#since its such an important part of him

[jewishautism]

Reminder that Franz Kafka was a jew and many of his writings are influenced by jewish themes. That's it. That's all I wanted to say

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[moeblob]

Anyway I'm still happy to have seen Hrid in FEH recently. Thank you for asking.

[empyreansentinel]

balex can hug exactly one (1) person in the universe but she chooses to roughhouse with him instead.

[heloflor]

Some info on how I view Cosmo and Wanda’s family lives, more specifically how they grew up and how the two of them meeting went, because again I’m obsessed with Cosmo being so powerful which brought some ideas for his upbringing and meeting with Wanda, which also brought some ideas for Wanda, and I didn’t want to clutter my baby fairies ban and magic abilities posts with it. So here is it now (6.5k words below):

TRIGGER WARNING: Talks of a character basically having depression for the Cosmo section with one sentence implying suicide idealization.

I’m going to start with Wanda since it’s much shorter.

First off, about her mom’s whereabouts, considering her dad is a mafia boss I’m going to go with her having been killed by one of Big Daddy’s enemies, likely when the girls were teenagers since Wanda complains about how their mom always liked Blonda more in “Blondas Have More Fun!” meaning they grew up with her, but at the same time I like the idea of her dying when her daughters are still pretty young (yeah very happy way to start a post, it gets worse in the Cosmo section).

Speaking of the mom liking Blonda more, I could see a situation of Big Daddy being closer to Wanda while his wife is closer to Blonda, though I don’t know if it’s just a question of the girls being more similar to the respective parent thus causing this closeness or if it’s one parent favoring a twin and the other parent deciding to favor the other one to “compensate”. And if it’s the second case, not sure which parent started it.

On that note I could see Wanda working for her father’s company before deciding to become a godparent, like for a while she didn’t know what to do with her life so she helped her dad. She didn’t do any mafia-related stuff tho, she was more of an employee/manager for his cleaning service. Big Daddy was supportive of her pursuing something she feels fits her more (fairies are immortal so it’s not like he needs to have a successor, granted there’s always the chance of him being assassinated).

Meanwhile Blonda doesn’t feel the same closeness to her father so she’d rather pursue her own goals, which I could see as related to their mom in some way. Like the mom probably wasn’t a star but might have been working within the show-business industry, and Blonda got an interest in acting from her and her career was launched through her mother’s connections. Oh and even if they’re not that close, Big Daddy is also supportive of Blonda’s dreams. Mafia or not, he loves his daughters.

More things that could be said about them, maybe after his wife’s passing Big Daddy became more protective of his daughters, thus leading to have some of his higher employees keep an eye on them during their late teens, which could explain Wanda being familiar with some of them in “Big Wanda”. At the same time though he might not want to involve his girls too much into his business so he might instead ask the guys to keep their distance in order to keep his daughters safe.

And speaking of men protecting women, I could see Big Daddy have a bit of a toxic view of what a man is supposed to be like, view that he gave to his daughters growing up hence why Wanda dated a macho guy like Juandissimo before realizing she just wasn’t as into him as she thought she would be.

Note that I don’t think Juandissimo was a toxic boyfriend or anything like that. Looking back at his episodes, he’s definitely very self-centered and dramatic which is probably why Wanda got tired of him, but he has a genuinely caring side (the whole thing with him going back to Remy in particular). He does need to get the goddamn hint post-breakup though. Just move on and go date Cupid my dude. He can match your dramatics.

Last thing about Juandissimo while I’m at it, in his debut episode he seems low-key scared of Cosmo during their first interaction (at least I don’t think he was acting), so I like to think that sometime after Cosmo and Wanda started dating, Juandissimo heard about it, challenged Cosmo to a duel or something, Cosmo at first didn’t want to bc he didn’t want to go to jail but Juandissimo was able to provoke him into it, Cosmo starts the duel holding back but eventually gets angry enough to let loose. Juandissimo has been afraid of him ever since, now fully aware of the raw power these noodle arms hold.

Giving one last headcanon for Wanda, since both her and Cosmo seem to know how to fight but I don’t particularly like the idea of fairy godparents undergoing military training during their studies; I’m more into Wanda mentioning “four years at the fairy academy” in “Abra-catastrophe”, meaning those are more “regular” studies. It’s especially funny when considering if you start at 18 you become a fully-fledged godparents at 22, which checks out with Peri if he aged at the same speed as humans.

(For those asking “Operation Birthday Takeback” has Cosmo mention Vicky hurting kids “since 2001” while one of the creators confirmed New Wish took place in 2024. Plus in “Abra-catastrophe” it’s been one year since Timmy had his fairies, and “Fairly Oddbaby” takes place three seasons later. So if Timmy got his fairies in 2001, Poof/Peri was born in 2002 meaning he’d be 22 in 2024, which would check out with him going to fairy academy for four years starting at 18, at least if that’s how the academy works. Though there’s also the possibility that 2001 is when Vicky first got hired by the Turners, meaning Timmy got his fairies in 2002 and Peri is actually 21, born in 2003.)

At the same time, we know Cosmo went to military school at some point which justifies his ability to fight. So for Wanda, I’m simply going with the idea of her father giving her some self-defense training, especially given his profession. Wouldn’t want to lose his daughters the same way he did his wife.

