#since a certain someone's post had people thinking i'm fucking *american* of all things and calling me monolingual

[annierosaart]

still getting back into drawing. decided to tweak gavialter's design to reflect native brazilian culture more accurately. these are directly based on the pataxó body paint style and significance.

[ficoandleo]

LEO, drop a Halloween costume try on stream and my life will be yours 🗣🗣🗣🔥🔥🔥

Well you'd better have your wish prepared for when you sell your soul to the little demon because Leo is live on TikTok, WickTok, and YouTube! "🎃Halloween Costume Try-On Stream!❤️‍🩹" Pretend I posted this on Halloween and not literally the next day!

Since he's streaming from his phone Leo does try and give it a minute to let the stream load and populate for all the earliest viewers, humming along to the royalty free, slightly spooky, lo-fi music he had playing in the background while wiggling around in a little half dance in front of his tripod.

"Hey, everyone! It's me!" Leo greets with a chipper wave of both hands. He laughed a little, shaking his head. "I think it'd be way more weird if it weren't me. Why do we always. . .anyways, hi!! Happy Halloween!"

The stream of comments and hearts increased, greeting him, and wishing him a happy Halloween. On Youtube he got a few Super Chats too, which he thanked the senders for. Everyone who paid a certain amount and above got their name read out, too.

"Soooo Halloween, right? I always do a little costumed stream with Sho-chan and we'd go around street parties or like we went to a zombie run two years ago that was super fun--and I hate running! Sho was carrying me by the end of that stream."

Newer viewers or people who missed it commented in amusement, some asking if anyone had a recording or highlights. A few people who had been there for the stream said that Leo got drunk on top of running from zombies and they were surprised at how much he could drink for such a small guy.

"But here in Darkwick apparently they do like an American Halloween thing. So there's kind of trick-or-treating? And I've never been trick-or-treating because we don't do that here in Japan! So I'm kinda excited to trick-or -treat and I was like. . .well, I need to have a really good costume for my first time trick-or-treating! And I ordered a bunch and they didn't get here until, like, last night because shipping stuff to Darkwick is a fucking nightmare?"

Several Darkwick students in chat agreed that it was a pain to order things to be delivered to the island. You'd think such an elite school wouldn't have these problems. Some people mentioned sending things to Leo and asking if they'd arrived yet, or saying that it took an unexpectedly long time for things to be delivered on their trackers as well.

"Yeah. . .sorry about that guys. I'm talking to them about seeing if there's a way I could, I dunno, pay extra to get some kind of faster processing for stuff people send me but. . .mail doesn't really work like that. You guys haven't been sending me perishable food or anything, right? You know better than that. Anyway.

"Everything gets here like yesterday afternoon and I'm like 'that's way too late for a whole stream,' so I decided I'd just do one this afternoon. And I wanted to do a trick-or-treating stream for you guys but the way my data works here it's hard to stream if I'm not somewhere with access to wifi. So I'm probably just gonna record it and edit it down for a VoD. Sorry!"

Everyone understands at least and tells him that they'll be looking forward to the VoD. Someone said they'd be handing out candy at their House and they hoped Leo would drop by.

"Oh! So trick-or-treating, for anyone who doesn't know, is like. Normally you go door-to-door and say 'trick or treat!' and get candy. And if you don't get candy you can play a trick. But since Darkwick's only got the dorms and the main buildings and some shops and a restaurant or two that's kinda lame, right? You'd run out of places real quick.

"So you go to different dorm rooms and trick-or-treat. And some people trick-or-treat, like, individually? Like they go up to people and say 'trick or treat' and it's kinda considered fair game. But also it's also totally fair game to be tricked instead of given a treat! It seems like a way smaller kind of event than what you might normally see in Shibuya but there's also only, like, a thousand people here. So it makes sense not to have a huge event. Especially since there's normally a school festival--they call it Samhain because they want it to have a fancy name--around now. But it got delayed."

Then Leo claps his hands and steps back from the camera a little. "But that's enough chatting! I bought a bunch of costumes to try out! I match with Sho every year, but he didn't wanna try on his costume with me and just said to bring it to him when I choose mine so. . .sorry, no Halloween Sho live this year. But I'll make sure he goes trick-or-treating with me so you can see what he gets to wear too. So! Let's check out my costume options!! Obviously I can't, y'know, change on stream but I'll step off-screen and you can entertain yourselves for a couple minutes while I get dressed! Be right back!"

With that explanation out the way, Leo waved and stepped off screen. Behind him his bean bag chairs had been given Halloween themed covers, a pumpkin, a ghost, and a skull--Monster, the red teddy bear he likes, is sat on the skull off to the side, and some of the chat greets him excitedly. He left a screen on his wall playing a little video of a chibi of him dressed in previous years' Halloween costumes popping up around the words "HAPPY HALLOWEEN"--one of the chibis was also with Sho, in a girl's costume that matched Leo's as always. Regular viewers would recognize the chibis as having had been redressed versions of the ones that played during other streams where he tries on clothes or puts together outfits. The artist was credited beneath the text.

"I can't see the chat, so don't say anything my mods would have to get on you for! I mean it~♥" Leo called from where he was changing out of sight. The chats proceeded to fill mostly with silly, non-punishable words or promises to be good among the usual chatter and cries that Leo was 'gone forever,' although a handful of people did get timed out or have messages deleted. He'd considered borrowing Romeo's fox robe and just buying accessories for each costume rather than getting whole costumes, but there was something less fun about that. Besides then he would have the hidden zipper on the back and someone could ruin his time by unzipping him. So his time spent changing was all realistic.

"Okay! Were you guys good? Did you behave for me~?" Leo's voice again came from off screen to herald his coming return. He also chimed in a shout out and thank you to the artist of his background graphic before he stepped back in sight, jangling gently with every step.

His first costume was grim reaper inspired, and he specified where he got every piece of the outfit from the hooded cloak to the red-tipped metal ribcage 'vest' around his torso and the matching clawed hand bone gloves going up his arms into his sleeves. Beneath the 'vest' his black shirt was nearly skin tight with gaps in it that opened to his pale tummy following the shape of the vertebrae in his spine, tucked into plain black pants. The belt took the role of the bones instead, chains looping into the shape of hip bones and dangling leg bones, bound behind his slim hips and legs by black-painted chain that blended in to the rest of the outfit.

"I could not find matching shoes that didn't look tacky to me." So he went with plain black boots with buckles, tapping them with his simple scythe. "Or a cool-looking scythe that wasn't plastic. So I'm not sure about this one! It feels, I dunno, incomplete. I really like the top and the ribcage though--I was thinking I could wear the glove bones as like a bracelet and rings instead, though. What do you guys think? Sho-chan would get like a little torn up white dress and some powdery makeup for the ghostly look, maybe we could get his hair in his face. . .and I got manacles and a chain for his ankles so it's like I'm leading him to the afterlife, y'know? I'd probably throw on some makeup too--give my face a skeletal look."

He posed a little bit, trying to read the stream of comments as they came in, although they were coming in pretty fast. He went on a little bit about the way it fit and felt, and complained some about the chains looking cool but getting a little tired of the clanging noise.

"Why do I always make Sho-chan crossdress? Because it's funny? And he looks good like that." He shrugged, closing the bottom of the loose cloak over his legs to see if maybe he could get away with having it partially closed. "Also let's be real, I'm not making him do anything. Sho's like twice my size. I can't make that guy do anything he doesn't wanna do.

"I did kinda think about crossdressing this year?" He says in response to another comment he kind of sees go past. "But no matter how I look at it it's just kind of boring if I do it. I mean I look like a guy who'd crossdress, right? Obviously I'd look good but that's not really the point, right?"

Understandably quite a few people disagreed and would have loved to see him in a skirt or a dress, or even a particularly feminine pair of shorts, something frilly or something sexy, even if it wasn't particularly Halloween themed. . .he smiled in amusement and ignored those comments. Maybe if he lost his next bet with Sho. For a while he continued to respond to some comments that he could catch and respond to superchats as well, and showed off parts of the reaper costume.

"Okay, gimme a few to try on the next one! Be back soon!"

This continued on for a while with Leo showing off a variety of costumes, some from popular media especially from this year, some from classic media or media that he liked, some his own takes on something more generic. He sources each piece, mentioned what he would do for his makeup in each one and how he would dress Sho to match, what he liked about each, and what didn't vibe with him. He conducted it very similarly to how he did other outfit streams, chatting with viewers in between everything, always kinder and sweeter with his words than he was in real life, laughing and smiling, but so skilled with his acting that he never seemed unnatural.

"Okay, okay! Last one! Be right back!"

Leo once again left the camera, stretching before getting to work changing out of his newest costume and into the final one. "This one's a bit more exposed and honestly I originally wasn't gonna bother with it because I was like 'it's autumn, it's gonna be cold!' but it's actually cozy enough today that I was like. . .maybe I can get away with this. It's not like exposed exposed where I might be considered indecent or something, and it's got a jacket so if I get cold I can just close it."

After a few minutes of fussing Leo returns in a somewhat simpler costume than his last ones.

"Honestly the thigh-high boots are gonna take some breaking in to be comfortable walking around in, so I was kinda thinking I could swap them out for like. Chaps?" He explained, turning around to show his back. "Cuz I have chaps. They're a couple shades lighter than the shorts. I'll show you the chaps in a minute."

The chat is moving a little too fast to read. The simple, platform, black thigh high boots are buckled closed with a line of metal clips and leave a few inches of Leo's upper-thigh exposed before the legs of the matching colored shorts end to keep his modesty. They hug his hips well enough that the studded belt is wholly unnecessary for anything but securing the inverted pentagram harness over his torso at the bottom. His torso is otherwise bare save for the oversized leather jacket hanging more off of his arms than his shoulders and a pair of somewhat low hanging chains. Without his shirt quite a few of his viewers are learning his navel and nipples are pierced. Around his neck, along with his headphones as usual, is a choker in which he's clipped his yellow Vagastrom broach.

