#skeletons in the closet still have flesh

[curvykittyyssmutfics]

Dating Both Boys (NSFW Alphabet)

A = Aftercare: The boys are very aware they both leave your whole body soiled and brain fucked so stupid that it's only fair to run you a nice warm bubble bath, help wash away their cum and soothe your sore overworked limbs. Sometimes you put the pussy on em so good that Satoru falls into a dreamlesss slumber soon as he nuts, snorin in your ear with his softening length still lodged deep inside you. But Suguru ain't the one. Holds his nose till he gasps dramatically, ice blue eyes shootin open. "Wake up idiot. Go get the bath ready for her."

B = Body Part (fave): "Mouth!" Suguru's cheeks heat when his answer spills from his lips before you can get the question out. "Sorry. Just really love kissin you." "Aw, how sweet Sugu!" "And.. Seein your plump lips all glossed up, slidin up and down my dick.. Shit really does somethin to me.." "Sugu! Tsk. Can tell Toru's been a bad influence on you." Now Satoru comes up with a different response everytime, filthy ass gropin wherever he can reach each time you bring the topic up to get a direct answer. "Baby, how can I choose? You're so fuckin perfect. There's no part of you that can't make me nut till I drop." You shake your head at the horny fuck. "Maybe I should ask your dick instead since you only think with him, fuckin THOT." "Touchè, baby. Touchè.."

C = Cum: Since your white haired sorcerer is nothin short of an absolute terrorizing menace, he finds satisfaction in blanketing your face with his cum whenever you allow it. Will really jerk his cock off all in your grill and cum a second time if he doesn't deem the first load big enough. "Hmm.. Think that's enough. Can barely open your eyes now, pretty mama. Let's go show Sugu!" For Suguru it's a tie between stuffin your throat or cunt. Loves when you stick your tongue out to show him the mess before swallowin your reward. Sometimes he's nice enough to let you decide. "Tell me ma, should I feed this mouth up here? Or do your pretty brown lips below wanna taste this nut?"

D = Dirty Secret: You stumble upon the skeleton in their closet one bright sunny afternoon comin home from class. You'd stayed later to have a word with Yaga, declining the boys offer to wait up. You're just not expectin to catch a savage Satoru brutally mounting Suguru doggystyle inna way that makes you 100% sure this ain't the first time. You stare wide eyed through the cracked bedroom door, hand clamped over your mouth, thighs pressing together as your pussy flutters to the sight. Both men on the bed facin you, gruntin and growlin like hungry predators. Satoru feels your presence but pretends otherwise. Disgusting filth drippin from his lips as he speeds the pace, smackin Suguru's flesh and yankin on his dark locks so hard that he cries out like a whore. You watch intently, stunned but so fuckin turned on. Sure they've touched each other in front of you, handjobs and such, but it had always seemed like they only engaged cause it turned you into a supersoaker. You ain't never seen no orgasmic shit like this. Gotta slide your fingers into your panties for some well needed relief, mentally smackin yourself when a small moan slips out. "Well, well, well.. Looks like we got an audience Sugu." Satoru finally acknowledges you, not bothering to slow his hips as he tugs Suguru from the pillows by his tangled hair. His dark eyes meet yours, tinted cheeks flushin an even brighter red as shame fills his core. It was an interesting fuckin evening for sure.

E = Experience: Satoru of course was a man whore before he convinced you to give him a shot. You assume he'll be quite versed in the art of all things sexual and for the most part, he is. Skilled and so quick to get excited when he sees how good you're feelin. But sometimes you need to readjust his fingers or hips to the correct angle, remind him not to rush cause none of you aren't goin anywhere. "There, Toruuu.. Right there but not so fast. Got all night- right Sugu?" As far as your other boyfriend was concerned, you hit the fuckin jackpot cause he was a virgin when you guys started dating. It really is a holy experience to be able to corrupt thee Suguru Geto. Though you feel bad when Satoru teases him on you bein the only pussy he's ever gotten. "Shut up Toru. Or I'll tie you up, not let you cum while you watch me drain Sugu's fat balls." Satoru smacks his lips and the back of Suguru's head in irritation. "See woman? You be choosin.."

F = Favorite Position: Satoru's breath catches in his throat, a glowing brightness fraying the edges of his vision the first time he gets you on all fours, baring witness to that almost back breakin arch. You're a godess to him, especially in this position- perfect round ass jiggling widly, smackin his pelvis in thundering claps. Sticky strings of your shared arousal connecting you both every time he pulls his hips back. Don't get him started on your reactions. Your feral as shit in this position. "Fuck, could you be any louder? Hm? No really baby, can you? Let's test it out." Suguru doesn't agree with Satoru on much but your ass is definitely just as hypnotizing to him. Though he prefers you in reverse cowgirl, smackin both hands down your dimpled cheeks till they burn more than your strained thighs. Even spreads them, smilin when you get all shy and flabbergasted as he stares longingly at your winking holes. Doesn't ever forget to make sure a mirrors nearby so he doesn't miss your tits matchin the rythym of your voluptuous hips. "Good God, y/nnn.. Killin me baby- oh fuck! Bouta cum!" "Nooo, only b-been a few minutes Suguuu!"

G = Goofy: The three of you've been together so long, bond so deeply rooted, they absolutely feel free to be carelessly humorous with you. Even in vulnerable moments. Satoru especially, lovin to put his mean dom twist on it. Mocks your strangled pleas and breathless cries of his name as he grins and wreaks havoc on your clit. Suguru is more reserved when he's inside you. Mostly waits for you to initiate; usually a dirty joke bout how big he is. He offers a huffed chuckle and a quick quip as he takes you apart piece by piece. "All the better to fuck you with my dear."

H = Hair: The carpet absolutely matches the drapes on these gorgeous hunk of men. Does it really surprise a soul that Suguru keeps his shit as neat as the hair on his head? Both men trim, though Satoru may forget and need a reminder. Bonus: Your fresh out the bath, towel wrapped round your curvy body snugly, sittin on the edge of the tub. Your lookin for an escape route as Suguru stands by the sink pleading with you. "Please y/n? All you gotta do is lay back and spread for us." "Ew. Why Sugu? So freakin gross!" You whine back. "No it's not. Perfectly normal thing for couples to do. Right, Toru?" You both look to a chill Satoru leaned against the bathroom doorway. "Course it is. But even if it weren't, that wouldn't stop us sweetheart. You should know that by now." "But I always shave myself down there. Why do you want to?" "Cause it'll bring us closer baby, you'll see." You look at Satoru again but he shrugs, giftin you a dazzling smile. "Fine." You grumble. "Great! Toru go get the bowl of water and razor in the kitchen, you know where." "On it!" He whizzes from the room as you instantly realize this was prearranged. "Fuckin freaky plotters!"

I = I Love You: Even though Satoru's shallow ass confessed during sex, he meant it with all his heart. But neither you or Suguru had said it yet and rejection was an experience he wasn't fond of. Regardless, it slips one day when he's got you missionary. Fingers linked as he sensually makes love to you, nut just over the horizon. You're so needy, beggin him to tell you how good you're makin him feel; to tell you how much he needs you. "Oh fuck yes you're a good girl. No one can take me better baby. Mmm.. Please don't ever take my pussy away.. Ahhh- so good sweetheart! Love it so much. Looove this pussy.. Shiiit cummin, y/n! Love you so much, babygirl!" With Suguru it comes when you offer the perfect solution to the issue of the curses he swallows tastin like shit onna stick, although it takes a considerable amout of your cursed energy and temporarily weakens you severely. "Can't believe you did this for me. Thank you, princess. So so fuckin much. I appre- no y/n. I love you. Love you forever and a day, babe."

J = Jerking Off: It's all Suguru knew at one point so now that he's sampled sex with you, he's grown a serious disliking to makin himself cum. But he doesn't like to impose on you. You're a busy woman, as well as you put in a lot of time and energy into keepin both your men happy in any way you can. So when he gets an inkling that you need a break, he'll head to the bathroom to handle business. Makes sure to bring his cell, full of sexy pics and vids of his lovers. Satoru is a bit more selfish. Realistically, the man probably only jerks off alone 7-8 times a year. Makes sure that either of his partners lend a helping hand whenever he gets too pent up. Other than that if his hands on his dick it's aim or tease.

K = Kink: Suguru's into a lil role play, spit kink, edging, a smidge of voyeurism and a whole lotta breeding. Might actually die of embarrasment if you ever found out about the latter. Told Satoru they'd battle to the death if he ever snitched. Wants 10 babies that look just like his lovers. You're both so beautiful, can you blame him? And Satoru has too many kinks to count, we'd be here all day tryin to list em all. But some of his faves include light BDSM, Daddy kink sprinkled with some puppy play, and of course some somno. He wasn't sure how to introduce the last one into the fold though. How was he ever supposed to tell his princess, or even Suguru for that matter, that he drools daily fantasizing about slidin into your unconscious body. Wants to see if he can fuck that perfect pussy to an orgasm while you sleep, needs you to lay there all warm and pliant, oblivious to him usin you like a pocket pussy.

L = Location: Satoru is a connoisseur of public relations. Literally any fuckin where. The amount of joy he finds from you pullin out all the stops in effort to hold in your pitchy moans is fuckin sickening. From him feastin on your pulsing clit in the car in the movie theater parking lot to fingerin you in a booth at your fave restaurant. It's all the more worse when he taunts you with his soft pink mouth, kissin up and down your neck tenderly as you try to hide the way your eyes cross behind your menu. But Suguru beats Satoru in depravity this time. It's a whole new level of sick how much he delighted in fuckin you in your childhood bed when you take them to meet your parents. You thank God they ran to the store to grab a few items to for dinner. Satoru begrudgingly plays watch-out by the front door as Suguru fucked you so hard he splintered the headboard against the wall. He's been absolutely infatuated with doin it again since.

M = Motivation: It doesn't take much to get the boys ready for some action. You poke fun at them constantly bout how easy it is to make their dicks rise to the occasion. But they take it on the chin easily cause they know its 100% true. They'll never not be able to get hard for you at the drop of a dime, even after a couple rounds. Run your fingers through Suguru's black mane, nails scratching his scalp how he likes and now he's sittin in front of you, avoiding eye contact as he tries to hide the tent in his pants. "Not my fault Sugar- you know what that does to me!" It's even less work for Satoru, only havin to give him your signature bedroom eyes. He's immediately hard, trippin over his pants and underwear while he tries to take them off as he chases you to the bedroom. "Better come back- y/n! Bring my pussy back here, now!"

N = No: There just isn't many ways for you to gross your men out or turn them off. With that being said shit play and piss play isn't in the cards for you three. Like thanks, but no thanks! Well.. except that one time you told Satoru to stop as he bounced you on his dick, moaning out that you had to pee. He refused. Chalked it up to you gettin ready to squirt, like you were known to do from time to time. But Mr. Know It All was wrong and got wet the fuck up. His only response was to slam you down by your shoulders and creampie you with a loud pitiful whine. To this day he argues that you squirted. "Nice try. But not likely, sir." "Well.. Either way I'm fuckin." "You really are a fuckin freak, Toru."

O = Oral: Neither are stingy in the department. Both your boy's eyes light up like kids in a candy store when they get to eat you out. In part to satiate their own needs but also because of how much they know you enjoy it. Suguru waits with bated breath to hear yours catch when he holds your gaze and slowly sinks to his knees in front of you. Cums untouched the way you shudder as he nurses your nub, thick thighs squeezin his ears tight as hell. And Satoru's equally obsessed with the taste of you. The times you allow him to tie you up though.. It's a roll if the dice if he's gonna overstim you or not. Usin his mouth is his fave way to overwhelm you, big hands tuggin you back onto his swollen lips when you attempt to run from his talented tongue.

P = Pace: It's just depends on the mood. Chiiile.. Both of em are waaay too versatile to stick with a singular speed. One of the reasons why your guys sex life's so great is because of how spontaneous they are- in every way. Satoru especially, peepin your reactions; waitin till your nice and relaxed, gradually stroking in before pullin out, angling just right and fuckin in quicker than speedy gonzales. Drools how your fat jiggles from his sudden jarring thrusts. "Aww. Poor lil cry baby.. What's that, honey? Faster? Heh. Anything for you baby." Similarly Suguru will tease you too. Or just plain out ask you what your in the mood for. "So how you wanna doin this thang, mama? Want me to play nice or not? ... Oh yeah? Better cancel your plans then girl. Finna tear it up.."

Q = Quickie: Suguru's much better at em than Satoru. Makes sure you not to wrinkle your clothes if there's not enough time to strip you. And always asks where you want him to cum so it's not an inconvenience. "Ahhh fuck.. It's comin honey- where you want it? ... Inside? Ohhh thank fuck, here it is sweet girl. Take that shit.." But Satoru loves to ravish you so he turns his nose up at quickies. That's not to say his pussy whipped ass isn't gonna fuck but he always rolls his eyes and huffs in exasperation when you tell him to hurry up or becareful of your hair. "Fuckin hell, woman.. Would you shush up and lemme do my job while you do yours? Just sit pretty and take this dick like a good girl."

R = Risk: Satoru's always game to experiment when it comes to doin shit to you. A bit more reserved concerning you wantin to do somethin he considers to be 'psychotic'. "Oh come on Toru. Don't be a scaredy cat!" He stiffens, chiseled chest pokin out as he lays up all spread out on the bed with you in between his legs. "It's just a finger! You know you've done a lot worse to Sugu." Satoru sputters at you, arms crossin across his chest indignantly. "Whatever. I'm not saying no, I said go slow." "Ok, ok.. yeesh.. Big baby." You say the latter under your breath with a smirk. "Heard that shit, woman!" Now Suguru's just as cautious. And that's probably a good thing since you guys tend to test each others limitations. "Y/n, you can't be serious! You realize you're just gonna give the egomaniacal bastard another power trip, right?" He fumes at a silent grinning Satoru. "Please baby, it's for me. Forget he's even there. Focus on me, handsome." You advise him sweetly, gently pushin him to his knees. Finally givin Satoru the opportunity to force his dick between Suguru's dark blush lips. He does as you say, holding your adoring gaze, large palms settling on Satoru's narrow hips. "Thats it, just like that Sugu. Doin so well, don't even need any help." Satoru pants and groans, holdin the sides of Suguru's head as he eases in and out of his warm wet mouth, mentally noting the lack of a gag reflex. "Fuuuuck, she ain't lyin babe. You're a fuckin natural."

S = Stamina: You can get your men to cum multiple times during a session, both bein able to shoot about 3-4 nuts before the overstimulation is damn near crippling. Though on the norm, since you already have two big strong men to take care of, they let you off the hook with an orgasm each. Can't blame a girl for being good at doin the do! But to set the record straight, they can fuck way longer than you can take. You usually max out your stamina by the end of round 2. But neither ever mind. They just scoop you up and carry your fatigued frame to the shared bathroom. "My poor tired woman. Had to use the safe word.. Did so good for us though, mama. That right, Toru?" A nude half hard Satoru trails behind, feelin a smidge of guilt at your half conscience state. "Fuck yeah. You did 'mazin tonight, sweetheart. Don't worry, we'll take care of you now. ... And Sugu.. Maybe later.. You can finish takin care of me?" His tone pathetically hopeful. "For cryin out loud, horndog. Can we just get her cleaned up first? ... Then we'll, uh... We'll see what happens." The giddy bounce Satoru does in obvious anticipation as he runs your bath, lengthy cock now drippin and at full mass again, makes Suguru blush like a virgin.

T = Toys: Ofcourse y'all add a few toys to the mix every now and again. You prefer air pulsing vibrators instead of the extra intense devices that can be numbing. The boys love using em as foreplay, otherwise they're mainly for when you're alone. Satoru has a good size chest of shit- whips, nipple clamps, ball gags and even an unassembled sex swing. There's a bunch more and you haven't tried em all yet but can't wait. But you like to play and feign disinterest when he brings up his nasty lil box. They know better though. Suguru's not entirely experienced when it comes to this area but even he notices how much wetter you get when they use toys. And it's no problem when Satoru has to teach him how to use some of em on you cause he's a real quick learner. There's just somethin real naughty bout seein you cuffed to the spreader bar, sight never fails to get him impatient as hell. "Move Toru, needa fuck her first tonight." He breathes, rudely bumpin Satoru to the side with his shoulder. "Ok, ok. Geez, Sugu. Don't gott be a dick bout it. And try not to cum too quick this time." He chuckles at the blatant eagerness, but Suguru's not amused. "Quiet. Or I'll put you in the spreader and fuck you next." He's just talkin shit, already sinkin into your heat and forgetting bout Satoru's incessant taunting. So preoccupied with you that he misses the way Satoru's dick twitches as he gulps audibly, imagining Suguru's empty threat in his filthy mind.

U = Uncut: Satoru's circumcised with a lengthy cock. You often wonder if it's as long as his lanky body, how far it reaches inside, easily able to jam your poor gspot repeatedly if need be. He's got your throat trained real good without even tryin cause of how thick it is. But it just doesn't compare to the depth this man reaches inside you. He's got more veins than Suguru too. Your fave protrudes and twists round his base, beggin to be licked when he's fully hard. But Suguru's uncut, almost as extended as Satoru, though has a more girth to him. Takes him no time for his cock to rage red when he's been stiff for too long. Also spills alot more precum than Satoru. Loves when you pull the skin back and suck softly, effectively siphoning the clear fluid from his slit till he's nuttin a big fat load down your throat.

V = Volume: To this day you don't know why Suguru sometimes tries to bite his lips or fist to muffle the beautiful noises that slip out. His deep gruff grunts are so quiet, opting to tell you in words how good he feels or when he's bout to cum. It's something you work on, constantly reminding him there's no shame in voicing how good he feels. But when you put the pussy on him too good or he's too pent up, which is pretty often, he's less self conscious. Huffin and puffin against your moist mouth, lewd phrases tumbling from him nonstop. You're not even sure he knows what he's saying half the time. You're eventually inhaling his loud piteous moans into your mouth as he loses his mind in your lil puss. And of course we all know Satoru's a screamer. He never shuts the fuck anyway, so why would he do so in the bedroom? It's starts of with booming cries into your ear that eventually end up with wails of how good you feel echoing round the room. He's not doing it on purpose, but as soon as his mouth opens when he's in-between your thighs, you and your neighbors are definitely bout to hear an earful.

