#ships plots fun encounters

[qoldenskies]

If Donnie and Kendra have a friendly rivalry and he's swapping codes with Jeremy, would D be more comfortable around the purple Dragon's than the turtles?

dont think so, they're still competing/fighting at the end of the day! by the time he would be actively interacting with outside people like that again, he'd be similarly jumpy around everyone and really only freak out around his brothers when they act in a way that's particularly triggering for him. i could see outside friends in general being kind of a breath of fresh air for him though, especially early on. it feels like there's less EXPECTATIONS.

and if he had a more positive relationship with kendra, she'd probably notice the difference and treat him differently, while still feigning annoyance and disinterest. he'd probably like the taste of normalcy, even if they're not comfortable talking on a more personal/emotional level.

[darkaac]

Fin.

[itsagoodluckkiss]

Hi, I wanted to make a request about Luffy x female reader. The reader is feminine but clumsy, emotionally-reserved, unexperienced and kind-hearted. Smart and funny, with a soft spot for Luffy. . As for the plot, "she fell first, but he fell harder", slice of life with a little angst would be perfect. I'm desperate for fanfiction about first experience in everything kinda stuff. I'm not a minor, so it would be very good to see some sensual and awkward smut. I would be glad to read anything you'll write about Luffy x female!reader and I hope that you liked my request (^o^)/ sorry for bad english

It's Okay ~ Luffy x F!Reader

First of all, thank you for being my first request, you made me really happy and I'm really sorry for the really long wait, we had a really rough couple of months. Also, it's the first smut I've ever written so read this with patience. English is not my first language either and I'm sorry for any mistakes. Anyways, I had fun writing this, I hope you'll like it, lots of love!

Words: +3k

Warnings: hurt/comfort, op spoilers, ptsd, mentions of character death, comfort sex, smut with plot, oral (f!receiving), virginity loss (both), unprotected sex, cockwarming, fluffy ending kinda?, no use of Y/N

MDNI

Quiet days on The Thousand Sunny were as rare as mythical zoans. Not only because of dangerous encounters but also because of how calm the whole crew was today. Even your walking ray of sunshine captain was not as wild as usual. But you couldn’t really complain as you could focus on your task in silence.

The tailor of the crew, responsible of sewing, stitching and mending every piece of fabric on the ship. And that included the sails. Strong winds the night before managed a large tear and the next island was a couple of days away. So you had a job to do. Standing on a rope ladder, you effortlessly worked through the sails with elegance. Every piece of fabric in your home deserved care, as you’d always say when you mended the torn up clothes of your crew mates.

You were proud you could provide your family with loved and cared clothes and everything else they needed, top priority along with the dream of becoming the best tailor the seas had ever seen. Your mind wandered away to the smile of your captain every time you placed the fixed straw hat you came to love so much on his head, while you automatically repaired the sail. But your gracefulness started and ended at the needle in your hand.

Looking away into the sea for one second resulted in you prickling your finger. The sudden feeling caused you to lose your step and balance and you yelped as you fell from the ladder, expecting a hard fall and a trip to Chopper’s infirmary. But the land never came, arms wrapping around your frame, drawing you to somebody’s embrace. In fear, you wrapped yourself around your savior’s waist like a koala, your flower patterned dress coming up slightly. Your face went to the crook of his neck for one second, immediately recognizing who it was, and you raised your head to look at him in embarrassment.

“Hi there!”

“Luffy, thank you, I’m so sorry!”

“It’s alright. Was on my way to check if you needed help. Guess I was right.” he said laughing.

You smiled and hugged him tightly as he put you down on the deck. You were embarrassed, part of it because of your own clumsiness, another part because of the way Luffy’s hands lingered on your waist before letting you go.

“Are you almost done? Picked up a new card game from the last island and I want to play with you.”

“Oh, ah, I, I still have some, some work to do...?”

You didn’t. You also didn’t know why you said that. You said a lot of stupid stuff lately. You loved spending time with your captain, especially when you knew there wouldn’t be a crazy fight following you in a few hours. Falling in love with his brown eyes, his goofy and brave personality and his loyalty to his friends was the reason you said yes to joining the Straw Hats after you helped them save Robin in Ennies Lobby.

But ever since you returned to Sabaody, it’s gotten harder to contain the feelings for your first love. The other night while you two were keeping watch and talking about things you loved, an “I love you” escaped your lips without thinking, proceeding to an inept attempt to cover it by saying how you loved he is such a loyal friend. You felt the blush rushing to your cheeks as you looked again on his face and noticed something you were seeing more and more these days. His trademark smile was reduced to a small upward line and in his eyes there was a gleam of sadness. You couldn’t have that.

“It’s fine, I’ll see you around later I guess-”

“On another note, I can always finish it later. Let’s go play, Captain!”

And you grabbed his arm, running like a child playing chase across the deck toward Nami’s tangerine trees, laughing as you tripped on your two left feet, Luffy holding you upwards and laughing in the process, always there to catch you.

~

The ship was in motion, light rain falling from the night sky as Luffy found himself walking aimlessly on the empty deck. His black hair tousled, his straw hat dangling from the string around his neck, his posture slumped, trying to find some sort of relief in the breeze that hit his face. His trembling hands grip the railing, his gaze lost towards the vast ocean, unable to back focus on anything but his most recent nightmare. Memories of Ace's death spreading, like poison in his veins, once again. He tried to steady his breathing but failed as hot tears run down his cheeks, silent sobs leaving his body, trying not to wake up his crew. He hadn’t talked to anyone about Marineford. There was no reason for his friends to see him in that weakened state. He could tell that everyone felt guilty because they weren’t there for him, he didn’t want to feed that ugly feeling inside them.

You felt restless, worry prickling your skin like a hundred needles at once. Sleep wouldn’t do you a favor so you hoped off bed to get some fresh air on the deck and some moments of peace to think. Luffy’s sad eyes lingered in your thoughts. You couldn’t help but think about how much he had changed since you first met. You remembered the scrawny, eager, brave boy he was. Now his hair was longer and spikier, and he looked stronger than ever before, he was almost a man. Despite his carefree looks, a lot had changed about him. Yes, he was still as eager and resilient and determinated as ever, yet more mature, as much as maturity applied to him. And that big scar across his chest was the only testament of the fight he gave alone two years ago, as he hadn't talked to any of you about it. Not that he had to. You all knew you would wholeheartedly give him the support in any form he’d need. You’d do what you knew best. Take care of the people you loved. And from the moment you joined the crew, you knew your heart belonged to the straw hat captain.

You spotted Luffy in the front of the ship. It was unusual for him to be up and alone this late at night. Your eyes filled with concern, you walked closer to him as you noticed the trembling in his form, worry rising in your chest. Your hand caressing his shoulder slightly, you didn’t want to scare him or make him feel worse.

"Luffy?" you asked softly, voice barely audible over the wind.

Luffy wiped his tear streaked face quickly and tried to control his heavy breathing, wanting to be like his usual self, even if he knew it was too late for acting.

“I…”

He took a deep breath trying to hold it all in. He was the one that was supposed to help people through their crying and problems, to protect them. He couldn’t protect his friends in Sabaody, he couldn’t save his brother. He swore he’d never let anything like those things happen again. He didn’t want to be seen as weak. Not again. Not in front of his crew. Not in front of you.

“It’s okay, Luffy.”

His eyes met yours, a warm and safe gaze, always inviting and full of love, ready to be a place of comfort and joy to anyone that needed it. You wrapped your arms around his shoulder and back, taking him in a comforting embrace. His arms went immediately around you, his face buried in the crook of your neck as silent sobs left him once again. He hugged you tightly, hyperventilating as he let every last feeling of grief and pain out. You felt your eyes well too, the pain your favorite person carried alone enough to make you want to scream.

“It’s okay… you’re okay… it wasn’t your fault…”

“I couldn’t… I thought you… were all dead… and… I was right there… I couldn’t save him… he left… in my arms… it should have been me!”

Your heart ached listening to Luffy's sobs, tears running down your face as well. You pulled back slightly, cupping his face in your hands, and looked into his red, puffy eyes.

“Listen to me! Don’t say that again, ever! We all know you’d never let us down. You did everything you could, Luffy, you always do, and it’s enough for us." You said, voice shaking, carrying all the sincerity in the world. "And you always were there for him. You gave everything you had! He loved you so much and you saved him because you showed him how loved and cherished he was! You're still doing everything you can to keep his memory alive. That's what he would want! Don’t do this to yourself, please.”

You wiped the tears off his face and squeezed his cheeks like you usually did when you shared food and laughs together, managing to drag out a small smile from the boy.

“How about we go grab some tea and biscuits from the kitchen before Sanji comes down from his watch and go to my room?” you suggested, knowing Luffy would never say no to food.

“It’s on!”

Stealth wasn’t your strongest suit as you somehow always managed to hit on something. And with Luffy beside you, havoc was almost always certain. Getting out of the kitchen as fast as you could, before Sanji’s yells could reach you, you run into the ship, down to your handicraft’s room. The warmth of the cabin enveloped Luffy, feeling a little more like his usual self now, as he took in the room. That’s were all your great works laid, with needles, threads and sewing machines all over the place. From clothes and blankets to large embroideries hanging from the walls. You laid a soft, fluffy blanket on the ground to sit on. You sipped your scolding tea as Luffy munched on a cookie, taking in your works.

“I don’t know how you can make beautiful things like these.”

“I’ve practiced it a lot. And I love it. I’m glad you like it, Captain.”

You smiled widely, gaining a toothy grin from him.

“Thank you.”

“For what?”

“For always being here.”

You were thinking your next words for a moment before moving the cups and plate from the blanket, taking his shoulders gently as you both laid on the ground, your eyes looking at each other, taking his hand into yours.