"Honestly it's a lot of black and grey and silver." He turns around again, showing the way his wings and tail, also decorated with chains, originate from somewhere under the jacket and have some sort of wiring in them allowing him to reposition them slightly. He reached up to adjust the pair of ring-decorated horns on his head too. "I usually do more monochrome colors but it feels like too much? I kinda wanted some gold accents but it made me think too much of my house uniform. Oh, and the jacket was made by--"

He read off the name of the fan who'd sent him the jacket, repositioning it so the design on the back was visible--his own name, in a spraypainted design, the O stylized as a heart. He faced forward again. The chat hadn't slowed down by much. He had to catch up on donations--one asked if he was wearing pointed teeth, and he pulled his lips aside to show them off. Another reminded him that he mentioned possibly wearing chaps instead of the boots and he said they were right before running off to swap the boots for another pair that slightly resembled hooves the way they poked out from under the chaps.

"So for makeup I was mostly thinking I'd just make the bases of the horns blend in more. Maybe try and put some kind of marking on my stomach? That'll be hard to do myself so I might see if Romi-sama will do it for me. . . ." He ran his fingers above the hem of his shorts and around his belly button to show around where he wanted the marking. "But also maybe it'd be too busy. What do you guys think? Oh and I wanted to do, like, claw nails or rings too. I was thinking gradient dying my fingers but I don't want the color to get stuck. . . ."

Reading the chat was probably not possible at its current speed. Leo caught that people were vying for the boots or the chaps, suggestions that he wear something beneath the top harness and not just go topless, people who preferred a previous costume. . .he fiddled with the tail again, wrapping it around his leg then bending his leg at the knee to see if it'd be comfortable to walk that way. He continued to give special attention to superchats and donations with comments, as they were the only thing he could really read.

"Oh, Sho? I can't choose between a nun costume and a succubus for him to match me. I'll see what we decide on when we go out. . .probably have to go with the nun since his outfit probably wouldn't cover enough and we might end up in trouble." Leo muses, pausing while eying the camera. "Aaand as I say that he's texting me."

Leo comes closer to the camera, checking his texts with his lips parted in focus, inadvertantly showing his false fangs. The comments enjoy this closeup as much as one would expect. "Yep, he's on his way back. And I've got clothes all over my room! Okay, I've gotta clean this up and start getting ready! Sorry I gotta cut it like this, guys! I'll make up for it with a longer stream another time, okay?"

Leo starts to go over his stream schedule for the coming week and gives an estimate for when the trick-or-treating video will be out, although he admits he doesn't know how long they'll be out or just how much will be worth sharing in the first place so editing it down could take more or less time. He thanks his top donors and his chat mods, and everybody for coming and supporting him, and he tells the others at Darkwick he hopes he'll see them when he and Sho go out.

Finally, he signs out as he always does, smiling brightly and making a heart with his fingers, telling his viewers he loves them and will see them again soon.

[qqueenofhades]

Hi! I need fic etiquette advice. I've written fic for a long time but only recently started putting it on AO3. I am a scholar, and I write fic to relax, and I often write for corny fandoms, so I don't do research because it's supposed to be fun, and I don't need more stress in my sad life. But is it bad to not research? I love the research that is visible in your fics, but I think I would stop writing if I had to look up, for example, UK dialects for all my fics set in the UK, and it triggers my intense anxiety about fucking it up. I just don't want to be rude, so I put a disclaimer at the beginning about how I'm American. Is that good enough? This is very clearly an anxiety ask lol help

Aha, high five for "scholar/academic who writes fic to relax," since I'm also in that camp. Likewise (sad) high five for "intense anxiety about fucking up by somehow not researching enough," because that's basically our whole life, isn't it? So yes. I feel you. I feel you hard.

As for fic research: I sometimes get lovely comments on my fics about how I must have researched for hours or even weeks/months, and I always feel somewhat bad about being like "well, lol, yes, I did Wikipedia and Google a few things, but it's probably not as nearly much as you think." There are cases where I did do a shit-ton of specific and extensive research, such as my Swan and Crossbones series, which is an OUAT/Black Sails duology set in the historical 18th century/Golden Age of Piracy/Age of Sail. Then I really did spend hours on extremely obscure websites/online historical archives, and likewise for my Timeless All Souls AU trilogy, I did some extra reading on the Elizabethan period. But that's just because I am the kind of person who desperately needs authentic trivia and for my facts/scene-setting/world-building details to be correct (see: intense anxiety about fucking up). And when I am interested enough to write a fic using a particular place/time/scenario as a setting, I usually already know enough about it that it doesn't take long to plug in said details.

Once again, however, I stress that this is just how my personal writing process/brain works, and if it would ruin your enjoyment and escapism to stop for long periods to look these things up, and/or break your writing flow: you're still not obliged to do that. Fanfic is written by amateurs working for free -- and not "amateur" in the disparaging connotation of being "bad," since a lot of fanfic writers blow professional TV writers out of the water, but meaning someone who does it simply for passion, rather than for pay. The modern English word "amateur" comes pretty directly from the Latin "amator," or "lover." When you're an amateur, you're doing something because you love it and not because you expect to get any kind of money or compensation out of it. You are voluntarily spending your own free time to write stories and post them, and you honestly do not owe your readers anything, aside from what you choose to give them. If you're putting a disclaimer at the start of your fics that you're American, and then making at least a decent effort, that's perfectly fine.

Obviously, if you're writing about certain characters or storylines, you have a basic duty to be respectful and produce the kind of fan content you want to see in the world, but -- although it may not feel like it in this hypercritical online environment -- it's better to make a genuine effort, even if you get some minor things wrong, than to be so obsessed with every tiny little detail that you never post at all for fear of being dogpiled by the purity police. Those people do exist, they will target you from time to time, and it absolutely sucks. But as I have said before in answers to other asks, most fanfic writers/readers know that they shouldn't leave the kind of comment they wouldn't want to get themselves, and that unless the author has explicitly asked for constructive criticism, it's a dick move to offer it under the guise of being "helpful." This isn't an MFA writing seminar or other place where you expect to receive technical feedback by the dictates of the structure. We're just writing self-indulgent stories about wanting some fictional idiots to kiss (or whatever we want to do to them, lmao). This is not the forum where you should roll up with your red pen and lists of nitpicks. If you don't like a fic, the back button exists. Use it.

To summarise, since this is getting long: you are under absolutely no obligation to put any more effort into your own fics than you want to, and if you want to write them as escapism from your stressful real life and without having to get bogged down in minutiae: valid! Really valid! Entirely valid! If you won't like your own work without doing at least some research, then do as much as you would like so that you can feel unambiguously proud of the result. (That is, as much as any of us feel proud of our own work, lol.) If you know that you should probably at least skim Wikipedia on a particular topic, that's pretty easy to do, and it can be enjoyable to go down a rabbit hole that is purely from fun and not for academic work. That's easy to do without breaking your flow, and you can pick up new details that can influence your plot or characters in both fun and realistic ways, so hey, bonus!

Anyway. Writing is hard. Real life sucks. Just have fun and do your best. Find the balance that works for you, which absolutely does not have to be like mine or anyone else's, and see how it goes. <3

[creative-oasis]

So like I know this has been a upcoming thing but I wondered if anyone else considered or coined this before.

Recently AJR came out with their new album "Ok Orchestra" and let me tell you it is a-mazing. But I had a thought, there has been a surge of things I like to call "existential pop" this included artists like AJR, Melanie Martinez, Jon Bellion just to name a few. (I could be totally wrong but) The reason I started noticing this is because these artists tackle topics that aren't just oh yah know "relationships, sex, drugs, and being rich" and a lot of the common tropes of a lot of pop songs. Now don't get me wrong, they are definitely mentioned but its done in a way that flips the script. For example Melainie Matienez covers relationships in her song "Highschool Sweetheart" but it isn't about "oh yes I have to follow all these gender defined roles in a relationship" its a song about her having standards for what she wants from a relationship and how she wants certain things ou t of that relationship and she's not going to just settle (which is what, honestly, a lot off people all over the gender spectrum are forced to do because they don't think they have a choice to do anything else.) Now a lot of people thought she was being demanding and unfair, but when you think of it all people are entitled to want specific things out of a relationship and to have their needs met while also being equals. Now Melanie Martinez since she started making content has broken a lot of preconceived song rules, from talking about tough topics of life in school in k-12 to talking about dysfunction in families and relationship in Crybaby. But thats a tangent. What i wanted to talk about was AJR because I can't help but think that this trend of basically having an existential crisis in song form is what AJR is now being immortalized as. In my opinion.

First off, the entire album is a massive hit and people can fight me on that (though I don't see anyone fighting) Second I wanted to mention a a handful of songs that just stand out and those songs are (but who am I kidding the whole album is fanstatic). I'll go in order of the album

"3 o'clock Things" by AJR is a this sort of collage of thoughts and questions that people realize that they have to keep hidden to stay in favor with the people around them from the bullshit of capitalism, to the truth that not everyone is great at sex and how thats a standard people are judged on so people fabricate or omit things to stay "positively veiwed" to the hot button idea that the American government is rigged and how people and artists are forced to keep quiet about their beliefs because of their ratings whether it be about race, religion, sexuality etc. (Those last two are not mentioned but implied as they are factors that can change someone's idea of you). The chorus "would you go running if you saw the real me. Maybe you'd love him , yeah, maybe you'd feel me. But I'll never ask you cause that super scary. Sorry to bail its already 3 o'clock, its too hard to tell if anything real or not" Sums up the gist of the feelings behind the song

"The Trick" by AJR, this song i relate to so much, the idea of lying to make yourself something you aren't ashamed of and to maybe start knew or just impress or relate to others. The idea that as the song states that one can't have full access to the life or emotional well being of the other because someone has set up their own pitfalls by trying to be authentic and how "oh my god [we're] screwed". I love how its realistic and understandable make song about the fact that you can lie about your life to find relationships but the truth is its not going to come without traps.

