#sherlock holmes theatre

[fitsofgloom]

The House That Fear Built

[loverdjudeforever]

How could he looks so good with silver curly hair?😭😭

[vodkabutgay]

Sherlock: [fast forwards all the way through a romcom movie]

John: You can't just skip to the happy ending!

Sherlock: I don't have time for their problems. I have plenty of my own.

[heaveninawildflower]

I posted the FAB silk postcard of the American actress, Maude Fealy a couple of weeks ago and said that I would post some more about her, here a are few more images of Maude from my collection of postcards and photographs.

The first postcard shows Maude as Alice Faulkner from the play 'Sherlock Holmes.' The third one shows Maude as Eunice from 'Quo Vadis'.

The sixth postcard shows a winning photograph by Burr McIntosh from the French magazine 'Paris Figaro Illustre.' Maude's photograph was sent to their competition (to find the most beautiful woman in the world) by the American photographer, William Burr McIntosh. Maude was the winner, chosen from out of 30, 000 entrants from all over the world.

Some information about Maude from Wikimedia.

Maude Mary Hawk was born on March 3/4, 1881-3 in Memphis, Tennessee (the dates vary depending upon the source) the daughter of actress Margaret Fealy and James Hawk, who divorced. Maude took her mother's name, Fealy.

In 1896, she made her debut at the Elitch Theatre in Denver playing various children's roles. Her first appearance was during the week of July 19 in Henry Churchill de Mille's The Lost Paradise. In 1905, Churchill de Mille's son Cecil B. DeMille was hired as a stock player at Elitch Theatre, and Maude appeared as the featured actress in several plays. Their friendship continued for decades, including when DeMille cast Maude in his film The Ten Commandments.

Maude made her Broadway debut in the 1900 production of Quo Vadis, again with her mother.

Maude toured England with William Gillette in Sherlock Holmes from 1901 to 1902. Between 1902 and 1905, she frequently toured with Sir Henry Irving's company in the United Kingdom, and by 1907, she was the star in touring productions in the United States.

In Denver, Colorado, Maude met a drama critic from a local newspaper named Louis Hugo Sherwin (son of opera singer Amy Sherwin). The two married in secret on July 15, 1907, because, as they expected, her domineering mother did not approve. The couple soon separated and divorced in Denver in 1909. Maude then married actor James Peter Durkin. He was a silent film director with Adolph Zukor's Famous Players Film Company. This marriage ended in divorce for non-support in 1917. Soon after this, Maude married John Edward Cort. This third marriage ended in a 1923 annulment and was her last marriage. She bore no children in any of the marriages.

Maude died on November 10, 1971.

[teaspoonnebula]

Hey tumblr, can we do something awesome?

Don't Go Into The Cellar! is this wonderful theatre company that's brought me so much giddy glee over the past couple of years. I feel like 'theatre company' is almost a misnomer because the entire thing is spearheaded by actor and writer Jonathan Goodwin.

At a performance, he comes out and completely NAILS a macabre tale from Victorian or Edwardian literature. It's generally spooky, and yet somehow, it's always so warm, so fun. I think it's because you can tell you're watching someone doing something they utterly love. A passion for the literature, for the theatre, for the characters he portrays, radiates out of him.

(And like... his Sherlock Holmes. Augh. When I first saw him perform I was like IT'S HIM HE'S HERE. I'm not saying visually, he's not a living Paget illustration or something, I'm saying he Nails The Vibes)

I just want DGITC to succeed and go on succeeding, and for everyone involved to have the financial security needed for that to happen.

Anyway, long story short he's been a little short on funds lately and started to do fortnightly live performances on livestream and I have this vision of a bunch of us turning up and giving him a wonderful appreciative audience.

So, it would be awesome if you could...

Check out his existing recordings! I have linked one above :D Is the video quality the best? No. Doesn't matter, watch it and bask in the fun.

The next live performance (at the time of writing) is Sunday June 2nd at 9pm BST, on Facebook! Save the date!

And last but not least consider the GoFundMe for the theatre company <3

[unboundtheatre]

Inspector Murder Inspects...

If you haven't heard the escapades of Inspector Murder, then here's your chance to discover a truly side-splitting audio sitcom.

Prepare to meet Victorian London's second-best consulting detective, his trusty second-in-command, his genius bondsman, and his psychopathic housekeeper...

If you like Wooden Overcoats and Victoricity, why not give us a try?

Stream and download the first episode of Inspector Murder Inspects... - part of the Unbound Theatre Podcast - for free now:

[gilgamushroom]

HE CAN'T KEEP GETTING AWAY WITH THIS!!!

[the-silver-stone]

just watched a scandal in bohemia (granada TV adaptation). Is it just me or were they trying to tease that Holmes had feelings for Adler

[allysr00m]

I made a collage of my 4 favorite dilves, but then another of them when younger, I am aware I used the same pic of Ramin twice lol, I like that picture.

[cantsayidont]

Video Killed the Radio Star

If you don't already feel sufficiently alienated from the culture of your generation, consider getting into old time radio. It's pretty easy to do: Radio was mainstream media from the 1930s well into the 1950s, and it hung on for quite a while after it started losing ground to television. There's a huge amount of programming in various genres, and a surprising amount of it survives; there was a cottage industry in OTR cassettes and CDs for many years, a lot of shows can be found in MP3 format without much effort, and some of it pops up regularly on streaming platforms.

