#she wants the world to understand her. so her powers are about changing reality to fit her perspective. but THEN

[nobodyfamousposts]

What if Chloe had lost her memories of her old life after making the wish in Chloe's Lament? If so, would she remotely be nicer given not being rich means her father has less reason to spoil her? Or would she still be mean anyway even with her memories gone, implying she may just be born evil?

Yes but also no? It's a bit complicated so please let me explain:

If Chloe's Lament didn't happen and Chloe was the Chloe of the reality in question, things would pretty much be the same way they are for her in the Lament. The difference would be how Chloe herself handles it since she's fully aware of her position in this life going in without any memories from an alternate self getting in the way.

Andre is still Andre. He is a pushover and loves his little girl. He WANTS to give her whatever she wants, so it's not that he has less reason to spoil her and more that he simply CAN'T, at least not to the extent she wants. Think to the setup in canon where he was able to buy Chloe a golden bracelet and a diamond-filled phone case, fire Roger when he upset Chloe, arrange the closure of an ice rink to build a gym for her, and shut down Clara's music video on her demand...but ended up in an outright panic when he told Chloe that he couldn't banish Marinette and her family from the city, something he legitimately could not do. Not for lack of wanting to. Just that he can't.

That's pretty much the position he'll be in here. He loves Chloe and he WANTS to give her her every desire, but he's not rich or powerful this go around and he has no weight to throw, no money to spend, no influence to use, and no status or backing to protect himself or Chloe from the repercussions of her antics.

But this ask isn't about him, I know. I'm just trying to give perspective here.

Andre would still spoil her...at least as much as he could. And you have to bear in mind that he is trying to make up Chloe's lack of a present mother while also running a functional and decently well off but not outstanding business. He would deny her things she wants because he can't give her everything she wants.

But the Chloe of this world would know that. And since she never had the wealth and power that Canon Chloe has, she wouldn't expect all the things that Canon Chloe did when waking up in her position.

This is actually what makes the primary difference. I have said before that it is fully possible for the characters who make the Wish to end up happy in their Lament, and while I'm sure many of you doubt me or think I only apply that to Marinette, I meant it for everyone.

See, the main thing that makes this a Lament isn't the position of the Chloe in this world but in how Chloe HANDLES it. Canon Chloe is going to try and handle it like Canon Chloe handles anything, and it's going to fail because her expectations are based in a setup that she cannot understand no longer applies and her go-to methods require resources and protections that she doesn't have here.

THIS Chloe is going to handle it differently. Her expectations are already more down to earth than Canon Chloe to begin with. And by the time the events of the story start, she's going in with the knowledge that she is on thin ice and some change needs to occur if she doesn't want to lose everything she has left.

Chloe by this point is the bastard child of "Style Queen Audrey" and is just as acknowledged by her as she was in canon if not less, so she's still dealing with abandonment issues while trying to endear herself to her mother however limitedly she can. She still has Adrien as a friend but knows that's hanging on by a thread as well (her friendship with him was mostly through Andre's friendship with Emilie and she's gone now, and Gabriel himself is not that impressed with her). She has Bustier's support and is still able to go to the school, but she's on probation with the administration watching her. And her father is working desperately to get her out of consequences for her previous behaviors. So if she messes up again, she's going to lose all of that.

So yes, in that sense, this Chloe is going to be "nicer". She has to be. She is trying to change her behavior in order to avoid a bad situation. To try being "kind" and "helpful" when she's still very much a selfish and angsty teenager who doesn't get why she should. "Nice" and "Good" are two different things, after all. Though that's not to say that she'll be very good at either.

This change in behavior is difficult for her. Change usually is. But practice makes perfect, right? So that's why Chloe starts trying to do things she normally wouldn't. Like helping her father in the bakery. Planning a box of goodies for her classmates to try and make peace for the next school year.

And yes, help out an old man on the street.

However, there's another aspect to consider here.