Not sure which would be the better fighter between Cosmo and Wanda though, since I could see Big Daddy take it pretty seriously (thinking of “Most Wanted Wish” and how good Wanda is at the competition; also funny to think about how her, Cosmo and Jorgen are the last three standing when again taking the idea of godparents not having mandatory military training, meaning those three were possibly the ones with the best self-defense training). Big Daddy could even teach her some backhanded/dirty tricks that would make her more unpredictable.

Meanwhile Cosmo is Cosmo and we know he struggles to focus sometimes, but at the same time he’d have gone through a lot more training in an environment made for it. Plus he’s op as hell. So I guess which one is stronger depends on the type of fight, more specifically on whether it relies on magic or wits.

Now moving onto the Cosmo stuff, and long story short since his birth things were a mess. From his destructive nature from birth, his terrible two, Anti-Cosmo’s birth and quick rise to power, all of which led to the baby ban. On top of that, as mentioned in my baby ban post I see Cosmo as the first op fairy in a very long time, meaning his strength was a complete surprise to everyone. And with how destructive his magic is, it wasn’t a good one.

All of this would be the main reason why Mama Cosma is so protective and overbearing. Between the destruction and the baby ban, she would constantly be criticized for giving birth to Cosmo (huge fan of T4T Coswan, which means the whole “male fairies carry the baby” isn’t actually true). Hell maybe the Fairy Council tried to take him away like Jorgen does to Poof in “Fairly Oddbaby”, which would make her even more protective.

The loss of her husband wouldn’t help either. Like I could definitely see their relationship as not being exactly healthy given the kind of person Mama Cosma is (imagine Papa Cosma as one of those parents who know their spouse is a piece of shit but they try to excuse this behavior, thus enabling it), but losing him would still be a shock, especially with two kids to raise, one of which is a walking apocalypse.

On that note the way I see it, when Papa Cosma was turned into a fly, his wife ended up more focused on getting the wand back than she was in making sure her husband was still in her sights. So by the time she got Cosmo under control, she had no idea where he was. And while there would definitely be a search party, and I’m not even sure if he’ll ever be considered dead or “just” missing, ultimately the man was never seen again.

But yeah all of this led Mama Cosma to become overprotective of Cosmo, which in turn led her to neglect Schnozmo who started acting out for attention, quickly becoming a thief. And since he still wasn’t getting anything from his mom, he kept doing it until it eventually led him onto the path to become a con artist.

Now I was wondering a bit about the age difference between the two brothers as I want them to grow under the same roof for the above-mentioned headcanon of Schnozmo being neglected, but also looking at the show Schnozmo doesn’t really have anything against Cosmo, so I could see him be mature enough to realize his mom’s the problem (granted the show takes place thousands of years later so they had more than enough time to talk things out). Also with fairies being immortal, who knows what the “usual” age difference between siblings is.

So ultimately I’m going with them being about 12-13 years apart, on top of adult fairies usually staying quite a while at their parents’ home since again they’re immortal. Like at minimum a fairy would spend the first 50 years of their life living with their parents, probably longer. Peri in New Wish is an exception due to growing up as the only child in a society of adults and feeling babied by everyone (Jorgen, who is literally his boss, calls him “Peri-Weri” in “Lost in Fairy World”, like his fucking boss is babying him). So he encouraged his parents to take their vacation soon after he became an adult and quickly got his own place as well, both in an attempt to prove himself as a responsible adult.

Going back on topic, the way I see it Cosmo and Schnozmo started off very shaky. First off due to their father’s death which I’m sure Schnozmo did not take well, and it probably took a long time for him to forgive his brother for it, that is if he ever forgave him (I could see him still hold that resentment, he just doesn’t voice it).

Then you have the usual “siblings mess with each other” shenanigans which he can’t really do since his brother doesn’t even need a wand to use his magic due to how powerful he is, so good luck messing with him. I could actually see some scenarios of older teen Schnozmo allowing Cosmo to come with him meet his friends (or Mama Cosma is like “take your brother with you I need a break!”) but only if he does cool stuff with his magic for them. It would probably usually not end well, tho not in an “almost destroyed Fairy World” kind of way thankfully.

Oh and it goes without saying that whenever the two of them argue or mess with each other, Mama Cosma sides with Cosmo, which would only make Schnozmo angry and resentful. In general Schnozmo and Mama Cosma would have a very bad relationship. Given how Mama Cosma is, Schnozmo was likely already closer to his dad, but once Cosmo got in the picture and Papa Cosma was gone, it became a mess. Like I could definitely see instances of Mama Cosma being tired and stressed from watching over a baby Cosmo and taking it out on her older son, constantly ignoring his problems and needs because “can’t you see how exhausted I am having to deal with your dysfunctional brother?!”

And who knows maybe she would have considered kicking him out at some point but decided against it to hide the fact her family’s been breaking apart (keeping up appearances in front of other fairies). On that note I do think Schnozmo would go no-contact with his mom once he moves out, only popping back up in her life if he needs something. Not sure how often she’d accept though.

Going back to the brothers, I think what would change Schnozmo's view would be Cosmo’s teenage years in which his struggles with his magic would become much more obvious, making Schnozmo realize how much of a mess his brother actually is and how much he cares for Cosmo deep down, not wanting to lose him. Now ultimately a lot of their adult relationship have to do with Schnozmo using Cosmo’s kindness and naivete against him, but even then I think he’ll come through if Cosmo needs him.