“It's alright to not be fine, you know… I'll always be here for you, no matter what.”

“It’s… I’m not thinking about it most of the time… I just have nightmares… it’s hard sometimes.”

“And that’s completely logical, Luffy, you’ve been through hell! I collapsed when I heard the news and couldn’t be with you. I would have run to you if I could. I love you so much and I’m sorry I wasn’t there and…”

You were the one tearing up now, cheeks red from embarrassment as the words slipped through your mouth without thinking. You knew Luffy would be shattered when you heard about Ace. The only thing you wanted was to hug him until you pulled all his pieces back together. He met your gaze. Luffy was never interested in romance. He didn’t thought he needed it. Until he met you and for the first time, he wanted someone to join his crew not only because he wanted them as a friend and they’d be a great addition, but because he felt something different, something he couldn’t quite understand. The only thing he knew was that he loved you a little differently than the rest of his friends. It was his turn to brush the tears off your face now and you melted from his touch. You tried to speak but before you could, his hand, warm and slightly trembling, cup your cheek. His lips pressed into yours, just for a moment, before drawing back only inches from your face.

“I think I love you too.”

Your eyes widened in surprise, heart pounding against your ribs. Never had you thought you’d hear those words from Luffy. Of course, you knew he loved everyone in the crew, but this felt different. You felt like you would burst into flames as you blushed even more.

“You, you do?!”

“Yeah… you’re sweet and strong… always by my side… you’re very important to me…”

You let out a gasp of surprise as you hugged him tightly and crushed your lips into his clumsily, both of you laughing at your enthusiasm. Small, sweet kisses evolved into longer, more passionately ones and soon you were underneath him, his hands caressing your thigh beneath your dress, your hands slowly pushing his vest off of him.

“Are you okay?”

“I am, you?”

“Me too.”

Soon, your clothes landed somewhere else in the room as you felt him caressing your skin everywhere and you gasped into the kiss, him taking advantage of your parted lips to push his tongue into your mouth, tangling it messily with yours. His lips travelled down your neck and lower, soon to be between your legs. A feeling of self-consciousness crept over you as you closed your legs and he smiled up at you as he caressed your thigh.

“Hey, it’s okay, we can stop if you want.”

“No, I want this, I’ve just… never do this before…”

“Neither do I. We’ll find it together. But I want you to be comfortable. You can stop me if you don’t feel okay.”

You smile down at him and relaxed a bit, allowing him to spread your legs and start kissing the inside of your thighs. It felt so good to share another experience with him, and his touch was gentler than you thought it would be. He positioned your thighs on his shoulders and before you could react, his mouth was on you, his tongue licking a stripe before latching onto your clit. Your head fell back immediately as a choked out moan slipped through your mouth, one hand flying to his hair, pulling on his locks gently as the other grasped the blanket beneath you. His eyes were on you, his look was magnetic and focused on the task of making you feel good. A finger circling your tight hole, it pushed inside you slowly as he sucked on your clit, making you whimper from the pleasurable feeling. The stretching inside you new and welcomed, a combination of his mouth and a second finger breaching in has your orgasm approaching faster than you expected. He curled his fingers upwards, hitting repeatedly a spot you had never reached before on your own and it pushed you over the edge unexpectedly. He smiles against you as small moans left your mouth, your whole body shaking, your head spinning.

Coming down from your high, he crawls back on top of you and kisses you passionately, your tongues intertwining. You can taste yourself through the kiss, and it makes you long for more. He breaks the kiss and smiles down at you.

“How was that?”

“Luffy, it was… amazing. How did you know-”

“Didn’t. Just did what felt right. Are you okay to continue?”

You nodded eagerly and he grinned at you, his lips back on yours again. Your hand sneaks between your bodies to grab his dick, gently pumping him up and down, bringing him close to your folds. He moans into the kiss and swats your hand away, gliding himself between your now soaked pussy, his tip touching your clit every time, sending small jolts of pleasure down your spine. He breaks the kiss, his face only inches apart from yours, staring into your eyes.

“You’re sure?”, he whispered.

“Yes captain, please…”

A shiver run through his body as he hears your plead, and he moves his tip against your entrance, pushing in. A small gasp escape you and a sharp hiss leaves his mouth as he slowly slides into you, his movements awkward but gentle, the feeling of your warmth around him making him slightly tremble as he bottoms out. It felt slightly uncomfortable for you at first but the pain you expected to feel was nowhere to be found. His lips were on your neck, nibbling and sucking gently while his arms roamed your body, trying to make you relax as he stayed still, waiting for you to adjust to him. A few moments passed and your hand cupped his chin, bringing his lips to yours in a sweet kiss.

“Feels better now?”

“Yes, Luffy… please, move…”

He smiled down at you and placed another soft kiss on your lips as he began to move, taking it slow and tender, setting a rhythm that made you gasp, the pleasure spreading over you. One of his hands on yours, intertwining your fingers as the other grabbed your thigh to keep you against him, his forehead on yours, eyes closed as you both relished the feeling of your bodies pressed together. His speed picked up slightly as he finds a steady rhythm and you moan his name, your legs wrapping around his waist to keep him close. He smiles widely and kisses you deeply, his tongue exploring your mouth, your fingers running through his hair, gently tugging at his dark locks.

One hand gripped your thigh rougher now, pushing it upwards, the shift in position allowing him to go deeper, the other sneaking between your bodies to rub at your clit. Your face buries in the crook of his neck, trying to choke down your moans, the knot in your stomach tightening as his thrusts grow faster and sloppier, you feel that he’s close too.

Your lips connect again in a messy kiss and your back arches as you come undone, crying out through the kiss, your nails dragging down his back. He breaks the kiss, his lips trailing down your jaw and neck, his hands grab your hips to drag you to him as he fucks you through your high, his hips stuttering, feeling your walls squeezing him tight, pushing him over the edge with you.

You stay like this for a while, hands wrapped around each other, his face buried in the crook of your neck, savoring the moment. He places a tender kiss on your cheek and turns to face you, his head on your shoulder.

“How do you feel?”

“I feel… wonderful…” you say with a sigh as you smile up at him. His hand caressing you cheek, he placed another sweet kiss before stretching his hand to grab another blanket nearby, covering the both of you. He then lies flat on top of you again, his arms wrapping around you, and closes his eyes, still inside you.

“Luff, we…”

“Can’t move, I feel snuggly right now.”

You laugh softly as you hug him back, feeling his breath slow down as he slowly falls asleep, your eyelids getting heavy as well, a content smile playing on your lips.

“Goodnight dummy…”

[autumn-foxfire]

Like, I get why the shippers are upset at the news. But it is not lazy writing; most of his stories have been built over time and stretched. Just because an uncanon ship is incest does not imply he is lazy. There are other situations in the manga that imply that they have been related for years, and Gosho even stated in 2013 that there is more to unveil between these two.

Like just keep shipping them, many people sleep with their cousins.

Do you think I'm mad because of my ship? Yeah it sucks but I'll still ship them as cousins because they were never going to be canon anyway!

No, I'm mad because it was bad writing. He ruined a relationship that was fun for me, not Shinichi and Kaito but rather Toichi and Kaito a Yuusuke and Toichi. I'll get into Toichi and Yuusaku first but he's had YEARS to imply a familial relationship, it could have been implied in canon when Shinichi encountered Toichi as a child! It could have been included in past movies if he wanted to go the movie route! The first Kaito KID focused movie was based on FAMILY. It could have set up properly a long time ago! But it wasn't and I'm tried of people pretending it was. Him saying he'll explain it is NOT him setting this plot point up.

So you're telling me for no good reason (and no Toichi fighting a criminal organization is not a good excuse considering he didn't mind having a son meanwhile) Toichi and Yuusaku did not introduce their families? That Toichi, who is supposed to be important to Yuusaku, is never even mentioned?! That they didn't think it would be a good idea for Kaito to have support from someone his own age and family while he was grieving his father?! Do you really want him to be such a selfish man because I don't.

And a more personal note, I enjoy the plot of two rivals of matching intellectual prowess actually facing against one another but he's taken all that away with this reveal. He's ruined Toichi and Yuusaku's relationship for me.

And this isn't me even getting into the implications of what it means for Kaito. He idolised his father! He risks his life to bring him justice! And his father is alive and letting him! What. The. Fuck. I always knew Gosho wanted him to be alive but I had hoped that he would recognize the bad decision it would be. I'm afraid not.

And do you want to know why I think its lazy? THE SERIES IS FULL OF LOOKALIKES. Okita for example is right there! Is he a cousin too? Are Ran and Aoko cousins now? They look alike! It's even commented in the manga! Shinichi and Ran look alike.

Gosho has never been very creative with his character designs, it's a fact acknowledged by fandom, so that's why we know this him making Shinichi and Kaito cousins is a cheap excuse to disguise that.

You won't change my mind about his writing being terrible, Anon, and I'm not the only one who thinks so.

[literary-illuminati]

An Arbitrary Collection of Book Recommendations

(put together for a friend out of SFF I've read over the last couple of years)

Cli-Fi

Tusks of Extinction and/or The Mountain in the Sea by Ray Nayler. They’re pretty different books in a lot of ways – one is a novel about discovering a certain species of squid in the Pacific might have developed symbolic language and writing, the other a novella about a de-extinction initiative to restore mammoths to the Siberian taiga – but they share a pretty huge overlap in setting, tone and themes. Specifically, a deep and passionate preoccupation with animal conservation (and a rather despairing perspective on it), as well as a fascination with transhumanism and how technology can affect the nature of consciousness. Mountain is his first work, and far more substantial, but I’d call it a bit of a noble failure in achieving what it tries for. Tusks is much more limited and contained, but manages what it’s going for.