"Humpty Dumpty" by AJR, and entire song about repressing emotions and hiding true feelings because we want to give people "the best me" and how that only makes things more fragile and broken. Depression and numbness only be BROKEN up by panic attacks and anger or at least intense emotions. as any therapist will tell you repressing emotions just makes it so much worse in the long run. There isn't a full resolution at the end. I mean part the chorus is literally "humpty dumpy went downn He said screw it imma smile right through it and scream when no ones around" if that tells you anything.

"World's Smallest Violin" by AJR. (Not gonna lie this song is the whole reason I wanted to make this post.) I mean a song about comparing the past struggles of people in your life to yourself and how you as a person feel like utter shit that other people have "worse problems" and that we as people just want to feel validated and are looking for people to make us feel normal. Also its catchy as fuck so yeah!

And of course,

"Way Less Sad" by AJR which came out a little before the album came out but became a huge favorite, its kinda really similar and almost a follow up to "World's Smallest Violin " and happens to be right after, but the whole idea of settling for way less sad because your sadness isn't as bad as what it used to be and setting your bar lower and lower is....a big fucking mood but honestly if you relate to the line "but I'm not dead yet so I guess I'll be alright" then definitely check it out

To be honest I side tracked from what I originally made this post about essentially I think artists should be bold and break the mold of music and if like...."existential pop" is a fair name to call these artist or if you think it should be called something else then let me know because I'd love to know what to fucking call it.

Was a this a shameless attempt to get people to listen to AJR? Yes. Do I want people to listen to AJR? Yes. Am I looking for more existential pop artist? Yes.

So uh......yeah

[chcrrysprite]

Asher!

hello!!! on a short little spree of answering old asks, and though i can't find the actual post that i reblogged that probably prompted this response, i'm about ninety percent sure that it's about headcanons. i searched "headcanon" on my blog and found a more basic one, so if you're still interested (lmao) here are some differently-worded asher headcanons.

(please be aware that i haven't watched all american since season one, have never liked Anything that's happened since then save for a select few details, am only vaguely caught up, and never plan to watch it ever again. conversation on these is fine, but in the event that someone who still holds Serious Informed Opinions on this finds this post, i'm not open to criticism or argument and i will not be responding to it lol. i don't care)

headcanon a - realistic this one is actually not a headcanon anymore - one of the rare things i Like about all american - but it's that layla was his first love :) i think that they had a really cute relationship and i would love to write something about it one day just for fun. i think that asher probably had a crush on her in eighth grade and they got together in freshman year, and that he was a total dork about it. he couldn't believe that layla said yes to going out with him and probably spilled his water all over the table at dinner and just sat in awe whenever she said something deep or smart, but she thought he was cute and it just Worked. i think that he'll always have some love for her and that they had a really healthy, beautiful bond before the events of season one came to light.

headcanon b - while it may not be realistic, it is hilarious asher's not straight and i think he gets really frustrated over it. he knows he likes women but i definitely think he's the type of guy to feel a certain sort of way about his teammates in the locker room and pretend he doesn't know why he's so pissed off about himself all the time. he probably punches holes in walls (or attempts to, idk if he's successful) because he refuses to admit what he's feeling and chooses to play it off as being typical I Hate Everyone angst, just keeping all of that bottled up and causing him to be a Mess. he eventually comes to terms with it and becomes some rich guy's trophy husband or something. he throws dinner parties at their house every two months and they're great.

headcanon c - heart-crushing and awful, but fun to inflict on friends i don't think that this is really a headcanon, but it's that asher's entire life as he knew it depended on friends who really did not give a fuck about him after a while. it's been known that his parents were either not around for him or simply didn't want him, so i imagine that he spent a large majority of his time at the Baker house. he was incredibly dependent on jordan's attention and affection in the beginning, and when that along with layla was taken away from him, he had nothing and no one. it must have been crushing for him. i said a lot of times to several different people that with each new thing the writers threw at asher i half expected him to just jump off a building. he had no support a lot of the time.

[abla-soso]

I'm sending you this ask because I saw this post and I think this might be a case of a cultural misunderstanding? The entire conversation was very disconnected; almost nobody understood what the other was attempting to say.

I think witchesofcolor did assume about mimiwrites2000 originally but they did correct themselves pretty quickly.

They warned mimiwrites2000 about the language they were using and then explained it to them. In the U.S. if someone saying says something incredibly offensive (part of the statement they made most certainly was) then it's considered good manners to correct them immediately (particularly foreigners) so that they don't accidentally offend others. However this might be offensive in wherever you're from.

I also don't particularly believe you're anti-black either.

But, your overall behavior was (by western standards) super aggressive and you've mistaken some things as well.

When referring to AAVE that is not a 'Westerners' issue. AAVE is a specific dialect native to only Black Americans. It's words have become quite popular on the internet but they're often used improperly (as you mentioned); however because Black Americans still use the words as they were meant to be this leads to confusion and irritation (particularly the latter for Black Americans). Both you and mimiwrites2000 use it quite a bit so be there might be more confusions in the future.

Throughout the post no one called mimiwrites2000 a racist or anti-black; they said the language used was. The action was anti-black; no one said anything about the person. There's a big difference.

It was said/implied that both witchesofcolor and visibilityofcolor attacked mimiwrites2000 which again isn't accurate. To attack is imply they were purposely malicious; which they weren't. In reality, they were relatively polite. That of course doesn't mean that mimiwrites2000 didn't feel hurt; but they weren't attacked.

Honestly, you sounded really dismissive? It almost seemed like you didn't care that something offensive was said? You appeared more offended that someone corrected mimiwrites2000 and you then that something harmful was said? Like, as long as you're suffering in Palestine damned be anything else; even if it's hurtful to other marginalized communities.

Also, you claimed that you were being tone policed but you really weren't. Tone policing is when someone refuses to help/support a movement because they didn't like your tone (or attitude/words/etc.). While your tone wasn't liked; all involved still support Palestine regardless.

Overall, everybody made accusations and assumptions.

I believe neither you nor mimiwrites2000 are native English speakers (or from a western country) and language is really tricky (especially English!) so certain things are maybe lost or aren't understood but it's lost on me how you are so confident you've said or done absolutely nothing wrong. Especially since most of that entire post is in regards to something most non-Americans (including those from western countries) would have a lot of trouble understanding.

Anon, I appreciate your compassionate effort to fix this mess, but I’m really over it, and I highly doubt we can see eye to eye on this. 

It’s not just a language barrier, there is definitely a huge difference in culture clues/values. 

What I found incredibly offensive in my culture (ignoring a grieving person’s cry for help and focusing on how their wording offends me) doesn’t seem to be a big deal to you. Where I'm from, if a person is in desperate need of help, you don’t get to make it about yourself instead. Even if that person deliberately insults you, you listen and help them first and then deal with the insult. And it’s more outrageously rude when that person who was asking for your help was obviously clueless and never meant to offend but you still prioritized your hurt feelings anyway. 

You can’t imagine the level of shame and humiliation a person from an Arab culture feels when a person ignores their cry for help and tries to nitpick the words they used to ask for help, especially if they were subjugated to constant silencing and dismissive attitude before (and mimiwrites2000's private messages to me expressed how terrible she felt). 

That’s why I was angry and aggressive. 

And I’m not gonna apologize for it. 

Because while I listened and honored those guy's wishes and vowed to never again use that word that they found offensive (because I was NOT dismissive of their complaint itself), they - on the other hand - never listened. 

They demanded that a grieving victim who was crying for help be held accountable for an innocent mistake she made, but they completely absolved themselves of their own gross western-centric bias. 

They choose to call me all kinds of nasty names over and over and bombarded me with really vile, hateful messages for days.  

So sorry, but I don’t owe them shit.

But I will answer the rest of your points:

I had no idea what AAVE is, and neither did mimiwrites2000. Assuming we should have known anyway is a classic example of western-centric bias.

Even if mimiwrites2000 wasn’t directly accused of racism, the mere fact that her cries for help were ignored and she was forced to defend herself - because of an unintended offense that was caused by nothing but innocent cluelessness - was outrageous enough to me as an Arab. That post was about uplifting Palestinian voices - who were actively silenced right now - and allowing them to express their outrage and grief freely, regardless of how westerners feel about it. It was NOT the time or place to nitpick and police Palestinians voices. If someone was offended by a Palestinian’s choice of words; they should have approached them privately and respectfully, but not in my fucking post.

Mimiwrites2000 felt hurt because she felt ignored AND attacked. You don’t get to decide that for her. I already explained why an Arab victim would feel greatly humiliated in this situation, so I won’t repeat myself. 

Excuse me, but I’m too busy caring about my people being killed and colonized. I don’t have enough emotional energy to ignore my own deep pain and grief and focus on catering to other’s hurt feelings (which were caused by an unintended mistake and nothing else). We’re already deeply suffering and utterly emotionally exhausted, so have some freaking empathy and don’t demand that we should prioritize your feelings. And the most fucked up thig is: even AFTER I swallowed my own deep grief and pain and catered to their feelings; I was still called a racist bigot who didn’t really care about my own people’s suffering!!! I truly can not fathom this disgusting level of entitlement and lack of empathy.

Tone policing has many examples and it’s not limited to the one you mentioned. Also; claiming to “support” Palestine doesn’t mean shit when you nitpick and derail posts made by Palestinians and prioritize your own feelings over theirs. Don’t police, derail, or silence Palestinian voices. If you find something offensive; you can speak up, but keep the discussion in the DMs.  

