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sunrisesfromthewest · 5 months ago

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First Encounter

|Summary: Your first encounter with Armando; based off of that one scene from bad boys ride or die. | Warnings: Getting shot at/slight suggestive language/Curse words/Slight Movie Spoilers | Trope: One sided interest or Enemies to Lovers| Notes: Hopefully you guys enjoy it's my first-time writing a x reader. | (Y/N/N=Your Nickname)

Here's all the parts I have so far: 1 2 3 4 5 6

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After seeing the news about your dad, Uncle Mike, and some guy, you decided to leave work early. Confused on why there all the sudden wanted fugitives,you quickly drive over to Dorns place knowing that he’ll have answers.

Parking your car, you grab your purse and make your way towards his lake house. Since you hang out with him and Kelly 24/7 outside of work, you just walk in without knocking. Which was a mistake on your end because not even a second later you’re being shot at, and you could hear a few people yell in shock. Dropping to the floor you curse and yell "It's me stop fucking shooting it’s me Y/N!” Looking up you see Kelly pointing the gun at the place you were just standing at with a shock expression. “Girl what the hell you got going on” you said, scared to stand up. Lowering her gun she said “OMG, Y/N, I’m so so—” Before she could finish you hear “Oh lord, you shooting at my baby!", recognizing the voice you look around to spot your father Marcus, running towards you with a worried look.

As he’s checking over you, you hear him sigh with relief after seeing you were fine. " Dad? what the fuck is going on!", standing up you dust off your nurse uniform, with a confused expression.

Looking around the room you noticed shocked expressions from Dorn and Kelly who had put her gun down. Spotting Uncle Mike and the man that was with him on the news your eyes squint even more, Tryna put two to two together. “Y/N/N, aren’t you supposed to be at work, "Marcus says confused on why his daughter was there. Still shaking up from being shot at you say, “I was at work but when I was making my rounds with my patients, I seen you guys on the news ......but shit! I should be asking the questions! why are you, Uncle Mike and this dude, wanted fugitives …. matter of fact," turning towards the man, "Who are you?”. Seeing the man smirk he says," Someone you can get well acquainted with.” Just as you’re about to say something smart, your dad cuts in dramatically "Aye hell nah man! No hitting on my daughter, Mike get your son!”

Shocked you run your eyes over the Latino man which you can now see have some of Mike's features, “Uncle Mike since when you have a son, and why the hell is he dressed up like a redneck.” Running your eyes frantically over their forms you back up while pointing your hands at them and say, “matter of fact why are you all dress up like that.” Feeling your dad pull you aside to calm you down, he explains everything that happened these past few days. After getting the run down on what was going on, you rub at your eyes with a stressed sigh." So that’s Armando," you said shaking your head "I would’ve pulled my gun out as well if I’ve seen him, dad didn’t he almost kill you and Uncle Mike!", you said feeling frustrated about the situation. “Y/n,I know this is awkward, but he has evidence to prove that Captain Conrad is innocent.” Sighing again “Okay, fine but if he tries some shit just know Imma make him taste the rainbow.” Hearing laughter you look back to see the Latino leaning against the kitchen counter looking at you with a smirk on his face. Seeing your father look at you with a don’t do it expression made you huff and ignore Armando’s laughter. Before you could move to grab your purse off the floor your dad stops you again and whispered, "How long Kelly and Dorn been messing around, "letting out a short laugh you say, “For a minute now” Seeing your father smirk, and send a look to Mike, you knew they were up to no good but chose to ignore it.

Walking to the door to grab your purse and its spilled contents you feel eyes on you, gazing up you see Armando watching you with an unreadable expression. Rolling your eyes you pick up the rest of your stuff, but as you reach for your lip gloss, a hand grabs it. Looking up your face to face with the Latino himself, annoyed you extend your hand out, while raising an eyebrow. Watching his amused expression, you sigh and roll your eyes.

“Boy if you don’t give me my stuff,Imma punch you in the throat." Hearing him chuckle made you more agitated, but you kept your cool. As he holds out the gloss to you with a smirk you huff and reach out to snatch it, only for him to pull it back in a teasing manner.

Looking at him as if he’s grown two heads, you’re about to cuss him out when he says”Demasiado bonita para una boca como esa”. Furrowing your eyebrows you say “What?” Armando’s smirk widens as he says, “I said to pretty for a mouth like that.” Scoffing you snatch your lip gloss out his hands, putting it in your purse as you stand up and say, “First of all, my mouth is only like this because you almost killed my dad not too long ago, and secondly I can say whatever the fuck I want cause last I checked imma grown women.” Watching his eyes glance down at your body, you hear a low whistle, "You sure are, but if you ever wanna fix that mouth of yours, "he pauses allowing his pretty brown eyes to trail back up to yours,”aquí estaré mami” (I’ll be here mommy)

Shocked slightly at his boldness, you say “Boy if you don’t get out of m---,” but before you could finish, he was called over by Mike. At first Armando ignores him and continues to admire you until your dad says, “Boy get your ass over here," which made you break eye contact with him and look away.

Glancing back up you couldn't help but admire his physique as well but as he reaches the others by the computer set up. He glances back to see you staring which resulted in him sending you a wink. Rolling your eyes you turn away with a smirk," You your daddy son for sure," you say to yourself with a smile.

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Notes: Let me know if you guys want a part 2 :) and pls go see the movie it's so good

#armando aretas #bad boys ride or die #x black fem reader #Armando #jacob scipio #armando armas #bad boys #new writers on tumblr #Armando aretas x black reader #mike lowrey #marcus burnett #Will smith #martin lawrence #Armando x daughter Burnett reader #First Encounter Series

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denimbex1986 · 11 months ago

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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

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