After all, in this universe, Chloe and Adrien are childhood friends. And Adrien and Marinette are childhood friends, too.

So wouldn't it stand to reason that Chloe and Marinette were also childhood friends as well?

...

...

IF I wrote this setup as its own story sans the Wish and Lament, we'd be dealing with a story of Chloe growing out of a negative mindset, addressing her inner fears that drive her actions, and improving her life and her relationships. All while dealing with the stress and responsibility of being a hero. And just the clash overall of the difference between who she is as Chloe vs who she is as the Ladybug Hero.

As Marinette in Canon pointed out, "Ladybug has made me a better Marinette. So, perhaps being Queen Bee will make her a better Chloé, too!"

That's what happens here.

Chloe KNOWS she's not a good person. She'd even convinced that a mistake was made when she was chosen. But being a hero lets her do good more easily under a mask where no one has preconceived feelings or expectations of her. It would be freeing in a way. And give her the positive reinforcement she needs.

But the biggest issue would be dealing with her toxic mindset and how it led to her situation and strained relationships. Which would be what the course of the story is meant to address. Chloe in this world doesn't understand what "healthy" or "healthy relationships" are anymore than Canon Chloe does. But she's getting a crash course in the matter while also receiving guidance courtesy of Tikki.

Ultimately, this Chloe would have more of a chance than Canon Chloe.

She wouldn't go into this looking to take advantage and cause harm the way that Canon Chloe did.

She would be a selfish teenager learning to be a little less self centered and a little more aware of her impact on others.

[itsrlymine]

Ignoring Reality Makes No Sense When You Are Reality

Pay attention to the 3d because what you say about it tells you where you are in consciousness. If you know the outer world is based on your inner world, you don’t need to ignore it. If anything you should laugh bc Mrs. 3D really thought she was doing something like girl bye. 

This notion that you need to "ignore reality" in order to get what you want is wack asf and it pisses me off honestly. Why would you ignore reality when you are reality itself? When somebody calls you by your favorite nickname, are you gonna ignore them because you like that name or will you answer since it’s your name???? 

The 3d is a reflection of old and present thoughts and your state of awareness. How you respond internally is what determines what is happening externally. Change the meaning to what you “see” with your physical eyes and see with your mind’s eye that which you are now choosing to experience. Are you gonna ignore your sp, new money, house or car now bc they are in your 3d???

Your reality/3d only becomes real when you are getting what you want? Are you serious? Who told you that? You need to stop listening to that person. The 3d is you. So if reality isn't real, that means you aren't either boo. How can you be reading this post right now if the 3d isn't real?? Are you dreaming right now or something? Don't take people's advice just because they might be popular or get a lot of attention. Listen to what they say and actually see if it makes sense. Most of the times it doesn't. If you want to ignore reality, go ahead and ignore yourself for a week and see how that goes.

There were times people would tell me I couldn’t have something or do something because it’s too expensive or whatever and every time I’d respond back in my mind like “no wtf. It’s cheap asf actually.” I used this to lower my rent (somebody pays it for me now) and medications costs and ofc flights. Literally anything I want because I have come to understand that it’s just me. 

Similarly, it’s just you in your reality. The 3d is you and you shouldn’t fear it. Let it remind you of who you now are— the creator that has everything they want. Giving her power and trying to act like she isn’t there makes zero sense. Now that you have all your desires, are you gonna act like they are not real because you can “see” them in the 3d? No. That would be stupid and nonsensical.

[jabberwockprince]

I NEED to talk about this so bad so bad so bad I couldn't just scream in the replies because Eve is my favorite character to think about in the whole world, like???

she's so wonderfully flawed, complex and multifaceted, and her relationship with Zuke goes much more deep than "she's just jealous of Mayday"

it's the fact that Eve yearned for Zuke (or really, anyone) to COMPLETE her because she fully rejects a whole ass half of who she is - the PINK side, the one that is more aggressive judging by Mayday's side of the battle, the one that is stronger and more impactful, a color that is EXTREMELY hard to ignore which she loudly presents as EVE, not as Nadia (WHICH COULD. BE SOMETHING THAT SHE AND MAYDAY COULD BOND OVER. IM JUST. SAYING.)

