THE ACOLYTE
finally finished the acolyte. it was decent, but a lot of my initial criticisms remain.
it’s a great show, if solely taking in costuming, effects, and action; story-wise, it’s adequate. and only just. because the storytelling potential far exceeds the reality of the series. and sure, some of those deficiencies are because it’s a show borne from a familiar, giant property that is beholden to legacy, and overly specific expectations regarding how that legacy will continue. but a lot of its shortcomings are also series specific. namely, the extremely lacklustre writing that withered and stalled so much, that the strings were beyond obvious and often pulled me out of the story. definitely made me wonder just how much studio interference was happening behind the scenes. because some of what aired was genuinely baffling. never terrible or unsalvageable, but certainly subpar. given the premise, this series should’ve been witty, gritty, unnerving, and affecting. not to mention fun! it’s a show that centres a fascinating mystery, with deeply connected yet diametrically opposite twins who only know half the story and have each been manipulated into fulfilling someone else’s ideas. their mothers are hot as fuck ever powerful leaders of an extremely compelling lesbian* witch cult! there’s a wookie jedi! the universe is expansive and odd and cool! and yet. it could all be chalked up to a whole lot of cyclical situations and stunted motion that, for all it’s heavy handed motions, did very little to convince me not only of the destination, but also the journey.
and that lacklustre feel & execution is completely on the writing. the characters are well acted, vibrant, fun, and compelling. but even the best acting can’t elevate a weak script. and because a lot of the writing was so underwhelming and flat, characters and stories that should’ve been gripping and fascinating, were instead limp, cliche, and sometimes silly in a way that grated. and this isn’t me not liking a joke or some cool aliens; i love a silly goofy time!
my issue is with the stilted dialogue, excessive exposition, and overly telegraphed motivations. i know this show will reach a broad audience, but ensuring that kids will understand your character’s actions and motivations is one thing. stiff, self conscious, overly repetitive writing is another. way too much telling and not enough showing and that’s saying something for a show where 2 out of 8 episodes are complete flashbacks, but it’s the truth. half the maneuvering should’ve been edited out or into something sleeker. yes, this show was under a particularly nasty, unfair spotlight and im super impressed that creator leslye headland still managed so make so much of it her own, despite all the pressure. that being said, there was a LOT of unnecessary over explaining and blatant manufacturing that ended up undermining the execution of what should have been a cool new entry into the sw canon.
also unfortunate, was how obvious it was that the writing was far more concerned with manufactured moments of shock and slight of hand, rather than organic and convincing storytelling. a strange case of wanting to conceal, yet spelling out even the smallest details because they don’t trust the audience. again, idk what was going on behind the scenes wrt to the studio, but looking at writing credits, it’s clear that headland is the weakest link. the episodes she co/soley wrote were the most scattered, obvious, and bland, with dialogue that was so transparent it bordered on juvenile. in contrast, the episodes others wrote, were more compelling, cohesive, and complex. not sure what’s going on there, because with my minor googling it’s clear she’s a fan. maybe someone needs to get ole girl into a writing workshop? show-running is difficult and writing even more so—ask shonda rhimes!—but something definitely needs to be done. because her ideas are incredible; it’s the storytelling that loses me.
but even with all its issues, this show is a worthwhile watch. if only for the action and performances. everyone was doing their thing and the sets and costuming were wonderful. i also loved that i could actually SEE what was happening on my screen. quite literally one of the bright spots of the series. unlike so many current shows that seem to be lit with fairy lights and imagination, there was no foolish lighting here.
i also appreciated that i was able to come into this show with no prior knowledge of star wars and mostly get it. there’s something to be said for a series that doesn’t over complicate a first time watcher’s entry into its universe.
but right now, it’s a show that’s operating at a 6. and the potential is there. with tighter writing, slicker pacing, and more finesse overall, it’s an easy 10.
*im aware that the creator said that the TWO MOTHERS who were very AFFECTIONATE and RAISING CHILDREN weren’t meant to be seen as a couple but LOL. that take is very much disregarded in my house. bc idgaf what she meant. i have eyes and ears and am also not stupid. <3
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