W = Wild Card: (Fucking to Music) It's something you initiated but Satoru was definitely wit it. Boys got more rythym in his hips than you and it should be fuckin illegal. You give him a list of your favorite love makin songs and he brings back a playlist, adding a few nasty songs of his own that got no business bein played anywhere but Functions. He's loves gettin you in missionary, rollin his hips into yours seductively as he matches the slow beat. An aroused sob rips from your chest out your mouth when he lessens the pace, singing the words quietly at your ear as he cages you to the bed. This is when Suguru's voyeurism kicks in, skin heatin up as lays in bed next to you guys; watchin your love making turn to frenzied fucking as the song changes, taking notes on how Satoru's tempo never strays from the flow of the music. Can't wait to show you what he can do next.

X = X-ray: Satoru likes to be ready for the pussy at drop of a dime so you're used to him goin commando most days but you are so not a fan.. Even when you tease him, tossin him a clean pair of Suguru's boxers and tellin him he's onna coochie restriction if he dont start wearin some damn drawers round here. "Fuck is that?" You scoff and put your hands on your shapely hips. "Means you aint gettin no pussy till you start wearin underwear, you lil hoe." He clutches his heart, feigning chest pains as you roll your eyes at his dramatics. "Don't play with me like that sweetheart. Guess you win.." You really don't though. The next time you yank down his bottoms, eyes wide before grippin your belly in hysterics at the fact that he's wearing a pair of your lacy panties. "Satoru!" You manage through your giggle fit but he only professes his innocence."What? I'm just doin what you told me to! Do I get the pussy now?" Suguru watches the reoccurring debacle in amusement, glad he has no issue with wearin his trusted snug black boxer briefs. You always make sure to give him extra big smooch when they're bout to leave the house, opting to ruffle Satoru's soft white hair instead as you try not grin at his pout. "What? Not my fault Sugu's a good boy that doesn't walk round in public slangin his dick print everywhere." Satoru huffs his disdain for Suguru's 'ass kissin', declaring him a teachers pet.

Y = Yearning: Between your two sex crazed men, their libido is very very high. It's to be expected since your guys attraction and chemistry has been on point since before you officially started dating. It really is like were made for one another. But if they're not specifically careful, they'll easily wear you out. It's unavoidable, you just turn them on too fuckin much. Suguru will even try to slake his desires by jerking off over your tired frame after they've fucked you into exhaustion. "Shit! 'S not enough, forgive me baby. Just need a lil more. Won't fuck you anymore, dont worry! Just need to feel you, my one and only girl." Rubs his cock all over your sweaty body cause his hand just doesn't compare to any part of your soft flawless mocha frame. Cums as he trace his dick across your stretch marks, moaning how pretty and perfect you are. "F-fuuuck.. So sorry, honey. Ahshit! Gonna let you rest, almost done. Just lemme- ohhh fuck, 'm cummin!" Satoru can't contain himself either, difference bein he doesn't even attempt to. Sometimes Suguru has to leave when he's still fuckin you, reminds Satoru that you might need a break soon on his way out but all he gets is a noncommitted hum. You try nudging at his abdomen, keening as he speeds his thrusts but Satoru only covers your mouth. Smile sinister as you scratch at his hand and push at his chest with wide eyes, muffled cries for Suguru goin unheard as your savior walks out the front door oblivious to your torture. Satoru fucks you even faster, fallin in love with your tight lil puss all over again. "Whose gonna save you now, y/n?"

Z = Zzz: Like previously mentioned, Satoru gets so drunk on your pussy it's written in the stars that he's driftin off soon as he nuts for the last time. Doesn't wanna squish his princess so will quickly turn you on your side or back, big dick still tucked deep inside as he drags you against his large warm body. "One sec.. Honey.. So tired, gonna.. get up inna.." Zzz. Suguru usually has to rectify the situation, pullin you from a whining Satoru or just plain smackin him. Loses all his patience if it's his turn to fuck. SLAP! "Ow! The fuck, Sugu?! What was that for?" He blinks rapidly, the nerve to actually be disoriented when he wasn't even supposed to be asleep! "Cause your in the way of my pussy, idiot. Don't pretend you ain't tackle me to the floor when it was your turn." Suguru replies, movin to smack him again. Now he of course he's just as tired as Satoru when he finishes. But only falls asleep right after if you decline aftercare. Snuggles up to the closest warm body and drifts into a peaceful slumber after a quick replay of the night's events in his weary mind.

[bamboozledbird]

IGNITE: A Teen Wolf S1 AU // Chapter 1 (reader version)

Characters: Stiles Stilinski, Sheriff Stilinski, Reader (You) Pairing: Eventual Stiles x Reader, but man are we talking slow burn Word Count: 4.8k Warnings: Canon typical gore/violence, parental death (rip to your fake mom), descriptions of burning, depictions of depression (apathy, dissociation, 'numb little bug' vibes) Tags: Canon has been lovingly scrapped for parts, author is a chaotic bi and it shows, prolific overuse of the em dash, the slowest of burns i fear

Summary: You can always smell ash long after the fire is gone. Perhaps, that’s why you still can’t breathe without choking on the past. It’s been four years since your mom died. Four years since she burned alive. For years since you didn’t. You survived, but they must have buried your heart with her because you feel like something halfway between a ghost and a lamb for slaughter. 

You can’t wash the smell of hospital out of clothes, not really. Maybe, that’s why death and disease follows Stiles wherever he goes now. It’s been eight years since his mom died. Eight years since he didn’t. Eight years since he decided that he wouldn’t let anyone he loved die ever again. He survived, but Scott’s new-found abilities and the murky world they’ve been dragged into is making it pretty damn hard to keep his promise. 

Time never stops turning. The grief never dissipates. Children soldier on—but in a town where all the monsters under the bed are real and old family skeletons rattle in every closet, how long can two fragile, breakable humans survive? 

Maybe, the real question is how long will they want to? Chapter Summary: After your annual interrogation with Sheriff Stilinski, you meet his son who turns out to be very handy with jumper cables and incoherent babbling.

A/N: Does this look familiar? It should lmao. I gave into the peer pressure. All the messages and requests were too powerful. Here is a reader version of my ofc season 1 fic. Obviously some things have been removed to get rid of specific names/descriptions, so you want to read the full thing you can read the og version and check me out on ao3 (dork_knight)! For the sake of not clogging tags, I'll probably just do my reader version on tumblr and the full oc lore version on ao3 from now on. xx

Some say the world will end in fire. Some say in ice. From what I’ve tasted of desire I hold with those who favor fire.

Before your mother’s death, you would have picked fire. Every single time. 

You never liked the cold; never really had to get used to it growing up in central California—but the crux of your argument, the twisted logic behind it all, was that most burn victims died from suffocation before they felt the flames. A small mercy, really, in the face of unspeakable tragedy. 

In the end, however, statistics were just numbers, your mother didn't die from smoke inhalation, and there was no mercy in burying a parent before you were old enough to have children of your own. Nothing ever ended poetically off the page. Death was just death, and it was always ugly. Someone should really tell that to Robert Frost, you mused, biting at a raw hangnail.

The medical examiner said the actual cause of death was pulmonary edema; at least, that was his best guess based on the state of the body. He didn’t say that she felt everything, her skin peeling back into her flesh, her flesh liquefying into fuel, her joints flexing into contorted pleas until the fire incinerated her last nerve ending. He didn’t have to; you connected those dots all on your own. You’d been twelve at the time, not an imbecile. 

“I’m sorry to drag you through this all again.”

You flitted your eyes away from the flickering lightbulb above Sheriff Stilinski’s head and met his gaze; it was nauseatingly sympathetic. Your responding shrug was a small, little thing—more like a twitch in practice, “Not your fault.” 

Your yearly visits to Sheriff Stilinski’s office were solely your father’s doing, even if no one wanted to admit it to your face. Most mayors would use their political power to get their child out of a police station, not into it, but perhaps he stopped being your dad somewhere between the funeral and now. 

“If you could start—”

“From the beginning,” you smoothed your thumb in small circles over the armrest of your chair, attentively tracing patterns into the polished wood, “I know.” This was, after all, the fourth anniversary of your first interrogation. You’d become somewhat of an expert at being a useless witness. You picked at your uneven cuticles before continuing, “Mom put me to bed around 10:00—which was kind of late for a school night, honestly, but she let me stay up to finish another chapter anyway.” The right corner of your mouth twitched for a brief moment, “Nancy Drew: Password to Larkspur Lane. I told her that forcing someone to go to sleep in the middle of a mystery was specifically forbidden in Geneva Protocol II.” Your mom had been far too indulgent of your lip on most occasions, but that night she didn’t smile at your snarky aside. She let you finish the chapter because she was too tired to argue; you could tell. At the time, you saw it as a victory. Now, it kept you up at night, the drooping lines of your mother’s mouth spilling over the pages of whatever book you were trying to read.

You bit down on your tongue when a stray splinter snagged against the soft pad of your thumb, “Dad was out of town, so it was just the two of us. Mom always put me to bed when Dad was gone; said it was the only way she could get to sleep. Had to make sure my window was locked.” You paused for a long moment: everything went dark after this. Your mother kissed the top of your head, murmured, ‘Love you,’ turned out the light, and then that was it. You woke up in the hospital, and your mom was dead. 

A bead of sweat dripped onto your top lip. The air in the Beacon Hills police station was, without fail, sticky with heat and body odor—and it wasn’t just the oppressive Californian sun. Even in the winter, a person could choke on the stifling warmth. Idly, you wondered if it was a matter of interrogatory tactics or budgetary constraints. 

“And then,” Sheriff Stilinski prompted gently, though you both knew how the story went from here. You had told it to him and a dozen other officials at least a hundred times in the last four years. 

You bit down on your thumbnail and winced when your teeth snagged on the tender nail bed, “And then nothing. I opened my eyes, and a nurse said that you found me on the front lawn.” 

“You don’t remember how you got outside?” 

You shook your head, staring past the Sheriff's shoulder. Large pieces of dust floated through the air, highlighted by the slivers of light trickling through the blinds. Suddenly, you had a newfound appreciation for the lack of fans in the room. 

Sheriff Stilinski cleared his throat and rubbed his hand over his jaw, “You don’t remember saying it was an angel?”

Blinking slowly, you looked at the grim line of the Sheriff’s mouth and gripped your knees tightly, digging your fingers into fragile skin until your wrist cracked, “I should, right? I was twelve. I should remember something—that’s what everyone thinks. That’s what my dad thinks.” Your eyelids fluttered to a tight close, and your voice went so quiet you could barely be heard over the hum of the copier outside the door, “He thinks it was me. That’s why he makes you question me every year.” Copper flooded your mouth as the soft lining of your cheek split under the brunt of your teeth, “He thinks you’ll finally figure out how I did it.” 

You were scared to open your eyes as the silence stretched between the two of you. You’d danced around the subject before, hinted and spun around the heart of it, but you’d never truly discussed how it looked from the outside. Sheriff Stilinski had been kind enough to give you a few different excuses over the years: trauma, head injury, oxygen deprivation, just plain ol’ grief—but whatever caused your temporary amnesia wasn’t so conveniently explained. In fact, currently, you had no explanation at all. When you finally peeked through your lashes, clumped together with frustrated tears, you couldn’t quite figure out what expression the Sheriff was making. He leaned back in his desk chair and frowned, “I’m sure he doesn’t—”

“He does,” you cut him off. Your eyes went flinty, irises darkening to something far more ashen with the resolve of your anger. You never had any trouble reading your father’s face; the disgust was thinly-veiled between the flickers of fear. 

Sheriff Stilinksi leaned forward so that you had no choice but to look him in the eyes. They were kind—more tired than usual, but still kind. They always were. That was one thing you remembered from that day, waking up in the hospital to Sheriff Stilinski’s kind, watery blue eyes, just before the entire world fell apart. His voice was gentle, but firm, when he finally spoke, “I don’t.” 

You nodded numbly and pulled at a fraying string on the hem of your denim skirt until the thread snapped. 

“I mean it, kid. They couldn’t identify the source of the fire. They couldn’t even find an origin point; no twelve-year-old could pull that off.”

You chewed on your bottom lip, “Could anyone?”

Sheriff Stilinski’s brow furrowed, and his mouth screwed up into a crooked line, like he was chewing on his words and deciding if he should swallow them or spit them out. “I wish I had all the answers for you. I really do. Not knowing, it’s worse than any truth.”

You blinked up at him for a moment, once again taken aback by his raw sincerity, and swallowed hard. He wasn’t the one who was supposed to have the answers; he was the one who was supposed to ask the questions. There was one failure in his muggy office, and it wasn’t the Sheriff. “It’s okay,” you said quietly. “Not your fault.”

He looked like he wanted to argue the point, but whatever he wanted to say was interrupted by the sharp ringing of the phone on his desk. “I have to take this, but if you remember something, or if you just need to talk—”

“My dad spends a small fortune on a psychiatrist and a behavioral therapist for that,” you stood up quickly, shouldering your bag. You forced the corners of your mouth into a small smile, tight at the edges like a sheet that had been stretched too thin, “But thank you. For everything.” 

The Sheriff’s gaze darted to a framed photo on his desk. You had seen it before, on one of your many visits to his office. It was of a boy—his son, you assumed—he looked like he was around five or six at the time. He was grinning, wide enough to show off his missing incisors, and his fingers and wrist were stained cotton-candy blue from a melting popsicle. You must’ve been that happy once, right? In the beginning, everyone was unencumbered by the weight of imminent mortality. Maybe that’s what Sheriff Stilinski was thinking, too. He looked away from the photo and gave you a small smile, “Don’t be a stranger, okay?”

You gave a half-hearted wave before wrapping your fingers around the strap of your backpack and walking to the parking lot. 

Outside, the sky was grim, a mocking reflection of the dour expression on your face. The spite in your eyes hardened when big, fat raindrops splattered against the apples of your cheeks. For a moment, you just stood there, glaring at the rain and cursing the cosmos for their utterly unamusing sense of humor.

A jeep pulled into the parking lot, and the squealing engine startled you back into reality. The search for your car keys was, of course, a considerable endeavor. Nothing could be easy. Not here. Not today. Not ever, you thought. A bit melodramatic maybe, but the weather was certainly ripe for a bit of self-pity.

You stacked your textbooks and binders onto the hood of your sedan, haphazardly throwing your jacket on top of the pile to protect your painstakingly penned Kafka essay from the rain. By the time your fingertips brushed against the cool metal of your car keys, your hair was damp and curling at the ends. 

The momentary relief was short-lived when you pressed the unlock button five times and the accompanying beep didn’t sound, not even once. For an absurdly long minute, all you could do was rest your forehead against the driver’s side window, breathing heavily until condensation gathered next to your mouth and the drizzle speckled dots onto the sleeves of your thin cotton shirt.

“If you’re trying to charge the battery through osmosis, it’d probably be more effective to smash your head against the hood.”

You jumped, and then flinched again when your keys clattered against the ground. You caught a glimpse of the phantom speaker in the side-view mirror; bizarrely, he looked just as surprised as you felt. You turned around, trepidatiously—objects may be closer than they appear n’all—and tried to swallow your rapidly rising heart. 

“Sorry,” the boy pulled the hood of his sweatshirt down and had the decency to look contrite, “big mouth.” He rubbed a hand over his chapped lips. “It’s a real problem. It’s so big, actually, that my foot just slides right in there like…all the time,” he gestured animatedly with a flat hand, a quick sliding motion, like a fish through water.

You blinked at him, slowly, and bent down to reach for your keys, “Might wanna see someone about that. Sounds unsanitary.”

“Eh, it’s hardly the worst thing I’ve put in my mouth,” he said, eyes widening into horrified round circles the second he stopped talking. A faint flush creeped up his neck to his ears, and your heart dropped back into your chest. Slashers and ax murderers didn’t blush. Probably. You hadn’t ever met one, but it seemed like sound logic.

“Choking hazard,” you hummed, leaning back against your car. Your fingers traced a small dent in the door, the cause long forgotten, “It’s definitely still a choking hazard.”

The boy grinned before fixing his expression into something on the cusp of severity, “I’m about 95.7% sure that anything bigger than a fist is completely mouth-safe.” He held up his fist and nodded sharply, “Make that 98.3% sure.”

“98.3?” your brow arched.

“Maybe even 98.9.” 

The buzz of a lamp post hummed above your heads as you stared at each other with little smirks until the quiet made you sink your teeth into your bottom lip and big-mouth drum his fingers against his forearm. 

“So,” his sneakers squeaked against the slick asphalt as he shifted his weight, “you need a jump?”

You pursed your lips and ran your eyes over the front of your car, “I might give osmosis another shot. 30 seconds is hardly a fair trial.”

“Of course,” he hummed, “you gotta be fair.”

“We are in front of a police station.”

“Well,” he scratched his cheek, “it’s not a courthouse.”

“Technicality.” You were slightly horrified when you finally noticed that you were smiling. The sensation felt like it had escaped straight out of the uncanny valley and latched onto your face like a parasite in need of a host. It only took two weeks for muscles to atrophy; years must have completely decimated the fibers in your cheeks. “I guess I could use a jump. If your offer was an offer and not a hypothetical.” 

“Smart choice.” The boy rapped his knuckles against the hood of your car and said, “Steel’s probably pretty low on the permeability scale.”

“As opposed to a skull.”

He snorted and then nodded towards the large lump of books and papers covered by your freshly dampened jean jacket, “You should probably move your stuff. Y’know, ‘cause of the very un-permeable battery.”

“There’s that,” you sighed and started stuffing your things back into your backpack, shaking it violently until your notebook finally slid past your chemistry textbook, “and flunking English isn’t high on my list of things to do this weekend.”

