#so I kinda need you to be here as much as you can because I miss you and need to talk to you like I need water to live

[stellardeer]

I feel like a lot of people in various reblog chains of this post have kinda lost the plot, so I'm reblogging this version to bring the emphasis back on the AI "detectors".

Whether something like Grammarly is considered AI or not is a little irrelevant, but most people consider using a spelling/grammar checker to not "count" as AI (despite the fact that you may be able to write out a bunch of nonsense and have Grammarly correct it over and over until it passes as a sentence)

And what a teacher will generally use an AI detector for is to check if the student wrote the paper or prompted an AI to give them a paper. As far as I know, Grammarly can't finish your entire document for you based on prompts (but I haven't used it so feel free to correct me) so I feel like a lot of the notes trying to argue whether it counts as AI or whether auto correct is useless now are just getting away from the point this point was supposed to be making:

You can't trust an AI detection software to accurately predict whether something was AI generated.

And part of the reason for that is that AI-detection software could ALSO be considered a form of AI. It is limited both by the dataset being fed to it to determine whether something is or isn't AI, and by any biases of the human who programmed it. If the programmer writes a program that says "look for anything that isn't perfect English and flag it as AI", they are showing that they don't trust anything written in broken English. I'm not sure why it might flag a word like "devoid", but if the AI detector is looking for patterns amongst known AI samples and the word "devoid" comes up a lot, it might just assume that any text using the word "devoid" has a higher chance of being AI generated.

Let's go back to the Both Of These Are Bad part.

It shouldn't need explaining why AI detectors falsely flagging ESL writers' works as AI is just bad and just contributing to systemic racism, so let's talk about the ways in which it can be harmful to native English speakers.

As stated above, it's interesting that an AI detector might flag words that seem "complex", while much of mainstream writing is trending towards simplification, for better or for worse. It could mean that since a lot of non-AI writing is so simplistic, anything that deviates from that is considered abnormal. Or it could, again, just be a programmed bias of the author of the program. I think this is more the point that thebibliosphere might have been trying to make, not that Grammarly specifically is evil AI that's making everyone write bad, but that a larger cultural shift to more simplistic language is happening and when things like Grammarly tell you to simplify your phrases or an AI detector tells you that your essay was AI generated because you used a big word, it's encouraging this simplification at a much faster rate than if human editors and teachers were directing their writers/students to do so.

Grammar software is perfectly optional for professionals, of course, but if a student is going to fail a class because their essay can't pass an AI detector, well, they can't really opt out of that. They have to change their wording to something that might not be as vibrant as what they originally wrote, or risk failing and potentially worse action depending on a school's plagiarism policies. It's essentially going to train kids to write in specific ways to get around it, and they might not understand why their paper was flagged or what AI even is yet, they're just going to assume that their writing was wrong and needs to be fixed. And let's not assume that only the kids writing their own essays are doing this, either. If kids can write a whole paper using AI and then change a couple of words so that it passes the detector, they're going to do that too!

Again, the point here is that the AI detectors are not infallible, often make racist assumptions, and cannot be the only method used to check whether something was AI generated.

I don't really have a good conclusion because I don't have the answer to this problem, because it goes beyond students in a classroom and you won't always get a document history to check. I just felt like this post was losing it's direction and I needed to clarify it for my own sanity.

[cressidagrey]

It's a Love Story - Chapter 6

Summary:

Azriel's shadows find their master a wife.

Azriel would just really like his heart not to get broken again.

And Sky...well, she's just really surprised that that far too handsome male is interested in her at all.

Warning:

DEFINETLY NSFW! Rhys Bashing (as usual), I classified this as Azriel x OC, even when it't technically Azriel x Sellyn Drake (but we kinda know nothing about Sellyn Drake other than that she writes books so Sky is kinda an OC), Cassian is kinda a good guy for once, Azriel has a horrible time, as usual... Stuttering, toxic families (For once I do not mean the IC), Self-Esteem Issues, Secret Identity, Body Image Issues, Fat Shaming, People being utterly horrible.

If any of this triggers you or makes you uncomfortable, please take care of your own mental health and don't read it.

For somebody that filled her romance novels with plenty of smut… Sky wasn’t exactly as experienced as one may expected. 

Actually…she was woefully inexperienced.

There had been Admon…and Admon it had been.

The rest of the stuff in her books…well, that was just her fantasy wildly spinning stories about how sex should feel. Informed by plenty of books she had read, other authors, and of course…there were the two people that got to read every book she wrote before it was published: Orla, her publisher, and her friend Ressina, who was nice enough to take the pen to every thing she wrote that was woefully inaccurate. 

Because nothing ever felt to her like she portrayed it in the books.

Maybe that was normal. Maybe it was because of course her books portrayed something…better than reality, an escape from it. But still…sometimes Sky had just wondered…

As Azriel carried her towards the bedroom, Sky couldn’t help but feel a flutter of nervousness in her stomach. It wasn’t that she didn’t want this, she did, more than anything. But the truth was, she was…nervous.

She had written about this moment countless times, had described it in vivid detail in her novels. But now that it was actually happening, she felt…insecure. What if it wasn’t as good in real life as she made it out to be on paper? What if she did disappoint him?

(Sky knew that she had disappointed Admon numerous times…that she seemingly had never been enough for him…had been so bad at it in fact that he had instead slept with her sister…which was a whole other kettle of fish that she really didn’t want ot think to close about right now.)

Sky tried to push those thoughts aside, to focus on the here and now. 

Azriel was here with her, he wanted her just as much as she wanted him. She could feel it in the way he held her, the way he looked at her. And yet, that nagging feeling of doubt still lingered.

And then there was the fact while he had admitted to sending his shadows to search for her… Sky was still keeping a rather big secret.

“Az…Azriel…” she said hesitantly.  “There…there is one thing you should know about me.”

Azriel paused, setting Sky down on the bed gently before turning to look at her. 

"Go on," he prompted her gently, taking her hand in his as he sat down next to her and giving it a reassuring squeeze. "You can tell me anything, Sky." She believed him. he wouldn’t judge her. She was sure of that as well. 

“You…You k…know how…how I…I write… ro…romance no..novels?” Sky asked him, biting her lip.

Azriel nodded, a small smile playing at the corners of his lips. "Yes, I do," he said, leaning in closer to her. "You told me.”

“I…I am Sellyn Drake,” she blurted out.

She had never outright admitted it to another person. 

Ressina had been the one who had send off her first manuscript to be published…and Orla had met with her…these were the two people in existence that knew that Skylar Alden was also Sellyn Drake. And Skylar had always been comfortable with keeping it that way. 

There was no need to tell anybody else. 

Which was why it worked so well, that Ressina was an artist and could paint the bookcovers for her. No need whatsoever to let anybody else see the hesitant first drafts until she was sure this was where she wanted to go. Just Ressina. Just one of her very few friends. If not her only. 

Azriel stared at her, his eyes widening in surprise. "What?" he asked, completely taken aback. "You're...Sellyn Drake?" There was no…outright disbelief in his voice, just shock. 

*We know! We made Master read your books!* the shadows cooed. *Lady Death, The Priestess and The Shopkeeper love them too!*

She had no idea who any of these people were but…

Azriel's eyes widened even further as the shadows spoke up. "You...you knew about this?" he asked them, turning towards the shadows in disbelief. "You knew. That’s why you gave me her books to read!”

This was just getting better and better.

Sky, who had been watching Azriel and the shadows’ exchange with a mixture of nervousness and embarrassment, couldn't help but laugh at the absurdity of the situation. 

“Do…Do they always…” she couldn’t even put it into words. 

Azriel sighed. “They like to meddle,” he said darkly. “And this time they were particularly persistent.” He shot a reproachful look at the shadows, who cowered a little under his gaze. "I won't lie, they did manipulate me into reading your books. And when my shadows do something they are rather...convincing."

She swallowed. 

“Did…did you…li…like them at…at least?” Sky asked hesitantly. 

Azriel hesitated for a moment before answering. 

"I...I did," he admitted earnestly. "Your writing...it's brilliant, Sky.” Her heart soared at his words. She treasured them, hoarding them away like a dragon. But he wasn’t done. “The characters, the emotions, the way you make the reader feel everything...it's incredible. I couldn't put them down."

Sky grinned at his words, feeling a swell of pride in her chest. "I…I'm glad you..you li…liked them," she said softly.

*Master especially liked the…*

“Shut. Up.” Azriel snapped, his ears reddening and Sky started laughing. She could just about imagine what the shadows wanted to tell her at that moment. 

Azriel groaned, burying his face in his hands. "I'm going to kill them," he muttered under his breath.

"They…they are ju…just try…trying to help you, aren't they?" she asked softly, squeezing his hand in hers. Only now she noticed the violent scars that marred them, the texture of raised and bumpy skin…but she didn’t care. Not one bit.  

*Of course, we are,* the shadows said, like any other idea was simply blasphemous. *We gave Master the best information we could. So that Master would know what you like.*

Sky probably shouldn't find it as adorable as she did. But the lengths they had gone to...the way they had made Azriel read her books so that he would know what she liked...nobody in her life had ever gone to these lengths just to find out what she liked.

"I swear I am not a total creep," Azriel told her with a grimace.

Sky laughed, shaking her head in disbelief. "No…no, no, you're not," she assured him, squeezing his, hands gently. "I…I ac…actually think it's… quite… sweet. In a weird, sli…slightly invasive kind of way. But sweet nonetheless."

"I think you are the only female that could possible think that," Azriel muttered, glaring at the shadows that didn't seem apologetic in the slightest.

Sky grinned, leaning in closer to him. "It’s… endearing,” she finally settled on. “Maybe even a lit…little bit charming," she promised him earnestly.

Azriel looked at her incredulously, his expression softening a little. "You're not just saying that to make me feel better, are you?" he asked her.

Sky shook her head. "No. No, I'm not," she said, her voice unwavering. "I…I mean it, Azriel. It iss actually really sweet that you would go to… such lengths just to try to un…understand me better. And you ad…admitted to it. And not just after the mating bond was accepted but within hours of meeting me." 

Azriel didn't keep it a secret, even when he could have, and she would have been none the wiser. 

"I don't know what I ever did to deserve you. But I'm not going to question it," he whispered. 

She swallowed. That's what she was thinking. The exact same words. 

Sky pulled him down, letting his forehead rest against hers.

"I know that...that I am supposed to cook you something...but how disappointed would you be if I gave you one of those caramel bonbons in my purse to accept the bond instead?" she asked him softly, meeting his gaze. 

His eyes widened and he stared at her in pure, undiluted wonder. 

"I could not possible be dissappointed by whatever you offered me," Azriel whispered. "But...are you...are you sure?"

"I am being utterly selfish," she whispered. "Yes. I want you." She didn't care that people would have thoughts about it...that she was rushing into this. 