And speaking of Cosmo’s teen years, Cosmo did not have a good time at school, in any grade. The adults in his life (both in and out of school) either hate him for the destruction he causes + the baby ban or fear him for his powers. His classmates wouldn’t be better, mainly being cautious about him even if he didn’t do anything (their parents would warn them to be careful around him) or some fairies would bully him until he strikes back and then play the victim, getting Cosmo in trouble since “you’re the strongest here you need to be careful!”

His intelligence would also be something he’d get picked on for, with some adults really not helping by calling him a waste of potential, talking about how powerful he is and “how much of a shame it is that so much power was given to someone so stupid who can’t use it properly”.

On that note, I honestly think Cosmo has some sort of learning disability. I mean, in his own words in “Apartnership!” the first Mama Cosma episode, “I’m not smart. Big words confuse me. I have the attention span of a rodent.” and we do see him struggle on several occasions with not understanding words in the og show. Also in “Lost and Founder’s Day” from New Wish he struggles with the spelling of a word, and in “Operation Birthday Takeback” isn’t explicitly told what Dale is doing and figures it out like 30 seconds after Wanda and Peri, with Wanda even making a comment about it (while swooning which is very cute!).

So yeah, while I see him as a prodigy when it comes to using magic (in “This is Your Wish” we see him be able to do incredible things as a kid and he’s clearly doing them on purpose without breaking a sweat), he definitely has a learning disability when it comes to academic stuff, especially when it comes to words from the looks of it.

Tbh you could make a very strong case for Cosmo being neurodivergent, especially adding in the several instances of characters telling him to focus in the og show or just the fact his main issue with magic is the way he understand wishes or the things that come through his brain. Again, in “This is Your Wish” he knows exactly what he’s doing, his train of thought is just different than what’s expected on top of him not realizing the danger of the things he creates.

Also I can’t remember the episode but I saw a scene with him and Wanda talking followed by Wanda and Timmy, and while these two talk Cosmo is just staring off into the distance, completely immobile except for the usual “fairy hovering”, seemingly zoned out. And unlike other instances of him doing that I’m pretty sure it wasn’t a joke in that scene.

So yeah, this man’s probably neurodivergent hence him using his magic in an “unconventional” way, on top of having a learning disability that causes him to struggle with words and be slow to process some information if it’s not explicitly said to him. And when you have those struggles paired with the ability to bend reality to your will by accident, it’s hard.

Another thing about school which would be eerie for him is the fact that he’d start first grade in a school full of fairies, and by the end of middle-school there’s only a single grade left since he’s the last fairy born. So the last year of school he would walk through empty halls and classrooms, meeting teachers who constantly worry about finding new jobs what with the school clearly about to close. This would probably be something that he wouldn’t be picked up for but is still a constant reminder that he’s the reason fairies can’t have kids anymore.

By the way small word about ages but the way I see it the second youngest fairy before Cosmo would be between a week and a few months older (depend if the Fairy World population is in the thousands or the millions), so there are fairies around Cosmo’s age.

And since I’m at it I’ve seen screenshots from an episode showing him and Cupid being in high school together, and I also headcanon him and Wanda as having a bit of an age gap, for example Cosmo being 93 and Wanda 132 years old when they met, something along those lines. So in my headcanon Cosmo and Wanda didn’t go to school together but Cosmo and Cupid did. Also Wanda and Juandissimo were high-school sweethearts, meaning they’re around the same age (tbh I wouldn’t be surprised if the episode showing Cosmo and Cupid also had Wanda at their school but even if that’s the case I’m choosing to ignore it here).

Getting into Cosmo’s teen years, it was though. The bullying and feelings of inadequacy were starting to pile up, along with him fully realizing what “you accidentally killed your father, destroyed Fairy World and probably killed a few fairies doing so, and even though you were a baby at that time who had no idea what he was doing we still think it’s your fault we can’t have babies anymore” truly means. Like the sheer weight of such information must be devastating. Add to it the mess that are teenage hormones and you get someone in a very bad mental space.

Now to give some explanation about my headcanons for magical backup since I’m about to mention it a few times, in “Fairy For a Day” from New Wish, the music fairy makes a comment saying “keep granting each other wishes”, something like that.

So my idea is that magical backup is something every single fairy can suffer from if they don’t use magic to help others for an extended period of time. I would say “if they don’t use magic period other than stuff like teleportation, floating and shape-shifting (aka anything they can do without wands)” but in that case I feel like magical backup wouldn’t be an issue in the slightest. So yeah instead we’re going with them having to help others, especially since in “OddPirates” Wanda wishes to Poof at some point to help him learn, showing fairies can wish to other fairies.

All this to say fairies help each other out in small ways, and if they don’t they fucking die. And considering Cosmo and Wanda seem almost unable to refuse granting their godchildren wishes (at least in the og show, in New Wish you almost never have the “wand deflating” thing because they know beforehand they can’t grant those wishes), on top of scenes like the one in “Apartnership!” when Timmy says “I wish” and dozens of fairies show up, I could see it as fairies being able to refuse wishing for another fairy but being completely unable to do so when a miserable human child does, for reasons I’m too lazy to figure out (probably something about their society needing humans to function to some extent thus having fairies evolve in a way that they need to help humans).

Also I have no idea if magical backup would spread quicker if a fairy has more magic. I guess it’s worth pointing out that for both instances of Cosmo and Wanda getting it, Cosmo was first and it evolved quicker, but then again Wanda wasn’t too far behind. So idk, maybe it does?