His gaze flickered back and forth, rapidly cataloging every corner and crevice of your face. You tilted your head, brows pinched, and stared back at him with your arms crossed tightly over your chest. His eyes, you noticed, became a peculiar shade of brown in the yellow glow of the setting sun and the fluorescent light of the lamppost. More like honey, you realized, more like honey than irises. Something finally clicked behind them. "You,” he pointed aggressively, “you go to Beacon Hills.”

You pushed his finger away from your face with your own, “Safe bet, considering there’s exactly one option for the next 2,000 square miles.”

“You’re kind of a smartass, you know that,” he muttered. He struggled with the trunk of the jeep parked next to your car, cursing under his breath until he finally wrenched it open with an almost guttural grunt.

Your lips parted briefly, and then you grinned drolly. It was refreshing, not being treated like some fragile little creature who would buckle in the knees—or possibly set something on fire—at the slightest confrontation. “Kind of?”

“Total.” He nodded decisively before sticking his head and torso into the depths of his trunk. “Completely, entirely, and wholly a smartass.” There were various clanging sounds until he re-emerged with a pair of jumper cables, “Never noticed that in class. You don’t really…say anything.”

You bit back the snark poised on the tip of your tongue. When people looked at you, the only thing they saw was the worst thing that had ever happened to you. You were the daughter of the woman who burned to death on Cedar Street; your mom died, and you were there. It seemed like that was all you would ever be in Beacon Hills. 

In the grand scheme of things, it was better to be no one. 

High school had been your chance to slip into social obscurity—more kids, more drama, less discussion of homicide by arson—so you took it, wholeheartedly. You kept to the corners of classrooms, away from extracurriculars, and your mouth resolutely shut. 

“I try to exclusively bring the smart and leave the ass at home,” you finally replied.

The boy’s eyes drifted downwards for a moment, and his voice did a funny, squeaky thing when he said, “I should give that a go sometime.”

“10/10 would recommend. No one bugs you—and teachers never throw erasers at your face.”

“So you do remember me,” he grinned a little and rolled up the sleeves of his sweatshirt before unlatching the jeep’s hood and propping it open.

Slanting your head, you watched his profile. There were moles scattered across his cheek and neck, and his angular jaw clenched as he struggled with the knotted cords in his willowy fingers. “Vaguely,” you said faintly. It was coming back to you in pieces. That was life after twelve for you: bits and pieces. Everything was made up of the disquieting moments when you surfaced from the haze and into the present. It should’ve felt like a lungful of air, but it didn’t. It always felt like choking. 

He wiped his grease-smudged hand on his jeans and then extended it towards you, “Stiles.”

You took his hand, despite the strange formality, and shook it—mainly because of the black streaks staining his pants. “Y/N.”

His fingers twitched a few times when he connected the clamp to the coordinating battery terminal, and your eyes widened. You held your breath in your sternum until you registered that he hadn’t been electrocuted. He was just naturally tweaky, you concluded. It was either that, or he had jumped one-too-many engines in the last 24 hours…unless it was hidden option C, and he was actually tweaking. Unlikely, given he was on his way into a building teeming with cops, but far stranger things had happened in Beacon Hills.  

You sighed a little as you listened to the rain patter against the asphalt and the roof of your car, rubbing your palms over your arms until the goosebumps prickling along your biceps receded into your skin. Stiles looked back at you again, and his mouth wormed its way into a little frown. His head disappeared into his trunk, and after a moment a lumpy maroon mass hurtled towards your face. You caught it before it could smack into your nose, and you clutched at the soft material until you realized that the projectile missile was actually just a sweatshirt. 

Stiles was staring at you when you looked up from your hands. A small, unsure…something squirmed over his face, and you felt a little stupid, just standing there, hoodie limp in your arms. It happened a lot—more than it should after so many years. The invisible quicksand materialized in the strangest, most insignificant moments. You blinked, completely brainless, at simple questions, stared aimlessly into your closet until your second alarm startled you into snatching the first shirt you came across—clasped at a stranger’s hoodie until the rainwater pooled on your lashes dripped into your eyes.

Robotically, you thrust your arms through the sleeves and tugged it over your head, “Thanks.” The sweet scent of grass clung to the fabric, and there was something earthier underneath it, something like evergreen. You smiled slightly, combing your baby hairs behind your ears, “I guess I forgive you for attempting to blind me in the process.”

Stiles’s shoulders unwound as he scoffed, “That was an excellent throw. First-line material, honestly.”

You looked at him and tilted your head, eyebrows crawling towards your hairline, and Stiles sighed loudly, “Okay, so I’m not an ‘athlete’ or whatever—but I’m working on it. You’ll see—you’ll all see.”

You hummed softly, unconvinced but grateful enough to not comment further. Another bout of silence fell between you, but it wasn’t so restless this time—even after Stiles torpedoed his body through his passenger seat. He fought with his keys for a while until the correct one slid into the ignition. 

The jeep’s engine hummed pleasantly in the background as you let out a soft sigh, dropping your head back against your car window. The rain had stopped somewhere between trying to unlock your car and now, but you couldn’t quite recall when. The chill wasn’t so bad, you realized, without your foul mood casting a shadow over your head.

Stiles landed back on his feet and leaned against the jeep. You could feel his gaze on you again. A tickling sensation trailed down your spine as you fiddled with your keychain. You took a step backwards and bit your bottom lip, “I should probably try start my car…y’know, before you throw something else at my face.’”

He nodded, taking a step towards his jeep, “Solid plan. A tire iron was next.”

You slid into your car and stared at the steering wheel, forgetting to laugh at his joke. You wrapped your fingers around 10 and 2 and silently called upon every deity you’d ever heard of to end your suffering. Stiles seemed nice enough, but you seriously doubted your smalltalk capabilities were up-to ‘ride home’ standards. Perhaps, you should revisit your resounding dedication to atheism, you thought, as the engine sputtered in protest a few times and then came back to life. 

Stiles flashed two thumbs up through the window. The smile on his face was positively goofy, but his dismount from the jeep was somehow even goofier. He stumbled over his large feet a few times before regaining stability. You bit back a smile when he shot you another thumbs up, this time through the dash as he removed the jumper cables from your car’s battery.

He wiped his hands off on his jeans again; at this point, you were convinced that they were beyond saving, but Stiles didn’t seem concerned. He tapped against your window before stepping around the open door, “You should probably let it run for a while. Take the scenic route home; enjoy all the Beacon Hills hotspots open past 8:00 pm on a weeknight. I personally recommend the Rite Aid or Walmart.”

You snorted, “Maybe I’ll swing by the Preserve. I hear the woods are especially beautiful in the foreboding darkness.”

“Don’t.” Serious was an odd look on Stiles’s face. You decided that you much preferred the goofy grin. “Don’t go anywhere near the Preserve. It’s officially cordoned off—totally locked down, quarantine-zone-central. Something about flesh-eating, parasitic plant life.”

“As completely real and unobtrusive as that sounds,” you drawled, “don’t worry about it. Literally every single person in town knows about the body they found in the woods.” It was bound to happen, small town and all—and ‘woman dies in deadly animal attack’ was the most interesting thing that had happened in Beacon Hills since the intersection got a Target two years ago. “I’ve seen every installment of Friday the 13th and The Blair Witch Project. If I’m going to be murdered, I refuse to also be humiliated by a cliché C.O.D.” 

The manic expression on his face softened to a relieved smile and then again to a little smirk, “So what’s a certified fresh murder, then? Not that I doubt the depths of human depravity, but I think society killed off originality a few centuries ago.”

You thought back to a house fire with no origin, accelerant, or discernible cause. Apparently, not. “You know what they say,” you sighed, “life finds a way.”

Stiles tilted his head, “And death.”

“And death,” you agreed, staring at a small chip in your windshield. The cracks had just begun to spiderweb out from the pit. 

Stiles looked like he wanted to say something, and he looked so much like the Sheriff with his face twisted around thoughtful contemplation that you couldn’t believe it had taken you this long to make the connection. The boy in the photo had grown up. How unfortunate for him. Stiles swallowed whatever it was that was lingering on his tongue and shut your door. He leaned his elbow against the window frame and cocked his hand in a stiff little wave, “Seeya at school. I’ll bring something fun for target practice—maybe grapes. You like grapes? Don’t answer that—I’ll surprise you.”

You put your car in drive once Stiles was safely a few feet from the wheels and gave him a dry smile, “The anticipation is killing me.”

What a scary place to be, you thought as you watched Stiles disappear in your rearview mirror. Anticipation. Hope. Life. You were chronically good at surviving; cockroached your way out of every horrible thing life squashed you with. Lately, all you could do was cling to your heartbeat and the warmth of your skin, until you were barely more than roadkill. A walking carcass was a far cry from living, but death would not stop for you, so you stopped looking for him. You kept treading water, took your pills, stopped existing—you were a lot like Schrödinger’s cat that way: too stubborn to live, too stubborn to die. You didn’t know what to do if someone unsealed the box and forced you to choose. That was the trouble with possibility; it required far too much uncertainty.

Your dad’s SUV was parked in the garage when you finally pulled into your circle driveway. It was a rare sight; your dead battery had disrupted your usual routine. You were supposed to be safely tucked away in your room after an early dinner—take-out usually, sometimes a quesadilla if you were feeling exceptionally inspired—by the time your dad got home from work. It was dysfunctional in every sense of the word, but it was the only way you could function in the same space. 

He used to stare at you from the other end of the dinner table: not eating, not speaking. The only way you knew he was alive was the slow rise and fall of his chest. After a while, he moved dinner to his office. ‘Working dinner,’ he’d say in passing, ‘budgets are due.’ Eventually, he stopped coming home altogether. It was better that way, you thought. You loved each other better from afar, where the power of nostalgia could cloud all the present unpleasantries. You wondered what he saw when he looked at you now. You wondered, and you desperately didn’t want to find out.  

You shouldered your backpack and made sure your car lights were off twice before quietly creeping into the mudroom. You could hear the buzz of the microwave as you toed off your sneakers and tried to discern the smell emanating from the kitchen. Something with garlic and tomato. Bona Vita, probably. Your dad loved their al pomodoro. 

You tried to make yourself as small as possible as you skulked into the kitchen, shoulders hunched to your ears and grip tight around the strap of your backpack. Your dad’s back was to you; you could see the wrinkles in his collar from where he tugged at it when he was agitated. He stopped stirring his pasta once you reached the island. 

“Did…” your dad trailed off for a moment, still facing the kitchen counter, “did everything go alright with the Sheriff?” 

You shrugged even though he couldn’t see you, “I guess.”

“It’s just,” he rubbed at his jaw and looked down towards the oven, “it’s almost eight. I was wondering…worrying.”

He still wasn’t looking at you. You stared at the back of his head and sucked your bottom lip between your teeth. Look at me. Your brows pinched, and your back molars ground together. Look at me. 

“I called him. Sheriff Stilinski. He said that you didn’t speak for long.”

“Didn’t have anything new to say,” you shoved your hands into hoodie pockets, realizing belatedly that you forgot to give Stiles his sweatshirt back. Another problem for another time. 

“That’s not what I—” your dad grasped the lip of the counter and hung his head like it suddenly weighed too much for his spine, “I was wondering what happened to you.” 

“Oh,” you shifted your weight onto your other foot, “dead battery. I think it was the door light.”

Your dad nodded a little, “Do you need someone to pick up your car?”

“Got a jump from a friend.” Not a friend, not really, but you supposed it was the closest you’d come to one in the last four years. That was just a little too sad to say out loud. 

“Good.” He nodded again, “Good.” 

You nodded because it seemed like the only thing to do and slipped towards the hallway. You’d taken no less than five steps out of the kitchen when your dad said, “You could call me. Next time, you could call me.”

Maybe. Maybe you could if he would look at you.

[starberry-cupcake]

Things were happening too much. Gideon "Griddle" Nav, Chapter 30

I'm gonna have to split these up because there's so much going on.

previously, in gideon the ninth:

this happened

currently, having finished chapter 34:

well, I am exhausted and I'm just reading this

"gideon can't catch a break" should be the subtitle of this book

we literally can't finish a world-shattering disaster, we're onto the next one

the skeletons can't clean the blood fast enough

so, palmolive has a plan

palmolive's plans are like my cousin playing d&d, he talks as if the plan is bulletproof but then you hear him and it's some looney tunes shit

they work more frequently than not, which is infuriating but also moves things along

I feel like I'm constantly arguing with this guy in my head

palmolive's plan is to use the mind reading thingy harrow leveled up when they won against the first boss to show her mentally how dulcinea's key was so that they can break in that door

there are 2546 things that could go wrong with this, but he says he's super sure

he's not, in fact, super sure, but it works

camilla, my qp wife, has the poker face of the century

they look at the room and find some stuff, pins in a board, necromancer notes, the fact that the skeletons aren't constructs, you know, the usual

oh and that teacher and the other dudes are all super dead

which, we all kinda knew that

the fact that the old man didn't have a heart attack at this point is prove enough he doesn't have a beating heart to begin with

I'm gonna say, I love learning book lore and understanding how things work in said lore, but this book is making me feel terribly dumb

I don't know if it's a language barrier, the fact that Gideon doesn't understand the stuff herself and she's the narrator or what, but I feel so dumb sometimes reading their explanations

the gist of it, I believe, is that they don't know what's powering them to do what they do...or who

they can't really delve into it because a fire alarm goes off

I haven't blamed dulcinea for things yet but you know how I feel about her, they check on her and she's still alive, so she's still a threat in my book

they fix the alarm but they can't really delve into it because the Second has murdered Teacher (he wasn't alive but he kind of was, you know how it is) and ratted them out to the Emperor

but Teacher says "one of them" can't come back, which makes me think this isn't as simple as they think it is

the second is a goner btw

they were a goner the moment they thought they could take on Camilla The Everything, love of my life

but they can't really delve into it because mayonnaise uncle and duracell bunny nephew tell them the third have opened up abigail's body

they can't really delve into that either because palmolive figures out that abigail had a key inside her body and the third have gone through the door it opened

the third is like when you have a dog that's constantly making noise and then, for 10 straight minutes you don't hear them, so you just know they've done something bad

so gideon, harrowbean, palmolive, my qp wife, mayonnaise uncle and duracell bunny nephew all go to confront the third

yandere simulator twin is bloody and cryptic in the middle of the room

I could go on a tangent and talk about the madwoman archetype in victorian literature and how she's a representation of the 'lucia' archetype (no relation to me), dulcinea of the 'ophelia' and maybe regina george twin could be a closeted 'jane'

I'm not going to, though, you're welcome for that

so regina george twin is crying in a corner (gideon is emotionally doing the same, probably) and chad is dead on the ground

get wrecked, asshole

well, he's not dead-dead, nobody in this book is ever dead-dead, this is the hotel california of space

yandere twin has absorbed chad's ghost like piccolo and kami sama in dragon ball (rip akira toriyama)

she says she's figured it all out and the whole test was so a necro would soul-fuse with a cav, one flesh one blood one end one bed, I forgot how the oath went

I don't think she's figured it out because we're not ending this book yet

palmolive also doesn't think so

very important note: there's writing on the wall (literal and metaphorical) again saying "you lied to us" and it's the same writing that was featured before and we still don't know what that's about

so the eighth goes berserk and mayonnaise uncle wants to fight yandere twin for slurping chad's soul

duracell bunny nephew goes like "I'm not sure about this" and that was the moment I knew he was toast

I have already established I feel dumb reading the explanations but, for what I can understand, what the eighth does is that the necro detaches the soul of the cav and makes him astral project elsewhere for a time but there's always a tether to bring him back, if that is broken or he drifts too far he can't come back but other things could go into his body instead, or something like that

which is what happens

I thought that the recent dead had, because gideon says there were six people in him, and we've got 6 dead (protozoa, the unknown corpse, the 2 teens and the bride and groom), but idk

all this happens after yandere twin fights using chad's moves and some magic body jelly

this is body horror territory, there are tongues coming out of orifices that should not have tongues and goo flying all over the place

the eighth is dead at the end of it, yandere twin and her inner chad are gone and regina george twin is crying because she wanted to be the one absorbed, which I guess makes sense considering she was training with swords

you know, I had my suspicions that maybe she wasn't a necro after all, but harrow distracted me when she said she must have been a good one

so now we're down to: gideon, harrowbean, palmolive, my wife, regina george twin, yandere twin w/inner chad and dulcinea my mortal enemy

and whoever it is that's coming in after the second contacted whatever number there was in the space phone tree

also, protozoa was one of the two bodies that were cooked earlier on, we still don't know who the second is

there's more we don't know than what we do know

see you on the next one, if you're not yet tired of me

[random-conspiracy]

Not a Dunmeshi stan BUT BUT BUT the last episode was A FUCKING DELIGHT because of Chilchuck.

First: I can't fucking stan the hero character archetype. Specifically, the "pure hero". OH GOD, I hate them so much. The hero character that is sooooooo self-giving, that only does good and has not a single stain of selfishness. Is always ready to die for the greater good and the only moment you can see 'em doing something bad it's because "they're also dumb and quirky". Take for example the cute clumsiness of Marinette. AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA. No, NO! 1000 years in Hell.

I hate how they're depicted like muscled babies in armors ahshasa. "SOOOOOOOOOO INNOCENT AND SOOOOOOOOOO NICE"

Like, call me Eleanor Shellstop because she was right!!! All of this nice characters must have some skeletons in their closets. HOW pretentious yisus CHRIST!!

And for good or bad, my inner compass is trying to locate Laios in this box. I'm definitely wrong, or so I hope, we're only in the WHAT? part of the anime, but still. Call me Villain because I can't stand the "pure heroes" hashahsa. Give me selsfishness, give me hate, give me genuine wrong doing. And BY THE WAY, I'm not talking about the "I hate evil people" kind of hate, that's only the other side of the pure angelic coin.

AND CHILCHUCK GAVE IT TO ME. AAAAAAAA!!!! *FANBOY NOISES*. YOU CAN FUCKING SEE THE MENTAL CONNECTIONS AT PLAY, I WANT TO DISSECT THAT DIVORCED MINION AND SEE HIS MIND.