They were probably right. 

But Sky really didn't care. Sky only wanted him. Sky was ready to throw caution overboard and rush into this headfirst without a thought about the consequences, if that meant that she would get her mate.

"Then let's be selfish together," Azriel whispered.

With shaky hands she reached into her purse, finding one of the caramel bonbon she kept in there...unwrapped it out of the paper and then...then she offered it to him, lifting it to his lips.

Azriel looked at the bonbon, then at her, and for a moment she thought he would say something. But then his mouth opened and he took it from her hand... He chewed it, swallowing carefully, his gaze never wavering from hers. For a moment, they stayed suspended in that moment of tension, the only sound their breathing. And then, he leaned in, closing the distance between them, and kissed her as if she was the most precious thing in his entire world.

A Mating Frenzy had always been protrayed as animalistic in every book she read. So of course, Sky had written the exact same thing.

But it wasn't...not really.

Not for them. 

And being with Azriel was also a far cry from being with Admon...mostly because then it had often been...embarrassing and painful. 

Admon had always found something to criticise on her body...foreplay had been nonexistent, even when she had tried...and while he had been more than willing to use her mouth to find his own pleasure he had never returned that favour.

With Azriel it was different. Every touch, every caress, every kiss made her feel things she had never felt before. It was like her body was coming alive for the first time.

All her senses were heightened, every nerve in her body singing with pleasure, and Sky couldn't get enough of him. She wanted more. No, she needed more. As Azriel trailed kisses down her throat, she arched her back, pressing herself against him, her hands roaming over his body, exploring every inch of him that she could reach.

"Can I...Can I touch your wings?" she asked breathlessly, not wanting to...cross some unsaid line.

"Please," Azriel breathed out. "Yes, Sky, please." He lifted his wings, extending them out behind him, giving her free rein to touch and explore to her heart's content. As Sky's fingers brushed against the contours of his wings, Azriel let out a low, guttural moan, his wings twitching and shuddering at the sensation. They were massive and pitch black.

"They are beautiful," she whispered, running her hands over the silky black skin, feeling the warmth radiating from them.

He shuddered at her touch, his wings arching and trembling beneath her gentle caress. he leaned his forehead against hers as he gently tipped her back against the bed and she went willingly, wrapping her hands over the gleaming talons at the tip of his wings as she kissed him.

Azriel growled softly in response, his hands sliding up beneath her dress, opening the lacing in one fluid motion. As the dress fell open, revealing her body beneath, Azriel pulled back for a moment, looking down at her with dark, hungry eyes. "You are so beautiful," he breathed, his gaze roaming over her body.

She didn't even have the time to feel self-conscious, not when she was drowning in the waves of desire that shot across their bond from him. Not when her whole body seemingly trembled against his and she kissed him again, opening her mouth to his tongue.

He slipped open the dress and she opened her mouth, halfway ready to tell him how he could get the corset she wore off, but he already opened the lacing. "Why?" he asked her softly, as he saw the red indents left on her body, and she grimaced.

"Claire," she whispered.

She wore corsets usually for support, because her breast could get heavy and painful without the proper support...but she never laced them as tightly as she did when she saw her family. Or her sister. Then she pulled them tight, trying to squash her body to be something…something her family could stomach, something they maybe wouldn't comment on...she always failed.

Azriel hissed softly, his fingers lightly tracing the red marks on her skin. She knew that they looked horrible, and yet he looked...angered? Almost furious. His expression softened as he looked back into her eyes, his fingers gently tucking a piece of hair behind her ear. "Why would you do something like that to yourself, Sky?" he murmured, his eyes searching hers. "You are beautiful. You don't need to change anything about your body." He leaned down, pressing a gentle kiss to a particularly hard imprint the corset had left.

Sky swallowed hard, feeling a lump form in her throat as emotion welled up in her chest. No one had ever said something like that to her, had ever made her feel like she was good enough just the way she was. She opened her mouth, trying to speak, but no words came out. Instead, she just nodded, feeling a single tear slip down her cheek. Azriel wiped it away with his thumb, his other hand coming up to cup her face tenderly.

"You are perfect," he whispered, pressing his lips to her forehead. "Just the way you are. Don't ever let anyone make you feel otherwise. Not even your family." Sky leaned into his touch, closing her eyes and just focusing on the closeness, the warmth, the feeling of being cherished and protected.

With every word he spoke, she felt a weight lifting off her shoulders, her fears and insecurities melting away. She realized that maybe, just maybe, she had found someone who truly saw her, the real her. Who accepted her exactly as she was, flaws and all.

It was so easy to sink into that. So easy to trust him. So easy to just kiss him, as she pushed the shirt he wore over his shoulders...to feel acres of gold skin, dotted with scars and dark markings...to bare him for her view and see how utterly gorgeous her mate was.

He growled softy as she ran her hand down his chest, tracing the scars that marked his skin. His body was a tapestry of pain and survival, yet she wasn't deterred. She only found him more beautiful for it.

"Mine," she whispered, pressing her lips to his chest, to one particularly nasty scar. "All mine." She could feel his heart pounding beneath her lips, the steady beat matching the rhythm of her own heartbeat. Her hands trailed down his chest, his stomach, until she reached the waistband of his trousers.

It was so easy.

So easy, to shed clothing until they were bare...so easy to press against him and feel warm, perfect skin...so easy to relax underneath him as he stretched over her...so easy to simply cup his face as she kissed him...as her legs wrapped around his hips and he groaned and she whimpered as she felt him...hot and hard and huge, pressing against her...She was dripping wet without him even laying as single finger on her beneath the waist.

Azriel didn't look unaffected, his breath coming in ragged pants, his eyes fixed on hers as they were blown wide and dark with want. He didn't move, didn't kiss her, didn't pull her closer. He only waited. Waited for her. 

"I need you," she whimpered. "Please. Please, Az." He let out a sound somewhere between a groan and a growl, his hips rocking gently against her, teasing them both with the heat and friction between them.

Nothing hurt. Nothing ever even threatened to hurt...Even as she could feel him notch against her there...even when she could feel herself lewdly stretched open on his cock...

It was so soft and gentle and sweet and…

It was everything Sky had ever wanted. 

Not the rough kind of fucking...not the animalistic coupling she wrote half the time...but she had wanted this. She had wanted sweetness and adoration and...love...and to be wrapped up in her mate's arms like she was a precious, precious thing. She had wanted whispered praised against her skin and to be touched like she mattered...

"Sky," he whispered, his hands running up her side, his touch was soft and soothing, worshipping her body. He kissed her, slowly, deeply, and there was something...almost overwhelming about it.

About the way he made her feel. The way he made her feel loved and adored. The way he made her feel cherished. Her hands wandered up to his back, tracing the muscles shifting beneath scarred, scarred skin.

She could feel him trembling, feel the tension in his body as he held himself back, but still, he moved in slow and gentle thrusts, taking his time. He worshipped her - every little gasp and moan, every curve of her body. He traced her shape with his fingertips and lips, exploring her as though he was trying to memorize every inch of her body.

She didn't know how long they stayed that way, their bodies as one, but Sky didn't care. She was surrounded by him - the heat of his skin, the sound of his breath, the way he whispered her name like a prayer. Sky could feel the love and devotion pouring through the bond, washing over her in waves, and she knew that this was exactly where she was meant to be. With him, in his arms, completely and utterly whole.

It nearly came as a shock as she came.

A breathless moan fell from her lips as her orgasm rushed over her, her body arching as she called out his name. He kissed her through it, murmuring praise against her lips as he held her close, his own release following soon after.

They stayed there for a moment, tangled together, both of them breathless and sated. Azriel's wings slowly wrapped around them, cocooning them in a warm, protective embrace that made Sky feel safe and cherished in a way she had never experienced before.

***

There was not one inch of his mate's body that wasn't utterly beautiful. From the tips of her arched ears, to her beautiful eyes...to the swell of her breasts and the dip of her waist and the soft flesh of her belly and the flare of her hips...she smelled so good too...especially now that their scents had started to mix, and he could breath in caramel and hazelnuts and cedars and the sweet, beautiful scent of happiness as she laid underneath him. His head was bedded on her stomach, as she drew short fingernails through his messy dark hair. He nearly wanted to start to purr as she scratched at his scalp.

Azriel felt...content.

More content than he ever remembered feeling. He was wrapped up in her, his mate, with her gentle hands in his hair, and he felt utterly and completely at peace. He didn't care if they never moved from that bed again. He didn't care if the world outside their little cocoon burned. So long as she was by his side, he was content. He had never felt like this before. He had never felt this...happy. This...whole.

"I need to go feed Hector," Sky told him softly, trailing her fingers through his hair.

"Can I just have the shadows kidnap him and bring him here?" he asked, not wanting to move.

"You can't go kidnapping my cat, Az," she chided him gently, but even as she said the words, she didn't stop drawing her fingers through his hair, and Azriel didn't move. He was far too comfortable.

"Why not?" he complained.

"You'll terrify him," she said with a laugh. "Besides, do you have cat food here?"

"I'll have the shadows find some Tuna," he mumbled.

"Do…Do they just ac…acquire whatever you tell them to?" she asked him with some amusement. 

And lots of things he didn't tell them to, as well. They thought he didn’t know. 

Azriel raised himself on his forearms, looking down at Sky with a glint in his eye. "You have no idea how many things I've acquired that way," he told her with a grin.

She lifted her hands, cupping his cheeks and pulling him down towards her, resting her forehead against his. "You're a menace," she murmured against his lips.

"Your menace," he replied, kissing her softly.

Sky smiled, a warm, slow curve of her lips that made his chest feel tight. "Mine," she agreed, her voice soft. "But no kidnap…kidnapping my cat. He's at home."

"We could make this our home," he protested softly. "Move in with me."

Azriel had no fucking clue what was even coming over him. They should have slowed down, stopped to think...but neither of them seemed to want to.

They just…they seemed utterly content to crash through what other people considered a normal timeline and just be together right now. 

He just wanted to be near her. He wanted to share a life with her, a home. He wanted to curl up with her in front of the fire on a cold winter's night, and spend lazy Sunday mornings in bed with her. He wanted to take her flying, and watch as she wrote and listened to her read the words she wrote. 

And he wanted - Gods, he wanted her to want that too. He held his breath as he waited for her response.

For a moment, she was silent, and Azriel wondered if he had stepped too far, asked too much too soon. 

But then, Sky smiled again, her eyes sparkling with emotions. 

"...Al…Alright," she said, her voice barely above a whisper. "I'll…I’ll move in with you." 

Azriel couldn't help but grin as he pressed his forehead to hers. "Really? You mean it?" he asked, still unable to believe his ears.

"Really," she echoed with a laugh, before her expression turned serious. "But I…I have one co…condition." 

