#so I might be on after 9

[xxskyethetiredemoxx]

Gerard Way at 9/11, the event that started it all

TODAY IS THE DAY MCR WAS CREATED 🥳🥳

HAPPY 23RD ANNIVERSARY (with a 6 year break) TO MY FAVOURITE BAND

(Edit: some people have made me aware that this post can appear insensitive or inappropriate towards 9/11. That isn't my intent, 9/11 was a tragedy, and the aftermath was horrendous. This post is only here to celebrate the start of mcr, absolutely not 9/11.)

[orengejoshi]

please more fat flug please please please please please pl

here's an older sketch that is kinda cute

I'm gonna use this opportunity to package some current news in the tags here;

[jorenilee]

shining light that gives you the flu

[cantheykillmacbeth]

I'm in love with this blog, sorry if sending so many asks feels like spam, but do you think Guts of Berserk could defeat Macbeth because of The Brand of Sacrifice? I feel like that might qualify him for the Unique Exception.

Okay so admittedly I can't find anything prophecy-dodging about the Brand of Sacrifice (I'm sure that there's something I just can't find it) BUT-

Yes, Guts from Berserk could kill Macbeth!

Look, all I'm saying is that if Shakespeare considered being born via C-section to be Unconventional Birth Clause then being delivered posthumously from a woman's corpse should count too.

Thank you for your submission!

-Mod Anthem

[geeky-nightphilosopher]

🦇Batfamily🦇

Jason: *Talking about clearance books* They are very condensed classics. They have pictures. Which I thought you'd like.

Steph: 😐😑😐

Jason: *without missing a beat* You know, so you can follow along.

Steph: 😮

Jason: You know, because you can't read.

[youchangedmedestiel]

Chapter 9 of the Destiel lighthouse fic is FINALLY out!

Dean and Cas don't talk to each other. They each work on their tasks in different parts of the lighthouse. Avoiding to cross paths. Cas takes care of Dean's hand without a word. Two days without a word until Dean finds Cas sitting on the floor of the living quarters, as pale as the snow.

Tag list: (Send me a dm to tell me if you want to be removed or added)  @morallygreyintrovert @chlochette-sunde @minxyone93 @reyolfx @teafangirl @zazou830 @thezestywalru @adromelke @here4thetrama

[bluvlet]

Okay, some of my rambling, first viewing impressions of Stage/Fright below the cut! (spoilers for the show!)

Always returning to that all encompassing obsession of mine when it comes to in9 - grief. The whole stage show is, effectively, a funeral service for in9.

Like 'Plodding On', it provides quick stop references to the history of in9. It's like the show's life is flashing before our eyes (christine, anyone?); off the top of my head, here are some I picked up on:

the first half is a retelling of 'Bernie Clifton's Dressing Room' (which itself is an episode about grief and looking back and catching glimpses of a beloved past).

the kidnapper's sketch is an obvious 'A Quiet Night In' reference with Rachmaninoff's Piano Concerto, the outdoor lights gag, Reece + Steve's costuming looking identical to Ray and Eddie, and their briefly mentioned future job stealing a painting. There's a single black, man's shoe ('Diddle Diddle Dumpling') in a wardrobe, which is at one point enigmatically stuffed with people ('Sardines'). I also think Steve's (Len's) performance was very much giving Barry Baggs -- a fun TLOG reference. The guest that night was Dara Ó Briain, and at one point during the sketch the guys actually all broke to laugh at each other, which was hilarious.

The La Terreur De L' Asile segment reminds me a lot of 'The Trolley Problem' and 'The Riddle of The Sphinx', particularly Steve as Vince as Dr. Goudron, playing another predator who drugs and assaults vulnerable women. (I promise I still am working on my Trolley Problem and Sphinx comparison, which deals a lot with the parallels between Blake and Squires, and now probably with a tiny segment for Goudron...)

The inclusion of a horror period piece is also just like in each series of the show.

The segment with the actors of La Terreur De L' Asile was very 'Seance Time' to me: Marcus reminded me a lot of Terry, the vengeful that ghost haunts the cast, and the construction of it to conceal that the Asylum section is staged mirrors how 'Seance Time' was presented.

That section also brought 'Deadline' to mind -- especially the brilliant work with the screen and the camera and all the creeping around back stage (thinking of the camera on Reece's head during ‘Deadline’) Also the metatextual element of (fictional) Reece and Steve disturbing the peace of ghosts who died in show accidents and go on to disrupt in9 in return.

And of course there were tons of other little one-liners that instantly transport you back to an episode, or recurring jokes amongst in9 enthusiasts ('Sheridan Smith', the whole 'one of was dead the whole time' joke Reece makes after Steve dies).

The show ends with the fiction versions of Steve and Reece having died (and another callback to BCDR with their dance number). The stage show is quite literally the death of the in9 versions of the two. I'm sorry I really cannot articulate this point properly yet. The underlying emotional through line is that Steve himself is remembering Reece by imagining him still performing alongside him (another BCDR reversal like in ‘Plodding On’); by having (real) Reece performing all night, us as audience members unknowingly partake in (fictional) Steve's grief. And as it turns out, Reece has been haunting the theatre the entire time. Moreso, they point to the audience at 'laughter is my memory of you.' -- it's a memorial service for us too, from Steve and Reece's perspective. We mourn Reece and Steve as they do us, but it’s all about mourning in9. What is a ghost story if not a love story?