[emma-what-son]

(Echee post) Emma Watson criticises 'dangerously unhealthy' pressure on young women

Posted on March 30 2014

From theguardian.com March 2014 Emma Watson has criticised the "dangerously unhealthy" image projected by the fashion industry and said the pressure to look perfect has taken its toll on her. The actor has also described her doomed attempts to merge into the background as a student at an American university, where she found herself being trailed everywhere by British photographers. After the recent New York premiere of Noah, she tweeted a photograph of the array of cosmetics – and a guardian angel pin – that she said were essential aids to her flawless appearance, and another of herself in a backless dress captioned: "I did NOT wake up like this." The actress said she is better at taking criticism these days than she once was. "As a younger woman, that pressure got me down, but I've made my peace with it. With airbrushing and digital manipulation, fashion can project an unobtainable image that's dangerously unhealthy. I'm excited about the ageing process. I'm more interested in women who aren't perfect. They're more compelling." Watson became famous playing Hermione Granger in the Harry Potter movies and has been constantly in work since. She is about to start filming a thriller, Regression, by Alejandro Amenábar and is also trying to complete her degree at Brown University, Rhode Island. She enrolled in 2009 for what would have been a four year course, but has taken several breaks for film work, and spent a year studying at Oxford. "After Harry Potter, all that mattered was university," she said, in an interview with the Sunday Times. "It wasn't always easy to break down barriers, as having men from the British press following me with cameras didn't help my mission to integrate. The American press, by contrast, "afforded me so much privacy", but her fellow students recognised her at once. "On the first day, I walked into the canteen and everyone went completely silent and turned around to look at me. I had to say to myself 'it's OK, you can do this'. You just have to take a deep breath and gather your courage."

GUARDIAN COMMENTERS SAY: So something like this Burberry campaign she did a few years ago? Hypocrisy at its finest. She flaunts with the fashion industry and enjoys its perks all the time, but hops on the 'female beauty' bandwagon and enjoys a moan when it suits her. I'd find her socially conscientious pleas convincing if she hadn't profited in the hundreds of thousands (if not millions) from the big, bad, evil fashion/beauty industry. A few years ago, Emma Watson appeared in high-profile advertising companies for posh Paris fashion house L'ancome. I'm guessing she was handsomely remunerated for her 'work'. Certainly she was not forced into letting her photo shopped image be used to market expensive cosmetics and perfumes. Did she only discover how 'oppressive' the fashion industry is when L'ancome cancelled her lucrative contract? Ms Watson is essentially a third-rate actress, and her pronouncements on large and complex issues, such as the pressures on women, are so idiotically vapid that one is brought to conclude that she really can have very little aptitude for higher education. I mean, her comments are hardly indicative of an educated person, or even of a moderately literate or intelligent person. By the way, I understand that she spent a year at Oxford as a visiting and/or exchange student while enrolled at Brown. How come? She is a British national, and so by rights she should not have gone to Oxford on a visiting/exchange student programme, irrespective of whether she happens a student at an American university. If I am wrong about this, then I should like to have some explanation as to her status at Oxford, and how she came by it. Otherwise, I suppose that one might be forgiven for thinking that it is yet another case of a once respectable academic institutions bowing down before the false idols of celebrity and money. (This is quite apart from the fact that all that one has read about her since she began life as a student concerns her acting career, her modeling and her various boyfriends.) SOME COMMENTS FROM THE DM ARTICLE Notice how it's always people who are very aware of how attractive they are that babble on about how it's okay to have physical blemishes? I'd like to see an ugly person say the same thing. Only someone young, beautiful and with her whole life before her can say that, and mean it. Sometimes, her comments maKe her more stupid. Get lost and Wingardium Leviosa. What a daft thing to say. But, then again, this is coming from someone who can't seem to finish uni. I feel like I've aged about 10 years reading this article. Annoying girl. Not only annoying, but also pretentious and disingenuous. ^None of this is my words. It from commentators from two sites emma-what-son posted many more so check out her page

Here's what I think As for what she is saying about Brown it's a complete 180 from how she described it before 2013. In 2013 she started to elude to the fact it was not as great as she made it out to be. She gushed how wonderful her experiences had been to so many magazines. Now I think she's looking for pity and to have excuses why she never stayed at Brown. She preached how she was staying put. I am so fucking tired of having to post quote after quote proving my point with this when she lies time after time. She is not honest! What the truth is doesn't matter because she always lying. It's a constant thing with her. As for the pressures on women she is really a piece of work. The guardian commenters summed it up nicely. She had no problem attaching herself to Burberry and Lancôme. She's had no problem giving them praise and talking about fashion and make-up in just about every interview. That part where she talked about photo shopping and air brushing. Just wow! Did she see the Wonderland magazine she edited? Some photos it didn't even look like her. She'll continue allowing her image to be manipulated no matter what. She thinks she’s aging? She still looks 15 without all the make-up and photo shopping. Last year she was stopped at JFK because they thought she was a unaccompanied minor. Did you know one of the product she pushed when modeling for Lancôme was an anti-age cream? That's the dumbest comment in her entire interview. But really she's said this kind of stuff the last three years and most notably in 2011 where she had a various quotes about body image and being comfortable in your skin. I wont bore you with those quotes since I have before. She gets lauded for those comments and people place her in role model status but when you closely look at it they were just words that meant nothing at the time other than to make people think, “Emma is so anti-Hollywood!! She’s a role model for women and young girls” but meanwhile she never believed in any of it in the first place. At the time she said those things she was at a more healthier weight than she ever was. In 2011 you can tell she either stopped working out or ate more. I thought she looked her best then. Now she’s back to stick thin and even surpassed it a way IMO is unhealthy. She sending a bad message to women. From standard.co.uk July 2011, “She sees modeling as an extension of acting, in fact - just playing a role - but is conflicted about its demands. “I think the pressure the media and the fashion industry put on women to look a certain way is pretty intense. There’s a certain tyranny to trying to achieve that kind of beauty. I don’t know, I’m maybe not the best person to speak about this because I obviously completely adhere to it,” she laughs nervously. “ ^She really needs to start taking her own advice and quit being a judgmental hypocrite. Not just with this topic but everything she tends to speak out against that she does it herself. Recently she tweeted a photo of all this make-up and I posted this on my tumblr days ago

^Same phone in this photo is what they're using in the bottom photo that I also posted on tumblr She said something else recently (Sunday Times interview) that is just typical Emma. I covered this a few times. From emmawatsonbelgium.blogspot.be March 2014, "For someone who has starred in eight blockbuster movies and is worth an estimated £30m, she is endearingly modest about how green she felt leaving Harry Potter behind in 2011. Emerging from that magical machine was “really intimidating”, she says. “I’d done two tiny plays when I was, like, six and eight, but I wasn’t driven to act. I wasn’t doing Oscar acceptance speeches into a hairbrush." Yeah it might have no been a hairbrush but who knows she could be lying about that. She'd practice her speeches in mirrors. From telegraph.co.uk July 2007,  "Pauline is utterly obsessed with being an actress and I was just like that when I was younger. I dreamt of it. I practised speeches in front of mirrors. Whenever there was a part at school, I went for it. I was probably a bit of a show-off in the sense that any chance to get up and be seen, I did it. I was such a drama queen. I used to wail and moan and cry, and little things were blown up into being big things. I don't know how my parents stood it, really. I've grown up a bit. I've had to. I actually really want to be an actress, a proper actress who makes it her career. I'm always expecting to be found out and I thought, If I'm no good, now is the time to find out." She really wants people to think she all of a sudden wants to act. What I think is she is really trying to distance herself from her lack luster post Potter career by making it out like she now wants to act and that’s why she has no lead roles because her resume does not equal her hype. The last few years she’s separated herself from “always wanted to be an actress” to “I was not sure”. She’s being disingenuous as usual and people believe it. Plus she said she did modeling so directors and producers would look at her differently so that's why she used Burberry and Lancôme. And she did a course at RADA in 2008 so if she was not sure or didn't want to than why did she do these things? One more thing from the Sunday Times interview From emmawatsonbelgium.blogspot.be March 2014, "It’s about as close as she’ll get to revealing anything about her newest relationship, with Matt Janney, rugby hunk and Oxford’s most eligible bachelor. “I can’t comment on it, I’m sorry,” she says, suddenly jumping up and hastily bundling her things back into her bag, which has exploded across the sofa beside her. “I’m trying to keep my private life sacred, although I don’t want to lock myself up and never go out. So I guard it, because I don’t date people who are famous, and I don’t think it’s fair that, all of a sudden, intimate details of their personal life are public as a direct result of me. I find that so uncomfortable, and I wish there was a way I could protect those people, but it’s not in my control.” When I suggest her boyfriends are consenting adults, she looks worried. “But you don’t choose who to love, who you have feelings for, do you?” She throws her phone into her bag and retreats home to pack, as she’s flying to LA. Just a normal girl, then, off to present an Oscar."

So she can go to international magazines and complain she can't find a man or that men are intimidated by her? She had in the past before Will Adamowicz. It was in almost every one of her interviews for a few years. So she can use Matt Janney (this new guy) on a beach in a bikini PDA session as a publicity stunt to cover up her ex boyfriend being caught rolling coke bombs and also use him to product place an iPhone in Madrid but she wants to keep it private? And she doesn't date famous guys? What about Johnny Simmons (Young Neil) and George Craig (Front man for rock group One Night Only)?  If you can Google their name and you see them in movies or music videos, they're famous.

[thedogsled]

You seem to be having a not a great day today, so here's a light-hearted ask. I'm having a good day, curled up in pjs with cuddly pets watching Leverage with my sister. Leverage is one of my favorite shows, because it's smart and fun and has great characters that grow over the seasons. Besides Supernatural, what's a show you really enjoy and why?