Going back to Cosmo, during his teenage years and early adulthood, he would very often suffer the early symptoms of magical backup (confetti + vomiting the way I see it), sometimes worse, due to him refusing to use his magic in fear of hurting other people. In some instances he might even make comments about how Fairy World would be better off without him. Btw this is basically when I see Schnozmo realize just how terrible his brother feels and start being nicer to him. But yeah, Cosmo was in a very bad place as a teen, which continued in early adulthood.

(Side note but him having magical backup so many times could explain him not taking it too seriously at first in the og show, with him pretending to have it for a few seconds to mess with Wanda.)

And throughout all of this Mama Cosma was supportive, telling him there was nothing wrong with him and the others were messing with him and that he should use his magic in small ways if only to keep himself safe...until she didn’t and sent him to boot camp as soon as he was of age.

I like to think that this is when Cosmo started detaching himself from his mom. Just seeing her go overnight from “I love you just the way you are” to “everybody else was right and I’ve been thinking of you as a problem since your birth, I just didn’t want to deal with making you sad” would be a massive betrayal in his eyes.

Note that I believe Mama Cosma sending him to military training is actually a good thing, and pretty much the one good thing that woman did in the show. Given how much destruction we see Cosmo cause, and since as far as we know there aren’t exactly places that could provide the help he needs, a place with strict rules and monitored by potentially very powerful fairies could be the second-best thing to teach him what not to use his magic for.

Btw if you’re wondering I think the best thing for Cosmo would be to have a place where he can use his magic in whatever way he wants without putting anyone or anything at risk. More on that later actually. Second best would be to give him a wand restricting his magic but also I don’t think it would feel good to have something blocking what is supposed to feel natural for you, so it might not be a good solution actually…

In any case, having Mama Cosma reveal she’s been unhappy with her son’s powers this whole time, meaning she’s been lying to him this whole time, would hurt a lot, causing Cosmo to start drawing away from her. On top of that he was now almost an adult so it was also natural for him to seek some independence, even while still living under her roof.

Now onto Cosmo and Wanda’s early relationship (no idea how to make a transition here).

First off, I’m going with the backstory in which the two of them met at a diner, except neither of them were teenagers in my version. As mentioned before Cosmo would be in his late 90s and Wanda around early 130s.

And since I don’t think I mention it anywhere else in this post, I’m going with the headcanon of Cosmo being 10 000 years old during the og show, with him and Wanda being married for 9 895 years as of “Apartnership!” (that’s the number, right?). Which is also why Cosmo is in his late 90s when meeting Wanda, since it means he’d be 105 when they get married (or around that age if you consider that Cosmo is probably not exactly 10 000 years old in the show, rather something like 10 014 for example).

Cosmo would land himself a job as a waiter since he doesn’t need to use magic for it. He’d even let his wand home to further reassure his boss that he’s not doing any magic. He and Wanda meet when Wanda and Blonda come to the place to hang out. Wanda realizes he’s cute and finds herself surprised by it since as mentioned before she was raised with a toxic view of what a man is supposed to be like.

(More specifically I could see Blonda as being the one pointing him out and he accidentally spills a drink on her or something, causing Wanda to be like “oh you’re right sis I like him”.)

Wanda would convince him to go out with her, intrigued by that shy boyfailure trying his best, and during that hangout Cosmo would be pretty closed off, not using any magic partly because he didn’t bring his wand, offhandedly mentioning he got magical backup dozens of times, and by the end of it he’d be like “you’re very smart and pretty and spending time with you was very fun but it’s probably best if we don’t see each other again”.

After the “date” Wanda would talk about it to Blonda who’d probably mock her sister for scaring the guy away. Big Daddy would overhear some of the conversation and recognize Cosmo’s name as the infamous last fairy born whose terrible two almost caused the apocalypse. Wanda and Blonda would be flabbergasted because “dad that guy’s a complete wimp, what do you mean he’s one of the strongest fairies?!” and Wanda would quickly catch onto the fact that this sweet guy is considered a menace, goes around without a wand and has magical backup on the regular, all of which are not good signs.

She’d manage to convince Cosmo to meet her to talk and would just ask him if he’s okay, if he needs someone to talk to. And I could see Cosmo being very taken aback by it, like when he shows up Wanda says she knows about him being the last baby born so he’d immediately assume she’s here to tell him to stay away from her. But no she’s just worried for him and wants to offer some comfort. And with Cosmo at that point having lost trust in his mom, the only person he thought was in his corner, he’d open up to Wanda.

So the two of them would start spending time together, as friends since Cosmo clearly isn’t in the proper state to think about dating right now, though I like to think Wanda was pursuing him a little, if only making him know she’d be interested. But anyways Wanda would quickly catch onto the fact Cosmo never has his wand when they’re together and whenever she suggests he uses hers because it worries her to see him never do magic, he’d refuse, saying it’s safer that way.

Then one day while hanging out Cosmo gets the early signs of magical backup and Wanda doesn’t know what worries her most, seeing him have it or how calm he is about it, which shows how used to it he is. Doesn’t help that he’d insist she brings him home rather than have him use her wand to get rid of it immediately before it gets worse.

That would be the last straw for Wanda who would go to the people her dad works with (her “uncles”) to ask if they know any place where one could use their magic in possibly destructive ways without consequences. And one of them would tell her about the Hocus Poconos, a place where goes all the un-granted wishes from human children. As a result the place is pretty chaotic to begin with and nobody cares what happens to those wishes so it’s fully unsupervised.

