attacks in xinjiang dont get any nuance or analysis because theyre justified.

ive referenced the diplomat earlier but this article from 2013 says it perfectly: Call Tiananmen Attack What It Was: Terrorism. except terrorism is bad. and the west wants you to support the uyghurs. and make no mistake, they do not want you to support the millions of uyghurs who want to live peacefully, free of any repression, american or chinese. they want you to support the jihadists randomly blowing up chinese and tourists alike because you are meant to sympathize with their plight.

terrorism isnt something to be romantacized or cheered on. it is something someone or someones do when they feel they have no other option. people do not want to kill even those they feel they have every right to because thats a line you cant uncross. murder changes you, justified or not. see the last chapter of wretched of the earth for this.

terrorism is great, however, for destabilizing a region or a country, and xinjiang is resource-rich. establishing a US-friendly regime, no matter how good they are on human rights, is the goal. the US does not care about muslims. they do not care about human rights. china, also, does not really seem to care about muslims or human rights either. but we’ve seen this since vietnam, and the US has learned since vietnam. the vietnamese were sympathetic. they were minding their business. 

after vietnam, merely being communist isnt enough to warrant invasion. theyre killing their own people. nevermind that bolsonaro kills his own people and no one wants to invade (yet--biden has mention sanctions wrt us which is scary but again, thats got everything to do with making sure latin america is loyal to the west, not HR offenses). korea, although it was before vietnam, was less publicized and learning from vietnam gave the US a valuable lesson: always blame the victim. and thus, the US blames the victims of its violence. even if its ‘justified’, even if its ‘true,’ as was the case with saddam hussein, invading and occupying was the nightmare no one but the imperialists anticipated. because they dont broadcast what occupying forces do to the occupied. i am old enough to remember abu ghraib. have it seared in my memory forever. you perhaps are also old enough to remember, but also think millions of abu ghraibs and guantanamo bays are always worth it, always justified. 

i know people arent going to read this and remind me really rudely that they didnt read it but i want to really emphasize how one of imperialism and colonialisms features is ethnic and racial separatism. how the rwandan genocide couldnt have happened without previous belgian and french rule. how yugoslavia wouldve remained a single country had it not been for NATO. i think its easy to diminish the role of the colonizer in all of this, but it is actually one of its goals: divide and conquer. exacerbate the existing conflicts to the point of genocide. 

and if the west succeeds in balkanizing china, you will get more racism rather than less. you will see more violence against muslim minorities rather than less. they will feel less empowered rather than more. china has to learn that they are also to blame in a way that will be catastrophic for over a billion people. han chauvinism and outright racism must be addressed beyond window dressing.

wrapping up, china is in the wrong here. what theyre doing is racist and humiliating a population that has to be empowered. and the one child rule, even for the han majority, is imo fucking evil lol like sorry tankie tumblr im tankie too but i cannot for the life of me accept that as a good thing.... but i also dont buy the accusations of genocide, because even tho a lot of these articles are kind of glossing over it, china is trying to handle the terrorism in the region. imo theyre feeding into it by getting more han in the area, but also having more han but forcing them to take worse jobs would be a show of good will. idk, this situation is extremely complex and frankly, most uyghers do not want secession. 

i also take extreme issue with people saying that adrian zenz is somehow reliable. not only is he a nazi crackpot, hes also literally the only source for almost all of what we know about this in the west. that is not how you do journalism. i dont understand how people are saying ‘yeah hes an extremely fascist grifter but also i believe him because hes anti communist and also anti china’. thats also not really the point? the point is that hes also the ONLY SOURCE on almost all of this, which is alarming. 

i also find it very startling that in order to keep interest in the story, every few weeks the US has to remind people that the chinese are also doing what the US is doing to women in its own camps. forget that the US is separating minors from parents (since 2008). forget that the US is sterilizing women en masse (since 2017). forget that the US is raping women at the border (since there was a border). forget the US even has camps because now they arent even called that anymore. this is not that ‘you can be angry at two things at once’ but a clearly cynical attempt to get its citizens to forget that the US is detaining, deporting, sterilizing, and raping, and gassing non US nationals. 

they are not ‘your own people.’ they are me. the other. i am an immigrant to the US, currently in my country of birth, so i am the other to you, the american. the chinese are doing the evil crime of killing their own. but the americans could never kill their own because they dont consider black americans to be their own. latin american nationals are not their own. bombing millions globally is not their own. thats always justifiable. there is clearly an element of racism in how these crimes are perceived as more or less evil.

the way immigrants and black americans are brutalized in the US is almost naturalized. like its the way things are supposed to be. you can live with that. its upsetting that you have to hear about antiblackness and the like but you know thats just how life is. you dont necessarily call for the US to be sanctioned or bombed by other countries because you believe in the inherent goodness of white america. but countries like china and iran and north korea deserve to be starved and killed for their crimes. and you can never say ‘maybe bombing and starving a country isnt the answer’ because it means you agree with it. you can never say ‘this is clearly propaganda to make me hate another race so much’ because it means youre a genocide denier. im sorry, but again, i remember iraq in 2003, i remember libya in 2011. i dont buy it.

finally, theres been a lot of attacks on asian people in the US lately and if you cannot see the violent way the US talks about china the country and how that influences people to harm asians within the US then idk what else to tell you. people will really believe this shit and say the chinese are all blood thirsty islamaphobes and thus need to be harmed. ‘im not like that! i defend my asian friends from racism!’ thats nice and all but idk how spreading some sinophobic propaganda designed by the US to make you support some kind of violence against one billion chinese people isnt inherently racist. also its unhelpful because sanctions dont really solve problems. but ive spoken too much.

[harryseyebrows]

More parenting questions because we need specifics! Attachment parenting or cry it out? Baby wearing? Homemade baby food? Are any picky eaters? Do they introduce them to any religion? (I imagine Harry showing them all if anyone starts to ask questions) What stance will Jeff and Harry take on underage drinking or age of first cell phones? Who gives the birds and bees talk? Are they the cool house to hang out at for the teenagers? (Harry always has baked goods, Jeff has a killer vinyl collection)

i love you for this.

okay. so in terms of parenting style, it evolves from baby to baby. they had such a hard time getting pregnant with the twins that it makes them super protective once theyre born. harry is a bit more overbearing and neurotic, and not to say that jeff isnt just as scared and nervous, he’s just a bit more rational. they read the same books and know almost all of the same information, but when it comes down to it, harry often foregoes what most people and experts will tell you in favor of rushing down the hall if either twin so much as hiccups. jeff tries to reason with him and urge him to let them self soothe sometimes but its with very limited success. and jeff is kinda constantly battling with himself because he knows that harry is still spooked after the miscarriages (he is too) and when he forces harry to stay in the room and not run to them as soon as they cry, he sees how uncomfortable it makes harry, so he usually relents. however, harry relaxes over time. by the time the twins are around 6 months, he has other things to worry about, namely being pregnant again so soon, so he’s tired and cranky and swollen so letting the twins cry it out is sometimes the better option. he knows that he has a secure attachment with both twins and that they’re not lacking for anything, and that they’re both healthy and happy. with river, harry is significantly more relaxed, and by the time willow comes along, he and jeff are both old pros. 

