#shes the character im not as confident in

[jesuistrestriste]

cw (18+): sub!art, afab + femme!character, age gap, crying/dacryphilia, art being a sad and lonely hot guy in his forties, tashi and art never really got together, creampie

˚ ﹒⟢ ˚ ﹒⟢ ˚ ﹒⟢ ˚ ﹒⟢ ˚ ﹒⟢ ˚ ﹒⟢ ˚ ﹒⟢

dilf!art getting with a pretty young thing from down the block. . .

he always admired her effortless confidence and the way her body moved when she walked down the street to the corner store every weekend.

always watched her return from his brownstone apartment window; a pack of cinnamon gum and a case of peach seltzer in her hands.

she’s beautiful and bouncy and everything he didn’t get to have in his youth when he was too sucked into tennis to let himself live a little. he lost tashi to patrick. that was that. and he never tried dating again until about ten or so years ago.

they were all flings that crashed and burned their way through his thirties. meaningless moments where all he was left with was a wet dick and a heaviness in his chest. he hated it. he was done with it.

until her.

she was different.

she sparked a conversation with him one day when they ran into each other outside his doorstep. she was cracking jokes that only made her seem more intriguing because art didn’t understand the social context behind them— he was no longer hip and cool, he’d accepted it. but that, combined with the pop of her hip she did when she was making him laugh (not to mention the way she smacked her gum + batted her lashes when she smiled; all pearly whites) made him feel like even more of a creep.

but now she’s bouncing on his cock and gazing down at him while he gasps and squirms like a livewire underneath her.

they’ve only really known each other for a week and a half.

“say thank you, Artie,” she purrs, her hand tracing the spattered flush on his chest, “say it.”

he bucks his hips up as much as he can to meet her movements, and bites his lip hard enough to taste metal when his tip bumps her cervix.

“thank you, oh my god, thank you— thank you, thank you—! ha-aah-!”

he babbles; a broken record of whines and shaky moans. his throat hurts from all of the sounds being pulled from him when the most he’s talked all month has come from just a couple of boring, remote interviews about his athletic career.

and her, of course.

god, it’s all her..

he swallows and keens, and then his eyes are watering.

and then he’s sobbing. he’s choking on his tears and yet he’s still feeling the tight coil of warmth tense further and further and further-

“don’t cry,” she whispers, leaning down to kiss the wetness from his cheeks, her hips swiveling to ride him harder just as the first slimy blurt of his orgasm spills inside, “you’re a good boy, okay? you’re perfect… a total catch…”

she smells like candy. she’s wiping his tears now.

“oh fuck, thank you-uu—hnghh!”

art lifts his hips, his face crumpling with pleasure and sadness, before he yelps and his climax wipes him out. his whole body trembles as he feels his cock pulse and coat her pussy with gooey clots of his spend. he’s practically wheezing.

he grips onto her hips fiercely; like if he doesn’t squeeze hard enough she’ll just go *poof*, and then he’ll be alone again.

“.. ungh, ‘m sorry, im cumming inside you, im cumming, im so sorry,” he whimpers, the aftershocks leaving him feeling bare and weak. stripped of all of his armor. if he even had any left to begin with.

she kisses his shoulder gently, and then she’s dipping her glossy lips down to whisper right next to his ear. her dainty necklace chills his skin when it dangles from her body and meets his collarbone. she’s so close to him.

“don’t worry, Mr. Donaldson…

you’ll be a great daddy.”

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.

