#she's so fucking traumatized

[solitairesys]

all amanda young haters should die

reblog to sign the petition

[thatrandomblogsays]

Annabeth: I, a child, had to earn Thalia’s love, that’s how the world works! I have to earn my moms love. Love is transactional, you gotta be worthy of it first silly :)

Percy, listening to this on the train

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[science-lings]

Cryptid batfam AU where they all start out normal but Gothams latent ancient magic slowly makes them weirder bc they’re her favorites.

Bruce’s parents die and the shadowy cursed city takes their place to intertwine them beyond separation, he slowly adapts to the old magic without even realizing it. He melts seamlessly into her shadows and knows her streets instinctively, she heals him when he’s in her borders and keeps him alive when he should be dying and he repays her by being her bat and her sparkling prince.

Every person he adds to the bat family gets a bit of Gothams influence, if he cares about them, the city will watch over them as they watch over her. They don’t notice it either until an odd behavior is brought up, how they’re more alive at night and can see through the shadows, how their bones heal quickly without residual weakness like they were never broken at all. They age slowly enough to be blamed on good genes but no matter how old they get they never really feel it the way they should.

The bats are always a little scarier in Gotham, their shadows more oppressive and their voices more resonant. No matter how brightly colored their capes are, they’re hidden from sight and cameras struggle to catch a glimpse of them. Even those who meet them face to face aren’t convinced that they’re actually human, rumors vary from whether they’re vampires or other mythical creatures of the night or if they’re just a Gotham strain of meta humans.

Once they were human, but it’s harder to argue that point after a few years.

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[shouyuus]

>“college roommate!vi who goes real quiet the first time you laugh in her presence, a real laugh, not one of those ha-ha ones you snipe at her when she's trying to get a rise out of you, or teasing you about spending all your time in the library, but one that shakes your shoulders and makes your whole face light up.”

inserts that one reaction image with the badly drawn figure head in hands blushing. ahem anyways i’ve been going through your collage roommate stuff again because it’s so lovely i love rereading it!!! your hc stuff is so nice

i feel like just. lovergirl!vi is so real in every universe right like no matter what, she loves so hard and with her whole entire fucking chest. like.

the first time she feels that tingle in her stomach, she kinda knows is already a bit too late. bc like PHEW there's only DOWN from here like she's finna SPIRAL and she KNOWS it.

all rise for simp!vi truthers!!!!

[waspgrave]

Solas and Mythal’s relationship is that perfect blend of fucked up and tragic I have been wanting from them for a decade. The mother and her child, the two lovers, a queen and a general, the dog and its master, the servant and the lord. Love it. I knew I sensed fuckery with the way solas talked about her despite ‘burning her off his face’. Then to see him shrinking up in front of her, how he groaned ‘mythal’ in dread and even began to hold the dagger out towards her to take bc he knows he’ll do anything for her if she asks. man needs therapy for his absolutely disastrous and problematic situationship thank you for letting me watch your traumas unfold like that king

[tsutsumi-kurose]

watching your favorite manga get animated is so fun!! the audio element adds so much!! you get to hear things like background music, characters’ voices, the sound of your favorite character’s dead body dropping lifeless to the floor <3

[you-see-something-strange-here]

no because what do you MEAN kid tommy is extremely powerful but is okay with flying under the radar and having all the focus be on billy - does the main/grown up tommy have these powers?? does he know what he can do, or is he just clueless??? based off of the last infinity comic I’m gonna go no, he doesn’t know, but will something happen to awaken these powers soon??? guys I need answers -

[dadrielle]

I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.

For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)

But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.

Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.

[pinacoladamatata]

i just think

[ssruis]

I appreciate that mizu5 portrayed outing as a horrific & violating thing even if you’re accepted by the people you were outed to. I feel like a lot of times the approach taken is “well this character wasn’t going to come out anyways so they’re going to be better off now that someone knows” or “everyone accepted them so it was totally ok and fine in the end” or even “it’s actually a relief to this character because now they don’t need to come out” - where being outed is portrayed as something beneficial in the long run. You’re being robbed of the chance to choose when and where and if this deeply personal information gets shared and who it gets shared with, and that’s awful and damaging in itself regardless of the outcome.

[thermodynamic-comedian]

tmagp 11 is beautiful to me because now EVERYBODY has to acknowledge what i have been saying from the very start: lena kelley is incredibly unwell.

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[neodiekido]

Danganronpa does have major writing problems a lot and Maki isn't perfectly written but she's definitely a lot more better written than the fandom gives her credit for

[discard-celestia]

lestat de lioncourt - on the deer which runs faster than itself. Hélène Cixous, Stigmata / Anne Rice, The Vampire Lestat / Interview with a Vampire (2022) / Catherine Malabou, Ontology of the Accident / Czeslaw Milosz, New and Collected Poems: 1931-2001 / Louis Moe, Allegory / Ovid, Metamorphoses / Ethel Cain, Ptolomea / The Company of Wolves (1984) / Lingua Ignota, I WHO BEND THE TALL GRASSES / Hugh Parry, Ovid's Metamorphoses: Violence in a Pastoral Landscape.