BABY WEARING. if you think for one second that harry would not be ecstatic over the possibility of having his baby/babies strapped to him so he can walk around and show them off, even if its only at home and his only audience is the house plants, youre a CRAZY PERSON. harry loves a baby sling. jeff is less enthusiastic than harry but he’s still pretty psyched about it. even though when they take the twins out together, one baby per chest, they do look ridiculous. harry never gets tired of it, even after 4 kids. especially when theyre newborns. catch him doing laundry and dishes with his paisley printed baby scarf-sling on. DELIGHTFUL. 

homemade baby food. they try it just for shits when the twins are able to start solids but its a very short-lived project. too much mess. too expensive. store bought it just fine for them lol 

eli will eat whatever you put in front of him, but jude, harrys sweet, otherwise amicable little boy, is the one who goes through a phase where he proclaims ‘i dont like it’ to anything and everything. oddly enough, though, the things he will still eat are mostly healthy, like cubed fruit and baby carrots. however, he’s still a big fan of mac and cheese, but staunchly refuses to eat dino-shaped nuggets, to which eli usually looks at harry and jeff as if he’s saying ‘more for me, right?’ river is easy, too. a little human garbage disposal. harry has had to stop him from trying to eat a banana peel more than he’d like to admit. willow isnt quite as easy as river but she’s pretty close. all of the azoff children have very broad palates, thanks to harry and his adventurous cooking. jeff and harry also like to very very hands-on with the kids eating experiences -- they dedicate one night a week to having the kids help them with dinner. harry also likes to bake with them quite a bit. how many 4 years old do you know that have baked a lemon tart?

as far as religion goes, the kids are raised with ~blended religions ie jewish and christian (i did some research on it, and much like any other polarizing topic, there are a lot of people who claim that it has to be a hard left of right, one or the other, but if you dig a bit past the more sensationalized articles, you can find some info on people who were raised with two faiths and turned out just fine -- its finding a balance and respecting the holidays and traditions of both -- as well as explaining things just as you would if you were raising them with one faith. if given the room to explore both and come to their own decisions, it can actually be very valuable and healthy **also worth noting that i myself am not a religious person but i know its important to a lot of people). jeff and harry do their best to keep things clear and distinct but also make sure that the kids dont feel alienated or distant from either side. they dont force anything on them -- the kids are free to say no to certain things, and they both do their best to answer questions and such, so its not super strict, but more of a ‘its there if you want it’ type of situation. the kids also think its very special that they get to celebrate Hanukkah and christmas 

as neurotic as harry was when they were little, once the kids are older, he’s the more lax one when it comes to certain things ie drinking, pot, tattoos, etc. he’s pro ‘if youre gonna drink id rather you do it in the house than at a party’ so when the boys are 18/19, they’re allowed to have a beer or a glass of wine if they want it, as long as harry takes their keys. he knows that if you make something super off limits, its gonna make it that much more tempting when he’s not around to say no. thats why when river is 6 and asks what beer tastes like, harry lets him have a super tiny sip and is amused when river spits it out immediately, but less amused when he spits it out back into the bottle. jeff is a bit more strict and would prefer that they dont do it at all, but he respects harrys policies and kinda grins and bears it. 

jeff does the birds and the bees because harry is banned from talking about anything sex-related around the kids per their own request, simply because he’s super embarrassing and they hate it lmao sometimes he sits down and watches those shitty daytime talk shows, the one with the doctors as a panel, and he learns some random ass info about penile health and the next thing you know he’s bringing it up at breakfast only to be met with a chorus of ‘shut upppp dad, oh my GOD’ jeff is way more chill and easy to talk to, and the kids dont mind when he tells them because they can see that he’s just as uncomfortable as they are, eager to have it done and over with, as opposed to the theatrics they know theyd get with harry (probably some pseudo guidance counselor nonsense where he’d act placid and calm and stare at them with his laser beam focus, radiating ‘you can tell me anything’ vibes that would make them want to wither away. there’d be hand gestures and a condom demonstration with a banana, a lecture on embracing your sexuality but being careful and safe. NO THANKS, says all 4 kids)

and you are absolutely correct, other kids and teenagers seem to love going to the hazoff household, even though the actual hazoff kids dont know why. one of their dads is a complete goof (and totally embraces it) and the other is significantly more chill but also prone to being nerdy and embarrassing (harry tries to impress under the guise of being casual, whereas jeff is always ready to bust out naked baby pictures while simultaneously be the ~cool one). there are always cookies or some type of loaf cake on the counter and ready to be eaten, and jeff is always working on some new sound or projection system for movies. its just a really nice, open environment where anyone who steps into their house is accepted with open arms. unless they’re rude or mean. then harry is mildly passive aggressive but otherwise still civil. only once that person leaves does he mutter something about ‘well they weren’t very nice’ 

[krusca]

A Concept:

mcu tony & comics clark kent (aka, the smol squishy human with one of the most powerful superheros of all time) 

(as transcribed and revised from my twitter thread. because i need more people to fall into this rairpair hell with me. handwaves the different universe and for the sake of this concept they’re single)

Clark Kent is deeply amused but also very impressed by this small human with a bad heart who sticks himself into a tin can and flies around at mach 5 speeds and keeps challenging him in unspoken races when flying despite knowing he’ll lose every time. 

Lets be real, mcu Tony is not a strong young healthy supersoldier or even someone who had the rigorous training lifstyle. He’s got tonys of health problems such as the injured heart, reduced lung capacity, liver problems from drinking, constant stress on his body from flying around in aforementioned tin can. And Tony’s mental state isnt that great either

But that doesn’t stop Tony one bit, and Clark sees everything he loves about humanity in Tony- brave, resilient, generous, stubborn, a bit annoying, and so so heroic. 

Clark can literally see tony’s weak heart, the lung capacity, the fake sternum (or arc reactor depends on what you prefer) the negative effects of constant G force on a body, and despite the armor’s protections the metal can’t absorb all the shock and sometimes does more damage than most people would think. His first instinct is to wrap him in blankets and keep him safe.....but he knows a man like Tony Stark would hate the coddling. 

Still that doesn't stop Clark from feeling protective, he winces every time Tony takes a hit because he can hear the joints and bones creaking and fracturing.

Meanwhile Tony has mixed feelings towards Superman. From a scientific standpoint, he’s fascinating, even moreso than Thor, stronger than Hulk, but he’s also scared of him, because Clark is someone who can see all of Tony’s weakness and imperfections (the physical ones at least), and when Clark starts taking a more vested interest in him the self conscious fear increases. He catches Clark’s worried glances, a look he interprets as judgement of being not good enough. He builds lead plating into most of his armors, he tries to avoid Clark as much as he can (especially one on one interactions. It doesn’t matter Clark says he doesn’t use his powers unless it’s necessary, Tony feels like Clark’s listening to his heart racing, the tightness in his shoulders, the fear of being seen as a fake a fraud)

Clark thinks Tony’s afraid of him and his powers, it stings a little but its much like Batman, the scientific and genius would have reason to fear him so he’s super gentle around Tony. Tony hates that even more, being treated with kiddie gloves, so he avoids Clark even more. Clark’s confused, wonders if its jealousy, in certain ways he reminds him of Bruce Wayne but this is a whole new level if it is jealousy (and that doesn't quite add up, Tony may talk about his ego but end of day Tony’s not jealous, he’s curious-  he marvels in new delights and bigger better shinier things. Clark has no idea its Tony’s crippling self esteem thats the issue)

One day Clark sees Tony doing some extreme remodeling of the workshop & he offers his help. Tony tries waving him away but a section of the wall nearly falls on Tony much to Clarks distress and Tony concedes Clark could be useful with the super speed strength flight and how to handle a hammer being a farmboy and all.

