#should she enter her villain era

[charfletchh]

who: @ironlvngs

where: g's rave

"hey you," her nails dug into his arm even as her voice was sweet as sugar. she was relishing her place of power, however tenuous- maybe she understood him a little better now. it was nice, knowing other people's secrets. "you'll never guess who i ran into earlier tonight!"

[lycheelovescomics]

aren't you tired of being nice meme.jpg

[chvoswxtch]

i'm on my second rewatch of daredevil & I just finished season 2 and i have a LOT of thots about elektra so i'm going to rant under the cut so here's your warning or psa if you haven't seen the show or are in the process of watching it i am mentioning spoilers so beware !!!

first things first i feel like i need to preface with the fact that i was OBSESSED with the 2003 daredevil movie like i rented it so many times at the video store the guy working there fucking gave it to me LMAO and i remember thinking jennifer garner in that movie was THE baddest bitch and I wanted to be her so bad

that being said i fucking LOVE elektra natchios and i was so fucking beyond excited the first time i watched the show and she showed up and i especially love elodie yung's version i thought she was absolutely perfect

here's what annoyed the shit out of me though: they set her up for failure; let's get into it

i feel like a lot of people don't like her for whatever reason and i feel like a lot of that has to do with her history with matt so let me just say i think her and matt were super toxic and did not belong together because they were constantly trying to change one another and yes she did a lot of shitty things to him but she was literally "hired" by stick to ruin matt's life so that matt would come back to stick and in the end she left because she realized matt was way too good and didn't belong around her OR more importantly around stick because he would never be like either of them

from the second they introduced her in the show, they are trying to make you not like her by making her seem like this selfish entitled person who goes around ruining lives for fun. i've also seen a lot of people blame her as the reason that matt & karen never worked out but like that is straight up matt's fault in my opinion ok homeboy did that to himself

as far as morality goes, i think a lot of people gloss over the fact that elektra was literally trained to be a killer since she was a child. she was a young girl that was taken from her family, essentially thrown into a cult that brainwashed her and filled her head with horror stories about a war that was coming she needed to be ready to fight at all costs

we all know stick was an emotionally & physically abusive piece of shit (we saw the way he treated them both) but i think everyone forgets he was way worse with elektra and way harder on her and i don't know if what happened with her is what made him approach training matt differently but he was undeniably easier on matt (matt was getting pushed down in a basement, elektra was getting the shit beat out of her by grown ass men)

elektra was trained and taught to be what she was and constantly had people like stick and the hand telling her who and what she was and making her feel like she was some kind of evil monster over something that was totally out of her control

i think the only good thing that came from her and matt's relationship is that he made her believe in herself and that she could be good because he saw it in her and helped her decide who she wanted to be instead of what she was told to be

i truly think more people would like her more if she were a male character because she has a lot of the same characteristics as matt (tragic backstory, sarcastic witty drama queen, charming & overconfident, anger & daddy issues, total badass, hot) and even frank (has no problem killing when they think it's justifiable, will do whatever necessary despite the moral consequences, looks good covered in blood) which is bullshit in my humble opinion

let women go feral!!! let them be messy!! let them deal with things humanly & realistically!!!

i personally love characters like elektra natchios and jessica jones because i can relate to them like i can feel their anger and their internal conflict of being who you want vs who everyone expects you to be and drinking in excess to cope instead of dealing with your problems and having a short fuse (especially with annoying ass men who think they know better than you) and just being tragic fucking human beings trying their goddamn best

this is also why i love karen page so much because she is deeply flawed and has a dark past and acts impulsively (literally taunted fisk about killing wesley because she knew he would emotionally react like what a bad bitch) and refuses to take anyone's shit and calls everyone out when it's needed and tries so hard to do the right thing hoping it'll heal her from her mistakes

like every single one of these characters has been through so much shit and SO MUCH trauma and i just don't think it's fair to praise and accept one group for how they handle it and demonize another for doing the literal exact same thing

there was a very interesting foil in season 2 with frank & elektra that doesn't get talked about enough like frank castle owned what he was and admitted to being a loose cannon that would never stop until he got his revenge and everyone ate that shit up but elektra struggles with what she's being told she is and fights against all odds to control something inside of her that can't really be controlled and people trash her and it annoys the fucking hell out of me because it all goes back to her relationship with matt

women can be their own characters, they don't need to be plot devices used for a man's character development

in conclusion, elektra natchios is that bitch and i adore her and would absolutely love to see her (& elodie <3) come back in a future marvel project but not if they're just going to waste her incredible storyline and potential as being matt's throwaway love interest again because she is so fucking much more than that and deserves so much more than that

if you've made it this far, thanks for coming to my ted talk <3

we stan elektra natchios in this household, and I will hear no slander

these are all my opinions & if you don't like/agree with them, that's totally fine but no need to be a dick about it :)

[leclerc-s]

struggling to survive netflix

series masterlist

rhys jones word of advice: DO NOT watch season 6 of drive to survive.

max jones-verstappen you watch that crap?

rhys jones i couldn't sleep, it dropped, so i watched it. worst mistake of my life.

rhys jones i can't believe i was at several races and ryan made it onto the show before me.

esteban ocon oh yes, i forgot about that.

isabella perez someone tell charles they made him out to be the villain.

natalia ruiz just like max in season 1.

charles leclerc i did nothing wrong all season but have shitty luck.

dulce perez monza. charles leclerc i may have done one thing wrong.

rhys jones max went from being the formula 1 villain to being comedic relief.

max jones-verstappen i bet there was no mention of my win streak

isabella perez in the last fifteen minutes but only because christian mentioned it.

charles leclerc can i enter my villain era now?

pierre gasly do you even know what that is? charles leclerc je t'emmerde connard

rowan todd WHITE HORSE?? CONEY ISLAND?? WITH MAE?? ARE YOU TWO TRYING TO KILL US??

daphne jones-ricciardo 😁😁 mae jones-verstappen 😁😁

isabella perez CONEY ISLAND?? YOU SANG CONEY ISLAND?

isabella perez THIS IS FUCKING WORSE THAN LOSING MIRRORBALL!!

max jones-verstappen to be fair i lost seven to fucking pittsburg of all places.

rhys jones jokes on you guys, my song still safe.

daphne jones-ricciardo and what song is that rhys?

rhys jones thug song

daphne jones-ricciardo of fucking course it is.

alex albon crossing my fingers for monologue song next!

george russell charles cried when daphne sang this is me trying as a surprise song. i have a picture of it.

bailey winters one could say you "have it printed out" george russell hilarious bailey. bailey winter this is why lewis decided to leave mercedes, because you're dry as fuck george russell TOO SOON BAILEY!! TOO SOON!!

isabella perez sylvia just got me in trouble. apparently it's not good to speak out against netflix.

dulce perez i think it's more so because you spoke out in favor of a driver from a rival team and not that you spoke put again netflix. natalia ruiz i didn't get in trouble? charles leclerc it was probably the oscar part and not the netflix part isabella perez i got told by fred that it was okay??? just no spilling company secrets.

carlos sainz she probably just doesn't like you.

isabella perez wow.

lando norris to be fair, you are quite annoying. i get it.

dulce perez only i get to call her annoying kermit the frog

lance stroll we should wait until the next season for more drama. that's when it'll be good because of a certain someone breaking f1 twitter.

lewis hamilton talking about me? mick schumacher don't forget the secret contract lengths! esteban ocon and silly season!!

freya vettel i was fully expecting them to make oscar and lando to look like enemies. they've done it before.

isabella perez we should make a drinking game out of dts!! anytime d*nica shows up on screen we take a shot.

zoya torres we'd end up blackout drunk. george russell alternative, take a shot everytime will buxton says something funny. max jones-verstappen or anytime they make teammates who get along look like enemies. mae jones-verstappen you seriously still bitter about the daniel thing? max jones-verstappen YES! WE WERE NEVER ENEMIES!!

esteban ocon netflix doesn't know that friendships and rivalries can exist on the same scale.

rowan todd doesn't help that pierre said, "we'll never be best friends."

rhys jones i'm surprised they haven't brought in the nepotism card yet.

mick schumacher they did.

rhys jones i avoid that episode to not cry and charles' episode in season 1

isabella perez oh, same! we're very emotional people. i also avoid daniel's episode in season 5. and i can't stand otmar.

oscar piastri mood. esteban ocon same. pierre gasly you're lucky you didn't have to work with the guy. lance stroll welcome to the club

sebastian vettel any mention of my bee corner?

isabella perez no, and the people are upset. they wanted more of seb's buzzin' corner

logan sargeant he got the logan treatment, completely forgotten.

oscar piastri that's not funny mate.

alex albon lily and i are working on getting rid of his tendencies to degrade himself.

max jones-verstappen how's that working for you two so far? alex albon not well as you can see

daphne jones-ricciardo we have a new set of grid parents!

daniel jones-ricciardo GO TO SLEEP!

daphne jones-ricciardo shh! i just got to episode 3.

fernando alonso my favorite episode is episode 1.

max jones-verstappen ARE ALL OF YOU WATCHING IT?

lewis hamilton i wanted to see how they foreshadowed my move to ferrari. mae jones-verstappen daphne dragged me into this. daphne jones-ricciardo LIAR! IT WAS YOUR IDEA! george russell i wanted to see how i evolved through the season

max jones-verstappen i guess i should watch it.

daniel jones-ricciardo i promise you won't regret it.

