#slow moves

[dare-g]

Slow Moves (1983)

[lumioluna]

listen with lee: "slow moves", track 1 from veneers by josé gonzález

[notherpuppet]

@/coma_0423’s cursed cat alastor will bring you happiness ♥️

Lulu scolds the cat

[hayden-christensen]

HAYDEN CHRISTENSEN + the 'Obi-Ani' lightsaber spin

Hayden came up with a move when we did the second film that was like your move, like signature […] for me it always felt like your move because he was really good at it. — Ewan McGregor

[min-play]

they're too powerful

[kiwibrain]

trigun ost made me want to draw them doing cool poses

[rad-roche]

hashing out a way to draw piper quickly and consistently for the comic and figured i'd share

i've also folded in that one mocap section outside of diamond city into her personality. she's a terminal hand talker

[why-the-heck-not]

me, a responsible being, working on the coding project as I should vs. me, a dysfunctional shithead, getting distracted by reading about brains (once aGAIN damnit (it's my favorite "I need to study my field but bc I should do that it's an impossible unthinkable feat now, so I'm reading about something else to fool my brain I'm still being productive"-topic))

[alchemistc]

Part One

The loft is sadly undecorated. He'd tried, is the thing. Gone to the same novelty store they'd found on a random walk after a date, in late September, where Tommy had spent twenty minutes worrying a foam pumpkin in his hands while Buck tried to decide what sort of decor would fit his utilitarian loft.

They'd spent so long lingering over the sculpted white candles, Buck thrilled because Tommy's straight face broke every time Buck pointed out which ones looked like incredibly expensive dildos, that he'd felt bad enough to buy a whole set of them just to appease the girl at the counter who'd been watching them with a half annoyed, half wistful expression while Buck made a comment about dragons that had had Tommy biting his lip so hard he'd actually gone red in the face trying to hold the laughter in.

But every time he'd picked up a glass tree and thought how much fun it'd be to try to make Tommy go full Tik Tok Paramedic on him, every time he'd found something soft or plush enough that Tommy wouldn't have been able to resist running his fingers over it, plucking it up to toss it between his palms - well.

It wasn't like there'd be anyone in his loft long enough to really appreciate his decorations.

"Why'd you kiss me?" he asks, rounding on Tommy as Tommy takes a tentative step towards the kitchen.

"You were being annoying." At Buck's look, he elaborates. "Force of habit."

The finger comes up without any input from Buck, his voice tipping into that same flirty, bickering rapport he'd always pushed as far as he could. "I knew you did it to shut me up."

Tommy expression shutters. He recognizes Buck's tone. A few months ago that tone would start with a round of banter that usually ended with at least one of them with their pants around their ankles.

He looks spooked. He's staring at the island stool closest to the door like he's replaying the last conversation they had here, and Buck feels all his ire rear back up.

"You promised me clarity, Tommy." It's an accusation, and they both know it, because he looks ready to fucking bolt.

Slowly, he steps in. Half a yard closer to Buck, close enough to curl his hand over the island, and Buck is struck again by how goddamn unfair it is that Tommy looks this goddamn good in a suit.

"I did."

Buck's pretty sure he has some muffins he hasn't frozen yet that wouldn't actually damage Tommy, if he threw them at him.

"Can we...?" He gestures, vague as his half a question, and Buck wants to throttle him. Or kiss him again, which is -

"I need a beer. You?"

Tommy sighs. His grip on the corner of the island makes his knuckles go white. "Evan."

"No beer, got it." He swings the door open and doesn't wait for the reaction to either his snippy little rejoinder or the stacks and stacks of baked goods filling up the shelves of his fridge. He pops the cap with his back still turned, let's the fridge door fall closed. "Not like you drove here, but sure. One of us should be sober, I guess."

The switch back to Evan doesn't do anything for him at all.

Buck leans back against the counter and tries not to think about how he'd had this half formed idea of getting a real tree this year, finding some novelty kiosk that made those hokey ornaments for people to mark the years they'd been a family. He'd thought -

Tommy blinks guiltily when Buck catches him eyeing the way he fills out his slacks, a toe to groin drift of his gaze that makes Buck ache for when he could respond to that by dropping to his knees.

"That's a lot of bread," Tommy notes, eyes focused somewhere over Buck's shoulder.

"Why'd you break up with me, Tommy?"

Tommy freezes. Shifts from foot to foot. Sighs, and takes a few steps to the fridge, swings it open to grab a beer of his own. It's still the stuff Tommy likes. Buck's not picky, really, and it'd been habit to grab the six pack he always kept for Tommy.

The last five times he'd restocked.

Tommy takes half a step back to lean against the island, just off center from Buck, so they both have to twist their necks just a little to actually look at each other.