Azriel raised an eyebrow, waiting for her to continue. "What is it?"

"If I move in with you..." she began, wrapping her arms around his neck. "All my books need to come to," she told him seriously.

Azriel laughed, leaning back in to kiss her softly. "All your books can come, if that's what you want," he said. "As long as you're here, I don't care what else you bring."

And then the shadows unceremoniously dumped a screeching demon on the bed with them.

Sky let out a surprised yelp as Hector landed next to them with a thud, quickly scrambling away from the cat - and from under Azriel's weight. Azriel, for his part, sprang up, his wings flaring out in alarm. For several long moments, the three of them just stared at each other. Hector, his mismatched eyes glowing, his fur puffed up to twice it’s normal size, and Sky, her expression a mixture of surprise and affection as she looked at her pet. Finally, she cleared her throat. "Well, that's one way to introduce the two of you. Az, meet Hector."

...Gods, the shadows had really not been lying when they said that the cat was the ugliest thing they had ever seen.

Azriel slowly lowered his wings, eyeing the creature that was half-cat and half-demon. "He...looks like he wants to kill me," he said slowly.

Sky laughed, reaching out to scratch Hector's head. "He's just grumpy because he got teleported here so suddenly," she told him. "And he's not used to strangers." Hector's fur slowly flattened, and he began to purr, rubbing his head against Sky's hand. "Besides, he'd never hurt anyone," she added, looking up at Azriel with a smile.

Somehow Azriel highly doubted that.

Sky picked Hector up, cradling the cat in her arms as his purring grew louder. "See? He's not so bad," she told Azriel, moving towards him, and Azriel had to resist the urge to back away. "Hold out your hand, let him sniff you. He just needs to get used to you."

Azriel hesitantly held out his hand, trying his best to ignore the way Hector's eyes seemed to glow with an eerie light. After a moment, Hector moved forward, sniffing at Azriel's hand. Azriel felt the soft brush of whiskers against the palm of his hand, and Hector nudged his head against him, purring louder.

"See, he loves you!" Sky said enthusiastically

Azriel let out a laugh, slowly scratching the top of Hector's head. "I think he's just trying to lull me into a false sense of security before he scratches my eyes out, you know."

She rolled her eyes, "You are the most handsome cat I know," she cooed at him. "And you won't ever scratch out Azriel's eyes. No, you won't.”

Azriel would not quite go as far as describe the cat as handsome...but then...his own scarred hands weren't particularly beautiful either.

So Hector and him had that in common.

And the fact that they both wanted to cuddle with Sky. Actually, he was pretty sure that the cat hated him just for taking away his monopoly on that.

But Azriel would have shared a house with the King of Hybern if that meant that he got to have Sky in his bed.

She smiled at him, her eyes warm and adoring. "I knew you two would hit it off," she said, holding Hector in the crook of her arm. The cat stared at Azriel for a moment, as if sizing him up, before leaping off Sky's lap and disappearing under the bed with a soft patter of paws. "He'll warm up to you eventually," Sky assured him, but Azriel wasn't so sure about that.

He pulled Sky in closer to him, slipping back underneath the sheets with her, kissing her forehead. "I'll win him over, eventually," he promised her. At least, he hoped he would - he didn't particularly enjoy the idea of having to wake up with his throat being sliced open by an angry cat.

He would buy that damn cat all the Tuna in the world if that made Sky happy.

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[66stitches]

abby anderson request !! :)

i wanted something where abby is starting to doubt her sexuality and trusts reader to ask questions and just talk about it (reader is a lesbian and they're close friends, it can end up with them kissing — or more, if you're comfortable)

cw: sfw, kissing (a lot of it), descriptions of masturbation (abby), talk of sexuality and questioning sexuality, no physical description of reader

a/n: thank you for the req !! I don’t write full on smut unfortunately (though I might write some short stuff in the future), but I tried to write a few kinda sexual scenes here and there

wc: idk prob like 1k

Daily click - Palestine masterpost - TLOU and israel

divider creds

Abby loved Owen, truly. She was attracted to him: that is what she kept convincing herself of everyday.

Every moment with Owen was a new lie she fed herself.

He was the man she loved. There was nothing she doubted in her relationship with him. The absence of love’s warmth meant to fill her body was her own fault; her inability to reach climax when they had sex was a problem for which only she was to blame.

It doesn’t mean she never tried, though. Abby had spent nights attempting to pleasure herself to the thought of Owen: the only person she should be thinking of; the only person supposed to be capable of reaching her to her climax.

And yet, all she felt was nothing. She laid in her bed, carnal and romantical dissatisfaction utterly consuming her. She was convinced that she was simply incapable of experiencing any sort of attraction exceeding platonicity.

But it only grew more confusing from there.

In another one of her inevitably futile attempts of bringing herself to climax to the thought of Owen, she felt her mind begin to drift to another thought that would hopefully bring her to that much desired release.

She didn’t intend for it to, but the man was just not doing it for her.

That night, she thought of a woman.

That night, she came so hard she swore she could see stars.

A specific woman she thought of in particular, but she would never admit who it was that finally relieved that ache. Not even in the confines of her own thoughts.

And so here she found herself, seated on the soft cushion of your worn-out couch.

You were Abby’s sole friend who was openly lesbian. Abby had seen you bring women over numerous times before. She had listened to your rants about your sexual and romantic encounters with women.

She even helped set you up with one, which harbored a slight odd feeling in the pit of her stomach for a reason she couldn’t quite decipher.

She had thought of it many times: what it was like being with a woman. She didn’t really know what to make of those thoughts. Whether it was mere curiosity, or perhaps something more.

And now here she sat next to you, trying to find the confidence to speak.

She never found it hard to confide in you. Of course not, you were her dearest friend. But this dilemma of hers was difficult to merely utter aloud, even if it is only to herself.

You were on your phone when Abby spoke.

“So… you’re gay,” she started, and she wanted to strike herself as soon as the words left her mouth, because of course you were gay. What kind of opening is that?

“Good observation?” You chuckled, bemused. You placed your phone down, curious as to where she was going with this.

“What’s it like? You know, being with a woman,” she asked, already regretting bringing it up, but she just needed some certainty.

Your eyebrows twisted in confusion at the inquiry. You and Abby were comfortable enough to share anything with each other. Nothing was considered too much information or too uncomfortable to talk about.

It was just an odd question coming from Abby, who you thought was so sure of her sexuality.

“I guess it’s like how it feels for you being with a man.”

God, she hoped not.

“Why?” You asked.

“Just curious, that’s all. Wanna understand your sexuality more, educate myself,” she spoke rather timidly.

You laughed softly. “Oh, because you’re so woke, right?”

Abby could tell you didn’t believe her. In all fairness, she didn’t really put much effort into trying to sound the least bit credible.

She didn’t even know why she was lying to you right now. She trusted you, she always has. This was just a difficult truth to face.

“I don’t know. I’m just feeling a little confused, I guess,” she confessed, shrugging.

“About your sexuality?” Your voice was slow, but your heart beat quicker than ever before.

You would be lying if you said you didn’t find Abby attractive. You’ve always had a little childish crush on the blonde, but you constantly found yourself trying to shove your feelings aside, somewhere far away so it could no longer reach to gnaw at your heart.

But now this — this made it all different. You might be getting slightly ahead of yourself, but you can’t help but think that now you might have the smallest chance with her.

“I don’t know— I mean, yeah, I guess,” she said as she fiddled with the seams of her shirt. “Owen’s just never really made me feel… well, anything. Anything you’re supposed to feel with a partner, I don’t feel it. I thought maybe the problem was Owen specifically, but I’ve come to realize that it’s not.”

“But women get you going?”

“I think so,” she admitted, finally. “I tried to think about a woman last night, while, you know…” she trailed off, her skin suddenly feeling very hot at the confession.

“And?” You whispered, feeling just as hot at her confession. “Was it just what you were missing?”

Abby went quiet for a moment, then she answered. “Yeah, it was.”

It was silent. Abby still looked like she had something to say, so you offered no response for a moment.

“But how could I know? I’ve never tried anything romantic or sexual with another woman, so how would I be able to tell? I could just be confused,” she said.

You were quiet, contemplating your next words. What you were about to do could either ruin your friendship, or elevate it to something more. You were relying on the latter.

“You wanna try?” You asked. Your voice sounded bold, but everything within you was shaking with apprehension.

She offered naught but an incredulous look. Her eyes were blown wide, disbelieving.

“What?”

Well, shit.

“I mean, solely for experimental purposes, of course. A kiss shared with another woman, just to be certain,” you explained.

The tension was thick, almost palpable. You were nervous at Abby’s silence and you realized that this is where your boldness gets you.

You were ready for her harsh rejection and the revulsion that would surely be evident in her voice, but then she spoke.

“Okay,” she said. Not a hint of revulsion in her tone. You didn’t know it, but her heart beat just as quick as yours.

“Really?” You asked, surprised as if you hadn’t been the one to offer.

“Well, yeah,” she leaned in slightly, bringing her face closer to yours. “Just for experimental purposes, right?”

“Yeah, sure,” you breathed. You brought your face to hers, and in a split second you closed the gap between you, meeting each other in a slow kiss, your eyes fluttering shut.

Her lips were soft. Her kiss felt nervous, lacking confidence, yet it still exceeded every expectation.

You pulled away once you felt it was enough. You looked at her and waited for what she had to say.

“Oh yeah, I’m definitely gay,” she said and pushed your face right back into hers, meeting your lips in a much more heated kiss.

This kiss, however, held the confidence the previous one lacked, her lips moving skillfully against yours. You waited for the shock to wear off before kissing her back, clearly not expecting her to want more.

You disconnected your lips once again, pulling her face away from yours. “Abby—”

“Just need-” she interrupted her own words to press another swift peck to your lips. “A little more-” another kiss. “Just to make sure,” she said, finally and pulled you in for another kiss. She cupped your burning cheeks with her palms and slipped her tongue into your mouth.

What was supposed to be an innocent kiss, solely for the sake of experiment (how the thought made you laugh now), turned into her exploring your mouth with her tongue and pushing her body against yours. This kiss held no place for innocence now.

She softly moaned into your mouth, the sound vibrating throughout your body.

She used her thumb to lightly caress your cheek as she kissed you like her life depended on it. She slightly pulled apart then, nibbling on your bottom lip with her teeth.

As the kiss came to an end, you sat staring at each other, breathless, and oh so blissful.

“You wanna know something?” Abby asked with a dumb smile on her face which brought another smile upon your own. You hummed.

“It was you,” she started, still faintly breathless. “You were who I thought of.”

Your eyebrows rose at the confession. It was unexpected, but certainly not disliked.

What you were more surprised at, though, was how casually she said it, seemingly too blissed out at the moment for any feeling of embarrassment.

“You telling me I was your gay awakening?” You asked, grinning.