Clark’s never been in Tony’s workshop before, only seem glimpses. Seeing the holograms the half build machines, its all very impressive, different from kryptonian and other alien tech but still brilliant and intriguing like the scifi movies he used to enjoy as a kid. Tony’s cautious and guarded at first, but his workshop is his safe space and his domain so he lets loose bit by bit. Plus Clark is very helpful and replastering the walls in a fraction of a time it wouldve normally taken him. 

After tony’s done with all the security upgrades, he’s absorbed in his many projects again and barely notices Clark’s presence at this point. He’s flicking thru 3D holomodels making notes, and Clark doesn’t use his powers on his friends but hey he’s curious and takes a peek at the genius’s brain and he’s instantly blinded and captivated, its like looking at a thousand suns, every neuron firing at top speeds in multiple directions, processing several threads of thoughts at once (and I’m borrowing this aspect from 616 tony) yes Tony’s a genius but he’s also invaluable precisely because no one can multitask at such a high capacity level of genius at once. Clark’ has to look away because Tony’s mind is so bright and burns so hard he’s literally seeing stars in his eyes.

Tony sees him rubbing his eyes and Clark tells him its just dust and Tony’s skeptical can Superman even be affected by little things like dust. Tony hesitantly offers him dinner since Clark was so helpful and Tony’s not a bad host. Clark says yes quickly and really hopes he didn’t sound too overeager, he really wants to get to know Tony better. He always knew Tony was a genius but was always so overtaken by how small Tony was especially compared to the younger healthier heroes. Even Batman’s a genius but in a different way, he’s analytical whereas Tony’s genius is something else entirely, the kind of genius that can create elements, destroy and rebuild worlds, create life but a whole new kind.

Clark realizes how wrong he was, Tony isn’t weak at all, Tony’s mind is his true power and it’s something powerful, fearful, wonderful, breathtaking (clark wonders what it’d be like to have that kind of focus directed at him and gets a bit hot under the collar) 

They talk about various things over dinner, and Clark keeps peeking at Tony’s brain, its rude and kind of(?) a violation of privacy but it’s so pretty and Tony’s expressing everything that he’s seeing so yea he keeps looking. They get into topics of parents and he doesn’t need any superpowers to see how tony shutters up, his bright galaxy of a mind dimming at the bad topic. Clark apologizes, Tony brushes it off and moves to another topic, but Clark can see how his mind isn't as vibrant as it was before and it kills him a little, he wants Tony to be joyful and happy not..this. He cleans up dinner, thanks Tony, goes home happy to see Tony’s warmed up to him a lot.

Only after does Clark get home does he realize he may have a bit of a crush on Tony and stares at the ceiling all night. Tony thinks about Clark that night too, while working on Avengers upgrades. Clark’s polite, kind, sassy under that goody two shoes exterior, and a very attentive listener (a little bit too attentive? Clark looked a bit like a man in a desert staring at an oasis) Tony likes attention but that kind of naked adoration directed for hours from several hundred pounds of pure muscle and goodness is a bit overwhelming. He’s cut from the same cloth of Mr. Perfect like Steve but minus the sanctimonious aspect or the weird family ties with his dad so Clarks taken off Tony’s shit list.

Clark hovers again when Tony’s Iron Man, but holds himself back and lets Tony handle things. He sees how tony reacts badly when he tries to step in and help, Tony goes on building sprees and overworks himself, all an effort to show he’s valuable and not a liability while giving Clark the cold shoulder. Clark wonders if it really is just ego but despite appearances Tony’s not that shallow.

One December night Tony gets wasted in his lab and Clark can’t stay away, Tony’s BAC is dangerously high. Tony doesn’t take his presence well, shouts at him to leave, hurls insults and bottles, but Clark just walks forward slowly, approaching Tony like you would a spooked animal, until he’s close enough and asks Tony if he’d like a hug. 

Tony’s stunned into silence at this offer,  and he slowly leans forward into Clark’s chest. Clark can hear his heartbeat light and fast like a bird, as tony slowly falls apart in Clark’s arms. He’s drunk off his ass and telling Clark everything, his parents death anniversary, his dad who never loved him his mom who he loved so much, and Obie. Clark only happens to hear all of this because of his super hearing. Tony mostly mumbles and slurs his way through and he talks about his pathological fear of failure, not being good enough, and only being good for his usefulness otherwise he may as well be dead. 

Clark can’t believe the kind of self loathing tony was hiding, the fact his dad instilled that kind of though into his brilliant son, the loss and betrayal Tony’s faced, he’s Superman and he can’t do a damn thing, cept hold Tony, doesn’t want to say much in fear of saying the wrong thing. He carries Tony to his bed and tucks him in on his side, fetches painkillers and water for when tony wakes. He should leave but he can’t he sits at the edge of the bed and stares at the face of a man drowning in something dark and unseeable, but getting up anyways and changing the world every single day. He’s gone before Tony’s awake, calls his Ma because he doesn’t know how to handle this, tells her about his “friend” (she exposes his big fat crush for him within a minute into the conversation), she gives him advice, and Clark flies back to the tower with groceries. 

Tonys awake by the time he crawls out of bed, Clarks in the kitchen cooking breakfast (closer to lunch really) and Tony autopilot drinks the coffee and eats the food laid out in front of him until he semi-realizes what happened last night. things get awkward and Tony’s humiliated and embarrassed and Clark’s a big flustered baby who doesn’t know how to handle this situation either, so Tony pulls a retreat, gets out of his chair, thanks Clark for breakfast and walks out.

Clark is lost, he doesn’t want to lose the closeness he gained but it’s not like they can pretend it never happened. End of the day though he wants Tony to be happy and it doesn’t matter if Clarks part of the equation or not so he wants to let Tony choose.

Meanwhile Tony’s in full panic mode, he broke down in front of SUPERMAN the guy who treats him like he’s fragile, there’s no fixing this and Tony goes into burn all bridges mode, throwing himself into work and avoiding Clark at all costs.

Clark didn’t expect the sever all ties outcome (in retrospect its very tony) and it hurts a lot more than expected. He leaves a video message for Tony and flies off to the moon to pine. 

Tony doesn’t touch the video for 3 days until curiosity wins over the part of his brain thats screaming to abort and tells JARVIS to pull it up. It’s Clark talking to Tony, telling him (almost) everything, how much he respect his strength, bravery, generosity, how he never met anyone quite like him in all the galaxies and dimensions he’s been to, and he’d like the privilege of being Tony’s friend again, but if Tony doesn’t want him around he’ll respect that too.