As opposed to the WHITE side, that represents her quietest, most vulnerable and lonely parts, if the white room during her talk with Zuke is anything to go by. also the color she used to conceal her uniqueness when she was younger

so when Zuke finds someone who, instead of completing him, COMPLEMENTS him, it's obviously Eve's wost nightmare. Because this really showed that he could live without her, he could go on without her and she's still carrying him everywhere she goes. Her fucking JACKET is literally Zuke's hair shape and palette???? SHE HAS THE BROKEN HEART MADE OUT OF BOTTLES FROM WHEN THEY WERE IN COLLEGE???

when you go around exploring her district, you get THIS when interacting with a sculpture that's a bunch of hands

MAYDAY: Hmmm. Is this supposed to be symbolic of how grabby Eve is...? This is way too abstract for me to understand. ZUKE: It's a symbol of her lowest point in life, and how Eve felt helpless no matter what she did. I guess she stil can't let it go.

AND THEN HER BATTLE LEVEL IS FULL OF HANDS HANGING AROUND, HURTING AND GRABBING MAYDAY AND ZUKE. BECAUSE THIS MOMENT IS REALLY EVE'S WORST NIGHTMARE, to have the ONE person she's put on a pedestal come back to show how he replaced her with someone who doesn't EVEN come close to the level of artistic view she and Zuke share???

and we didn't even get into the fact that Eve sees herself as a stepping stone and a tool to be used by others, and it's shown so many many many times through her art it's PAINFUL

LIKE. there's the OBVIOUS chair moment, the fact that she directly says that a chair without a seater has no purpose - she has no purpose if she's not being perceived or adding anything to this world. she's not worthy of taking up space unless it's useful or meaningful to anyone in any way. LIKE YOU SAID IN THE REPLIES, EVERYTHING ABOUT HER SCREAMS "LOOK AT ME"???

And there's a LOT of art sculptures in her district that directly tell you how much she cares about the outside world - a lot of sculptures are to help with the flooding, some are to filter water, others are just to repay the kindness of those who supported her when she began her career. when Zuke abandons her, she immediately goes on to become an icon for those who struggle with similar issues.

it makes sense that she's Tatiana's right hand-woman because Tatiana embraces all of her, therefore she must repay the love and acceptance she received

and like. the extreme close up on Eve's eyes when Mayday tells her that Zuke is better than her? I always interpreted that as Eve's realization of. Zuke never needed her in the first place, she did.

the broken mirrors motifs in her battle are just. so important to me. because it really feels like Eve is looking at the whole world through a one way mirror, and she wants everyone to see what she sees, but there is a barrier and she REALLY cannot cross to fully connect with anyone - hence wanting to elevate others to her level instead

I think so much. about the fact that her hair falls over that specific white half, and how that correlates to Eve being both desperate to find genuine connection and at the same time, refusing to show vulnerability again.

The duality of her WHOLE character is so good??? she wants to put herself out there, to be perceived, so that those who are misunderstood like her can feel less lonely, she struggled so much with how the world saw her and perceived her throughout her entire life. but then she isolates herself through her art and uses the world's perception of herself, NSR's quirky diva, as a weapon when she feels threatened and continues to put up barriers and obstacles for those who want to genuinely connect or help??????

IM NOT EVEN DONE SORRY GUYS IM NOT DONE. BECAUSE THE ALBUM COVERS ARE SO GOOD FOR STORYTELLING TOO

in here, Eve's eyes are wide open and the mirror is cracked - because her perception of reality, the unique view she clinged onto that she wanted others to understand but also set her apart and made her lonely, has been shattered and challenged. there's that distinct separation between her two halves

BUT AFTER HER TALK WITH ZUKE???