“You could say that.” She shrugged and scratched at the back of her neck.

You laughed and scooted closer to her. “Well, I guess I’m honored then,” you said.

“Alright,” she rolled her eyes and laughed. She leaned in then, craving more of your taste.

You giggled into the kiss and pulled away, licking your lips to savor her intoxicating taste.

“I think we’ve already come to the conclusion that you’re gay. You still want more?”

She brought her face closer again and caressed your cheeks. She was close enough that you could feel her breath against your lips.

“Yes,” she breathed. “Now shut up and let me kiss you.”

[korrasera]

Yes, we had a vote at the last leftist meeting and I got appointed head explainer, so it was my turn to pick a way to refer to people who pretend to be leftists but don't actually adhere to any leftist values.

No leftist worth their salt would be spreading propaganda and despair. And anyone who gets serious about being a leftist starts by educating themselves about politics, so they wouldn't be repeating nonsense that's debunked by the google equivalent of a single episode of Schoolhouse Rocks.

That said, let's talk about some of your specific points:

I just see you saying “the right isn’t getting stronger” and all I wanna ask is what kinda Kool-Aid you’re on, because I look around the world and see a generational trend towards authoritarianism and fascism.

That's your fear talking.

No, really. It just looks that way to you because they frighten you.

I live in a country where people used to consider it a fine day out, a sunday best clothes kinda day, to wander down to the tree to watch someone lynch a black man. I live in a country that inspired Hitler's policies towards the Jewish people. I live in a country that has been responsible for genocide many many times.

I also live in a country where a man said "I have a dream" and helped bring about the end of a century of racist terror. A place where pride has become a nationwide celebration of diversity and strength. A place where people want to live up to the ambitions of the New Colossus.

So yeah, the authoritarians have been losing for a long time, but social change takes a long time. Politically, they were almost sunk in the 50s, with the way the Republican party was set to collapse. Sadly, we hadn't made as much social progress, so the Republicans rebuilt their base of power and started with new policies to try to undo progress. Every surge they've made to try to reclaim their position has gotten weaker and weaker.

Here's what the electoral map looked like for Reagan:

This is the first time in something like 20 years that the Republicans have won the popular vote for president and it required not just a colossal mistake on the part of the Democrats but also an unprecedented time of economic inequality across the entire planet.

What you see as a generational trend towards authoritarianism and fascism is just a reactionary surge. The trend is going the other direction. They're thrashing that much harder knowing that their way of life is dying out. It means they're dangerous, but it also means they're dying.

Maybe you're too young to know this from experience, maybe you don't have the broad picture yet, but they are getting weaker. A party known for being able to mobilize and unify wasn't able to pickup any additional support when they really needed it.

If the Democrats had really supported the working class, if they'd really tried to allay fears about the ongoing economic woes? The Republicans won by a hair in a year when the Democrats made big mistakes.

In closing, Re: Israel

Yes I can say both of those things at the same time.

Biden doesn't have the ability to dictate Netanyahu's behavior *and* he also should have made it policy to end offensive aid to Israel, not just slow roll it. I'm not sure why you think Israel is only able to do what they do because of US aid, especially because they currently aren't even getting that aid. They're a developed country with a large GDP and a completely modern military. They aren't another arm of the US military that can be disarmed at a whim.

If you don't know all of the things that the Biden administration did to put pressure on the Israeli government to end the genocide, you should go do some research, it's a decent list.

We tried to warn you, and you wouldn’t listen to us over the sound of your own self-righteousness. You must be so proud of yourselves.

[http-shield]

honey, you're familiar- bucky barnes

~ bucky barnes x fem!reader ~tags/cw: lil angst, establlished relationship, seperation, post cw (not endgame canon cause fuck endgame) bestie steve, me being sad cause I kinda fell out of the avengers fandom and coming back kinda felt like coming home and this is me pretending I'm coming back to bucky, no use of y/n, honey is a replacement for y/n ~ wc: 2.k ~ not proofread

"Honey?" your name is sweetness on a tongue you once knew. 

Long ago, perhaps too long, a distant memory you thought you had left behind, yet here you are, those two syllables falling from his mouth as if no time had passed. 

You turn slowly, your head already spinning at the surprise. He is behind you. You know he is because who else croons your name like that, has that flirty lilt in his words, and you can hear the smirk without even looking at him? You know his voice, know his presence, know him. 

"Bucky?" with closed eyes, you turn, afraid that maybe this isn't happening and that you would be faced with a coworker or friend, that you had imagined the entire thing, the very real love of your life is not behind you. Maybe this is a dream?

You want to open your eyes, to have the truth revealed to you, but you can't. The fear of reality holds you in an ice-cold grip, spindly frozen fingers holding your eyes shut. The familiar scent of leather and bergamot engulfs you before you feel the warmth of his body, the heat thawing fear's vice grip on your body. 

"James, is that you?" His use of his government name makes him chuckle as he steps closer, hands reaching out to grab yours. Cold metal slips against your fingers just as naturally as his hand of flesh and bone.

A whimper leaves you. 

"Sweetheart, you need to open your eyes to see if it's me." Warm fingers brush over your cheek, pushing your hair behind your ears as he cups your cheek. 

"If I open my eyes, you promise you'll still be there?" there is no hiding the desperation in your voice. 

Bucky chuckles again, his fingers winding with yours in a silent oath.  "I promise." 

You inhale, deep and fulfilling and open your eyes. 

Before you stands the man you have not seen in five years.

The last time you had been near Bucky was at the airport, surrounded by suitcases that contained nearly every earthly possession of yours; your fingers gripped the boarding pass that you desperately did not want to use but had to. It was necessary to create space between your hearts, too afraid of being bonded by trauma and circumstance. There had been too much guilt surrounding you both regarding the other. There was too much self-sabotage in a relationship that involved nothing more than two hearts desperately beating for one another. No titles or official labels were given to your union, so it was easier to let go, to wedge that gap of a few thousand miles between your bodies, to create distance and hopefully smother whatever had been blazing. You couldn't take advantage of him, his mind too raw from being brought back a final time, thawed out into a life of permanent peace, so what gave you the right to swoop in and demand his attention, his heart? 

However, Bucky thought of you the same. Why should you give up your entire life for a war criminal? A weapon no more than the blood on his hands? It wasn't fair, and the distance, the break was the right move, so why was it so hard to say goodbye? 

Bucky hadn't let go of your hand since you left your shared apartment earlier this morning. His right hand in yours, squeezing tightly as if he could commit the lines of your palm to memory. Throughout the ride with Steve, as you walked through the large airport, customs, baggage check, and security, he was holding you, but it's not as if you wanted him to let go. You never acted upon pulling your hand from his, never wanted to be more than two feet from him. 

"Can you ask me to stay?" you whispered tearfully as your boarding call was announced over the PA. 

Bucky turned to you, jaw clenched to hold back his tears as he brought your entwined hands to his mouth. A ghost of a kiss pressed to your knuckles as he whispered back. "Can you ask me to go with you?" 

A tear-filled giggle filled the space between you but disappeared as another call for boarding was announced. 

You stood, hands still together, and turned to gather your carry-on. Silence filled your little bubble, awkward and tense, as you both calculated once again if this was right. Your heart was making so much noise that it was hard to hear rational thoughts, and the urge to rip up the ticket and fall into the arms of your love had your fingers twitching. As if Bucky could read your thoughts, he slipped the small piece of paper from your fingers and tucked it between the pages of the journal Steve had gifted you just moments before as a parting gift. 

"You're not allowed to come back until you fill every page," Steve instructed while handing over the small green book. Its cover, with gold fairies etched into it, was the deciding factor for Steve in choosing the appropriate gift for you. 

"And if I fill it up in a week?" you asked, tears already pricking at your eyes. 

"Then I guess we'll be here to get you in a week." You didn't miss the small sniff from Steve as he offered you a soft smile before wrapping his arms around your shoulders. "Thank you for everything you've done. I'm gonna miss you, kid." 

You hugged him tightly, heart aching at the thought of leaving your friend. You weren't just leaving Bucky; you were leaving your whole life. Years of memories left in a city that would no longer be your home. Steve pulled back, tears glistening in his blue eyes, but he wiped them before any could fall, squaring his shoulders like you had seen him do a million times before a mission or press conference. It was a habit you had picked up on, following in his footsteps since day one, and now it was a part of you, an instinctive quirk that you couldn’t seem to shake. Maybe you'll find new traits in your new life, find new friends, and steal mannerisms, and when you get home, you'll be an entirely new person. 

"I'm gonna go back. There was a book I wanna get another look at." Steve smiled, but it didn’t reach his eyes. A squeeze to your shoulder was his final goodbye.  

Metal fingers brushed against yours, twining together as he pulled you closer.

"If I miss home, will you be here to pick me up?" you asked, suddenly fearful of being forgotten by someone you never wanted to forget. 

"I'll get on a plane and come and get you," Bucky assured,  gliding soft fingers over your cheeks. 

Your skin burned, suddenly very thankful for the coolness of his vibranium arm against your blazing face. You tried so hard to keep the tears at bay, distracting yourself at every point where you felt the lump in your throat and the burn in your eyes, but there was no distraction now. There was nothing but you and him, and the weight of reality crashed down upon you. 

"Stay with me." Bucky begged in a whisper. 

Your heart lurched. 

"Come with me." 

Tears began to line his eyes, falling despite his best efforts, and a fresh wave of guilt pummelled you. 

"Buck," you started, your voice cracking, but you had to say it. It was now or never; you needed him to know to get it off your chest before everything changed. "James Buchanan Barnes," you attempted again, your voice still breaking, but you continued, knowing there was going to be no stop to the tears. 

"I love yo-"you started, heartbreaking with each syllable.

Bucky shook his head, well and truly on the way to sobbing, as he exhaled a shuddering breath. "Please don't say that. Don't say it because I won't stop thinking about you, and I need you to go out and live your life." 

You grip his shirt tighter. 

"Please, I can't just let you go if you say that. Please, darlin', " Bucky whispered, his bottom lip quivering as he hopelessly tried to stop the tears. 

His name was a soft sigh as you broke down. The sobs couldn't be stopped, your breathing ragged as you cried fat, heavy tears that had your chest aching. Bucky let go of your face to wrap his arms around you, holding you close and tight to shield you from the world around you. He whispered words of comfort into your neck, voice shaky and breathing just as uneasy as he desperately tried to console you while he broke just as hard. 

"I love you so much. Fuck, I love you." he grits out, fingers digging into your sides.

A huffed laugh escaped you. "How come you're allowed to say it, but I'm not?" 

You pulled back to grip his face, stubble rough under your palms. 

"Because I'm old." was his only retort before leaning in to kiss you. 