The easiest way to get into it is if you're already got a fondness for some older Hollywood star: If they were a movie star between 1930 and 1960, there's a good chance they guest-starred in various radio shows, and they might even have had their own show for a while. For instance, do you like Humphrey Bogart and Lauren Bacall? Around 1950, they had their own syndicated radio adventure series, BOLD VENTURE, which was essentially an extended riff on their characters in the 1944 film version of TO HAVE AND HAVE NOT. Orson Welles, of course, was a big radio star, playing the lead on THE SHADOW in 1937–38 and then bringing his Mercury Theatre company to a number of different one-hour and half-hour radio series. Vincent Price starred for several seasons as Leslie Charteris's Simon Templar on THE SAINT. And almost everyone who was anyone showed up now and again on SUSPENSE or LUX RADIO THEATRE (which produced all-star one-hour adaptations of popular movies). If you're a Superman or Sherlock Holmes fan, the radio versions of those characters are a must — Holmes was a perennial presence on English-language radio for decades.

If you want something more modern, the British kept producing generally high-quality radio dramas in surprising volume until relatively recently, including a range of both adaptations and originals. Unlike American radio, the survival rate for older British programs from the '40s and '50s is poor, but the BBC has continued periodically airing its better material from the '70s through the '00s, a lot of which has been offered on cassette and CD. For instance, there were excellent BBC radio series dramatizing the Wodehouse Jeeves and Wooster stories (with Michael Hordern and Richard Briers); Dorothy L. Sayers' Lord Peter Wimsey series (with Ian Carmichael); and Agatha Christie's Hercule Poirot mysteries (with John Moffat), along with standalone plays on programs like SATURDAY-NIGHT THEATRE. The big limitation with British radio dramas is that the number of British radio actors who can do convincing American accents is not high (and is definitely lower than the number who mistakenly think they can), and the availability of American actors who know how to act for radio is clearly even more limited, which can become a grating problem when dramatizing American material.

One of the reasons that listening to older (and/or British) radio shows will contribute to your cultural alienation is that it will make a lot of modern dramatic podcast series and audio dramatizations excruciating, because it will reveal to you how bad a lot of modern audio dramatists and performers are at this once commonplace art. (If you are or are contemplating doing a dramatic podcast or audio drama, please, for the love of dog, make a close study of radio shows created before you were born, and diversify enough to recognize the mediocrity of hacks like Dirk Maggs, who's been stinking up audio drama on two continents for four decades now.)

[notsosaucystuff]

I just realized that I can direct A SHERLOCK HOLMES PLAY FOR MY KIDS THIS YEAR!!!!!!! I AM SO JAZZED. I LOVE SHERLOCK HOLMES. I HAVE THE POWER TO DO IT BECAUSE I'M THE ONE RESPONSIBLE FOR CHOOSING THE PLAY :D

[thekittyfox2999]

jeremy brett

it looks like one of those aesthetic sketching pages and i kinda dig it

hottest man award should be delivered to jeremy brett when he was playing Watson because holy FUCK-

my heart is jumping out of my chest- i want to bite into this man like food. He looks like he tastes of belgian chocolate.

i wish i could capture his true beauty in digital like i can in traditional.

i would walk kilometers through broken glass to watch the play.

and maybe kiss him?? *pointed fingers together looking shyly at the ground*

[holmesoldfellow]

Playbill for the 1987 production of "Sherlock's Last Case" by Charles Morowitz at the Nederlander Theatre featuring Frank Langella as Sherlock Holmes and Donal Donnelly as John Watson

[consult-sherlockholmes]

Do you know there have been plays written about you?

Plays? I have not heard about any plays written about me before. Articles and gossip about me in papers? Obviously yes. Videos about me, on YouTube and news channels? Quite a bit. Stories about me on the internet? An overwhelming amount. But plays about me? Have not seen any of those before. What kind of play would it be? A melodrama? A tragedy? A musical?

[heckyeahcolinbaker]

Crime and Comedy Theatre Company's production of The Hound of the Baskervilles was phenomenal tonight! Bravo Colin Baker, Nicola Bryant, Dee Sadler, Terry Molloy and co! Also lovely to see Colin briefly after, my bestfriend is so happy to have met him and got a hug! ❤

[iconuk01]

Things I didn't know I needed.

The Watermill Theatre, which did the amazing "Lord of the Rings" earlier this year has announced it's next major project for 2024.

"Sherlock Holmes and the Poison Wood", a rock opera!

London 2024. Doggedly pursuing success as a private detective, Sherlock Holmes is faced with a new case; an unexplained death in the infamous environmental protest camp at Oakenwood. Supported by his media-savvy landlady, nutritionist Dr Watson, Sherlock’s keen eye for detail and tireless pursuit of the truth has brought a growing online fandom and an uncomfortable intrusion into his private life.

Delving into the details, Sherlock suspects that arch-nemesis, tech billionaire and international potato magnate Jan Moriarty is at the root of the case, but the game’s afoot and they must move fast to uncover the truth and foil her plans. In a world of cancel culture, deepfakes and digital manipulation, only self-discovery and acceptance can unlock this case.

This is the workshop cast, not necessarily the actual cast, so make the most of Arthur Darvill (Yes, THAT Arthur Darvill) as Holmes singing "Elementary"