#shes just an unhinged lesbian

[acharliek]

Asha my beloved🫡

I'd let her eat me, actually☺️

[relicsongmel]

AA fandom has a strange tendency to pretend like Ema's canon crush on Miles doesn't exist (at least from what I've seen) but none of you will ever be able to convince me that Ema doesn't have dozens of Miles Edgeworth x Reader fics on her AO3. You only hate me because you know I'm right

[sparkling12]

I'm curious, in general do we prefer Poison Ivy with Green Skin or Nah?

oh reblog for more responses please lol

[mewnoroma]

Hi quick question: what the fuck is going on with her roots

I like that she grows (??? | Eigong are those growing on their own or are you just implanting more because you're insane) more as time passes, but I'm also curious in what that other part on her head is. It's attached(?) to her stabilizer so I assume that she added that later (maybe when she attached the first root, assumedly the one coming out of the top of her head)...actually semi-related question, did she ever have rejections or shit from just implanting the roots on her head like this? Hrm...

[averysmolkirbo]

The paralells between sun and moon and sword and shield are crazy the more u think about them because as the first 2 regions to have regional variants they feel like regional variants of each other or like regional variants of some third vanilla region (am i just describing kanto??)

anyway as one of about 5 swsh fans left (im kiddinggggg) i propose we form an alliance

we have many things in common

we should be friends 🤝🏻

[lovesickeros]

im back for my monthly delusion and its alice this time BECAUSE WHY DOES NO ONE ELSE TALK ABOUT HER. OR RHINEDOTTIR. extremely powerful witches who are probably on equal power level to an archon just vibing and committing war crimes.

[andromedaexists]

"i'm literally never beating the allegations" and then the allegations are that i like skrunkly looking guys

[sarochafreen]

Gap the Series deleted scene from the trailer

[next-hero-in-line]

Just- because I don’t think I ever actually posted about her, and I haven’t drawn her that much….

Uhhh this is The Dollmaker, she’s… she’s weird and threatening but also…. Helpful sometimes I guess. Idk something is wrong with her.

[thevampirearchive]

There’s something I've been meaning to say but I haven't had the words till now. There is something that deeply upsets me about witnessing stories where villains, who are literal killers, fall in love and somehow become good or act outside of what is expected from them. I love love, love is beautfiul, it is powerful and it can truly change a lot. But to sit, and write a killer suddenly go "actually, this one can stay because I am in love for the first time" is such a weird concept to me. Is this happening because as a sociaty we're trying to convince ourselves that deeply disturbed people can be cured by the power of love? That if they just find the right person, they would stop the masacer? or at least no longer feel the need to kill how they were or at least let their person live? And I am not mad at the love, I do belive anyone can fall deeply in love, but my issue is with how it ends. I want to witness the unthinkable — I want to see is exactly what we expect but hoped won't happen, happening. A gut wrenching truth that stays true to who we have been witnessing, despite the "I can change them" dance. And perhaps people hate this idea because they want to belive that anyone can change if only they meet the right one, or that we can change the monsters in our lives with affection, but trust most likly is that they cannot be changed. And I can understand that to some this is then seen as an illusion. "oh then this was never true love", why can the two not exist? Do we not hurt those we love? Maybe not kill them, but someone elses hurt could feel like a small death to me, and vice versa.

Examples, so that you are not confused as to what I am reffering too;

Killing Eve; I stopped watching when Villanelle was shown shooting Eve. It felt true to her character, even if it hurt. She is a killer, we knew that and so did Eve. Regardless of her love, that was what was always going to happen so why were we given additional seaons of this fanatsy of a declawed Villanelle?

Hannibal; It should have ended with the death of Will, and possibly Hannibal consuming him. Didn't Hannibal say that the consumption of Will would somehow join them in a deeper way?Something so disturbing that only could make sense to a serial killing-cannibal. And I would have watched with wide eyes, and gone to sleep staring at the ceiling.

