#shes terrible™

[demaparbat-hp]

Izumi (steambaby) sketches.

[spotsupstuff]

i sense how on the contrary, when moon is in Zeph’s local group the members will all go ‘omg youre actually letting us do this’ or be surprised of her leniency with almost anything(or if she gets upset she wont be yelling her ass off and will try to remain calm), because of how Zeph would usually be so strict with em and they didnt expect better

see- first you gotta understand that the chancla doesn't really Hurt the iterators. while they definitely can feel through their puppets, those things are made to be sturdy (throw a normal or singularity bomb into Pebs' chamber,he's fine, i know he just doesn't have health but worldbuilding is worldbuilding so i guess a fully functional iterator is fine with blackhole into the head). it maybe stings for a sec but it's not worse than gettin pinched (also where did you get that she yells at em, she's only exclaimed so far i think. if you check how she handled Innocence, that's how she generally goes about it- no yellin for the sake of puttin 'em in place, she's just venting out her frustrations into the air)

the Point of the chancla is to get the target's unwavering attention so she can talk some sense into them WITHOUT using the senior privilege which is far more invading since it cuts straight through their systems and forces the juniors to stop everything to pay attention. these things are giant supercomputers! they are going to have a different perspective on what counts as "too much"/"too bad" than us humans! it isn't used to limit what they are doing unless the thing they are gon do is explicitly threatening to their safety, the limiting is what the Senior Privilege does!

in that lil comic with Pebs, Suns, Nish, Inn and her, she doesn't actually even hit Nish in the last panel, the chancla is only supposed to suddenly appear from behind next to his face n he gets startled + drama queen points. i've admitted in the tags of it that i gave up on the last page so i don't blame anyone for not gettin that since i haven't put enough effort into communicating it

with what she's doin back in her own group, she Needs to be this strict if she wants her plan of keeping everyone reliably long-term safe to work

and her groupmates would undeniably miss her. they love her! they don't want some lenient stranger without constant spice to her instead of their ramshackle beloved Azzie!!!!

[bellasbookclub]

the treat: we're watching Red Riding Hood (2011)! 🍭🎃

the trick: it's absolutely terrible ⚰️💀

Celebrate Werewolf Season™ by watching Catherine Hardwicke's forgotten flop Red Riding Hood (2011) with us! NLOG heroine? Check. Love triangle with two hot guys? Check. Billy Burke? Also check. Join us Halloween night on our Discord at 8:30 PM EST to watch this peak Catherinecore "masterpiece" that is totally not a Twilight ripoff at all ;)

lurkers and new folks always welcome! 🎥 🍿

Bella's Book Club is an interactive virtual book club created by the Three Books One Plot podcast. Our monthly discord discussions are open to all! More info here.

[cyanide-sippy-cup]

Okay, I know I've literally never talked about Supernatural before on this blog but I actually am a massive fan of the series. I could honestly run an entire separate blog about it. Anyway I rediscovered Milo Greene's song "What's the Matter" earlier and it got me thinking about the episode Bitten.

People have eased up on this episode in recent years but overall the general opinion is still pretty negative, which I think is sad since this is probably one of my personal favorites. Keep in mind it's been a couple years since I've rewatched the show, so I'm running mostly on memory here.

First things first, I think it helps keep the series connected to its roots. After season 5, they kept trying to one up themselves in terms of stakes, ultimately leading to such events as "Satan's son's birth opens the multiverse". And we were sitting in the aftermath of Dick and the Leviathans™ where the show was heading back on its stride, so it feels really nice to just remind us where we began. Saving people, hunting things.

Second, it actually does a lot for the worldbuilding. We get to actually see the perspective of both the people being saved and the things to be hunted, all while they have to grapple with it. While they may not be the most compelling, it was really important we got to see the evolution of these friends, a view into the mundane yet interesting history of these regular people's lives. That way it really hits when things go to shit, you (or at least me) genuinely wish things could have gone differently for them. These people had dreams and goals, loved ones, and now two of them are dead and the other is on the run. All that and they still manage to convey it in a way that feels mostly organic.

On top of that, we get a particularly interesting glimpse into how Sam and Dean look from the perspective of strangers, including some interesting character details. Their shenanigans, their work. We really never get to see people who recognize them from other things (like don't they technically still have warrants for their arrest?) so I thought it was cool how the characters pick up on that.

The found footage aspect is usually hated by people, but I thought it was a really cool way to see it unfold. Cause remember, they could have easily just given us an episode from someone else's POV. But instead, we experience it as the brothers experience it. Context for certain things is missing, there are time jumps and finally it ends with a message directly for them both.

It makes sense that they would film what they do too (for the most part). We see that these are people who record fun and mundane things just for the hell of it, so of course they would record one of the most strange and harrowing events of their lives. In an era where people record strangers for internet points, it's honestly refreshing to see people record mostly just for the sake of capturing memories or entertainment for themselves.

I know a lot of people like it, but it holds a special place in my heart. When I think of the heart of the show, I don't think about the world ending or the multiverse or any of that, I think of stuff like this. Things that really stick in your mind.

And also that song fucks.

[harrowscore]

so. about the new wh casting........

