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hotshotsxyz · 1 month ago

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wide awake from the breeze

(buddie) (2.2k) i swore i was going to write something for @summerofbuddie so here i am with something on the last possible day lol. very in character of me. title from blue sky & the painter which i will continue to push as The eddie diaz song for season 8

The air is crisp and cold, and finally, finally, Eddie can breathe.

The San Gabriels are beautiful this time of year, but it’s hard to appreciate the changing leaves when he’s watching Buck. Their color could never compete with his light.

Buck’s fingers tap against the steering wheel as he hums along to a song Eddie’s certain has repeated at least three times in the past two hours. He’s beautiful like this. He’s always beautiful, actually, but Eddie thinks this might be his favorite version of Buck. Happiness suits him.

They’ve been tumbling towards something since Buck broke up with Tommy, since Eddie finally let loose the words that have been stuck in his throat for years. For once in his life, Eddie isn’t overly worried about time. For once in his life, he’s got plenty of it.

They reach a scenic overlook, and Buck pulls over. He takes his sunglasses off and drops them on the dashboard, then looks over at Eddie and grins.

“See,” Buck says brightly, “I told you it’d be worth the drive.”

Eddie twists in his seat so he can face Buck a little more directly. His curls are wild from the wind, and his eyes glow in the late afternoon sun. “I didn’t doubt you for a second,” Eddie murmurs.

Buck’s smile grows impossibly wider. The foliage doesn’t stand a chance. “You want to get out for a little? Stretch our legs?” he asks.

“Yeah,” Eddie agrees easily.

There’s a trailhead just a few hundred feet away, and Buck bounds toward it eagerly.

“Half a mile out and back?” he calls over his shoulder after studying the map for a second, as if there’s anywhere Eddie wouldn’t follow him.

“Let’s do it,” Eddie replies as he sidles up next to Buck.

Buck smiles at him again, and it’s a little like watching the first light of dawn stretch across the horizon.

They mostly walk in silence, but every few minutes Buck pauses to point out a particular tree or bird. It’s kind of incredible, the way he latches onto information and then gifts it to Eddie in a single excited breath. Eddie’s got his own personal guidebook to the world, and he makes everything feel new and special.

The trail ends at the bank of a small, placid lake surrounded by rocky outcroppings. Buck sits on one and pulls Eddie down next to him.

The sky above them is cloudless and clear, a brilliant blue that’s reflected in the water. A few leaves drift slowly across the surface, leaving behind tiny wake trails. It’s peaceful in a way Eddie’s rarely gotten to experience in his life. He isn’t sure he’d even be capable of appreciating that if it weren’t for Buck.

“I think I want to do this forever,” Eddie says as they stare out across the lake.

Buck knocks his knee against Eddie’s. “What?” he asks, “Watch the leaves turn?”

Eddie looks at him and finds a soft smile that tells him Buck knows exactly what he means. “Yeah,” he says, knocking his knee back, “something like that.”

For a long moment, Buck holds his gaze. “Yeah,” he says finally, “me too.”

Eddie leans to the side, allowing his weight to settle against Buck’s shoulder. He tries not to worry anymore about whether or not he deserves to have someone like Buck in his life. He has him. Buck picks him, over and over again, and even though Eddie’s not sure he’ll ever quite manage to wrap his head around it, he’s long since decided the only way he needs to feel about that is grateful. And god is he grateful.

Buck closes his eyes and tips his face toward the sun. His cheeks are tinged with pink, and it’s hard to tell if it’s the cold, the beginnings of a sunburn, or something else entirely that’s caused it. Eddie finds that he wants to know, wants to press his fingers to Buck’s skin and see if the redness fades or grows.

It’s an impulse he could give in to; Buck would let him. There’s something about this moment he wants to freeze though, and if he moves it’ll change. Instead, he watches. He commits every detail to memory. When he’s old and gray and everything else is fading, this will be what he remembers.

A gust of wind blows down through the valley, and Buck shivers with it, nose scrunching. He opens his eyes and looks at Eddie. “I’m cold,” he admits with a sheepish smile.

“You’re always cold,” Eddie says, voice dripping with fondness.

Buck tilts his head in acknowledgement. He flexes his fingers a few times, probably stiff in the autumn air.

“C’mere,” Eddie says a little nonsensically. Buck will understand.

Buck holds his hands out and Eddie takes them. He vigorously rubs at them until they’re satisfyingly friction warm. He keeps them when he’s done, holding them together between his palms to protect them from the wind. Buck ducks his head and grins.