12 hours later

max jones-verstappen you're a fucking liar daniel jones-ricciardo. i regret it so much.

taglist: @burningcupcakefire @arkhammaid @sunflower-golden-vol6 @applopie @lorarri @mypage-myfandoms @bb-swift @thewannabewriter @you-bleed-just-toknowyouarealive @stopeatread @hobiismyhopeu @lilsiz @alessioayla @niniluvsainz @au-ghosttype @cowboylikemets1989 @justtprachisblog @rmeddar123 @nichmeddar @landonorizzz @unluckyyoshi @Mimolovescookies @brekkers-whore @natcha888 @camdensreg @mycenterfold @dear-fifi @prongsvault @kaa212 @anxxiousaries @julesbabey1 @julesbabey @georgeparisole @Smnthnclj @dan3avocado @melissayalene @nothanqks @nikfigueiredo @bella-1 @namgification @jensonsonlybutton @chezmardybum @d3kstar @weekendlusting@anytimeanywherebitchblog @ragioniera @burberryfilms @trouble-sistar @lesliiieeeee @leclercsluv @33-81

strikethrough means i couldn't tag you

click here to be added to the honest series taglist

¡leclerc-s speaks! pushing my disliking for danica and otmar with this one. i still don’t understand why she was in season 6 of dts when she’s never driven an f1 car. i was thinking of doing a written part for the parts i made up but would anyone be interested in that?

¡disclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!

[aquaticpal]

Famitsu interview: TotK's themes

I thought it was important to translate this section from the recent Famitsu interview with Aonuma and Fujibayashi. I'm not perfectly fluent in Japanese, so this is kind of rough, but the meaning should be generally accurate.

--This time, the story is also filled with a very dramatic appeal. In particular, the long-time villain of the series, Ganondorf, gives an impression of having been a bad guy for a long time. What is the theme you're trying to depict in this story? Fujibayashi: It was decided that the story this time would not be about a return to Ganondorf, but rather a sequel, taking advantage of the connection to the world of BotW, so "depicting the growth of the living people" within the game was one of the themes. On top of depicting the growth of various peoples, Princess Zelda became another large presence. In the previous work, she carried a sense of guilt from the Kingdom of Hyrule's overreliance on Sheikah technology, which led to the trigger of the kingdom's downfall and causing suffering to its people. Therefore, in "Tears of the Kingdom", she's not simply chanting "the kingdom's restoration," but instead mulling over what's the best thing to do in her current position. That's the kind of situation in which the current events take place, leading to her being flung into the world of the past. --I see. Though the previous title contained memorable scenes of her frustration at her own lack of ability, in this game she has matured from there, and we can see many traces where she has done what she could for the residents of Hyrule. Fujibayashi: Also, Princess Zelda, having traveled to the era of Hyrule's founding, met the kingdom's founders, King Rauru and Queen Sonia. Through their interactions, she came into growth from her proximity to observing things such as "What is a country?" and "What is a king?". In these interactions, I wanted the existence of not only a king who is respected by the people, but also a king of absolute evil. For that, I thought there was no character more suited than Ganondorf, so he entered the story as the Demon King. That's why, him being who he is, I depicted him as a character who carries pride as the king of demons.

[ddarker-dreams]

In an earlier post, you said that in the main storyline, when gojo kisses MC for the first time, it causes her to put some distance between them....will we see gojos pov during this seperation??? That seems like a disaster waiting to happen

one of my goals with golden girl is to practice playing around with perspective, since i normally write exclusively from the MC's limited POV. i want to challenge myself by juggling multiple perspectives (MC, gojo, and geto), especially since one of the most pivotal events in the story will be geto's ideology shift. he'll give his thoughts and reflections on his new convictions, how it'll harm those he cares about in the short-term but benefit them in the long-run, should he succeed. all the while he's walking mimiko and nanako away from the wreckage of their former village, hand in hand.

that'll be the last time we as the readers get access to geto's perspective until his final moments post the night parade of a hundred demons. my intention is for the reader to experience the abrupt disconnect from geto the same way MC does.

The Kiss Incident™ takes place prior to geto entering his villain era, so gojo is already going through it. he refuses to admit that though because his ego is unmatched. so eeeeverything comes to a head. geto accepts that he's going to lose the people he cares about most, MC thinks she's lost both him and gojo, gojo realizes he may have lost geto, but he can still make amends with MC (and hold onto her a little too tight so she can't leave too).

it's a lot.

[emylilas]

Don't mind me, but I think that for every time I see someone forgetting about Jillian I should post something to balance it.

She's a complex character whose story is at a turning point, whatever comes next for her is impossible to predict. She can lose her mind and start her villain Jillian era or connect herself more to the women of the OCS and heal through the love they can give her. She can also do that AND enter her villain Jillian era later for more angst.

In the past two seasons, it's pretty clear Jillian has been a very lonely character. Not knowing whether she'll go back to that loneliness or if she'll take a leap of faith with the women who crashed at her place is something I'm personally looking forward to seeing. Either way, it'll be a different Jillian we'll get to see and Thekla's a wonderful actress whose performance will be perfect in both scenarios!

(also I hope we'll get a scene of Jillian finding out that her son did die in the end, because Thekla would kill it and I'd be killing our tissues reserve)

[garaks-huge-naturals]

the frustrating aromantic representation of chuck tingle's "bury your gays"

i feel like i should preface this by saying that i'm a huge chuck tingle fan and, representation aside, i greatly enjoyed his book. so this is not like, a hate take down. this will contain spoilers for bury your gays, you are warned.

the parts i have issues with will be more towards the end and are marked.

a quick synopsis: misha is a queer horror writer who is told to either kill off his gay characters after getting them together, or let them live and be straight (for the algorithm, ratings, etc). while he is reeling from this he begins being stalked by the monsters/villains of his past works. plot happens and these monsters are really nanobot contractions from his studio's fx company. misha survives these attempts on his life (and his boyfriend's and best friend's), eventually giving a heartfelt award speech about the need for a shift towards queer joy. when he comes back to work the entire studio is like decked out in pride flags and the now stereotypically gay management tells him that queer is IN! even better, it's profitable (according to the algorithm). but these nanobots are still out there. so they go to the fx studio to insert a virus that takes them down, the best friend, tara, being an unprecedented aroace that the algorithm has no information on due to a lack of content, is able to circumvent the nanobots and take them down!! happy ending!! yippee!!

i'll be going in order of the book, touching on the times where tara's identity is relevant

tara's aspecness is established almost immediately when she says "you know i don't swing that way...i don't swing any way, baby." classic aspec joke, i have no issue with this.

its first explicit mention is on page 42, "tara is aromantic and asexual, which has always made me appreciate her take on relationship advice." ok this part is so real. we are so good at that.

ok now we get into the main stuff. Tara says, "do you realize how hard it is to tell your parents you're asexual?" this part is true, and in comparison to misha coming out as gay. and i really appreciate it highlights the strange societal position aspecs are in!! it's hard to affirm an identity defined by a lack. and even harder for baby wanting parents to accept an identity that is largely incompatible with the nuclear family model. as this is in reference to like sex -> having a child, mentioning just the asexuality makes sense. but it is still weird to not mention how hard explaining aromanticism would be considering aces can more easily have straight passing relationships. let's begin a tally: ace mentions: 2, aro mentions: 1.

(!) time skip we are now towards the end. misha is giving his heartfelt speech, "i call on all of you to usher in a new era of stories where the gay, or bi, or lesbian, or asexual, or pansexual, or trans character lives happily ever after. buy those stories. make those stories profitable." we are now entering the territory here i begin to get a little angry. fandoms and drama in shows are so closely tied with romance. they are profitable. they are like, the lifeblood of ao3, etc. people also have this notion that you need a partner to be happy, and that this is a universal goal. so characters and story arcs that stray away from this tend to be, y'know, less profitable. and since this is extremely relevant to aromanticism as an identity and important to debunk, the lack of a mention of aromanticism is frankly stunning. our stories are not wanted, we have no characters to live happily ever after. because we are not profitable. we don't get that joy. so where are we? this is a nitpick but i find it strange that misha would forget to mention like, entirely half of his friend's identity. ace mentions: 3, aro mentions: 1

(!!!) this is the most egregious part to me. when i read this part i was genuinely so stunned that i started crying. ok so i've established that aros have very little representation. it is a fact that there is less aro representation than ace representation. especially in regards to non-ace aros. "there's a hero clad in pink, purple, and blue, the bi one...this continues on and on until every aspect of the community has been covered...tara steps up next to me, her eyes locked on the poster. "there' no asexual hero...they've got everyone up there besides an ace character...every fucking time." ok. so. a lack of representation for aspecs is like a Thing That We All Know. as also established, aros are not algorithm friendly, so i just see no plausible way that there is aro representation but not ace representation. and there's just this like, poetic irony to this. that aros are so forgotten, so uncared for, that the author of the fucking book forgot to even mention them. because there are three ways this shakes out here. either there is an aro in the line up and dr. tingle deprived us of the validation we need to justify our anger for a lack of representation (which effects us all but aros more). or he just straight up forgot to include us. or he's grossly conflating the two identities. there's no good option. anyway. ace mentions: 5, aro mentions: 1

here we have yet another mention of tara being ace, yet not aro, "my name's tara. i'm the asexual in the corner everyone's been ignoring." would be funny if aromanticism hadn't been grossly ignored once again. ace mentions: 6, aro mentions: 1

(!!!) time for tara to save the day (girlboss). "just pull up all the information you have on asexual and aromantic heroes...oh wait, that's gonna be pretty fucking difficult because there are almost no human asexual heroes represented in popular media, are there." like actually like the fuck. what the fuck. there are so little aro heroes that the author forgot about the one he had!! there are so little aro heroes that the author fucking forgot to mention how few there are. incredible. ace mentions: 10, aro mentions: 2 (ace mentions not quoted here but part of the rant)

so. thats the end of the book. it seems to me that dr. tingle might be a little confused. he's been a great supporter in the past of the aspec community. but there is a pattern of aro erasure in this book that frankly, pisses me off! but wait, there is more!

dr. tingle. babygirl. bestie. what the fuck is this? op explicitly said aroace character. and what do you do? you reblog with only an ace flag. do you not remember your character's own identity? or do you not acknowledge aros outside or aces? let's look at some more quotes from this post.

wow thanks for the solidarity dr. tingle (like, actually)!

what is this? whoopty fucking doo! aros totally dropped after their initial mention? again! but there is simply no precedent for this!!

i'd like to end this with a quote by dr. tingle.

glad you remembered the aces. maybe next time, remember the marginalized people you leave behind.