A Half-Built Garden by Ruthanna Emrys. In a post-post-apocalyptic world that’s just about figured out how to rebuild itself from the climate disasters of the 21st century (but that’s still very much a work in progress), aliens descend from the sky and make First Contact. They’re a symbiotic civilization, and they’re overjoyed at the chance to welcome a third species into their little interstellar community – and consider it a mission of mercy besides, since every other species they’ve ever encountered destroyed themselves and their planet before escaping it. Awkwardly, our heroine and her whole society are actually pretty invested in Earth and the restoration thereof – and worried that a) the alien’s rescue effort might not care about their opinions and b) that other interest groups on earth might be more willing to give the hyper-advanced space-dwelling aliens the answers they want to hear. Basically 100% sociological worldbuilding and political intrigue, so take that as you will.

Throwback Sci Fi

Elder Race by Adrian Tchaikovsky is possibly the only thing I’ve read published in decades to take the old cliche of ‘this generic-seeming fantasy world is actually the wreckage of a ruined space age civilization, and ‘magic’ and ‘monsters’ are the remnants of the technology’ and play it entirely straight. Specifically, it’s a two-POV novella, where half the story is told from the perspective of a runaway princess beseeching the ancient wizard who helped found her dynasty for help against a magical threat, and half is from the perspective form the last surviving member of a xeno-anthropology mission woken out of stasis by the consequences of the last time he broke the Prime Directive knocking on his ship tower door and asking for help. Generally just incredible fun.

Downbelow Station by C. J. Cherryh is, I think, the only thing on this list written before the turn of the millennium. It’s proper space opera, about a habitat orbiting an immensely valuable living world that’s the lynchpin of logistics for the functionally rogue Earth Fleet’s attempt to hold off or defeat rebelling and somewhat alien colonies further out. The plot is honestly hard to summarize, except that it captures the feel of being history better than very nearly any other spec fic I’ve ever read – a massive cast, none of them with a clear idea of what’s going on, clashing and contradictory agendas, random chance and communications delays playing key roles, lots of messy ending, not a single world-shaking heroes or satanic masterminds deforming the shape of things with their narrative gravity to be seen. Somewhat dated, but it all very impressively well done.

Pulpy Gay Urban Fantasy Period Piece Detective Stories Where Angels Play a Prominent Role

A Master of Djinn by P. Djèlí Clark stars Fatma el-Sha’arawi, the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities in Cairo, a couple of decades after magic returned to the world and entirely derailed the course of Victorian imperialism. There’s djinn and angels and crocodile gods, and also an impossible murder that needs solving! The mystery isn’t exactly intellectually taxing, but this is a very fun tropey whodunnit whose finale involves a giant robot.

Even Though I Knew The End by C. L. Polk is significantly more restrained and grounded in its urban fantasy. It’s early 20th century Chicago, and a PI is doing one last job to top off the nest egg she’s leaving her girlfriend before the debt on her deal with the devil comes due. By what may or may not be coincidence, she stumbles across a particularly gruesome crime scene – and is offered a deal to earn back her soul by solving the mystery behind it. Very noir detective, with a setting that just oozes care and research and a satisfyingly tight plot.

High Concept Stuff That Loves Playing around With Format and the Idea of Narratives

Radiance by Catherynne M. Valente is a story about a famous documentarian vanishing on shoot amid mysterious and suspicious circumstances, as told by the recovered scraps of the footage she was filming, and different drafts of her (famous director) father’s attempt to dramatize the events as a memorial to her. It’s set in a solar system where every planet is habitable and most were colonized in the 19th century, and culturally humanity coasts on in an eternal Belle Epoque and (more importantly) Golden Age of Hollywood. Something like half the book is written as scripts and transcripts. This description should by now either have sold you or put you off entirely.

The Spear Cuts Through Water by Simon Jimenez is the only classic-style epic fantasy on this list, I believe? The emperor and his three demigod sons hold subjugated in terror, but things are changing. The emperor, terrified of death, has ordered a great fleet assembled to carry him across the sea in pursuit of immortality. The day before he sets out on his grand pilgrimage to the coast, a guilt-ridden guard helps the goddess of the moon escape her binding beneath the palace. From there, things spiral rapidly out of anyone’s control. The story’s told through two or three (depending( different layers of narrative framing devices, and has immense amounts of fun playing with perspective and format and ideas about storytelling and legacy.

I Couldn’t Think of Any Categories That Included More Than One of These

All The Names They Used For God by Anjali Sachdeva is a collection of short stories, and probably the most literary thing on this list? The stories range wildly across setting and genre, but are each more or less about the intrusion of the numinous or transcendent or divine into a world that cracks and breaks trying to contain it. It is very easily the most artistically coherent short story collection I’ve ever read, which I found pretty fascinating to read – but honestly I’m mostly just including this on the strength of Killer of Kings, a story about an angel sent down to be John Milton’s muse as he writes Paradise Lost which is probably one of the best things I read last year period.

Last Exit by Max Gladstone – the Three Parts Dead and How You Lose the Time War guy – could be described as a deconstruction of ‘a bunch of teenagers/college kids discover magic and quest to save the world!’ stories, but honestly I’d say that obscures more than it reveals. Still, the story is set with that having happened a decade in the past, and the kids in question have thoroughly fucked up. Zelda, the protagonist, is kept from suicide by survivor’s guilt as much as anything, and now travels across America working poverty jobs and sleeping in her car as she hunts the monsters leaking in through the edges of a country rotting at the seams. Then there’s a monster growing in the cracks of the liberty bell, an in putting it down she gets a vision of someone she thought was dead is just trapped – or maybe changed. So it’s time to get the gang together again and save the world! This one’s hard to rec without spoiling a lot, but the prose and characterization are all just sublime. Oddly in conversation with the whole Delta Green cosmic horror monster hunting subgenre for a story with nothing to do with Lovecraft.

Some Desperate Glory by Emily Tesh is a story about aliens destroying the earth, and growing up in the pseudo-fascist asteroid survivalist compound of the last bits of the human military that never surrendered. It stars a heroine whose genuinely indoctrinated for the first chunk of the book and just deeply endearing terrible and awful to interact with, and also has a plot that’s effectively impossible to describe without spoiling the big twist at the end of the first act. Possibly the only book I read last year which I actively wish was longer – which is both compliment and genuine complaint, for the record, the ending’s a bit messy. Still, genuinely meaty Big Ideas space opera with very well-done characterization and a plot that does hold together. 

[willtheweaver]

A writer’s guide to forests: traveling through the woods

Getting from point A to point B is something that both people in real life and the characters of your story will have to figure out. Whether as a means to get to a plot point, or as a part of the plot itself, travel presents opportunities for the writer.

Hack ‘n slash- Where paths are nonexistent, your characters will literally have to blaze a trail (the ‘blaze’ in this case has nothing to do with fire. Instead it is a trail marker made by carving a mark into a tree. The mark resembles the white patch seen on the forehead of mammals, most often horses.) Being the pioneer is slow going, especially if the undergrowth is thick and requires clearing. Cut bamboo can go through the foot, poison oak and poison ivy can give a nasty rash, and biting insects can make life miserable. And then there is the matter of marking the trail. A character on the run will not want to advertise their location and will do their best to keep their trail hidden. But for others, they will want to mark the trail. Stone cairns, arrows, blaze marks in trees, and even sticks and knotted grass can point out the path to other travelers. This can be helpful to others, but it can also present a danger. Thieves and outlaws can create false trails that lead travelers into a trap or ambush.

Game trails- Animals have their habits. They like to take the same path between places. Over time these develop into trails that crisscross the forest floor. For a character on the run, or those who needs to make haste, these are a tempting choice to follow. But be careful. Some animals are able to traverse terrain too difficult for humans (narrow ledges, near vertical faces, and the gaps underneath fallen trees are not fun places to be). And your characters may encounter more than deer or rabbits. Predator species hang out around game trails as they can be fruitful hunting grounds.

Existing paths and roads- Roads can range from simple dirt paths to paved highways. These will be the most direct routes between the principle settlements in your story. Prosperous areas will have well maintained roads with travelers and patrols using them frequently. Characters may also encounter watchtowers, farms, and inns along the way. Poorer regions, those affected by war, or more remote regions will have less well maintained roads, fewer travelers, and few to no amenities between towns. And if your characters can use the roads, expect hostile armies, outlaws, and highwaymen to use them as well. And where the roads go may be limited to the most populated regions, forcing your characters to leave the path if they want to get to isolated villages, caves, temples, or even a wizard’s tower.

Use the water- Of course, you can have your characters forgo land transportation and use the rivers, lakes, and seas. Rafts, ferry boats, and ocean going ships are all viable options. It should be noted that these are not perfect solutions. Rapids and waterfalls will force characters back onto land until they find gentler waters. Storms can delay or sink vessels, and cold winters will freeze water over. Of course, a frozen river or lake is just an excuse to get out the ice skates. Droughts will dry up streams and small lakes, and recent rains can turn placid waters into unsurvivable whitewater.

Up in the trees- Hate to burst your bubble here, but swinging from vines is something that only exists in fiction. If you try to do this in real life, it will not work out well…provided you can even find sufficient vines or fig roots. Of course, in your story, you are free to do what you want. Nothing is going to stop you…well except maybe for your readers and the critics who will pan you for using what may be considered an overused and unoriginal trope. Other options include bridges, cable cars, or even zip lines.

Taking flight- Of course, the forest will not pose an obstacle if your characters can simply fly. This can be achieved by characters that possess wings of some sort. They could have a winged mount, or they could hitch a ride on a vehicle like a helicopter or ultralight plane.