[onlyrains]

𝓹𝓲𝓽𝔂 party 2 | 𝓵𝓱𝓼

a/n: a quick update bc im still too caught up on my thesis #prayforme

it's not really related to the part 1 ig just full about relationship with heeseung | wc: 1,8k-ish

!!! part 1 !!!

just like a fallen leaves that the wind blows away easily, the breath you take mindlessly, and the boiling ramen soup that evaporates under its cup quickly. the memory of your first party is now long gone since six of your brother's friends come to your house almost everyday.

you don't even bother questioning what matter your brother had on that day. they said that it was just about dissenting opinions and you easily buy it.

it's been two weeks since the tragedy, and today you can confidently declare that jake is no longer the only one you know among them. you have heeseung now. of course, he isn't the most friendly, but you notice he is the most attentive and reliable, sometimes even more than your brother, jay. the rest of them are basically your acquaintances now, but something is surely different between you and heeseung.

he's still quietly annoying, secretly irritating, and overall not so different from your brother. yet the tension is still unchanged since he took you home that day. it's so obvious like you have never practically left alone with him in the same room together. well, sometimes it's light and playful, but sometimes it's just too thick until you start doubting your self control. but the point is, the tension is always there. making it a trio out of you two–if that makes sense.

ealier today, your brother had promise to pick you up after your archery club meetings. but he suddenly has more urgent thing to do, so it just slipped your mouth, "can i ask heeseung?"

jay's head turned to you in a split millisecond. "why him? what's going on?"

"nothing. you promised to take me to the vinyl store you know,"

"you can ask mom?"

"you really think she's gonna take me there?"

he sighed. "fine. i'll talk to him."

just like that and the boy is already waiting for you in his regular fit denim jacket. with his chunky motorbike, obviously.

"had fun, katniss everdeen?" his smug smirk welcomed you. you roll your eyes, trying to ignore his smirk that somehow look flirty to you. "yes, rubeus hagrid."

he scoffs. "really? from all the characters in the world?"

"what? you're tall and ride a bike."

he nods before putting on his helmet, a smirk still evident on his mouth. "hagrid it is."

after he puts on your half face helmet, you jump behind him. "let's go."

contradicting your words, he got off his bike and looked at you in disbelief. "how can you go archery in a skirt?" his voice muffled by the helmet.

"i didn't. we're just discussing some—”

again he cuts you as he took his clothes out of the bag for you to wear. a black knit sweater fall on your nearly exposed thighs. "tie it around."

"is it 2014 or—"

"wear it or we aren't going anywhere."

you grunt silently and let the knit sleeve wrapped around your waist to cover your thighs safely. feel satisfied, heeseung back on his seat, "hold on tightly. it's so windy."

you happily obey as you did the last time he rode you home. he didn't complain tho, as if it didn't bother him nor throw him into another dimension.

as he said earlier, it's windy so it's even harder to concentrate on the road when the wind keeps blowing up his sweater on your thighs. well, he blamed it on the wind rather than his bike or you.

on the other hand, you are just enjoying his warm back, not wanting to move your head before you arrive, let alone caring about your exposed skin. even the helmet's bulkiness doesn't stop you from leaning in so shamelessly.

your thumb still absentmindedly caressing his toned stomach when he takes turn to the last turn before the vinyl store you've been thinking about all day.

you hop off the bike so cheerfully and hand him his helmet to untie his sweater from your waist and wear it on top of your shirt then run into the store. at this point, heeseung didn't even look like a brother, but more like a driver? or even a bodyguard your parents paid for their reckless daughter.

you are holding you targeted LP when heeseung arrives beside you. "oh, it was released today?" he asks.

you nod excitedly. "yes!" you almost jump on your feet.

"should i pick this or this one?" you take the deluxe version on your right hand.

"it's black and white." heeseung takes the deluxe version and read the song list on its back.

"yeah, not so match my collection."

"but it has more songs."

"exactly!" you sigh confusedly.

as usual, there are only a few visitors in the store that you are really thankful for because that means you don't need to rush your purchase.

"so? let's decide."

you exhale heavily after thinking for a while. "fine, this one." you pointing at the deluxe version on his hand. he chuckles seeing your frustrated face. "i swear you'll regret it if you don't get the completed version."

"i know." you murmur and turn around to go to the cashier.