Tony laughs because he’s... astonished (”JARVIS was that for real?” “Yes sir, I believe he was quite sincere” “The most powerful man in the world and he sends me a friendship letter via video”) Of course Clark can hear this and he’s a bit miffed but Tony’s laughing and not maliciously either so it’s ok. Tony says out loud “Hey big guy, I know you can hear me wanna come talk?” Clarks off the moon and in Tony’s lab in minutes, and Tony’s chuckling as he pats moondust off him. Tony tells Clark he’s a narcissistic fuckup and most people don’t stick around for long, but feel free to stay as long as he’d like and Clark’s ready to prove him wrong because Tony is just an amazing individual- Clark may protect humanity but Tony leads it to  new heights & he’s humbled that he can be by Tony’s side to see that happen.

so yea, tony stark and clark kent.

[samanthasroberts]

‘The history of a city is the history of its cafés’: writing life in Mexico

Finding the old coffeehouses among the American chains in Mexico City is hard, says author and journalist Juan Villoros, but theyre wonderful spaces to write in when you find one

Built over a lake that was drained, overwhelmed by the exhaust of cars and the pollution in a valley encircled by mountains that dont let the wind in, Mexico City is a bastion of dust mites. The atmosphere isnt as aggressive as our winter is benevolent (although you suffer inside the houses, built according to the superstitious idea that heat is unnecessary), but spring asthenia thrives in the dirty air. The arrival of the rains, more torrential all the time, provides relief from allergies but not from flooding.

In this context cafs are not, as in other parts of the world, places where you can escape the snow for a while, but rather spots where you can combat the rush and, in some cases, breathe differently. Some modern coffeehouses have a system known as washed air; the more traditional ones dont have it and dont need it: they make up for the vapors of the Italian machine with a fan that simultaneously refreshes the air. The best atmosphere in Mexico City is in a caf.

In my adolescence people spoke of caf intellectuals, not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.

Nonetheless, the elusory cafs of Mexico City represented singular refuges for reinventing the real with words.

There have never been many cafs in Mexico City. If you dont count the spots started by Cubans and Spaniards in the centro, among us the caf has never occupied the preeminent place it has in other metropolises. Whats more, the North American-style chains have bit by bit replaced the little cafs where the owner would smoke behind the counter with a dog on a comfortable cushion at his side the unique, unrepeatable places, the grottos of the initiates.

The capitals best-known caf is the Casa de los Azulejos, or House of Tiles, built by a revanchist Spaniard looking to get back at the authoritarian father who had told him, You wont even be able to build a house of tiles (meaning a toy house). The stately building has a mural by Jos Clemente Orozco in its staircase. Upstairs theres a bar with a little window in the shape of a flower which gives onto one of the best views of the centro histrico, dominated by domes and bell towers.

Casa de Azulejos in Mexico City. Photograph: Alejandro Linares Garcia

The invasion of plastic-chair coffee shops lent the few real cafs an air of quasi-secrecy. Meeting spots for a sect to which one belongs on merits that cant always be defined.

A caf is a place for talking. The mythology of radio announcers, who populated my childhood with magic words, was substituted in my enthusiasm by that of writers, particularly poets. Going on twenty, Id make pilgrimages down Bucareli towards Caf La Habana, where according to Roberto Bolao the iron poets could be found.

Mario Santiago Papasquiaro: I met him in 1973 under his original name, Jos Alfredo Zendejas, in a short story workshop. He wrote only poems but liked to debate narrative. His critical sense was ferocious, yet he tempered his fire with jokes that he himself celebrated with thunderous guffaws. He had read more than we had, knew the avant-gardes; had banged the drum, along with Roberto Bolao and other rebels, for infrarrealismo; and was planning an epic trip to Europe.

People treated him with annoyed suspicion. When hed come to see me at La Jornada, the newspaper where I worked, the receptionist, who was used to dealing with all kinds of eccentrics, would call me on the phone to ask whether I really wanted to let Mario in. I preferred to see him at Caf La Habana, where hed order a beer at ten in the morning in order to evoke the 1970s, the period Bolao was to make famous in The Savage Detectives, where Mario appears under the name Ulises Lima.

Caf La Habana, in Mexico City. Photograph: Francis McKee

The rhythm of a caf lends itself to the writing and correcting of verses that roll onward as the cigar smoke once did. You cant write a novel in a caf.

The urgent demands of journalism and the need for isolation drove me away from cafs, where I had begun to feel superfluous. I wasnt a poet and was wasting time. So said my puritanical conscience, trained at the Colegio Alemn.

Sometimes I take shelter from the rain in those places and kill time there between one appointment and the next, but theyre no longer targets in my life. I admire the people who get together there, although I do it with the incongruous feeling of one whos been missing out on something for thirty years. Every city has parallel societies: the gamblers, beggars, drug dealers and addicts tend to associate clandestinely in order to fraternize at the margins of the norm. For me cafs have become something similar, almost prohibited. Is there any reason for this renunciation? Its possible that it all has to do with the way we administer the future. For years Id meet with poets to talk about the future. I didnt plan to write any poems, but like the protagonists of On the Road or The Savage Detectives, I aspired to live poetically. The caf was the place of violent conjecture, the place where we could conceive of rare, perhaps unattainable hopes.

The history of a city is the history of its cafs, where life mixes with culture. Ramn Gmez de la Serna set up his observation post at the Pombo in Madrid, Claudio Magris his at the San Marco in Trieste; Karl Kraus at the Central in Vienna; Jean-Paul Sartre at the Deux Magots in Paris; Fernando Pessoa at the Martinho da Arcada in Lisbon; Juan Rulfo at the gora in Mexico City.

Is there any better way to get to know a city in a sedentary key? If the walking man deciphers the lay of the land by looking, the man of the caf understands his time by listening. Coffeehouses afforded me a valuable exercise: being in the city without being absorbed by it, seeing others at the moment when they excuse themselves from their habitual codified conduct. The urban custom they turn to most often in that enclosure is a certain type of conversation, one that foregoes conclusions and aspires only to continuation.

The infinite needs strategies in order to become intimate. Mexico City is inexhaustible in a provisional way, like a cup of caf cortado.

About the Author

Juan Villoro is the author of El testigo, Dios es redondo (God is Round), Los culpables (The Guilty), and other books. His journalistic and literary work has been recognized with such international prizes as the Herralde de Novela, Premio Xavier Villaurrutia, Rey de Espaa, Ciudad de Barcelona, Vzquez Montalbn de Periodismo Deportivo, and Antonin Artaud. He has been a professor of literature at UNAM, Yale, and la Universidad Pompeu Fabra de Barcelona. He is a columnist for the newspapers Reforma and El Peridico de Catalunya.

About the Translator

Philip K. Zimmerman is a writer and a translator from Spanish and German. Born in Madrid, he was raised in Upstate New York. His work has been included in the Berlin International Literature Festival and the New York International Fringe Festival, and he recently completed a translation of Helene and Wolfgang Beltracchis autobiography, Selbstportrt (Self-Portrait). He lives in Munich, Germany.

This essay is excerpted from Juan Villoros El vrtigo horizontal: la Ciudad de Mxico.