[madlad-sadgal]

Y'all know the drill at this point, and, as promised, this one's longer. Enjoy!

Nimona Spoilers!

If you go to the exact minute of 38:24, in the bottom right corner, you can see what I believe is, and correct me if I'm wrong, the polysexual flag.

The trans and rainbow pride flags in the background of the "sketchy part of town" scene.

It might just be me who hadn't noticed this, but the thing Bal uses to bandage Nimona's wound from the arrow is a piece of his cape that he ripped off and just, that's so freaking cute.

Nimona showing that she trusts Bal enough to tell him about her shapeshifting, contrary to the comic where, instead of just showing that it doesn't hurt/that she's used to the pain, she fakes that it hurts which, to me, shows that she still does not trusts Blackheart.

Nimona's "Look boss. You got betrayed by someone you trusted. It sucks. I get it." Hits a lot harder when you're re-watching the movie and you know about her backstory with Gloreth and how she was betrayed by her only friend.

Also, this is more related to the metro scene, but while they're talking after interrogating the squire, they pass by a sign that says "Verminator" with a dead rat face and a bunch of dead rats around it, so verminator is probably someone or something that kills vermin, such as rats/mice, and I felt like I saw that sign somewhere. Sure enough, if you look inside the metro when Nimona and Bal are entering it, you can see that same sign, and it's just funny when you think that at that moment, Nimona had shifted into a mouse.

Nimona and Am's "Arm-chopping is not a love language!" being funny little parallels.

Red, white and blue being colors we see a lot around them while Nimona and Ballister are arguing about if the government is something they should trust or not. Also, at the 43:50 mark, around the upper left corner, we see a red and white banner with two blue banners with white dots (stars?) on each side.

Also, at 43:38, when Bal turns to look at Gloreth's statue, we see the rainbow pride flag again with unicorns on each side at his upper right side, and that just made me giggle.

"You should be questioning everything right now. The will of Gloreth, the Institute, the wall. What's it all really for?" Nimona knows these things are built on lies and only exist to 'protect' everyone from her, but Bal doesn't and believes in these things because of the brainwashing. She is trying to subtly tell him "These things aren't to be trusted and you need to realize that." It is also something I address in this post. Also; "For protecting the realm." He's basically telling her, despite not knowing that's what he's kinda saying, that she is dangerous/a monster, and her answer of "Oh, you mean from villains like you? Or monsters, like me?" Hits SO MUCH HARDER when you realize that.

Am's eyes visibly stay stuck the sign of "A New Era of Heroes" with kid him and Bal when he and the Director fly in front of it.

Am's rant. It is relatable as fuck, the fact that you rant in your head but just say "I'm fine" to the people around you and keep everything bottled up (or maybe that's just me). Him being jealous of Bal's "new best friend". Him not asking for all the fame that comes from being a direct descendant of Gloreth and feeling pressured because of everyone's expectations. The "Arm-chopping is not a love langua-" is funny, but also sad when you realize the incredulous amount of guilt this poor man must have because of that moment that barely lasted a second. So that was my summarized rant about Am's internal rant.

Ambrosius feeling pressured by Gloreth's legacy and being her direct descendant (even though he doesn't voice it) and the Director literally saying "The blood of Gloreth runs through your veins." just seconds later pisses me off for some reason. Like, I know she can't just read his mind and know he feels pressured by that, but I also know she wouldn't care either way and would probably just tell him to "Stay strong" and I just-SKHFWJEFG

Nimona taking out a bunch of knights it no more than two seconds and in complete silence as well. Also, her mocking the director right after she says "Me!"

"Says the miscreant, whispering in his ear." The fuck are you doing then?

If Todd wasn't such an asshole, the movie would have ended so much fucking quicker. Like, I know I'm currently writing a story where he gets a redemption arc, but I still fucking hate him. Does that make sense? Giving a character you hate a redemption arc and making him nicer as well as giving him a love interest? I don't think it does, but oh well.

Also, if anyone would've taken a look at the "weapon" Todd shot, they would've seen it was a phone and would've maybe been like "Maybe he did have like a photo or video that proved his innocence? Just incase, we'll take both stories into consideration and question both sides, as we fucking should as the police/government."

This is pretty long I think, so I'm gonna stop there. Might make more if y'all like this.

[yvtro]

Jason was Red Robin in countdown right? I keep hearing about weird but okay development through that event. What do you think about his countdown progression?

 i moved to @boyfridged. i still post countdown meta there sometimes:)

the thing about countdown is that at first glance, it’s not great characterisation. it comes from the same era as atrocities such as brothers in blood or the battle for the cowl, and it is often dismissed by association. and i have to admit, there are some aspects to how jay's personality is written there that unnerve me. it has ups and downs, which for the most part reflect jay’s own inner conflicts. but overall? this is one of the greatest progressions we’ve got in jay’s storyline, ever. there's only one arc that i genuinely despise, and even then there's plenty of potential. let me get into it. -> full analysis under the cut. (i don't provide with a full summary, but rather go through notable storylines and moments)

countdown #51

let's start from the very beginning, when duela poses the question (as seen above): "who exactly are you? how does jason todd fit into the grand comics scheme of things?" i think it's salient, since it implies that the writers actually had to ask this question themselves. they care about jason's place in-universe, as much as they care about it in the wider narrative. and you know what, that's a low bar, but most dc writers don't seem to consider these things *at all* when they approach writing a new character. 

following from there, it should not be surprising that the whole progression even in this first issue is utterly fascinating and very well thought through.

here we see jason saying that he is "not too tolerant of gun-wielding crazies [himself]". this is notable because at the time jason is mostly established as... a gun-wielding crazy himself. as much as i hate it, this is the same timeline in which jason is briefly portrayed as a psychotic villain. other characters, not in an overly sensitive way, call him epithets such as deranged. but here we see, obviously, that jason doesn't perceive himself as such. 

we also get a glimpse at the discordance between his beliefs, actions and emotional response; duela wants to kill someone; jay in reply emphasises that an "innocent life" cannot be sacrificed just to make a point about someone's identity. he follows her to fight her, but instead ends up trying to save her in an encounter with a monitor, and seems at least shocked (and at most shaken, hard to tell with the hood) when he does not manage to.

I just want to once again stress that it’s so delightful how evident it is that his "moral code" is all hazy and a bit hypocritical. the progression of all things he says and does is so irrational that it’s thrilling.

enter monitor saying that "anomalies should be purged" – a parallel to jason's own philosophy about criminals. in a way, this is the first time when he is confronted with his own agenda about “purging” the world from evil to minimise harm. and  he intuitively disagrees with it! what really shines through here is that on some level, jason still believes in rehabilitation and the right to live. i will say it again and again and again, this is a boy who died trying to save someone who sold him out for torture. here's his great internal conflict, the tension between the intuitive belief in kindness vs trauma that made him want to detach himself from it and focus on retribution. 

teen titans (2003) #47

in an encounter with dick and tim jay is accused on killing duela. he tells them that he tried to save her, and donna stands in his defence, saying that she saw him at duela’s funeral. this is a really significant set-up.

countdown #50

the issue contains a narrative about jason that brings in some of his worst appearances from the timeline and based on that calls him “unpredictable” – a characterisation that i’m not a fan of, but then again, it’s 2007; the editorial board cared a bit more about the integrity of characterisation, thus i can’t exactly be mad that they mention it.

but what this issue does is acknowledging that jason is not just some unstable villain. “jason todd… to say he’s complicated is an understatement.” <- containing multitudes etc. "i’ve been around plenty of metahumans, aliens, new gods and vigilantes over the years… i’ve met batman loads of times and believe me, he’s plenty scary. but jason… he’s a lot like batman, but he’s willing to do what batman never would. he’s willing to kill.” <- one of the first of many comparisons of jay and bruce in the series. i do eat them up.

countdown #48 – duela's funeral.

“all right… after she died, it got me thinking about what that alien said… about how duels wasn’t even supposed to be in this reality in the first place, you know? and neither am i… […] and then there’s you, donna… […] i guess I just wanted to be around someone else who might know how it feels… to be living on borrowed time” 

jason says what he probably has been thinking all that time out loud (regarding the fact that he does not belong in this reality; he’s supposed to be dead), and it makes sense that he says it now, with the impending feeling of doom. 

he seeks out someone. he recognises that there are other people in this world that have experiences that are of semblance to his own ones, and that he does not have to be completely isolated. this is character development, and I’m not saying it to be funny; i’m saying it to highlight the fact that in lord’s year 2007, dc editors and writers decided that jason was allowed to seek emotional closure in a healthy manner. it might be slightly underwritten (for it to be truly interesting we would need a longer progression) but the circumstances make it plausible enough.

countdown #46

i just want to highlight this panel. i wrote more about it here.

countdown #33

“i’ve got no problem with kyle. he’s great. he’s dreamy” (a honorary mention)

countdown #43

 - here, jason suggests that they should get help of other heroes in trying to tackle the crisis. this is an intriguing progression, which might seem random for jason, but it really shows that the writers did their homework and read at least the new teen titans, wherein robin jason was responsible and reasonable enough not to overestimate his own abilities in the field.  

countdown #30

the challengers travels to earth-15, one where donna is a wonder woman and jason is batman. this is one of my favourite issues, for several reasons: 

–> a striking similarity between bruce and jason, that really shines through when jay is wearing a cowl. i briefly talk about earth-15 jay here.

