#shes a therapist

[crookedliz]

I decided to be cringe and make a RS oc

[the-eccentric-eclectic]

Hey kid, look at me.

I want you to T-pose. Turn your right thumb up and your left thumb doen and look at your right thumb. Move your arms up and down a bit until you feel a nerve running from your armpit to your palm. Now turn your right thumb down and your left thumb up, and look at your left thumb. Keep your chest facing forward and your shoulders back. Move your arms again until you feel that nerve again. Keep alternating between these two for a minute, or look at each thumb thirty times each.

Now sit down. Put your left hand firmly under your left buttock, palm down. Keep your shoulders back and put your right hand over the crown of your head, very gently pulling it to the right. Do this for thirty seconds, then do it again but with your right hand under your right buttock.

These are stretches for the nerves in your arms, and are very good for people who sit behind a computer a lot, or fibre artists, or you name it. Do them daily. They will hurt in the beginning, but keep doing them, even after the pain has gone, or it will return and you'll have to start all over.

[onceabluemoonthoughts]

Dick hallucinating Jason + Very real Jason showing up while he’s on patrol

I’ve seen a few posts about this type of head cannon and I like it so here’s my take for the misinterpreted first meeting.

Dick is doing a stakeout in Crime Alley, crouched on a rooftop.

Jason sees him and wants to tell him to fuck off, but his helmet is lost or broken, or for some other reason not on his head.

Jason: This is my side of town ya know?

Dick (squinting, definitely thinking his is a hallucination): Jason? You’re… older

He doesn’t question the outfit, or the line. Jason did live in Crime Alley after all, and if his brain needed to fill in the blanks of what an older Jason would look like… why not slap his face on the new guy in town?

Dick (sighing): Alright, I guess

Jason (confused): That’s it? You don’t care that I’m here?

Dick: well I’m kind of on the job so it isn’t the best time to break down.

Jason (still confused): …

Dick: Can we like… delay this? Show up on my kitchen while I’m eating cheese out of my opened fridge?

Dick isn’t sure if bargaining will work, he does know that when he’s tired he eats cheese and Jason usually judges him while he’s in the kitchen.

Jason does not know this and thinks this is an invitation to come into Dick’s personal life again.

Jason (surprised): you want me… to show up at your house?

Dick (unsure if indulging a hallucination is a good idea): …yea?

Jason (not a hallucination, and actually happy he wasn’t outright rejected): okay

Jason walks away, and Dick thinks he should probably call his therapist later. But first he’s curious to find out if the older Jason hallucination will actually finish this conversation in his kitchen.

[pencil-n-pen]

HANDLE WITH CARE

₊˚⊹

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hotch x fem! reader

masterlist | kofi

summary: spending the night at aaron’s usually puts you at ease, but not tonight. A broken mug brings up old memories, but he still has a way of soothing away old hurts.

cw: implied/referenced past abuse

a/n: honestly idk i just wanted to write hotch comfort. this has been in my drafts since like day 1 of this acc

──────────────────────

⊹ .

It’s really stupid, in hindsight.

In the moment though, it was really, really scary.

It was late. This is mistake number one.

You were trying to quietly make tea and whatever odd hour it was. You can’t check the oven timer. It just keeps flashing 12:00.

Making tea quietly is hard, though. Every sound seems to echo and all the shadows seem to crawl. You’re this close to closing the living room curtains you can see from the corner of your eye. You don’t, though. Not being able to see would be worse.

Anyway. You’re trying to make tea quietly. You’re staying over at Hotch’s —Aaron’s, as he insists you call him when you’re alone— Jack is away at a sleepover. It’s just the two of you.

You couldn’t sleep. Usually, being with Hotch is the strongest sleep aid in the world. You tend to conk out the second your arms find his in bed.

But not tonight.

Tonight you slept in fitful bursts. Your skin prickled and crawled with restless anticipation- of what, you’re not sure.

Not wanting to disturb his sleep on such a rare day off, you got up. Tried to do what you did when you had nights like these before him. Only watching tv is too loud and you don’t have any books here.