So Wanda would waste no time telling Cosmo about that place, convincing him to bring his wand this time around, and after a lot of hesitation and some small wishes he’d start getting more comfortable and unleash his powers, growing visibly more confident. And dumb small note but seeing Cosmo in his element and visibly confident in himself is when Wanda sees him go from cute to hot.

In any case Cosmo would be incredibly grateful and start coming to the Hocus Poconos regularly on his own, feeling a sense of freedom in being able to unleash as much magic as he can while also finding himself loving kids’ imagination, which eventually leads him onto the path to become a godparent.

For Wanda, it’s after seeing Cosmo get better that she realizes how much she enjoys helping others and offer companionship and could see it become her profession. Also maybe the fact the Fairy Council wouldn’t be too keen on letting Cosmo on earth without supervision could influence it as well (meanwhile everyone would think they’re allowed to work together due to being a couple), but then again I don’t want it to be a “she chose this work solely for Cosmo” type of situation.

Same with her helping him with his confidence btw, hence me saying he’d go back to Hocus Poconos on his own. While Cosmo would definitely gush about Wanda saving his life, she didn’t “fix” him or anything like that. She was someone he could talk about his problems to and offered suggestions for things she thought could help him, but he still was the one who had to follow through on his own. And whenever Wanda had issues of her own, he’d return the favor, being there to comfort and help her.

And about him saying Wanda saved his life, after a while of using his magic more and more often, he’d think about how, if he hadn’t met someone like her to encourage him to use his magic without being afraid, he’d probably have either died of magical backup or from its side effects from having it too often. At the same time I’m not going to say “him thinking this is why he fell in love with Wanda” because again I don’t want to fall into the trap of a character “fixing” another or putting them on a pedestal.

Back on topic, having a place to spend his magic would do wonders for Cosmo’s self-esteem, giving him space to try new things, make mistakes or even just create a black hole or two if he feels like it. That doesn’t mean he’d suddenly be completely fine, he’d still feel self-conscious about people hating him for his magic (and tbh just looking at the og show Cosmo comes off as deeply insecure at times, so yeah he’s not suddenly all happy), but it would definitely put him into a better mental state.

Also, feeling more confident he’d start to reciprocate Wanda’s flirting, pursuing her back. And yeah as a result it would be one of those relationships where you significant other is also your best friend.

As for the “speed” of their relationship, I could see the transition from friends to lovers as being a bit slow due to them wanting to make sure this is truly what they both want and not just Cosmo lashing onto the first person he trusts, plus Wanda’s family life is dangerous so she wants Cosmo to make sure he knows what he’s getting himself into. But once their relationship gets serious there’s no stopping it.

And speaking of stopping it, Mama Cosma would notice that her son isn’t having magical backup anymore, causing him to tell her it’s thanks to a girl he’s into, even invite Wanda to dinner so she can meet his mom. Mama Cosma would not be happy about it and would be incredibly passive-aggressive during their meeting, with Wanda keeping the visit short as a result and Cosmo being pretty unhappy seeing how insistent his mom is that he shouldn’t date anyone.

On that note Mama Cosma could be another reason why they took it slow at first, Wanda made it clear she wasn’t having any “mamma’s boy” bullshit. It’s a bit more complicated during the events of the og show since it’s been a long time since Cosmo saw his mom and he believes (and promises to Wanda it’s the case) that his mom’s just being a bit protective due to how long it’s been. Then one day it turns out she was being verbally abusive when babysitting Peri and Cosmo cut contact again and profusely apologized to Wanda for letting his mom talk so much shit about her.

But yeah Cosmo would probably have many fights with his mom about it, Mama Cosma claiming it’s only a matter of time before Cosmo does something to scare Wanda away with his magic and how she’s the only one who can watch over him, while Cosmo is throwing in her face the fact she sent him to military school while Wanda loves him the way he is and is trying to help him in a much more constructive way.

I could actually see those arguments as a bit of a surprise to Mama Cosma because not only does Cosmo find his mom intimidating meaning he usually doesn’t speak out against her, but in general Mama Cosma would be used to getting her way, especially with him. The fact Cosmo is much more powerful than her would also bother her because she can’t just force him to go to his room or anything else. And if he does something to leave the conversation, she can’t stop him. So yeah those arguments wouldn’t be pretty.

And eventually, when Cosmo has to make the choice, he decides to chose Wanda, eloping in secret and never having any contact with his mom, at least until the events of the og show. There would likely be times when he deeply misses her but he remembers why he left home and that’s enough to keep him away.

For Wanda, she never straight up told her father that her and Cosmo were dating, she made it sound like they were nothing more than friends and if anything she works with Cosmo to “supervise” him (in Big Daddy’s first appearance we learn Wanda writes him letters so the two are still in touch). Big Daddy still wouldn’t be too happy about it tho, especially later on during the og show when he learns that they are a couple.

His issues with it are that 1. Cosmo isn’t exactly the height of masculinity so Big Daddy can’t help but look down on him for not being manly enough (I actually like to think this is why he believed Wanda’s lie that they weren’t a couple; he couldn’t conceive the possibility of Wanda dating such a guy) and 2. He remembers Cosmo’s Terrible Two very well and is worried about him hurting Wanda with his magic. Especially since him being a mafia boss means his daughter already got a target on her back, he doesn’t want her to be in even more risk.

