#but in 1 shes snarky and silly. 2 shes getting more confident w/ going out on her own and getting the keyblade

[mochapanda]

bunch of kairis (+ bonus quadratum kairi)

[cutegirlmayra]

#NotAPrompt saddly:( Anyways hello hope ur having a good! So from an amazing writer to your fellow beginner writer. How do you organize ur ideas or outline it before you start a sonamy story?

Thank you and great question!~

When you start any story, there needs to be a written Outline, or spine, of a story. Loglines also help to organize a clear direction for your story– example: Sonic, a free-spirited and adventurous hedgehog, and his friends must collect all 7 chaos emeralds to stop Eggman and a released, ancient god of destruction from threatening their world. - Logline I made up for Sonic Adventure. A logline is one sentence that clearly establishes a character and conflict.

Once you have some ideas, let’s say maybe you have the middle worked out or the exciting incident, you then create an Outline. Act 1, Act 2, Act 3. Act 2 should be the longest and biggest portion.

In my prompts, I usually hurry through Act 1 to get you to the exciting incident and then smoothly transition through a wrapped up conclusion.

Act 1 should be small, almost equal to Act 3′s plot points. Act 1 is you introducing the normal life before something twists it around, the conflict. The conflict is the starting point to Act 2, where you begin the rising action.

(the most simplest form. There are other arcs, such as ‘Character Obstacles’, ‘Character Tragedy’, and ‘Character Hero Story’. There are a few more too, but those are the ones I write the most of :)b There’s even a romantic one! Look them up and find your favorites in your own stories, comics, or movies ;)b)

For example, in my lastest Sonamy story, the turning point for the characters was when Amy also got sick with Sonic. This changed the normality which was that Sonic was originally sick, and now, the conflict begins of how are they gonna hide from the robots while both being squished together sharing leaves and turning ditzy in their sickness? I then lead that to Act 3, where silliness does ensue but they end up having a memorable, although disgustingly funny, platonic moment together that turned sweeter and even romantic as the conclusion unfolded. (Prompt: x)

Granted, this story is NOT a work of art haha XD I was inspired to make it, but the plot to it was extremely simple, which is why no real ‘action’ takes place and it’s all character emotion that drive the plot forward.

OR

OR

Many ways a character can express or subtly hint at their emotions. Sometimes they’re impulsive and transparent, wearing their hearts on their sleeves. (AMY) Sometimes their shy or subtle, opting to mask their emotions deep below the surface until they can’t help but ‘leak’ their emotions out during the climactic reveal and ‘breaking point’ for their character or plot summary. (Sonic.) Sometimes their so out of it, or not even in tune with their own emotions that they play them off and go cynical with it all. (Sometimes, I see this as Classic Sonic, but not always.), there are many more. Find them all! lol

As for my bigger fanfictions, I do make a summary, which is the full story condensed into a page or so worth of ‘notes’ as I refer to them. It’s not as neat as labeling Act 1-3, but it does give me a basic outline.

For Example, you can’t use your summary outline for your summary to your story. Your summary should have the reader asking questions so they’ll want to engage with the story. Instead, your Summary Outline should look like this:

Sonic and Amy, during a normal fight with Eggman, suddenly mention a tough topic for the both of them that causes some bickering and tension. When the tension accelerates beyond normal teasing, the two end up accidentally losing their tempers and hurting each other. Eggman, deciding drama’s not what he wanted today, sends a fully-armed attack at them while their distracted, thinking it a good opportunity to catch Sonic off-guard. However, though Sonic looks like he’s about to get whammed by the ambush, Amy pushes him out of the way and they survive. Amazed, Sonic rushes over to her, “Amy! W-why… Why did you jump in the way like that? I don’t get it… Weren’t you mad?” He hovers over her as she weakly squints an eye up at him (NOTE: This part is getting more detailed, can you tell? It’s the climax of the story and should have much more detail and notes going on. Even dialogue that can be rewritten or changed. It’s okay to have notes like this for your most dramatic scene, and keep the rest of it generally swift, but try not to go too vague. If you do, you may forget how you wanted to write that part, and that’s NO GOOD! -Sonic reference, lol!) “S-Sonic… Don’t you understand?!” She wobbly gets up to lean up into his face, “No matter how mad you may make me, or how awful our bantering gets, I will still love you no matter what!” (Exciting Incident, Amy’s confession, which will lead to a reaction in not only Sonic but the audience. This is the height of the climax and when things start to go down, but Sonic’s climax is right after this– example: ) Sonic, taken back by her words, suddenly smiles, “I can do no wrong by you… can I?” Amy smiles, and when Sonic realizes she’s not teasing or messing around this time, loses the smile and has his eyes scan her for any sign of humor. When none is found, he embraces her, “…Thank you… Amy.” (This is the point you begin the falling action, which is also the beginning of Act 3, which starts at the ending of the climax and continues towards the resolution, the lasting effect or result of the climax. What has now changed for the characters? What is their new reality? In Drama, there needs to be a few players: Victim, Villian, and Rescuer. Rescuer has to lose every time, then the dynamic will change to Victim as a Villain, and Villian as Victim. This then turns into ‘Creator of the drama’ which is neither victim nor villain, to two supports, ‘Challenger’ Sonic then turns to Eggman, cocky and snarky as usual, but this time, with an arm around Amy’s shoulders. They fight together and beat Eggman, still lightly joking with one another, but not as bad as before. Eggman is confused, defeated, he asks what happened. Amy and Sonic confidently look to each other, and together, wink slyly and say, “Friends fight together!” Before Sonic says, “Doesn’t mean they’ll leave ya if you have different opinions then them.” He smiles to her as she nods and continues his sentence for him, looking to him with love and admiration. “It just means you’re two different people, and that’s just fine by me! Otherwise, the world would be so boring!” (The lesson is usually delivered towards the end of Act 3, maybe not as strongly as this was. Sometimes, the lesson can be subtle and should be too. You don’t want to write ‘on the nose’ unless you’re writing for children very young, but in my opinion, Children are super smart too and pick up on a lot! My advice is to write strongly and powerfully even if it’s just for children audiences. They’re smarter than you think!) “And dull!” Sonic remarks, as the two of them laugh. Unable to comprehend their strange mood swings, Eggman grips his head and ducks down, frowning profusely, “Ahh… Now I have a headache…” (

And by the end, your audience will have understood the climb your characters took to reach that resolution, and they–themselves–reach a conclusion to their emotional relief. (People hate cliffhangers so much because you leave the Audience suspended in their need for closure, but that also addicts them to your story… so Authors can’t help but use it XD But we hate having it used on ourselves!!! Curiosity doesn’t kill your story, only your cat! And the satisfaction of knowing brings it back ;)b)

Was it hard for your characters to reach a conclusion?

Did that help? Lol This plot I made was rather simple, but I hope it taught it some stuff I like to think about when making a story! :D Drama is SO IMPORTANT! Remember to think of their character cores as well, what traits could create conflict in them and in others? What traits could help them learn and cope through that trauma? These are all important, and Romance usually has a ‘revelation’ or ‘impulsive excitement push’ around 10-15 pages/minutes when writing or watching a romance plot. I call it the ‘push’ because you can tell the writer is trying to nudge the two together. In film, you see them get bumped up against each other and then apologize but the girl moves her hair as a distraction and the boy looks away, but both are nervous and awkwardly blushing. That’s another ‘push’ in my book towards the romantic subplot.)

(Then they notice their cute, they keep seeing each other, la-de-dah, even AMY wanted this to happen!)

(Remember, this is Amy’s ‘day-dream’ sequence, it’s interesting how she thinks of Sonic, versus how he actually portrays himself. Useful info for writing Sonamy XD)

Alright! How’d I do? What Sonic and Amy stories will you create, my precious Anon friend? Good luck! And I can’t wait to see the success you find!