"nah, maybe i'll just look for the vintage." a familiar voice from the entrance resonate in your eardrums as goosebumps creep through your skin.

you turn your head to heeseung. "fuck." you mumble in despair.

you pull him to the nearest corner and let him towering over you in order to shield you from the most person you avoid on earth. why is he here anyway?

you hold your LP tightly in your hand while the other mindlessly grip on heeseung shirt beneath his jacket. your breathing slowly becomes irregular as anxiety takes over your body. you keep peeking through heeseung's body that you don't realize his gaze is no longer confused but rather unreadable.

his one arm resting on the shelf next to your face. his head tilts down to look you with the most confusing expression with a slightly open mouth.

"what?" you ask casually to cover your now double anxious state. he doesn't reply but you can see his jaw tightening.

"she got me a new turntable, bro. she's crazy."

"that's what i meant a lucky bastard, bro, what the fuck?"

you bite your inner lip. "help me, please? that was my ex–ew, no, not even my ex. and he's the least person i want to meet in the world."

"why?" he asks in a low tone, making you shiver.

"it's long story–well, he cheated on me, basically–but i don't care anymore, i just don't want to face him."

his face leans closer. "still can't move on?" he asks again. half teasing, half confirming.

you scoff, a little distracted by his scent. "w-what? no! why wo–fuck,"

you saw him in the hallway, just a few meters from you.

"what do you want me to do?" in contrast to you, heeseung still sounds so relax. you feel your head spinning just from the thought of probability of him saying something if he sees you there.

"anything as long as he can't see me," you meet his sharp eyes. "...please?" your legs begin to fidget in place.

"you sure just for him not to see you?"

you frown at him. is he reading your mind?

he brushes his finger on your cheek carefully. he knows exactly what you want him to do, he's just not sure if he can actually do it. he doesn't know if his body allows it.

"david bowie is on the back shelf, i guess."

"shit, heeseung, he's here!"

"relax, ma'am. you got me."

you tiptoe on your toes and reach for his shoulder. "c'mon, heeseung," you plead.

he runs his hands on your hips and slightly tilts his head to the side.

"oh my god, be more convincing!" you squeeze the hem of his jacket.

"you want me to do this?" he whispers angrily as his nose touches yours.

you went silent for a few seconds. him, the bastard you are avoiding is surely now at heeseung's back and is looking at you two. disgusted, maybe. but he's not moving at all.

beside that, you have never been this close with heeseung. his thumbs still caressing your cheek and you unconsciously lean in to his touch. his ragged breath fanning your lips as his eyes burning through your lips. you decide to exhanging gaze with his hazzy one. he looks so resigned and helpless which you know there's no way he can take an action from now.

"ay, it's on the back shelf, bro, c'mon, leave 'em alone."

"wait."

"fuck it, hee. i'm sorry," you grab his nape and press your lips into his. you don't move an inch, just let it brush for a moment until the bastard goes to the next hallway.

finally, you pull away and exhale the breath you didn't know you were holding. but heeseung is faster. he holds your back and pulls you back to him so impossibly close then put his lips back to yours.

he kisses you slowly yet so demanding, like he means it on every movement he does. his hands roaming from your back to your side then rests in your waist. his knit sweater makes you even warmer despite the heat that radiates from your body.

"i'm not gonna bring regret to my house, y/n." he whispers between his kisses, sending a shiver down your spine, then starts to kiss you deeper.

giving up on his touch, you wrapped your arms around his neck and brushing his nape lightly. the bastard you were avoiding has now disappeared in your memory as you try so hard to keep up with his absurd yet addicting tempo. you lightly pull his hair everytime he bites your lower lip.

an unwanted whine just slips out of your mouth as his lips trailing around your jaw then back to your lips. you squirm in your place noticing your body pressed between his body and the wooden shelf behind you before pulling away.

"you don't know what you're doing to me, do you?" he asks, panting.

you stare at him blankly. honestly, you do, sometimes.

"been trying to do that since forever," he admits. you chuckle. "don't be so dramatic, we're just started talking two weeks ago."

he still stare at you, not blinking. "so long since your smile always does it for me."

you stay silent.