"You terrify me," Tommy murmurs, a few swigs in, when the silence is just starting to make Buck's skin itch. "Evan, I'm not -." He grimaces, frustrated. "I'm not some Super Gay who fights for justice and equality and the ability to make horrible television with Hummel doll sopranists."

"I don't know what that means."

Tommy's smile is wry. He'd had a running list of movies Buck's never seen on a note on his phone - every time Buck missed a reference, he'd added it to the list. They'd gotten through maybe twenty before -

"I led on a good woman for years because I convinced myself I could live my life ignoring a huge piece of myself. I hurled slurs with my buddies just to make sure no one noticed me. I fed into every toxic stereotype I could just to avoid anyone realizing I wasn't one of them. I'm not - I'm not some Gold Star Gay, paragon of the community. I didn't do shit. And even when I made the decision to let myself just be who I always was, I waited until no one in my life was close enough to me to question that I hadn't always been this way. I -." He winces. Shakes his head. "I run instead of fighting. I hide every time someone tries to see me. I'm not - this comfort you're so convinced I have I took at the cost of other people who were braver and stronger than I could ever be. Do you - is that an admirable quality, to you?"

Buck wishes they'd sat, like Tommy seemed to have been hinting at. He wishes he'd spent the ride over preparing himself for this, instead of stopping himself from crawling into Tommy's lap and getting a horrible rider rating for his trouble. He wishes -

"Do you think I don't already know all those things about you?"

It's - actually, it makes him a little furious, to think that Tommy spent six months thinking he'd successfully hid all those things from Buck. And - sure, he hadn't exactly been forthcoming about more than a few of those things, but like -

It wasn't like Buck didn't actively find ways to pry stories from Howie and Hen, even Bobby on occasion. It wasn't like Buck hadn't noticed the clipped way Tommy spoke of his past, his family, always tucking away more than he revealed. It wasn't like Buck wasn't well aware that Tommy Kinard had the capacity to be a total fucking asshole, if he wanted. Just because he'd kept it cool around Buck, made it just flirty enough for plausible deniability -

"You deserve better than that. Than me."

"Then be better than that, Tommy." It's not the best way to get his point across, but... "I've had multiple serious relationships, Tommy. I'm - I've been in love, before, and I've had my heart broken before, and I've had my trust broken before, and I've made people I love feel like shit. You weren't new and exciting, Tommy, we were - we were boring and domestic and it was the best six months of my life. It was what I -."

And this, of course, is where the words start to crest over, too many at once while his mouth tries to keep up and his throat is too tight to -

He swallows. Stares at his toes until his vision swims. Maybe those are tears, or maybe he's just stared long enough to go cross-eyed. His throat feels like he might be able to scrape a few words out

"I go too fast sometimes. I - I get scared I'm falling behind and so I clear a few hurdles too fast to catch back up and it -." Frustration rises through him as he remembers the way Tommy had levered himself up, spun away, broken things off without even a hint of the careful consideration Buck had grown so used to. "And you just - you tell me you want more than anything to be my last but you can't even give me the closure of a clean break! What the hell was that about?"

"Evan, I -."

"No! Okay, no. It's my turn to - it's my turn to be mad. It's my turn to - do you know how lonely I've been? How - how much I'm in my own head about where I went wrong, and what I could have done differently, and why you won't just fucking text me when you clearly want to? Do you know - do you know what it's like to think you've finally found something worth the humiliation of being known and then have it vanish in a single night? Over - you never talked to me about any of the shit you brought up that night, Tommy! You never - if you were so scared of not being enough to keep me interested, or so sure you weren't a good enough man, or so sure I couldn't possibly know what I wanted out of this, you could have saved us a hell of a lot of time and - and hurt by not being exactly the person I thought I could spend the rest of my life with! If that was all a - a smokescreen, some act, then why did you - are you actually so cruel that you convinced me we were falling in love while you had one foot out the door the whole time?"

Tommy's grip on the bottle looks painful.

"It's your turn to talk," Buck snipes, and he takes a little satisfaction in the way Tommy blanches. Just a little. Just enough to ignore how much he wants to rip Tommy's suit jacket at the straining shoulder seams and bite a bruise into that spot below his collarbone that even Tommy's undershirts hid well enough to keep the team at Harbor from putting him on blast for coming to work covered in hickeys.

"Six months with you was more devastating than two decades of hiding who I was, Evan," Tommy says, and it's a horrible opening that makes Buck feel like he's being drawn and quartered but he'd given Tommy the floor, so -

Tommy's eyes are a little too misty to call them anything but welling, and Buck hates it as much as it satisfies the pieces of himself he's spent weeks trying to pick up and glue back together.

"Evan, I lived with Abby for years and I don't think I saw her as much as I saw you. You -." He swipes a hand through his hair, and rustles one of his Superman curls loose to drape tauntingly over his forehead. Buck wants to bite him. He wants it to hurt. "You burrowed in and you just kept digging and I didn't take a second to question it until it was too late."