Underground- If in doubt, take a cue from moles and dwarves. Tunnels can serve the same function as roads, with all the benefits and drawbacks included. Of course your characters will also have to be aware that cave-ins are a real and present danger. These can be natural, or deliberate sabotage. And your characters best hope all the recent tunneling hasn’t awaken any ancient evils from long ago…

[calderacitylovers]

Zutara SlowBurn FanFiction: Personal Favs, part I

·        I AM STILL HERE by owedbetter Published: 2017-10-09 | 77K words | 7 Chapters

After the Last Agni Kai K heals Z with the help of bloodbending. Very sweet.

 ·        THE SUMMIT by AJLenoire

Chronicles post-war years, as Gaang and other characters gather for annual summits to keep peace and build relationships between the Four Nations. Katara yearns for a bigger purpose than the Avatar’s companion and slowly grows into a shrewd diplomat. Very sweet slow burn ZK story. Has mature scenes.

 ·        CLOTHE ME IN SEASONS, DRESS ME IN SNOW by sadladybug Published: 2015-01-05 | 62K words | 7 Chapters

Follows old Zuko as he reflects on his life and what would have been if he kept Katara closer. Absolutely beautiful, but also a devastatingly heart-breaking story about loss and pain.

 ·        SILENT DECLARATIONS by Megara Pike (Megara_Pike) Published: 2021-01-20 | 2,6K words

A short story based on animation by Hayley Wong. Z finds K asleep in her study and carries her to bed. Very sweet, gentle story.

 ·        COVERED IN YOU by evergreenonthehorizon Published: 2021-04-02 | 55K words | 14 Chapters

Eight years after the war Z convinces K to take on a role of a Southern Water Tribe ambassador in the Caldera city. Both are completely clueless about each other’s feelings. Features political talks, big gestures, and a ball. Very cute, sweet slow-burn story. Has mature scenes.

 ·        TEN STRIDES IN THE RIGHT DIRECTION by evergreenonthehorizon Published: 2021-04-03 | 29K Words | 12 Chapters

A collection of short stories filling in the gaps between some of the events of ATLAS3 and up to the Last Agni Kai. Features accidental cuddling, embracing in the rain, sharing a bed for warmth, post-Ember Island Theater discussions, being discovered, waiting to be kissed, Suki & Katara being good friends, battle plans, Zuko & Sokka getting drunk, slow burn & angst. Very sweet.

 ·        THE SWAY OF THE SUN by TheBlackBriarSparrow Published: Published: 2019-10-14 | 102K Words | 27 Chapters

Two years post-war Gaang reunites in Caldera city for a secret party in honor of the overworked Fire Lord’s birthday. Rebels attack the palace setting a thrilling consequence of events in motion. Adventures, investigations, and fights ensue. Z & K work together and enlist old friends to help find missing people. Beautiful slow-burn story with an exciting plot.

·        A WARM EMBRACE by ewinkie Published: 2020-10-06 | 19K Words | 7 Chapters

An ATLAS3 rewrite from Southern Riders to the Last Agni Kai. Katara and Zuko have to hide in a cave following their encounter with Yon Rha. Comforting turns to cuddling, which turns to waking up on Appa's tail in each other's arms. Katara is shocked at how comfortable she is. Zuko is shocked that Katara doesn't hate him for it. Features sharing a bed, being discovered, slowburn, and lots of teenage silliness.

 ·        FOLLOWING BLUE by Boogum Published: 2018-11-07 | 39K Words | 10 Chapters

ATLA S2 rewrite. After Katara falls from Appa’s saddle during a pursuit, the Blue Spirit becomes her reluctant companion and helps her reunite with her friends. Ba Sing Se scenes are completely rewritten, and Z ends up joining the Gaang much earlier. Thrilling beginning, sweet middle, average ending.

 ·        ANOTHER WORD FOR ALCHEMY by FanPanda13 Published: 2014-08-19 | 108K words | 24 Chapters

Five years post-war Aang summons old friends for a summit and invites them on a trip to investigate mysterious locations where he experiences loss of bending. Features Gaang setting Z & K up, travelling on Appa like in the olden days, lots of sparring, royal courting, magnificent navy ships & war ballons. Thrilling story with fun banter between old friends. Slowburn, mature content.

 ·        CONSUME ME WITH FIRE, FLOOD ME WITH DESIRE by Dacamia Published: 2020-08-14 | 86K words | 24 Chapters

Steamy ATLAS2 and ATLA S3 rewrite. Z & K accidentally meetup on their way to Ba Sing Se and decide to travel together. Features aged-up characters, lots of intimate scenes, staying in a beautiful cave, helping villagers, betrayal in Ba Sing Se, reunion, forgiveness, etc. Explicit mature content.

 ·        ROOTS AND WINGS by zukoscomet Published: 2020-08-14 | 250K words | 25 Chapters

A series of short stories of Z & K as they grow closer, confess their love for one another and start a family.

 ·        THOSE WHO FAVOR FIRE by hiwasseelane Published: 2021-05-02 |29K Words | 13 Chapters

An ATLAS3 rewrite. Sweet, teen-appopriate.

Here’s a link to Part II of my personal favs.

Here’s a link to Wholesome Zutara Short Stories.

[thelastofhyde]

i. sea-day 1.

pairing. tourguide!joel miller x fem!reader. series synopsis. on the brink of undergoing a life-altering change, you runaway from your problems in the only way any sane person can: embarking on a mediterranean cruise. there you meet joel miller, a grumpy, private tour-guide, who just so happens to be tasked with touring you through each stop on your cruise. from greek goddesses to roman ruins, you have ten days to avoid your fate. maybe a frowning, southern, sex-on-legs of a man is just what the doctor ordered. chapter summary. as the ship sets sail, you search for help. at the bar, you encounter a familiar stranger. series warnings. no use of y/n, set in 2015, no apocalypse au, cruise!au, rom-com, enemies-ish to lovers, sunshine!reader, tour-guide!joel, unspecified age gap, depictions/discussions of grief, angst, fluff, a whole load of smut, a lot of cheesy stereotypical romance tropes bc i just wanna see joel not suffer ( too much )<3 chapter warnings. alcohol, mentions of class/wealth themes, implications that the reader has underlining mental health issues, convenient plot-devices that would only ever happen in a rom-com bc this is fun silly fiction baby!, joel suffers from acute insuferable-bastarditis :( word count. 3.7k hyde’s input. let's all hold hands and agree to ignore the fact both parts so far have opened on the reader panicking in a bathroom, okay? maybe she's a stressed girlie with a flare of ibs, you don't know her life. feeling a little insecure abt this chapter and lowkey don't wanna post it, but i promise the actual fun begins in chapter two, where we finally get to see tourguide!joel in action. previous chapter - next chapter - series masterlist

“What time did you say you boarded?”

Your mother’s voice travels from where your phone lays, abandoned upon the bed, all the way into the decadent bathroom.

Eyes moving a mile-a-minute, as if you're rushing to take in every jaw-dropping detail.

There’s the sink area, a double-vanity that’s centred with an array of lotions and soaps, and overlooked by an overwhelmingly large mirror that makes up half the wall, lined with a golden hue of light. A shower, with glass curtains and enough room to fit your whole wardrobe in it. Then, there’s the bathtub you’re already envisioning yourself sinking into. Marble lines the floor, and the outer wall is made up of three window panes, gifting you a view of pure blue, the sea and the sky melting into one another across the horizon. It’s making you nauseous, this looming feeling of imposter syndrome the interior brings you.

You don’t belong in this, a fancy room designed for fancy people.

An iteration of your name, back on the bed, drags you away from your own troubled reflection.

“Seven,” you call out, inching your way back into the main area of the suite.

“In the morning?!�� She’s just as shocked as the first time you answered her question, fifteen minutes ago, and the second time, seven minutes ago.

Humming in approval, you give a sweeping gaze over the plush carpeted floor, the wall-mounted television displaying the cruiseship’s logo, the king sized bed that’s calling out for you, seducing you with the promise of a mattress that won’t be stabbing at your back the whole night. As if on queue, there’s a sharp pain in your lower back, a lasting reminder of the hostel you’d found little rest in last night.

“Well, there goes my jealousy!” Lacklustre replies aside, your mother continues her ramblings, used to filling the void of conversation with the sound of her own voice. “Can you imagine? Me, awake at that time? You’ll be glad you’re travelling on your own, honey.” Usually, you admire the positive spin your mother tries to bring to life. Your being alone upon this trip, however, is not a topic you want her to address, much less find the good in. “I mean, I don’t think even your sister-”

“I think they’ve made a mistake,” you cut her off, eyes zeroing in on a pair of glass doors. Snatching the phone off the bed, you turn off the speaker and press it to your ear just in time to hear your mother’s confusion, questioning what you mean. Focus on those doors, you slowly make your way over to them. “The room,” you clarify, fingers curling around a handle to unlock it, prying the doors apart. A wave of salty fresh air, hits your face as you step out onto wooden decking. You find yourself upon a balcony, facing off into the deep blue distance. To your left, there’s two sun loungers and a glass coffee table, mounted by two champagne flutes and a simple welcome note sprawled out in black ink. “I think they’ve given me the wrong room.”

It’s the next best thing to a reasonable explanation you can find, no chance on earth you were ever listed to stay in such a suite. No, a room like this is meant for a wealthy businessman and his uptight wife to overindulge themselves on gold-trimmed furniture and a fur-lined bed for a week, in which they do everything but address the lipstick stains that keep lining his collars or the chauffeur who keeps himself parked between her legs.

You can already picture such a pair now, storming over to some poor, unsuspecting deckhand, red on both their faces as they begin to berate him over the fact they're in a cabin the size of a cupboard, with a communal restroom and a bunk barely fit for one person.

“Why? Is something wrong with it?”

“No,” it’s an answer you reluctantly give, more than aware of how ridiculous it sounds. “It’s… nice. Perfect. Too perfect, like I should feel lucky to stand in it, nevermind live in it for the next few days.”