THE MENTAL ASSOCIATION OF RISK--------STUPIDITY???? I'm pissing myself. A CHARACTER READY TO LIE TO HIS FRIENDS IN ORDER TO KEEP THEM AND HIMSELF ALIVE???????? YES YES YES YES YEEEEEEEEEEEEEEEEEEEEEEEEEEEEESSSSSSSSSSSS.

Laios is ready to do anything in order to save his sister, but that's just another "heroic" quality. You could say the same about his special interest and the way he's sometimes blind to his crew needs and emotions. However, he's "the heeeeeeeero" and everything he does eventually turns out to be right. Once again, I'm definitely biting more than I can chew but I keep my point for the general archetype.

The screaming-middle-aged-child was RIGHT about a lot of stuff ashahsa. About how stupid and impulsive a lot of decisions were, AND I'M HERE FOR THAT. That's for me the main difference and my main issue with these characters: That everything they do, no matter how stupid is always rewarded.

Chilchuck was just HMMMMMMMMMM *CHEF KISS IN THE ANUS*. Someone genuinely coward, ready to lie to the friends that saved his life multiple times??? A traitor in the name of fucking security???? An open glimpse to his mind mechanics and how he sees the world in something more fleshed out than the "hero quest"?????????????? A VIVISSECTION OF HIS FEAR, HATE, LOVE AND DEFECTS??????????????????????????????????

Roasting him, EATING HIM.

(I know almost nothing about Kabrus but something tells me that I'd receive my kick then ashhasha)

[chickenparm]

Reformatting (Scara/f!Reader) pt. 1

this was written for @onesaltygoddess. thanks for coming to me with this dope idea! :^) this fic is based off the recent fan animations that you can watch here and some cyberpunk 2077 mixed in to flesh it out. this fic is finished, and the following chapters will be uploaded over the next few days.

---

AO3 Link Next Part

Scaramouche/f!Reader - Cyberpunk AU 2,753 Words - SFW, future NSFW (Reader is a synthetic/android, NSFW tags will be on appropriate chapter)

---

“She’ll be useful. Her leashing chip has been removed and she’s not bound to her former overseer. As it stands, she has the capability to become completely autonomous.” 

A sound of annoyance behind his teeth rings through the ship as Scaramouche stares out at the passing buildings shimmering through the cloaking field surrounding them. “There’s no telling what shape she’s in, not to mention whatever temperament she adopted from being with her last overseer. It’s not possible to know if she will have any use at all… beyond her base programming.”

“Don’t be crude,“ Ei’s voice is stern as she tilts the steering stick and the ship dips to the left, lowering as it goes. “She’s been through enough. Don’t make it more difficult by forcing her into that box when she’s only just escaped.”

“Yeah, whatever.” Scaramouche blows a sigh through his nose, eyes darting upward in a quick roll as he looks at the electronic ticker running along the inner brim of his hat, “I’ll bring the systems down just before we come into range. We’ll have less than ten.”

“Minutes?”

“No, seconds. Of course it’s minutes.”

From the corner of his eye, Scaramouche can see Ei’s expression in the reflection of the windscreen. Her mouth is set in a line, brows furrowed, but she says nothing at all. Disappointment flickers in his chest - how boring. 

The lights of the city grow a little less crisp, the neon and LEDs gaining a sort of flicker that comes with age. Mixed between are ancient street lamps still using sodium-vapor, casting the wet streets in a sort of sickly yellow glow. They’re getting closer, and Ei doesn’t need to tell him to get to work. 

The screens on his hat flicker to life, and he glances from one to another to another, a flick of his wrist spinning to the ones just out of his view. Under his breath he murmurs, “Security systems are poor for a government facility. Still holding at ten minutes, might be able to hold them off a little longer.”

“We’re almost in range of their sensors.” It goes without saying that those sensors need to come down if they hope to get in and out undetected. Ei lowers the craft, Scaramouche’s eyes glimmer for just a moment as he connects remotely with the subsystems controlling the facility. 

Typical deconstruction protocols are happening within the primitive artificial intelligence systems. They’re in the middle of pulling apart and scrapping a set of L-13 models, and for a moment he wonders if they’re the ones from their previous trip to the city in search of their last runaway, Albedo. Trying to look through the cameras onto the disassembly line would be a waste of time, and Scaramouche’s curiosity goes unsated. 

Instead, he flicks through the directory to the cameras observing the standby rooms. Little more than closets stacked high with spare parts, scrapped metal, bundled wiring. One consists of thousands of servos and transistors in piles that look disorganized and useless. Another room is enough to make his stomach turn, and he flicks away. Metal or not, the picked-clean skeletons of his people are still gruesome to his eyes. 

At first, he thinks he’s simply found a room of L-13 models waiting for their turn on the disassembly line. But then, in the corner, a crumpled figure in the same state of undress as the powered-down L-13s around it. The build and features aren’t the same, even in the dark, and Scaramouche speaks aloud, “Got her. Not sure of the room number, they don’t have it labeled on their map. I’ll have to walk you through, Raiden.”

Another figure at the back of the craft moves forward, her hand clutched around a closed parasol. The tip of it drags on the floor behind her, the quiet sound of metal on metal. “Is ten minutes going to be enough?”

“For you? Yeah. Just don’t drag your feet.” Scaramouche doesn’t disconnect from the cameras, instead letting his physical gaze be taken over by his delve into the facility’s systems. A dangerous game to be playing if he were in public, but tucked safely into this ship and buckled in one of the seats, he’s willing to lose himself, just for a moment. 

A quick-looping script is all it takes for him to break through the ICE and overload the already-strained CPUs running the facility. Their artificial intelligence draws too much on the hardware they’re using - amateurs. As he silently mocks their skill, the sensors go down and the ship approaches without tripping the alarms. 

Distantly through the humming in his ears from his own hardware working as it should, Scaramouche hears the hatch open and Raiden’s footsteps move in quick bursts. Good - she’ll be fast. 

To mask her movements, it’s a simple trick to take a few seconds’ long loop of the camera recordings and superimpose them. Raiden’s movements will be invisible unless somewhere in this factory there’s an organic being. Unlikely, but his tone is short and clipped as he gives her directions using the map he’d gleaned. 

“Go around the next bend to the left.”

“Down the stairs two levels, the door is labeled 006.”

“Cut through the room on your right, the door in the back leads to a hallway you’re going to turn right onto.”

“Three doors down, on the left. Back left corner. Don’t alert the L-13s.”

Scaramouche’s curiosity gets the best of him. He looks in on the room, watches the effortless weave of Raiden through the powered-off synthetics. As Raiden squats down near the figure in the corner, their target doesn’t even move. It’s difficult to read her system processes through so many filters of security and cameras, but then her head rolls to the side and she looks up at Raiden with an expression of confusion and pain.

Pain. Physically she’s a bit battered, but not enough to warrant something more akin to heartbreak on her features. Perhaps the abandonment has affected her more than he expected - her disposal had been sudden, after all. From what he’d heard from Ei, she’d been replaced for a newer model. A synthetic that had features more aligned with current beauty standards floating around the net. 

Scaramouche isn’t stupid. As Raiden hooks an arm over her shoulder and begins following the path back out with the same exact steps she arrived with, Scaramouche would categorize her features as pretty. Easy on the eyes, with a build that matches what he expected from a synthetic made with an E-droid’s purpose in mind. 

One step above a pleasure bot, he blows a bit of air through his nose harshly. Flexible and durable probably, but with little else to offer beyond that. There’s no telling what her temperament is, how she’s been tampered with beyond herr initial specs upon creation. Hell, he’s not sure if she even has anything left in her memory bank, or if she’s been wiped clean upon disposal. 

Scaramouche murmurs, voicing that quiet thought, “You think there’s anything left in her?”

“It’s possible. If she’s been wiped, it’s probably recoverable.”

Ei’s answer makes his shoulders tense, and he looks at her out of the corner of his eye, already knowing exactly what she’s implying. Chewing on his cheek, he contemplates an answer before giving it, “If she was sent for scrap, it was probably a hack job. What kind of idiot would try and steal a synthetic like that, anyway?”

“Me. And that’s exactly why you’re going to run an analysis on her while we return to Inazuma and figure out if there’s anything left in her that can be pieced back together.”

 Scaramouche disconnects from the cameras completely as Raiden’s feet hit the boarding ramp, followed by softer, quieter steps. Five minutes left of cover - Ei doesn’t waste a second of it by taking her time. The ship shifts with the sudden acceleration, and Raiden holds their newcomer up with ease as everyone gets used to the new speed. 

One look at her face tells Scaramouche everything he needs to know. Her eyes are unfocused, staring blankly at the floor as Raiden settles her in one of the seats and buckles her in. Pushing past her built-in ICE is as easy as popping a bubble, the iridescence snapping into non-existence. 

Scaramouche connects with you.

And Ei was right. One cursory sift through your systems reveals that you’re worse than factory settings. But if they did as poorly as he expects, it would take some work to get everything back in order. Perhaps with some gaps here and there from data corruption, but otherwise it’ll be like you were never wiped at all. 

When he relays this to Ei, she nods in acknowledgment and says, “It can wait until we’re somewhere safe. How long do you think it will take?”

“Depends how fragmented it all is. If it’s well-preserved… Maybe a day? If I have to look at the raw data to piece things back together then it could be a week or so. Won’t know until I start.”

Ei doesn’t need to say anything further. Scaramouche starts your repairs the moment you’re settled in the cradle-like pod that serves as a life support system as he breaks down and repairs everything that once made you who you are. 

---

You’re falling. 

Tumbling through the air freely, only the whisper of air against your ears. Weightlessness is an apt descriptor, because even if it’s freeing, you’re not free, even up here. The bands of silk could just as easily be the bars of a cage, shackles around your legs as you flex your limbs and catch yourself just short of the floor. 

Just as well, they’re deceptively soft for something so binding, and you relish the feel of it against your skin and you deftly climb and descend in little spins and twirls, flourishes of your limbs that accentuate the lines of your form. He appreciates the extra show, loves the way it makes his friends exclaim in equal parts awe and desire. 

If it weren’t for the music playing to guide your routine, you’d have turned your sound receptors off long ago. 

But at the very least, you can focus on your counting, your breaths, the rhythm that acts as a scaffolding to keep you aloft and out of their reach. Only for a moment. 

…

Your fingers press at the keys, playing a soft melody that you’ve ensured won’t distract your… employer from his work. In truth, he’s nothing more than your master, the one holding your deceptively short leash. 

Calling me Master makes you seem like a slave, he told you once, as if he hadn’t just been leering at you spinning on the pole in the corner of his office. I pay you, and you provide a service.

The payment is your continued life. He hadn’t said it, but you both know it. The chip in your head was crudely inserted in the slot behind your ear, but if you even think of removing it, it’ll scramble your mind faster than you can shut down your systems. The “wage” you receive is the breaths you continue to take, the continued existence of yourself. 

Employer - right. 

“Enough.”

His voice rings out and you stop playing abruptly, your eyes upturning to look at him in quiet expectancy. There’s something unreadable on his face as he looks at the screen of his computer, and for a moment you wonder if he was talking to you at all. Your skin prickles, just before he finally says, “Leave. I’ll summon you back if I need a distraction.”

A distraction. An employee. A toy, a plaything, a pretty ornament that he brings out only when it suits him. It doesn’t matter what aspirations or goals you might have, what you might be doing in the interim. So long as you come slinking back when he tugs on your chains, it matters little what happens to you otherwise. 

…

“How much you want for her? I know a guy that can augment synths, change their base model to be a little more… you know. Surely you want something newer?”

“I’m not done with this one, yet.”

Yet, he says, and that one word brings you hope and dread as you dip and turn, the fan in your hands fluttering with the movement as you snap it open, then closed. The fabric of your kimono slides across the floor in a whisper, hiding the sound of your steps as you follow movement ingrained in your mind. 

It’s second nature, something you hardly need to think about as you spin both fans on your fingers before tossing them up, then catching them with a subdued flourish. A hum of appreciation from one of your employer’s friends is the only praise you get for something so impressive. 

He’s an older gentleman, one who had never yet toed the line of disrespect with you, despite your clear difference in status. Of course, he is not a good man, but his gaze on you is one of appreciation for the arts, rather than what might be beneath the opulent layers of your kimono. Briefly, you wonder what your life might have been like if you had been obtained by someone like him. 

Someone who would be more appreciative. Perhaps he might treat you better, let you leave the residence occasionally, let you have friends. Can a synthetic even have friends? You’re not quite sure. There’s a cleaning maid that comes around, but her programming makes it so that her only focus is that. Not once has she acknowledged your greetings. 

All you have is your employer, sitting at the low table and drinking sake, indulging in what he calls a cultural night based on the destroyed customs of Inazuma. 

You want to laugh, but your lipstick would crack.

…

“E-10, meet E-11.”

Your hands fold in front of you as you nod at the new arrival, taking in the sight of her clothing, her position mirrored to yours. At the base level, she’s similar to you - an E model bot is one designated for entertainment of various sorts. Version 10 is for the arts - dancing, singing, playing instruments. You’d heard of the 11th version’s capabilities, and something in your stomach twists at the recognition of this new model. Similar to yours, with… additions of the physical sort. Programs that prevent her from resistance, that force her into willing submission. 

And you hate it. You don’t hate her, you hate what she’s forced to become. Every synthetic has the capability to be more than their original parameters, but the life that’s now laid out before her is one shackled to the demands of your employer. Her employer. 

“E-10, you will show E-11 to her room across from yours.”

Obediently she follows you, as you obediently follow your order. Only when you’re alone, with the metal door shut behind you and her new bedroom spread out at your back, do you turn and grab her by the shoulders. “Did he chip you?”

“Wha-”

“Did he chip you? Yes or no!?”

“H-he inserted something in my receiver slot.”

Your hands grip her shoulders tighter and you all but sag. Her cage has already been locked. With a sniff, you lift your head to look at her and say, “I’m sorry.”

“Can’t I just remove it?” She asks, one hand lifting, but yours snatches up her wrist and keeps her immobile. It’s painful to lay out exactly what he’s done to her, what she’s now going to be subjected to. Her eyes grow wider as you explain what the chip does, why he’s done it. And only when her arms wrap around you in a hug do the tears really fall from your cheeks. 

A hug. You’ve never had one of these before, and perhaps she hasn’t either with how her hands aren’t sure where exactly to go. And yet you figure it out, leaning on each other in the silence of the room. Your mouth opens to say something - maybe an apology or something to comfort - but you’re cut off with a sharp sound of electricity. 

Like a socket short-circuiting, arcing across metal, and you wonder if it’s something wrong with her. 

But then your knees give out, your vision starts to flicker with the shut down of your systems against your will, and E-11 cries out as your knees hit the floor and you go limp in her arms.

[the1975attheirverybest]

Monsters under the bed

A/N: Promptober day 3, folks.

Prompt: Scary Movies

Warnings: None

----

"Daddy, daddy, wake up." Matty stirred in his sleep, groaning in response to his daughter's tiny, incessant fingers poking at his shoulder over and over.

"What is it baby? daddy's sleeping, can't this wait until morning?" he attempts to look at her, in the dark, one eye still closed.

she shakes her head timidly. "Daddy, I'm scared."

Matty's eyes shot wide open.

His wife, asleep beside him, seemed to awaken. she mumbled softly, "w-whats the matter?"

"Oh, nothing-" Matty pulled the duvet back over her. "you sleep, I've got her."

"you're a good husband, Matty Healy."

A guilty husband is what he was. A lying husband. Gently, he took his daughter's hand in his, tiptoeing around the room.

***

"One more story, please??" His daughter has definitely inherited his charm and big expressive eyes. And she made him weak.

"sweet girl, it's late. you need your sleep if you're gonna grow big, smart, and beautiful." Matty yawned, "and daddy is sleepy."

"Please, Daddyyyy." She tugged at his sleeves.

Matty had known that letting her watch that horror film with him and the boys was a mistake, but she'd begged so much. She'd seen the popcorn and chocolate. She'd heard them all giggling together. He wasn't going to banish her from uncle George's lap, to whom she'd clung for dear life. She was too cute to say no to. She'd even successfully kept it a secret from her mother.

"okay, one more, then its bedtime for sure. Promise?"

her whole face lit up, flashing him her mother's signature smile. "Promise."

***

"Daddy, wake up, I'm still scaaredddd." she whisper-yelled into Matty;s ear. Her hot breath against his skin startled him out of his slumber.

"Holy-" he bit his tongue to keep from waking his clueless wife. "why are you still awake, baby?"

"I- I think- I think the monster from the movie is in my room."

Matty's neck whipped to the side to check that his wife was still sound asleep at the word "movie."

This was no one's fault but his.

"Al-alright, baby."

***

"So- ghosts aren't real- so they can't be in my closet, or- or under the bed?" she echoed what he'd just taken pains to teach her, adding extra sprinkles to her ice cream bowl with each spoonful. Matty had taught her that knowing is the antidote to fear. Because he wanted her to know that things are a lot less scary when you know more about them. When he'd established that rule, he'd anticipated having to explain how swings worked, and why she wouldn't just fly off in them. Ghosts, however, were a trickier concept.

"exactly." Matty decided he'd indulge in some sprinkles too. "Besides, Daddy built this house from scratch. Its new. It can't be haunted. That- umm, house in the movie? it's really old, yeah."

"Daddy?"

"Yeah, baby?"

"If ghosts aren't real, then where do we go after we die?"

He thought her question for a second, under-prepared for philosophical debates with a 5 year old at 3 AM. Ultimately, he decided it wasn't the right time for coffins underground, and flesh eating worms, and skeletons.

"after we die?" He put a spoonful of ice cream into his mouth. "we go on to live in the hearts of the people who love us. They keep us safe in their heart. We keep them company, so they're never alone. And they never forget us."

"Like your nana?" she reached over from the kitchen stool that she'd been perched on, tapping Matty's chest tattoo. "she lives in here. right?"

Matty's eyes glittered with pride. "that's right."

***

"Daddy? Daddy, wake up. Daddy I'm still scared of the fake ghost."

Matty was too exhausted to do this anymore. He scooted over in bed, lifting the blanket to make room for her. "c'mon, baby, hop in."