Thank you so much for the ask! I’m sorry I didn’t reply to it sooner, I’ve come down with a head cold and this is really the first day in several I’ve been able to compose more than a tweet about how much it sucks (swallowing = a knife jammed right into my inner ear, it’s super fun). But I did want to answer your question so I’ve been musing on it since your ask came in.

If it was just “what’s your favorite show right now” it’d be an easy answer: The Boys. The Boys, back to front, front to back, upside down and inside out. The first season was fantastic, and it felt like it woke me up to being excited about TV again after my interest in The Walking Dead waned mid-season. Everything new has seemed very plastic recently, and even The Mandalorian, which is super cool, is kind of like the Cartoon Network dub of Dragonball Z, so Disneyfied in its bloodlessness that although I’m enjoying it it feels even more synthetic as a result. The Boys was the opposite of that, and also just whoever invented Karl Urban, period, just deserves a nobel prize for that masterpiece. He pronounces twat wrong (okay okay it’s a dialect thing) but you can’t have everything =D

So instead (and because it’s cheating that I can pimp The Boys and wax lyrical about loves of old) I interpret your question as sort of like “Which show is your comfort food?” Which show do I go back to when I’m feeling like TV needs to give me a cuddle. I had a good think about it, because there’s a few…

(aside: I shouldn’t have put that gif in before I started writing. ahem.)

There’s been a few over the years, for sure. As a thirteen year old I used to watch and rewatch Buffy episodes, mostly season 2 (baby Spike!). At eighteen, it was old VHS of Deep Space Nine, my favorite ep was “Wrongs Darker Than Death or Night” which I watched repeatedly and think about constantly even today. 

But the show I keep coming back to is due South.

This post is a long post, it also deals with discourse (because my relationship to entertainment is so often mired in it, so please don’t proceed if you’re rather avoid it) and this is where it begins:

Okay, so fun fact: I watched due South the first time it aired with my parents (I was about 9) and then when it was on TV again as a repeat, I recorded it on VHS by RUSHING home every single day from school with nothing else on my mind but sitting on the floor two feet from the telly to watch it. Quantum Leap was on right after, and I had an entire different set of VHS tapes to record that on, so had to quickly switch between them. I’d stop recording at every break so that I could get more episodes on a tape. It’s not unsurprising to me now that both shows vibed with me as a young person who hadn’t yet really accepted that she was queer; due South’s main character is coded as Other both to the Americans whom he lives with, and his fellow Canadians, while Quantum Leap explores a straight white man jumping into the lives of Others, and living through them some of the hardest moments in their lives. Even though both keep it exceedingly, textually hetero, one has two men riding off into the snowy sunset together (leaving behind a straight lover to do so) and the other features a love between two men that in the original framing of the finale would have seen God/fate reconnecting the two of them even though one was lost in time, and the partner’s wife begging him to go.)

Of course young me didn’t give a shit about that, or didn’t realize that’s what she cared about. Young me loved the buddy-cop partnership of both shows. Young me liked the half-wolf, and the episodes where they ride horses, and honestly just waiting with bated breath to find out where Sam would jump to this time. “Oh boy!” Retrospectively, these shows (especially QL) are a lot more oh boy in a yikes context now than they used to be, but it’s good that shows age into yikes territory because it means that society is steadily advancing. Particularly, pointing out that these shows both feature white straight guys like…welcome to the nineties.

I was introduced to queer coding in part by watching due South. The show is laden with it. With writers, actors, and ultimately an executive producer who was all three, it makes you wonder if they would have gone there if they could; certainly the ending reads that way. They couldn’t, of course, because it was the nineties (and it was CBS that revived it after enormous international fan demand). Still, there was just nothing else analogous to what we have now that was going there on TV at the time. If you were queer (or discovering your queerness) then watching the show meant everything, as it did to me. So I snuggle up on the couch often these days and go back to that, because it gave me such joy, and because I was left with the opportunity to decide for myself how deep the relationship was. There was no promise of anything, because the context at the time was of course you can’t go there, nobody can go there. Queerbaiting was a word that simply hadn’t been breathed. There was no intent, no companies behind the curtain pulling strings going “Yes, make it more gay, we want those queer dollars”, just invested people slipping what they could past the studio censors.

Like this:

Sigh. A less enlightened time. =P (Incidentally fun meta here but this was after a conversation where Ray suggested that communication in a relationship should be intuitive, like breathing.)

So I guess in part I escape back there because none of that representation was ever as loaded as it is today. It doesn’t require me to judge it, or weigh it against the harm it does - because the politics of the time meant I thought it was doing good (retrospectively, and only through the lens of someone who had nothing to lose). It seemed to scream out into an unyielding universe to force it to move. It did a fraction of that, because of course it did. It was the nineties. It stole indigenous narratives and romanticized colonialism just as much as it beat the drum of environmentalism and kicked at the doors of corporate greed and racism. Old shows are inherently problematic. Today’s shows are too. Being able to examine them doesn’t mean not loving them, but it lets you say “Okay, so what do I expect from the things I watch today? What do I expect from the things I watch in five years time?”

All that aside, the show is just damn good. It’s watchable and rewatchable. It struggles to age because it was already so out of pace with the age it was made in–despite its flaws in representation, it was better than other shows at the time that demonized, tokenized, or outright killed minorities to push white narratives on their own shows (Kendra being murdered on Buffy, for example). It’s standalone enough that you can go back and watch any episode you like because overarching story arcs were way less of a staple as they are today.  It’s witty, fast paced, full of action and moral dilemma, do gooding and the consequences of it. Although still severely unbalanced, and very, very white, it did still have indigenous actors playing indigenous characters, and minorities portrayed in stories about them. There’s a dog. There’s classic cars. And it’s all put to the soundtrack of Canadian bands and singers. 

tl;dr ahead for rambling about subtext and being a disaster queer, but please scroll past for more gifs.

Queer me needed this show, in a world where I’d been taught to look and see myself in straight white male protagonists, it felt like A Lot to see all this on screen. It wasn’t, but it was all I got when I was growing up. I envy the good fortune of kids who can see themselves on screen these days while they try and figure themselves out (and hopefully more so in the future) with far less of having to negotiate through the confusion of looking at it through confusing fractals of different lenses and instead just see someone who looks like them showing them that their POV is normal, heroic and wonderful. Those lenses fucked me up big time. Like I’m not even sure right now what flavor of queer I am. I cling to bi like a lifeline of sense in my life, but it is complicated because I overwhelmingly desire the company of women way way more. But also I was was taught to look through the lens of a white dude in order to see myself universally, taught to be both desirous of the female body and humiliated by it, ashamed by sex, taught men were awful, and taught that I was supposed to marry one anyway. I look at my sexuality/romanticism like it’s a meta puzzle that I haven’t figured out yet, wondering how to put it on paper, how to break apart the different influences I experienced as a youngling and as an adult to try and negotiate if I’m misreading my own impulses. How I was brought up, who I’ve known, the relationships I’ve experienced and seen in real life and on TV. I’m 34 and I’m still no more certain. Subtext is both my friend and my enemy. I hate it, and I owe everything to it.

So when I need a rest from giving a shit about any of that noise, I go back to my comfort food. I go right back to subtext, which gave me the tools I needed to desire romance that wasn’t heterosexual, that somehow was more intimate because it relied on longing stares and never stepping foot out of the closet, that was just someone liking another person without any expectation of sex just because they have opposing genitals, and their colleagues hassle them a lot. There’s nothing wrong with the sex, I write a lot of consommation of the feelings that I see bubbling under the surface. I have even grown to appreciate het romance when it’s done in a way that doesn’t reduce the woman to a love interest–I was thrilled when Simon Baker’s Patrick Jane got together with Teresa Lisbon in The Mentalist. Their relationship was filled with subtext too. Subtext isn’t a queer thing, it has a role in all well written romance. Hell, it has a role in terriblebad tropey misogynistic romance, too. And just you know basically all storytelling (and more). 

Queer romance existing only in the subtext, though? It’s heartbreaking explicitly because it feels like a story that isn’t finished, and that’s where subtext reliant shows can hand off the story to be finished by fandom itself. In due South, as I mentioned before, Ray and Fraser jump into a dogsled and ride off over the snowy horizon to “Find the hand of Franklin, reaching for the Beaufort sea”. It’s where I chose my meta name, as I’ve mentioned before, because that ending - that ending - handed us all the subtext so far and said “Here, take it, it’s yours now. Do with it what you like”–and we did. But that was twenty years ago. I loved that ending (I still think it was a very elegant solution) and it was expected and appropriate for a show that in itself is a “Faves Are Problematic” show, but that’s also why I get so passionate about discussing the subtext in Supernatural.

It’s younger than due South. While it may have begun back when Willow from Buffy had her first girlfriend, it is ending now, not at the turn of the century where a dogsled was still good enough to get the point across and none of us had Twitter. My own experiences, my lifelong queer confusion make it so I feel pretty damn bad for people trying to use Supernatural as a medium for their own self-exploration, using characters from SPN as their lenses. A show these days that makes bank on those tropes and doesn’t inform its audience (positively or negatively) is doing so irresponsibly because of the modern context in which the show presently (not historically) sits, and the increasing awareness of the issues surrounding it. Networks, then, are ultimately responsible for that, but they are in a way which is entirely different and far more directly culpable than they were 20 years ago, because people are out there making money out of those intentional subtextual devices. They chose to do it; took a deep breath and backed right up away from Gamble’s problematic queerbashing tropes, chewed it over, then hired gay writers and dived right back in with more grown up, progressive, and less shitty subtext–but still subtext. 