Source: http://allofbeer.com/the-history-of-a-city-is-the-history-of-its-cafes-writing-life-in-mexico/

from All of Beer https://allofbeer.wordpress.com/2019/03/20/the-history-of-a-city-is-the-history-of-its-cafes-writing-life-in-mexico/

[allofbeercom]

‘The history of a city is the history of its cafés’: writing life in Mexico

Finding the old coffeehouses among the American chains in Mexico City is hard, says author and journalist Juan Villoros, but theyre wonderful spaces to write in when you find one

Built over a lake that was drained, overwhelmed by the exhaust of cars and the pollution in a valley encircled by mountains that dont let the wind in, Mexico City is a bastion of dust mites. The atmosphere isnt as aggressive as our winter is benevolent (although you suffer inside the houses, built according to the superstitious idea that heat is unnecessary), but spring asthenia thrives in the dirty air. The arrival of the rains, more torrential all the time, provides relief from allergies but not from flooding.

In this context cafs are not, as in other parts of the world, places where you can escape the snow for a while, but rather spots where you can combat the rush and, in some cases, breathe differently. Some modern coffeehouses have a system known as washed air; the more traditional ones dont have it and dont need it: they make up for the vapors of the Italian machine with a fan that simultaneously refreshes the air. The best atmosphere in Mexico City is in a caf.

In my adolescence people spoke of caf intellectuals, not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.

Nonetheless, the elusory cafs of Mexico City represented singular refuges for reinventing the real with words.

There have never been many cafs in Mexico City. If you dont count the spots started by Cubans and Spaniards in the centro, among us the caf has never occupied the preeminent place it has in other metropolises. Whats more, the North American-style chains have bit by bit replaced the little cafs where the owner would smoke behind the counter with a dog on a comfortable cushion at his side the unique, unrepeatable places, the grottos of the initiates.

The capitals best-known caf is the Casa de los Azulejos, or House of Tiles, built by a revanchist Spaniard looking to get back at the authoritarian father who had told him, You wont even be able to build a house of tiles (meaning a toy house). The stately building has a mural by Jos Clemente Orozco in its staircase. Upstairs theres a bar with a little window in the shape of a flower which gives onto one of the best views of the centro histrico, dominated by domes and bell towers.

Casa de Azulejos in Mexico City. Photograph: Alejandro Linares Garcia

The invasion of plastic-chair coffee shops lent the few real cafs an air of quasi-secrecy. Meeting spots for a sect to which one belongs on merits that cant always be defined.

A caf is a place for talking. The mythology of radio announcers, who populated my childhood with magic words, was substituted in my enthusiasm by that of writers, particularly poets. Going on twenty, Id make pilgrimages down Bucareli towards Caf La Habana, where according to Roberto Bolao the iron poets could be found.

Mario Santiago Papasquiaro: I met him in 1973 under his original name, Jos Alfredo Zendejas, in a short story workshop. He wrote only poems but liked to debate narrative. His critical sense was ferocious, yet he tempered his fire with jokes that he himself celebrated with thunderous guffaws. He had read more than we had, knew the avant-gardes; had banged the drum, along with Roberto Bolao and other rebels, for infrarrealismo; and was planning an epic trip to Europe.

People treated him with annoyed suspicion. When hed come to see me at La Jornada, the newspaper where I worked, the receptionist, who was used to dealing with all kinds of eccentrics, would call me on the phone to ask whether I really wanted to let Mario in. I preferred to see him at Caf La Habana, where hed order a beer at ten in the morning in order to evoke the 1970s, the period Bolao was to make famous in The Savage Detectives, where Mario appears under the name Ulises Lima.

Caf La Habana, in Mexico City. Photograph: Francis McKee

The rhythm of a caf lends itself to the writing and correcting of verses that roll onward as the cigar smoke once did. You cant write a novel in a caf.

The urgent demands of journalism and the need for isolation drove me away from cafs, where I had begun to feel superfluous. I wasnt a poet and was wasting time. So said my puritanical conscience, trained at the Colegio Alemn.

Sometimes I take shelter from the rain in those places and kill time there between one appointment and the next, but theyre no longer targets in my life. I admire the people who get together there, although I do it with the incongruous feeling of one whos been missing out on something for thirty years. Every city has parallel societies: the gamblers, beggars, drug dealers and addicts tend to associate clandestinely in order to fraternize at the margins of the norm. For me cafs have become something similar, almost prohibited. Is there any reason for this renunciation? Its possible that it all has to do with the way we administer the future. For years Id meet with poets to talk about the future. I didnt plan to write any poems, but like the protagonists of On the Road or The Savage Detectives, I aspired to live poetically. The caf was the place of violent conjecture, the place where we could conceive of rare, perhaps unattainable hopes.

The history of a city is the history of its cafs, where life mixes with culture. Ramn Gmez de la Serna set up his observation post at the Pombo in Madrid, Claudio Magris his at the San Marco in Trieste; Karl Kraus at the Central in Vienna; Jean-Paul Sartre at the Deux Magots in Paris; Fernando Pessoa at the Martinho da Arcada in Lisbon; Juan Rulfo at the gora in Mexico City.

Is there any better way to get to know a city in a sedentary key? If the walking man deciphers the lay of the land by looking, the man of the caf understands his time by listening. Coffeehouses afforded me a valuable exercise: being in the city without being absorbed by it, seeing others at the moment when they excuse themselves from their habitual codified conduct. The urban custom they turn to most often in that enclosure is a certain type of conversation, one that foregoes conclusions and aspires only to continuation.

The infinite needs strategies in order to become intimate. Mexico City is inexhaustible in a provisional way, like a cup of caf cortado.

About the Author

Juan Villoro is the author of El testigo, Dios es redondo (God is Round), Los culpables (The Guilty), and other books. His journalistic and literary work has been recognized with such international prizes as the Herralde de Novela, Premio Xavier Villaurrutia, Rey de Espaa, Ciudad de Barcelona, Vzquez Montalbn de Periodismo Deportivo, and Antonin Artaud. He has been a professor of literature at UNAM, Yale, and la Universidad Pompeu Fabra de Barcelona. He is a columnist for the newspapers Reforma and El Peridico de Catalunya.

About the Translator

Philip K. Zimmerman is a writer and a translator from Spanish and German. Born in Madrid, he was raised in Upstate New York. His work has been included in the Berlin International Literature Festival and the New York International Fringe Festival, and he recently completed a translation of Helene and Wolfgang Beltracchis autobiography, Selbstportrt (Self-Portrait). He lives in Munich, Germany.