THE PINK AND THE WHITE MIX TOGETHER. Like she's REALLY taking his words into consideration and coming to terms with accepting she doesn't need anyone to complete herself, she's enough on her own??? but it's still a very hard pillow to swallow, so her eyes are closed

OK I'LL SHUT UP NOW THANK YOU GOODBYE

Thinking about Zuke and Eve and her powers and his ability to always see her.

Yes, he can see her art, yes he can understand it to an admirable degree. He can explain her thought processes and methodology in a subject that he really knows nothing about aside from the fact that she considers herself one with it.

But through all of what she covers herself with he can see her.

He knows her.

He knows her well enough to explain the sheer incomprehensible matter that she made herself to be to someone who's never seen her.

He can tell May when to focus and he can warn her of Eve's 'performance,' whatever way she'd prefer it called.

Something about the concept of "he's nothing without her and yet he figured out how to see her all on his own."

And the fact that in the beginning of the battle May quite literally is unable to see her while for Zuke this is a normal occurrence. To May, nothing was there, but he knew better.

How many times have they done this?

How many instances have there been where someone else had to question who Zuke's even talking to if they walked in on everything—because, to an outsider, there is nothing. To an outsider, Eve is nothing when she doesn't want to be. Or maybe even more than that, maybe it isn't always intentional. Maybe she does truly hide herself under however many layers and metaphors she can manage but he will always see her.

Something about her calling him nothing without her when art needs to be perceived to be considered "art" and he can see everything.

And at the same time... he can't.

He may have tried so hard, he may have come so close to seeing the full vastness of her, and yet even he couldn't see it all at once. Only mere glimpses of her 'greatness.' And she wants it to be a challenge. Something to be earned. A great, arduous task that only one person can ever even fathom to succeed in.

And he came close.

He came so, so close.

But maybe in her eyes, he gave up on her. He failed. And instead of trying again, trying to make himself up to the task, he chose to run away.

Something about her never truly perceiving herself as whole without someone else and being met with that person who nearly was everything she needed who is now telling her she already is whole, she just has to find herself first.

[httpswritings]

pretty, pretty, please

alexia putellas x reader

The first month after giving birth was a whirlwind. A constant, exhausting rollercoaster of emotions. Every time you looked at your baby girl, a wave of overwhelming love would wash over you. You felt like the luckiest woman alive. Watching Alexia interact with her filled you with a sense of calm and happiness. It was truly a scene out of a fairytale.

But the reality of your changed body was a stark contrast to this idyllic picture. Your body was still recovering, and looking in the mirror was an agonizing experience. The stretch marks that marred your belly were a constant reminder of the changes you had undergone. You felt a deep sense of loss for the body you once knew, and you desperately tried to hide it from Alexia.

Despite your struggles, Alexia was an unwavering source of support. "How's the best mommy doing?" "You're so beautiful, mi amor." "Good morning, princess." Her daily compliments were a lifeline, preventing your self-esteem from completely crumbling.

One evening, after a particularly challenging day, you finally opened up to her. "What's wrong, mi amor?" she asked gently.

Even though you knew she would be understanding, you hesitated. "Do you... do you love me?" you asked, your voice trembling.

Alexia looked at you, bewildered. "Of course I do."

You knew she loved you, but you needed reassurance, a deeper confirmation. "I mean... physically. Do you still find me attractive?"

Alexia's face softened. "Of course I do. I love every single part of you. I'm just... I'm so afraid of hurting you. I know you're still recovering, and I don't want to do anything that might cause you discomfort."

"It's not about you," you explained, your voice catching. "You've been incredible. I know you're being extra gentle, and I appreciate it more than you know. It's just... I don't like looking at myself. I hate these stretch marks."

Alexia bit her lip, feeling a pang of sadness for you. "Amor..." she began, searching for the right words. "What's wrong with them? What don't you like about them?"