His mouth moved soft against yours, savouring the feel of your mouth on his, but as you sniffed, trying to stop the tears that still fell, his turned into something more. Years of unwritten memories and unlived lives were seared into your lips. Moments that either of you never thought would happen are kissed into the other: Christmas mornings, birthdays, and anniversaries. An entire future the two of you had envisioned for yourself was no longer attainable, and as far as either of you knew, this would be the last kiss that would be shared. There was no need for anything else apart from one another; if you were to die from lack of oxygen right then, your entire body breaking down under the sheer force of the love you felt for him, you would die a happy death. Never had to know anything but his touch, his kiss, his love, but that wasn't going to happen. 

Your final boarding call boomed through the speakers, breaking your perfect bubble. You pulled back, panting from both the kiss and the tears, Bucky just as breathless.

"I love you, Bucky Barnes." you whispered, thumbs collecting the tears marring his cheeks. You promised you would never forget the feeling of his face in your hands; even if you lived for a thousand years, you would remember how it felt. 

And you never did.

"Hi, sweetheart." Bucky grins as your tears begin to fall. 

You launch yourself at him, arms wrapping around his neck as you crush your body against his, clinging to the man who had been your home for so many years. Strong hands grab your waist before his arms snake around you, squeezing you tightly. The smell of leather and pine and something so distinctly Bucky curls around you, wrapping its fingers around your throat and squeezing the air from your lungs until there is only the scent of Bucky. A sob claws its way out of your chest, the cries following it primal and broken. The years apart had done nothing to dull the heartache for him, had done nothing to ease the pain in your soul at the very sight of him, and now that he is here again, in your arms, you never want him to let go. Your fingers slide into the hair at the nape of his neck, tangling in the tresses and anchoring yourself to him. The way tree roots dig into the dirt, securing their position in the earth no matter the wind or rain, that is how you are going to secure yourself to the man in your arms; you are not letting him get away again, not after everything you had just gone through. 

"I missed you so much." you sob into his chest.

Bucky's chest rumbles as he chuckles. "Fuck, you have no idea." 

You take a second to pull away, turning your face towards his and lean into the kiss. His mouth slots against yours as if no time has passed. Your lips part under his, the taste of salt and mint mix on your tongue. Bucky's hands cup your cheeks, thumbs stroking over tear-slick skin, and you feel him smile into the kiss. 

"What?" you whisper, words muffled by his mouth. 

Bucky doesn't want to stop kissing you, unable to pull his lip from yours as he replies into the kiss. "You taste the same."  

[hunter470]

My 9-1-1 RANT

Ok, I don’t normally do these types of posts, but I can’t move on until I get some things out. These are just my thoughts about the latest episodes of 9-1-1 as well as overall comments on the Buck/Tommy relationship. These opinions are mine and are based on the countless hours of TV I’ve watched in my 54 years on this planet, as well as my knowledge of writing and how Hollywood operates. I’m not confirming that any of this is true or are the real intentions of anyone involved with the show. Just my opinions. So, you can agree with me or not. I’m not trying to persuade anyone in any way. Also, I’m not going to get into endless arguments about my opinions but feel free to comment if you want, I just don’t promise I’ll reply. 

Ok, here we go. Sorry it’s so long. Like I said earlier, I just needed to get it out. So many wasted opportunities.

If you think TM cares what the fans want, you’re seriously kidding yourself. If he did, Buddie would have been canon a long time ago. The only thing he cares about is ratings and his vision for the show, which can change at a moment’s notice with no rhyme or reason as we’ve seen. 

Although I loved Buck and Tommy together, I knew the show wouldn’t do their story justice. So, no matter what TM or OS have said, the bi story was only to garner publicity, draw in new viewers, and increase ratings especially with the show moving to a new network. There was no altruistic reason behind it so don’t kid yourself. They knew there was an audience for the story because of all the Buddie shippers. Just remember, it’s called show business, not show friends for a reason.

Do you think OS really cares about bi representation? Based on his latest comments and non-apology it’s obvious he only cares about getting the stories that garner him the most screen time and press. Seriously, read his latest interviews. He’s excited to get to have fun now. So, congrats OS, Buck gets to F around. Just shows how most, if not all, actors are ego driven no matter what they say. Sorry not sorry.

TM has commented that he doesn’t owe anyone anything. In fact, I recall him saying to Buddie fans if they don’t like it, read fanfiction. If that didn’t clue you in, then you weren’t reading the room. Kinda reminds me of another show runner…for those who watched H50 you know who I’m talking about. That’s why I don’t get heavily invested in these shows. I’ll watch but I never expect anything I like to last…especially if it has to do with gay relationships.

It says a lot that the show remained completely silent about the bullying and death threats Lou received just for playing a role he was happy to play. Again, they really didn’t care because they knew he wasn’t going to be there after episode six. What a great message for all the bullies…just keep bullying and you’ll get what you want. 

Again, reread OS’s interviews. He was doing the Hollywood double speak. Says just enough to keep you hooked with hope to get you to watch even when he knew all along it wasn’t lasting. It really was as clear as day if you go back and read what he said. 

Also, if you thought Buck was going to get into a meaningful long-term relationship, then you didn’t watch the video from the You Tuber “Call Me Chato” that TM posted on his Facebook. The video was all about characters and how they should always stay fundamentally the same with minimal development - I’m paraphrasing. However, Buck is the golden retriever, heart so big it gets broken, character who will remain on a hamster wheel and unlucky in love because that’s who he is. If he changes too much it shifts the dynamic, which only happens if the show was ending. 

If you thought the writers would do justice to a bisexual story, then you haven’t been watching the show closely. There’s been minimal Buck/Tommy relationship development on screen. Taylor got more. Viewers were lucky to get crumbs in the limited screen time Buck and Tommy got. Then, a breakup out of left field? One minute Buck is saying Tommy is it for him and he wants him to move in, and then it’s over? If he truly felt deeply for Tommy, why not fight to keep him? Why give up so easily and let him walk away? What’s the point? Also, to end it on a terrible stereotype is yet another clue. Horrible writing and another sign that TM and OS had zero investment in the relationship. The whole break up was rushed and made no sense. Essentially, it was just used to draw people in and to get Buck single and sleeping around again because that’s who he is. I for one won’t care for any of Buck’s future relationships. I mean, why would I when they never last. 

Also, writers that give you a 66-year-old police sergeant and a 10 y/o boy landing a heavily damaged plane on an active freeway in LA with no prior training, and sorry playing video game flight simulators is not training, is some Sharknado level writing, which is not a compliment. Oh, and that whole story was truly the shows “jumping the shark” moment. If you don’t know what the term “jumping the shark” means, look it up and try to tell me I’m wrong. 

Not having Tommy involved in the three part premier episodes, other than a few minutes at a birthday party, was so obvious as to the show’s intent. I mean, the fake captain from Hotshots got more screen time. 

They claim they wanted someone for Buck that was connected to him and the 118 and then you don’t use the character at all. You wanted Buck off the hamster wheel? What a crock! Such a wasted opportunity.

Since it’s been confirmed episode 6 was filmed before 5, Tim’s just playing god with peoples’ feelings and crushing their hearts at this point. I mean, how do you have such a great episode (5) and a wonderful speech by Josh (6) just to break them up? Plus, having Tommy break up after six months? That man was all in, which was obvious in episode 5.

Guess it shouldn’t be a surprise that’s how TM would handle things after that horrible Tarlos breakup. At least on Lone Star we knew Rafa (Carlos) was a main cast member so there was hope. Lou was a guest star so it seems kinda final based on his interviews. Again, what was the point? They could have had Buck's bi revelation be with a random character. So, building up the Buck/Tommy relationship just to take it away was to inflict the most pain. Good job. 

Do I think the show will make Buddie canon? Who knows…one thing I do know is I wouldn’t trust them if they did. Also, even if Tommy somehow returns, I don’t trust TM with anything related to this story. Sure, hope he’s happy with ruining the show for so many people. Again, like another show runner I mentioned in item 4 above. Honestly, I can’t believe the Buddie fans have stayed for so long. That’s commitment, I guess. 

Do I think Lou should go back to 9-1-1? Hell no! He was screwed over by both TM and OS. Prove it to me otherwise. However, it’s up to him and of course, he loves acting so I wouldn’t blame him.

Finally, even though I’ve watched the show since the beginning, it no longer brings me joy. There are too many other TV shows to stick with one I no longer enjoy. So yes, I’m announcing my departure, and I don’t give an F what OS, you, or anyone else thinks about it. Not that any of this matters any way…

[unidentified-moe-object]

Fuck it, it's late, and I wanna go to sleep, but I probably won't be able to until I've properly articulated this somewhat batshit gender social theory I've been rotating in my mind for a while now - I think that the current "crisis of masculinity" in the western world was catalysed by the invention of the nuclear bomb. Note that this post is unfiltered, unedited brain noise and bullshit

So, essentially, traditionally masculine personality traits are good for being a hunter or a soldier, but they kinda suck for anything else. If you want to, like, function in modern society, traditonally feminine personality traits are much better for that. This is why we see, for example, girls consistently outperforming boys in schools these days.

Now, in ye olde days(tm), society actually needed to have 50% of the population as potential soldiers to throw into a meatgrinder for a few square miles of dirt every 20 or so years. But at the end of WW2, the nuclear bomb was invented, and suddenly great power conflicts are something that no-one can win and are to absolutely be avoided at all costs.

So, given that a proper great power conflict will probably cause the extinction of humanity, society doesn't really need to have that many soldiers anymore. But people still haven't gotten the memo yet, and are still conditioning half of the population into soldiers from birth. And what do soldiers do when they don't have a war to fight? The recurring historical problem is that a lot of them become bandits.

The only real solution to this is *wesker voice* complete global feminisation. That is to say, the abandonment of traditionally masculine personality traits and the embrace of traditionally feminine ones. So long as we remain shackled to the corpse of masculinity, we'll never be able to move forward. This will likely be a very slow process, taking place over the course of hundreds of years and not being complete until long after anyone reading this post is dead, because frankly like 95% of people - man or woman - do not want this to happen, they want men to continue being traditionally masculine. There's a lot of societal inertia that has gotten us into this mess. This change will only happen as, gradually, over the course of many generations, people stop wanting that.

Notes:

This is one of the things that frustrates me about reactionary masculine gender influencers. By trying to bring about a great masculine revival and encouraging men to be more masculine, they are harming the very people they claim to represent, they are encouraging people to become more maladapted to the society they live in, whereas becoming more feminine would be becoming better-adapted

Japan might be a bit ahead of us here. Feminine traits in men are depicted as positive and even romantically desirable in a way you just don't see in English-language works. I suspect that if an English-language writer were to try to do that it'd come off as kinda preachy, as if they were trying to convince *themselves* to be attracted to those traits. Whereas Japanese-language writers don't need to do that because they genuinely do find it attractive.