–> jason fighting himself. literally. internal conflict externalised! it is clear that earth-15 jay views earth prime jay as immature, but he’s also not an adult enough to refrain from fighting back. 

-> this is the first earth were jason is confronted with a world that could be. i believe that before that, jason perceived his trauma and becoming red hood as fate. seeing a version of himself that is batman? this shows that his identity is not set in stone. he's forced to face the fact that he can become someone else.

the all new atom #14

a mild and frustrating setback in characterisation, whereas jason hits before he asks questions. i am more frustrated by how stupid it was rather than the violence itself.

more importantly (although not impactful nor related to anything at all!) we get to see an echo of jay’s soul that was left in heaven. 

countdown #27 – #26 

jason pretends to betray the team which prompts further in-fighting. i like how donna in anger almost calls him “red hood” but switches to “todd.” it’s a reference to the fact that jason is not using the rh identity anymore, even if it’s not a fully realised decision yet.

countdown #16 - #13

perhaps my favourite storyline. setting: earth 51.

-> “isn’t that your super-power, stupid boy? too stupid to ever give up?” “maybe it is.” <- an element of characterisation that i thoroughly appreciate. more on it here.

->  #15 jason meets this earth’s batman and learns that he killed the joker after his [or rather, robin jason’s of this universe] death. bruce’s actions mirror that of red hood jason – bruce went on to eradicate the whole gotham rogues. this is an issue in which jay perhaps comes to a realisation that he should be careful what he wishes for; he is utterly disappointed in this version of bruce. a more detailed post on it here.

-> #14: red robin intro. red robin is an id that bruce of earth 51 devised with thought of his jay growing up and moving on to another title. (it doesn’t really make sense, does it) bruce sees himself in jason and tells him to “gear up” as he will help in the field.

 -> now, i don’t like the concept of jason keeping the red robin title past countdown, but as a brief episode in his development? this is excellent. jason gets to experience working with bruce as a (sort of) sidekick one more time. maybe this is what he needs to move on. to briefly feel comfortable in the role that he grew to despise, the past self that he tried to bury. to hear batman call him “chum” one more time and nudge “you used to crack jokes at moments like this!” before he can leave this life behind. to come to accept it as a formative experience.

-> #13 earth-51 batman dies. genuinely one of the most harrowing moments in the series. i must say that i wonder if jason is agonizing more over the fact that it was a fnale to such a short-lived partnership that mirrored his past, or if maybe he feels responsible for what happened to this bruce (as bruce went out to fight inspired by him.) or maybe both?

countdown #11 - #4

jason decides that he is done with the whole affair and leaves the team in hopes of going back to the home earth on his own (they follow him). in the process, he tries to help some people in fight, but quickly decides he doesn't actually care (allowing them to die), and in #4, when they are getting ready for the final confrontation with the enemy, he tells the challengers from beyond to fuck off, and leaves saying something as cheesy as "see you suckers!"

i will be honest with you, i really don't know what to think about the progression in these issues. on the one hand, i am a fan of the idea that bruce's death would send jason into a frenzy. he was the one who gave earth-51 bruce sudden faith into vigilantism, and batman ended up dead. this might, for jay, be a final straw, where he decides that his (murderous) optimism and stubborness is a mistake. on the other hand, i believe even with that happening, with the way his development is set up, you would think he should go out from this internal conflict victorious.

countdown #1

some more elucidated thoughts on the ending here.

jason has an internal monologue about how the capes are "crazy," and how he is not "crazy" etc etc. again, this could be interesting in the sense that seeing batman murdered was a traumatic experience for him. in a way, he is trying to isolate himself from the concept of heroism, because it does reflect his own values (strong will and hope), but these values are the very same ones that got him (and earth-51 bruce) killed.

on the other hand, we see him without a mask and interrogating (torturing?) someone. which brings in some questions regarding what his idea of starting a new life is. because it doesn't seem promising. either for himself or anyone else.

so, the conclusion seems like negative character development rather positive one, yet, there's still plenty potential. the most notable element of it is that now jason appears to consider vigilantism as a whole as victimising (although this is not what he would call it, probably), and he takes off the mask. nonetheless, it also seems that he proceeds to do... the very same thing he has done before? (there is some space for interpretation regarding what the interrogation is about. is he working a case? he's seeking information, so it does seem so). this all, in a way, shows that jason doesn't understand the dichotomy of the civilian vs vigilante identity. he's still not able to abandon the field. and maybe this set up is just perfect for him to realise that the problem is not about whether he's wearing a domino or not, or if he isolates himself from the community – because either way, he's still trying to do the same thing as they do. either way, he's still trying to save the world. either way, he still is similar to bruce, who, as he says is "one step from craziness."

the potential of the ending is such that jason ends up in an interesting grey zone wherein he doesn't have any identity whatsoever (he's still legally dead!), and seems to want to keep it this way, which is honestly a fascinating concept. this is even more mind-boggling when you consider that the got all of these multiverse encounters that arrange for development in the opposite direction. and in my mind, if at that point his character were to be taken over by a talented writer, they could still capitalise on all of these elements. in that moment, jason still hasn't truly processed what happened in the past months, and is blinded by grief and repressing it alike. but in the course of trying to work as a... non-entity without either civilian nor vigilante identity, he could realise that it doesn't fix anything, because what all of it is about is himself and how he copes with loss.

countdown presents: the search of ray palmer

for the sake of brevity: mostly truly excellent material, brilliant team interactions. chronogically, it is set somewhere around issue 30-20 probably, but can be read independently.

what i want to highlight is how it emphasises jason's love for gotham, but also how in gotham by gaslight jay wonders if he could find his way back to this earth afterwards. i think more than anything else, it shows how much jason feels detached from the world, and how he craves a new start somewhere that is both familiar (gotham) but also different enough that he would not have to be confronted with his past there. it also makes me wonder if jay would want to stay on earth 51 if not for bruce's death there.

and that's the end of the analysis. to summarise: what makes countdown so exceptional is how earnestly it shows jason's internal conflicts and his process of perpetual repression and self-isolation. however, unlike the later books (up to today, really) it also pushes him in a new direction and establishes a ground for great character development.

edit: i have another long countdown meta post here.

[caracarahoney]

H.I.V.E. Birthday Bundle 2024:

With the best worst father with too many names, Cypher!

(And the color gold.) Buckle up folks, it's a long one!

Playlist- Not Afraid (You Should Be)

The Lab Era Mad IQs- I DONT KNOW HOW BUT THEY FOUND ME GUY.exe- Superfruit On The Run E.V.O.L.- Marina and the Diamonds Pork Soda- Glass Animals Lent- Autoheart Paranoia in B Major- The Avett Brothers Family Man Clusterhug- I DONT KNOW HOW BUT THEY FOUND ME C Sections And Railway Trestles- The Avett Brothers The Loss Paper Scars- Lovedrug Black Light- My Epic Cypher Is Born So Called Life- Three Days Grace Look Away- The Dear Hunter Me Against You- Three Days Grace Rumors- NEFFEX The Siege Absinthe- I DONT KNOW HOW BUT THEY FOUND ME Yin Yang- USS (Ubiquitous Synergy Seeker) NFWMB- Hozier All Alone Leopard- Jack Stauber Paul Newman vs. The Demons- The Avett Brothers Gone Rogue P.O.L.I.T.I.C.S.- MISSIO Wolf In Sheep's Clothing- Set It Off Bleeding White- The Avett Brothers Gone Forest Whitaker- Bad Books, etc.

Art:

I got a rabbit as my animal, which honestly fits- lots of cool symbolism there. Something, something, snares and escaping and prey animal vs predators, etc. I honestly think this man is motivated more by fear than he lets on. Fic: A Temporary Alliance (A negotiation leads to an effective, if begrudging partnership between Cypher, three girls… and a pilot in deep over his head.) Headcanons:

Extremely paranoid ever since he began working in the villain industry, and this only became exacerbated after Xiu Mei’s death. Also misanthropic and believed most people are more bad than good, though he recognized a few exceptions like his family.

Instead of a plain oval of glass, his mask was a modified helmet resembling a motorcyclist’s. Alongside gloves, it allowed him to cover every inch of skin to prevent anyone getting hair or fingerprints for DNA testing.

Had long hair ever since he entered G.L.O.V.E., as he became paranoid that someone would assassinate him while cutting it. As Wu Zhang, he cut it himself and kept it up in a high ponytail (when down, it was a little past his shoulders). After losing Xiu Mei, he didn’t keep up with caring for it as often and let it grow a few inches longer, tucking it into his helmet as Cypher and tying it up otherwise.

Wore his mask anytime he was around others during his Cypher era, including his own henchmen. If he ever needed to sleep– such as on long flights– he would sleep with it on and hold a gun the whole time.

Based his Cypher look on some of the Power Rangers-esque shows Wing would watch as a child; he would watch them with him sometimes as a form of easy bonding time.

Adored Darkdoom’s exploits and would tell Wing bedtime stories about him; took inspiration for the Kraken from Darkdoom’s vehicles.

Despised Xiu Mei at first after the Overlord incident, but acknowledged they were stuck together. Their escape from China was full of violence, running from enemies, assassination attempts, and the usual actiony antics. This is when they first learned to appreciate each other as they both saved each other a few times. 

As a husband, Mao was less physically affectionate. He showed love through gift giving, usually by making Xiu Mei small robots or trinkets or buying her nice things. He was very aloof as a person in general, so she valued being one of the few people he would willingly be close to. They enjoyed having movie or tv nights at home more than any other kind of date, which they’d usually end with a cuddle on the couch.