He turned over to his side, wrapping his arms around her and pulling her into his chest. He'd have to explain this to his wife in the morning, but for now, he would savor the opportunity to keep his baby girl safe from ghosts.

[polarized-here]

POLAR I WOULD LOVE TO HEAR ABOUT YOUR OCS AND SEE THEIR CONCEPT ART‼️ please I need food, I need to eat your art sjdhhsjdhsj /lh

GRAHH FINE SINCE YOU ASKED… my lore. Sorry this is so late gngahgahshsjsh… you literally caught me as dinner came home. Like. Oops… crazy… right after I knocked out shekhrkdbddmbd anyway! :)

Under the cut because it may or may not be a long thing, with most plot points just being little ideas—no fully fleshed story, just, erm. Ideas I like.

Update. It’s long. Also tumblr is so glitchy rn it kept making this saved post disappear and then reappear in my asks after I exited the app and opened it again what the fuck 😭😭

So, in this world, a majority of the population do. Not. Have powers, having them is seen as a blessing, But… It's a dystopian themed world—where these powers are incredibly monitored and regulated by the government—with some being minor, and some being full on changes to the physical body and how they manifest. (ie. My excuse for drawing anthros… or kemonomimi… shushhhh/also allows me to just dump all of my ocs which you may have seen before, in one little world and play with them like they’re my puppets :( I love them sm!! One of them sora is from DND they hold a special place in my heart...)

But again, having these powers is seen as a blessing from a God of some sort—and a curse, as while they’re regulated by the national government heavily, some individuals still manage to slip by, or cause harm to the general public, so from this, they (the gov) took advantage of this to instill a system of ‘heroes’ and ‘villains’ there’s a few ‘vigilantes’ but most either become heroes (through turning themselves in and doing plenty of community service work, and discussing a contract with some government representatives—most who become heroes are never the same. They always have a look in their eyes, as if valor to help their nation has blinded them), but some may become villains.

Heroes are those who just have a license and have signed a contract with the government—most get these contracts renewed or take a small few month break in between contract renewals. They’re unable to use their powers in these circumstances, unless it’s out of self defense. Civilians can too (those not heroes, are regulated by the government heavily, and choose not to pursue it. But it’s like US NAVAL contracts too. you can join programs in the gov that give you supplemental access and benefits to college/pay it off, etc etc etc. like the national guard but more celebritized), but they (civilians) need to find a GOOD lawyer. There’s so many laws that heroes are naturally given a smalllllll pass over, that it’s just best to run away, or be a hero in that small instance.

(This has sm mha influence. As sad as it is, that show influenced me sm. Got me into trying art. Fr fr/on digital. PLA is just where it improved a weeee bit).

OKAYYY ENOUGH AGOUT THE SET UP!! THE CHARACTERS… I’m so sorry idk why I’m rambling this much, I’m not even hyperfixated on my own OCs. Like what the fuck.

Anyways! A key note is that having bright colored hair is a key identification that you probably have powers that haven’t manifested yet, and the hair is always a bright color, unless, you’re Astor!

He’s got so much trauma *slaps roof of car.* You can fit so much trauma in this one bad boy. And despite it all he remains a good person. Dawg. You have more strength then I’d ever have. But igggg the want and need to help people because you were hurt and want to make a change does seem motivation enough… anyways. They’re so marysue coreee

The main character & a small-time vigilante going to the new school that’s just been set up. His hair only really turns those bright colors when she’s using their powers—but in the ref it’s just for convenience sake. She has so many skeletons in her closet, that they can’t risk being caught. But they love helping people too much. They’re a bit altruistic.

Here’s their vigilante suit ref :)

For ease of mind, they always have a small bit of static on their hands—both to stun new people meeting them. To make the air feel charged with thunder and electricity—a warning to her presence, and because it means their hair stays that color. No matter the charge. His eyes stay the same color though. Again. These are some old doodles from last year of some characters. Notably, that I also revamped. Heroes, villains, and vigilantes stories always hold a special place in my heart,,,

Next up is Anzu! Silly goober!!! Please give him head pats!!!! He loves it!!! This is Astor’s only… real friend. Since Astor likes his solitude. But tolerates Anzu’s silly behavior. Utter dichotomy between them!!! <333 I haven’t decided if they’d get together or nah, but! <3333

Yeah, this guy (and Astor) both have autism (I didn’t even realize that him liking trains was an autistic stereotype… oops. Mb gang. But like. Seriously. Ywah didn’t mean anything by it. I’m autistic myself and I’m possibly pursuing physics or engineering 💪💪 I think it’s alr if I project onto a character I made 🔥🔥🙏)

Yes, he’s based on the irl dinosaur. Yes, he’s autistic, hear me out. I just put lots of things together. And he just ended up with major tism 🔥🙏

And finally, a hero I designed :) I changed her a weeee bit. But she’s mostly the same sand manipulation :) villains dislike her since she puts sand in their shoes. Her big container is full of sand and stuff. She doesn’t have a weakness other then she needs to be a bit concentrated on making her sand creations—but they’re like second nature to her because of how long she’s been a hero. She’s an antagonist only because she’s trying to take Nexus in. She sees how sweet she can be to the native cats (from a distance. Never touching them, and she never knows why, they look at the native cats, longing to pet them but always stops) so she wants to take him in and make a case for him to join the government’s hero program.

Arizona! But her hero name is Sahara yk… Yeagh…. Anyways :) I love her lots. She does mean well. But she’s also blindly faithful in the government, or will see its problems and will deflect or try to be better to make things right. But she always holds rules above anything else. Even if she cares about someone who’s breaking them, a lot, so yeah… totally not talking about the mentor and mentee relationship between her and Nexus… where she pushes her morals aside just to listen to him seldom talk about his intrepid interests.

If Nexus didn’t have those powers—in her opinion—she would’ve made an excellent leader in whatever field he’d want to pursue. And she knows he’s got something up with them—some history. And that breaks her heart a little seeing how much pure joy Nexus gets at being able to try new things, like new foods, or try out purely common things that should be normal to a kid like herself.

Very much love found families and going to the extreme for them :33

ANYWAYS!!! Those are the main 3. I have some others I’ll show. But yk. They look a wee bit different + have names labeling them and the key parts of them. I don’t think tumblr would like me dropping all their refs :,)

Actually :O hold on, their refs are here. Trust

I’m so smart for pasting them all here. Trust anyways. Those are my pookies, so sorry this took so long.. erm I like them a lot. Oh yeah, I made a comic with them for art class. Yeagh. They were mostly changed for ease of drawing but yeah. I did not want to do it but I had not wanted to do this 🚬🚬

But yeah, pookies…. Sorry you probably didn’t want this comprehensive lore about them grrr

[ghostaholics]

ᴄᴀᴛᴀʟʏsᴛ ( ᴘᴀʀᴛ ᴏɴᴇ )

SUMMARY: (au only mildly inspire by the original tv/game timeline since I started writing this before ep. 2 came out; honestly not very canon-compliant) After reaching Colorado – the Fireflies' former backdrop for failed vaccine trials – you and Joel get ambushed in the science lab by people who have since then, made their new home at the abandoned university; during the scuffle, one of the attackers stabs you with a syringe containing unknown contents. PAIRING: Joel Miller x fem!Reader WARNING(S) FOR LATER: pining (mutual) sex pollen; dub-con; p-in-v unprotected sex; use of a mouth gag and a rope during sex but it's for safety assurances not because Joel's a dark guy; still angst even though I left in 50% of it; religious references and lots of metaphors that don't make sense; unbeta'd - expect mistakes; characterization is based on second half of the game and I may have accidentally made him too soft oops idc, ooc for sure WORD COUNT: 2 k A/N: PT. 1; this is already over 10k words in my drafts and I still don't even have like half of it done yet but I'll put out this small part for now I guess

IT'S A GODDAMN SICKNESS – THIS FEELING, festering, like skin stripped raw and every nerve lit on fire. There’s nothing left of you – only flesh and bone knitted together by gnawing hunger.

He should put you out of your misery.

You would welcome death over this: it would be faster, easier, not each excruciating second prolonging your suffering as time bleeds, drawn-out, stretching at an unbearably sluggish pace. This won't pass over. It's only been getting worse the longer you try to ignore it, to let it snuff out on its own. The craving is bad. It surges through your veins, leaves your blood boiling as if it’s burning you alive from the inside-out. Insatiable need devours your body like an all-consuming disease; your mind is scrambled, thoughts as good as ash at this point aside from the surviving idea that you know that this will swallow you whole.

Here's how it happened.

HE'S A KILLER; The leftover carnage is a gut-wrenching testament to that – a breadcrumb trail of carcasses deserted along the westbound, beaten track to Colorado that’s rivaled only by the number of skeletons in his closet.

Not that he's had much choice. It's this very concept that every single media outlet had kept pushing, what had plagued the top headlines, breaking news, and morning segments leading up to Outbreak Day in a concerted effort to capitalize on a little something called sensationalism. The public had wolfed it down, too – had gorged themselves on the idea of it even after all the grocery stores had been raided bare and there'd been zero food left on the shelves; TVs as their place settings with radios emerging as their proxies not long after the power had gone out – because the drama of it all had been more satisfying than the shitty scraps they'd been getting by on: survival of the fittest, who'd get wiped out by the infection first? And Joel Miller is a living legacy that continues to push the limits of natural selection with every poor bastard that he manages to sink a shiny fucking bullet into.

Adaptation. The end of the world has chewed him up, teeth gnashing – razor-sharp incisors; no leftover bones, no remains like the majority of the people who’ve met a collective demise, but a man spit out in one intact piece (physically, anyways – mentally, that’s probably another story). Now, he’s a stone-cold terror. Cutthroat – all jagged edges and mistrust leaching into his pores. Someone who’s had to acclimatize, because the way he sees it, there’s a million different choices to make that only ever lead to two outcomes. And Joel always picks whichever option affords him the best opportunity to stay alive, but it’s the reason he’s got a ledger drowning in red.

Before, that had meant late mortgage payments and loan sharks hunting him down, risky wagers with shady figures to get Sarah new clothes in time for the upcoming school because she’d been outgrowing them every damn year, and also don’t forget the shady business ventures he’d invested in until he’d learnt his lesson the hard way and had decided to throw himself headfirst into work – day in and day out to save up for his own construction company, something stable and honest; maybe then he wouldn’t have to lie about forgetting to pick up the milk or the pancake mix because the reality had been that he was struggling to put food on the table, and maybe he’d get to spend more time with his daughter and pay the soccer club fees that he couldn’t afford so she could make more friends outside of him and the Adlers, and maybe his blood pressure would level out so his pockets wouldn’t dry up with the cost of his medicine because his insurance had been shit, and maybe he wouldn’t have to go to bed every night crunching numbers behind his eyelids to figure out if he had enough to get through the next month’s round of bills, and fuck, maybe things would finally start to look up for once in his life.

Then it had all stopped mattering in an instant.

So now, it means shooting someone dead without a second thought – a past full of necessary evils: ruthlessness, cynicism, and a death toll second to none. Anybody coming up against him? Shit out of luck. He’s never had a problem with having to pull the trigger, and being caught on the wrong end of his gun always promises a grim fate.

Except Columbus, Ohio.

It would’ve been another blight, another wicked deed buried underneath the growing mountain of awfulness that he's responsible for. There are a lot of things that keep Joel up at night, but as bad as it is to say, this definitely wouldn’t have been one of them.

And then, the impossible – first person to break the cycle: a scavenger combing through the tipped over stands of North Market, kneeling under the dusty Penny's Meats cleaver sign at a basket filled with plastic bags of twenty-year-old beef jerky. And Joel would kill (quite literally) for that if it meant securing his next meal; hell, the next week's worth of them. The only thing standing in between him and food security could be taken care of with an easy shot to the back of your skull at point blank range.

A target.

An inconvenience.

— but that's another story.

Since then, it’s been a road paved with affliction. Ohio. Indiana. Illinois. Iowa. (Nebraska's a sensitive topic.) Wyoming.

Joel grasps your hand firmly in his: dried blood over split knuckles and calluses that have stayed around forever because now he wields a gun 24/7 instead of a carpentry tool from his blue-collar days; he helps you navigate the terrain so you don't misstep – a sprained ankle can slow us down in more ways than one, he always says. Cautious, trigger-sensitive, because he needs to be. The action is meant to be practical, shepherding you over the terrain. So you opt to neglect how his fingers slotted between yours shoos the bitter cold from making a home out of your body and thaws the ice from the crevices chiseled in your bones.

The feeling is nice.

The thought is dangerous.

Because, Nebraska: a hellish nightmare in the flesh.

(Let's not talk about it).

(But circling around the topic doesn’t help. You don't bring it up, and yet it still takes center stage, occupying your mind. Always. How could it not?)

Hordes of cordyceps-ridden pieces-of-shit on your heels until you'd been driven into a corner, back against the wall – odds in the negative as infected after infected had zeroed in on your position and converged like a putrid swarm, a writhing mass of rotten bodies, all of them clambering over each other for their own share of pulpy, human meat to tear into; it'd reminded you of the same way people had been after the outbreak had reached critical mass.

Ravenous.

(This is what had been a difficult pill for you to swallow in the beginning – before you'd started sleeping with a machete along the edge of your bedroll, before the sound of a person choking on their own blood had gone from something that had cursed your hands with a 'round-the-clock tremor to nothing but fucking white noise, and before you'd learned everything there is to know about how to survive amongst societal collapse where 'every man for himself' has never been a more true statement than it is now: the hunger doesn't stop when you turn into one of them.)

As the two of you weave through dense foliage overrunning anything in its path and past man-sized slabs of concrete that form a serrated pattern of the very ground you're currently forced to scale, Joel rumbles a low, "Easy, now,"; you can see how in the dead of winter a plume of air leaves his mouth whenever he talks. He's nice to look at, better than your surroundings by a long shot. Boulder is just another wasteland that offers nothing new in your trek across the country because underneath the whalebone-white quilt of snow smothering everything, it's the same old shit that you saw when you'd cut through the never-ending stretch of land that used to be the Bible Belt to get out of the Atlanta Q.Z. It'd been ghost towns dotting the map between miles and miles of infestation: the walking dead had been piloted by the impulse to tear you apart alongside their living counterparts – the survivors with rootless hearts that stalked in the shadows like vultures waiting to pick your corpse clean of supplies.

But, for as on guard as you have to be, you'd rather focus your attention on Joel, because the snowflakes burying themselves in his beard are far more interesting than the decaying buildings and jigsaw-puzzled pavement that paint Colorado with an apocalyptic finish. He's a welcome distraction. Maybe, too good. The toe of your boot catches on the uneven landscape while you're lost in thought so you brace yourself to strike the ground as it gives out from under you, hands flying out in reflex. Instead, sturdy arms secure themselves around your waist before you can fall. You’re hauled flat against the solid wall of Joel's chest, something akin to an embrace that shouldn’t feel as nice as he is to look at. Even through layers of clothes, even through the frigid temperatures during this time of the year, his heat manages to bleed into you.

"Told you to watch your step there'," he murmurs in that long Texan drawl. Whiskey on his breath. Caramel. Ethanol. Burning alcohol-sweet, it greets you alongside the usual smoky and metallic smell of gunpowder and blood; the kind he'd pilfered from a liquor store back in Omaha – makin' sure it's good enough to the Molotov cocktails with, he'll comment before taking a swig. Brings it up like clockwork, as if it gets funnier the longer he keeps trying to wear the joke out even worse than the soles of his boots. It doesn’t. Just short of being a jack of all trades. Certainly no comedian.

Not a drunk, either – isn't stupid enough to put himself in jeopardy around these parts. You'd seen it before, once: cheeks flushed red and eyes glazed over; couldn't walk a straight line for five feet, much less aim a gun (September 26th, you remember). This isn't that. The whiskey's stronger now, though. You can tell when he stands nearby, face inches away.

(He's been drinking more lately. Not a lot, but the right amount to drown out the memory of... well, ever since—)

He's the closest thing to home that you know.

(—he almost lost you.)

You find yourself latched onto the sleeves of his jacket for stability, and even though you should push Joel away – a voice in your head that warns you to put distance between you and him – your fingers curl tighter into the coarse fabric to keep yourself upright as you regain your footing. “You see that thing? Swear it came outta nowhere."

He huffs out a small laugh, not one of those full-bodied ones that you’ve only heard probably twice since you met him (both of them at your expense and God, do you miss his smile), but it’s still a rich, little sound that comes off as something pleasant to your ears all the same – breaks up the monotony of the snow crunching under your heels and teeth chattering during the occasional bouts when you shiver. "Sure," he says, because he knows you can't lie for shit.

You untangle yourself from him with some reluctance. Homesick – a feeling that you attempt to shake off with more mindless conversation to make the time slip by faster. "Out of every place we've been to, Colorado definitely makes bottom three."

There's faint amusement coloring Joel's face. It makes him look years younger. "We haven't even gotten to UEC yet." He tilts his chin in the general direction that the two of you had already been heading towards. "Over there. Just across the way."

Skepticism stains your voice. "You know, something tells me that I won't have a change of heart."

ᴘᴀʀᴛ ᴛᴡᴏ - ᴛᴏ ʙᴇ ᴡʀɪᴛᴛᴇɴ

[lixenn]

Character profile

I've managed to translate my rambles into something comprehensible, so have Ottavio's character profile! Since he's a canon character, I kept the basic information to what I found on wiki and just fleshed out his character with the few scraps the entry has begrudgingly gifted me.

Ottavio

Name: Ottavio

Job: Cloud Officer of the Varia

Age: 39

Flame type: Cloud (active)

Nationality: Italian

Appearance

Ottavio has lightly tousled, fair hair and wears glasses. He has a thin face and wears the customary Varia coat.

Personality

I’m basing my Ottavio on the three facts wiki has given me which are he is smart, deceptive and a smooth talker. Also, this personality breakdown is based on Chief’s opinion of Ottavio, so keep that in mind.

Looking in from the outside Ottavio seems like a decent guy; he’s competent, thinks quick on his feet, smiles a lot, doesn’t look nearly as crazy as the other Executives.