This show that ended 20 years ago was able to cross way more lines with subtext in one episode than Supernatural has done sometimes in an entire season. It did so despite and because of it’s international audience, on a conservative network that would late purchase Paramount, and Star Trek, and ended with a powerfully subtextual ending. Supernatural, of course, is under a far more powerful microscope from the bigots than those oblivious to subtext back in the 90s could have ever produced. due South, like SPN was just “wholesome family entertainment” to a conservative audience that was completely oblivious by all accounts, yet was laden heavily with queer innuendo. It was also blissfully short, and existed in a social media world which consisted of Yahoo groups and not much else. 

In modern context, Supernatural gets a fox in the henhouse treatment from that same audience, and acts accordingly (when it’s not using that same subtext to deliver earnest Fuck You’s to that audience). While I expect Supernatural to bravely - even considering this scrutiny - deliver a dogsled subtextual ending on a good day, there are bad days, too, because the queer subtext has been underlined so loudly that everyone can see it, because it’s “practically text”, because the bottom line is increasingly more concerned with satisfying those bigots (even while they mock them), and because queer fans are “too loud” about what they want. How dare they. /s The pushback caused by being loud about things you care about, the bigots actually seeing subtext in front of their noses, isn’t bad because now they know what we’ve been doing all along, and we won’t be able to get away with it any more; it means they’re becoming more aware of narratives other than their own. Yes, some people will push back, but “when you’re accustomed to privilege, equality feels like oppression”, and they can shove it right up their asses.

All I ever ask of myself when I interrogate my present day viewing experience, is this: when I sat as a youngster watching due South thinking “This subtextual ending is enough for me”, did I truly believe it was okay to be watching a show about two white guys with a subtextual ending 20 years later? Was that the future I dreamed of and aspired to? Would I be disappointed? The answer is yes, I am disappointed. No matter the whys, the fundamental and societal reasons–I am disappointed. I still love the show probably more than I should, but I am disappointed in the society it sits in - which is increasingly capitulating to far more powerful global financial powers than a couple of red state homophobes - and I’m disappointed in the way we’re treating each other for even caring, and I’m disappointed in myself, too, for being naive and imagining we would be much further down this road now than we are. But we are a capitalistic society, and being both the commodity and the customer should be a surprise to literally nobody at this point. It doesn’t mean you have to like it.

And if you don’t feel that way, that’s okay. We all come from different places. We have different perspectives. We need and want different things, for different reasons, and find joy in different things for different reasons. Variety of opinion is as much a wonderful thing as it is completely terrifying.

I’ve wandered somewhat off topic, so I’m going to go back to the show I love, my chocolate pudding and custard comfort food TV show, and the long stares and the beautiful uncomplicated subtext.

And sign off with half a dozen gifs.

Eye fucking:

Conversations in closets and bathrooms:

Going down with the ship

Intuitively understanding each other without a word spoken

His hobbies humiliate me in public

“Do you find me attractive?”

Sulking in the corridor while you reunite with your ex

This whole ep with original Ray:

And his wolf approving of both

Not pictured “I love you” “And I you”, “Get out of the closet”, actual hand holding when it’s unnecessary, formally handcuffing your buddy, getting stuck in an ice crevasse and a mini submarine together–and so so much more. I invite you to watch the show if you can find it (I have it on a really nice set of DVDs, but there’s some dodgy ones out there that look like they recorded the DVD straight off a VHS, so do check reviews) or else try and find it online. There was a Canada promoting YouTube channel which published both due South and shows like Slings and Arrows, which I recommend as well (It’s not actually bury your gays if the ghost of your gay best friend haunts you, right?) so you should be able to poke around and find a legit copy somewhere. I’ve bigged it up and talked it down, and wandered a long way off topic (that describes my relationship with every show, but especially when I recommend them) but I hope somewhere along the line I also answered the question. The way I hear it Leverage is a similar sort of comfort food, though I haven’t seen it. Sounds like I should put it on my To Watch list.

[sol1056]

Okay so i'm really confused. Who pitched the idea for the Voltron reboot? Did they write the original story or was that someone else? Who's writing the story now? Like i get that there is more than one person working on the story but like to take someone's vision of their story and to just throw it in the trash is just kinda fucked up ya know? I wouldn't want to work with a network if they're gonna screw over something I came up with.

It’s not a simple picture since there’s a lot of history. There’s three parts, behind the cut: who wrote the original story (vs the original-original), who pitched the idea for a voltron reboot, who’s writing the story now, and the issue of revisions. 

I must have at least three pages of asks that talk about Hedrick’s story and how the EPs butchered it… and I recently stumbled over something that made a few pieces click together. So, if you sent me an ask about Hedrick’s story and what he’d planned, you might want to read, ‘cause this answers a lot of your questions.

who created voltron

Back in the early 80s, the Koplar brothers purchased a license from Toei’s back catalog, and adapted/cut/rearranged the original GoLion into an American-only version called Voltron. GoLion hadn’t been much of a hit in Japan; it was kinda behind the curve. When the Koplars adapted it, Voltron was a huge enough hit in the US to warrant a second season, requiring new footage from scratch (mixed in with re-used stuff from the original season). 

The sequel (using a completely different anime from Toei’s back catalog) didn’t do anywhere as well. The planned third part was never made. Since then, there’s been reboots, comic books, idk what else. 

who pitched the idea

Long story short, Universal purchased a bundled archive of licenses. These are collected existing properties they could redevelop – anything from some no-name, one-season, failed cartoons to ones that were popular once and since forgotten. Voltron was one of those properties.

I doubt anyone pitched the idea, formally. More like, the execs saw Voltron in the pack and chose it for a reboot/remake. All they needed was staff to do it, so they interviewed potential showrunners. Around that time, JDS had pitched his idea for a Streetfighter cartoon. DW TV passed on JDS’ pitch, and instead offered him the position as EP of what would become the VLD reboot. 

(An aside: JDS and LM both talk up how much they loved Voltron as kids, but in early interviews they admit neither could remember for certain who Voltron’s ‘real’ leader was — Keith or Sven — all the way up to starting their interview with the execs.) 

who wrote the version we have now 

I’ve been operating under the assumption that as the story editor, Hedrick had a major influence on the story. I’ve also noted in several different posts that S1/S2 feels like a completely different story, in more ways than one:

As the story moved into the split-seasons, it’s clear that whomever lent that guiding hand in S1/S2 was no longer present. Someone else’s fingerprints are on S3, and my guess is it’s mostly Hedrick, at least on the script-level. The word choices change, the cadences change, the beats change. From S3 on, VLD has all the hallmarks of a muddy vision. 

A few days ago, I was researching for another ask and came across this:

On-screen, a “producer” credit for a TV series will generally be given to each member of the writing staff who made a demonstrable contribution to the final script. The actual producer of the show (in the traditional sense) is listed under the credit “produced by”.

According to IMDB, these are VLD’s  executive producers:

Joaquim Dos Santos  (63 episodes, 2016-2018)Lauren Montgomery (63 episodes, 2016-2018)Jae-Myung Yoo (24 episodes, 2016-2017)Robert Koplar (23 episodes, 2016-2017)Ted Koplar (23 episodes, 2016-2017)

We’ve been assuming Hedrick steered a large part of the story. If that were so, though, Hedrick should also have EP credits. He doesn’t. The Koplars have EP credit ‘cause they created the original Voltron. JDS and LM are on there, as showrunners. 

And then there’s this guy Jae-Myung Yoo. He’s done key animation, directing, and storyboards. He has a handful of executive producer credits, mostly for single episodes. Yoo left VLD in 2016, and joined Big Fish & Begonia as a co-producer. 

I think we just found the voice that steered the first two seasons, and whose departure left the story without a clear vision. 

Yoo doesn’t have any writing credentials, but his resume goes all the way back to Gargoyles in 1995. He doesn’t have to be a writer to be a storyteller, after all; there are different ways and methods of telling stories. My guess is Yoo’s a respected directorial voice around Studio Mir, understands how a story flows, and most importantly was probably a trusted voice after working with Ryu, JDS, and LM on AtLA and LoK. 

We’re left with one of two options: Hedrick stuck to the Yoo-created outline, rewriting and rearranging as the EPs shifted tracks, and the majority of the story’s direction since S2 has been from JDS and LM. Or Hedrick did have a substantial impact from S3 on, and JDS/LM refused to grant Hedrick the proper credit for that level of contribution.  

the issue of revisions

Television’s a wacky environment. It’s somewhere between collaboration and sheer hell, especially if you don’t come with major credentials (ie, your name is not Guillermo del Toro). 

Here’s how it starts: the showrunners, any other EPs, the writers, the senior writer/head editor/story editor (title depends on seniority), production assistants, writing assistants, and other producers will gather and brainstorm the story, and come up with a synopsis for the story’s outline. When the execs approve the synopsis (after probably a round or two of feedback), the expands the synopsis into a full outline of the entire story. 

The writers set about writing the script, which are sent to various execs for their feedback. The execs send their feedback — called ‘notes’ — to the showrunner. These are usually a jumble of responses (and a lot apparently tends to be personal taste, too), and also often contradictory. It’s the EP’s job to relay the exec response to the writers’ room, and make sure things get changed so the execs are happy. 

The EP (and the writers) must do a delicate balancing act, between budget, story, and sheer insanity like one exec demanding a scene be cut and another exec thinking the scene should not only stay, but be expanded. Or insisting on specific pairing endgames (or lack thereof). Or — as seems to have plagued VLD — saying the story is too dark and ‘needs more humor,’ which the EPs appear to have interpreted as ‘do more filler episodes that have no plot relevance.’ 

The first thing to remember is that most execs are not intentionally malicious. They will ask for too much, and they often have their own agendas, but their goal is a hit, not wasting a bazillion dollars for no gain. If you look at the credentials for decision-level execs at Dreamworks, every single one came up through the ranks: they’ve directed, produced, some were also animators, and at least one did either acting or voice acting. They’ve been doing this for awhile. My advice to any wannabe-EPs (or writers) would be that when an exec says, “kids are going to be bored stiff with this scene,” listen. I’m not saying automatically change it, just give it a fair listen. 