Another thing that strikes me is the metatextuality of it all. The show goes through every length to remind you constantly that it is a show. All of the segments take advantage of the theatre and its history and its capabilities as a space and an art form. I find it all utterly brilliant. Again, the fictional versions of R & S return, and references to Stage/Fright itself as we watch a show within a show within a show (at times) within a show. I don't have any fully formed thoughts about this yet, but I am thinking a lot about Stage/Fright's self awareness.

The whole trip was a very late present for my 19th birthday last summer from my mate, Luke (who has been mentioned on my blog before as the mind behind the interpretation of Blake being from working class roots). He's a very casual in9 fan and mostly just entertains my rantings about it, but after the end of the show he turned to me and said: 'I understand why there's RPF of them now.' I’m not into RPF but I find this genuinely hilarious.

Apologies if I've misremembered anything! I usually need 2-3 watches of things before anything properly sinks in, so you'll have to bear with my single viewing and shoddy memory.

[snailfen]

being a kaai yuki fan is awful. i want endearing edutainment-styled songs about cat behaviors that sound like a kid with a cat obsession writing a song about them not this lolicon-styled trendbait SLOP 😭

[mickittotheman]

16 for the kiss meme if you feel inspired? 👀💖

Of course!

16. ...lazily

Mickey wakes with a soft little snuffling sound, his cheek rubbing against the pillow, his grip tightening on Ian’s bicep.

Ian’s breath hitches. The sappy smile on his lips stretches wider.

Gone are the days when Mickey would wake with a jolt, with a kick and a curse and a wild, haunted look in his eyes. The transition from rest to ready used to be so sudden and jarring and violent.

Now, Ian can barely even tell when it’s happening. Is only able to notice because he pays very close attention to the cadence of Mickey’s breaths.

Mickey cracks an eye open. Glares at Ian sleepily. 

“Fucking creep.”

Ian laughs softly. Brings a hand up to smooth over Mickey’s hair, relishing in the way Mickey nuzzles into it instead of batting him away or shoving back. “You oughta be used to me watching you sleep by now.”

Mickey’s response is delayed by a yawn. “Yeah, well, you oughta be used to me calling you out on your creepyass behavior. Goddamn weirdo.”

“A goddamn weirdo that you love~,” Ian teases.

Mickey’s glare softens. His eyes slip closed, one brow arching, a smile tugging at his lips.

Ian can’t not kiss him. 

He leans in, seals their lips together, as easy and familiar and comforting as breathing. Mickey hums happily. Wiggles against the sheets. “You gonna fuck me, tough guy?”

Ian nips at Mickey’s lip. Thinks about it. Shakes his head, lips brushing together, noses bumping. “Nah. Just… wanna do this, for a while.”

Mickey huffs. Gets a hand up to tangle in Ian’s hair. “Fuckin�� sap,” he grumbles, but there’s a smile on his lips that Ian can taste.

They trade lazy kisses, and fall back asleep still melted into one another.

send me a number~

[lordmushroomkat]

Hi hey yes, this is the most important thing that has ever happened to me.

The Child!

The Child of all time!

Everybody get ready for the shadowpeach Child baby shower because our little apricot is here!

[From the shadowpeach bioparents au by @kyri45 . Spinoff #1: The Second Star]

[zaptap]

fun fact it's actually impossible to get a full palette of drone chips. you can only have up to 5 drone abilities (25 chips total) and there are only 2 that aren't abilities (so you can have 35. the last one has to be something else)

[anniebass]

I just can’t with the fact that my 1 y.o baby niece bears the most resemblance to my late grandmother, with her very blue almond eyes, eyebrow shape, even ears and slight asymmetry of upper lip. The likeness is just mind boggling. Welcome back grandma.

[cubbihue]

do i celebrate the itty bitties fop au for reaching 200 art pieces or 200 updates bcs the pieces and the updates arent lined up for some reason but also ive hit a massive followers milestone

i might reopen asks again for a fun celebration event since ive already recorded all the asks saved onto my files but when and how and hrm.

[thatfriendlyanon]

yesterday was my worst day in a month. today i've got a new book from the library (at @liuisi's recommendation :]), a fresh bouquet of tulips on the kitchen table, a job interview for tomorrow, a train ticket for my birthday, and a poetry manuscript two pages away from being complete. here's to always hanging around long enough to see what happens next :)

[riddlesnap]

While not necessarily violent, Edward is still regarded as a high risk patient due to his criminal tendancies and high intellect. He's escaped from Arkham on at least two seperate occasions, typically through exploiting lapses in security by learning the schedule of the guards merely by talking to them. A brief lull in patrolling gave him enough time to exploit a weakness he found in his cell before slipping out with the keys, but not before causing an uproar in another wing by releasing prisoners there to distract security until he could get clear of Arkham.

[vagueeyes]

i get it now