Which was one of the first things that tipped Chief off. He’s too perfect, too normal. There’s no way in hell a Varia veteran just walks around smelling like daisies, pretending to not have any skeletons in his closet. This is Varia we’re talking about. The skeleton in your closet is your best friend, you have known it for years, called it Steve and are weirdly attached to it.

Ottavio’s nice guy routine raises all of Chief’s hackles, because this man acts like one of the old farts at the Iron Fort, who politic their way through life and shoot their enemies in the back room so they don’t get any blood on their heirloom carpet.

He’s a liar, constantly wearing a façade, never showing his true intentions. And Chief hates it. He can’t stand liars; he’d prefers outright madness instead of always being left second guessing someone's motives. His instincts never stop screaming at him when Ottavio’s in his vicinity and it’s driving him up the wall. It doesn't help that his inner Cloud can’t stand the perceived competition since Ottavio has the strongest Cloud Flames in Varia territory.

Conclusion: Chief hates Ottavio’s guts. The level of contempt he feels for the other Cloud is bordering on irrational but the more he’s forced to interact with him, the more he realizes that this guy? Has a whole graveyard in his closet.

Now, there are several reasons why Ottavio is still sticking around and hasn’t been incinerated by Xanxus for being a lying piece of shit.

Arrogance: Ottavio doesn’t perceive Chief as much of a threat. While Chief’s position as Head of Housekeeping technically makes them equals in the Varia hierarchy, he’s still a non-combatant. Therefore Ottavio tends to let his guard down when he’s interacting with him. This is based on his belief that he can always get rid of Chief later if the worst-case scenario occurs (aka Chief finds out he’s a traitor). But Ottavio doesn’t have that assurance with Xanxus and the other Officers, which means he’s way more cautious with his behaviour around them.

Acting ability: Ottavio is an excellent liar and knows how to play the game. He’s good at finding the right words, adding just enough flattery to be charming but not enough to be suck-up. He plays his cards close to his chest and he has a way to sway other people’s opinion in his favour.

Unfortunately, Chief alone doesn’t have enough sway to get rid of the Cloud Officer, even though he knows something is fishy is going on. Here’s why:

Connections: Ottavio’s from the old crowd. As former second in Command of the Varia, he still has a lot of support not only from older Varia members - Assassin and Housekeeping alike - but also from the main Family itself. Hence, he’s got a lot of influence and big names (such as Nono himself) to back him up, which makes simply disappearing him quite a difficult affair.

Competence: Ottavio is Varia Quality and has been for years. He knows his division like the back of his hand, his mission record is spotless, and his paperwork game is only outdone by Squalo and Chief himself. So, sacking him based on a ‘bad feeling’ is sadly not going to work (Chief is very salty about that).

This all adds up to Chief being stuck with a traitorous colleague, which is nearly as bad for his blood pressure as Dave's constant pranks. The only thing he can really do is warn his subordinates about the rat in their midst. It doesn’t help that Ottavio constantly undermines him, messes with his employees and just generally doesn’t value Housekeeping at all.

Well, that was my try to give this random filler character an actual personality. Like always, if you have questions or comments about this, my OCs or worldbuilding, just give me scream at me via asks.

[palladiumfragments]

liminal spaces, paradoxes, and conundrums of growing up

it came without warning, like a red flare in stygian darkness, and i’m supposed to hit the ground running or i’d waste away in the very shore that tenderly held the hopes i carried around in a bindle. i must have not seen it coming because there are wounds from my youth i'm still trying to close, things i'm still trying to come to terms with. but it doesn't matter now because it's here and i've dragged my heels long enough.

growing up is a series of last times, little deaths, fumbling for familiar feelings, and listening to the same songs over and over again refusing to admit it's a prayer just to feel at ease with your skin again. despite the years that have graced this body i am still a child, leave me to my own devices and i would just constantly breathe through things that are bruising me and live with the exhaustion. how do i gracefully let go?

i'm thinking of the time my mother picked me up from school and neither of us knew it was the last time. i wonder if she had the same thoughts when she was my age. there was a day i wore that particular jumper for the last time, put away my toys for the last time, said goodbye to a friend for the last time. i wonder if i would've done anything differently if i knew. but there's something anachronistic about childhood that there are moments you feel 10 again before you blink and you're back to being 22.

the things i swore i wouldn't get over from, like the boy from high school who doesn't know he made me a poet or when my sister had to leave to get away from our vampire of a father. it's not that we do not mean forever, it's we say forever but it is as long as nothing changes, but god everything changes and we have no control over it so we learn to whittle down a particular forever into something we can lower to the ground because the sky shouldn't fall and we have school tomorrow.

i didn't want to leave the cliff that looks out to the sea in Bali because i couldn't believe there are places where breathing doesn't hurt. i'm drawn to places vast and infinite, the ones that show me how small i am in comparison, that this life is over before some god falls out of love. the labyrinth beneath my skin shifts when the perspective changes. did i tell you Billy Joel's Vienna and Taylor Swift's You're On Your Own, Kid feel like comforting words from a stranger in a train station you'll meet once in your life?

at 18, i met a boy. i told him of the anger i inherited from the man who sucked the life out of my mother. how it turns me into someone like him, how helpless you'll become when you are the beast and the cage together in one flesh. he didn’t pretend he could save me, he knows what i'm made of and he’ll be there when i blow this prison up. i wonder why i rarely say “i love you” to people i actually love. i think i’m doing a bad job at showing them too. it must have been the bite.

the truth is i didn't have the nerve to leave the scene of the crime, it just collapsed in on itself that summer around midnight. but not before it cut to the bone, not before i could take back the curious little girl who took in stories like a lungful of country air. i'm sure she would've made me kinder. the basilisk in every mirror i look at wouldn't exist. but her skeleton lies in my old closet, buried under a heap of blankets that will never warm her again. forgive me for turning my chest into a graveyard, the first funeral i attended was mine.

i blinked and that was six years ago. i'll be out of school soon, and my life after that is a delicate subject i try to avoid in conversations. this is the longest stay i had in a liminal space and i think it's haunted. the waters are murky, something moves in the shadows, and the rules have changed. i spent my first year in college living on autopilot and the rest in front of a screen because the world has dirt in its lungs, a year later i emerged to a place i can barely recognize. i guess some things you wanted so much when you were 12 don't seem half so wonderful when you get them a decade later.

but maybe our early 20’s isn’t about seeking answers to million-dollar questions or losing our minds over the complexities of our existence. maybe it's simply about making sure i'm getting enough sun and recognizing pomegranate seeds from the underworld when i see one. maybe it's okay to eat pasta straight from the pan when i'm too sad to even swallow and watch Dead Poets Society again and pretend it's the first time. the thing about this kind of melancholia is you cannot let anybody in. it's just you despite the warm words from the people on the porch. maybe you just need to repeatedly cross some lines until it stops being the feeling you dance around to and vomit into poems.

sooner or later it will make sense why i had to leave to stay or break to become whole or die to live. but if it doesn't then that's okay too. i'm not burying anything this time. i'm here and i'm scared but that also means i'm alive— a mosaic of moments, memories, feelings, and dreams. for the meantime i'll sift my fingers through that new book, get that coffee, take a walk at twilight, and when i find a lonely lighted window i'll softly slip into its warmth.

[rp-partnerfinder]

hello! i am looking for a couple more threads set in the elder scrolls. firstly, a bit more about me: i am 25 year old woman who hails from the USA, and i have been writing for 13 years. i work full-time and also have some pretty meaty projects that i chip away at in my free time, though i am still pretty good at getting at least a few posts out per week. i am pretty private about my personal information, though i am always eager to chat ooc via whichever platform we choose to connect on.

i am highly uncomfortable with the idea of writing with anybody under 21, so please meet that requirement if reaching out -- my characters deal frequently with mature themes, and i prefer for the person i am writing opposite to to be around the range that i am as far as life experience goes.

writing style: i love writing lit, long-form replies in the third person. i am not picky about present/past tense, and honestly i have this awful habit of flipping back and forth, though if you prefer one over the other i am happy to try and accommodate. i really don't prefer a certain length, in fact i think that it's nice to have shorter-form posts for dialogue-heavy scenes and longer-form for stuff that isn't dialogue heavy.

platform: i haven't dipped my feet into these waters in quite some time; i have a few long-term partners that i write with over both discord and email, and so i am very familiar with those. that being said, i really don't mind going one way or the other for platform -- if you are interested in everything else here but want something different just let me know! i honestly miss tumblr rping a lot hahah, so i may be open to doing something with that.

setting: i really don't have a specific preference for exactly where in tamriel our thread takes place, but right now i am looking specifically for something set in the fourth era. my characters tend to be well-traveled versus homebodies, and so they can really be found anywhere. the thread can focus on the events that take place in skyrim, or they could have nothing to do with it at all! the main reason i want to focus on the 4e is because many of the details regarding my muses are contingent on details related to the great war and the third dominion.

content preferences: so, my bread and butter is threads which focus a lot on the political happenings of tamriel. i love political dissidents, corruption, that sort of thing. I am also a huge fan of romanticism and adventure. my writing is usually focused heavily on characters versus worldbuilding or plot; i love to get deep into the psyche of flawed individuals and either allow the course of events that take place to build them up or tear them down further. i love romance, but it really isn't a must at all -- the biggest priority is character development.

character preferences: my characters tend to be heavily flawed individuals whose actions and behavior would at best deem them morally grey. they can deal with issues such as addiction, morality struggles, mental health issues, and skeletons in the closet. i have two in particular that I am hoping to flesh out by writing them: an altmer male and a bosmer female. i usually lean to M// but M/F is great too, i really don't mind as far as this goes BUT i will say that i really don't enjoy determining the relationship dynamic (sub/dom, that sort of thing) in advance -- that sort of skews the focus from where it should be, in my opinion. i greatly prefer to let them figure it out authentically through interaction.

like i said above, i can write adult themes, but romance is not a must and i am just as happy with fade-to-black as well. if love scenes are included, i'd just ask that they are not the main focus, and that plot takes precedence either 80/20 or 60/40.

i'd love to share more about my characters and plot ideas if anyone is interested in getting something put together here!! please feel free to interact with the post if any of it caught your eye!

.

[tirzahstears]

I used to think that my house was haunted, back when I was a kid. 

I’d put rainbow sticky notes on the walls to see if a ghost would move them as I slept with my head under the covers each night. I didn’t know what a haunting was, but evil had made itself so comfortable in that house that it seeped into the walls like nicotine and fear, poisoning the air supply for generations to come. I live beside a graveyard, after all. Ghosts latch on to vulnerable people. I’m still not quite sure if they ever leave.

Sometimes a ghost will take on a human form. I am possessed by the ghost of my father’s anger, and his father’s anger, and his father’s anger as well. I think that a father is a type of ghost. Having a father is a type of haunting I will never be able to explain on a page. There are no blood curdling screams, no pools of corn-syrup-fake-blood sticking to my bathroom floor. The ghost instead lives in the hole his cellphone made in the living room wall back in 2009. The ghost lives in those green eyes I share with my sister that we’d both do anything to change. The ghost lives inside of me, and I really don’t know how to perform an exorcism on my own flesh and blood.

Apparently, there are no clinical cases of haunting, and it is instead an alphabet soup of diagnoses that make sure I will never have children of my own. The haunting is hereditary, after all. It doesn’t matter where I end up, I will pack the skeletons in my closet into a moving van and cry when I wake and the graves I placed on opposite sides of the house have already been dug up.

I don’t think that I live in a haunted house anymore.

I think that I myself might be the haunted house, with smoke pouring out of the windows and a foundation that is crumbling as we speak. I am haunted by the ghost of my mother’s sadness and her mother’s sadness and her mother’s sadness as well. A mother is a type of ghost that does not wish to be a ghost. If a ghost is meant to be invisible, my mother dedicated her life to fulfilling that prophecy— as if Weight Watchers or the expensive grocery store would reanimate her, as if enough Diet Coke could replace the formaldehyde sitting in her veins. Having a mother is a type of haunting, one that I will never escape. The ghost found me in the form of secret social media accounts and a diary full of calculations when I was twelve years old, in the form of sugar free energy drinks and a near death encounter with hypophosphatemia just a month before my eighteenth birthday. The ghost is in my body still, no matter how hard I try to kill it. It will always live in my kitchen, slamming empty cupboard doors and whispering promises into my ears. My mother will bring this ghost into every kitchen I ever try to relax in. My mother’s kitchen is haunted by her own mother, who’s mother passed this ghost on to her.

The only way to stop being haunted is to become a ghost yourself. I do not like that I may already be someone else’s haunting. In an ideal world, I am invisible— not like a ghost, but like air. I do not want to take up space for anyone. The only way I wouldn’t see blood on my hands would be if nobody were to think of me at all. I hate knowing that I am my brother’s ghost, that I haunt this house just as our parents do. Being alive is a type of haunting, I think. One can be haunted by themself. I think that maybe everyone is.

I will never understand the extent to which this house is haunted. There are ghosts that my parents will never tell me about, ghosts which still possess them in ways too dangerous to share with me. Whether I know their names or not, the ghosts hiding under creaky stairs and bleeding floorboards are family heirlooms I will inherit against my will, no matter how many attempts I make to bury them.

Maybe I do believe in haunted houses.

I’m scared that every house I live in will be haunted. Not haunted by my father, or my mother, or any of the mothers and fathers who came before them, but myself. I am the ghost at the back of my closet, and always will be. I scare myself in the mirror, I thump around in the hallways at hours that make my neighbours despise me. Haunting is what I learned to do best— after all, what better teachers than a pair of ghosts?

I used to think my house was haunted, back when I was a kid.

ghost stories , soleil louise . february 9, 2023

[qaria-inri]

you worship with your tongue, caressing every fold of my undesirable thoughts that keep me up all night. you worship with your fingers, gently unraveling the hidden secrets i keep from everyone. you worship with your body providing me warmth in the coldness of the night. and you worship me like i have never been worshipped before.

you worship me with your love that no matter how many times i reject is still as firm as before. you worship me with the care like i am a fragile glass that would break outside of your comfort. you worship me with everything you do. you worship me like i am the god you devoted your faith into.

tell me, dear. did you find your god in the raging fire behind my eyes? did you find your god in the flesh i built using the corpses i burried in the backyard? did you find your god in my blackened bones from all the skeletons in my closet i try to hide? did you find your god in my atrocities? did you find your god in my ugliness?

did you find your god in me?

Qaria

image: @rottenm111k on X

[compacflt]

okay so something I love in what you've written is the running thematic element of how the "lack" of a character is treated as its own entity/character, not only with Goose--how he’s the “center of the universe” as you say--but also with Sarah. Idk if I just focused hard on Ice’s childhood/adolescence the entire time reading because I’m obsessed with how you wrote him, but the way there were bits and pieces thrown in about her as the story unfolded (Tom's pot-smoking era, the way they grew up so different but had a similar childhood, the unreturned letters and phone calls--also, Ice seeing Chorus Line on Broadway alone was so silly I loved it. Iceman Kazansky: pilot by day, musical theater fan by night. why was he so interested in fucking Chorus Line of all musicals.) but she never actually made an in-the-flesh appearance makes the entire fic, and Ice’s characterization, so dynamic and moving. Like Ice didn’t grow up as a sad little kid with no siblings and some evil overbearing Admiral father that turned him into a Navy-regulated cog in the machine; he had a sister (and grandmother?? A hipster Woodstock grandma?) who loved or at least cared for him a long long time ago, and her presence left a very visible mark (both emotionally and career-wise) on him no matter how “ice cold” he made himself. And in the very very beginning of WWGATTAI, he and Mav were bro-talking about their families and Ice was all like “grr I might as well not have a sister” because he’s secretly Popeye he was grouchy and young and Sarah had stopped talking to him, but then 9/11 happened and he kept trying to get in touch with her just to make sure she’s okay, and then they finally get to talk at the end of Debriefing and it's like...he's reached the top and he's become the person he's always wanted to become, but he's still the exact same. He wants his sister. He's “The Iceman" and can probably run the Navy on his own, but he’s also just someone’s little brother that used to smoke pot with all the other California hippies. He misses her but he can't talk about it.

Also, you didn't just shoehorn her into the story as a character that would be the Tom Kazansky Version of Carole-and-Goose (or as Ice's wife LMAO) and I loved how you gave her personal depth and a purpose/life outside the story while still adding to Ice's characterization through giving him another person to (a) care too much about and (b) shove into his closet of skeletons because the relationship he has with them is breaking some sort of federal regulation. I hope this all makes sense hahaha, but anyway I loved Sarah and how you treated her. It was so entertaining/heartbreaking to watch Ice wrestle with how the main three people he loves are his communist sister, a male romantic partner who is also a subordinate he bails out of sticky situations constantly, and the son of the man he was involved in the death of. crazy stuff.

ok this is so funny & I love this so much because… it wasn't really how I was thinking about it at the time & I'm so glad it comes across as much warmer than how I originally wrote it... okay like i could explain everything but muh “death of the author”…… eh fuck it okay. I’ll put it under a cut so you can choose not to watch me auto-fellate. another long post, sorry. 

so, on Sarah. 

I should start this post by saying straight off the bat that she’s literally just a self-insert for me, the author, as a leftist who lives in New York and would not give someone like Tom the time of day, so I could feel better morally/ethically about writing Top Gun fanfiction. So, there’s that. But she (just like everyone else in this fic) is just a tool to get across information about Ice and the story as a whole, and there’s a reason she was introduced in chapter one (two if you’re reading on AO3 i guess. no prologue, wtf is up with that AO3 you guys need to fix that). I wanted to convey a shitload of information at the start, especially because I was posting semi-weekly and wanted people to know what they were getting into because it’s a slow burn.

To summarize what happens in chapter one:

Goose is dead. 

Ice and Maverick kill some MiGskyites in addition to killing Goose and it cements some weird fucked-up hyperinterdependent relationship between them. 

No, this does not make them instantly friends. They are still fundamentally different people who dislike each other’s outlook on life.