Interveiw With The Vampire; Louis' death in the hand of a Lestat would have made sense, and despite his dramatics, Lestat would have not committed suicide but instead burried himself in deep regret untill he was too numb to his own feelings that he could return to the world of the living. He would have never forgotten Louis, nor what he did, but he would have moved on beause Lestat is not a good person. He's deeply disturbed and Louis knew this. I don't even aknoclege that beatdown episode because Lestat may be a killer, but he's a drama queen first and formost. Louis' death would have been poetic, beautiful and grusom like a greek tragedy without an audiance.

Bonus - Twilight; I could not end without adding my own favorite, and despite this path never being teased to the audiance the same way the other's were, I would have loved the book simply ending because Edward did as he said he would - drained Bella like a Caprisun on a hot summer day. Because what is love agaisnt animalistic urgase (I understand why it is much hotter that he is simply so retsrained and devoted that he resists her, but I'd pay good money for an AU)

At the end of it all, I think want I want is for sociaty to get over the idea that a good woman, love or any form of kindness can change who some people are. Love can do many things - look at crimes of passion! And to some extend I belive that these villain's love were true, possibly not the way we imagine them - which is less so "I love you too" and more so, "wow, finally someone I can manipulate and obsess over. Someone who I can mold, someone who is alone in the world like me" only to realize that is not true.

So why do we make love into what it isnt? Even when the scene is set for us to be shown the truth, writers and the audiance always make the plot lean towards whatever fits so that we can have that "happy ending".

Honorable mentions;

God should have killed Lucifer, I know the bible and christianity is not technically fiction for all, but the idea that he is forgivin but lets the biggest meanness HE CREATED terrorize everybody is evil. Take him out or let somebody else do it homie.

[santaclausisintofisting]

oldish drawings. girl!corey and her joot

commissions

[ladyimaginarium]

heaven hath no fury like a woman scorned

gangsta. — kohske. / family tree — ethel cain.

[novelconcepts]

(don’t care if it hurts) i wanna have control

“You’ve got ink?” Van’s injecting so much scandal into three words, one would think it was the worst thing Taissa’s ever done. “Taissa Turner! Inked. Why, I never—"

Only the light in her eyes gives away the joke. Tai pushes at her shoulder, laughing.

“It’s been a long twenty years.”

(somewhat prompted by @americanhooligans: Taivan reconnecting and being startled by brand-new tattoos)

M; 4778 words

Eighteen comes back with all the zeal of a goddamn tetherball, in the grand scheme of things. You never see it coming until it’s too late. Taissa’d like to think she’s too mature for eighteen to come around and wallop her upside the head, but what is maturity, anyway? Just another mask. Just another game to play. And, when all is said and done, when your marriage dissolves and your family walks away, when your job crumbles to ash and you find yourself entrenched in old habits… Maturity goes the way of the dinosaurs, doesn’t it? And all you’re left with is a single realization: Van Palmer’s hands haven’t changed in twenty fucking years. Van Palmer hasn’t changed in twenty fucking years.

[austin-friars]

Take her out of the context of wolf hall, and she looks like she'd be revealed as the serial murderer at the end of a Tudor horror story. the dog too.

anyways let me go outline...

[bluejaybytes]

show us your oc lore!!

I'm so sorry but it's exclusively my Splatoon OCs

I'm not at ALL confident in how legible this is, but this is my Web Of Lesbianism(tm), AKA how (almost) all of my lesbian sploon OCs connect to each other, excluding a few who only connect in small places and/or I don't feel like making icons for. Sorry to Scarlet, who absolutely warrants a place here, but I simply Do Not Want to make an icon for </3

Lore under the readmore because I get extremely rambly. whoops and apologies and this is probably the only time i'll ever let myself get THIS infodump-y in a Tumblr post. I'm writing this after I wrote it all out and I'm so fucking sorry it's literally over 2k words because I have no ability to stop once I've started and I've been outright POSSESSED by these losers for the past month. Here's basically everything about my Splatoon OCs

FOR NAMES. Top right is Basil (Blue tentacles), middle right is Penny (Her name is just written because I haven't drawn her yet), bottom right is June (Pink tentacles), bottom middle is Jake (Blue tentacles), bottom left is Parker (Purple tentacles, also the sanitized icon), middle left is Ruby (Orange tentacles), and top left is May (Pink tentacles)