This essay is excerpted from Juan Villoros El vrtigo horizontal: la Ciudad de Mxico.

from All Of Beer http://allofbeer.com/the-history-of-a-city-is-the-history-of-its-cafes-writing-life-in-mexico/

[annnahatcher-blog]

Oh gosh............

candyumbrella

reblogged your post and added: “STOP. REDUCING. DONNA. TO. NOTHING. TO. MAKE. YOUR. SHIP. LOOK....”

candyumbrella

My biggest problem with your post is that you’re...                                            

Okay... I think regarding the tweets and screen caps I have said my piece in the previous answer that I wrote just to say I will reply when I have time but what did actually intrigue me is that you dedicated half of this post to tell me just how valuable and whatever-you-called-it Scarvey is? I think we can go back and forth pushing our opinions down each other’s throats and down-grading what the other likes, since that’s how it’s done these days in fandoms apparently, but honestly, since we will clearly never see the show in the same way, I would just like to go back to the point of the post I wrote- Darvey and Donna and clear up some things some of the people I actually do know in the fandom & have talked to about their views said and you interpreted in some weird way that actually has very little to do with what the parts of the fandom I know and have engaged with were / are going through in regards to either Scarvey since you talked about it so much or other stuff…

1) “You mean like how Darvey shippers insisted so hard that Harvey hadn’t slept with Esther at the end of 5x04 (even though anyone with eyes could’ve seen he did) that Aaron Korsh had to confirm on Twitter that they did sleep together?” I can actually 100% say I wasn’t in any way a part of this mess / dilemma because I wasn’t tweeting about those episodes, however, I do actually know for a fact that there were more people from tweets to reviews than just Darvey fans who were confused on whether Harvey actually did sleep with Esther. For example…

So of course, if the writing clearly didn’t suffice for everyone in making a point that Harvey and Esther  slept together, people who love Darvey I guess held on to that, while they were more people – “with eyes” – who didn’t understand if that happened or not.

2) I really don’t see the point of trying to show me that “ignoring every actual storyline” and not showing “real arguments”? Has anything to do with people making Rachel a part of Darvey head canons. I understand your example, however, what fandom doesn’t make head canons that involve other characters regarding their ships? Not to mention that the writers of the show have over and over again made Darvey a part of a discussion with / between other characters where Rachel & Scottie are most definitely a part of that. + “when that very scene between them showcased their POVs as women, as girlfriends, and as lawyers, and added far more interesting layers to their characterization than whatever Darvey-propping YOUR fandom wanted” like, once again, as far as I know- people were making head canons about what that scene could be BEFORE IT HAPPENED. It wasn’t about me or any of the people I do talk to making that scene into something darvey related after that episode or being disapproving of it in regards to Rachel & Scottie interaction. It was prior to the episode- imagination, head canons, etc. ????

3) “Marvey is THE central relationship of the show” Yep, I think it’s safe to say that this is old news. When I said “Marvey never existed” I was, clearly and straight forward, relating to the ‘Marvey’romantic ship. No matter how central Harvey & Mike’s relationship is in the show, ‘Marvey’ in a romantic way never existed.

4) “You don’t even believe that yourselves, in your heart of hearts. If you did, then 5x13 wouldn’t have bothered Darvey shippers at all, let alone bothered them as much as it did”

OHH GOD, first of all:

From the day of the episode, from my twitter…  since I don’t have the time in my life to literally dig up every single thing ever said by every shipper ever like you did, this is what came up from me, some of the stuff I posted that day and what I also want to say is: imagine a fandom that had prior to 513  very solid episodes, with the network & writers & producer tweeting about their ship as well. And then they bring back an old love interest and stir things up again. I am not saying they can’t do that, after initial anger and a wave of hate for the writing, for me there was only understanding that it’s a part of the way show does things- they want to keep everyone watching. Ok, I get that. HOWEVER, you can’t blame fans for being freaking disappointed and sad that after so many seasons and their ship getting closer and closer they pull that stuff. It’s like you are making a fandom that is upset because a half of their ship had an ambiguous (u can argue- open) scene with someone other than the other half of their ship into something that it’s not. “Again, if it really played as closure then why did it hurt you so damn much to watch it?” OF COURSE people were upset?? Of course everyone who ships Darvey would have preferred that episode to be about Darvey. Isn’t that common sense? But that doesn’t mean all darvey fans went into a spiral of anger and panic because they deep down thought / knew Scarvey is endgame? O.o

“(…) Mike’s secret might have been the breaking point there were other things that contributed to that break-up – including the fact that she (scottie)’s not the easiest person to be in a relationship with. This particular scene gets a bit of course correction at the end of the episode when Harvey admits to Scottie his trust issues were a factor, too, but that still doesn’t make her accept even a fraction of the blame. Let’s knock her off that pedestal.” (link: http://hiddenremote.com/2016/02/11/suits-review-gods-green-earth/) First hit on reviews for 5x13 from Google I just found, not some random Darvey fan, a person that is paid to write and analyses.

Not to mention…

3x11, Jessica about Scarvey: “But what happens when you two break up?”

3x15, Donna, as said by Korsh- Harvey’s emotional compass and voice of reason who also tried to make it work for him and Scottie because she wanted him to be happy: “Someone who is pissed at you, Harvey. Someone who keeps finding a reason to be pissed at you. And it’s not the 3rd time, it’s not the 5th time and it’s not the last time.”

5x01, Jessica talking about Donna leaving Harvey: “Shit Harvey, Scottie leaving didn’t throw you off your game as much”

5) “If Harvey ever said or did a tenth of what he said or did for Scottie to Donna, y'all would be in seventh heaven of shipper delight and you know it.”

Yeah like all those times he USED THE FEELINGS SHE HAD FOR HIM TO GET SOMETHING? Like wanting her to drop a case, or telling her a story about how he first saw her knowing it will work to get her to do something for him? All those times he put other people before her? 3x16, Scottie: “Not now Donna (…) I guess it’s not now Scottie.” How in the same episode she had to ask other people to tell her stuff to the extent that Jessica pointed out to her that she jumped into this relationship that is clearly not working out? The fact that he forgot she went away for 14 days and Donna had to remind him? The fact that his gift for her consisted of a bottle of scotch and then Donna bought glasses to make it into a decent gif, as voiced ON THE SHOW?

JESSICA HAS SAID SO MANY THINGS about Donna and Darvey relationship (not to mention Rachel, Mike, Big Bertha, Gretchen, Agard, Louis, ETC ETC) Harvey has literally behaved better towards Donna in the show than he ever did towards Scottie. He continues to open up to her, he went to see her play, brought her flowers, took her to breakfast and shopping because she was sad, told his freaking mother about her, LITERALLY TOLD DONNA “Anyone else ever loses faith in me, it doesn’t matter. But with you, it’s different.” All of the things he was never able to do in any of his relationships, he has done for her without a second thought.This isnt me just saying stuff to make another ship look bad, this is WHAT HAPPENED ON THE SHOW.

Like HONESTLY, you are free to prefer Scarvey over Darvey. BUT PLEASE, do not tell me I would love to have Scarvey-like scenes for Darvey because I wouldn’t be shipping them if that was the case. Season 1 where Scottie made Harvey a cheater, while knowing that’s the one thing he hates more than anything in life prevented me from ever feeling anything for that relationship. But everything that happened in s2, s3 and on for them didn’t make any difference either.

6) … As Korsh said before 4B, “Scottie always will be in the picture in some sense.” The only classic trope missing from the list is “She’s the love of my life” and if they can get Abigail back in a future season it wouldn’t surprise me if that line came up in some form, especially since it was already implied when Harvey reacted to his sessions with Dr. Agard telling him he had to deal with his issues if he wanted to have a real relationship by seeking out Scottie to basically ask her if she would wait for him.