Thus: tea.

It started raining a little while after you got up. The pattering of the droplets against the roof and the windows helps drown out the racket you’re making.

You’re not really making a racket, you tell yourself. It just sounds like you are because it’s night. This would all sound normal in the daylight.

It’s the mantra that keeps you going on nights like these. You’ll feel normal in the daylight. It’ll go away in the daylight. You won’t feel so haunted in the daylight.

In the daylight, in the daylight, in the daylight.

You get lost in your thoughts. It happens fairly often on nights like these.

Only Aaron’s stove is newer than yours. It heats up faster.

The teapot lets out a terrible, wailing hiss, shattering the fragile silence.

You lunge for the kettle, hands moving too quickly and too clumsily to move it off the burner. Your fingers slip. The side of the kettle slams into your forearm, and you don’t quite manage to stamp down the pained yelp that rips its way from your throat the second the searing pain registers.

Your nervous system reacts before you do. It jerks your arm to the right, away from the kettle.

And into your empty mug.

You watch in horrified slow-motion as the cup is swiped off the counter, falling to the floor in an explosion of porcelain.

Your arm is screaming in pain. There is boiling water and a hot tea kettle on the floor. There are shards of mug everywhere.

You hear a thump. The creak of a door opening that signifies Aaron coming out of the bedroom, Aaron being awake, Aaron coming to you.

For a moment, your brain just… catches. Sort of like it gets stuck in this web of fear-induced indecision.

The footsteps sound rushed. They come closer.

To compensate for the momentary freeze, your brain kicks into its highest gear.

You drop to your knees on the floor of the kitchen so quickly they crack on the linoleum. You can’t tell if the sting is from the fall or the boiling water. Would it still be hot? Is it still hot?

The footsteps stop. You scramble to get a hold of the pieces of the mug, shaking fingers grabbing, grabbing, grabbing. They’re clutched tight in your palm when you speak, words rushed and tumbling out of your mouth.

“I’m so sorry, I’m so sorry, please go to bed, I’ll clean this all up—“

A hand reaches out for yours and you flinch. Not a full body one. Just like what happened with the burn. Your nervous system reacts before your brain can process. Takes your hand away from the threat.

Only the hand stills. Stops, right where it is, and your entire body feels funny, and something doesn’t seem right.

Then you stop too. You don’t move. You don’t grab more pieces of the mug, but you don’t drop the ones you have either. Your knees are throbbing. Your arm is burning, stabs of stinging pain pulsing in time with your heartbeat.

The hand retreats and the person crouches down, and you recognize those pajama pants, that hand, those feet.

“Honey?��

You keep your eyes trained on the mess. On the wreckage.

“I’m sorry.” Your voice cracks over the words.

“Shh,” He hums, and the hand reaches out again, slower, closes over your wrist and turns your hand over. A second hand pries your fingers apart and gently shakes your hand, the mug shards dropping to the floor, tinged scarlet. They mix with the spilled water, washing the kitchen floor a kaleidoscope of linoleum and sharp edges and pinky-red water.

He gently pulls you up to your feet, strong arm going around your waist. It doesn’t cage you, doesn’t box you in. Another hand turns your head away from the kitchen floor and all at once a switch flicks in your brain, and you remember. Where you are, who you’re with.

If Aaron notices your sharp intake of breath, he doesn’t say anything. He leads you to the bathroom, sits you on the toilet lid, and pulls out the extensive first aid kit he keeps under the sink.

“Can I see your arm?”

You hold it out to him, looking at his face only when he’s not looking at you.

He doesn’t look mad. You still have the vague urge to run.

He examines it carefully. “It’s only first degree, but it’s fairly big. We’ll need to run it under cool water for at least ten minutes, and then apply some burn cream and bandage it.”

He’s telling you exactly what he’s going to do. Talking you through all the steps. So you won’t be caught off guard by anything.

“Sweetheart,” He crouches down in front of you again, and you feel bad for his knees, “I’m going to need some sort of confirmation.”

You nod slowly. “Yeah,” Your voice is raw, “I think I bruised my knees when I— when I fell.”