As a father, he was distant, but hardworking and comparatively loving. He knew from his teen years that he wasn’t cut out for family life, but did his best once avoiding it was no longer an option. He preferred to do the “maintenance work” of the family (house work, handling paperwork, planning stuff, etc) behind the scenes while his wife handled the face-to-face parenting. After Xiu Mei’s death, he was emotionally negligent and occasionally verbally abusive whenever he and Wing would argue, but never lashed out physically. He feared how angry he could be as he grieved and would separate himself early to avoid outbursts, but the absences only made things worse.

After Xiu Mei’s death and a small depressive period, vengeance became his primary goal and he began training himself in combat. This is where some of his absences in Wing’s life came from and where Wing’s early fitness started, as he tried a few times to work out with his father to bond with him. Considering that Wu was always very upset when doing so, it never worked out. Cypher was roughly at Nero’s level in combat by the end and had some training with most weapons; he’s not a boxer and wouldn’t do well in a fist fight, but if he was armed or given the chance to strategize, he could be very dangerous.

Did not build his criminal empire from the ground up– he instead infiltrated and worked under another villain for a year or two before assassinating him and stealing his holdings, using a few robots he’d made to bolster his defenses until he was powerful enough to use his reputation.

Genuinely believed Nero stole Wing for hostage purposes, as he received a letter that appeared to be written by him threatening Wing after his disappearance. In reality, this letter was crafted and sent by Overlord to encourage Nero and Cypher to go to war.

Needed glasses or contacts; his vision wasn’t horrible and he could function without them, but he was prone to bad migraines without them. As Wu Zhang, he preferred contacts, but switched to glasses as Mao Fanchu. During his time at H.I.V.E., he would become very uncooperative if not provided with glasses and an occasional exam. Also had high blood pressure and other chronic stress issues, but knew how to manage them. 

After the fall, he had to do daily physical therapy. Nero ensured he had equipment to do so (which was stored under his bed), but he struggled with chronic pain for the rest of his life. Also occasionally had chronic pain from Overlord’s blast, but this was less frequent. One of the closest relationships to amicable he had as Cypher did come from this though, as he developed an acquaintanceship with Dr. Scott.

After Overlord, he was a brontophobe (feared lightning in particular) and had a strong distaste for the color red despite using it as one of his cardinal colors. Also feared A.I.s and almost threw up at the sight of H.I.V.E.mind in Rogue.

Resented most supervillains’ “they’re disposable” attitude towards their technicians or low-ranking staff, especially as Cypher. He also preferred to avoid killing enemies’ staff, but did so to fit in and get closer to Number One, seeing it as genuinely necessary in his mission to save the world. 

And finally, Prompts! (AKA my rejected fic ideas for this...) - Darkdoom the pirate finding siren Wu after the latter got in a scuffle with the infamous Captain Nero. - A student finds Cypher's cell and talks to him through the door. - In an AU where he survives, Cypher playing Battleship with Laura. - Wu Zhang and Xiu Mei fleeing from G.L.O.V.E. after the Incident. - Cypher arguing with Nero in his cell about bringing Overlord online too early.

Anyways, hope y'all had fun! Can't wait to see what you've all created!

[isfjmel-phleg]

March 2024 Books

Norby, the Mixed-Up Robot by Janet and Isaac Asimov

This one was a lot of fun! I should track down the rest of the series.

The World's Greatest Detective by Caroline Carlson

I was very confused about what era this world was mimicking (are they Victorian? 1920s/30s?), but it was a fun story and I enjoyed the dynamic between the protagonists.

A Dig in Time by Peni R. Griffin

I remember liking this one, but it feels like I read it years ago and I can't remember everything. Time travel with a family emphasis.

The Promise by Monica Hughes

Like Sandwriter, which this is a sequel to, I initially wasn't so sure that I liked this one, and then it went in an unexpected direction that took the themes in a more complex place, and I appreciated that.

The Yellow Fairy Book by Andrew Lang

I generally like fairy tales well enough, but this one was rather a slog to get through, and I ended up skimming a lot of it. There were some familiar favorites, but a lot of the tales were of the variety that consist of an interesting set-up followed by a seemingly incoherent series of events, and I regret I don't have enough interest in folklore to get much out of that.

The Romance of a Shop by Amy Levy

Interesting from a historic perspective mostly, but I didn't connect much with the story.

The Secret Garden of Yanagi Inn by Amber A. Logan (reread)

Reread so it would be fresh in my mind before the presentation. You already know how I feel about this one.

The Humming Room by Ellen Potter (reread)

Same as above. I have a post in drafts with some thoughts on this one that may eventually see daylight.

The Making of May by Gwyneth Rees (reread)

Already discussed this one.

A Bit of Earth by Karuna Riazi (reread)

Beautifully written and very readable and develops its themes well. Does fall into the trap of making the story about grief (Maria's late parents were frequently absent from her life, and she resents this, but she did have relationships with them in ways that her counterpart in the original book never did with her parents, so it's a completely different dynamic). I found this Colin to be somewhat underdeveloped, but I did appreciate the concept of his being fearful about failing to live up to family expectation, which is a reasonable translation of the original character's source of shame.

Charley by Joan G. Robinson

I don't remember much of this one. Didn't have any problems, just didn't have as much impact as other books by this author have for me.

Greenwild by Pari Thomson

A very derivative example of the Child Learns That They Are Magical And Special And Enters A Fantastical World Where They Must Take On The Villain sort of story. I wanted to enjoy it, but everything felt trite.

Doctor Who: A Brief History of Time Lords by Steve Tribe

This was a gift from my brother. I am a very casual DW fan and haven't really engaged with the show in quite a while (really should rewatch and catch up on new stuff but that's a pretty big time commitment right now). I think I would have got a lot more out of this if I were more than passingly familiar with Classic Who and all the lore in general.

Not Quite a Ghost by Anne Ursu

I was interested in this one because it's a retelling of "The Yellow Wallpaper," and the concept of comparing the difficulties of getting difficult-to-trace chronic illnesses taken seriously and diagnosed in today's world to the mishandling of women's medical and psychological conditions in the late nineteenth century intrigued me. However, this book didn't really know what it wanted to be. The young protagonist's struggles with her mystery chronic illness took up most of the book, but there was also a plot about a literal ghost in the wallpaper of her new attic bedroom that needs to be defeated in the end, and neither of these things fitted well together. One or the other of them would have been fine, but the combination left me confused about the nature of this fictional world and the themes of the book in general.

Comics/Graphic Novels

Benevolent Sisters of Charity (Over the Garden Wall)

This is the only one of the OTGW comics that I wasn't able to buy before it went out of print, so I ILLed it and realized that it was for the better that I hadn't. The story was incoherent and pointless and the characters were OOC. The art was much better than the story deserved.

Wayne Family Adventures Vol. 3

I've read these as a webcomic already but wanted it in book form too. These are entertaining; you just have to go into it aware that this is The Fluffy World version of everybody and they are characterized accordingly.

The Flash by Grant Morrison & Mark Millar

Not on a level with Waid's work, of course, but the highlight of this one was the storyline in which Linda dies and Wally manages to bring her back (some good Bart content here) and a delightfully meta short story in which Mark Millar meets up with Wally to figure out what story about him to tell next...and Wally is given a co-writing credit in the end.

The Flash by Mark Waid Books Seven and Eight

An effective end to this run. Waid points out in his Afterword that he's still got another story on reserve, so...anytime he wants to give that to us, that would be great. I'll be waiting.

The Secret Garden on 81st Street: A Modern Retelling of the Secret Garden by Ivy Noelle Weir (reread)

You know how I feel about this one. (I whipped it out at the convention to show somebody who was talking to me about CEN in the present day through leaving one's child to technology that that concept was used in this retelling, and somebody nearby oohed about what a diverse retelling it was as I flipped through pages. Which is, you know, more important than effective storytelling. It should have done both! We could have had both!)

Stephen McCranie's Space Boy Omnibus Volume 5

I've read this in webcomic form already, but it's a pleasure to have a physical copy of the latest omnibus.

Sinister Sons #1-2 plus additional material establishing the backgrounds of Lor-Zod and Sinson

A sort of response to the series Super Sons (which featured Jon Kent at his proper age and Damian Wayne), by the same author. This is going to be about a teamup of Lor-Zod (son of General Zod, was Chris Kent in another continuity, has apparently been Zukoed in this incarnation) and Sinson (a young, apparently orphaned thief who believes that his father must be Sinestro, the Green Lantern's arch-nemesis). So far the boys haven't done much more than fight, but I'm interested to see where this is going. (#3 is in the mail now!)

Lor is a horrid little piece of work, but his parents' recent treatment of him puts him in a more sympathetic situation, and I am hoping he'll get a redemption arc that would move him closer to his original version. Sinson is no angel either, but he's just a child who really, really wants a family and is clinging to the only hope for one that he has--and if that means he's a supervillain's son, then he's ready to follow in those footsteps to gain acceptance.

(Also he drew a mustache on himself with a black marker to look more like his alleged father, and that's so ridiculous and kind of endearing.)

[accirax]

Disventure Camp All Stars Power Ranking (Round 16)

Ah, the sweet sixteenth. At this crucial final 5 vote-out, will I be able to rein my theories in, or will I just be horsing around? With this few players left in the game, it's harder to distinguish between yay and nay.

In case you haven't seen my previous power rankings, the Power Ranking Format is essentially a way of ranking how well each player is doing in the game. So, in essence, this is a long form way of predicting who I think will be eliminated from the competition in the next episode. There will be spoilers for last week's episode (obviously) and its power ranking, so make sure to read that first if you don't want to be spoiled on how I ranked our last boot. If you want more clarification on the rules, that first post will help you out as well. Furthermore, I'm going to be spoiling the preview for next episode, so if you want to go in TOTALLY blind, save this for later. Let's go!