Wow now, I have to stop at this because you said WE are twisting things? Yes, Agard was talking about his relationships in general but that literally happened right after Harvey had a dream about Donna in connection to his mother issues. THEN Agard said that as long as he doesn’t fix these issues regarding his mom he will never be able to have a relationship. And let’s see what happened regards to his mom later on. At the end of 6x11 Donna told him he needs to go see her because he won’t be able to “fill that void” otherwise. Then in 6x12 she gave him a peep talk to assure him (along with all flashbacks). Then he went to see his mom and told her he is ready to forgive her. She asked “Why now?” and He said “Someone very special to me convinced me that I needed to.” And she replied “Whoever it is, I am glad she did.”  After they finally talked things through she gave him that picture to take back home to replace the painting and he asked Donna to be there to put it up with him. You really think after all this SCOTTIE will be the one Harvey will show up for after dealing with his issues and there being NO CONNECTION TO ANY OTHER LOVE INTEREST IN ANY WAY SHAPE OR FORM in that episode?

KORSH LITERALLY SAID BEFORE 6x12: “He has got some messed up issues with his mom. Until he gets through it, he’s never going to be able to be the man for Donna. That is sort of the conversation and possibly the right assessment of what’s going on.” AND AT THE END HE ALSO ADDED THAT even if Harvey may never fix his stuff with his mom, doesn’t become that man “But nonetheless he is inching closer to her anyway.”

No need to say more. 

7) Regards to the notes you made for Darvey fans behavior after 6x16 I don’t think we understand each other once again… the point of my post (also why I am replying to all the things I replied because I think you are mixing up stuff) was to say that I hate when people are making FAKE ASSUMPTIONS, compared to the show, about Donna to lift their ship up. And I didn’t say no one can ever complain about anything THAT ACTUALLY HAPPENED for god’s sake?

AGAIN, I KNOW FOR A FACT that people I TALK TO, and I BASED MY DARVEY PARTS OF THE  POST ON, AS I HAVE EXPLAINED SO MANY TIMES, WERENT ANNOYED BY THE DARVEY SCENE. I literally talked in a group chat after the episode and as everyone there processed what has happened we came to a conclusion that

a) It didn’t feel like “enough” compared with how intense the promotion of the show in regards to darvey was + how 6.10-6.13 were in general but it will when it develops 

However,

b) That we were really excited because it left the door for them open and finally we will see the status quo of their relationship change.

If people weren’t ok with how 616 played out I understand them. The atmosphere of the fandom was incredibly positive and hopeful, largely to do so with how the show was promoted (as well as for the machel wedding, that also didn’t happen) but I truly don’t think out of that it’s fair to make assumptions that every person that complained or didn’t think it was enough was just doing so out of personal belief that darvey fans shall have a part in decision making. But whatever, sooo wasn’t the point to my post.

8) “But sure, Darvey shippers are the ones who truly see Donna, while everyone else is trying to put her down just because she (supposedly) gets in the way of their ship. It’s not like most Darvey shippers saw zero value in Donna’s storyline in 6x16, right? It’s not like they’re citing 6x11 and 6x12 as the best episodes of the season and saying everything else sucked, when Donna solely played a supporting role to Harvey in those eps and got her best material as a character in 6x15-6x16. It’s not like they didn’t all praise 5x12 as a great episode and then turn around the very next week and say that 5x12 hadn’t done anything for Donna as a character–how on earth could 5x13 retroactively harm what had been a great ep for Donna only 7 days before? OH, I WONDER HOW. Most of your fandom only gives a damn about Donna or anything relating to Donna if they believe the show is eventually leading to Darvey.”

NOW THIS……… Darvey fans were the ones who made (me and my friend Lamia as the ones who started it) a freaking hashtag during 6a about Donna deserving better that got so much attention FROM DARVEY FANS AND PEOPLE WHO CARE ABOUT DONNA IN GENERAL that Sarah thanked one of the tweets (which was explaining that it’s about DONNA having a BETTER STORYLINE ABOUT HER, FOCUSING ON HER AS A PERSON). Not only that, Korsh also said he saw the responses and that it felt good to see, that even though he had the idea for Donna’s storyline before that happened, people wanting something he had in the works so much.

Not to mention the amount of times I have seen tweets from people who ship Darvey (myself included) saying that at the end of the day they just want Donna to be happy and were able to recognize moments where her happiness was more important to them than Darvey as a ship.

9)  And… you made 4 paragraph point about Harvey and his relationship with Scottie / Mike VS Donna. Again, I don’t think it had anything to do with anything I tried to convey, as not much of what you said did, however, it did amuse me enough to reply because I am just really amazed at the way you perceive things because->  “Darvey shippers worry about whether Scottie will show up and Harvey will still be in love with her. Scarvey shippers are fine with Donna being in love with Harvey, because it makes no difference to our ship;” …………wtf……………are you kidding me? For the first part- people don’t want Scottie to come back because WE ARE TIRED OF BEING PLAYED AND THE SHOW PUTTING OTHER LOVE INTEREST IN TO SLOW DOWN THE PROGRESS (as Korsh said in the Suits_usa blog that he knows once he puts Darvey together it basically closes the doors for other love interests) etc. I wonder what kind of world you live in where shippers of something, want half of some other ship to come back to the show? LITERALLY 90% OF THE DARVEY FANS I HAVE SPOKEN TO ARE SURE DARVEY IS ENDGAME. We are just waiting. TO QUOTE KORSH AFTER THE DREAM SCENE IN 6.11 “I find it hard to believe that in the rest of the seasons of the show we won’t have more than just that but we will see when we get there.”

I don’t think it’s strange or pro-scarvey-endgame of Darvey fans to not want to have to watch Harvey with another person six seasons in while we know Darvey is bound to happen.

And for the 2nd part- I know there are only a few Scarvey shippers I have stumbled upon on Twitter, but, the fact that you said that Donna being in love with Harvey doesn’t make any difference to your ship is kinda funny since SCOTTIE ASKED DONNA “Are you in love with him, Donna?” before making her choice with Harvey. Even if it didn’t matter to your fandom (which again, I don’t know much about other than what I have already said in my previous post), is sure as hell seemed to have mattered to a character on the show, a half of your ship. And that to me is a lot more important than anything else.

10)  “I don’t need to erase or forget or disqualify a single canon scene to ship what I ship, because comparing Darvey and Scarvey doesn’t hurt my ship, so I don’t need to erase Darvey to ship my ship, either.” You literally spent 4 paragraphs telling me why Harvey cares more about Scottie or Mike in the “canon” sense than Donna and miss-interpreted THE WHOLE POINT OF DARVEY, to justify your point. IF YOU HAVE READ ANY INTERVIEW AFTER s4 or WATCHED WHAT THE ACTORS SAID IN S5 BONUS, you would see that you quite literally just erased and disqualified more than just a single canon scene to ship your ship. 