Your pajamas consist of an oversized shirt —one of his— and a pair of pajama shorts. It’s helpful because he doesn’t have to roll up any pant legs to check your knees. It’s unhelpful because in the adrenaline crash, the bathroom is cold, and so is the toilet lid.

Your shivers of fear are replaced with ones of cold. A small but marked improvement.

He examines your knees, thumbs brushing deftly over the skin and leaving goosebumps in their wake.

“Looks like you might’ve cut one of them on one of the pieces. It’s not too big, though. Better than your hands.”

You wince at the mention.

He stands, pulling you up with him.

“What hurts the worst?”

“Burn.”

“We’ll take care of it first.”

He turns the sink tap on, checking and double checking the temperature is to his approval before gently guiding your arm under the water. It stings on first contact, and you bite your lip through the pain. You’re sure you’ve made enough noise for the night. The pain mellows, relief following hot on its heels.

Aaron stands behind you, his presence a solid weight. One hand holds your arm in place under the water, the other hovers over the faucet, ready to make any adjustments to the temperature at your word.

You don’t make any.

You’re tired, abruptly. Your hand still stings and your knees ache, but without the sharp stabbing of the pain in your arm, the exhaustion of the past five minutes rushes into you all at once and you sag, like a puppet with its strings cut.

Aaron catches you, hand over the faucet leaving to place a steady hand on your waist.

“You’re not going to hit me. Or yell at me.”

He presses his face into the back of your neck, not so much as kissing your nape as just pressing his lips against the skin there.

“I’m not.”

“I know that,” you say, going for confident but tripping and falling into desperate, “I know that. I was just. I forgot. In the moment, and I got scared.”

The hand on your waist squeezes once.

“I was scared too, you know.”

“Why?”

“Because you were scared,” You can feel his chest vibrate as he speaks, “And you were hurt. And for just a moment, I didn’t know how to help you.”

“I’m sorry.”

“It’s nothing to be sorry for. I was scared for you.”

“I know, I’m just. I know how rare days off are for you, and I was trying to be quiet, so you could sleep but I—“

“Hey, hey. Slow down. Don’t work yourself up.”

He moves your arm back and forth under the water, slowly working the angles of the burn so it all gets evenly cooled.

“Sorry,” You say again, both for lack of anything else to say and just to make sure he knows that you are. Guilt pulses and pounds to the same beat as your heart, to the same rhythm as the pain in your knees and your hands.

“I know you are,” He murmurs, voice a gentle wash of concern and something tender. He always knows just the right thing to say, especially when you’re like this. “But you don’t have to be. I’m not upset.”

“I know,” You answer, and this time he doesn’t respond. He probably knows that your words weren’t for him.

He works methodically through applying the cream and bandages, and then as he fixes up your hands and knees. You’re careful to keep your eyes trained on his, focusing on the feel of his hands and not the fear that jackrabbits in your chest every time your focus slips.

Once finished, he guides you to your feet, and there’s still concern etched in the lines of his face, right in between his brows. That’s where he always keeps it— his worry.

“Do you want to go back to bed?”

You could. You should. He’s tired. He deserves to sleep in and you should be able to fall asleep again, because he’ll be there, and everything is fine, and you are fine.

But there’s still pieces of mug on the floor and you feel like there’s pieces of you stuck there too, and your mouth goes dry, and you never did drink that tea, and what’ll happen to the mess? What will things look like in the daylight?

Foolish? A foolish girl, yes— always overreacting.

“Honey?” He says for the second time tonight.

Your face crumples. “I’m sorry.”

He folds himself around you again, easily. His arms slot into place like a puzzle piece- always the right angle, the right feel, the right amount of pressure. He holds you together as you cry, frustrated and tired and all the things you’d tried so desperately not to let show.

“You’re okay,” He whispers, hand smoothing over your neck, your back. All those vulnerable places that itch. “You’re okay.”

He repeats the words as your cries quiet to sniffles, as you start to think he might be right.

You pull away, wiping your hands across your face. “I’m sorry. I don’t know what— I’m okay now, I think.”