Recap - Alec's Elimination

Current Score: 70 acquired/103 total

(Points versus @venus-is-thinking: 21 acquired/29 total)

"But, I really feel like it has to be Riya's time to go. If it isn't, well... I hope the rest of my list holds up well enough."

Given that Riya didn't get eliminated last week, I'm happy to report that I did put the correct boot in my second best spot. Makes me feel a little better, after my Gabby and Aiden blunders. What I'm not happy to report is that one of my favorite characters this season (and in Season 1) is now out of the game. That's quite saddening. But, I'm not too upset about it.

In the entire pre-merge portion of the game, I knew as I was watching Alec absolutely slay that he was going to have a downfall eventually. Now, I didn't know that said downfall would involve a romantic entanglement with Riya and getting idoled out, but I also didn't know that he'd be able to repair and reflect more on his relationship with Connor, so, pros and cons! Or, rather, cons and pros. And he gets to be in the Loser's Motel episode with Fiore now, hehehe >:)c

While I wish he could have had a nicer exit for his sake, I understand that villains need to be "punished" in shows like these-- and, y'know, at least he wasn't blown up and exploded at age 6 with no support! (/j) Plus, he did get some closure in the form of coming to terms with why his relationships were failing, and having hope for moving on in the future. It was kinda bs that he lost that puzzle challenge because he needed to not be immune for plot reasons in this episode, though. The Alec I know could have smashed a twelve piece jigsaw in seconds. (/j)

Trailer Analysis

Trevor and Emily are back at it again. Are the interns also not allowed to use their phones, or is that just the campers? Just looking out for Trevor's future employment potential, especially in light of Kristal potentially quitting as host.

I guess Riya is worried about appearing in front of a camera now? Perhaps Connor proving how pathetic she had become might have had a more profound impact on her than I might have assessed.

Ooooooh, are we doing letters from home? That would be so interesting. It could also factor into Riya looking nervous in front of the camera-- if the message from her family isn't so supportive of her actions. ...It's a good thing Alec went home before this episode, if true.

The women's alliance is real after all! It wasn't just a myth created and spread by me!!!!

horse

While I absolutely feel for the riggers in this situation... good lord these horse rigs are rough. Their legs just do not move as much/in the right way as they should. I wish the animators retroactive luck in animating this challenge. Also, Riya is the only one who seems to really be struggling with the horses in the preview.

Grett's entering her challenge beast era.

Who the fuck is throwing sticks at Jake? Is it Ally, or is it part of the challenge?

"Final three, let's go~!"

See, told you the women's alliance is real. This is definitely from the same scene we saw earlier of Grett, Riya, and Ally standing around. The real question is just whether or not this will remain as the plan for even this episode anymore.

Power Ranking

#1: Ally

Look, I know I keep putting Ally way above where Venus has her, but... well, it's worked out for me so far, hasn't it? At this point, my vibe check honestly says that Ally is more likely to be a finalist than not (and not just because everyone theoretically has a 60% chance of finalist at this point), even if I can't pinpoint exactly how she's going to get there. I'm sure part of the reason why is because Seasons 1 and 2 treated the Final 4 very differently-- Season 2 had a vote-out with idols fully permitted, while Season 1 had half of their competitors have immunity and choose between the two losers. But, I digress. This is about the Final 5.

The main reason why I think Ally will survive is because she has Grett's favor. I think that Grett will be looking to protect Ally this episode, even if the favor doesn't work the other way. Jake may very obviously want to gun for Ally, but Grett knows that she (and Ally) are the swing votes. Grett will want to take out Riya instead, and if Jake and Connor refuse to comply, she can always eliminate whichever one of them may not have immunity alongside Riya. And, if Grett chooses to work with Riya/the women's alliance in the first place, then Ally is totally fine, too!

The only way I see Ally going home is if Grett decides to abandon her, which I don't think is going to happen. As I see it, Grett currently views Ally as a pawn, and while that may cause Ally to rebel in the future, Grett doesn't seem too concerned by that at the moment.

To be clear, I really hate putting anyone anywhere near the top, because I do think that everyone has a genuinely good reason to be eliminated at this point. It's easy for that to be the case when there are so few competitors left. However, I think Ally has the least reason to go home at this point, so I feel most comfortable with her in the #1 position.

#2: Jake

Not going to lie, pretty much every reason why I don't think Jake is going home this episode is a meta one. If Grett and Ally decided to ride the women's alliance to the end, and if Jake doesn't have immunity, there is a high likelihood he could just die. They voted for him last time. Why not do it again?

That being said, there are a lot of meta reasons why Jake would stay in the game.

Under the assumption that the writers would plan for a mix of Season 1 and Season 2 characters in the finale, and for at least one man to make the finale (as they've already had an all-women Final 3), if Jake goes home, Grett has to be in the finale as the only other Season 1 remaining, and Connor has to be in the finale as the only other man remaining. It's a lot simpler if Jake just makes the finale.

On top of that, Jake's character arc just seems like it's been leaning winner as well. I won't explain all the reasons why, because that would take a long time, and I've been mentioning it in my Power Rankings and initial thoughts for a while now.

While their relationship does have nuance, overall, I think we're supposed to root for Jake and against Ally in their rivalry. Thus, I don't think that they'd want to let Ally actually eliminate Jake. He's a fan favorite, while Ally seems to draw in new haters with each episode.

Jake was already eliminated at Final 5 after being saved by an idol at Final 6 once before. I doubt they'd want him to get eliminated in the exact same way again.

There might be even more, but I'm not thinking of them right now. At any rate, all of those meta elements combined gives Jake enough power to survive being put at a lower placement for this round, at least. Whatever happens in this challenge, I think they'll find some way to save him, whether it's giving Jake immunity, Grett deciding to work with Connor and Jake, the girls deciding to target Connor this time, or whatever else. Still, though. It's scary having him this high.

#3: Connor

Once again, a character conveniently lands in the middle of the ranking because I think they have good reasons to stay or go. Or, at least, I think that's happened before? Possibly even with Connor. Kinda scary that that point is third place, though.

So, why would it make sense for Connor to stay in the competition? Well, like I said with Jake, I think that there'll be at least one man in the finale, so if Connor goes home, it would make it "pretty obvious" that Jake is locked in for the finals. He also still hasn't yet outplaced Riya in this season (or at all), which is something I've been predicting will happen for a while. I also think that Connor would make a very sensible last place finalist, as someone who we can root for but understandably get rid of (because he's already rich) in going from Final 3 to Final 2, opening the stage for a more dramatic showdown between Final 2 rivals. Uh, to be clear, at this point, I'm expecting a Jake/Ally/Connor Final 3 with placements in that order. I didn't really set out to put the three of them in the top 3 positions of this week, but, I guess my internal biases got the best of me?

Screw all that, though-- why would it then make sense for Connor to be the one going home? Well, even though he hasn't been there to see Riya voted out, the end of last episode and this trailer have made it pretty clear that he's already had a moral victory against Riya. Honestly, that might sting for Riya even more-- even though Connor didn't even outplace her, he still seems more content than she is. Why?! Eliminating Connor here could also create a very dramatic do-or-die scenario for Jake at the Final 4. If Jake then wins immunity to secure his spot in the Final 4, it could also lead to some intriguing drama at the Final 4 tribal. I'd love to see Riya going out in that fashion: voting out Connor actually leads to her downfall, as it exposes that her social game wasn't strong enough to save her at the eleventh hour.

Also, if Connor and Alec still need a final conversation at the Loser's Motel, Connor would need to be... well, in the Loser's Motel. To be honest, though, I could actually see the fact that Alec and Connor hugged it out already as being a good sign for the fact that Connor doesn't need to be in the Loser's Motel episode. For that reason and the ones listed above, I think Connor is decently safe... but even decently safe will land you in spot #3.

#4: Grett

After Ally started to sneakily pick up what Grett was discreetly attempting to put down last episode, Grett's life in this game definitely started to flash before my eyes. At this point, it seems to me like Grett is being set up for a pre-finale downfall. However, I think we might still need a little bit more time for Grett's threat level to rise enough for her to truly feel like a final boss archetype.

To quickly explain what I mean by that, modern Survivor (at least) has very frequently edited the show in a way that makes the Final 4 or 5 boot into a final boss that the true winner of the season has to defeat before rightfully claiming their crown in the finale. This is because, a lot of the time, the best strategic players of the season make it really deep into the game, but are such obvious threats to win that the rest of the players scramble to take them out before it's too late. If you've seen Survivor 42, 43, or 44, some names might jump to mind. I don't know if the ONC writers might have been trying to specifically emulate that phenomenon with Grett or if it's just something that could occur naturally, but either way, I think she may receive that treatment.

Part of it is just that I think she's decently likely to win immunity this episode. We've heard that Grett enjoys working out and being athletic in these past few episodes, and she seemed to be kicking ass on that horse. She also has a rich(?) background, so she might have more inherent knowledge of horses than some of the other competitors.

There's more I could specifically say about what I think might happen in these last few episodes involving Grett, but I'll save that for #5. But, if I'm so convinced that Grett will be safe this episode, why put her at #4?

Well, truthfully, I'm not. First of all, I said the final boss can be eliminated at 4th or 5th place, and this is 5th place. Granted, I think 5th place final boss is more warranted for Survivor, with their Final 4 firemaking twist, but it could still be the case here. I could also see Ally convincing everyone else that Grett is too threatening, and everyone working together to vote her out of the game. Even if Jake would hate to work with Ally, I don't know if anyone would be able to pass up such an obvious "as long as it isn't me" opportunity this close to the finale.

While I do still think Grett would be a deserving winner, she's entered into wide enough of a danger zone that I fear she won't make it to the finale. The debate in my eyes is whether it'll be this episode or the next that takes her out. I'm leaning next episode, but I'm unconfident enough in my prediction that Grett goes at #4.