"i don't know what you're exactly do but please stop what you're doing to me." he says, frustrated. "don't want your brother to go feral again, do you?"

you gulp hardly. "but i don't do anything." you decide to return his stare and bite your lip. "and heeseung, i'm afraid i can't control myself after this," you admit.

his jaw tightens, again. your words and the way you said it have his body become stiff and chest rumbling.

noticing his rigidness, you tiptoe and kiss his cheek before finally running to the cashier, making the boy grunts under his breath. "god, she's impossible."

taglist [open]: @llvrhee

[grinsgrimmy]

Hello i loved ur iske fic hehe, i was wondering if maybe you could do an enzo one? Yknow ruby’s adopted brother? He lacks fics and i love him sm

Maybe can you do where shes the childhood friend of ruby, shes known to be kind and talented in magic and is considered to be very pretty hehe and she likes him but is very shy to confess so he takes the initiative <33i want him to pin for her so bad the loser bf x hot gf is taking over my brain

Thats all hope u have a great day hehe

Ｌ Ｏ Ｖ Ｅ Ｍ Ｅ Ｂ Ａ Ｃ Ｋ ?

ㅤᯓᡣ𐭩 𝖤𝖭𝖹𝖮 𝖣𝖤 𝖡𝖮𝖱𝖦𝖨𝖠 𝗑 𝖠𝖥𝖠��!𝖱𝖾𝖺𝖽𝖾𝗋

HOW TO GET MY HUSBAND ON MY SIDE

๋࣭⭑ֶֶֶָָָ֢֢֢𖹭 oneshot . (1440 words)

sum. you wanted to confess to enzo, but you chickened out

note : thank you for the request, anonie! i was 100% hesitating on taking this request bc i do not think i can do enzo justice since i am not really familiar with his character. i still am not confident on writing him even after rereading the manhwa so im using early chapters (1-3) as my sole knowledge regarding him. alsooo im sorry for not 100% using your prompt/plot but i literally blanked out on how to write with that prompt

IT WENT OVER 1400 WORDS ANYWAYS WHAT THE H

request drabble have reopened !!

ㅤ⪩⪨ m.list

he loves me, he loves me not, he loves me.

you plucked the last delicate petal from the daisy you had been toying with the past few minutes. sitting on the serene grass, it was a quiet afternoon. suppose to be peaceful and calming, but not for you.

he loves me not.

staring at the plucked flower, you let out a wistful sigh.

you gently tore the entire flower apart, as if you were trying to rip away the small, fleeting hope that had been growing in your chest.

you stared at the last petal that was left drifting on the grass. with another weak sigh, you let your fingers drop to your lap with a heavy heart.

it did not matter.

he would never see you the way you wished him to.

enzo.

the name echoed in your mind constantly. the man you had quietly admired for years, the same man who occupied every corner of your thoughts.

he was always out of reach for you.

he is not just anyone. he is a borgia, and he is your childhood friend's second older brother. ruby's brother.

but that was not the problem with your meddling emotions.

you grew up with the borgia family. he probably saw you as solely ruby's friend. or perhaps he saw you as no different than the rest of the familiar faces that filled the borgia household.

regardless, after ruby was sent off to the north to marry iske van omerta, you did not really have a reason to constantly visit the borgia household after that.

but you kept returning, time and again, to see enzo.

thinking about it, you felt akin to a lovesick teenager. there were no excuses or pressing need for you to be at the household, you simply wish to be close to him.

even catching a glimpse of enzo when he was training, sitting in silence as you watch from afar, would be enough for your entire day. in your mind, if you kept being present enough despite ruby's absence, he would begin to realise that you wanted to be with him.

and perhaps he would finally look at you the way you wanted him to. as someone more than ruby's friend.

that day never came.

it had been a month since ruby's absence, you had been awkwardly strolling along the halls and gardens of the borgia family as if you were one of them.

sincerely, you wished not to be even associated with them. the eldest brother of the borgia family gives you the creeps, as does the two hags that ran the family, mostly pope de borgia.

but you did not want to leave borgia entirely since enzo was there. he is a borgia too. as creepy as the family is, you remained close contact with them because you genuinely care for ruby and fell in love with her brother.