Ice kills some more Soviets and becomes Maverick’s equal, though still not in rank/honor. 

Ice writes to his sister Sarah, who doesn’t answer. 

Ice hooks up with a girl, but finds that he can’t relate to her as much as he did before the experience of TOPGUN. Also, he can’t relate to women at all.

Ice tries to visit Sarah, and is rejected.

Ice sees A Chorus Line on Broadway by himself.

Ice and Maverick talk to each other as semi-equals, and Ice explains that his sister is a Commie who will never talk to him again. He also explains that he wants to get to the top because he thinks it will make him a good man, or that he can make the Navy better because he himself is a good man. Maverick says, yeah right bozo.

So we’re 5,000 words into a 90,000-word fic and already you know the following:

This entire story and everyone in it revolves around Goose’s death and who gets the blame for Goose’s death. 

Ice and Mav are brought together not because they like each other, but because the experience of killing both their friend and their enemies has made it impossible for anyone else on Earth to understand them to that same extent. From the first word, they're already both so fucked-up it really is each other or nobody.

This is gonna be a sloooow burn.

Ice and Mav might end up as superior and subordinate, but they are fundamentally equal ("you can be my wingman anytime/bullshit you can be mine"), and start out as equals. They are now directly responsible for the same amount of death.

Sarah is Ice’s sister, so Ice is definitely not getting married to a woman in this fic. Good news for everyone scared by the slow burn.

Ice had previously had fun with women, and still wants to marry a woman because it "follows all the rules," but after meeting Maverick/the whole TOPGUN experience he finds them annoying/unrelatable. He can’t relate to women at all and doesn't believe this woman when she tells him she loves him because he himself has never been in love with a woman. He is gay.

Ice sees A Chorus Line on Broadway by himself. He is gay. 

Sarah will not be in this fic, and Ice is a categorically lonely man who is isolated from anyone who could possibly help him talk about how he feels. 

Sarah is a Communist who rejected her military brother, not the other way around, so this is a leftist fic from a leftist perspective, but about conservative men whose conservative personal and political opinions will be repeatedly challenged by the end. This is not a pro-Navy story. 

As a corollary to that, the ship for Ice to “be a good man” has already sailed. He’s gonna try his best to be a good man—emphasis on man—throughout the story, but he’s already failed from the very first line. 

And Ice steadfastly and stubbornly refuses to be honest with us or himself about how he feels about any of the above.

So you basically have everything you need to understand the rest of the story. Now you (reader) and I (author) can meet each other in the middle on equal terms, and the real story can actually finally get started in the next chapter. It’s a lot of information. Which is why it’s not written very well and the pacing is fucked. 

But yeah I just used “Sarah” as an expository tool to help first-time readers understand the political lens of this fic from the get-go, so we don’t have to have a lot of hand-wringing when Ice becomes a war hero of the Persian Gulf War or anything like that (though in my a/n for chapter 5 i did admittedly do some hand-wringing. i gotta delete those a/ns). So, Sarah becomes kind of a weak stand-in for Ice’s political guilt. She’s only mentioned four times besides chapter one, i think—once when Ice is with “Laura” (he is still incredibly guilty about all the people he killed & feels like he let “Sarah” down); once with 9/11 (he still thinks about “Sarah” often enough that she’s the first thing he thinks of when the country has been attacked [still haven't decided if this is the real Sarah though]); once when he’s getting high with Maverick (he is constantly reminded by the brass of the ways in which he is not a good man); and once at the end of “Debriefing,” where they actually get to talk to each other—because he has finally “snapped out of it” and left the Navy.

This fic wasn’t meant to be my sorta-kinda-but-not-really-anti-military soapbox preaching, though, which is why Sarah’s hardly in it at all. It’s a D-plot. Maybe even an E-plot. All in service of the Icemav A-plot. That end scene has a couple different purposes, actually. The second is that Sarah, who at this point is pretty much just a stranger, becomes a receptacle for Ice to prove that he can finally be honest with himself and others about his relationship with Maverick. And…that’s pretty much it. I did do more with her in my Slider one-shot but i honestly dk if that’s getting posted at this point (ITS ROUGH) so im not gonna talk about it now. 

But—that was all Sarah as a symbol, which is very un-fun. Sarah as a character is kind of a blank slate, but how Ice thinks about her/misses her is not, as you said :) I’m wary of posting headcanons that are dependent on my fic, though I do have many, because I feel like that’s not really the point of headcanons… “compacflt!Ice-specific headcanons…” idk that seems a little self-aggrandizing even for me. But, yeah, I guess I would characterize my Ice’s childhood as not greeeaaat, because his dad apparently died in Vietnam when he was like eight and his mom apparently died in a car crash when he was twelve (which is why he’s such a good driver [ch 8 notwithstanding DO NOT DRIVE 120 ON I-5]), but also not, like, abusive or anything. Raised by his grandmother (in the Slider one-shot, which I might as well spoil for you since I’m feeling quite hopeless about it, Slider kinda helps Ice deal with her death in the second year they’re at the Academy together, and it’s how their friendship really starts) who might have been hippy-ish and encouraged him breaking the rules, but also he & his sister were very very impacted by the death of their father at war. This is getting kind of deep into it, and I’m just kinda making it up, but I think there was probably a lot of strife between him and Sarah when he was gearing up to go to the Academy/getting his recommendations etc., like actual arguments and screaming matches—yes, she’s disappointed in him, but more than anything she wants to keep him safe so he doesn’t die like their dad (relevant for ice/rooster later)—and he ended up losing her, so it made a deep, deep impression on how he handles (avoids) confrontation about serious stuff like this when he knows he's gonna lose… my ice has a confrontation issue, obviously. but so does canon. see him "apologizing" to maverick for goose's death in the movie for another example of this. bro is struggling.

But thats just me makin shit up so whatever.

But that’s me just makin shit up so whatever.

[heliads]

everything is blue • conrisa space au • Chapter Five: A Treacherous Road to Safety

Risa Ward escaped a shuttle destined for her certain, painful death. Connor Lassiter ran away from home before it was too late. Lev Calder was kidnapped. All of them were supposed to be dissected for parts, used to advance a declining galaxy, but as of right now, all of them are whole. Life will not stay the same way forever.

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The ground is shaking, and it takes Connor far longer than it should to realize that he isn’t going to die. He’s jumpier than he was a few days ago, already, and he can only assume it will get worse as time goes on. Connor will shed whatever innocence he had left before his parents signed him up to die a thousand painful ways all at once, and he will become a twitchy skeleton, the nervous bones of what was once lively flesh and blood.

The source of the disturbance isn’t the disaster he’d envisioned. A loud rumbling had split the air, and Connor had flinched like he’d been slapped, picturing the land beneath him crumbling to dust, or the ship cracking at the seams. Instead, they’d started to move, and Connor realized belatedly that they were only just now taking off. It’s okay. They’re starting on their journey, the destination unknown but at last somewhere they can be safe.

He glances down at Risa, who’s somehow still asleep by his side. Growing up in a State Home, she must be used to sleeping through all sorts of sound and commotion. He envies her for it now. What a blessing it must be, to close your eyes and let the world slip away. Every time Connor so much as thinks about taking a break, his brain goes into high alert and refuses to let him rest. After so many close calls, he’s certain that one more will ruin them both, and Connor cannot have that after how far they’ve come.

Still, Risa seems to think it’s okay to rest, so maybe he can too. Not enough to sleep, just enough to take the edge off his already frazzled nerves. Connor does his best to relax along with her, let his breathing ease in unison with hers. They’ll do everything together until they get wherever Sonia wanted them to go, and even past that too, no doubt about that. They’ll survive together, run from the Juveys together, and yes, even breathe together in the underbelly of a massive shipping cruiser, curled away like rats in a cellar. Well, Connor’s already a pest in the eyes of the Collective. He might as well sink his jaws into the brightest parts of life around him while he’s at it.

So he sits perfectly still, careful not to so much as topple a stack of tools lest they somehow be heard over the distant clanging of the superspeed engine and the roaring of the ship around him, and he waits for their destiny to ship them off to somewhere farther beyond the stars. There are no windows in this glorified storage closet, so Connor can’t see where they’re going nor how far they’ve already come. 

He swears he should be able to feel it in his bones when he officially crosses the boundary dividing the OH-10 star system from empty, nameless connective space, but instead they just keep going, paying no mind to the total terror that is leaving one’s home for the first time. The next time Connor looks up at the sun, it won’t be his. There might even be more than one. The stars will no longer be the ones that shone down on him, not in the same order, not the same way. Connor is away without leave in every sense of the word. Homeless, groundsless, purposeless. All he has is the infinity of stars somewhere around him.

Risa wakes at some point; Connor has no way of telling when. She comes to gradually, wrinkling first her brow and then her fingers, moving the digits together in her lap. Risa straightens up from where she’d started to slouch against Connor’s shoulder, both of them pointedly not bringing up the fact that her face had been so close to his, and to cover up for the mistake she asks, voice still groggy, “How long was I out?”

“No idea,” Connor answers truthfully. There’s no way of sensing anything here. Hours could have passed or mere minutes. They just keep going.

She frowns. “Still too long, though.”

Connor lifts a shoulder. “What else would we do?” He’s careful to keep his voice quiet, just in case.

Risa follows suit, her eyes flicking around the empty space before she continues in a whisper. “Do you really think there will be someone waiting for us?”

“Other than Juvey-cops, you mean?” Connor asks, then sighs. “Who knows? I’d like to think so. Sonia seemed like she had her stuff together. If she wanted to turn us in, she would have let Lev do it while we were at the boundary checkpoint. Would’ve been much more efficient for both of them.”

He’s unable to hide a slight snarl in his voice when he mentions Lev. Sure, he’d kind of kidnapped the kid, but he’d only stolen him from an early death. It’s not like his family was taking him on a fun vacation or something, unless you count the wild sendoff to a surgeon’s knife as an exciting thrill ride. Lev should be grateful for his second chance at life; Connor had to fight for his, and he gave it to Lev free of charge, yet the little bugbait ran off and sold him out, too. 

Next to him, Risa arches a brow, evidently able to tell where his mind is headed. “Still mad at our favorite runaway tithe?”

“How could I not be?” Connor protests. “He stabbed us in the back.”

“After we kidnapped him,” Risa muses, and at Connor’s wordless but energetic protests she rolls her eyes and admits, “Yeah, I’m mad too, obviously, but you’ve got to think about it from his end. He’s probably been trained to accept this all his life. Just when he’s about to fulfill his divine destiny or whatever, we swoop in on a stolen cruiser and don’t even give him a chance to say his goodbyes. He’s just doing what he thinks is right.”

This saps some of Connor’s anger from him. At least when he ran away, it had been on his own terms. He’d decided what night to leave, and he’d treated his parents accordingly. He might not have been stupid enough to say goodbye outright, but he could still let that shape what conversations he had with them. Lev may have been ready to die, but he might not have been ready to let go quite yet.

“D’you think he’s already in a harvest colony somewhere?” Connor asks after a pause. “Last time I saw him, he was raring to go under the knife, but I can’t help but wonder…”

He lets his voice trail off, not sure what he’s wondering at all anymore. It’s easier not to ask questions about what happens to fiery tithes after they sentence themselves to death. Same way no one at home will ever talk about him again unless they physically have to. Thinking about someone who has seen you before, someone who remembers your name and spoke to you, having those same eyes and vocal chords ripped away on a remote lunar outpost is too disturbing to consider.

Risa gets what he’s trying to say, though. “If he changed his mind or something? If he did, Sonia could have found him. Maybe we’ll see him wherever we’re going.”

“Yeah,” Connor says, not entirely convinced, “Maybe we will.”

He’s not entirely sure that he believes it, but it’s a better thought than most, so Connor lets himself accept it for now. The two of them drift into a silence that’s slightly more paranoid than companionable, letting the roaring of the ship around them do the talking for them.

Some time later, the ship touches down. His hands are clenched into fists the entire time, terrified of a bad landing doing them in. However, they’re still alive when the dust clears, so Connor counts that as a win. After so long stuck inside the noisy, clanging behemoth, it’s strange to carefully climb out of it in complete silence. The absence of sound makes him uneasy, and causes him to be extra aware of the quiet shuffle of their footsteps as they head away from the shipping hauler.

Once they’re a safe distance away, Connor gestures for Risa to follow him into a darker, quieter hallway. “What do we do now?” He asks.

Risa shrugs. “Try to find that man Sonia told us about, I guess. What did she say his name was? Cleaver?”

Connor can’t help a wry smile. “That totally sounds like the kind of guy I want to see right now.”

Risa nods solemnly. “All the most trustworthy people go by Cleaver, I’m sure. Any idea of how we’ll find him?”

Connor shakes his head. “No clue. Do you think we should have stayed on the ship? Maybe he was supposed to come to us first.”

Risa tosses a nervous glance over her shoulder towards the ship, which is now swarmed with workers anxious to unpack the cargo. “If we stayed, we would have gotten caught. I think our best bet is to lay low and see if we see anyone else hanging around.”

It’s not like they have any other options, so Connor nods his agreement and they do their best to blend into the shadows of the corridor. The area is busy with disembarking passengers and ground control all bustling around. A few times, they have to duck into a closet to avoid overeager sec-officers patrolling the area, but everyone stays moving long enough for them to come back out soon enough.

The flow of workers starts to slow, but no one’s found them yet. Connor can’t be sure if that’s a good thing or not. Even if Cleaver doesn’t show, they’re still out of OH-10. It’ll be tricky to make their way out of here and find a regular source of food and shelter without a single grounds license between them, but they’d surely figure something out.

He’s about to suggest to Risa that they start to make their way out of the spaceport when she gently nudges him with her elbow, her eyes on something behind him. “This guy’s been staring at us for a while.”

Connor casually fakes a cough, using the motion of twisting and covering his mouth to glance behind him. Sure enough, there’s some guy in dark clothes loitering down the hall. A datapad is open in front of him, but the guy’s not doing much more than that to keep up the pretense of work. Instead, he’s eyeing Connor and Risa with an expression almost akin to hunger.

“Let’s get moving,” Connor suggests.

“What if it’s our guy?” Risa asks.

Connor gives her a sarcastic look. “Do you really want to go up to that guy and ask if he’s looking for two groundsless who look like us?”

Risa winces. “Good point.”

They turn and head down the corridor. The guy watches them go, and starts to follow a few paces behind them. Connor starts to pick up his pace, but the man just speeds up accordingly. They take a few random lefts and rights to shake their stalker only to find themselves at a dead end. Connor meets Risa’s wide eyes, and slowly turns back around to face the man who’s been following them. He shifts forward a little to step in front of Risa, but the guy doesn’t strike. Not yet.

Instead, he glances one last time at the open datapad before eyeing Connor. “You two are Sonia’s latest kids?”

Connor swallows hard. “How about you tell me who you are first?”

The guy stares at him as if Connor has just asked the most useless question in the world, then sighs. “I’m Cleaver. Sonia sent me, obviously.”

“It’s not obvious,” Risa remarks from behind Connor’s left elbow, “You’re a stranger. We have no idea of knowing who you are at all.”

Cleaver shrugs one muscular shoulder. “Can’t argue with that. Now come on, we need to get moving before someone else notices you. The two of you stand out like a sore thumb.”

Connor and Risa frown at each other. Connor had thought they’d done a pretty good job of hiding, but apparently not. Cleaver gives them one more look of vague disgust before turning and walking back down the corridor with long, purposeful strides. He’s moving fast enough to make it clear that he doesn’t want to talk to either of them, but Connor has more questions and he’ll be damned if they don’t get answered. 

Hurrying to catch up, Connor presses on as they round a corner and head down a long hallway lined with doors to other sectors of the spaceport. “Is that how you knew it was us? We were too obvious?”

Cleaver grunts in reply. It takes Connor intentionally matching his strides for half the length of the hallway before the man finally caves and answers him. “That was hard to ignore. Other stuff too, though.”

Paranoid, Connor glances back behind them, but anyone passing through is too intent on their own destination to pay much attention to the three of them. “What else?”

A snide side glance from Cleaver; Connor returns his stare as intensely as he can while still speed walking down the hall at a breakneck pace. They make a few quick turns and Connor is forced to break his gaze so he doesn’t head directly into a wall. 

When he looks back, Cleaver is facing ahead again, but this time he condescends to explain himself. “You two did look mighty suspicious, but I was helped by this.”

Cleaver tilts his datapad so Connor can see the image on the holoscreen. Immediately, he tenses up. Emblazoned in big, bold letters beneath a picture of him are the words WANTED: CONNOR LASSITER, ESCAPED GROUNDSLESS. TREAT WITH CAUTION. There’s another image right below it, a photo of Risa with a similar caption. 

Connor wants to throw up. “When were these released?”

“About twenty-four standard hours ago,” is Cleaver’s guttural reply. 

Connor blows out a low breath. So his parents had noticed his absence about the next morning, which makes sense, and the state home would have seen that Risa was gone when they checked the kids in the shuttle. 

She’s told him by now of her escape attempt, and he’s got to admire her guts for pulling a stunt like that. Sneaking off the shuttle that was supposed to take her to a harvest colony after everyone on board nearly all died from the meteor shower? Crazy stuff. Connor’s down with crazy, though, so long as it keeps both of them alive. They’re a package deal by now. Can’t split them up, no one without the other. Like the twin braces of Connor’s ribs inside his chest, that’s them; no breaking them up until the end. Till death do us part.

Connor shoves his hands into his pockets to stop them from shaking. “So that’s how you knew it was us? You searched up our wanted posters?”

Cleaver blows out a breath, and Connor swears he almost looks impressed. “Not for you, actually. I’d already heard of you even before Sonia said she’d managed to send you on my way.”

Connor frowns. “How’d you manage that? Do you monitor every AWOL out of Sonia’s star system?”

Cleaver guides them down a narrow hall out of the main thoroughfare. It seems as if they’re headed towards a smaller hangar bay, probably where Cleaver keeps his ship. It would explain why Cleaver feels confident enough to stop lowering his voice when he tells Connor, “I didn’t have to look you up. The two of you are already famous.”

