#should i tag my aus in this?

[kerizaret]

YAYYYYY TY!!!!!!

I was wondering what exactly your process was when it came to worldbuilding? ,:3 I remembered when I rambled to you about my polysho au and you had so many questions that I hadn't even thought about which I thought was really cool and when I see your rambles about your own aus they're so intricate and detailed and stuff and I always wondered how you did alla that :3 sorry I'm not good with words um. TLDR I want to know your process of world building if you're okay with it ,:3

OH. MY PROCESS. UH. I.. don't really know if i have a concrete process??? I'm just a Perfectionist who needs to have everything figured out as much as possible HAHDHS

It just sort of happens? It's really really hard to explain how I think. I just really want things to make sense and for that I need to know why they are the way they are and have explanations for any questions people might have for them. Think about it like, if I was told about [situation/power] without context, what would I ask about? What would I want explained to me?

But well. Thays very vague. I'll try to write down some of how I think below but i don't really know if it'll make sense ahahdh

Usually when I come up with a new idea, it's because I come up with a certain scene or concept I think would be interesting, and just build the plot around it? And then I just ask myself questions all the time. How would we reach that point? What's the process? Why is someone acting like this? Why this character in particular? How does it fit them? How does this work?

Generally the most important question I need an answer to is – what am I trying to achieve with this? Where am I leading the story towards? What's my end goal, or at least a certain point late in the story that I want to realise? Am I trying to lead the polysho au to joint marriage or for them to choose? Do I want something happen to the hina tenmas? Will the opposition in the cpdw au win against the oppressing system? (I know i haven't shared much of this au bc there's so much going on there but I promise I will soon)

I also definitely always try to think up a background for the story. What is the situation and how it affects what's happening? How did it reach this point? Is it a finished process or is something still developing? Will the background situation change and somehow affect the story later on?

If the action is in a city/country/land, what's that place like? Is there something happening in it that's important? If it's a seaside village wary of mermaids, why is it like this and what happens if a mermaid appears? If its a cyberpunk city oppressed by the system, what is the oppression like? Is there a resistance, and how does it fight back, how does it hide, what are their struggles? If it's several kingdoms, what's different about each of them that makes them separate countries and not one and the same thing? How are the relationships between them? Things like that

But other than that it's hard to pin down exactly one route i take, you know? The thinking is really like, unique to each au. For example the polysho royal au was inspired by one ruikasa scene that randomly appeared in my head (that I can't tell you about because it's happening later on and is important) and I just thought "well. Now I have to somehow make it make sense". And then I came up with the arranged marriage thing, and how emunene work into this, and had a basic concept. (I wasn't PLANNING to make an au out of this, but you guys got interested and I decided might as well try. And now I had to figure out how the relationships develop and why)

For hinamatsuri au, the concept for toy-fixers tenmas came first, and only then I started figuring out how I could work other characters into it, and how exactly their "magic" works. I haven't shared it yet because drawing this is. A process. But I have a whole lore reasoning for why toys even move in the first place, what the Tenmas' abilities depend on, their limits. Their creation and why they broke later, how this affects them

Why did Tsukasa's power fail, in the last comic? Was it a one-time thing or will this continue? Why does Saki start crumbling sometimes? Why does tsukasa forget things? And other things

I like it when a power has its weaknesses or limits, when a situation has its consequences and reasons for it. You take whatever concept you have and think, where did it come from? Where does it stop? How does it change things? Why did I choose this person for it?

I generally also like to and try to reference the original story somehow too. Like the hinamatsuri au characters' stories. I tried to - as much as was possible - do something similar to their Canon situations. Like toya being harumichi's puppet whose strings tenmas cut off, like honami being mistreated by her owners but still choosing to stay with them at first, like nene being thrown away because of her voice failing.

In cpdw au emu finds herself fighting against her family who works for the system she doesn't agree with. Ruinene have a whole backstory together as childhood friends whose contact grew apart. Tsukasa let the system manipulate him with idea of fame into working as their propaganda idol

If it's possible, I like to keep the characters' personalities close to canon – except sometimes I emphasise their certain characteristics. Like for hinakasa I took the big brother energy and multiplied it tenfold, but toned down a bit on the impulsiveness as you've probably noticed

I don't know what else is there really? It all comes down to me just taking the idea and taking it apart to be able to know it inside-out and from all sides. Ask yourself questions! Be curious! Think about where things came from, how they work and what they change!

Or, talk to someone else about it. Heavens know how much it helps. There's ALWAYS going to be a question you won't come up with yourself that someone asks you and you go completely blank. And it's great! It lets you develop things better! It gives you a new perspective! And most importantly you can scream about an idea you like as much as you can. What could be more fun?

I'm always happy to listen to new ideas and ask questions to help if you ever want to!

[noodles-and-tea]

Just some more thoughts on that jayvik dbh au

[strawberriesandstarsart]

AU I thought of that is very significant to my mental health.

[hiding-under-the-willow]

Okay so things have mayhaps gotten immediately out of hand with this au.

But! Yippee!! Main hermit ghosts design lineup!!!

[applestruda]

quick doodles of stareater au grian

[paintedcrows]

It is imperative to me that Bill and Stan do torrid Duchess Approves roleplay and argue about character motivations

[cj-the-random-artist]

Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.

I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!

(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)

The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.

That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.

[jaytalking]

At this point his hair being on fire is just a sign that his ultimate is ready. Anyways here's some scenes from the AU in my brain.

[jaso7]

Photo study but more importantly, mechanic Jason

[goosologist]

(How weird! To be noticed, and known!)

[michelle-jacksons-art-blog]

Maybe should've tried harder for that scholarship

[bigfatbreak]

Birds of a Feather previous / next

[ro-bee]

muah muah muah muah!!!

[poorlemons]

I just think they could have an interesting conversation, two angry assistants

[forgettable-au]

I'm sick so I drew silly things about my AU lmao don't take these that seriously

[axiliern]

waiter waiter more vampire timkon please!

prev vampire timkon drawing!!!