#shes 5 but Still.

[bitchfitch]

Idk. I think the worst feeling in the world is clean tests on a sick pet.

[lazylittledragon]

some beach babes i started while i was on holiday <3

[xshinina]

*Married life playing in the background

This idea was probably funnier in my head

[themeatiscatfood]

she was just a little silly

[inkskinned]

i wrote an interactive poem for my girlfriend in 3 parts. she said you need to read it.

go here: take only the final quiz or take all 3. i don't mind. it's sad, though. this is a poem about choice. about fate and mental illness and how love fits inside of all of it. this is a poem about a long dark hallway. mostly this is a poem about mango sushi rolls.

good luck. i love you. despite it all, i'm hopeful.

[spkyart]

Specialist

[ghosted-jazz]

Species Swap AU! Retired couple gets a fairy godchild to help repair their relationship

[maythedreadwolftakeyou]

Ranking the Veilguard companions Hookup Potential based on the kind of bed situation they have going on in the Lighthouse

(im in early act 2 so have no idea what further romance scenes are actually like, this is just jokin time without any romance spoilers. just pics of how their respective rooms in the lighthouse look and some basic characterization we know about them)

Taash: 8/10

In another game or the real world I would only rate this a 5 because they have no pillows or addition blankets. however they do have a real bedframe AND it's big enough for 2 which means the they are doing better than 90% of the rest of the Veilguard so this score gets boosted. And while there's not many blankets, there are plenty of braziers around the room to keep you warm, and Taash is probably their own miniature furnace to cuddle up to. Crucially, they also have a whole wheel of cheese next to the bed, which means you don't even have to leave the covers to get a snack after.

Lucanis: 1/10

Oh no. I'm not even going to comment on the pantry angle because everyone else asks him about that to begin with, so this is just about the bed. Unfortunately the bed is a cot made of uneven wooden planks with some blankets on top of it, and is only wide enough for 1. This is because Lucanis hates sleeping and doesn't want to do it, so the less tempting his bed is, the better for him. Unfortunately this means sleepover potential is dreadful and you will have to find alternate solutions. He does at least have another blanket to go over him and one that's presumably being used as a pillow, so, he gets a 1 instead of a 0, but I am still planning on gifting him coupons for a back massage for Satinalia.

Bellara: 4/10

This setup is perfectly fine for sleeping. It's the lighthouse standard little bed couch thing, has a mattress/cushion, is elevated off the floor, has a pillow, and she's got her blankets folded below. Perfectly serviceable for getting a good night's rest which we know Bellara is not because she forgot to sleep again. However, it's very much a one person sized setup. You might be able to cuddle for a while but if one of you unconsciously tries to roll over you are going right to the floor. Ouch.

Lace Harding: 5/10

You might be wondring "why is sleeping on the floor rated higher than bellara's" and the answer is because this means you are not rolling off the bed onto the floor. it's not going to be comfy but we are not ranking comfort here we're ranking sleepover potential. Harding has managed to make this space look homey and the canopy gives the illusion of being in a tent or canopy bed to help with that illusion. There are rugs down on the floor plus the blankets and pillows--we know Harding is used to sleeping on the ground due to her career as a scout, and I'm sure she can scrounge up more blankets to make the cushioning big enough for the both of you. Your back WILL hurt in the morning but you'll get to have a fun night first.

Neve: 3/10

Girl I know you can do better than this. Which means you're not trying to on purpose, so, live your life I guess. I will say this cot IS bounds nicer than Lucanis's--you can see its a stretched canvas or hide on a frame rather than wooden planks, so it will have a little more give. However they are not THAT much comfier which I know having slept on this modern equivalent many times. Neve also apparently has 0 pillows or blankets so you're out of luck there, as well as the problem of it only being wide enough for 1 again. This woman has too many other things going on to think about romance so your Rook is going to be the one improvising on that matter I think.

Davrin: 10/10

Now here is a man who has his life together. Double or queen size mattress, rustic bed frame he probably lovingly carved and assembled himself by hand, and not only are there sheets AND blankets AND pillows, they are are full on matching set and this knight in shining armor dutifully makes the bed every morning. There's also enough pillows for two! While the remains of a giant corpse is hanging above you all night, the spacing of the ribs still gives you lots of room above to manouver, so just don't worry about that. As a bonus you'll probably even have a baby griffon come to cuddle in the night which is such a cute thought we're going to ignore how much worse getting stepped on by a griffon foot would be than even the biggest fattest housecat trying to stand on your stomach at 4:30am. My one criticism of the setup here is that due to the bed's positioning if the person on the inside needs to get up in the night they'll have to awkwardly crawl over the person on the outside, however everyone else's bed situation is so dismal I'm not even going to subtract a point for that. Great work Davrin.

Emmrich: ???/10

Where... does this man sleep. Peepaw I KNOW you can't be sitting in that armchair all night you need your beauty rest!!! There are 0 beds or cots or floor blankets in this man's room. HOW am I supposed to break his pelvis if he has nowhere for us to lie down??? We can't risk that old man's spine on the cobblestone.

Wait... unless. No, surly not. I mean--jk. Unless...? 😳😳😳

is daddy necromancer gonna fuck me on the sacrifice slab... 😳😳😳🥵🥵🥵

Bonus:

Solas 11/10

does not matter where he actually slept bc once my inquisitor Gets Him again they WILL be fucking on top of the piano in front of the mural in his Yearning Room

[lotus-pear]

i love you royal trio (minus akechi)

[1percentcharge]

barbie and gloria in hell (2023)

[tadpole-apocalypse]

“Enough waiting. I crave blood.”

[dkettchen]

part 1 part 2

[strawberrybyers]

the outfit parallels to season 1 are going to put me in a god damn coma,, if you hear nervous laughing sorry that’s just me because WHAT THE FUCK

[idolomantises]

Rewatching Adventure Time, I can't help but think so much Princess Bubblegum discourse would be non-existent if people actually watched the show to completion instead of randomly hyperfocusing on some of PB's bad deeds.

There's a very bizarre and commonly held belief that Princess Bubblegum did terrible things and got away with it, that nobody held her accountable. When the show makes a point, repeatedly, that Princess Bubblegum is well meaning but deeply flawed, and to some characters, straight up evil.

I see fans point to "The Cooler" a lot as proof that PB is an irredeemable character, and while it is her worst act in the entire show.... I think people forgot that that was the point. Near the end of the episode she stops spying on people in Ooo because it was an invasion of privacy. In another episode she's called out for exploiting some aliens and lets them go. She feels ashamed that her own people are terrified of her. She loses her entire kingdom, and realizes she needs to get her shit together.

I'm pretty critical of shows that are way too lenient on flawed female characters but Princess Bubblegum isn't one of them. She's awesome, and heavily misunderstood.

[faceeeeee]

A bunch of main doodles I’ve been accumulating

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.