It’s with caution that you glance over each shoulder, taking note of the seemingly never ending row of balconies that line the ship, a sizable gap between each one. Guts twisting a little at the thought, you peer ever so slightly over the right edge and are greeted with views of more balconies. Beyond that, there’s only blue. Waves crash into the ship’s side and bounce off in white foam. You renew the distance between you and the ledge, unable to stop yourself from glancing both ways, confirming there’s no neighbouring balcony that finds itself occupied.

Then bend down, clasping a hold of one of the champagne flutes.

You take your first sip like it’s a crime, wearily, eyes darting back and forth, waiting to be caught in the act and dragged out of this room, down to whatever poverty loft you really belonged in.

Or, maybe they’d just toss you overboard, rid themselves of any possible hassle. People go missing all the time at sea, right? People go missing all the time on cruises. You’d just be another blip in the system, an error that can be overwritten with a simple-

“I can hear you thinking through the phone, sweetie.”

You take another sip, and let a weight fall off your chest, dragging in a breath large enough to make up for the moment or two you’d stopped breathing. “I’m just… tired. Don’t worry, I’m perfectly fine. No big freak out on it’s way, again.”

“Honey, you know how me and your father feel about you calling it a freak-” she must be able to hear your eye roll through the phone, cutting herself off before she can keep going. “Just, try and enjoy this trip, okay? Maybe you’re in that room because where you’re supposed to be. Maybe you’ve been awarded some free upgrade, like that time your dad got bumped up to business class!”

Bless her for trying, though she may fail. It’s enough to bring a smile to your face.

You swallow back what remains of the bubbled liquid.

Through the phone, you hear a door burst open and the entrance of a loud, excited little voice. Something akin to granny rings down the line, and it’s enough to have you frozen where you stand, bones rigid and unable to move. Something seems to smack into the microphone, a rustling of fabric as you envision your mother making room for little limbs on her lap.

“Hey, my little munchkin! How was soccer?” You can’t make out what the voice tells your mother, heart too busy beating louder than any drum, inching its way further up your wind pipe and threatening to choke you on it. “Guess who I’ve got on the phone?” The tiny voice squeals out your name, bile joins your heart inside your throat. Maybe this is how you find out you get seasick. “Do you wanna say hi-”

“Mum, I, uh… I’ve gotta go,” you’re eyeing the remaining glass on the table, the rising bubbles enticing you to hurry up, drink it before it goes flat. “I should go find the help desk, get this room thing sorted out.”

“Just a second, let E-”

“I’ll call you later,” you hang up.

You’re left with just the raging waters below, a caw from seagulls up above. Eyes slipping shut, you pull in a deep breath and push out a silent plea for that sting in your eyes to be from the salt in the air, not a set of unfallen tears. A few more breaths and it feels safe enough to open your eyes again, glancing down as your phone vibrates in your hand.

Two texts, each from your mother.

09:38 - She says hi, and that you better bring her back a cool souvenir. 09:39 - Doctor Anderson says she’s showing improvement and they’re finally starting to get somewhere. Just thought you’d want to know x

Giving in to temptation, you snatch up the champagne glass, bring it up to your lips and- pause, interrupted as you make eye contact with a man one balcony over. He’s older, a well-rounded gut fit into a light blue shirt and tailored trousers. With a rolex on one wrist and set of bright white teeth smiling right at you, there’s no mistaking he belongs in one of these suites.

You wonder what he thinks of you and your frayed sweater, no jewellery on your wrists.

He nods, politely, and raises his own glass towards you. A silent cheer, a recognition that you’re both here, living life in luxury. You meet it, raise your own glass, and try to smile as brightly as him.

Then knock back your second drink and saunter back inside.

“Miss, there’s been no mistake.”

In spite of it being an excuse to hang up, you stay true to your word.

Come early noon, you’re standing within the help centre. Against all odds, accidental nap and wild goose chase upon the ship deck be damned, you’ve found what you were looking for.

Or, well, an older woman with sweet smile on her face and a squinted nametag pinned to her chest found it, pointed you in the direction of the ship’s atrium. What you’re looking for is the Purser’s Office, dear.

“See? The booking under your name lists you as part of our excelsior guests.” The desk clerk turns her screen towards you, acrylic nail pointing at your booking information. Sure enough, in bold letters, your full name accompanied by a golden badge at the end. Excelsior Status, checkmarked and approved by the cruise. “This grants you access to one of our excelsior suites and all private excelsior lounges.”

In all honesty, you’re tuning her out a little.

You don’t mean to, sincerely, but you’re just so caught up in reading both your name and excelsior suite, over and over and over again, that you forget to really listen, mind running just a few seconds behind the speed of her mouth.

When you finally process what she’s saying, all you can manage is dumbstruck look on your face and a muttered, “oh.”

Paper rustles as your hands wring, the pristine pamphlet you’d been flicking through to fill the time as she’d searched up your details now rumpled, thin white cracks of paper peaking out beneath printed ink.

“I also see that you’ve added the excelsior tour package onto your booking, though I’m willing to change that for you, if you’d prefer signing onto one of our team tours instead.” Confused by her offer, you glance down and read over the pamphlet’s title- All-Aboard Tour Trips, Fun for all the Family! “Would you like to hear what your current tour package grants you?”

“If,” as if you’ve not embarrassed yourself enough with your cluelessness towards your own booking, your voice cracks under the pressure of being used, more squeak than actual intelligible words. You swallow back the lump of shame in your throat and push through. “If you don’t mind, please. This, uh- The ticket, it was a gift, so I’m just a little out of the loop of what’s been booked for me.”

“Not at all! So, the excelsior tour package gives you access to your own private tour-guide, for all seven stops we’ll be making on this cruise!” Already, you feel a little queasy at the thought. A private tour, no one but you and some stranger. It’s not exactly your dream scenario. “Your guide’s purpose won’t just be to walk you through all the memorable sites, but to curate your visits to your liking, helping you explore foreign land with a familiar taste. Where the tours in team are restricted to allocated timeslots and a set route of sites to visit, having a private tour-guide grants you the privilege of exploring where you want, for however long you want. The private tour also provides more time for you at each stop, as your timeslot to board will be the latest available, making your whole trip less of rush and more of a thrill.”

The clerk, without a doubt in your mind, is quoting a script she’s already said hundreds of time- word for word, beat for beat. Yet her voice is animated, her smile is kind, and you admire her a little for getting through it without a single laugh at the corniness of it all.

You, however, fail the challenge, glancing off to your side and biting back a giggle that you hope she takes no note of. The last thing you want is for her to mistake the laughter as directed towards her.

Weighing your options, you nervously ask, “but, you could change me over to a team tour?”

She says of course, with a smile that doesn’t waver, and the tension in your shoulders lessens, the ice cold feeling of inconveniencing her melting away at her warmth.

Her nails clack as she types away on her keyboard. A double click and then, a hiss. She’s no longer smiling, a grimace taking it place. “I’m sorry, but all of our tours are fully booked.”

“Oh. That’s- It’s okay.”

“But, I could add you to the waiting list! If there’s any cancelations for any of the stops, you’ll be the first to know. This won’t affect your excelsior tour package, so either way you’ll have some kind of guide.”

With nothing to lose, you figure why not and let her throw your name in the metaphorical hat.

Mid-typing away, eyes glued to her screen, you watch as her brows shoot up. “Oh, while I’ve got you here, there’s one more thing. With our excelsior guides, it’s customary that they meet with you on the first night, to touch base on simple things, like your interests or any goals for this trip, and to plan out tomorrow’s official first stop, which is in Santorini. Your guide has left you this, detailing where you’ve to meet him.”

With renewed hesitation, you grab at the folded note she slips over the desk. It’s small, with half an inked fingerprint burnt into the top left corner.

As you thank her for her help and bid her goodbye, she interrupts you before you can turn to leave.

“I know private tours can seem daunting but, you’re in good hands. Joel will take care of you, he’s our top-rated guide.”

The note remains folded as long as you can control your curiosity, which appears to be only until you’re back on the deck, sun shinning directly in your eyes and forcing you to squint as you read over faded blank ink.

10 pm, the Tipsy Byson bar.

Below that, in a bolder blue ink, wear something green for me to find you, JM.

You’re awfully overdressed, and painfully aware of it.

The Tipsy Byson is nestled between the arcade and the casino, a balance of childlike shrieks harmonizing over outraged yelling of men cheated out of their hands. Brown wood lines just about every inch of the place, from the walls, to the tables, to the bar. There’s an outrageously large Stars and Stripes flag hanging on the wall, and memorabilia of all things Texas Roadhouse. The place is themed, down to the cowboy hat that sits atop the bartender’s head, and clearly everyone is aware of this, decked out in scruffed up boots and worn out denim vests.

Everyone but you, dark green silk clinging to you in the shape of a laced-back midi dress, dainty black heels tucked into the footrest of the barstool you occupy.

It’s the only green thing you brought and- wear something green for me to find you- you’d had no choice.

It was a quarter to ten when you got there, earlier than you were requested, but a gentle buzz of something shooting through your nervous system left you impatient, unable to wander the ship’s halls any longer.

It was fine, you figured, gave you a chance to get a drink, cool your nerves a little. Sticking with the theme of green, you’d yelled over the line music for a midori sour, please, and even cracked a little smile at the cute bartender.

By twenty past ten, you’re still alone, no tour-guide in sight, and your glass is empty, a sole ice-cube all that remains. You order another glass, given him another smile, and return your eyes to the entryway as you sip back the taste of the dewy melon goodness.

The doors opened, your hopes rise and- a couple walks through the door, adorably dressed in matching jackets.

Another sip.

The doors open again, this time you watch as a few women walk in, party hats and bachelorette signs dripping off them.

Half your drink, gone again.

Two, three, four more times the door opens and you watch as strangers filter in and out, pretending you don’t notice the way some of their eyes linger on you, sticking out like a sore thumb.

