#so I'm grateful for this photo

[mizgnomer]

Crowley in the Dirty Donkey pub without his sunglasses & wearing a turtleneck 😍

for Tennant Tuesday (or whatever day this post finds you)

[liefst]

from blossom to pie 🍎🥧

[nipuni]

We just came back from filming some scenes for a period documentary in a museum and last saturday we were invited to the anniversary celebration of an historical train where we had first class wagons to ourselves and got to ride and visit the palaces and were on TV too, what is even happening I feel like I'm in a coma or something, how did we go from dressing up for fun to whatever is going on now lmao 😭

[homoeroticgrappling]

@sexychuckiet Just a sassy bitch

📷 @speedy.photo @brainbuster_

[maream2636]

2024.1.7

There have been disturbing developments. The histology and computer exam is scheduled for tomorrow and I really don't want to go, but again, focus on your goals.

So! :

1.Watch a video explaining what I should do tomorrow on the computer

2.Studying tissues through questions posted by one of the students (a huge subject and only five marks for it. It a waste of time to study six lectures)

[crescentfool]

the persona 3 protagonist 25th anniversary nui in food appliances!

[doberbutts]

I have finally added the last of my photo and video backlog to my queue 😌 hope y'all like dogs bc it's a solid 3.5 weeks of queued loss and I'm about to add more next week and even more than that two weeks later.

[sundayshaze]

@mothercain at all points east ♡

[copia]

i'm going on exam season lockdown as of today, which means no more gifs/edits/anything else because i spend way too much time on them for an engineering student in the trenches lmao. posting this not because i think anybody will notice or care, but so i can hold myself accountable and get embarrassed if i break the pledge. see you on june 3rd for a ghovie creativity extravaganza

edit: besides the ghovie trailer 😭 i cant restrain myself from that one

[gamebunny-advance]

Crossing the Animals

I've been playing ACNH a lot again recently, and I kinda hate what the new overwhelming power that the player has done to how I view my villagers.

On the one hand, I have given into the "creative player" mindset, where only the aesthetics of the animals really matters to me in terms of inviting them to live on Moonside. But on the other hand, I also still have the old "social sim" mindset, so I have difficulty letting go of animals that I've had a long time.

For example, I've had Raymond on my island since the game first came out because he was my mandatory smug villager, but tbh I don't really care for his businessman theme and was kinda put off from all the hype he had.

At first, I kept him because I felt bad throwing such a "rare" villager in into the void, especially when I knew others would really want him. My original intention was to pass him off to someone else when he got a thought bubble, but before that happened, I actually got attached to him for reasons not important enough to detail here. So ironically, even though this is the game with the (IMO) worst villager dialogue, he still managed to become a "character" for me, the same way Mint, Coco, and even Cole had in the past.

But even so, the bland dialogue and character interactions have kept him from becoming anything more than that, and the little affection I did have for him have started to fade.

So now, as I try to gather villagers that fit the aesthetics of my island better, Raymond keeps coming up on the chopping block, but I just can't bring myself to let him go, even though I know he really isn't going to do anything more for me. It's like I want to be able to say, "I've had this villager on my island since the very start of the game." even though a statement like that means literally nothing anyone, including myself.

And yet. I want to hang onto it. Even though it brings me no joy.

Ya know.

Now that I've written that out, I actually feel better about finally letting him go the next time he gets a thought bubble. I guess venting does actually work on occasion.

[gaycityrollers]

ngl I think I would lose my mind if somehow footage of post debut album imb surfaced

[wekillitwithfire]

weeping cherry

[theirloveisgross]

.

[taminoarticles]

— Tamino for Style Magazine Italia, June 2023 (x) (x)

Tamino returns to play in Italy: “The warmer the countries are, the warmer the audience"

The singer will perform at the Rocca Malatestiana in Cesena on July 4th and at the Spazio 211 in Turin on July 5th. "In Italy I always like to play," he says. But "in reality it scares me to meet too many people.” A true hero of introverts.

By Pier Andrea Canei June 15, 2023

The soundcheck is over, Alcatraz sold out, a thousand Milanese waiting to see the star of the evening: the Belgian-Egyptian singer Tamino. He relaxes behind the scenes, drinks green (tea) and wears black (Armani): like a 26-year-old prince of darkness. He has gentle manners, and a voice that vibrates on a broad spectrum. From the dark depths (the school is the one that goes from Leonard Cohen and Jacques Brel to Jeff Buckley and the alt-rock genre called “shoegaze”: emo tones, monochord guitars) to an angelic falsetto.

Soon, Tamino will go out there on stage and, without doing ballets or stepping on flowers, almost motionless except for when he holds his oud (a lute of the Arab tradition), he will attract attention. He is hieratic, with the charisma of a crusader of introverts, quiet people, and young romantic heroes; what allowed him to create a following that goes from [sic], (Colin Redwood [sic], former bassist of Radiohead, left Thom Yorke's group to follow him through studios and tours) up to the Arab world, from which it takes up sounds and instruments.

Tamino: Style's interview

Amir, the title of your first album and your middle name, means "prince" in Arabic. Were you raised as a little prince?

Well, I don't think so. Princes lead a very controlled life, lots of rules, discipline. I had a free childhood.

For the idea of calling you Tamino, like the young prince in Mozart's Magic Flute, we should thank your mother, Eva (de Pauw, anthropologist, hobby musician, passionate about cultures). What was it like growing up in Belgium?