thankfully they had not once thrown you out.

not yet, at least.

the borgia family are seen as saints, hence, you believed the pope could not rudely kick you out of their premises.

you glanced down at the daisy petals scattered around you, the weight of your emotions pressing harder within your mind. your chest tightened.

should you even confess to enzo?

you came to the borgia household today to confess, but chickened out and ended up sitting in their gardens.

a rustling sound interrupted your train of thought. you looked up, startled. for a brief, breathless moment, your heart skipped a beat when your eyes fell onto enzo, who was approaching you.

he looked as if he had just returned from training; his gaze was fixed on you. he scratched the back of his head, roughly calling you out, “the servants told me you came.”

you gave him a blank look before slowly getting flustered. “ah, yes, around an hour ago,” you answered him with a timid expression. he stared at you with an unreadable expression.

enzo huffed, clearly not satisfied with your response, "so why weren't you at the training grounds?" his words carried a slight edge—not anger, but just annoyance tinged with something else. you could not quite place what it was.

you gave a meek and reassuring smile to mask your nervousness.

you bit your lip, scrambling for an excuse, “i, uh, didn't want to interrupt. you were busy, after all...” you trailed off, unsure of how to exactly finish your words.

enzo's annoyed gaze did not soften. he crossed his arms over his chest, looking unimpressed. “interrupt?” he repeated, considering your words carefully.

“are you an idiot? you were always there anyway. why do you suddenly feel like you are interrupting?” enzo interrogated you, his eyes narrowed with suspicion, but it felt like he knew more than he let on.

“i didn't,” you stammered. “i didn't want to be a bother so suddenly.”

enzo sighed dramatically out of annoyance, clearly he was not buying it. you could see his lips twitched, as if holding back exasperation. “ugh, whatever. i can't deal with this.”

you were going to ask about what he meant, but he suddenly grabbed your wrist. before you could even react, he was pulling you towards him, then pinned you down against the soft grass in one swift motion.

you gasped, your heart leaping in your chest. you were left stammering, struggling beneath him as you tried to push him away by his chest. but of course you could not since he was stronger than you.

“you really don't get it, do you?” he muttered, his face had almost a sulking pout with his cheeks staining pink. “i'm tired of waiting for you to figure it out,” he grumbled, his hands that were pinning your wrists were trembling.

you gulped, "w, waiting for me to figure what out?" you could not even meet his eyes properly since he was on top of you—

on top of you.

“figure out how to confess to me, you idiot!” enzo snapped, his voice getting louder and sharper, but his cheeks were getting redder and redder. “you've been looking at me like a damn puppy for weeks, and i'm supposed to just keep pretending like i don't know?!”

there was a pause, a heavy silence stretching between you two.

enzo clenched his jaw, trying to mask the embarrassment creeping over him, but his cheeks betrayed him. it turned into a deeper shade of red.

he could not tell if he was more frustrated by the situation or by the mutual feelings he had been acknowledging yet ignoring for so long.

he let out a sigh, “i was waiting for you to confess.” he blurted out, his voice cracking just enough to show his real emotions.

he freed one of his hands from gripping your wrists to cover his deep red cheeks, “look, i didn't— i didn't want to be the one to make the first move, alright?” his muttered, his voice trying to be composed as he looked away from you, “it would have been very cute of you if you did, but—”

his eyes darted to yours, meeting your flustered yet relieved eyes, which made him snap out of embarrassment. “too bad you didn't because you're too dumb to figure that out!” he exclaimed, too flustered to comprehend anything at that moment.

your eyes met his again, but something shifted in you. the awkwardness was still prominent, but there was a part of you that was relieved.

he had been waiting?

your eyes lingered on his for too long, and you could not help but give a shaky smile before bursting into laughter. you manage to get one of your hands free from his to place it at the back of his head to pull him down into a kiss.

you could hear his breath caught in his throat for a moment. there was a flicker of hesitation, but it melted away entirely.

it was a messy kiss. inexperience, even sloppy, but both of you did not mind as you both had been holding back for far too long. your hand tightened in his hair, pulling his head deeper.

when you finally pulled back, breathless and slightly dazed, you gave him a wobbly but relieved smile, “i like you, a lot.” your voice was unsteady but held so much sincerity.

you then gave him a bright smile that made his breath hitch because of how pretty you were with that smile. “i confessed first,” you said proudly with a nervous smile.

the words hung in the air between you two. enzo blinked with slightly parted lips, still in a daze from the kiss. he let out a soft grumble, looking away from you, “you... stupid—”

he went back down for a second kiss.