It’s as you throw back the last sip of your cocktail, eyes catching the time- 22:36-, that you watch a grin overtake the bartender’s face.

The door shuts with a slam, buried beneath the layers of stomping feet across the dance floor and the twang of a country song, yet you hear it all the same, twisting in the stool.

A man stands by the entry, salt-and-peppered hair a little tousled and a scowl etched into his forehead. He moves like water, slipping through the cracks in the crowded bar with minimal effort. All the while, eyes seem to follow him, the occasional head turning in his direction. He spares no glances, to anyone.

Instead, he’s staring right at you.

And heading your way, frown and all.

There’s something in his face that feels familiar, and you swear that this is not the first time you’d stared into those eyes. Broad, scruffy facial hair, his irritation as some drunk girl slams into him so palpable, you almost taste it on your tongue.

You mumble something to the bartender, a request for another drink, a parched feeling stirring in your loins.

He’s inching closer, and closer, and closer- and, only as he’s a mere three bar stools away from you, do you realise who he is.

You’re in the way.

Signore Miller.

The rude man from the airport!

God, you can’t wait to see what this is about. He must recognise you, must feel the shame licking at his wounded ego, driving him to come over, apologise, beg for forgiveness to a stranger he unnecessarily berated.

“Look what the cat dragged in!” It’s not Signore Miller that speaks, nor is it you. It’s the bartender, arms crossing over his chest, smirk widening on his face. “Thought you said last season was your last!”

“You know me,” his eyes are still glued to you, an intense stare, even as he replies. There’s so little space between you now, you manage to notice the wrinkles in his flannel shirt. You choose to ignore the fact it’s green. “Ain’t no good at stayin’ away from the things I hate.”

“Wasn’t what you were saying at the staff party last year, Mr. Blubber-face. Took two whiskeys to get you crying ‘bout how you were gonna miss the cruising life.”

Another midori sour lands your way, yet you don’t even manage a single sip of it before he’s opening his mouth.

“Well look at you, all dressed up with nowhere to go,” his eyes still pierce into your own and, this time, it is you he’s talking to.

You’d have half the mind to throw your drink on him, if it weren’t for the fact you’re too busy taking a stabilizing gulp out of it, a sweetness to counter-attack his sour persona.

“Excuse me?!” You final sputter out, face burning too hot and pride too scorned to begin to feel even more out of place.

He seems unfazed by your outrage, turning away from you to acknowledge his friend behind the bar at last. “Do me a favour, Luke, don’t give her too much to drink.” Condescending tone perfectly intact, Signore Miller doubles down on your initial impression of him: an absolute asshole. “Last thing I need is to spend all day draggin’ around some prissy hungover diva.”

The man- Luke- scoffs back a laugh, shaking his head in bewilderment. “Quit teasin’ the poor girl, ‘fore she runs for the hills and ruins your five-star rating.”

An uncomfortable feeling creeps down your spine. It’s cold and alarming, and has your straightening your back, sitting a little tenser in your seat, realization rising in you like the dawn.

It can’t be.

He can’t be-

He’s stepping all in your space, face leaning down till his mouth is at the level of your ear. He doesn’t touch you, doesn’t even come close to it, yet there’s goosebumps littering your arms and hairs standing at the back of your neck.

Like touching a live wire, his proximity feels electric.

“Best be on that deck by 7 am, darlin’, or I’ll be dockin’ without ya.”

“Wait, you’re-”

“Joel, tourguide. At your service.” He’s pulled back, just to thrust his hand in your face. By the time you reach to shake it, he’s retracting it, that grating quirk in his lips moving higher up his cheek. “Oh, and do yourself a favour. Wear somethin’ a little more… practical. Santorini ain’t the place for dainty heels like those.”

You knock back the rest of your drink moments after he leaves, only to find Luke’s already placed a fourth glass at your side.

“Our little secret,” he faux-whispers, pressing a finger to his pursed lips. “Besides, you look like you could use it.”

Signore Miller.

Joel, tourguide.

Joel Miller.

He’s already making your trip unbearable, and it’s hardly begun.

+ extra hyde. sorry if that was a little boring it was a necessary part to get the ball moving, i promise chapter two gets right into it. again, updates to this fic happen every other friday! i'm bad at describing spaces, so if anyone is curious to know what reader's suite looks like, here are some reference pics:

taglist. @auteurdelabre

[morurui]

JWCC/CT Ask game!! 🦕

Decided to make this partly for myself (please ask me things I’m incredibly bored) and for anyone else in this fandom who is craving for people to ask them stuff in their ask boxes! (This is my first time making one of these so I hope it’s not bad…also fun fact all the dinosaurs that appear here are dinos that have appeared in both series!)

Velociraptor- What are your favorite episodes from both shows/across the seasons?

Ankylosaurus- Who is/are your favorite character(s) and why?

Brachiosaurus- Of all the dinosaurs that have appeared in the series which species/specific dinosaur is your favorite?

Parasaurolophus- Favorite season and why?

Pteranodon- Favorite ship(s) and why?

Compy- Favorite duo/trio/friendship and why?

Kentrosaurus- Favorite plot point and why?

Sinoceratops- Favorite side character(s)?

Dilophosaurus- How did you discover Camp Cretaceous?

Carnotaurus- Favorite Dinosaur encounter and why?

T-Rex- Favorite Villain and why?

Baryonyx- Favorite overall moment from the series and why?

Spinosaurus- Favorite season finale and why?

Nothosaurus- Favorite jwcc/ct related fanfic?

Ceratosaurus- Favorite character design from both series? (Also who in your personal opinion, had the best glow up from CC to CT)

[elephant-in-the-pride-parade]

Prodigy Recap

I love it I love it I love it I could watch it forever

I'm truly irrevokably in love. I'm done for. I'm probably going to rewatch this all month before I am satisfied I've fully taken it all in. I NEED to rewatch Mindwalk and Supernova again ASAP because knowing what I know now about the memories HJ had just recovered. I know it is going to wreck me to watch her in those episodes with S2 in mind.

My ship HELD HANDS GUYSSS. HE TOLD HER SHES HIS HOME. HE DIDNT FEEL LIKE HE BELONGED ANYWHERE UNTIL THEY MET. SHE BROKE TIME FOR HIM AGAIN AND AGAIN. HER EYES GOT SO BIG! THAT HUG LOOKED SO GOOD. (I'm getting off topic a lot but i need to get the "my ship is canon - in a way i don't hate!!!" fangirling out of my system.) breathe. breathe. okay gonna keep going.

Its gonna take me a few more watch throughs to fully wrap my head around the paradox. And around how you fit a humpback whale in the original ISS Voyager (seriously. has that been there the whole time? does OG Voyager have a whale? was she retrofitted in the AQ? did Mirror J steal a whale from 1996?) And if that timeline where KJ was lost on the infinity means shes also trapped on future solum with Chakotay or just dead. and and and... so many things. so many fic ideas. so many plot bunnies

(wait no -- shoves the plot bunnies away -- go away. not ready for more wips yet)

There. was. so. much. that I loved. it was such an ambitious story to tell in 2 seasons and oh my god, i really feel they mostly pulled it off. They brought back Voyagers legacy characters and put them to work in a plot that fit them, and it was such a joy to see them again. They stay true to who they were on Voyager - thoroughly wonderfully 100x better than on Voyager in Chakotays case. and i really believe theyre the same characters with a few more years of life since ive last met them.

And the new characters too. I love Dal and Gwyn and Rok and Murf and Zero and Jankom and Maj'el to pieces. (Majel!!! is such a perfect tribute!) I want to see so much more of Noum and Tysses. I am in tears over Adreek. God how much i want Season 3 just to see how their stories continue.

But I think... what strikes me most and what I appreciated the most was how much this show wholeheartedly respects its fans!!!

It never dumbs things down or babies it's younger audience. its very mature for a kids show. it is a great introduction to star trek and the universe without over explaining. there are storylines in these 40 episodes that would be right at home in TNG or Voyager. it's really more of a fun for the whole family show than a kids show in that way. (it says something that it's the first "cartoon" my parents have ever cared for and they are watching it wholely for themselves.) It really manages to tell the story in a framing thats aimed at kids without taking anything away from the story its telling for all ages.

And it's adult audience...

I worried about how it would feel to have enjoyed such a rich fanon universe in the 3 decades since the show ended. There were advantages to having a ship with very little canon. the fan universe thrived on how much room there was to work within. After that - having headcanoned and written and imagined so many futures for the characters - I feared having some new canon come in and make a new story for them that would invalidate so much if that imagination, or create something so unsatisfying or rigid or antithical to their last canon encounter that nothing new would be inspired by it. (P/C in Picard was like that for me)

Prodigy didnt do that. Prodigy made no grand sweeping canon for the years in between Voyagers homecoming and the new show. Prodigy didnt shoe horn any character into a rigid relationship status. Prodigy picked them up, set them on a new adventure, sprinkled in tantalyzing new details, and left a wealth of room around the events of the season and the relationships between the characters for so much fan imagination to thrive. The possibilities before and during and after the seasons for the characters are bountiful and perfect for imagining their other adventures. I couldnt have imagined my ship becoming canon (or maybe affirmed by the canon is a clearer way to put it) in a better way.

And then they went and added Tank Top Action Janeway in there as a treat.

Truly a masterpiece. i'm so grateful for this show. i hope it gets the 3rd season it so dearly deserves.

[smallsies]

Audio Drama Sunday — May 26, 2024

It's been tragically long since I had the time to make one of these posts amidst the rise in jam chaos & other things over the last few weeks, but the event officially concluded yesterday with the release of 14 new pilots!!