[thematicparallel]

brought my precious & beautiful hard drive to work because my teammates are super reliant on paying for netflix & when they found out that i'm a digital piracy connoisseur they begged me to bring it & then my sort of normie manager was like what are your recommendations :) i was like do you want something more commercially appealing or something a bit weirder (by non-Online™ standards, i meant) & her smile froze in that super confused way lol anyway one of my colleagues who is secretly a cool, non-obnoxious film bro saved the day by looking over my boss' shoulder & said "whoa you already have Past Lives (2023) dir. Celine Song? may i Please have a copy! :)"

[musical-chick-13]

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[watercolor-wings]

completely rearranged my room today in a desperate bid for control and personalization cause I cannot find a fucking affordable and livable in apartment here yet, and I would kill for a nice hot tub soak right about now

[empressofthelibrary]

NUMBER THREE FOR THAT QUESTION THINGY

also for some reason tumblr asked me if i wanna add tags to this question wtf so sorry if it got messed up tumblr is tumblring

Ah, tumblr. Please change.

[gwynbleiddyn]

Kerros Severan-Laidir sounds suitably impressive and completely jarring

[veunho]

My daydreaming ass, trying to decide Rocco's gender on their tragic queer romance story:

[florida3exclamationpoints]

Hmmm

[bemusedlybespectacled]

proposing what I'm going to call Gaylor's Razor, which is: never explain normal shit as being part of a secret message that can only be decoded by over-analysis.

"These Taylor Swift lyrics are actually coded messages saying that she's a lesbian and is forced to stay in the closet! Any lyrics that are clearly about being attracted to a man are just to throw us off the scent!" Sometimes people, like Taylor Swift, are straight and write about being straight, because they are straight.

"The fourth series of Sherlock was deliberately bad because it was actually a coded message to us fans that there is a secret fourth episode that will make Johnlock canon and will actually be good!" Sometimes writers (even experienced writers who are normally good at their jobs) will write something that's not good, because no one is perfect. They're not going to waste everyone's time and money and energy creating something terrible on purpose as part of a grand master plan.

"Tessa Virtue and Scott Moir, the Canadian Olympic ice dancers, are secretly married (with kids)! Their public relationships with people who are not each other and them repeatedly saying 'we dated as kids and now we're just friends' are just to hide the truth! Which they need to hide for some reason! Their relationship is obvious just from their physical chemistry when competing! JUST LOOK AT THIS TWO SECOND CLIP OF HIM BLINKING AT HER!" It seems counterproductive to put all that thought into hiding a relationship that doesn't need to be hidden but then also telegraph that same relationship in front of millions of people through planned choreography.

"But BB, what about times that people really are speaking in code or hiding something due to outside influences?"

If it requires huge leaps in logic, like adding all the letters in a sentence together and dividing by seventeen and that number matches the binary sequence for the color yellow so YELLOW MUST BE SIGNIFICANT, it's not a secret code.

If it requires focusing on teeny tiny details but discards huge ones, like analyzing someone's micro-expressions but handwaving away what the person is actually saying out loud with their mouth, or focusing on one specific line instead of the entire scene or song or whatever, it's not a secret code.

If both supporting and contradictory evidence are used to come to the same conclusion (ex: when Taylor says something that I interpret as gay, that means she's gay, and when she says something that I interpret as straight, that still means she's gay and just hiding it), it's not a secret code.

Trying to apply fandom meta analysis techniques to real life is a really good way of fall into conspiratorial thinking that can be easily exploited. You can totally try to predict what's going to happen in a story or choose to interpret a scene in a specific way; you can't do that in real life with real people. That way lies the kind of nonsense that leads to shit like "this image of pizza on a children's toy is actually subliminal messaging by The Cabal™ that proves that Pizzagate is real."

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[pirateshelly]

As much as nearly every character she meets tends to act like there's something uniquely broken and wrong with Claudia, at no point does it truly seem to me like there actually really is? I mean, obviously she is extremely fucked up, she straight up went through a serial killer collecting trophies phase, but there's a level of fucked up that's sort of the baseline for every character in the show, and obviously being turned into a vampire as a child puts her at a unique disadvantage. But for all that everyone around her spends their time bemoaning how dreadful and doomed her life is, even Louis who genuinely loves her but also builds so much of his identity around feeling responsible for her Terrible Fate��, I really don't think she's like, fundamentally damaged any more than any of the other vampires are.

But Lestat is so unwilling to be wrong that every time her life hits an inevitable road bump instead of helping her through it he points and says "look! see! she IS a monster, I was right Louis, making her was a mistake!" (and I think he sees his own monstrousness in her but fails to also see her humanity)

And then Armand meets her and sees only someone who will inevitably lose her mind, so of course speeding up the "inevitable" and siding with the coven to plan her death is just a mercy, absolving himself of any blame. (and he projects his own frailty and desire for death onto her, failing to see her strength and her desire for life)

Which makes it so cathartic when she meets Madeleine, admits to her how broken she feels sometimes, and Madeleine's response is just. Well that's normal. Who isn't a little broken these days. Let yourself feel it, move on, let yourself feel it again if you need to. After spending her life having others act as if her emotions are something uniquely dark and worrying, Madeleine's incredibly blase attitude must have been such an incredible breath of fresh air for Claudia!

To spend her whole life being made to feel like something is Wrong™ with her, and then meet someone who's just like, "yeah, and?? Who isn't? Join the club I guess"

Which makes her death so incredibly tragic and frustrating because like. She was fine! She was making a life for herself! She wasn't doomed by her nature, she wasn't "doomed by the narrative" (whatever the fuck that even means), she was doomed for no reason other than that everyone around her (except for Madeleine) preemptively DECIDED she was doomed and never gave her a chance to prove them wrong.

[musical-chick-13]

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