Which brings me to my last point because quite honestly I am so done with reading what you said and trying to explain myself once again (and for the last time, FOR SURE.) when I could be doing so many more productive things- nothing made me laugh more (and I did laugh.) than your last paragraph. Maybe Harvey is your favorite character, maybe he isn’t, and quite frankly, I don’t even care, but it’s more than clear that the only reason you mentioned that at the end is to try to add weight to everything you wrote prior. Oh so because he is your favorite character your intentions are completely pure and should be taken into consideration more than other opinions? I could say the same, Harvey and Donna are my favorite characters on the show. But I don’t think it’s of need to point that out because you don’t have to think of Harvey as your favorite character to understand the basic storylines of the show and where they are going. 

I really don’t see the necessity of most stuff in regards to what my post was about. For whatever reason you had enough time to quote and talk about so much stuff, I don’t know. I didn’t even have enough time to read every post you provided with your claims. I just wanted to reply to what seemed to point on my post or simply found so amusing against everything I believe and am certain off that I just look couldn’t pass it.

I think it’s more than clear we will NEVER EVER E V E R agree on anything about this show and that’s ok. I just wanted to try to make my points like you tried to make yours.

The end.

[michaelandy101-blog]

How-To Content Isn’t Going Anywhere (and What That Means for Your Strategy)

New Post has been published on http://tiptopreview.com/how-to-content-isnt-going-anywhere-and-what-that-means-for-your-strategy/

How-To Content Isn’t Going Anywhere (and What That Means for Your Strategy)

I’m a big fan of the Lore podcast, and in a recent episode, the host discussed a book called the Malleus Maleficarum.

Two words starting with the “mal” prefix doesn’t sound super friendly, right?

Well, the book is essentially a guide on how to identify witches and conduct witch trials. It turned out to have quite the horrible impact on society — as we’ve learned in history classes — but the host notes that it’s also one of the first how-tos ever written.

And it was published in 1486, ore than 500 years ago.

How-to content isn’t new, and from what I can tell, it isn’t going anywhere. Look at how many search results come back when you narrow content down to titles including “how to.”



It’s not just that there’s a ton of this type of content, either. People want to read it.

The prominence of “how-to” content

My team at Fractl did a study about how different generations search online. We gave nearly 1,000 people this prompt:

You just got engaged! It’s time to start thinking about the wedding, but you’re not sure where to start. What is the first word or phrase you would search using Google or another search engine?

Thirteen percent of all the respondents’ hypothetical searches had “how to” in them, and the youngest respondents — millennials and Gen Zers — used it the most.

It serves as additional proof for what we already suspected: how-to content remains a staple in the content world.

And it makes sense, doesn’t it? How-tos not only lend themselves to the thrill of learning new information online (and the seemingly endless number of things that are available to learn); they also serve as a tool of empowerment. Even if you don’t know how to do something, you can figure it out just by going online and reading/watching/listening to content someone else put together for you.

If people continue to desire this type of content, how can you make sure you’re incorporating it into your content plans accordingly?

Finding how-to opportunities

In some cases, it’s obvious how more how-to content can help your brand. Perhaps you’re a B2B SaaS company with a product designed to help teams collaborate online. You could write how-to articles about improving communication, transitioning to a new chat client, and plenty of other topics.

It’s important to have these articles, because not only do they speak to a direct need of a certain audience, but they’re also directly related to your brand offering. They’re rife with more natural call-to-action opportunities, and they demonstrate your willingness to help solve a problem.

This article by Brembo is a perfect illustration of this.

After the helpful guide, they have a CTA to:

“Just go to the configurator (www.moto.brembo.com) and enter some simple information about your motorcycle such as brand, engine displacement, model and year. The configurator will search through the entire Brembo line and quickly indicate which Brembo products are available for the selected bike, even including the pad compounds.”

And voilà! You have a useful guide that ties directly into your product.

However, the trick is making sure you’re seizing every opportunity and not settling on just the obvious how-tos.

Here are some ways you can find creative new opportunities:

Ask your audience. Run a poll on social media. Survey your email list. Call your customers. Whatever your preferred method, ask what they want to see! Get to know their challenges better so you can create content that will address them.

Research what’s being asked online. You can start by going to Answer the Public or using BuzzSumo’s Questions tool. Both allow you to see what people are asking across the web regarding topics. But you can also look at similar content that exists and see what people are saying in the comments. Is there any confusion? Any points that still need to be covered?

Talk to your sales team. They’re the ones “on the ground” discussing potential worries and concerns from your clients and customers. If you haven’t already, set up a regular check in with the sales department so you can stay updated on what questions are popping up that the marketing team can answer in its content.

Additionally, for brands that might not have clear ideas for how-to content, it’s important to explore top-of-the-funnel opportunities, which you can do using the same tactics above.

Top-of-the-funnel means that, while the how-to guides might not be directly related to your service offering, they’re still good for introducing your brand to people who are interested in your general industry.

For example, like many other food brands, King Arthur’s Flour has recipes involving flour on their site. However, unlike many other food brands, their article, “How to make high-rising biscuits” has more than 94,000 engagements on Facebook, according to BuzzSumo.

Now, this is arguably middle-of-the-funnel because you need flour to make the biscuits and it’s a flour company creating the content. But people looking this up probably already have flour in their homes. The benefit of creating this content is that now they’re familiar with this brand of flour, and if the recipe goes well, they have more trust in this particular brand.

So, the article doesn’t have to be “how to choose the right type of flour.” It can be something your audience wants to know related to what you offer.

Getting creative with how-to content

Sometimes you want to create a guide that technically might already exist, but you want to do a better job in one way or another.

That’s great! But it means going the extra mile, thinking outside the box, and every other cliche you can think of. And that doesn’t always mean doing something costly or extravagant.

For example, because of the COVID-19 pandemic, the CDC released a piece about how to wash your hands correctly. Rather than sticking to the diagrams you see in restaurant bathrooms, they created a clean list of steps followed by a video showing exactly how to execute each step.

Just the addition of the videos made the content much more valuable to readers.

I also love this article from Taste of Home. I’ve read a million recipes on how to make chocolate chip cookies (what? I have a sweet tooth!), but this is the first time I’ve seen one that helps you adapt a basic recipe to make the best cookie for you.

The simple addition of this graphic adds an entirely new value to the piece that so many other variations lack by offering visual representations of textures for each recipe option.

So how can you achieve the same result? When you’ve decided on a topic to write about, do the following:

Sum up in one sentence exactly what you want to teach people. Be as specific as possible. This will keep you focused when you’re creatively brainstorming how to execute.

Explore what other how-to content already exists and what they’re lacking. Does the type of content work well for the topic? Is it too long, too confusing, too boring? How can you make yours easier to understand and more interesting?

Constantly bookmark inspiration you come across. All kinds of content out there can provide you with creative ideas on how to execute a how-to guide. Put all of the links or images in a Google doc to create a sort of virtual vision board, or make it a habit to go to sites like https://www.reddit.com/r/InternetIsBeautiful/.

Conclusion

Knowing that how-to content is always going to be desired is a great prompt for examining its role in your strategy. Which of your previous how-to pieces have performed the best, which have performed the worst, and what can you learn from both?

Hopefully the tips I’ve shared in this piece will help you explore new opportunities to serve your audience with step-by-step guides. If you have more examples of how-to guides you love, share them with me in the comments below or on Twitter @millanda!

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