In all honesty this event consumed most of my life so far this year, but I am incredibly excited to be on the other side of it - having released the first episode of my debut audio drama, @spacespeckspod as well ! - with so many wonderfully talented people. These shows are beyond incredible, so I just want to dedicate today to talking about them! (& I truthfully haven't listened to anything except jam shows as of late, lol)

@gavinswindowpod - "In-universe TTRPG" is always such a fun angle, and this show did a stellar job balancing the different directions that can take. Listening to the character's conversations feels very much like overhearing a group playing, all of the actors did an incredible job with that! & I'm looking forward to more in the future :)

@theichorousrotpod - Firstly, G knocked it out of the park with the music in this show, it's incredible. Secondly, "pathetic guy trapped by the horrors" is beloved and very well done, Sam is an incredibly talented writer and the cast did a stellar job bringing these characters to life. (I would let Dr. Yates perform top surgery on me etc etc.)

@thefinderskeeperpod - Beyond with being two of the nicest people ever, Lemon and Maddie's character dynamics in this was SUCH a joy to witness. "Grizzled old man & clueless newcomer walk into a bank, except there is something incredibly wrong with the bank teller" is spectacular, the sound design was, of course, spectacular, and I'm very excited to hear more.

@valdiviansfinest - Clear bias in saying this, but space shows are SO fun, and the Valdivian's Finest team did an amazing job showcasing all of the best parts of the genre. I don't have enough good things to say about this show, I love space Amazon and don't think the courier service has ever done anything wrong ever.

@working-tidal-pod - Taking points off for Louis spawning the "it's a comedy" joke that became a constant reference when we were listening to shows (/lh) BUT the writing is so funny, the sibling dynamic feels incredibly realistic and all of the actors are amazing and very talented. Feesh show has the potential to become a go-to comfort podcast, looking forward to hearing more!

@asbestos4president - This show is incredibly fun, "alien Twitch streamer" isn't a podcast I ever thought I would encounter, but the team did an absolutely fantastic job with their pilot. The writing is really funny in the classic aliens-misunderstanding-human-concepts way, with more modernized in-jokes that makes the characters feel very realistic!!

@beyondrepairpod - Extra props to this group as they were the event match team, with much less time to organize before scriptwriting, but managed to put together a stellar pilot. Hope was so well-done, the ship AI is VERY normal and you can absolutely trust them, shoutout to Pancake for their absolutely spectacular acting there!

@worldfusepodcast - These characters are incredibly charming and this world is so fun. Everything about this is just really well done; all of the actors were amazing, the writing is clever & easy to follow (& it's, of course, very fun that Ila is playing a detective :)!!) Looking forward to hearing more of this show!

@hello-are-you-there - Again, slight bias as I love a good apocalypse plot, but HAYT is a really fun radio show style podcast by a really lovely team. Aiden's moments of snark are great, Milo did a wonderful job bringing him to life amidst the bleakness of an end-of-the-world plot, & the inclusion of mythology is really well done!

@gobbpodblog - Magical zoo! Magical zoo!!! I love strange and unusual creatures and this team did an amazing job bringing them to life in this episode :D The animal ambiance at the start was really charming, and Prinxe & Caw were fantastic as Jake and Dr. Vermillian. Really excited to hear more!

Schrödinger's Pledge/@englewoodafterdark - As a college student I understand the implicit horrors of Greek life all too well (/lh.) The exploration of hazing practices and the normalization of them within those communities honestly is scary on its own, and the sound design really brings that to life in this pilot. Beyond excited to hear more Englewood After Dark later this year!

The Block - Fi was the only participant to make a solo show, and ended up with a spectacular example of what a one-person show can look like! I'm a little sad this podcast isn't continuing as they've introduced such an interesting concept and world here, but they did an outstanding job with the pilot.

Eart(h) FM - We listened to this one in the server the other night, & this show was definitely a lighthearted uptick from some of the other things we listened to, lol! It feels a bit silly to say a show about the end of the world is fun, but there is just so much hope and life this team managed to fit all in one episode, and the music is wonderful.

@spacespeckspod - I feel a bit awkward talking about my show, but I do want to say thank you to my lovely teammates who helped bring it to life! I appreciate all of you endlessly, and I'm really excited for the future of our little space show <3

If you want to check out these shows, they're all available on the Jam feed, & @aclickbaittitle has also started an (in-progress) Podchaser list of those with individual feeds!

Finally, an extra shoutout to the crowdfunder for Forged Bonds, @forgedbondspod which is still running & which you can check out here! Pine is such a wonderful member of the AD community, & (especially as a fellow classics enjoyer) I'm really looking forward to seeing what they do with this show. If you have the means, you should absolutely go support them & their amazing podcast!!

[fermiomoriblog]

The pitfalls of every Sunny ship

Diving straight into the hot coals with the first post. But it has been on my mind lately.

The setup in Omori is naturally quite mentally (and in some cases physically) taxing on every main cast character, and a shipper can very easily be overenthusiastic about getting a "happy ending" for their preferred pair, glossing over inconvenient problems and dynamics. I think that it really is rather contrary to the game's themes that this occurs, but it is also understandable that not everybody does a full psychoanalysis of every plot point in their story. I'll list some "common" problems I've personally encountered with people making content about sunburn, suntan and sunflower. I'm more familiar with the dynamics common on ao3 than elsewhere, so if you have any other observations or things to add, please feel free to do so.

# OMORI SPOILERS BELOW #

Sunburn

The "canon" ship. The fact that the ship is explicitly mentioned in game means that the ship is viewed as the "default", and it can lead to some lazy dynamics or lack of justification. You have to remember that no matter what headspace says (and headspace says a lot of things that aren't true), the first thing Sunny and Aubrey did after four years is beat the shit out of each other. Sunny knows nothing about the Hooligans, even though we do, and Aubrey thinks Sunny abandoned her (which is a feeling unlikely to abate after the truth). There needs to be basis for the ship as well - they aren't going to just pick up where they left off (presuming they had anything to leave off in the first place) right away. Which leads us to the first common problem:

Basing the relationship entirely on the past

This is the default reaction and requires the least writing creativity, so it is not surprising that it is common. Simply porting the HS dynamic or the swing scene to the future and copy-pasting is fun and cute and all, but it ignores the fact that both Sunny and Aubrey have changed massively. There's a lot of guilt that is going around, both with Sunny for obvious reasons and Aubrey for pushing Basil in the lake, and Aubrey has a bunch of new, closer friends whom depending on your interpretation are either theatre kids or delinquents. This is not really just going to get talked away on the swing set - they involve third parties.

I would venture to argue that this is actually a very problematic pitfall, despite it being generally not a very serious transgression in real life. Omori, as a game, is about moving on from the past. If you write a fic where the characters forget about bad things in the past but hang on like hell to the good things... that's Headspace. You've just put Sunny in a new Headspace.

Getting Basil out of the way

Even among sunburn/suntan shippers, it is pretty generally accepted that Basil was somewhat attached to Sunny even before the accident. So if you don't want to do sunflower, how do you deal with that?

You can write angst, where Aubrey and Basil end up fighting over Sunny. Weirdly, I've never seen this actually happen (probably because it's too heartbreaking). You can have Basil go to therapy, and get rid of an unhealthy attachment. You can also go the seriously angsty route of Basil hating Sunny for abandonment, Sunny hating Basil for his role in the incident, or a less intense version which just puts a barrier between the two. You can also have Sunny reject Basil. Or you can argue that the attachment was platonic, which is entirely fair.

What you cannot do is have Basil be romantically interested in Sunny, but "get out of the way" for Aubrey "so that Sunny can be happy". Or, well, you can do that, but you can't frame it as anything but serious angst from Basil's POV.

Unfortunately, many, many "pure fluff" Sunburn fics do this, because "pure fluff" fics don't want to untangle the whole thing as most methods involve some degree of emotional turnmoil. This is no ordinary infautation - Basil has waited for Sunny for four years. Nursing unrequited love like that is really, really painful. It is certainly not something that someone with Basil's character and history can do with a smile on their face. If you need any further convincing, I point you to Note to Self: Don't Be Gay in Faraway Town by witheredahlia.

A version of this which I think is a lesser sin (because it is at least framed with some nuance), but a sin regardless, is Aubrey getting annoyed at Basil for "stealing" Sunny's attention from her. This gets dangerously close to the reddit comments you see about "the friend group will be better off if Basil never joined".

Suntan

Despite sunburn being the "canon" and sunflower being the natural alternative, I actually think that this is the default. After all, Kel was the one to bring Sunny out, generally saving his life, and is his first friend, etc. Kel is also a clean slate character, with nothing anyone can particularly hold against them, and as a result suntan is the "healthiest", "least questionable" ship. This commits the customary mistake of believing Kel's parents when they say "eh, it's Kel, he'll be fine".

"Kel's fine"

No, he's not. He's spent the better part of four years trying to forget the happiest times of his childhood, and has been going around doing nothing but fixing and saving other people, putting others' needs far above his own, for the entirety of pre-canon and foreseeably for a good part of post canon as well. Suntan, especially with Sunny still in a vulnerable state post-canon, can very easily be written into Kel being Sunny's unpaid, untrained therapist, and his mood/health being Kel's only/majority source of validation. Kel's self-worth independent of his friends needs addressing and development, and without a lot of development, Sunny alone is not really equipped to provide that.

In all fairness, while I would be somewhat confident in saying that the majority of canon-compliant sunburn fics run into the problems above, suntan fics do usually handle it better. That might just be because there aren't that many suntan fics though.

Sunflower

It goes without saying that sunflower has the highest potential to be unhealthy. But precisely because of that fact, people writing sunflower are usually very careful to address it. Either the fic is written as a work exploring codependency/attachment/trauma/other general unhealthiness (which you can make your own judgement on whether it's a legitimate art form or problematic), or there is at minimum an attempt at pacing, therapy and general juggling of the various mental issues the game leaves Sunny and Basil with (for a shining example, see These Days Without You by Smitty1899, my go to answer for when anyone says "but sunflower toxic!!1!").