Alright, actually going to bed now

[homopopsie]

[Sif has been looking at you weird for a while...] "Isa." [CRAB!!!] "Uhh, Yeah Sif?" [He's looking straight at you, his eyes piercing you to your bones. He looks kinda creepy like this... Reminds you of all the times you found him reading late at night with his flashlight eye.] "You mind if we talk for a second? Alone." "UMM. YEAH SURE SIF." [CRAB CRAB CRAB CRAB CRABBBBBB] "Are you alright, Isa? I've noticed you doing some... things. You're acting more- There's really no other way to say it, Isa you've been acting dumb. Acting like you're just 'really lucky' whenever you find a key that we need. I know you, Isa. I know you aren't stupid. You're really smart actually, and I know something is up. So what is it? Can I help?" [CRAB CRAB CRAB WHY IS HE ASKING THIS NOW????] "What do you mean? I really have just been getting lucky?! I don't know how I would know where the keys are, I've never been here?!?" [You feel awful lying to them.] "Right. So you finding the switch to the Death Corridor trap instantly isn't something strange? You always trust me to handle traps, and yet you immediately put your hand out in front of me and stopped me before I could look around, and then hit the hidden switch. I know I only have one eye, but that was really well hidden." "But how would I know where it was beforehand? I just had a feeling."

"I don't know Isa, but I know that people with 'a feeling' still jump at massive falling rocks! And I know that people with 'a feeling' don't just nonchalantly strut into The King's chambers and talk before Odile gets a chance to talk to the man who froze her entire home. I know people with 'a feeling' don't grit their teeth hard enough to shatter. Don't act like nobody noticed that either, maybe the others didn't but I did." [!!!] "But, that'd be impossible, right? It's impossible to have been here before-" "Is it? Because you sure seemed to have a few theories! You knew to ask me about Wish Craft, to ask me to read those books! You knew that I could wish properly, you didn't have an inch of doubt on your face when you said how I taught you. You knew that a wish could have given The King the ability to harness Time Craft. Don't think I believed you when you said you didn't wish for anything. I know you're indecisive, but you aren't going to just ignore something I told you either. I know you wouldn't just listen to me tell you how to wish and not bother with it. You aren't callous. [If only he knew... If only he knew how callous you were!]

"I..." "Isa, I know you're not stupid. And you know I'm not stupid either. If I see something, the only thing I can do is observe for more. And all signs right now point to you. Did something happen? Is that... Is that why you're looping in time? Did-"

"Oh Siffrin... Why? Why did you have to figure it out now? Why couldn't you have figured it out before? Why couldn't you have never figured it out?" "Isa, I-" "Can't you see? It's too late now. Nobody can help, now. It's already too late. Because I was too much of a coward to try and ask for help. Because I was too much of a coward to tell anyone about the loops! Because I was too much of a coward to say anything! Because I was too much of a coward to tell you how I feel! Especially you, Sif. I'm too much of a coward to tell you how I feel about you. And I'll never get that chance. Because it's already too late. "..." [He's just staring at you with a scared expression. Or at least its probably scared. Whatever. It's too late anyway. You coward.]

"...So what is it? Can I help?" "Nope! Was that all?"

[Sif seems... sad, at your response.]

"Alright. I'll miss you Isa. Come visit me sometime on your travels, okay? It'd be a shame if I couldn't look at the stars another time with you."

Roleswap Sus event combos Everybody gets a turn being the suspect and the suspectee! Nobody enjoys the experience, though.

[wild-rise]

Sunshine

Daryl Dixon x F!Reader Smut MDNI 18+

Summary: After a stressful day and years of animosity between you and Daryl the dynamics of your power struggle finally gets resolved. Safe to say you're finally put in your place.

Warnings: MDNI, 18+, Reader is a brat, Soft!Dom Daryl, Kinda mean Daryl, Teasing, Oral (M!receiving) Face F!cking, Binding (Readers wrists), Dirty Talk, Pervy Daryl, Thigh Riding, Just the t!p, P in V penetration, unprotected (Wrap it before you tap it folks), creampie. I think that's it...

“How ‘bout runnin’ that by me one more time sunshine?” Daryl gruffs out cocking his head to you making sure he wasn’t going crazy because there’s no way in hell you just said what he thinks you did.

“Your hearing going out now Dixon?” Just before you reach the door of his room you turn to face him again, invading his space, craning your head up to make sure the message gets through his thick skull this time.

 “Fuck. You. You redneck piece of shit.” The words cutting like knives as they roll off your tongue. Daryl holds his composure as he looks down at you and lets out an exasperated sigh.

“If you want to so bad all ya have to do is ask nicely.” That same smirk dancing on his lips. He made every nerve in your body boil till you only saw red. Daryl knew how to push every single button to set you off and get under your skin.

Without warning Daryl’s face is hit with your saliva “Fucking pig.” You’re seething at this point and now any hint of playfulness in Daryl’s features is gone. You turn on your heels to leave when suddenly his large hand wraps around your arm pulling you back to his hard chest.

“You’re a goddamn bitch ya know that?” Daryl practically growls the words at you as he wipes the spit off his face with the back of his hand.

“No. You’re just an inconsiderate asshat that’s just looking out for himself like always.” The venom of your tone doesn’t go unnoticed by Daryl as he holds you close noticing the heat radiating off your skin and your scent invading his senses.

“I’m the only reason you’re alive right now so if you know what’s good for you, I suggest you drop it, Sunshine.” That stupid nickname he gave you back on the farm had its way of making a shit situation even shittier and Daryl knew, that’s why he made sure to draw out each syllable.

There can never be a civil interaction between the two of you. You’ve been together for so long, but the animosity never faded. Rick even tried locking you both in a cell together at the prison but after three hours of arguing he let both of you out and go separate ways. No one bothered to intervene and after that your relationship simply stayed stagnant.  

Right now, as much as it pained you he was right. The only reason you’re standing here is because he followed you on your hunt which turned sour when your kill was taken by walkers. The loss made you unhinged, being the final straw to break your back after all the tragedy your community suffered after the whispers. You went on dropping body after body till you were starting to get outnumbered, but your stubbornness never let up. Daryl noticing your struggle and intervened before you could get hurt but to his surprise you turned your rage towards him before storming off back to Alexandira.

Bringing you back here telling off Daryl for being… helpful? Honestly the stress of everything you’ve endured and the loss the community has suffered is getting to you and you need a release, and Daryl is the only one who can take it.

Taking a deep breath as you hold eye contact with him you’re finally registering just how close the two of you are. His breath fanning over your face, hand still holding tightly to your arm and that’s when the intrusive ideas locked away in the deepest parts of your mind finally come to light. “And what exactly is best for me Daryl? Hm? Please do tell.” Your voice is barely above a whisper now.

 “Is that you askin nicely?” he says watching the shift in your demeanor and matching your tone.

“Don’t push it Dixon.” The sternness in your voice lacking conviction and Daryl decided then what he was going to do with you.

He brings his other hand up to your face cupping your check and leaning down just about to kiss you when “Ask nicely. Sunshine.” He says right on your lips. How could he be even more frustrating, especially at a time like this. “Tell me what’s best for me. Please.” Sarcasm dripping on your every word. The fire in you is impossible to extinguish and honestly, it’s what Daryl loves about you so much and he’d die before he ever saw it put out but right now it needs to desperately be controlled.

“How bout ya let me show you.” And as quickly as the words fall from his mouth, he’s pressing his lips to yours. His actions are filled with hunger and desire as a mixture of saliva form between you. Your hands come up to find purchase on his broad shoulders as he deepens the kiss exploring every inch of your mouth. “Get on your knees. Now” the words going straight to your cunt but the brat in you can’t help but be defiant. “Ask nicely.” You mock him and the hand cupping your cheek travels to the back of your head grasping your hair tightly and dragging you down to your knees. “You just don’t know when to fuckin quit do ya? That shit stops now you understand?” The tenderness on your scalp stings from his grip but you welcome the sensation as a soft whimper leaves you confirming Daryl’s suspicion.

You wanted someone to put you in your place and take control. You didn’t want to have to think just do what you’re told and feel something other than the suffering you’ve endured.

“That so hard? Now, can you get my belt off or do ya need help with that too?” Realizing your predicament, you reach your hands up to undo his belt and pull down his zipper. Daryl releases his hand from your hair before pulling his belt off through the loops of his pants. “Hands behind your back.” Doing exactly what he says Daryl comes behind you tying your hands behind your back with his belt. Anticipation floods your body as Daryl stands back in front of you pulling his cock out of the confines of his jeans. The angry red tip directly in your face leaking precum and begging for a release. He was bigger than you imagined and the thought of him ramming your throat made your panties even more wet than before.

“Open up sunshine.” Lolling your tongue out Daryl slowly pushes his cock past your lips a little at a time allowing you to get comfortable with the position. Once you get a steady rhythm of sucking and licking his length Daryl’s hands return to your hair pulling you off him.

“Should’ve known cock would shut you up.” Daryl groans as he slides back into the warmness of your mouth. The sounds he made were almost heavenly enough to distract you from the pain in the back of your throat... almost. Your pace is quickly abandoned as Daryl starts bucking his hips in your face stuffing your throat full of his cock. Tears stream down your cheeks and the pressure from his belt straining on your wrists start to make your head dizzy and you can hardly breathe. “Fucking hell sunshine your takin me so well.” Daryl stops holding your head at the base of his dick till you start squirming from the lack of oxygen and he pulls you off completely. Taking a gasp of air trying to regain composure, you whine when he hoists you back up onto your feet.

“You gonna stop being a bitch or should I just let you finish sucking my dick and leave you here to take care of yourself?” He asks in such a kind way, but his actions moments ago were anything but. “I’ll stop. Promise, please Daryl.” You cry at him just needing something more as the desire grew within you. “Good girl. See I knew you had it in you.” He takes his belt off your wrists and has the rest of your garments following suit. Daryl guides you to lie on his bed and the vulnerable feeling of being completely exposed while he’s still fully dressed has your cheeks burning red. Daryl bends down to pick up your soaked panties, bring them to his face and takes a deep breath before shoving them in his back pocket. “Constellation prize.” He winks at you as you moan desperate for him to do anything to you.

“Are you going to actually touch me or just keep being a perv?” You groan at him as he pulls off his clothes joining you on his bed. “Just takin my time, don’t be so impatient.” You want to cry from the pressure building up at your cunt. Daryl could tell how needy you were from how much you’ve been pressing your thighs together chasing any type of satisfaction. Caging you between his forearms he slots a leg between yours adding pressure to your long awaiting cunt. Your arousal is prominent enough to leave remanence behind on his leg, but he doesn’t move. “Go on, hump my leg like the bitch you are.” His words hushed into your ear make the tears come back to your eyes. He was being so mean, and it was turning you on so much. With a strangled moan you started dragging your hips up and down, rubbing against his leg as he marked up and down your neck and chest leaving a path of hickeys and bruises. Your hips started bucking faster as you felt that familiar sensation of your approaching orgasm but just as you were about to let go Daryl pulls his thigh away from you.