#5: Riya

Alright, back to my direct predictions about what will happen. As long as Riya doesn't win immunity this episode, I think that what will happen is that Grett will decide to turn the tables this time, and plan to vote with Jake and Connor to take out Riya. That way, she can fulfill her personal vendetta against Riya, as well as prevent someone who almost won last season from getting a chance at a re-do.

Given that Grett is locked in with Connor and Jake as Riya votes, there isn't really much of a point to voting for someone else if Ally is in on the plan. But, that doesn't mean that Ally won't be mad about it. The line where Ally seems so happy about going to the Final 3 with Riya and Grett would factor into this. I think Ally might genuinely believe that that's the plan moving forward, before Grett goes "lol no of course we're taking Riya out this time." At that point, Ally will put two and two together, and be confident that Grett tipped Connor and Jake off about the idol play without telling her. Some super close ally she is!

Going into the Final 4, Ally will be sick and tired of Grett bossing her around, not taking her opinions into account when it comes to who to vote out (Jake still isn't out of the game!) and treating her as essentially a second vote. That rage will cause Ally to somehow get Grett out at the Final 4-- possibly in combination with a Jake immunity win or some other situation where Jake is immune from being voted out. Or, maybe Ally would put her hatred of Jake aside in seeing Grett as a bigger threat. Doubtful, though-- she really fucking hates Jake.

Anyways, I feel bad that I haven't actually talked about Riya much in this Riya section. Of course, I don't know if anything that I'm going to say about Riya will make me feel any nicer. I really don't think that Riya is going to be a finalist again. I think that Grett or Ally make more sense as a "villain" finalist for the series, between Grett being a former member of the villains' alliance and Ally being one of the most detestable characters at this point. (Not saying I personally detest her.) If Riya isn't a finalist, it's now or next episode.

And... really, the thing that makes me want to put Riya on the bottom this week the most is wondering what the hell she would be doing still in the Final 4. If she gets there, it's probably either a Connor or Jake boot that gets us there, possibly Grett in the "Ally convinces everyone to vote Grett" scenario. What does that get us?

If Connor is eliminated, Riya is just an awkward third wheel on the Ally/Jake and Ally/Grett scenarios.

If Jake is eliminated, I guess she continues beefing with Connor, but about what? Whatever they have to talk about will probably be talked about in this episode.

If Grett is eliminated, then... I mean, I guess we'll focus in on her and Ally? And she can keep beefing with Connor about whatever. I don't know about you guys, but to me, that feels... kind of fruitless?

The main issue is that, at least in my eyes, Riya has already lost. She's not going to win this season, and everyone in the audience knows it. With Alec's elimination, she lost any sort of power she could have had. She doesn't have Alec to order around, she's officially made a fool of herself in front of Connor, and she doesn't even seem to enjoy the presence of the cameras she's always loved in the trailer. I think Riya may kinda quietly go off into the night this episode, which is the saddest (/pos) method for eliminating her there is. TV's greatest villain, taken out by Grett as an obvious move with very little fanfare. Is this where her relentless ambition and manipulation has gotten her...?

Oh, and she still needs to talk with Alec in the Loser's Motel, probably. Kinda fitting if they're eliminated back-to-back, as well.

As we close out this Power Ranking, let me reiterate that I genuinely could see any of these competitors being eliminated this episode. I wound up having stronger opinions about Ally and Riya than I thought, but I really struggled with where to place everyone at the start. I don't want to get 1 point this week, but I wouldn't be all too surprised if I do. I just have to hope that the power of the horse is on my side.

... wait, Venus was born in the year of the horse! Dammit, I'm totally gonna lose! Unless we have the same person at #5...? As I write this, I haven't read hers yet, so I guess I'll have to wait and see. To the episode!

[sloshed-cinema]

Beast (2017)

It’s really a shame that the film wasn’t able to deliver on what it suggested to be setting up in the trio of characters between the brow-beaten Moll, her domineering mother, and the strange new figure of Pascal. Hillary is vicious and manipulative toward her daughter, blowing hot and cold to keep Moll under her thumb. In the opening, Hillary decides to announce another, more favored daughter’s pregnancy at Moll’s birthday party, and later infantilizes her by demanding to know if she knows right from wrong and humiliates her in front of her family before turning on a dime and saying that they should all be friends. This sort of psychological torture creates a figure primed for any sort of opportunity for escape or rebellion. Pascal is introduced scaring off someone making untoward gestures at Moll by firing a gun into the air. He’s a coarse presence, both in the face of the “polite society” tax-dodging British occupants of Jersey due to his lower class status, and in his risky behaviors. But is he risky or dangerous? It’s one thing to drive too fast or encourage someone to follow them along up a cliff for a romantic kiss, and another to be a killer. Is Pascal grooming Moll, or is he just a bit of a roughneck? The film veers sharply off course, ironically as it delves into Moll’s interiority. She has a spotty background herself which comes to light, having attacked a classmate out of self-defense or revenge, she states both. Her character shifts dramatically from a put-upon victim seeking an escape to a desperately selfish target for ire by the community, behaving ever more erratically. For a stretch this becomes my least favorite subgenre, the tar-and-feathers community bullying thriller such as Kristoffer Borgli’s Dream Scenario or Thomas Vinterberg’s Jagten. These situations are always focused on everyone behaving like complete shitheels, angry mob and victim/target alike. It’s a lazy way to put viewers through an emotional wringer. Once that’s dispensed of, we enter… Moll’s villain era? This is at best a woefully misguided handling of the nature vs nurture debate, with our waif suddenly wanting to become Bonnie and Clyde or something, and then a non-answer as to whether it’s Pascal or the random Portuguese dude as the killer. So either xenophobia or poor understanding of mental health wins. Cool!

THE RULES

SIP

Hillary says something super controlling and manipulative.

Caring for Moll's father is mentioned.

BIG DRINK

Choral singing begins in a scene.

Strange dreamlike imagery.

[mariana-oconnor]

The Greek Interpreter pt 3

Back to Mr Melas and his mysterious plaster-faced man.

...as he opened the door of our room he gave a start of surprise. Looking over his shoulder, I was equally astonished. His brother Mycroft was sitting smoking in the arm-chair.

Given the fact that it seems as though earth's orbit through space is more erratic than Mycroft's schedule, and easier to divert, this is quite astonishing. Also... didn't they literally just leave him? The man must have moved like the wind.

"Here it is," said he, "written with a J pen on royal cream paper by a middle-aged man with a weak constitution. 'Sir,' he says, 'in answer to your advertisement of to-day's date, I beg to inform you that I know the young lady in question very well. If you should care to call upon me I could give you some particulars as to her painful history. She is living at present at The Myrtles, Beckenham. Yours faithfully, J. Davenport.'"

Is she really living there at present? Mr Davenport? Is she? are you sure she isn't living somewhere else right now?

Also, lol at Mycroft being sure to put in the type of pen and the fact that the writer is middle-aged and has a weak constitution.

It was almost dark before we found ourselves in Pall Mall, at the rooms of Mr Melas. A gentleman had just called for him, and he was gone.

What? The man who was told he would be in grave danger if he told anyone, and then you broadcast the fact he had told people in all the daily papers is missing? I'm sure this is absolutely fine and in no way at all worrying. Definitely not connected to the fact that you broadcast the fact that he had told people the villain's secret in the newspaper.

Mr Melas is totally fine.

"He wasn't a tall, handsome, dark young man?" "Oh, nor, sir. He was a little gentleman, with glasses, thin in the face, but very pleasant in his ways, for he was laughing al the time that he was talking."

Well shucks. Who could have foreseen this? No way to have stopped it. Absolutely unpredictable circumstances here. No one to blame. No one at all. It was impossible to foresee this turn of events.

"He is a man of no physical courage, as they are well aware from their experience the other night. This villain was able to terrorise him the instant that he got into his presence. No doubt they want his professional services, but, having used him, they may be inclined to punish him for what they will regard as his treachery."

Excuse me? 'no physical courage', wtf is that supposed to mean? How is courage physical, for one, and secondly, did we listen to the same story? Where he managed to get information from the prisoner without alerting the bad guys even though he was scared. Then afterwards, rather than staying quiet for his own safety he brought the tale to the attention of people he thought could help? Wtf do you consider courage, Holmes? And then he just went about his day, knowing his life had been threatened? no physical courage?

Gonna have to respectfully disagree on this point.

Also 'they may be inclined to punish him for [...] his treachery'? You think?

So weird that no one seems to have seen this coming. Like, my dudes, you took an ad out in the paper. In the era when everyone (except Holmes) reads the paper. What did you think was going to happen?

On reaching Scotland Yard, however, it was more than an hour before we could get Inspector Gregson and comply with the legal formalities which would enable us to enter the house.

'We can't go in without a search warrant' is an age old complaint, it seems. I love that this is in here.

"You may have observed the same wheel-tracks going the other way. But the outward-bound ones were very much deeper--so much so that we can say for a certainty that there was a very considerable weight on the carriage." "You get a trifle beyond me there," said the inspector, shrugging his shoulder.

Little sad for Gregson that this is 'beyond' him. This is one of the clearest and simplest pieces of evidence we've seen Holmes provide.

"It is a mercy that you are on the side of the force, and not against it, Mr Holmes," remarked the inspector, as he noted the clever way in which my friend had forced back the catch. "Well, I think that under the circumstances we may enter without an invitation."

Yes. Because you got that search warrant... that you mentioned before. Not by name, exactly. But you got legal right to enter the property. So... you can enter the property? Unless you still needed an invitation even with that, but if you had an invitation wouldn't you already have right to enter? Or maybe they were legally only supposed to enter while someone was present.

He dashed up, the inspector and I at his heels, while his brother Mycroft followed as quickly as his great bulk would permit.