“You’re like a space heater,” he says, shuffling impossibly closer.

“And you’re like an icepack,” Eddie replies.

Buck blows out a soft, amused breath. “Makes me handy to keep around in the summer,” he quips.

“I always want you around.”

Another version of Eddie might’ve hesitated, might’ve buried that instinctive reply as far down as possible, shoved it next to all the things he refused to examine. Too bad for that Eddie; he wouldn’t get to see the pink on Buck’s cheeks darken and spread.

“I always want you around, too,” Buck says, quiet, like he might scare away the moment if he speaks too loudly.

Eddie’s been waiting. For what, he’s not entirely sure. For him and Buck to be alone, though that’s hardly a rare occurrence. For all the doubtful voices in his head to go silent, but Buck’s been quieting those for years. For him to feel settled in his skin. For the world to stop turning around them long enough to do it right. All at once, Eddie feels like there’s nothing else to wait for.

“I love you,” he says, and the words taste good. They’re the icy fresh snow melt that streams down mountains in the spring, the bright tang of citrus in the summer, the spicy warmth of mulled cider in the winter, and soon, he thinks, he’ll know for certain that they taste like Buck in the fall.

A small noise spills from Buck’s mouth and he sways forward, less like he’s leaning in and more like he can’t help but be caught in Eddie’s gravity.

“Eddie,” he whispers. His eyes shine.

“Buck,” he replies.

For most of Eddie’s life, he’s been afraid. He’s pushed past it, locked it down, pretended that the twist of anxiety in his gut was never more than passing butterflies. Here, though, now, he doesn’t even feel brave. He’s too sure, Buck makes him feel too safe; there’s no fear for him to fight against.

Buck blinks a few times and swallows visibly. Eddie rubs his thumbs in soothing circles against Buck’s wrists.

“You…” Buck starts, rough and awed.

“Take your time,” Eddie says, unable to hide his amusement.

Buck huffs and kicks at Eddie’s ankle. “Forgive me for taking a second to process literally the best thing I’ve ever heard,” he retorts without any bite.

“Oh no, I mean it,” Eddie says with a wide grin. “I’ll sit here all day. I’m not cold.”

A startled laugh jumps from Buck’s throat. “Be quiet, let me finish processing,” he says.

“Process away,” Eddie murmurs.

A few seconds pass and he watches the gears turn in Buck’s mind. Eddie knows the way they like to twist and catch, but he’s not worried. They’ll have a lifetime to discard all the worst-case scenarios.

“Okay,” Buck says finally. “I’ve processed.” He pulls his hands from Eddie’s grip and raises them to his jaw. He leans in and Eddie meets him halfway.

Eddie was right, but also wrong. Buck tastes like love, yes, but he also tastes like home and joy and warmth and a little like the muscadines they’d stopped to buy from a roadside stand earlier in the day. Buck smiles against his lips and it feels like the rest of his life.

“For the record,” Buck says, pulling back just far enough to look Eddie in the eye, “I love you too.”

Eddie can’t help the bright peal of laughter that bursts from his chest. He feels free and alive and happy and everything else he was once afraid he’d never be able to. Buck skims a thumb along his cheek bone and grins.

“If you’re done, I really want to kiss you again,” Buck says once Eddie’s laughter has faded to a soft chuckle.

Eddie grips Buck’s waist and hums. “I don’t know, I think I need to process,” he teases.

“Oh, that’s fine, I’ll just sit here and freeze while you—” Buck makes a surprised noise as Eddie surges forward and cuts him off with his lips.

They break apart a second time and Eddie rests his forehead against Buck’s. “I’ve processed,” he says, quiet and smiling.

“Yeah?” Buck asks, a little breathless.

Eddie hums an affirmative. “Best thing I’ve ever heard, had to let it sink in.”

Buck presses a soft, chaste kiss to the corner of Eddie’s mouth. “It takes a second,” he agrees.

Another gust of wind blows past them. A few leaves begin their gentle descent to the ground and Buck shivers.

“Come on,” Eddie says, laughing lightly as he pulls back and stands. He holds his hands out and Buck takes them. “You’ve got a hoodie in the Jeep.”

Buck’s head tilts adorably. “I didn’t…” he says, trailing off as the confusion in his expression makes way for that quiet, disbelieving smile that seems to be reserved exclusively for Eddie.

“You’re always cold,” Eddie says with a fond eyeroll. He tugs at Buck until he stands.