Everything starts when May, Jake, and Ruby are all around ~16-17, while June, May's little sister, is around ~9. May is VERY into Jake, and Jake's just generally a big flirt and a huge romantic, though it's unsure if he really realizes May's extremely obvious crush on him (He doesn't), or he reciprocates, which is unfortunate, because Ruby, who's May's childhood best friend, is also very into her, but May doesn't realize this. When [UNDECIDED EVENT] happens and May and Jake both come to the realization they need to head to the surface to escape the oppressive Octarian domes, Ruby being with them is very clearly an afterthought, and she knows it. So, her jealousy over Jake being someone May has known for less time yet clearly loves more than her, and the fact that trying to escape being very, very illegal, she turns them both in.

Jake manages to call May before he's caught to warn her that Ruby turned them in and the cops will already be heading to her parents house, which gives May enough time to run home, grab June, and make a run for it. Both May and Jake manage to outrun the cops, with May and June ending up far into the outskirts of the domes, while Jake only gets further and deeper within them.

Around a month or two after their initial escape, May's spotted by a patrol of soldiers stationed right around the way to the surface, with the soldier who spots her specifically being Scarlet, the oldest sister to Ruby (Who's not featured here because I don't want to make her icon), who remembers May from when she was a kid and, alongside that, has been feeling disillusioned with life as a soldier, despite her high ranking, and decides not only to let May go, but to even share rations with her. This only increases as Scarlet realizes May is the runaway who's known to have a young child with her, and it goes from Scarlet sparing her own rations to stealing rations from the squad she leads to make sure both May and June are able to eat properly.

Of course, this doesn't last long, as Crimson, the middle sister to Scarlet and Ruby, and fellow soldier stationed with Scarlet's squad, gets suspicious of the missing rations, Scarlet's dismissal of the issue, and her wandering off frequently, and ends up following her and finds her giving the stolen rations to May. A fight breaks out between the two, with Crimson managing to nearly take Scarlet's eye out in the process, as Scarlet's the only person ever to bring a gun to a knife fight and lose. May booked it the MOMENT Crimson jumped out, so she's long gone by the time the scuffle ends, but Scarlet, having just been caught stealing rations, aiding a runaway, and now attacking a fellow soldier (Even if in self defense), bolts to try and make it to the surface as well, albeit she doesn't know where May ran off to.

May ends up making it to the surface around a month after that incident, after wandering lost for the time between, and, while struggling to try and buy some clothes thanks to the language barrier between her and the commonly spoken languages of the surface, one of the employees working there, Penny, is able to help figure out what May's looking for, and helps her with the whole process, since it's a lot different from how it was in the domes. They don't end up seeing each other after that for around a year, but it's important when they do, as Penny's was the first person on the surface May really had a good experience with, so when they randomly run into each other, May's very happy to be able to tell her how meaningful that was to her, and that she's much more adjusted to the culture and language now.

Meanwhile, Jake! Jake ends up wandering deep within the domes, far away from where the actual settlements and cities are, for over a year, just barely surviving through scavenging and avoiding patrolling soldiers. Still, he's not great at it, and eventually he ends up being held at gunpoint by Parker, who insists he tell her his rank and what he's doing out here. He has no idea, as he was never in the military and lies through his teeth. Luckily for him, Parker is a military deserter, and would've had a much worse reaction had she believed him, instead realizing that he's not a soldier and has no idea what he's talking about. Parker's been hiding out in the area, an abandoned sewer system that's frequented as a supply route for soldiers, for several months at this point, and while she actually enjoys her life of living down there, it's a lot of work to survive on her own, and realizing Jake's a fugitive also means he's a potential survival partner.

The two end up meeting up once every day for around a week before Parker feels confident enough that Jake isn't going to screw her over or try and turn her in or anything, and invites him to live with her at her "apartment", an old maintenance closet that's very secluded and not marked on any military maps, under the agreement that the two of them actually work together. Jake instantly agrees because he's been miserable and awful for the past year, while Parker's doing surprisingly well for herself, she even has multiple sets of clothes that she's stolen from nearby outposts (As well as an entire mattress she stole, and her most prized possession, a full deck of playing cards, and an Octo Shot she definitely killed a man for), as opposed to Jake, who's been going off of only what he had on him when everything went down, which is... practically nothing.

