#since you are watching it live now

[moeblob]

North and Simon: (shaking hands on killing Simon potentially)

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[void-chara]

what do you mean princezam asked what polyamorous is, bacon relied saying "you know, like eclipse federation", and zam said "thats a polygamy. [...] are they the same thing?" this explained things to him??? he didnt know what polyamory was and bacon comparing it to eclipse federation explained to him?? also. "thats a polygamy" implying eclipse federation was married??????? because thats How that works. polyamory is about approach to relationships and polygamy is Marriage Specifically. they were definitely divorced, but divorce is a state of mind and does not necessitate marriage. they were married?? wow awesome. thanks for the info princezam !

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[einaudis]

ALL OF US STRANGERS (2023) dir. ANDREW HAIGH

[irregularbillcipher]

the "paul is richie's uncle" headcanon is really cute but i really love it in tandem with the idea that ted is surprisingly involved in his little brother's life while paul is more just vaguely fond of his nephew, but doesn't really know all that much about his friends or his day-to-day life

like, the idea of ted knowing all his geeky little brother's friends really well, like letting them chill in his apartment every now and then to watch movies or driving them home when they have their stupid library study sessions or whatever is already pretty fun, just the idea that the Local Bastard has accidentally and begrudgingly been saddled with these two loser highschoolers because they're his little brother's dweebus friends that he doesn't want to admit he has a soft spot for, but it's made doubly funny if paul just has no idea that his nephew's best friend is the little brother of the Worst Guy In His Office. ted comes over to paul's desk one day with a stack of dog-eared manga like "pete forgot to take these this morning, so you give 'em back to richie for me, okay? also, ruth's right, stein and spirit are definitely fucking and i want him to stop fighting with her about it when i pick 'em up from the library" and paul is just like. okay. i have several questions about this.

[unsurebazookacore]

hot take, mike and el arent in love, because they are fourteen

well i guess mike is fifteen but still like as someone who has been fourteen/fifteen

GUESS WHO I WAS NOT DATING:

A. THE LOVE OF MY LIFE

B. MY FUTURE SIGNIFICANT OTHER

C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT

D. ALL OF THE ABOVE (the answer is D by the way)

LIKE Y'ALL THEY ARE FOURTEEN

THEY MET WHEN THEY WERE TWELVE

"I knew right then and there in that moment that I loved you" MY ASS

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[hopeinthebox]

tagged by the exceptional @cordiallyfuturedwight and @cosmicdreamgrl thanks ever so much my loves <33

now tagging some heroes @aprylynn @thvinyl @visionsofgideontheninth @hoseeok @btscontentenjoyer @jihopesjoint @monismochi @raplinenthusiasts <333 and everyone else

[trashcanwithsprinkles]

Ive seenyou mention wuxia a few times now and i wonder what that is. Would you mind explaining it to me?

not the most qualified person to explain this as i'm not, in fact, from china; but i've read a couple of wuxia so here goes:

wuxia is a genre of fiction from china specifically, about martial artists in ancient china. i don't think a specific time period is like required? obviously some dynasties are more popular but idk how it goes in that front. it just has to be Not Today and probably Too Long Ago. like pre industral revolution i think. again idk if that's a requirement, but most i've seen are from around the same relative murky pre-electricity era.

xianxia is a subgenre of wuxia that's specifically more fantasy-like, and it's not just martial arts, but also spiritual powers and cultivation (which i have no fucking clue how to explain without two hours and three tangents other than chinese magic system. if you've ever heard of chi/qi as an energy, it appears there). so like- genshin is by all accounts a xianxia, it just doesn't use the more common specific xianxia terms like cultivation. some of those are very weird to translate and probably not common for the average non-wuxia reader, so it makes sense why they're going for alternatives.

chongyun and xingqiu and xianyun are very much straight out of a xianxia. xianyun's entire story quest was the closest genshin has gotten to a straight xianxia plot so far. i highly reccomend ashikai's video on unnecessary visions if you want more info on why genshin is a xianxia hahah

cyanide narwhal has some talk of some stuff from xianxia, but that's mostly because well- fucking liyue, that's how it works there. the whole light energy striking down someone who's getting powerful and giving them godhood if they survive the strike is, while not exactly like that, something that happens in some xianxia as well. like the way adepti work in general is just very xianxia. ashikai does a much better job explaining it than i do tbh but yeah

TL;DR: wuxia is chinese martial arts fiction in ancient china, and xianxia is a wuxia subgenre with more magic elements. also genshin is a xianxia

[cosmik-homo]

i KNOW blakes 7 does not mean what it Says about vila and kleptomania seriously, which is precisely why i must take it as such. makin your funny neurotic guy actually neurotic 👍

[hauntingblue]

Oh now the villagers know..... and arlong burned the town to punish her..... for some reason

[s0fter-sin]

when midoriya punches the zero pointer at the entrance exam, all might says “show who you are, embody what it means to be a true hero, nothing is nobler than self sacrifice” do you think aizawa heard kill bill sirens

[soup-is-here]

Mouthwashing Spoilers

TW: Addiction and Self Harm

I wanna go on about Swansea's final monologue but it's hard to put into words, but I'm gonna try anyways cause it's a short, but strong story about autonomy again. This post ended up significantly longer than I wanted though

It's the autonomy to choose the "less healthy" option because it's appealing to you. It's the moral assignment to normality and stability. An alcoholic is an alcoholic by choice, technically, but do they owe us otherwise? Is it morally reprehensible to enjoy taking LSD at a party? Should we see someone as less than because they relax with a xanax instead of a hot shower? It's not healthy. We know that. We've seen anti-drug ad after ad after ad. But is that the part that's morally wrong, in and of itself? Does enjoying the drugs and chaos make Swansea a worse person?