"Too late for what?"

"For me to take the cowards way out and leave before it hurt."

"Maybe I should have dug further," Buck snaps, and Tommy's gaze flits to his. Holds, for the first time all night. He's breathtaking in the best and worst way possible. He's spent weeks now trying to imagine anyone else ever making him feel the way prolonged eye contact with this man makes him feel.

"You did," Tommy admits, a confession that sounds like it's been gut punched right out of him. "You still -." Another grimace, Tommy pulling back, pulling away, hiding, running, and Buck can't -

"So what is this, Tommy? Is this - are you -?" He shakes his head to clear the cobwebs. Rears up, pushes off the counter, and Tommy's eyes widen like he's just now realized he doesn't have an easy exit. Buck just stands there, though. "If this is it, let this be it. If you don't want - if you're not willing to fight for this with me, tell me now. I know I'm - I know I'm a lot. I know I push for more when I'm scared. I know I'm overwhelming, and I sometimes can't stop talking to save my life, and I know I'm jealous and petty and - I know I'm not perfect."

Tommy sets his bottle on the counter beside him. Worries his lip between his teeth and rolls his jaw.

"You snore. You're a bitch sometimes and every once in a while it's not even charming. You hog all the covers and then you complain that it's too hot. You're vague about every single thing in your past that you think makes you seem like a bad person. You always think food needs more garlic and sometimes you're wrong. Sometimes when I spiral you just give me that stupid indulgent smile of yours and I know you stopped listening two reddit threads ago. When you're grumpy sometimes it takes everything in me not to pick a fight because you're such an asshole. You get cagey every time I pick at a thread you don't want to unravel and I - I hate it. I wanted a life with you and you couldn't stick around long enough to tell me why you were too afraid to go for it. So if - if you think I'm seeing you with rose colored glasses, or whatever. If you think I'm not - if you think being the first guy makes you too special for this to be real then just..." He sucks in a breath. Blows it out through his nose and feels the ache in his chest that's half remnants of his earlier panic attack and half fear that Tommy will actually turn and walk out at the end of this. "If you don't wanna fight for this I'll fill in the hole I dug as best I can and I'll leave you alone, okay?"

The look on Tommy's face is one he's never seen before. They've done this dance, or parts of it, at least. Tommy'd left him outside Micelli's, breathless and confused and aching, before he ever knew what it was like to hold his hand, to press his nose into the join of his neck and shoulder, to curl a hand in his hair or be filled by him - with attention, with affection, with the weight of his body and the stretch of his cock. Even then, this had felt different. Real, in a way the misty edges of his time with Abby, or the way Buck's puzzle pieces had never quite fit with Taylor's had never been. Even then, he'd just wanted so desperately to know and be known by Tommy that he'd taken his second chance and run with it.

"I don't snore," Tommy says, when the silence gets too heavy, and Buck - god, Buck has missed that tone, the snappy little tilt of his head, the blatant lie that passes over Tommy's lips so smoothly it's hard to tell sometimes that he's not being serious.

"I have audio proof," Buck says, and then doesn't immediately admit that he'd played it on a loop two nights into the breakup when he'd wrapped his entire body around the spare pillows on his bed and still hadn't been able to sleep alone in his bed.

"It bugs me that you spent days following scraps of information about a dead outlaw you convinced yourself cursed you, but you didn't even know what a Kinsey scale was."

This is - progress. This is... not Tommy bolting.

"I'm a two. If that's - is that, like, gay enough for you, or...?"

"You go too fast for me, Buckley," he says, and Buck knows that's a fucking reference to something he doesn't have context for just as well as he knows he's willing to spend the next decade waiting for the reference to pop up on Tommy's list. It's a terrifying, exhilarating thought and it's probably exactly what Tommy means.

"I can slow down," Buck says, and he tries to mean it. Nothing about how he feels about Tommy is slow.

"I don't want you to," Tommy admits, and then lets the silence stretch. They're two and a half feet away from each other and the distance feels like the farthest he's ever been from Tommy and the closest he may ever be again. "Living together, making a life together..." He swallows. "Marriage." That stops him short just long enough to recall how he'd blazed right past the I love you and straight into how he could keep Tommy. "You scare the shit out of me every goddamn minute of every goddamn day and I've never missed being terrified as much as I have since I walked out that door."

"I'm in love with you," Buck tells him, and Tommy blinks back tears. Takes a shaky breath and nods.

"That's what scares me. It's never - it's never been enough, before."

He'd sort of expected this to end with either the echo of his KitchenAid or a frantic rush up the stairs, but when Tommy meets him halfway all he does is sink his nose into the curls behind Buck's ear and breathe.

His arms drag Buck closer, his feet shuffle beneath them, his chin hooks over Buck's shoulder and he breathes, and breathes, and breathes.