(Note that Wanda was already a late teen/adult when Cosmo’s terrible two happened, so she at least heard of it and saw some of the consequences, but she likely didn’t see the worst of it; like maybe Big Daddy lives pretty far from the city center of Fairy World and had his daughters stay home during Cosmo’s terrible two while he was forced to continue working, hence seeing more than his girls)

(And if it needs to be said Big Daddy’s issues with Cosmo not being masculine enough have nothing to do with transphobia. Big Daddy would be fully accepting of Wanda and possibly Blonda (if they’re identical twins) being trans women and couldn’t care less about what Cosmo has in his pants. His problem is that Cosmo isn’t muscular, cries easily, is a bit of a cowards, and likes to wear stereotypically feminine clothing sometimes, none of which is related to Cosmo being trans.)

Ultimately he’s not as openly hostile as Mama Cosma but he definitely acts like Cosmo isn’t here when seeing him. And whenever Wanda comes to visit her dad, he doesn’t mention Wanda’s love life in any way and brushes it off quickly if Wanda does, or he shifts the conversation towards his grandson instead once Peri’s born. Note that I see Wanda as visiting her father without Cosmo, mainly for Cosmo’s safety because mafia.

Oh and Cosmo never met the guy before the og show but he did know who he was from hearing about him from Wanda + possibly knowing his company’s name. Wanda would have also warned him about the mafia part hence why Cosmo is so nervous and visibly scared of the guy in the show. He might not be the brightest bulb but he understands the danger this man brings with him.

Finishing this post with a few words about Poof/Peri, when Cosmo was pregnant he would have had some worries over how powerful the kid would end up being, wishing to protect his baby from the emotional mess he went through. And while the kid is more powerful than average, Cosmo was infinitely relieved to see Peri remains much weaker than him.

That’s not to say it’s all sunshine and rainbows, again I go further into it in the baby ban post but the short version is that the Fairy Council is keeping an eye on Peri on account of being Cosmo’s son, including giving him a wand that reduces his magic despite him technically not needing it.

Cosmo isn’t the biggest fan of that wand but he’d rather have this than Peri going through hell for being too powerful. Meanwhile Wanda’s getting tired of Fairy World punching down on her boys. On that note once fairies realized the baby ban wasn’t going away anytime soon and started to hate on the Fairywinkle-Cosmas, Coswan quickly decided they’d move out of Fairy World once Peri’s old enough to take care of himself, hence the 10 000 years vacation followed by them “moving” to the human world.

(Note that they would invite Peri to their vacation + send him postcards + look for him after coming back, it’s just that Peri refused to go so he could have some time for himself + turned off the wand location thing, probably also left a message at home saying he found a job and is doing fine, hence why they weren’t too worried for him)

That being said (the wand restriction thing) I could definitely see Peri at some point hurting someone at spellementary school (which would be before he got his wand change) and deciding not to use his magic anymore, leading to him and Cosmo having a heart-to-heart about their magics.

Tbh this could also be a reason why Peri seems closer to Cosmo, maybe they bonded over being deemed too powerful. That being said Cosmo wouldn’t tell his son the extent of his situation, not wanting to worry him. Especially since he’d be doing much better now and is genuinely happy so there’s no point dwelling on the bad parts of his past.

[spasikonik]

an edek themed collage 🪲

[sualne]

Sualne: ofc they know each other, otherwise it'd be too sad

Also Sualne: Makes Ace suffer alone

Btwww it's not a hate comment or anything I just found it very funny, the duality of Sualne ✨️✨️✨️

ace IS a very sad character! :'D he says something in his light novel (that i havent read but really need to (law's too)) about how he probably would've killed himself if it hadn't been for sabo and luffy, im forcing him to survive till he can meet luffy in the au, but i have to keep that passive suicidality of his in there! ace even in canon was not doing fine at all!!

the duality of sualne, lol, i havent even started the angst yet.

here a lil ace ive drawn for concepts art and planning reasons:

[averlym]

(click for better resolution, etc.)

[aro-aizawa]

i really don't know where i got my longest running atla headcanon from, all i know is i've thought it for over a decade and seamingly no one else thinks it 🤔

[pikkish]

idk if this is a good prompt but put doomguy in myhouse.wad I think he would find it enriching

Right, so I've been mulling on this one for a little bit now, n I'm not opposed to writing something for you, I'm just not... entirely sure what to write? Because the thing is, myhouse.wad doesn't actually really have anything to do with Doom as a story. Sure, Doom is important in that it's the vessel through which the story is told and one of the connections between the narrator and his dead companion. But as far as Doom itself goes, and the story about a man who was too angry/stupid to die, fighting demons and saving earth, none of that is at all relevant to myhouse.wad and its story. For all intents and purposes, Doomguy isn't actually a character in myhouse.wad. So I'm not really sure how exactly to fit him in there.

[ciderjacks]

argh. This comic writing is taking me way longer than usual. I keep editing things and it doesn’t feel right.

[jessamine-rose]

*squeezes aine this time*

Read my Yandere! Dottore fics first (⁎⁍̴̆Ɛ⁍̴̆⁎)

Chemistry ๑ Magnum Opus

So @ainescribe decided to surprise me with more Darling fan art, this time of Dottore’s Assistant!! *sobs* I love it so much ｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡

Once again, feedback will be in the tags. Thank you so much for enjoying my writing, Aine <3

[orionsangel86]

Dream of the Endless - A Romantic Fool

After talking to @so-i-grudgingly-joined-this-site @duckland and @notallsandmen over on this post I have been thinking about the reasons why I personally interpret Dream as a romantic and think that later Sandman stories have made a mistake claiming that romance and erotic fiction are all the work of Desire alone and not the actual Prince of Stories (and thank GOD Neil Gaiman confirmed those Sandman stories were not canon eh?)