Like him talking about his entire life and ending it by saying between the "stable" "normal" life and him waking up every morning with a new hangover, he preferred the latter. People always talk about getting clean and fixing their lives and Swansea did it! He did the thing "good men" do! A wife and kids and a trade job and sobriety! He was doing it! He was finally "worth" something!

And he hated it! I mean I don't know if he actually hated/despised it, but he misses his previous life. He misses drugs and partying and living like you might not wake up the next day. He said the thing that changed him was seeing himself dead in a ditch under the bright beam of a streetlight. Now he's looking down the barrel of a gun. And as he looks down it, he looks back. That was his preference. It felt good to be like that. And he wouldn't be here if he stayed there

We always have a narrative about drugs or gambling or sleeping around where a person suddenly realizes that they aren't "doing anything" with their life and becomes stable and it's always played like addiction is a false pleasure. Swansea got to the stability people said would be the real pleasure of life and that just wasn't true for him. One bad paycheck could've been the difference between his stable life and falling apart anyways. His lifestyle was going to kill him someday apparently, yet he's staring down the barrel of a gun at his steady trade job to feed his wife and kids.

I don't know quite how to word it but Swansea is the poster child for rehabilitation. There's this weight to him saying his alcoholic period was the best time of his life. Like it just hits at that pang that makes people wear DARE shirts while smoking weed and post those videos of smoking 100 cigarettes at once. Anti-vaping ads tell you about the damage they do to your body but everyone knows that already. Everyone knows "this is what your brain looks like on drugs." I smoke medical marijuana and it isn't good for my lungs but it's good for my pain. Doing drugs isn't good for me and I know that and that's sorta the point sometimes.

I don't know it's just this weird pang where I know what Swansea means, just not to nearly the same extent. I don't have an addiction so I don't think I could fully understand it. Maybe a better thing I could relate it to for myself is self harm. It's not healthy sure, but who do I owe health? Myself? Other people? And what is healthy? Is it feeling better now? Is it resisting now and feeling worse for it until it stops? What if the coping skills I learn make it worse? What if they make it better? Do I want it to get better? Does Swansea want to get better? What would better feel like to either of us?

Who knows until you try. Swansea got a collared shirt, a mortgage, and a credit card. He got a job and a wife and kids. He got sober. He got healthier, depending on your definition.

But did he feel better? He's looking down a barrel of a gun and he has to decide if he feels better. It doesn't seem like he regrets his new life. He says he wants his kids to be better than him. He wants good things to happen for them. He saw himself as one bad slip away from falling again. I don't think he felt better though. I think he got healthier. He likely would've ended up in the ditch he dreamt about, but we don't know that. We also don't know if that's what he'd prefer. But, we do know he got healthier, depending on your definition.

[nerosdayinanime]

wait. random idea. Pathetic(blame candy) muzan & kokushibo are exes from Centuries ago and he has Complaints hed like to talk about w him but all hes getting to now is Nakime. hes so sick of his bullshit and just enduring it and goes to kagaya like 'i have to kill kibutsuji. ill help you kill him & the other upper moons just PLEASE im so sick of this shit. i need to kill him' 'well you arent killing me so ill give you the benefit of doubt-'

since they broke up he's hacked at the curse to the point he can snap it Whenever without muzan noticing, he finally did so & went to kagaya bc he can Feel shit's gonna pick up soon. he has his memories but he Ignores Them bc hes ashamed and kinda projecting it onto muzan. he has to kill muzan to kill his shame kinda fucked up coping mechanism yk?

the hashira try to kill him On Sight together but he calmly deflects everything while explaining hes working with them to kill kibutsuji. reluctant acceptance with the note from kagaya giving him a pass. most of them fully believe its a trap tho.

koku seeing tanjiro & his earrings and starting to approach, giyuu already has his blade lodged in his neck as a warning/threat & tanjiro staring at him in shock like 'HUH?? THE MAN FROM MY DREAMS?? HES A DEMON NOW? WAIT WHATS HE DOING HERE-'

[sparky-is-spiders]

More thinking about the Jonder (Jon Gender). I imagine Jon discovering it/its pronouns and just being Drawn to them. Jon meets somebody who goes by it/its and can’t stop thinking about it (pun intented) but can never work up the courage to admit it even to themselves so they use they/them in their head or with close friends (read: Georgie) and he/him everywhere else. By the time Jon is ready to use it/its for itself it’s already at the Magnus Institute, a place where they feel a constant need to come off as Professionally As Possible and nobody ELSE is using Neopronouns (for the same reasons as Jon, although it doesn’t know that) and is it even safe to be out as any shade of queer at all so it continues with business as usual pronoun-wise. And then it discovers that it’s turning into an eldritch inhuman monster and its gender feelings get 5000% more complicated.