・❥・want a hc / oneshot? please consider commissioning in ko-fi !!

[marisr3stavrant]

MORE INFO BELOW!! BIG Paragraph incoming/ Zoom in if you need to pls !!

HEEEY so here is my chart for MMV2 💙

Mayor ships / Polys

• Horror M / Horror P/Mr. Sys

• Horror M / MR. Mario (Horrorpasta)

• Grandad/ Somari (Grandmari)

• Beta Mario / The Forgiven (Forgive and Forget; created by my best friend and me)

• MX / King / Coronation day peach (Powerforest)

• Platonic Mario cule/ (Therapy group/J) : Grandmari + Forgive and Forget + IHY Mario

• Mr. V / Costume (platonic/kinda romantic but not really. Mr.V just has a huge liking to Costume bc they are legit almost the same. Just that Mr. V killed for fun as Costume killed for some sort of "injustice" (bro calm down its just a CONSOLE)

Some Important notes / Lore I have never explained

• Pikafriend and Eevefriend are NOT BF and GF. Bf and Gf are legit dead and souls trapped 4ever

• Pikafriend is more of a Homunculus from BFs rotted blood, Found by Somari. Pikafriend doesnt share any of BFs memories, however, he can feel fear/some sort of paranoia around some people

• Pikafriend and Eevefriend arent together bc theyre Children, In this case, Pikafriend and Eevefriend start like small children

As Pikafriend found two bootlegs who adopted him, Eevefriend found Weega, so the two lurk around because like Weega, they dont wanna be involved in anything LOL

(Also why they are friends, I imply Weega lurks around M's cartridge)

• Super bad day mario is also mostly like implied to be adopted by Grandad and Somari

• Like many! I like to hc Super bad day Mario being "friends" with Devil Mario, The truth is Devil Mario doesnt like him at ALLL but Super Bad mario throws poisinous murshroom at him (which is bad for Marios body as a whole eek) so He just lets him hang,,

• Most Big bad dudes like Mr. V, MX, etc, Find Grandad annoying, Mostly because I base it on MX vs Lord X videos teehee

• Something I wanna bring up about Horror Mario IN THIS AU (aka Marcos version, MM) and wanna remind he isnt really the original Horror mario, 💧 ppl keep forgetting he used to be an offical marketman for Nintendo that made a deal with the Dearest and got trapped 💔💔 now Imagine 30 years isolated from the world, literly alone. His kinda influence in the world is quite strong / Some of the dearest magic, gave him access to control the cartridge to his liking, taking on the form of Mario, because He literly forgets how he looks like. Imagine 30 years of not seeing your face 😭 Yeah thats why dude is a lil insane and actually depress (isolation as a whole completly destroys a person, specially for 30 years bc characters like Horror Peach are. Like. HIM! LIKE, A REFLECTION, like an actual flesh puppet who acts around,, so thats why theyre lowkey together too because Horror peach knows the pain, because she was kinda??? Splitted from himn like Mitosis LOL) I need to write my story straight...