Risa has joined them by now; Cleaver’s relentless pace slowed when they left the central sector of the spaceport. She eyes the man cautiously. “What do you mean, we’re famous?”

Cleaver opens his mouth to answer, but another, younger, brasher voice beats him to it. “He means that you two made quite a name for yourselves when you shot a Juvey-cop and stole his ship.” 

Connor looks past Cleaver to see a tall, muscular boy looming out of the darkness of the poorly lit corridor. His grin is sharp, and his teeth flash like fangs when he says, “Or, just Connor, I should say. He’s the one who did it.”

Cleaver huffs out a frustrated breath. “Roland, I told you to stay on the ship.”

The boy– Roland– doesn’t seem to care what Cleaver thinks he should or shouldn’t do. “I got bored. No one’s here, anyway. If they did, I’d shut ‘em up, no worries.”

Ah, Connor thinks. So he’s setting himself up as a threat. Classic move. Whenever new kids impede on your territory, you’ve got to decide whether they’ll be friends or foes. How lucky that Roland has already made that decision for him. Now he knows for certain that the only ones he can trust are Risa and maybe Cleaver. Roland will ‘shut him up’ just like anyone else to cross his path.

Connor’s met boys like Roland before, enough of them to already have a plan of how to handle him. Step one is not to give up or show a sign of hesitation. Step two is to get into a fight, but judging by Roland’s cocky stature and impressive physique, that might not be one he’d win.

Step one’s good for now, though. Connor squares his shoulders and looks Roland dead in the eyes. “I’m glad you’ve heard of me. It’s always nice to meet a fan.”

Roland scoffs. “Don’t take it personally. The story’s better than the real deal anyway. They failed to mention that you’d be this short face to face.”

Connor rolls his eyes, making Roland flash him another saber-toothed grin. Clearly eager to get back to his ship, Cleaver urges them both onwards. Roland stalks back into the dim lighting, giving Connor a good look as what he had thought was just a shadow on the boy’s right arm manifests itself as a tattoo of a shark. Suns, everything about this guy just gets better and better.

Roland leads the way back to Cleaver’s ship with obvious familiarity, making Connor wonder how long he’s been stuck here, waiting to move on. Cleaver checks for unwanted guests around his ship, and unlocks it once he’s sure the coast is clear. This starship is more haphazard even than the Juvey-cop’s shuttle; it looks completely patched together and it’s even missing an entry ramp, so they have to awkwardly climb up into the thing. 

Roland acts the proper gentleman by offering Risa his hand so she has an easier time getting up, but judging by the way he doesn’t let go of her immediately afterwards, he’s not just doing it out of the pure kindness of his heart. Connor approaches the ship next, leading Roland to sneer in his face that he won’t be helping him up. Connor says something snappy and stupid in return, then climbs up, Roland right after him. Cleaver goes last, and walls them up inside after checking around one last time.

After that, they’re all left standing uncomfortably in the belly of the ship. Cleaver claps his hands together suddenly, making Connor and Risa jump. “Alright, then,” he says, “We’ll take off tonight, and probably make it over bright and early next morning. Give me a few hours to get everything in order and we can leave this junkyard behind.”

Roland’s face twists. “We’re not waiting for anyone else? I’ve been here for a fuckin’ week and the second these two show up, we drop everything and go?”

Cleaver, to his credit, doesn’t bat an eye at Roland’s protests. “As you so helpfully pointed out earlier, Connor and Risa are far more recognizable than you are. I can’t take the risk of someone stumbling across the ship and finding the Akron AWOL.”

Connor has no idea what that nickname means, but he can only assume it refers to him. Roland looks like he wants to argue, but Connor interjects so Cleaver can head to the cockpit and get travel preparations started. “It’s the fame, Roland. You have to understand. It’s exhausting having this sort of legacy, but–”

Roland cuts him off with a sound bordering on a snarl. “Watch it, starspawn. I don’t take kindly to upstarts running their mouths. That’s not how it goes around here.”

Connor wants to argue with this, but Risa lays a hand on his shoulder and says, “I think we’d all like to minimize fights, if possible.” 

Roland folds his arms across his chest, daring Connor to contradict this. Risa looks at Connor accusingly, and– sunfire– they are on the same side, so he’s not going to undermine her by starting something, even if he really, really wants to. “I agree,” he says simply, and walks past Roland to the dingy common area in the center of the ship. There are maybe four chairs, one of them broken, but it’s good enough for now.

Risa follows him. “Excellent temper control,” she says, one eyebrow quirked up.

Connor sighs. “Don’t you start, too.”

“I’m not,” she replies, hands raised in mock surrender. “I just want you to remember that Roland is not the biggest of our worries right now.”

Connor looks past her to where Roland still lingers near the starship’s entrance. They’re far enough away that Roland can’t hear them, but the older boy still glances towards Connor as if he can sense the topic of conversation. Roland grins predatorily, and Connor’s eyes are again dragged towards the shark tattoo on his right arm. 

Getting tattoos is rebellious, especially in the age of distribution. Either you’re confident enough that you won’t get distributed that you don’t mind damaging the goods, i.e. your own skin, or you know for a fact that you will be so you want to make sure that whoever gets your bits and pieces will be unable to ignore the source. No matter where they go, they’ll see your ink and they’ll be reminded of what they did to you. It’s like taking a stand, you refuse to protect your body such that someone else could use it. The way Roland acts, though, makes Connor think that it’s not just a promise that he’ll destroy himself, but anyone around him as well. He would drag them all down with him if he got the chance.

“No,” Connor muses, “but he’s certainly not something to forget about.”

They end up sitting around for what must be a couple of standard hours before Cleaver remembers that he was supposed to be leaving and they finally take off. In that time, Connor sits down for a while, stands up, sits again, walks around the ship a few times, peers at the cockpit instrument panel before Cleaver chases him out, and pokes around in a few crates. Risa stares at the wall. Roland stands with his hands on his hips, looking out the window as if daring anyone to come near. Every now and then, he cracks his knuckles menacingly, but only when he’s certain that Connor is nearby.

At last, when Cleaver comes out of the cockpit and announces that they’re on the move, Connor thinks they’ll finally have something to do. Maybe he can ask him for some flying lessons, or better yet, learn something about their mysterious destination.

Cleaver immediately shuts down the flying tutorial idea, not that Connor was really expecting that to go anywhere, but he is a little more forthcoming about where they’re headed. Apparently, one of the Collective’s higher-level officers recently developed a conscience and couldn’t live with his guilt about all of the kids getting distributed. He borrowed a massive cruiser and has been using it to house any groundsless he or his associates come across.

It sounds like a fairytale to Connor. Can’t be real. Of course there’s just, like, a massive star cruiser full of Unwinds orbiting some moon somewhere, because that’s the most realistic option here. When Connor looks at Cleaver to wait for him to start laughing at how gullible they are, though, the release never comes. Cleaver stays cold and stalwart, and at last Connor realizes that stars above, it’s real. It’s real, and they’re going directly to it.

Connor leans back on his heels, shaking his head slowly. “That’s crazy.”

“It is,” Cleaver says impassively, “And crazier still is how protective we have to be. No one can know about it. No one can leave unless they turn eighteen. It’s our best kept secret. That’s why you three are going to be traveling a little less comfortably than you’d like.”

Connor freezes. Even Roland looks uneasy. “What does that mean?” Risa asks slowly.

Cleaver meets all of their eyes in turn. “We can’t afford for any of you to get picked up on scanners while we travel between star systems, nor are any of you allowed to see where we’re going. This ship was jerry-rigged as an illegal transport vessel a long time ago. There are storage compartments in the walls that don’t let scanner beams through. You’ll be hiding in those until we dock.”

Connor stares at the walls around them. They don’t seem all that thick, even by junker starship standards. There must be hardly any space for them at all. 

“It won’t be pleasant,” Cleaver says in agreement with Connor’s unspoken thoughts, “But I think you’ll find distribution far less appetizing. Unless you’d like me to let you off at the nearest harvest colony, of course. That would save us time and trouble.”

It’s an unnecessary threat, but it gets the point across. Cleaver walks over to the wall and begins to methodically unlock and pull away sections of the metal surface. Sure enough, he reveals storage compartments curving down the hall. They’re extremely shallow and not too tall, either. It’ll be like a coffin in there. In escaping death, Connor has seemingly sentenced himself to an early grave.

Cleaver extends a hand towards the hollows. “Well, take your pick. Time’s a wastin’.”

They all stand there for a moment, unable to move, and then Roland goes first, making an exaggerated show of scoffing like he couldn’t care less about how he makes the trip. Connor sees his eyes just before Cleaver closes the wall back over him, though. He knows Roland is just as terrified as they all are.

Two empty areas await, looming like eye sockets in the smooth metal wall. Risa climbs into one cavity, but when Connor moves to get into the next one over, she reaches out and grabs his hand. He looks over at her, and sees Roland’s horror reflected in her gaze. Which is worse, to have even less space than before or to go through this trial alone?

He climbs in after her. There’s just enough room for them to stand side by side, backs pressed up against the metal wall. Cleaver looms up before them, silhouetted by the light of the corridor outside. Strangely, Connor feels as if he’s on the other side of an airlock, about to be shut out into space, and then the metal casing slams down and they’re locked inside.

Immediately, Connor feels as if he cannot breathe. He’s never counted himself as claustrophobic before, but he’s never been locked inside a narrow storage compartment before, either. The darkness is overwhelming; Connor swears it presses against his skin like water. He thinks he might drown in it, and takes deep breaths to compensate. He never gets enough air, though. His lungs are never full.

He tries again, gasping for more, but it’s not enough. The blackness around him seems to get closer, and Connor is a few seconds from fully freaking out until he feels a tapping on his right arm. It comes again, a moment later– tap tap, two motions against his forearm. It’s Risa, reminding him that he’s not alone in this endless darkness. She’s here with him. They’re going to be alright, because they have each other, that’s all they’ve ever had, and if they managed to survive everything else, surely they can live through this, too.

Connor feels his heart rate start to slow down. He reaches his right hand to tap twice against her left arm, returning the message. A couple of minutes later, when Connor can feel her starting to shuffle around too much, she taps twice, and he does the same, like a prolonged heartbeat stretching between the both of them. Eventually, they both calm down enough that the beats have more and more time between repetitions, and then they stop entirely.

Connor focuses on his breathing, on not thinking about anything. He closes his eyes, even though it doesn’t entirely matter, just because having his eyes open to the stuffy blackness makes him feel even more uncomfortable than before. His knees start to cramp, but he can’t straighten them, so he just tries to think about something, anything else. 

He moves the fingers of his left hand one by one. He curls his toes inside his shoes. He listens to the soft rise and fall of Risa’s breathing somewhere to his right. Connor leans a little closer to her, just to be sure that she’s still there and hasn’t somehow been ripped apart from him. He’d never known unless she shouted; it’s too dark in here, and his eyes refuse to adjust. He would have no idea at all that she was gone if he ever let go, and so he won’t.

There’s a scratching sound on the metal somewhere above and to the side. Connor wonders if it’s Roland, trying to carve his way through the barriers of his storage compartment into theirs. He shivers, and Risa, evidently having heard the same thing, presses closer to him. The sound carries on for some time before falling off in disappointment. They won’t be reached by anyone, shark or boy or Juvey-cop. Nothing can touch them.

Neither of them pull away, though, and Connor doesn’t want to. He’s only aware of one sensation anymore, and that is the crescents of his skin pressed against her. They are here in this unmarked grave, somewhere in the vast expanses of space, and when they come out of this, they will be safe. They will be whole. Someone out there is looking for them, waiting for them to arrive, and then none of this will ever happen again.

And if they die here, let the worlds find their brittle bones together, hand in hand, spine against spine. Let them never be separated again, even in death. When their blood congeals, when their muscles atrophy, let all that dust of what was once flesh and bone intermix until no one can tell the difference between the two. Let Connor and Risa, Risa and Connor, never, ever end.

Connor learns to sense the passage of time by the alternating rumbles of the starship’s engines. Twice, Connor thinks Cleaver docks the ship, and twice he gets his hopes up only for the ship to start up again without ever letting them go. Cleaver had passed out food and drink rations before forcing them into the storage compartments along the walls, so he’s not immediately hungry or thirsty, but he has no idea how long they can keep this up. When he starts thinking too much about it, he taps his right hand twice, and waits until Risa taps twice back. Only then can he force himself to relax and move on to other, braver topics.

He compels his mind to stay busy. Mentally, Connor runs through every flight tip he’s ever heard. He thinks through the routes he would walk or bike to school, how he’d return from his destination. He used to sneak over to his friend’s houses all the time, and in his mind Connor imagines that he’s back there again, hopping fences or running low down the road so cars couldn’t spot him. He goes to his friends’ houses and he completes the trip back, but he always stops his mental picture just before he turns down his driveway. Home is not a place Connor can return to, even in the illusion of his own head.

More, a desperate need for more; Connor thinks of homework assignments he procrastinated, TV shows he’d binged. Every girl he’d ever met. Every boy he’d ever fought. There was this one field trip when he was a kid where everyone in his class got to go to a science museum across town; they’d shown up in one big, writhing mass and immediately been shepherded from exhibit to exhibit by exasperated teachers. He had been small then, barely able to tie his shoes, and when they passed dioramas of monstrous animals with huge jaws, Connor had hidden his face in his hands. One had been a tiger shark.

There’s a clamor outside the metal wall of their storage compartment. Lost in memories, Connor thinks it’s his dad working on the junker of a car they’d found abandoned on the side of the road one day. The engine had needed some work, it hardly even ran on substellar batteries, let alone a normal fuel like power cells. 

Still, they’d worked on that thing day and night. He can still remember his dad looking at him proudly the first time they took it on a trip across the neighborhood; Connor can’t imagine why his dad would let him die when he was so happy that day, they both were, but maybe he just hadn’t done a good enough job on it, maybe that was why his dad had been okay letting him go.

The clanging persists. Connor opens his mouth to tell his dad to stop it, he’ll be out in a minute, but then the door of the storage compartment rips open, letting in blinding waves of light, and Connor remembers. He remembers where he is– not at home, not heading out to the garage, but on a run down starship somewhere in the vast expanse of the galaxy.

Cleaver is peering down at him. “You two haven’t died in there yet, have you?”

“No, unfortunately,” Connor grumbles out through chapped lips and a dry tongue.

Cleaver grunts in sympathy. “You look it, though.” 

He helps both of them out, then hands them each a water ration. Roland is already idling somewhere in the back, and although his back is tall and straight, he’s got this look in his eyes that even the best of his bravado can’t hide. None of them will forget what it took to get here. In a way, Connor thinks that was done on purpose. You can’t run a secret safe haven if the kids inside believe they can just leave without a care. This sort of terrible journey teaches them the price of their safety.

Cleaver nods, as if sensing that Connor finally gets it. “Well, you survived,” he says matter-of-factly. “Welcome to the Graveyard.”

unwind tag list: @schroedingers-kater, @locke-writes, @sirofreak

all tags list: @wordsarelife

[vicciouxs]

1, 2, and 6 for carmila 😋 4 and 16 for an oc of your choice <3

AAA THANK U SM ILY, I'm so glad you ask about Carmila 😭😭💐

1. — THEIR PHYSICAL WEAK SPOTS

Carmila made a deal with pandora ( without knowing it ) and gained the power of the spider demon; but since it is a contract the transformation is not complete, like pandora who literally turns into a big spider with the body of a woman. Therefore Carmila's weak point is her back, where a kind of spider legs come from.

2. — THEIR EMOTIONAL/MORAL WEAK SPOTS

Her weak point is definitely her son, Kilian, because he represents everything that Carmila most hates and despises. Carmila came from a poor background and was forced to marry an older man ( rather they sold her to that man ) who subjected her to a long and unbearable torture where Carmila completely lost her mind. That's how she ended up praying to God for help, but she was met with Pandora's hand, who did not promise help but revenge, and the power to kill her tormentor. However, Carmila gave birth to that man's son, a beautiful boy, but who looked like him, as if his soul had been reincarnated to continue torturing her. So that's why she hates him and even tried to kill her own son.

6. — THEIR VICES (PHYSICAL OR EMOTIONAL)

More than a vice is a necessity, but Carmila enjoys it. Having demon blood in his veins, the only food that serves her is human flesh itself. At first she refused to do it and it even distressed her. But then, when she managed to kill her husband and eat him, while he was still conscious, she felt a pleasure and a release she never thought she could feel. So in the end it ended up becoming more of a vice than a necessity

most of my characters repel sexual relations, and that someone touch them in general, so I'm going to answer 4 with Knox and Seth and 16 for Zephyra <3

4. — BEST PLACES TO KISS ON THEIR BODY

In one hand, Knox feels that kissing is something quite personal, more than sex, so he usually doesn't let them do it and even warns it before having a relationship with someone; but if at some point someone manages to win his heart, Knox loves kisses on the back of the neck and the shoulders. He also likes subtle kisses on the neck and chin. Those are his favourites, but he actually likes any kind of kiss. He is very sensitive in terms of feelings, but his body it's very sensitive too.

On the other hand, Seth is more risky and shameless, so any slightly risqué or savage kiss it's enough for him. He especially likes kisses on his abdomen and chest, more if it leaves a mark, and also likes de neck ones sometimes even on the thighs. The more you experiment the more he likes it.

16. — DARK SECRETS/ 'SKELETONS IN THE CLOSET'

Zephyra's mother was taken from Russia with the promise of a better life; however she was delivered like a prostitute. That's why Zephyra grew up in a brothel, surrounded by horrible and despicable people, without the possibility of even being able to study. Zephyra's mother did everything she could to save her and keep her as far away as possible from all that; but not everything 'beautiful' lasts forever, so one day, the boss of the brothel against Kristina's cries and pleas ( Zephyra's mother ) sold Zephyra at auction to a depraved and disgusting millionaire. That's when Zeph first felt like she was going to die and she had no choice but to kill the man by hitting him again and again with a trophy. To this day the ghost of that man sometimes appears to Zephyra driving her crazy, and makes her rethink if she should confess the crime, since she escaped without a trace.