The plot basically slows down and chills out here for a while, May and June end up moving in with Penny after a few months of May and Penny hanging out instead of having to live in the shitty motel they'd been living in before (Albeit, the motel was better than the wilds they'd been living in before that), and Parker and Jake get adjusted to their lives in hiding surprisingly well. May and Scarlet even find each other on the surface again, they run into each other while May's out grocery shopping, and it's a very important moment for the both of them, as they've spent this entire time carrying around the guilt of feeling responsible for what happened, so them seeing the other and seeing how much better they're doing on the surface helps ease those guilts.

And then the events of Octo Expansion happen in the background. Parker and Jake know the routines of the soldiers in the area after years of living together, but the supply lines end up being used by sanitized Octoling soldiers after Kamabo starts massively ramping up production, leading to patrols of sanitized soldiers at seemingly random intervals, and outside of the predictable patterns that Parker and Jake were used to. Parker's out doing the laundry when a patrol finds her, and, greatly outnumbering her, end up nearly killing her, and dragging her back to be sanitized. She's in too bad of condition to be saved and reused as a test subject, so she's just sanitized instead.

Jake, naturally, notices when Parker never comes back from doing the laundry, and proceeds to be missing for upwards of two weeks. Jake does his best to look for her, but he also doesn't want to stray too far from their "apartment", as he's scared she might return home when he's gone, and with the unpredictable patrols, he doesn't feel like it's safe to stay out for as long as he wants to to look for her, so he ends up sticking close to home and just hoping he'll be able to find some clue of her. Of course, when he finally does, finally spotting her hanging around the entrance to the hallways that lead to their apartment, it's Not a good thing. He runs up to her to ask where she's been, and the moment he calls for her she turns and attacks him. It's not even a fair fight, even if he went in expecting a fight, he wouldn't have won, but this was a complete surprise. She quickly attacks him and takes him back to be put into the metro as a test subject, and, since he was brought back in much better shape than she was, he actually can be salvaged as a test subject!

And then he isn't. He's in the process of being readied as a test subject, namely, having his memories messed with, that the entire plot of Octo Expansion actually happens, and he's freed when the entire facility shuts down, and the metro is just a normal transport system again. He ends up wandering around for another month or so, except doing so very poorly, as the effects that being prepped to be a test subject had on his memory is bad, and basically erased all of his knowledge on how to survive on his own. Eventually, and luckily for him, he's found by one of the rescue teams that have been sent out in the aftermath of Octo Expansion to rescue lost and sanitized Octolings, and FINALLY gets brought to the surface, as well as being hospitalized for a whole myriad of problems, mainly being severely dehydrated from not remembering safe ways to find and gather water reliably.

When he's ready to be discharged, he realizes he has really nowhere to go, but since he still remembers May's phone number from when they were kids (As it's been years at this point, May and Jake are both in their mid 20s now, and June's around ~17), and calls her to ask if she can come pick him up and also if he can crash at her place for a bit. May is more than a bit surprised that her childhood friend she was fairly convinced had died years ago, and that she feels guilty for abandoning, is not only still alive, but super casual and chill just. Calling her cell and asking if he can sleep on her couch. At this point, June's already moved out, having been encouraged by both May and Penny to get out on her own and try getting out of her comfort zone, and is living in Splatsville with her roommate Basil, and not really having any major plot moments of her own. She's having fun and coming out of her shell and having silly lesbian shenanigans with her roommate in the background while Jake and May are experiencing the horrors.