Under the cut because as always it got long. Why I think Dream of the Endless is an old fashioned romantic with a soft spot for love stories.

I mentioned in the linked post that I don’t see how Dream and Desire can keep themselves completely separated when their realms blur so much and when they are canonically probably the two most similar of the Endless even above Desire and Despair (which I think is the reason they clash so much).  It’s also worth mentioning that when it comes to influences over mortals, I don’t think any particular Endless sibling has more of a sway than any other, they all influence us all the time such is their nature and I think it would be very difficult to claim only one Endless was totally responsible for certain things. This is the reason why they like to compete and play games with each other like they did in Three Septembers and a January with the Emperor of the United States (side note: this is one of my all time favourite comic issues and my absolute favourite of the stand alone stories).

So even if Desire does have influence over the romance genre and erotica, I don’t think that would make Dream particularly averse to them, because he is also very much responsible for love stories and stories about love and seems to have inspired more than his own fair share over time.

Starting with the obvious - he was Shakespeare’s patron. No matter what else you say about Dream, he is responsible for inspiring and effectively being the muse for the greatest playwrite who ever lived. Shakespeare’s repertoire includes a whole list of plays with romance and love at their hearts not least of all being:

A Midsummer Nights Dream

What is the one thing you remember most about AMND? The fairies yes? Titania, Puck, Oberon, etc. But the central theme and story of AMND is specifically about love. It is a very sweet story about four mortals who are caught in a love “square” and get lost in a magical forest where the fairies decide to get involved and fix their love problems (with some confusing mess ups in between) and at the same time, it is a story about how the King and Queen of Fairie are having a bit of a falling out and the King decides to play some tricks on his stubborn wife, before ultimately reconcilling with her. The play ends with a triple wedding.

In the Sandman issue A Midsummer Nights Dream. It is revealled that Dream commissioned this play from Shakespeare to be a retelling of events which happened long ago, as a gift from him to Titania and Oberon so that mortals may never forget the fae once they leave the realm of Earth forever. It is also revealled that Dream and Titania were once lovers themselves, though we have no other details about when this was, as Titania refuses to talk about it at The Wake. It is clear however that they are still on extremely good terms, care for each other deeply, and had a very close relationship even after they were lovers before the fae left Earth. Throughout the comics, whenever the fae are mentioned, it is clear that Dream is closer to them than any of the other Gods, Goddesses, or various pantheons we meet. Even though at one point he states that he does not trust fairie magic.

At the end of the day, whatever else you want to believe about Dream, Titania is the only lover of his that he remains on good terms with. So much so that even though she clearly has a husband, he is still gifting her love stories. There is an argument here that AMND is quite mocking towards Titania, who falls in love with a man with the head of an ass, and spends most of the play having sex with him and swooning over him whilst the other fairies look on in horror. I know some people have interpreted this as Dream being mocking and cruel towards her, but I didn’t get this impression at all from reading this issue. Titania appears to be delighted at the play and Dream explains clearly his reasons for commissioning it:

The short version is that Dream commissioned a romantic and magical love story for his ex lover, so that the mortal world would never forget her when she left Earth for good.

Pretty romantic in my opinion.

The Tempest

Keeping to the Shakespeare theme, the other play commissioned directly by Dream is The Tempest. Now, there is probably a whole other meta essay to be written about Dream’s reasons for commissioning the Tempest, not least of all how fitting Prospero’s final monologue is when viewing it as a closing statement on Dream’s own endgame. But this is a meta about romance, and Dream couldn’t even keep romance out of his self-insert human!au original fiction. Like AMND, The Tempest is also a comedy (interesting how both plays commissioned by Dream were comedies when he is so clearly living in a tragedy *sigh*) and like AMND The Tempest includes young lovers who fall in love throughout the course of the play. Whilst romance and love isn’t a central theme in The Tempest, it is still a big part of the story.

I just find it impossible to take a view that Dream would shun romance when he personally commissioned two romantic stories from Shakespeare himself.

The Sandman: Overture - Dream’s Personal Love Story

But this isn’t the only evidence of Dream’s romantic inclinations. The Sandman: Overture also includes some interesting clues to Dream’s views on love stories.

Hope asks for a story. She does NOT request a love story. She simply asks for a story with Dream, that also includes a princess. Given that Dream is the Prince of Stories, and has most definitely had interactions with many princesses over his long life, he chose to instead tell a personal story, a love story, and so we finally get the full love story of Dream and Alianora.

Even though it must hurt to relive it, even though the Cat of Dreams (not gonna spoil the twist) specifically states that they NEVER tell that story, he chooses to tell it to Hope. Not only does he tell her that story, but he ends it with a happy ending - not “happy for always” but “happy for a goodly while”.

The fact that the Netflix show chose to adapt on this love story further, by having it be canon that Dream carved their love story into the gates of his own kingdom - well, that only further emphasises how much he cares for love stories, even his own, even when the truth is it ended badly, and hurt him greatly. Would a non romantic person carve their own love story into the gates of their kingdom? I don’t think so somehow. Because even after all this time, even though it pains him to relive it, he is still a romantic at heart, and cared about Alianora and their love enough to carve it into the gates of the Dreaming.