• ALSO REASON WHY HORROR LIKES MR. SYS, because its an actual creation that he gets to witness, alive and consious, which is like, dayum

• Horrorpasta is more of a personal/in sys thimg so... Maybe ill explain it when i feel confident to share more outside of friends

• POWERFOREST ONE AND ONLY, Both of them are actual strong and rulers of their own words, they both relate to much and kinda grew to a point where they make out /P

• Beta Mario and The forgiven mostly meet in the mansion, where Beta has been. The forgiven and Beta mario mostly bond over their experiences. However, Beta Mario wanting to try to go out, The forgiven is scared of encountering Mr. L, still both go out in caution

• They find IHY Mario wandering about, mostly the three try to find a safe place since actually none of them know they are trapped in a cartridge that has so many worlds fused together (Until they meet Grandad and Somari) and again the three mostly bond over, specially how IHY mario and the forgiven take turns to take care of Beta Marios' painting

THERE IS A LOT LOT MORE... More lore and story, however, im tired and will be a story for another day 🙏 thanks for reading

[phantomrose96]

The realest part of the Barbie Movie was when Barbie was like "okay but what if this hurts his feelings? what if this makes him sad? :(" after Ken stole her house, stole her car, and stole her agency, because as a woman you still have to second guess everything you do on the assessment of whether it might hurt a man's feelings.

And then that apprehension was proven right one million times over by the entire Conservative Internet Manosphere pissing and shitting and screaming themselves hoarse over Barbie daring to hurt a man's feelings.

[tradingjack]

There's no turning back.

... Is there anyone who'll be able to survive what lies ahead?

[mochapanda]

bunch of kairis (+ bonus quadratum kairi)

[bonefall]

Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("

Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(

And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.

And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.

What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.

And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.

But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.

[goldensunset]

the indecision between ‘i love this character and i want them to be happy/i want to see more of them’ and ‘it would be most narratively compelling/intriguing if they died or otherwise were (mysteriously) never seen or heard from again’

[lovesickeros]

can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞

☆ affectionate reader with yelan, ei, & furina

[ 4.2 Archon Quest spoilers ]

× yelan

Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.

Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.

The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.

She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.

Even if she knew exactly where it'd land.

"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.

"So why don't we find out and make a bet, just between you and me?"

× ei

Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.

..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE

Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.

She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.

But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.

"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.

Yet as much as she tries to relax, to ease their worries, she finds that she cannot.

"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"

She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.

Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.

Though only a small solace, it seemed a little..brighter, this time.

× furina

Varies between pre 4.2 and post 4.2 archon quests to be honest.

Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.

Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).

She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!

Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.

Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.

"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."

The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.

"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!

..Maybe a little.

"Just warn me next time, please?"

[raviollies]

love your art! Your stuff was always good, but recent pieces really go beyond on ambition / detail and it shows, can’t wait to see if you do anything for ER’s dlc.

Waaagh thank you!!! Being really insane about a subject does help because you draw the same thing over and over again and it ends up honing your skill...Like it's wildly funny to look at the first ever Blythe compared to her now

But I am very excited for the Elden ring DLC...I hope it rekindles my insanity - as I've said before I kind of hyperfixate on something and do that thing over and over and over again and can only think about that one thing and then a switch turns off and I'm just completely divorced from it. So I hope the DLC makes me insane again, because I did really really love Elden ring.

[ruvi-muffin]

I spent too long on this

C3e111 spoilers:

SO I MAY BE READING TOO MUCH INTO THINGS ????

But i Feel like when beau was like "why isn't it us? Do u think these kids can pull it off?"

Like textually, she's being condecending af, (the ushe, il her), but i feel like subtextually, she's like.. genuinely worried bc she's spent seven years working to prevent people in power from using kids as weapons for war ?????

Like she's got an aloof image to uphold, sure, but i Feel like she actually rly cares and is worried. AND worried x2 that her worry will endanger the nein and the mission.

Fjord consequently catches on and is like "Bro ur So Overworked, u need to focus on u for a bit gd"

Maybe i just miss tm9 so much and am reading into things but hhhhhhhh brjeaus go brrrrr

[poisonousquinzel]

The Strange Case Of Harleen And Harley

[horse-head-farms]

okay hear me out guys: trans girl Hypno

i have no explanation for this other than 1) i think it is fun 2) it gives the boob window a purpose (future investment for when boobs happen)

[blueskittlesart]

any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before

i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig

from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.

the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.

as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.

I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.

The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.

In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.