Collaboration is hard. It takes patience and good listening skills and empathy for the people on the other side of the table. It takes a willingness to bargain and enough strength to be vulnerable, and a whole lot of honesty about your own reasonings for wanting one thing or another. 

Stories created in the high-pressure hot-house environment of a collaborative group are a very different critter than one-author novels: no one person owns the story. Not everyone wants to sign up for sharing that creative process, and that’s fine, too. We do need books with good stories as much as we need shows and movies with good stories. 

Just color me seriously unimpressed when someone in a collaborative storytelling process constantly snarks about exec meddling. I have no sympathy: they signed up for this. If their creativity is so fragile it’s threatened by feedback, they need to find a different medium, ‘cause the collaborative world of television production is probably not the best fit.  

[scarletwitching]

I'm curious about Wanda's whitewashing controversy. Especially with the X-Men and Gifted buzz, you don't see nearly as much criticism over Erik or Lorna not being played by Jewish actors, or "Peter" being more whitewashed than either MCU twins. It's really jarring to see someone censure Elizabeth Olsen in one post while hyping Fassbender or McKellan in another. Obligatory "I know you don't like MCU questions," but do you think you could shed light on what seems to be a prevalent double standard?

I have no clue why people didn’t care when it came to Quicksilver in the X-Men movies. I saw someone say once that it was fine because Evan Peters “looks Southern European” and ummmmm………………. 

As for Magneto, I have some thoughts.

I think the big answer is here is “the US-American view of race,” if that makes any sense. The US view on things tends to be treated as default in English language fandom, and viewing goywashing (is that the term? I think that’s the term) as different to whitewashing is a very US-American view.

You’re assuming that Ashkenazi Jews and the Roma/Sinti occupy identical or interchangeable places in the great nonsensical mess that is race… stuff. I don’t want to get too deep in the weeds on this because it’s way above my paygrade and people tend to end up here when they try, but it’s not necessarily hypocritical for people to view different groups differently. Whitewashing takes more than one form, and a person might think one example is unacceptable, whereas another is a “missed opportunity.”

Plenty of people put Wanda in the “missed opportunity” category too. And others say that casting an actor who isn’t Jewish as Magneto is automatically not okay. The latter group tend to not be in X-Men movie fandom because it’s been twenty years and he still hasn’t been played by a Jewish actor.

Then there are people who are begrudgingly okay with Magneto being played by non-Jewish actors thus far, but would be extremely annoyed if they cast another Magneto who still wasn’t Jewish. (I’d say I’m in this camp.)

There are also people who think Magneto should be Sinti because he was for a time and none of these characters have backstories that make sense.

Putting all that aside, there are other mitigating factors, such as:

Magneto is established as Jewish in the first scene of the first X-Men movie. Unlike Wanda, who has three giant crosses on her bedroom wall. The obvious counterargument is that they can just make Wanda Roma or Sinti and Jewish at some later date, but 1) that seems to be firmly in Emma Stone in Aloha territory, at least to me and 2) Olsen herself is… yeah. She was cast half a decade ago and still doesn’t understand what her character’s ethnic background is. She’s never bothered to learn anything about any of this. She doesn’t care. Even if you think it’s okay for a hypothetical WASP-y white person to play a character who is Jewish and Roma or Sinti, I think this WASP-y white person has disqualified herself.

There have been Jewish creators behind the camera, shaping the direction of Magneto’s story in the films since the beginning. One of the reasons people want actors cast who are the same ethnicity as the characters is the cultural insights they can bring and the way that affects the overall product. While it’s not the same thing, having people behind the camera who are from that culture is also important. You may not like Singer or Kinberg or the choices they made (I don’t), but at least, they’re there. There are no Roma or Sinti creators deciding what happens with Wanda. Bendis and Loeb were on the creative committee back when Age of Ultron was being made so that’s two Jewish voices theoretically in the conversation at the beginning, but 1) I doubt the creative committee had much say and 2) it’s Bendis and Loeb. The guy who made everyone hate Wanda by making her commit a genocide, and the guy who made everyone hate Wanda by making her fuck her brother.

There are several other Jewish actors who have been/are currently in superhero movies, playing some of the most recognizable characters in the genre. Having other Jewish actors in the mix, even if they aren’t playing explicitly Jewish characters, takes the sting out to some extent. (For some people, not everyone.) There are no Roma or Sinti actors in any superhero movies. That voice is absent from the genre, on and off screen.

Then there is the second biggest thing, which is the performance. Whether or not people like the performance and the character overall affects how they view these things. The movie version of Magneto is generally well-liked, even though he murdered millions of people. Fassbender and McKellen have an easy confidence in the role that elevates even bad movies.

That said, my appreciation for Fassbender went way down when I learned certain things about his personal life. I feel uncomfortable with uncritically supporting him or movies he’s in. Why do people keep doing it? I don’t know. No clue.

Olsen has trouble imbuing her characters with personality. They tend to be defined by what happens to them, rather than internal characteristics. They don’t usually feel distinct from one another. Some of that is the writing, both in and out of the MCU, but it’s also her performances. That’s not me saying she’s a bad actor. Acting is an art. There are variety of skills involved. It’s not just columns of “good” or “bad” actor that you sort each person into. You can be talented in some areas and fail in others. In this genre, crafting a noticeable personality is key. 

(There’s an argument to be made here about MCU Bucky and how he’s supposed to seem empty for much of his screentime and the ways that’s different and also the same, but this post is NOT getting any longer.)

For me personally, there are other things that make a difference. Whedon copy-pasta’d Wanda’s background in the MCU from an Azeri-Iranian character in Millar and Hitch’s Ultimates 2. You can’t take elements from a character of color’s life and give them to a white character in the adaptation like you’re grave robbing a corpse.

…

Okay. Yeah, I guess you can do that, but you shouldn’t.

There’s also the issue of how the US military is handled in the MCU. That’s my biggest sticking point and why I don’t like posting about these movies. There is enormous cowardice in the way Wanda’s arc in Ultron is constructed. Some of Iron Man’s victims finally get a voice. That’s theoretically a good thing. But any scenes that acknowledge the US military’s involvement were cut. And Whedon chose to cast, not just an actress who isn’t Roma, but the blondest, palest actress he could find. And any mentions of their status as an ethnic minority were cut. And they do evil things that make no sense for no reason. And the movie does not care to explain their thought process. And they can only be redeemed by joining Iron Man.

The real problem here is the MCU can’t have brown people saying, “Iron Man is bad,” and explaining why they feel that way and not murdering random people to get back at him. The MCU won’t contextualize its main character. It won’t talk about the crimes he committed (war crimes), who he committed them with (the US and other military powers), and who he committed them against (mostly people of color).

So, if Wanda is going to represent his victims, she has to be white, evil for no reason, and act in completely nonsense ways. And that makes all of this even worse than regular examples of whitewashing.

[vodka-aunt-coran]

archaeology au???? i'm currently writing a shallura fantasy au in which shiro meets allura because he's an arch nerd so I'm listening

oh boy oh boy oK LISTEN

(ok sorry i’m adding a readmore. this got long. beware y’all this is ENTIRELY self-indulgent, like, 100%, and i don’t expect anyone else to enjoy it.)

this begins in college but it’ll extend to post-graduation

i’ll start with shiro, a poor, tired grad student who took a few years after his masters to split his time between CRM and projects whenever he got the chance, but now he’s back to fight for a PhD

his focus is on…hmmm…for now i’m going to go with historical archaeology, mainly focusing on the cultural interactions between china and japan?

shiro is also a TA! and each semester, whatever class he’s teaching, he like. straight-up adopts the undergrads in his section. there are four undergrads in particular who keep popping up. they are his children now.

matt is also a PhD student! he got 2 majors and 2 minors in undergrad, completed his masters really quickly, and then tried to go for a PhD immediately but burned out :x he’s back now! just under heavy supervision from shiro.

matt specializes in reconstructing paleoenvironment. this is done through paleoethnobotany (looking at old seeds n shit), sometimes geoarchaeology (looking at dirt n shit), AND getting climate information………………from ice cores.

(and lake cores but i know what the people really want to hear)

allura is like…everyone’s goals. she took her time getting her degrees (coughcoughmatt) and had a 4.0 probably, she’s worked on a frankly astounding number of projects, and people can hardly believe she doesn’t have a PhD yet.

i’m not 100% sure what allura’s specializing in. i feel like she wouldn’t either? like, she’s worked on such a variety of projects that she took a while to figure out what she really wanted to stick with. my guess is that, like matt, she decides to focus on technical rather than area so she gets to work all over the place. i’ll go with…osteoarchaeology. aka. bones n shit.

that’s right allura’s the badass who gets to work with burials and is probably cursed 93% of the time

her dream job is working on the domuztepe death pit

(don’t look up the death pit if you’re squeamish and also bc the information won’t be as good as if you dm me for the deets update: i made a post concerning The Deets, but proceed with caution, because it is about horrific deaths)

allura and matt are TAs too but matt is not super helpful if it’s not about his own field? and allura is rly intimidating. so people generally just go to shiro for help.