“Daryl please I’m s-so ssorry I’ll be nice I’ll do whatever you want just plea-please make me cum.” You were a sight to behold, so worked up and desperate just for him and oh how he loved it. “Since you asked so nicely.” He leans down to give you a kiss but this time it was different. This time it lacked primal urgency from before, it was tender and attentive.

Now Daryl had your legs on either side of him as he lined his cock up with your dripping, aching pussy. He slowly pushed just the tip and watched your greedy cunt try to suck him in some more and your sobbing persisted. He leaned down peppering kisses along your jaw, shushing you trying to calm you down. “Next time I won’t be so harsh on ya if you use your manners, Sunshine.” Is all he whispers in your ear before sitting back up and ramming his entire length in you bottoming out.

Your cries and moans are so loud he’s pretty sure someone’s going to come down thinking you’re in danger, but he could care less because the sounds you’re making right now are music to his ears. The way he’s pressing your legs apart sends a burn through your thighs and your breasts are bouncing at the rhythm of his thrusts. “Doing so fuckin good for me f-fuck this pussy’s just suckin me in S-Sunshine.” His tough guy act falters as he speeds up his pace. Daryl quickly puts your legs onto his shoulders allowing him to hit that one spot deep in your body that has you seeing stars.

“Oh, fuck Daryl yes, yes right there oh my god please d-don’t stop.”  You cry out begging him for your release. "Wasn't plannin' on it. Fuck it's like this pussy was made for me." Daryl keeps up the same pace and brings a hand down rubbing tight circles on your clit. The added stimulation is enough to send you over the edge moaning Daryl’s name over and over again. The spasming of your cunt has him losing the fight of holding off his orgasm as he finishes deep inside you. “Fucking take it. F-fuck take it all.” He says while he delivers the final thrusts riding out both of your highs.

    Daryl rolls over, bringing you into his chest and caresses your hair while you both try to catch your breath. “What do you say? Hm?”

You look up at him through your lashes and taking in his disheveled appearance you realize this is a sight you could easily get used too.  “Thank you. Daryl.” Your voice is hoarse from the amount of screaming and moaning he pulled from you which sparked pride to flood through his chest.

“You are very welcome, Sunshine.” He feels content finally taming your fire as he traces patterns on your back while you slowly drift off to sleep.

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[smallestapplin]

helloooo!! can i request idw rung x human fem reader?? just fluff, maybe rung is exhausted from all the sessions and clients, and the reader is just there for him. Kinda like instead of rung giving out therapy, he's receiving therapy lolll

And this makes rung kinda emotional because like i said, he's always the one giving out therapy, and no one ever really cared about him that way

idk if u write for idw though i hope u do😭 have a nice day!

-�� anon

Thank you for requesting this, I wanna smother him in love so badly.

No warnings!

-

-

-

Rung loves to help, the care he feels deeply for all on the ship is immeasurable, like a sire to their sparklings. He just wants to give them the tools to help themselves, to help them out of their depressions, to help manage their moods swings and out bursts.

To show them they aren't alone, and it's okay.

But some days take everything out of him, like learning something new in his clients past that just makes his spark break for them. Rung forgets himself, forgets that he too needs someone to lean on sometimes.

He didn't expect that support to come in the form of the human of the ship.

You knew he'd be back late and yet you still found your way to his habsuite, and stayed up waiting for him. You smile up at him, gentle and kind.

"Welcome back, you look tired, hon. C'mon, you need to lay down and relax."

He's not sure what made him break, your soft voice or your warm expression, but he could feel the fluid leaking down his face plate, fogging his goggles. He moved to you without a second thought, carefully picking you up and holding you close to his face plate as he lays down on his berth.

"I just want to help them."

His quaking voice breaks your heart.

"I know, Rung, I know. You have been doing so well. But you forget to take care of yourself, you can't help everyone if you're too tired." You try to wipe his tears, but there is just too much.

You nuzzle up close to him, offering some comfort to the large bot.

"You need someone to vent to, you need to take those stupidly long hot showers, read something new, you need time for yourself to recover."

When was the last time someone offered such support to him? Been there to let him cry and get it all out?

"You're a kind bot with so much love to give, but recovery isn't all work, you need to stop and just breathe in the moment, feel what you feel, and show it."

He lets out a watery chuckle.

"I know you're right, but I'm not pleased about it."

You playfully huff, "Well, now you just sound like Prowl being proven wrong."

Rung moves to lay on his side, curling around you in the process, keeping you close to him. He takes his fogged goggles off, setting them to the side, letting you see his pretty blue optics, but he looks so tired.

You place a hand on his cheek, rubbing soothing circles across his metal.

"You're a sweet bot, Rung, don't let these trying times ruin your compassion."

You nearly panic at how much he begins to sob, as if you broke the dam that had been cracking for so long, his cries were loud in your ears, but you never wavered in your comfort. You lay against him, kissing the digit of the servo that holds you.

he needs this, he's needed this for so long.

"It's okay, I'll stay by your side, always."

There isn't anything he wouldn't do for the crew, and there isn't a thing you wouldn't do for him. You let him cry as much as he needed until he grew exhausted, growing limp in the oncoming rest cycle.

He spoke up, his voice near a whisper.

"You'll stay here with me...right?"

You worm your way out of his servo and lay down next to his helm, his optics lazily following your every move.

"I'll be here when you wake up, you won't get rid of me that easily."

His smile, though tired, is just as sweet as always.

"Thank you."

"Anything for you."

You watch as his optics slide close, powering down to recharge. You will stay right here with him, right beside him no matter what, he's too kind to be left alone as is.

His berth isn't very comfortable for you, but you will ask for your bed to be moved here if he'd be okay with that.

Ah, you will worry about that in the morning, for now you just want to bask in his presence and enjoy this.

[mer-acle]

i hold all the power (evil laugh, evil laugh)

Give me...

The big athena hcs

I desire knowledge and inspiration (evil laugh, evil laugh)

Haha

You kinda put me on the spot there. Not bc I don't have big headcanons but bc I'm like how do I phrase this without being like "here's the plot of that fic I wrote" yk? And now I'm unsure what constitutes a big headcanon... so I'm just gonna give you some more random ones and maybe you can help me out with what you were thinking of? (O.O)

For Epic specifically: Her owl form is a dark barn owl, bc they're really pretty and rare and have ginger feathers that match her hair

She dislikes Poseidon so much because he's so much like her father but her perception of him isn't softened by the love she has for Zeus.

Prometheus really saved her after Pallas's death. He kinda filled the void that losing Triton as a paternal figure had left more so than that of Pallas herself, but he took her along for his little creation projects (like the humans whoops) and they really match each other's freak. Yk. Until Zeus takes Prometheus away and definitely forbids Athena from visiting. I will literally murder him one of these days.

Speaking of Zeus taking people away, Athena was STRUGGLING after Pallas. Unsurprisingly, but still. Nobody but Hephaestus knows her from when she was still pretty openly mourning, they're all too young, and he never really asked why, but my girl was so depressed and lonely. She spend IRL HOURS in Quick Thought rewatching that battle and trying to figure out the moment where she went wrong. She knows Zeus intervened, but it doesn't matter to her, it's her spear, it's her kill. He was all like "for a nymph?" when she asked to take Pallas's name. "well, if you think that is a title worthy of your status..." It was her most open rebellion against his wishes for a while.

Her favorite domain is wisdom, but it's followed by crafting, not war. Don't get me wrong, she enjoys a good fight, but if she had to choose and wasn't worried about Zeus's opinion, she would choose crafting over war any day. The reason in my hc is how the domains are assigned, she was basically born with Wisdom, her powers are all about thought, and Zeus later assigned her with warfare which her powers work well with, but weren't technically meant for it. Meanwhile crafting is her "Passion domain" meaning her power in it literally stems from her intense enjoyment for creating. Imagine "What else can I do" from Encanto, but it's her discovering making clothes for the first time. The angst factor of this obviously being "My life has one mission, create the greatest warrior" Why is that her one mission? Is it the crushing weight of who she has to be?

My favorite bigger concept has to be her relationship with truth. In other words, Athena lies and manipulates her way through life, she is smarter than her father but knows he holds the power, so her council is whatever works in the moment, if she knows it's hopeless, she'll tell him what he wants to hear. Life has become a game for her, a game where she sells her soul for approval, bc she's lost those who loved her unconditionally, and can't trust those around her bc they're all trapped in the game with her, she doesn't want to be the favorite, she needs to be the favorite, it's the only way to survive, the only way for some semblance of safety and control, and yes, she gets along with mortals better than gods because they hold no power over her, they can't threaten the position she's worked so hard to achieve. Until Odysseus compromises a part of her that she hadn't thought she still had. Attachment never felt like danger with Pallas, but it does now, because what does it matter if you're more powerful when you respect the other person too much not to honor their wishes, should they tell you to leave them alone? If asked, she will have to leave, and that's terrifying (None of that would be overly conscious before My goodbye but for me, that breakup deep down always will be Athena being scared of her own feelings and trying to stop it before it goes too far and being at least 15 years too late.)

Woah that got dark lol I just wrote the last section and was like 👀fuck I am projecting SO bad. Like... gods I am so not okay. Jokes on me I thought I had headcanons all I have is trauma lmao

Anyways lol

Hope you liked it, and do let me know if you had something else in mind, I'll do my best :3

[arn359]

Wine is waaaay to worse than i imagined😭😭😭. I will blame all the fic that i read about him and make like he was a nice guy. The fact that i will immediatly shoot the other au without question if he meet them is insane. And the way he always want more power and he will always try to manipulate the king . Also poor coffee😓.

Anon, I’m using your ask to ramble about Wine. And it’s too long…. So i think i will put the rest under the cut. After the pic.

I haven’t read much of fics that have Wine in it. But with so little information about him, the way it scattered around and languages barrier. I understand that ppl may have different view of him, also is the setting of the fic. If it’s on the surface, i guess he could be better???

But there’s a thing about FSG(Fellswap-Gold) being set in communist theme , Wine being the head of the royal guard, AKA he the head government. Idk about you guys, but for me. Any head government of a dictatorship system could never be a nice guy. NEVER. IT’S UNACCEPTABLE.

Though, you guys can have fun, just don’t forget it exists in real world. And even thought it’s not real. Propaganda exists, so is the media effects.

I summarized some of the timeline in the second pic (The art is based from the creator)

I hate Wine so much, but here i am defending him(?) nope just explaining my insight. (i still haven’t read the setting with proper translation , so this is my headcanon from what i understand)

Wine will immediately shoot other AU.