A Mother’s Insight

Also in The Sandman: Overture, Dream’s time with his mother is particularly insightful. She is the one to point out how alike he and Desire truly are, even though he dismisses the very concept and takes offense (obviously). It seems clear to me that we are supposed to agree with Mother Night on this. She also raises two other interesting points - the first is when she realises Dream’s scheme to get his parents back together in the hopes that it will save the universe. She laughs at him, and mocks him, calling it “one of his stories”. Because even if Dream isn’t exactly the most self aware of creatures (understatement), she is exactly right. Dream, being a romantic, had hoped that his parents love could save the universe. A true epic love story for the ages. It is his romantic ideations that sent him to meet with his parents. Dream’s romantic nature is integral to the story of Overture working. If he wasn’t such a romantic, he never would have sought out his parents, he would have been more grounded in realism, and known that they would disappoint him.

The second point Mother Night points out, is Dream’s desire for a lover, as she offers to make him one so that he might stay in her realm with her. He declines of course, since Mother is simply manipulating him to keep him with her, but that doesn’t mean what she says isn’t true. Dream very much desires a lover. His whole family is aware of this. His love story with Alianora began with Desire sending Alianora to Dream after all. Dream’s wish for love and also romance is an integral part of his character.

Brief Lives - Motivations and Comparisons

Dream’s romantic ideations are also central to the story in Brief Lives since the only reason he agrees to go to the Waking World with Delirium is because he hopes that he may find and reconcile with Thessaly. His fantasies of reconciling with her are strong enough for Destiny to call him out and bring him once again back down to Earth.

Knowing what we do about Thessaly, it is very easy to interpret Dream’s feelings about her, and his romantic ideations about reuniting with her, as not rooted in reality. I find it very difficult to view Dream as anything other than a romantic fool when he is taking road trips across Earth on the small chance he may lock eyes with his ex lover across a street and they may fall back into each others arms like in some fluffy romance novel. He is ridiculous, and this is made clear throughout Brief Lives.

In fact, Destruction definitely agrees with me as well. He calls Dream a romantic fool directly.

Orpheus’s very existence is also a good example of Dream being a romantic. Who else could father a child who becomes famous for his poetry, his songs, and his epic tragic love story. In The Sandman, it is at least implied that part of the reason Orpheus meets his tragic end is because he is too much like his father, and the one thing that is made very clear about Orpheus, is that he is a romantic, with love being one of his main motivations.

I think adding all this together with the comments made about Dream by his own creations, the residents of the Dreaming, as well as his ex lovers at The Wake, it is clear that he is a romantic character, a character who is driven in many ways by his desire for love, and who rather fancies himself as the broody romantic hero (I just KNOW Dream was somehow involved with Lord Byron lmao). Throughout the comic, Dream often denies that he has any needs, any desires, to the extent that he denies that he is even a person, who has a life. He also adamantly denies that he has a story. Yet, throughout the comic, it is made clear that none of this is true. The reason Dream is so often at odds with Desire is because he desires so strongly - moreso than any of the other Endless siblings. It’s because of this that I think he would enjoy the romance genre possibly more than anything else. Romance is a core component of his personality. In comic canon, Dream has been directly or indirectly responsible for the creation of at least five love stories - two Shakespeare plays, the Song of Orpheus, the love story of Dream and Alianora, as well as the story that the African tribe tell their children when they come of age - the love story of Dream and Nada, the tale where their love was so passionate that every living thing that could dream dreamed of their love making.

So whilst the comics never directly state whether or not Dream is a fan of romance novels, his desire for love and romance indicates to me that he holds love stories in high regard, regardless of whether or not his annoying younger sibling has anything to do with them.

Also, not that it really counts for anything, but Tom Sturridge agrees with me. ;-)

[monachopism]

am i autistic or am i just paranoid. level: impossible

[delightfuldevin]

Important fun lil headcanon that I love!!

Before Luigi’s Mansion 1, KB didn’t know who Luigi was!

Now, I know what you’re thinking. KB sent the letter in the mail for Luigi telling him he won the mansion, so he must’ve known of Luigi already right? Sure, but maybe it’s not that simple. I think KB knew Mario had a brother, but his intention was always to capture Mario specifically. He didn’t know Luigi’s name until being told it by his Boos. Perhaps he sent the letter addressed to “Mario Bros” and there was some other detail that had the bros themselves think the mansion was specifically for Luigi? Or, maybe KB had one of his Boos send it and they specified Luigi for some reason?

This is the main reason why I have this headcanon:

It is common knowledge that the bros are twins, but it rarely ever happens that someone actually mistakes them for each other. Luigi has always been seen as “the lesser brother” and because of that, people are usually always able to distinguish them. However, the key part of this is actually the wording of this little line of dialogue.

It’s one thing for KB to simply mistake Luigi for Mario, but he specifically says “You must be Luigi!” Must is a very important word here. If he knew Luigi already, he would’ve said “Oh, you’re Luigi” or something else matter-of-factly like that. But the fact that he says must implies that he has never seen Luigi before.

I really like this idea because it seems funny to me that someone who KB barely even realized existed until somewhat recently becomes his arch nemesis and biggest wrench in his plans. KB wanted to capture Mario; he didn’t even consider Mario’s nameless brother to be a factor.