Ultimately, this is about where thing stop being decided and I still need to figure out what happens next. Jake is living on May and Penny's couch (The universe will never let them have their house to themselves. Not even 3 months after June moves out, Jake's crashing on their couch), and has no memory of his time with Parker, Parker's MIA and potentially dead, and May's struggling with the idea that Jake's either in denial of some major trauma he must've faced through the years, or that she's somehow uniquely fucked up from what happened to them. To make matters worse, Jake's memory issues become more and more apparent, as he continues to struggle to remember Penny's name, instead repeatedly calling her "Parker", yet getting confused when he's corrected. I'm ultimately unsure what I'm going to do to resolve this plot thread, but May and Penny do realize that whoever Parker was, she was someone Jake knew in the time he was missing, and are trying to figure out just exactly who she was, if not where she actually is

Whether or not Parker is dead... it's up in the air. I initially planned for her to die and stay dead, but I'm the worlds biggest sap and I feel bad about killing her off permanently, as well as the fact I have plenty of silly ideas for what I could do with Parker once she's on the surface, so I'm still debating if it's more narratively satisfying for her to die or not. There's, if you believe it, actually a ton I'm glossing over (The intricacies of Jake and Parker's dynamic, the reasons why Parker left, basically everything about Basil and June, literally Basil has an entire friend group that has their own mini-plot that's not at all connected to this and doesn't get mentioned, Crimson is going to be more relevant once I figure out what I want to do with her, ect), but uh. That's the very long gist of it.

If anyone actually, genuinely reads through all of this. Thank you, apologies, and I love you

[lovesickeros]

☆ lost in orbit

{☆} characters tsaritsa {☆} notes cult au, drabble, gender neutral reader {☆} warnings violence [ implied ], unhealthy relationship {☆} word count 0.6k

She had resigned herself to apathy – to burying her love beneath the cold, hard soil and letting it rot amongst the graves of a long dead civilization, burned to ash in only a day. Yet how quickly it all fell apart in her hands, slipping through her fingers like sand, no matter how desperately she tried to cling to it.

Was she not diligent enough? Was she so weak that she faltered at the first person who showed her genuine trust and affection? Had all her work been for naught?

A part of her revolts – the same woman who watched the sky burn and the ground beneath her feet crumble into ash. It would be so easy to wrap her hands around your delicate throat, to squeeze until you finally saw her as the monster she knew she has always been.

Yet she doesn't think she could. The look of betrayal, of fear..oh, it would ruin her, she knows.

Perhaps that makes her weak. Perhaps you have made her weak.

Perhaps she does not mind as much as she should.

You trust her, after all – enough to sleep in her bed like she couldn't just kill you before you ever knew what was happening to you. Your body was so..fragile, in this mortal shell you descended in. How easy it would be to snuff out your life, here and now.

Yet she doesn't.

Instead, she looks at you like an old lover – with all the love of a woman who had died in the ashes of a dying civilization, of a woman who thought she could love no longer. Emotions she fought so hard to suppress well up in her chest and fill the empty space where she knows her heart should beat. Try as she might – and oh, how she tries – she can never quite stem the affection that consumes her every waking moment when she sees you.

It is like an addiction that she cannot rid herself of, no matter how she tries. She always finds herself back at square one – back to you.

Her hand lingers against your cheek, undue affection filling the empty spaces in her chest until she feels like cannot breathe. She traces her hand along your jaw, her vision narrowed on the softness of your lips.

Yet that same thought rises unbidden to the forefront of her thoughts. Love was a dangerous thing – you both knew that. To let it fester and rot her from within..she would be throwing her plans out the window, and for what?

Because she was too weak? Because the affection and trust in your eyes whenever your looked at her made her feel whole, like she was more then just an Archon playing God with the fate of the world?

You do not even stir as her thoughts toil like a brewing storm. She swallows the lump in her throat, removing her hand like she'd just touched a piece of hot metal. A part of her still screams that it's for the best, that you've corrupted her enough, torn apart her plans in the span of a week, a mere blink in time..

But it goes silent as she leans in, pressing her lips to your cheek. She will not let the thought fester, tonight – she will let herself be weak, if only for another day. If only to covet the affection that she finds herself drowning in for just another day.

And when you stir, she pretends that she had never thought of it at all, that she has only ever known love with you. Even if her heart that does not beat leaves a stabbing pain in her chest in the agony of knowing that even this is futile..

She lets you wake, let's the recognition and the affection fill your vision until she is all you see – two stars locked in orbit, unable to break away.

And when the day comes that you collide, she will be holding the blade that drives into your chest, and she will know nothing but love when she does.