It’s both Gaster and the system that made him that way. He’s born to be the best solider. He trained hard, deem to be love by Gaster but Gaster only see him and Coffee as tools. After Wine feelings toward Coffee became ‘his only family’ Wine wants to protect Coffee. Wine changed to rely on Coffee being relied to him. Wine betrayed Gaster cuz Gaster want to get rid of Coffee.

Wine is a conservative, because that what the system always is.

So Wine will shoot other AU immediately because for the system. AU is see as threat. The AU would bring new possibilities and that’s against the conservative view that is to continue the old/current system.

(The dictatorship and conservative control the knowledge of their citizens. Keep their knowledge low so it makes them easier to control. Risks of having the AU be seen by citizens is not good. Citizens can’t see new things, can’t have more knowledge of other AU, can’t know that world with freedom exist. So the AU is see as threat)

But of course, Wine is not really a full conservative as we seen in some settings about him, like Wine doesn’t discriminate toward Undyne&Alphys, Wine support Grillby and Muffet interracial wedding. But the system, the time(their au set in old period), and social. Also is the way he grow up, the way he need to be ‘the best’. It rooted too deep into his mind. And it show with what he said toward Coffee.

Yes Wine always seek power.

Because he’s a coward. Wine felt loved when Coffee relied on him as a child. But when they grow up, Wine still think that way to the point of unhealthy. Because he feared of being alone and lost his only family. And because of the system in underground is like that, he needs power to stay safe. To stay alive and hope that the thing he fears the most never come true. So it lead to seeking powers.

Wine for me, he’s a coward, he fears and the only way he knows how to ease those fears is to have more power.

Kinda words these badly, cycling nonstop. But it’s really just the way it is. Cycle. The system can't be changed. It needs to be perished.

Yes…. Poor Coffee…he also has a problem… but that’s for another time. Another post… the bairnrot hitting me bad…

These information are from @/fsg-settings go check it or you can see my post and a link to my doc i collected all the information in one doc and used google translated on them. So you can just read there. Or maybe opening the web would be easier?

[nausicaamusiclover20]

Can you please write a classic trope of reader overhearing black album/load James calling her “clingy”? Like guys in the band joke about it and he is fed up? So she stops coming over to studios and bringing food over, stops asking him to pick her up from work, if he wants to go to a bar, she always has a “headache”? Maybe it’s not until Bob Rock mentions that he likes when she’s over cause James always does a better job in her presence? - that’s when he gets that something is off???

I hope you like it❤

Hurtful Word

The studio has that same familiar smell—beer, lingering cigarette smoke, and the electric hum of amps running hot. I balance a bag with burgers and a beer as I push open the door, knowing James has been holed up here for hours. I just wanted to show up, bring him something he’d actually eat, something other than junk food and coffee. It’s a small thing, but I’ve always thought it meant something.

But as soon as I walk in, Lars glances over and smirks at Kirk. Their eyes flick to me, exchanging that look they always get when they’re about to make a joke.

“Damn, man,” Lars says, his voice loud enough to carry. “You got yourself a personal chef now? Can’t even get a sandwich without her delivering it?”

Kirk snickers, crossing his arms. “Yeah, dude, she’s here more than we are. Got a whole support team working for you, huh?”

The teasing makes my chest tighten, but I keep my head high, hoping James will laugh it off. But instead of a joke or a roll of his eyes, he glances at me, looks away, and mutters, “You don’t need to keep doing this. It’s kinda… clingy.”

Clingy. The word slices through me, and I freeze. I don’t even hear the guys teasing him further because the room goes silent in my head. Clingy.

Lars laughs. “Oh, she’s clingy now?” he grins. “Better watch out, man, she might end up moving in next.”

“Yeah, at least keep some space, Hetfield,” Kirk chimes in. “You don’t want to be tied down yet.”

My smile falters. I feel my face heat, and I force myself to nod. “Right. Sorry, I didn’t mean to hover.” My voice is too tight, too fake. I turn to leave quickly, wanting to get out before anyone can say anything else.

I don’t even make it to the door before I hear James mutter something, but it’s too late. I’m already out.

____

James Hetfield POV

The next few days are strange. She’s not at the studio, hasn’t called, hasn’t stopped by. When I wanted to go at bar she said that she had a headache. I figured at first she’d just been busy. But by the second day, I realize it’s more than that. She’s actively keeping her distance. I try to shake it off, thinking it’s just her way of taking some space, but there’s an unease gnawing at me.

My concentration is shot. The guys are noticing. I can’t get anything right during practice.

Bob Rock finally pulls me aside one evening, looking at me like he knows something’s wrong.

“You okay, James?” Bob asks, his tone casual but concerned. “You’ve been off the last couple of days. It’s like something’s not clicking.”

I rub my face, trying to avoid admitting it. “Just tired, man. It’s been a long couple of sessions.”

Bob gives me a look, his eyes narrowing slightly. “I get it. But, uh... I’ve noticed something, and I’m gonna be blunt with you, alright?”

I look up, a little surprised. “What’s that?”

Bob leans in slightly, his voice dropping. “When she’s here, when she’s around, you play better. Hell, the band’s tighter, too. There’s something about the way you focus when she’s here, like she brings out the best in you. But now that she’s gone... it’s like you’ve lost your spark.”

I stare at Bob, the words hitting harder than I expected. She makes me better? I never thought of it that way. But Bob’s right. Every time she showed up with lunch or a little note, I’d felt more grounded. More centered. The music flowed easier. And now? It’s like the fire’s gone out. The sessions feel lifeless. I’ve been distracted, unfocused.

Suddenly, I feel a deep pang of regret. I hadn’t realized how much she was actually keeping me grounded, how much her quiet presence affected me. I’d taken her for granted, pushed her away with my stupid, careless words. I can’t take it anymore. Not the silence. Not the distance between us. I’ve been calling her all week, and every time, it goes straight to voicemail. It’s eating me alive. I don’t care how bad I fucked up—I need to fix this. I need to see her, to hear her, to make sure she knows that I’m sorry. 

I jump in the car, my hands gripping the steering wheel too tightly. My thoughts are a jumbled mess. “Clingy” I said that word to her. And now I can't stop hearing it echoing in my head. The guys had joked, but I could see it in her eyes—she wasn’t laughing. I pushed her away, and now I can’t reach her. 

I don’t even think as I pull up to her building. I park quickly, my heart pounding in my chest, and rush to the door. My breath catches in my throat as I knock, then ring the doorbell. There’s no answer. I knock again, harder this time, and then… nothing. 

I press my ear against the door, and I hear movement inside. My stomach tightens. I don’t know if it’s hope or desperation, but I feel the overwhelming need to be with her, to fix what’s broken.

Finally, the door opens just enough for her face to peek through. Her eyes are tired, and she looks… fragile. Like she’s been holding herself together, but just barely.

I swallow hard. “Can we talk?” My voice cracks a little, betraying the anxiety twisting in my gut. “I need to talk to you.”

She doesn’t say anything. She doesn’t even step aside at first. For a second, I think she might slam the door in my face. But then she opens it wider, just enough to let me in. I walk past her, my heart hammering in my chest, and she follows me in silence.

The air between us is thick—heavy with everything that hasn’t been said. I turn around to face her, and for a moment, I can’t find the words. The look on her face… It breaks me. It’s like she’s shutting down, like she’s already made up her mind to walk away.

“I was stupid,” I blurt, the words tumbling out faster than I can control. “I shouldn’t have said that. "Clingy". What the hell was I thinking? You’re not clingy. You’re—God, I don’t even know how to fix this. I can’t take it back, but I can’t stand the thought of losing you.”

She just stands there, her eyes cold and distant. I hate it. I hate seeing her like this—like she doesn’t care anymore. The silence between us stretches out, making the weight of what I said feel heavier than ever.

“You don’t get it, do you?” Her voice is quieter than I expect, almost like a whisper. “You made me feel like I was too much. Like I wasn’t even wanted. I was just trying to be there for you, and you… you pushed me away. In front of the guys, James. You made me feel like a joke.”

Her words hit me like a punch to the gut. I can see it now—how badly I hurt her. How wrong I was. She’s standing there, so small, her shoulders slumped like she’s carrying the weight of everything I’ve said. 

I feel my chest tightening, my throat burning. “I’m sorry. I swear, I didn’t mean to do that. You’ve never been too much, not for me. I don’t know what I was thinking. You’re everything to me, and I—God, I don’t even know how I got so fucking stupid.”

I take a step toward her, my hand reaching out, but she pulls back slightly. “I don’t know if you even understand how much you hurt me,” she says, her voice shaking now. “You made me feel like I was suffocating you. And I can’t keep trying if you’re not going to see me. If you don’t want me around…”

The words trail off, and I can hear the tears in her voice. My heart shatters, and before I even realize it, I’m moving toward her, pulling her into my arms.

“I didn’t mean it,” I say, my voice breaking. “I don’t ever want to hurt you. I was a fucking idiot, okay? Please, don’t walk away from me.”

She stands still for a moment, then gives in, her body relaxing as she buries her face in my chest. I feel the wetness of her tears against my shirt, and it kills me. I never wanted to make her feel like this. Never.

“I miss you,” I whisper, holding her tighter. “I need you. Please don’t leave me.”

Her hands clutch the front of my shirt, and for a moment, we’re both just standing there, tangled up in the mess of emotions between us. The silence is raw, but it feels real.

She pulls back slightly, just enough to look me in the eyes. “You’ve gotta promise me, James. Promise me you’ll never do this again. That I’m not just some fucking joke to you.”

“I promise,” I say, my voice steady now. “I swear to you, I’ll never make you feel that way again. I’m sorry. I didn’t realize what I had until I almost lost it.”

And then, suddenly, I feel the need to say something else. Something that’s been weighing on me for a while. I pull her back into my arms, my hands gripping her tightly as I press my lips to her hair. “You know, I always appreciated you showing up at the studio. I never said it, but you always brought something with you—something that helped me focus.

When you’re there, I can think clearer, the music just comes to me better. It’s like I’m myself again, you know? And when you weren’t around these last couple of days, I realized how much I’ve been taking you for granted. I need you there. Not just because I like having you close, but because you make me better.”

She doesn’t speak for a moment, but I feel her body soften against mine. “I didn’t know that,” she whispers.

“I should have told you sooner,” I say, my voice thick with emotion. “I’m so sorry. I need you in my life. Not just in the studio, but everywhere.”

Her hand rests gently on my chest. “I need you too, James. But you’ve gotta prove it.”

“I will,” I promise, brushing my lips against her forehead. “Every day, I’ll show you.”

We stand there in the quiet of her apartment, the weight of everything between us slowly lifting. For the first time in days, I feel a sense of peace. I don’t know what the future holds, but I know that as long as I don’t let her go again, we’ll find our way through it together.