The Children are just undergrads BUT what they end up specializing in:

keith: warfare lmao boy loves his weapon artifacts. he’s like. A1 at identifying them too, show him an old sword and he’ll be like “oh yeah that looks like a viking design from the early 8th century”

lance: he rly…rly likes working on sites near water…like every time he gets to work on a shipwreck or anything underwater his soul grows brighter. that being said, i wanna say his specialty is in preservation and possibly curation? so during important digs he’s on site and nagging everyone to be as careful as possible

hunk: does a lot of lab work! he’s like. the king of the lab. need that sample carbon dated? hunk’s got you. need to know the composition of that ceramic? hunk’s your guy. need lipid analysis? bring it to hunk. he can even get the ancient XRD machine to work, even though no one else can figure it out. he’s a legend.

pidge: …i want to make a her a paleoethnobotanist so bad. but like. i know she wouldn’t simply bc matt’s already doing that and the independent will of second children is strong.fcuk it, she’s a paleoethnobotanist. she’s ridiculously good at identifying samples, and usually ends up helping matt with it. she’s also really into reconstructing diets and stuff and gets excited when she gets to work with stable isotope data.

bonus! shay is a geoarchaeologist who asks for hunk’s help mayyybe more often than is strictly necessary. then again, hunk will sometimes ask her opinion on samples when she’s pretty sure he’s already interpreted it perfectly. a modern romance

ok some more nonsense about them follows in no particular order

all of them are rly passionate about combating looting, collecting, and other destruction of sites. keith almost dropped a collector at a convention once. shiro held him back, but they still got kicked out bc while his back was turned allura and lance were cursing out a rly skeezy (but rich) curator.

shiro: hunk, why didn’t you stop them?hunk: [writing a paper about the museum’s poorly provenienced polynesian artifacts] what?

shiro is more careful about who he brings along to his academic conventions.

i mean. obv he also wrecks these garbage people. but with heavily researched papers n shit.

[while in undergrad]professor holt: ok class today we’re going to watch a documentary on the excavation of this famous site in the 60s!whole class: [cringing at the poor methodology]professor holt: i know, i know, we’ll roast our predecessors after the video is over

keith and pidge are huge conspiracy theorists right. like. aliens are real and out there, you know? so you’d think they’re all about those aliens built the pyramids stuff

some loser: hey you know how the aliens built the pyramids right?keith: ok listen math and astronomy existed before greece there is so much evidence showing that the egyptians themselves built their pyramids and there’s a clear progression from stepped pyramids to perfect ones and the fact that stepped pyramids appear around the world doesn’t mean anything more than making it obvious what the easiest way to build a large structure is and while we’re at it let’s talk about the nasca lines–

basically they call out Certain Theories for what they are bc…like…bro didn’t u notice that u only claim aliens abt incredible achievements when the people aren’t white

shiro: so, wait. if you don’t believe that aliens interacted with prehistoric peoples, why do you believe in them at all?pidge: because they infiltrated european politics beginning with ancient rome and have currently shifted their focus towards controlling american governmentkeith: [pulling out a Conspiracy Board] do you want to see our research, we think it could be our thesis project

like how pidge and keith are into aliens, lance deeply believes in ghosts. he’s convinced that allura has a million curses on her and the fact that she’s still perfect is evidence that she is A Goddess.

allura: lance, there’s no such thing as ghosts. you won’t be haunted or cursed if you help me handle this burial.lance: …alright, fine. only for you.[three days later]allura: [picks up phone] hello lance. how are you?lance: A TREE FELL ON MY CAR YOU LIAR

[at a historical site w shiro]lance: so uh. how many ghosts do you think are in here.shiro: oh my god, you’re just as bad as the other two.pidge: don’t group me in with that! i know ghosts aren’t real.keith: eh, they might belance: you work with violent deaths, how could you sleep at night believing in ghosts?keith: i’m not a coward like some peoplelance: !! i am not a coward!![door slams down the hall]lance and keith: [sprinting back outside]

lance gets on everybody’s case abt what they should and shouldn’t touch, and how to bag things, etc

when anyone wants a lipid or dna sample run, hunk makes sure that lance is there to make sure they properly handle the artifact sharon if you don’t wear gloves and the facemask all your research won’t count for shit

keith is The Worst at bagging and labelling his shit like. lance sometimes just makes a point of coming to his digs for the express purpose of labelling all the stuff for him.

lance: keith are you really going to make me waste shelf space on all these soil sampleskeith: [softly] lance i don’t know why the fuck we even take soil samples this isn’t my job

lance made the mistake of going to pick up boxes of artifacts from the holts on april fools day. when matt ‘tripped’ and dropped the box, it didn’t matter that it was really empty, because lance was already in tears. shiro had A Word with them. pidge and matt had to be a lot nicer to lance after that.

allura and keith work together pretty often bc. y’know. war stuff and remains tend to overlap. they’re besties with a sense of morbid humor to rival shiro’s.

allura: keith you’ll never guess what happened to this femur!keith: it looks…bad?allura: yes. the individual was killed by a boiling tar poured over the nearby wall!keith: i guess he didn’t get a heads up?allura: haha!! exactly!! or else he would’ve suffocated horribly!!both: [laughing]shiro: [hunched over faded old documents] god i wish that were me

pidge: hey lance, i was sieving through dirt from the hearth area for seeds, but i think i just found a tooth?lance: oh god ok put that back i’ll call allurapidge: dude it’s just a tooth, it might not even be human. i think we can handle it.lance: what if it is!! where do you think teeth come from pidge!!pidge: look, someone just happened to drop a tooth in the fireplace!!keith: hey guys i think i just found a skull in the hearthpidge: DAMN ITlance: AHA!!keith: not the reactions i was expecting but,

hunk: keith, i need to break off a piece of it if you want composition. you know how this works.keith: [cradling knife to his chest] but i love her

(update: here are a few bonus additions to this, since this is more or less the main post and this is main stuff)

[gxrlcinema]

In no particular order:

Someone To Watch Over Me by obsessivereader

Explicit | 24k | Smut, Angst and Fluff all in one?

One cold, winter's night, Steve Rogers, retired Special Forces operative, finds an unconscious young man in the woods surrounding his property. In the morning, the stranger wakes up and Steve is left with plenty of questions about the beautiful young man with guileless eyes and a sheepish smile, who speaks with self-deprecating humor as though there isn't a bruise on his face and restraint marks on his wrist.

he loves me cause i'm cute, he thinks i'm pretty funny by its_tortle

General Audiences | 2.5k | Fluff

He watches it back one more time after it posts, checking for typos in his subtitles and captions, and has to laugh again.

Steve fucking Rogers? His brain thought he could pull Captain America, literal superhero and America’s favorite sweetheart?

“Hello I’m a 35 year old amputee living in New York and I think that I could get Steve Rogers.”

OR

the one where bucky posts a tiktok and steve is utterly smitten.

Mistake on the Part of Nature by idiopathicsmiles

(I think this is the most read Stucky fic on Ao3? Or was at some point?)

Teen | 1.2k | Fluff

Steve takes in Bucky's betrayed look and Sam's confusion, follows Sam's gaze to the pile of mangled fruit in the trash can. Sudden comprehension fills his face.

"Oh," he says. "Bucky found out about bananas."

In which an American icon is mourned. But probably not the one you're thinking of.

EXCLUSIVE: Captain America's First Interview Since 1944 by LittleMargie

Mature | 13.8k | Steve-centric

In the first interview Rogers has given since coming out of the ice, he speaks candidly about his life pre-serum, how much the cost of bread has risen, and his relationship with Peggy Carter.

Oh, and how he was married to Bucky Barnes. That too.

A Long Winter by dropdeaddream, WhatAreFears

(This is like, the Stucky fic. The one that people consider real literature and get tattoos of and reblog gifsets of Steve and Bucky with quotes from this fic. I tear re-reading certain passages. )

Mature | 35.7k | Angst | Part 1 of 3

In 1945, Steve Rogers jumps from a nosediving plane and swims through miles of Arctic Ocean to a frozen shore.

In 1947, Steve Rogers marries Peggy Carter.

In 1966, the New York Times finds the lost letters of Sergeant James Buchanan Barnes.

When I'm Looking Up at You by daisyridlay

Teen | 44.9K | Angst with a Happy Ending AU

Steve had never wanted to kill Nazis, he had only ever wanted to do the right thing. But Steve is gone, and the sole reason Bucky Barnes had remained standing with the noose loose around his neck is revenge. The green boys at camp call him America's soldier, the Soldier, the Captain. He is the man who always, always escapes death and wins despite all the odds.

And so Captain America may be the one who leads the raid on the compound and bravely battles the Red Skull to a desperate end, but Bucky Barnes is the one who flies the plane into the Arctic ocean, finally longing for the cold.

Or, alternately: someone who is not named Steve Rogers stands in the middle of Times Square and screams.

if you're looking for jesus (then get on your knees) by voxofthevoid

Explicit | 18.1 K | Smut with plot | Part 1 of 3

Hot damn, is his first thought.

Threat assessment follows close on its heels because Bucky’s a goddamn professional.

Military, definitely. Male, built like a goddamn mountain. Bucky stares helplessly because shoulders that broad should be illegal. It’s the face that really fucks him up though. Hair as silver as the star on his chest, swept back from a face that’s all hard angles and deep lines. There’s a beard too, covering a jaw that looks strong enough to sit on, and its white is peppered with bits of dark blond, which should look ridiculous but doesn’t.

“You seem to know my name,” Bucky says, plastering on a charming smile. “Only polite to return the favor.”

“If you’re banking on politeness, you might be in the wrong business, son.”

Jesus, Mary, and motherfucking Joseph. This is how wet dreams and porn clips should start, not a goddamn interrogation.

Or; S.H.I.E.L.D Agent Bucky Barnes is captured on a mission and meets Commander Steve Rogers, the erstwhile Captain America.

I would also recommend @turtle-steverogers here on Tumblr.

Hi!! i was wondering, do you or your dear followers have good Stucky fic to propose? im kinda getting into it now but theres like 2299 pages on Ao3 😭

I unfortunately never have made a fic rec for any of my ships, mostly bc my preferred method of finding fic is just sorting by kudos and scrolling until I like the premise of one, but the notes are open if anyone has any specific recommendations !