The issues that can make sunflower unhealthy and problematic are generally pretty obvious - shared crime, codependency and attachment, commitment and abandonment issues, and the whole "getting together before their friends forgive them" thing (which can still be done well, but from the POV of especially Hero can be kind of eh, and unlikely to be conducive to a healthy relationship given that it kind of depends on their friends' pending "approval".) As a result, there aren't a lot of works that don't address them in one manner or another. However, I do think there is one major pitfall that some fics fall into in the other direction:

Having everything in the relationship be dependent on someone else's approval.

In an attempt to make sunflower as healthy as possible, some authors make it so that Sunny and Basil effectively never make decisions on their own. There's always a third party present to psychoanalyse them, tell them what's fine and what's not, etc. and every step they make in their relationship is with the express blessing, support and help of the rest of their friends. The problem is, that's not healthy either.

I feel that the value of sunflower is greatest in the context of the themes of the game of moving on and forgiveness. Making it so that Sunny and Basil hang on to their guilt forever and robbing them of any "right" to decide for themselves what makes them happy is very much contrary to that - they're on crutches for the rest of their lives, and the point of the good ending is the hope that they won't need to be. It also is just not a good thing for any third party to intervene so extensively in a relationship.

Conclusion

Omori is emotionally deep, with many, many themes to explore. Ships in Omori have unique meanings and themes, which in a canon compliant context is quite hard to simply wipe away. Rushing into a ship with insufficient pacing and development, which works in "cute" fandoms, generally leaves lots of outstanding holes in Omori.

This post doesn't necessarily mean that I think less of any particular ship mentioned - to reiterate, every ship has unique meanings and themes which is interesting to explore and form a part of the message of the game. It is however true that some pitfalls in some ships are easier to fall in, and overlooked, than others, and the obvious problems get a lot more bashing than the non-obvious ones. (Yes, sunflower bias. Sue me.)

And of course, in a plotless or AU context, cute art is cute art.

[just-antithings]

Just Anti Things, Real Life Version: Genuinely trying to argue to our Native American Literature professor that it's problematic for Tayo from Leslie Marmon Silko's novel Ceremony to have had a drunken one night stand with a woman if it's not confirmed she knew he was mixed race. Because, you see, if she didn't realize the man she was having one night of quick fun with before he shipped out is Native American, then that means - I wish I was making this up, I truly do - Tayo "might as well have raped her" and was "committing rape by fraud" and "didn't care about her boundaries".

Ma'am, they were both drunken 18 year olds fooling around with a stranger. I get that you're trying very hard to make the Native man here the gross predator one but 1. you've got no case and 2. maybe ask yourself why you want this to be predatory so badly? It's not even that long of a scene and it's not important to the overall plot. It was just mentioned because it was a common WWII era thing soldiers did.

The professor, for the record, took it as a sign that the girl in this class has a lot of anxieties about sex and sexuality and gave her contact information for mental health resources. Him being patient with her, a white girl, when she's trying so hard to make a Native man look like a predator and he himself is Native is exactly the kind of shit BIPOC mean when they say they have to perform emotional labor around white people.

TL;DR

Antis: "We're normal!" Also antis: "This completely consensual encounter is secretly rape and this Native man is a rapist!"

.

[unforth]

This is gonna seem so random but I think we’re all looking for a little escapism today. I see you’ve read Golden Stage! As someone very new to danmei…any recs for similar stories? I guess I mostly mean danmei but with a solid plot outside of the romance. Sadly I’ve already read all MXTX’s stuff.

*waves* HELLO ANON. YES. I am happy to discuss this topic or literally ANYTHING that isn't *gestures vaguely*.

I've read a fair amount of danmei, and I really liked Golden Stage. What I personally loved about Golden Stage was the politicking, which is something I enjoy tons in most books, and that plus the romance really made the book for me. If you're similar - which it sounds like you are! - here are some titles I've read that spring to mind:

Thousand Autumns by Meng Xi Shi (officially licensed, all volumes out): a wuxia novel about an evil sect leader, Yan Wushi, and the fallen leader of a noble, upright daoist sect, Shen Qiao. The politicking is complex and excellent, and it's most definitely romance-lite. Yan Wushi is a horribly wonderful little gremlin of a man, and Shen Qiao is in my top three fave danmei characters with Chu Wanning and Xie Lian, for an idea of the kind of person he is. Highly recommend.

The Fourteenth Year of Chenghua by Meng Xi Shi (unlicensed; I read the Chichi translation, tho there are some issues with it). Intensely political historical fiction about a low-level but capable administrator during the Ming Dynasty, facing up against the corrupt court of the Emperor and the Emperor's favorite concubine, with the help of a morally upright military officer. It's also romance-lite. Heavy politics/romance-lite is kinda Meng Xi Shi's...thing. The show "The Sleuth of Ming Dynasty is loosely based on this book.

Those Years in Quest of Honor Mine by Man Man He Qi Duo (unlicensed; the fantranslation has unfortunately been deleted, though at least some of it is still on the Wayback machine): a historical-esque (but not set in a specific time period) story about a disgraced former top-exam-scorer who returns to the capital out of necessity to help his charges, and his encounters with his former...crush? ...captor? ...it's complicated... who is now the most feared right-arm of the Emperor. I'd say, of all the titles on this list, this is the one most similar to Golden Stage in terms of the balance between the politics and the romance.

The Imperial Uncle by Da Feng Gua Guo (officially licensed, only one volume long): the uncle of the Emperor has a reputation for scheming that he, himself, thinks is entirely unwarranted. This book is first person, and Prince Huai is a delightfully unreliable narrator. The romance includes some misdirection (I'd consider who he ends up with to be a spoiler) but I really enjoyed this historical-esque political drama.

So...those are the ones that spring to mind from what I've personally read. :D Others may be able to toss some other recs into a reblog or the comments. I hope you find a book you love, anon!

ETA ACK I FORGOT ONE I WANTED TO INCLUDE!

Copper Coins by Mu Su Li (recently licensed by 7s! will start coming out late next year): wuxia historical/fantasy China setting, about a celestial dragon who was gravely injured and is now trying to get healthy again and also figure out who hurt him, and the stolid monk who very begrudgingly starts helping him. This one is less political but has a similar mystery vibe, and the main ship are a lot of fun; their dynamic is similar to Wangxian.

[not-the-darknight]

Interaction call for Diluc Ragnvindr

Hello everyone! Diluc is ready for some interactions and shipping fun! Whether you're looking for some sillies or a well-plotted encounter, this is your chance to get involved. By liking this post, you're letting me, the mod, know that you're interested in interacting with Diluc.

Here are somethings you need to keep in mind before liking the post. If you do not follow these instructions, I may not interact with you.

Plotting: I am open to freestyling and letting the muses figure it out. But if you are someone who is interested in plotting something very specific that might affect my muses's lore, then please DM me and let me me know

Nature of Interactions: Specify the nature of your interaction in this post via comments or reblogs or message me directly

Platonic: Friendly or neutral interactions. Enemies: Conflict or rivalry. Ships: Romantic relationships.

Romantic Verses: Each romantic ship will be treated as a separate verse. While Diluc’s canon lore will stay the same, each ship’s storyline will be unique and not interconnected with other ships.

No Godmodding: Respect everyone’s characters and decisions. No controlling or dictating other characters’ actions without permission.

Respect & Communication: Keep interactions respectful and communicate openly. If you have any concerns or need to make changes, let’s talk it out!

[willowingstar]

will we get more fics for the Pearl ocean AU? If so will it be a continuation of the first one or will we get a timeskip and a different story?

it will be a continuation! currently, i have three "arcs"/"sagas"planned for it (but this will change indifinetely!). first one being calypso saga, judgement(placeholder name lol), scheria.

(DO NOTE THAT ALL OF THIS WILL STILL BE HAPPENING UNDER THE "PEARL OCEAN SAGA" AU NAME!!! think of this as like section or arcs)

calypso saga takes place immediately right after pearl ocean saga, in which telemachus is washed up on calypso's island. this saga talks about his time here and just how much his time there will change him as a person.

judgement saga is basically the wisdom saga of this au. athena basically goes to zeus in hopes that he can release tele from calypso's land but things go to shit as a) athena literally just fought him not even ten years ago and b) "OH YOU WILL NEVER GET MY 658TH WIFE NUH UH" -Zeus so athena gets zapped and is down momentarily (hermes was there watching and said a big fuck you to zeus. ody was also there but judged tele instead. he had also agreed to release tele so when ody basically saw not only ATHENA get hurt but the possibility of tele not being able to be free he CRIED. crode even. so poseidon and zeus basically threw him to his shell and locked him there until he calmed down. P.S. - he did, but he's like half dead on the inside.)

scheria saga takes place after telemachus left calypso's land in "im not sorry for loving you" style (but hermes smuggled him out illegaly instead). this is where, after the guidance of hermes (and athena, yes she is present here even though she has like half of her body fractured), they lead tele to scheria where he can be able to get help and set sail towards to ismarus. during his sail he had an encounter with ZEUS (thanks to hermes and his stupid decision to illegally snatch tele away) and he basically thunderbringers tele and like... uh, lets say half his crew died (NOT EURYLOCHUS THOUGH!!! HE GETS THE PLOT ARMOR HEHEH eurylochus my beloved). Eury and Tele's ship was the one that basically survived along with five others but they're hurt by the encounter. even with this encounter they still set sail in hopes of just being able to go home since ... at this point tele being TEN YEARS AWAY the war at the kingdom they're trying to save already ended but at the very very end of this saga they have, yet again, another encounter with poseidon... in a not so fun way.

so yeah! thats all :3