---

"Your morning breath is rancid," Tommy tells him, palm centered on Buck's nose when he leans in for a kiss, pads of his fingers curled just slightly so that his hand is nearly encasing Buck's entire face. He wants to be annoyed but it's mind numbingly hot and Buck has missed it. Missed the snark, and the comfortable way Tommy will shoot him down when his head is in the clouds, and exactly how fucking large Tommy is.

"I'm so tired of avocado toast," Buck bats back, and Tommy is distracted enough by his need to make a face at that for Buck to swoop in and press a kiss to his cheek. He makes sure to make it a little wet just to watch Tommy's face crinkle in mock disgust.

He's in one of Buck's hoodies, is wearing the pair of his own sweats Buck had buried in the back of his closet in a fit of pique three days post breakup. He still looks properly debauched and Buck wants to drag him right back to bed.

Except -

"You don't have to go," Buck repeats, for the fifth time since he brought it up somewhere between peeling Tommy out of his suit pants and rolling out of bed to warm a hand towel under the sink so that Tommy could clean the cum off his abs. "But I need to shower and leave in like - twenty-seven minutes."

Tommy catches him by the waist and drags him in. "I won't be able to stay. You baked and I took as much holiday overtime as I could, but if you seriously want me there -."

"I seriously want you everywhere."

Tommy raises a brow.

"I mean that in a horny way and a codependent way."

Tommy snorts. "Good to know we're approaching this in a healthy manner."

"You told me not to slow down," Buck reminds him, and he gets a smack to his ass for his trouble.

"When Maddie pulls me aside, do you think she'll just slip me a poisoned glass of wine, or is she gonna get up on a step stool and make me stand there while she strangles me to death?"

"She won't do that." Buck leans in again, rolls a loose curl between two fingers. "She'll just stab you in the middle of the kitchen and warn my parents not to step in the blood."

"That's comforting."

Tommy takes a utilitarian shower in the downstairs bathroom and doesn't let Buck join him, and then rifles through Buck's closet until he finds all three of his button downs Buck had tucked away.

He has to borrow a pair of Buck's slacks and Buck absolutely does not mind that his ass is definitely gonna stretch them out.

With about seventy seconds to spare, Tommy presses Buck to his front door and kisses him just long enough to screw up Buck's meticulous timing - by the time he pulls back and gives Buck enough room to glance at the time on his stove, Buck knows they're gonna hit just enough red lights to make them late.

"I love you too, by the way," Tommy murmurs, and just this once, Buck decides not to be a brat about being five minutes late.

[yuki2sksksk]

Crossover ship of Mitsuri and Sanji cause why not

I imagine a modern sort of AU with these two in the spotlights:

Mitsuri traveling away from Kimetsu town after tragically lost her boyfriend of years Obanai due to an incident involving his family (murder mystery maybe). Taking Kaburamaru with her, she stays in the Grand City, working as an art teacher in the New World Academy.

In the midst of her grief, she finds comfort in a cafe where the chef is nice enough to cook her enormous amount of food without any complaints every time she comes over.

Or maybe it's the chef himself.

(Mitsuri and Sanji are going to start off as friends and then close friends and it'd take a very long time for them to be together because one is afraid that she'd forgot her late boyfriend if she moved on, and another doesn't want to take advantage of the poor girl and he's unsure if he's worth enough to be with her)

[vampirecorleone]

"Oh, you're going to enjoy living with us so much. Yes, I know you are! As a welcome home present, I bought you such wonderful new clothes. I just hope that Richard doesn't get jealous that I didn't get him anything. Oh, but then, he is such a dear. I'm sure that he won't mind. You see, I've always wanted a little girl. But, of course, when my husband left... Oh, well, that's all water under the bridge, as I always say. Water under the bridge! But it certainly will be a nice little surprise when Richard comes home to find a little girl in the house. Yes, I've always dreamed of a little girl just like you." Sleepaway Camp (1983) dir. Robert Hiltzik

[dare-g]

Jon Jost on VHS

[sangrefae]

youre going to look at my minimal effort labru comics and youre going to like it (threatening)

[cream-and-tea]

must a book have ‘plot’ and ‘structure’ and ‘progression.’ is it not enough for characters to be in a place. and for that place to be really fucking weird.

[cubbihue]

Have there been times the Turner parents have suspected something but shrugged it off?

They have never suspected Timmy Turner of anything! Despite often expressing regret or disappointment, they still very much love their son! And all the benefits he brings them!!

The Turners are a well established family in the neighborhood. It wouldn't bode them well to go around casting doubt against their own son. It'd affect their reputation terribly!

Bitties Series: [Start] > [Previous] > [Next]

[kizzer55555]

Core Gems

So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.

Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.

Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.

However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.

In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.

Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.

The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.

Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.