Did Watson mention that Mycroft is fat? I'm not sure he did.

Peering in, we could see that the only light in the room came from a dull blue flame which flickered from a small brass tripod in the centre. It threw a livid, unnatural circle upon the floor, while in the shadows beyond we saw the vague loom of two figures which crouched against the wall. From the open door there reeked a horrible poisonous exhalation which set us gasping and coughing.

Well this is horrifying. Slowly gassing people to death. These guys are really horrible. Such a terrible way to kill someone. Are they trying to make it seem like an accident?

"Where is a candle? I doubt if we could strike a match in that atmosphere. Hold the light at the door and we shall get them out, Mycroft, now!"

Because an open flame is... better than a match? I do not understand this logic.

The other, who was secured in a similar fashion, was a tall man in the last stage of emaciation, with several strips of sticking-plaster arranged in a grotesque pattern over his face. He had ceased to moan as we laid him down, and a glance showed me that for him at least our aid had come too late. Mr Melas, however, still lived, and in less than an hour, with the aid of ammonia and brandy I had the satisfaction of seeing him open his eyes, and of knowing that my hand had drawn him back from that dark valley in which all paths meet.

RIP Paul. They really fucked you over with that newspaper ad, didn't they? Your full name just out there in the world, being suspicious. Or maybe you outlived your usefulness to them.

Glad Mr Melas is okay, and it's nice to see Watson using his expertise to save the day a little bit. Even if the circumstances are pretty awful. This story is pretty dark, especially compared to the blue carbuncle goose chase (even with its brief commentary on the prison system) and the yellow face was pretty optimistic, even if I feel like everyone needed a lot of therapy. Here we have a man imprisoned, tortured and then gassed to death. And another almost suffering the same fate.

Watson's poetic turn of phrase softens it a little, but also makes it a bit more melacholy. Bleak, I think is the word I would use for this one.

His visitor, on entering his rooms, had drawn a life-preserver from his sleeve, and had so impressed him with the fear of instant and inevitable death that he had kidnapped him for the second time. Indeed, it was almost mesmeric, the effect which this giggling ruffian had produced upon the unfortunate linguist, for he could not speak of him save with trembling hands and a blanched cheek.

I am informed that a life-preserver is a type of bludgeon. And this little giggling man sounds utterly terrifying. I would absolutely do whatever he said if he threatened to bludgeon me to death. Watson seems surprised that Mr Melas is suffering from trauma. I get that Watson's a little... unhinged? regarding life or death situations, but between this and the lacking physical courage comment from before. Rude. Guy almost dies multiple times and it's definitely partially their fault for not trying to protect him. And they're busy judging him for going along with it.

And now we get a bit of an exposition dump.

...the unfortunate young lady came of a wealthy Grecian family, and that she had been on a visit to some friends in England. While there she had met a young man named Harold Latimer, who had acquired an ascendancy over her and had eventually persuaded her to fly with him. Her friends, shocked at the event, had contented themselves with informing her brother at Athens, and had then washed their hands of the matter.

A+ friends she has there. Wow.

'Acquired an ascendancy over her' is such a poetic turn of phrase for 'manipulated and controlled her'. This whole story is tragic and horrible. And so dark.

The brother, on his arrival in England, had imprudently placed himself in the power of Latimer and of his associate, whose name was Wilson Kemp—that through his ignorance of the language he was helpless in their hands, had kept him a prisoner, and had endeavoured by cruelty and starvation to make him sign away his own and his sister's property.

Seriously, this is horrible. Oh look, these people have no support system and no way to communicate, let's take advantage of them and torture them and no one will care. If it wasn't for Mr Melas, no one would even have thought to look.

...the plaster over the face had been for the purpose of making recognition difficult in case she should ever catch a glimpse of him. Her feminine perception, however, had instantly seen through the disguise when, on the occasion of the interpreter's visit, she had seen him for the first time.

'Her feminine perception'... i.e. the disguise was terrible and she actually knew what her brother looked like. Feminine perception. Maybe I should argue that in the next D&D session 'my character's female so I should get advantage on perception checks, Sherlock Holmes says so.' Lolol. This is made more amusing to me by the fact that I am both female and well-regarded as being one of the least observant people most of my friends and family know. My mother makes a game of it sometimes 'can you tell what's different in this room?'

No. The answer is always no.

Months afterwards a curious newspaper cutting reached us from Buda-Pesth. It told how two Englishmen who had been travelling with a woman had met with a tragic end. They had each been stabbed, it seems, and the Hungarian police were of opinion that they had quarrelled and had inflicted mortal injuries upon each other. Holmes, however, is, I fancy, of a different way of thinking, and holds to this day that, if one could find the Grecian girl, one might learn how the wrongs of herself and her brother came to be avenged.

Fuck yeah, Sophy. Stab them. I hope they knew it was you as they died. There is at least a little satisfaction in that. There's a whole story in those last few sentences which would be an epic revenge tale.

I had genuinely forgotten how many of these stories end with things happening off screen without Holmes or Watson being involved. This is another case where the villains get their justice meted out extra-legally, but this time it at least seems to have been a result of their actions rather than divine intervention. The point of the stories is clearly the method not the resolution.

It's... not satisfying. And like I mentioned before, it's a really dark tale. I didn't not remember it ending so horrifically. Also Sophy's friends are all terrible and should be ashamed of themselves.

I watched Magpie Murders on the BBC this week and the whole thing revolves around the fact that the last chapter of a whodunnit is missing. They say multiple times that it's the most important part of the book, and I don't necessarily disagree, but its strange to see in these stories, which were not the first mystery stories but early in the genre's evolution where the emphasis lies. Whodunnit is important, but the comeuppance clearly isn't. And even the who isn't as important as how Holmes gets there.

The slight mentions of mesmerism are interesting, and could totally be rolled into my 'Holmes but supernatural' alternate universe, where Kemp is accomplished at mind-control. That would make it even darker, if anything though.

This whole thing is just a tragedy from start to end.

Copper Beeches next - and I've read that one many times. Copper Beeches and the Solitary Cyclist used to be my favourites as a kid. I'll be interested to see how much I remember. Also, it'll be interesting to see what current!me makes of past!me's taste.

[caffeine-clouds]

Me again! I think it goes without saying Sonic Frontiers had some great writing and fixed a lot of characters. Assuming the writing stays the same, who do you think should be the next character to have their personality fixed? I think Shadow!

Hello again anon! Oho! I absolutely agree with you there - I think Shadow needs some depth the most out of the cast right now. Silver is mostly fine - he just needs things to do, Rouge is pretty consistent - but each game will use a slider to determine how selfish or not selfish she is, and Blaze... yeah she's fine, just give her some damn screentime.

Shadow is the glaring, gaping hole that needs to be addressed. So in a world where I somehow snuck into SEGA headquarters and wrote Shadow's character for the next game - I wanted to say how I'd approach his character:

The less appealing way, to me, is to make him act back how he was in the 06 era. I LOVE 06 Shadow, he's my favourite Shadow - but that version of him is a far cry from the personality we've seen from him in the past decade. I wouldn't complain if this happened but I think there's a smarter way to go about this.

In much the same way as Tails was dealt with - I would achknowledge Shadow's portrayals in the latest games and comics - all his assholery, all of his fat ego in the way, and just not giving a damn about the people around him because SEGA decided he's not allowed to have friends now.

So take this asshole, and what do you do with him?

You humble him.

You get him a villain that just absolutely wrecks shop and kicks his shit in so hard that he's forced to rethink his life decisions. Let Shadow be confident entering in - like it's a rehash of Shadow vs. Infinite - but unlike with Infinite, this antagonist trumps him in every single way. This man's ego needs to be stripped the fuck down for any change in his character to happen.

He gets his ass beaten so hard that Sonic, Rouge, Omega or WHOEVER has to come save him, and they have to retreat

Cowards run, I win - Okay bitch, let me put you in a situation you're forced to run from. Is your outlook the same?

The game ensues with Shadow basically being hellbent on destroying this antagonist and trying to fall back into his old habits - but as the story goes on it becomes increasingly clearer that he needs the help of his allies.

Bonus points - I'd want a scene where Shadow's behaviour is actually called out by any of the prior characters, or hell - you want a callback? Let Amy do it - but I want a character to say to his face just how much of a nuisance he's been.

He learns to realise throughout the plot that those around him are not a burden - and are in fact very useful, he learns more about each of his peers - and sees that they all want to give him their friendship and that hey - kindness is kind of nice, actually. Maybe Shadow can admit to why he's been acting the way he has to Rouge and Omega - and finally recieve some damn consoling

I think of a fear of getting close to people is a viable explanation considering a certain blonde 12 year old. Shadow's moved on from tying himself to Maria's last dying wish - but it's undeniable that she and her death has impacted his psyche in many more ways. I hate to beat a dead horse but just as with Tails' recent cowardice in Forces - I did want to explain his turn in character.

In the end - he's able to defeat the villain with the help of his friends. He doesn't end the story with a completely different personality - not at all. On the other end, he's still got a large ego and he's our usual broody blunt man - but he's come out of the story with the realization that it's okay to be vulnerable and lean on others when he needs it. His strongest bonds are still with Rouge and Omega - and he makes the move to properly repair his relationship with them - officially forming Team Dark that will move forward together from now on.

Shadow isn't attached by the hip to them, per say - he has his independence streak, but now - he does actually have at least 2 friends that he works with frequently. But I hope his bond with the others would get to be strengthened as well. His relationship with Sonic is still complicated, but a little less hostile on Shadow's end now.

So yeah, SEGA decided Team Dark aren't a team anymore - so fuck it, I'll just make them a team a second time because I care too much.

Sorry I went on a tangeant because of your ask, anon! But this was really fun to explore. Thank you so much for the question :)