His eyes search your face, looking for any signs that isn’t true. “It’s okay if you’re not.”

“I know,” You say, and you really do believe it this time, “I just… it’s frustrating. That this still happens. That you still need to do this. It happened so long ago, and I don’t even think about it anymore, really. It’s weird, it’s just- the mug. It broke and I just… I don’t know.”

Aaron listens attentively to your rambles, no sign of being annoyed or exasperated or anything. “I understand. Healing isn’t linear, sweetheart. There are things that happened to me many years ago that I still think about.”

He dips down, pressing his lips to your forehead. “And I will always do this. Always.”

For the first time tonight, you believe him, fully.

You’ll be okay. Maybe not now, but you will be.

۫ ꣑ৎ

[axoqiii]

🦋 whichever path you choose

[secondstar-acorn]

matt murdock successfully fucks his way out of an emotional conversation yet again

[firehart9]

Crazy how the one Matt and Dex interaction at the prison had more chemistry than all of Matt and Heather’s relationship

[starry-crossed]

i really need to give minthara more credit she joins up in camp for all of 5 minutes and wastes no time apparently interrogating and psychoanalyzing all the companions to avernus and back with devastatingly accurate reads and clear (insightful yet surprisingly compassionate) judgement of all of them

except gale.

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[genshin-impact-updates]

Clouds of doubt depart, moonlight amidst dreams unveiled, to grace dreamers' hearts.

"Hmm, how to describe this old friend of mine... Well, she's an intriguing one, but 'cute' isn't exactly the word I'd go for. Being the finest clinical psychologist in all of Inazuma, she has a remarkable talent for reading others' minds. Yet when it comes to her own, she keeps it so tightly sealed that even I struggle to fathom what she's thinking. If you ever have the pleasure of meeting her, why don't you try guessing for yourself?"

— Yae Miko

◆ Name: Yumemizuki Mizuki

◆ Title: Embrace of Enchanting Dreams

◆ Clinical Psychologist and Major Shareholder of Aisa Bathhouse

◆ Vision: Anemo

◆ Constellation: Tapirus Somniator

According to ancient Inazuman folk tales, as the day wanes and eyelids grow heavy, if you're very lucky, you might just catch a glimpse of a yumekui-baku — a kind of youkai that can slip into your dreams and devour the nightmares that prey upon your slumber.

Household figures from the world of lore and legend, these youkai gradually sought to carve out a place for themselves within human society. When the Aisa Bathhouse reopened with fresh funding, a group of yumekui-baku — having taken on the form of human girls — stepped forth into the public eye as clinical psychologists.

Yet without a shadow of a doubt, there is one who stands out above all the rest, and her name is Yumemizuki Mizuki. Somehow, even when treating the most despondent of clients, she always manages to help them discover a newfound sense of happiness. Within just a few short months of business, a veritable torrent of positive reviews had solidified her reputation as an invaluable asset to the Aisa Bathhouse.

Some have surmised that the success of such therapy must have something to do with their ability to consume nightmares as yumekui-baku; but confronted with such speculations, Mizuki responds with naught but a knowing smile. Only a handful of people ever sense a hint of the faint weariness hidden beneath her calm demeanor...

[binglepringle]

The C in Cassandra Cain stands for Customer Service

[demigods-posts]

something about annabeth being twelve years old. telling percy she'd let her father rot in the underworld. while also wearing his ring on her neck. really breaks me. because she'll spend the next five years trying to fix what her father broke. and ultimately blame herself for the cracks in the window. but he's the one that gave her the hammer. and it'll take her years to admit that. so instead. she'll just wear the necklace like a noose. and let it slowly kill her. because she'd rather quietly carry his burden. than admit she never had the strength.

[lightgamble]

DAREDEVIL: BORN AGAIN | 1.01, 1.02 & 1.03

I'm not him anymore. And, I won't let myself be.

[fungerisms]

samarie the girlfailure sopping wet cat woaaa like

[godmerlin]

People not giving the Robbie Williams biopic Better Man a chance will be my villain origin story...

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with