“Not always,” Buck says, suddenly inches from Eddie.

Eddie swallows as a shudder of anticipation travels down his spine. “No?” he asks faintly.

Buck fixes him with a look Eddie’s seen before, though never directed at him. “Nope,” he says, eyes dark and lips curling.

The effect is lessened slightly as the breeze kicks up again and Buck cringes away from it. The tip of his nose is bright pink. Eddie wants to kiss it, so he does.

He laughs again and drops one of Buck’s hands. “Let’s go, cowboy, you can seduce me in the Jeep.”

Buck’s mouth opens and closes. “Uh, that’s—yeah, let’s do that,” he says in a rush.

They quickly make their way back up to the trailhead. Eddie can’t remember ever smiling this much, but even when his cheeks start to hurt it’s impossible to stop. He’s happy, happy in a way he didn’t even know was possible until very recently.

When they reach the overlook, Eddie pauses just long enough to lift their joined hands and press a kiss to the back of Buck’s.

Buck’s eyes widen. “When did you get so…” He gestures vaguely.

Eddie snorts. “I have game,” he says.

“No,” Buck says incredulously, “you don’t. Or—or didn’t.”

“It sounds like you think I have game,” Eddie teases.

“I think you should get in the Jeep so we can go home and test the theory,” Buck replies.

“Gonna have to let me go first,” Eddie says, nodding toward their intertwined fingers.

Buck blushes but makes no move to extricate himself from Eddie’s grip.

“Or not,” Eddie says softly.

“I just…” Buck trails off.

Eddie squeezes his hand.

“I want to remember this,” Buck says, ducking his head. “How everything feels right now.”

“Even the cold?” Eddie asks.

Buck squeezes his hand. “M’not cold,” he says.

The wind blows, and Buck crowds in closer to Eddie, trying to hide from it.

“I think you might be a little cold,” Eddie murmurs.

“Maybe I just wanted to kiss you again,” Buck replies.

Eddie grins. “Don’t let me stop you,” he says.

Buck presses a feather-light kiss to his cheek, then his nose, then the corner of his mouth. Eddie feels his cheeks heat beneath his touch.

“Okay,” he says softly. He steps back and lets go of Eddie’s hand. He fishes his keys out of his pocket and unlocks the Jeep.

Eddie climbs into the passenger seat as Buck settles in front of the wheel, just like they’ve done a thousand times before. He reaches into the back and grabs Buck’s hoodie, the slightly oversized one that he loves to wrap himself in on days just like this one. He hands it to Buck. As he watches Buck wriggle into it, he’s hit with a wave of joy all over again.

“I love you,” he says when Buck’s head pops out from the hood, just because he can.

“You’re such a sap,” Buck says, but it sounds a whole lot like I love you too.

Buck turns the key in the ignition, and the stereo comes to life playing the same song as before.

Is that a blue sky? The singer asks.

“It’s about damn time,” Eddie can’t help but sing along.

Buck grins at him and grabs his hand.

It’s about damn time.

#buddie #buddie fic #911 #911fic #summerofbuddie #abbie writes #abbie continues to push her blue sky & the painter agenda #fic

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wlwcatalogue · 10 months ago

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Some WLW (?) Jdrama & Kdrama recommendations!

Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)

As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.

At-a-glance list:

Miss Sherlock (8 episodes, 2018) (subtext)

Night Light (20 episodes, 2016) (subtext)

Tokusatsu Gagaga (7 episodes, 2019) (subtext)

Painter of the Wind (20 episodes, 2008) (canon?)

She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)

Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)

Chaser Game W (10? 30-minute episodes, 2024) (canon)

Doctor X (7 seasons and counting, 2012~) (subtext)

Bonus: SKY Castle (20 episodes, 2018) (subtext)

Summaries under the cut!

1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki

The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.

There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!

(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)

2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki

(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)

Night Light is a rather odd show. It’s simple enough on the face of it, a story about successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature, thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).

Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.

Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.

3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki

Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.

Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.

4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki

Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.

While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.

Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)

(CW: period-typical sexism)

5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList

Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!

It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.

Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!

6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList

Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.

Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.

(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)

7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元カノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki

Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.

Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.

Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.

(CW: bullying)

8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki

To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.

The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).

The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.

Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.

Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?

(CW: sexism, genre-typical gore)

Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki

(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)

This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.

So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)

That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.

(CW: suicide, psychological abuse, child abuse, bullying, murder)

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