Inspiring in many ways: lots of good art, music, art movements. From the Surrealism of René Magritte, to the music of Tom Barman's dEUS, a band that has opened many doors to the alternative scene. Then there are the negative sides in the social culture: in Belgium we tend not to value the potential of others... We are made like this, we like to see ourselves laying low, leveling ourselves up.

You realized this as soon as you finished compulsory school and left to study music in Holland.

It was an enlightening and difficult experience. From cool Antwerp designers to Amsterdam street style. Two hours by train and you land in another world. I wanted to shake off the provincial part of Belgium.

Habibi: I needed love

And your first hit song was born right in Amsterdam, in 2017: Habibi ... an Arabic and universal word of love.

You can say it to your loved one, to good friends, but also to a waiter: “Come here habibi, bring me a coffee”... Well, during the first days in Amsterdam I was depressed, very lonely, it was difficult to find human ties. I was looking for warmth, love: that piece came from there.

Of that vagueness that generates universality...

I think back to a title from the Talking Heads: Stop making sense. When you write lyrics for a song, you don't have to chase a precise meaning. Better ask yourself if your words convey the right feelings.

Typically Tamino: the yearning, the nostalgia. Songs like Indigo night: nocturnal, brooding, even melancholy. You recognise yourself in it?

I certainly tend to ruminate on things a lot. Too much...

An app to free yourself from the ego

And how do you free yourself from it?

Meditation helps. I also use a specific app, Waking Up: Beyond Meditation. Ten minutes a day is enough. It helps me to free myself from the ego, to feel myself a witness of thought, of consciousness. Simply necessary. More than diet or physical training.

Sahar, the title of the second and most recent album, means "at the crack of dawn."

For me it is already part of the past: the last words I sing are “before I step into darker days”...

That is: “Prima d'inoltrarmi in giorni più oscuri.”

I mean: before facing new torments, new struggles. What helps you grow is discomfort. That's the challenge. Never be afraid to step into the unknown.

Out of the comfort zone...

I like spending some time in New York. I stay out of my own comfort zone, it's not comfortable for me. And doing so inspires me.

Lone sailor

In the video for Sunflower, a duet with the singer Angèle, you have the air of a romantic hero. Do you want to act?

In that video I enjoyed interpreting, even without lines, this figure of the lonely sailor. This was an idea from the director. I've only done a little theater and at most a few sailing trips with friends.

Would you be a testimonial for a perfume?

Well, yes, under the right conditions... For example, a prestigious operation like the Bleu de Chanel campaign with Gaspard Ulliel, with that spot directed by Martin Scorsese.

A spot that stylises the clichés of a rock star life: glamorous places, flashes, meetings with crazy people...

In reality it scares me to meet too many people. I'm a very lonely guy. Even though I’m finding it easier and easier for me to make connections lately, I steer clear of glam dinners or events.

Then you spends the whole summer on the road

I have fun at festivals. My favourite is Into the Great Wide Open, on the island of Vlieland, Holland: 10,000 people, zero cars, music, love and kindness.

Your summer also includes two Italian stages.

I always like to play in Italy. The warmer the countries, the warmer the audience.

I live in Türkiye

Who knows in the Middle East, or in Africa.

We do the biggest lives in Turkey: crazy crowds. And Egypt is like coming home: you feel that for the people it is more than just a concert.

Your surname is famous in Egypt. Your grandfather Muharram Fouad was a musical star, your father started out as a performer.

It's like an Egyptian dynasty of music. A fun fact about me being a huge Lord of the Rings fan is that I've always felt like Aragorn, the legitimate heir to the Elven throne, who travels incognito. Nobody ever knows who he is. I felt like this growing up in Belgium. It was never talked about, nor was there much money, and that side of the family has only emerged now that I'm better known.

Who among the main names would you bring next to you at the festival of your dreams?

I don't even know if I would put myself among the top names... I'd like Anouar Brahem, Tunisian, master of the oud. And then something electronic, maybe the Aphex Twins. And I dream of working with Massive Attack.

Many festivals. But never a festive song?

I should write one first. But generally gloomy, tenebrous things come out to me.

Let's say you sing one happy song and save the world; which one do you choose?

I don't know if a happy song could save the world. Lou Reed's Walk on the Wild Side?

The height of happiness.A matter of feeling: a song can be sad in itself, but make you feel good. A glimmer of hope, an air of comfort. It can wrap you in emotions. Maybe you're sad, and that's okay: because you feel alive. A song full of life: well, for me it will always be a good song.

[burstingsunrise]

out of the euphoria, glass man, rollacoaster, fault and dscene magazine, which one is your favorite luke magazine feature?

what an incredible opportunity to monologue about luke hemmings! so the thing is - and this probably isn't surprising to anyone - when you think everything luke hemmings does is perfect, it's very, very difficult to choose a "favorite" anything.

all of these features have incredible photoshoots and really lovely quotes, so i've actually put together more of a selection of favorite pics/snippets from each feature instead of actually answering your question, because i am insufferable. <3

[theinfinitedivides]

i should have known today was going to be f*cked up when i checked the Shinee tag before going to bed early this morning and saw that the unofficial sign merch for the fans going to the Japan tour with all five members had been pulled and replaced with official merch from SM that only had the three that are currently active. that should have been a sign from God that some f*ckass sh*t was about to go down the vibes were off