You touched your shirt, hesitant to reveal the source of your distress. "They're so big and noticeable. I'd think they're beautiful on someone else, but on me..." you trailed off, unable to articulate your feelings.

Alexia reached out, her hand hovering near your stomach. "You don't have to show me, love. Don't feel pressured."

"I just... I want to feel beautiful again," you whispered, tears welling up in your eyes.

Alexia gently pulled you closer. "Listen to me," she said softly, her voice filled with sincerity. "You are the most beautiful woman I have ever known. Your body is a masterpiece, a testament to the incredible strength and resilience of a woman who brought life into this world. You created a human being, and your body underwent extraordinary changes to make that possible. It's not just a body; it's a vessel of life, a symbol of your incredible power. You deserve love and compassion, even when you don't feel it for yourself."

Her words washed over you, offering a glimmer of hope. You looked at her, your eyes glistening. "I love you," you murmured, kissing her softly.

As you pulled apart, you took a deep breath and slowly lifted your shirt, revealing your stomach. Alexia's breath caught in her throat. She looked at you, her eyes filled with a mixture of love and tenderness.

"You're so beautiful," she whispered, her voice barely above a breath. "Every inch of you is perfect."

You could see the sincerity in her eyes, the genuine admiration she felt for your body, despite the stretch marks. It was a powerful reminder that beauty came in all shapes and sizes, and that your body, though changed, was still uniquely yours, still worthy of love and appreciation.

Alexia reached out, her touch feather-light as she gently traced the lines on your stomach. "You did something incredible, mi amor. You brought our daughter into the world. You endured pain and discomfort, and you emerged stronger and more beautiful than ever before. I admire you beyond words."

Her words, coupled with her gentle touch, began to soothe the ache in your heart. You felt a sense of peace wash over you, a quiet acceptance of your new reality.

Your body was different, yes, but it was still yours. And with Alexia by your side withyour sweet baby girl, loving you unconditionally, you knew you would learn to love it too.

This experience deepened your understanding of yourself and your relationship with Alexia. It taught you to appreciate the strength and resilience of the female body, and to embrace the changes that come with motherhood.

And as you lay in Alexia's arms, feeling her gentle kisses on your skin, you knew that this was just the beginning of your journey, a journey filled with love.

[etherealkissed88]

YOU ARE THE ONE & ONLY INNER SELF 𖥔

WHAT IS INNER SELF?

inner self is you. it is imagination. it is god. it is power. it is reality. it is identity. it is you.

"the one in you that imagines, is you. that is the one who is desiring. that is the one wants to be exalted. that is the one who wants to have their desires fulfilled."

INNER SELF VS THE 3D

you are the inner self. there is only self. since it is always inner self / inner assumptions that gets expressed, there is no 3d. the 3d is always neutral and therefore dead. you are the inner self which is also taking on the role of a human in the '3d'. but since the 3d is always molded by inner self, the 3d is just a form of inner self; it is connected to self (you). the only possible 'thing' that can control this dead 3d world is inner self. as we know already, the inner self molds the dead 3d world so to manifest something, one would have to change self first and as a result, the dead 3d will only follow because that is its only job. the 3d cannot function on its own because it is only a reflection of self since they arent separated.

the human body is not the real you. think of this human body like a costume. the real you is internal (inner self) and it is what is always being expressed in the physical 3d, the part which the human self experiences. self is limitless. as self, you can occupy any state you choose (state of wealth, state of luck, state of dating your sp). there are infinite states, so there are infinite versions of you that you can embody.

everything is an expression of self, an expression of you, an expression of who you are being in imagination

IDENTIFYING W THE INNER SELF

now lets think about the 3d/human self: nelly is in math class and she wants to see a pink elephant right now. so since shes uneducated about the law, she affirms for the pink elephant and then searches for it in the 3d using her human senses. she looks at the board and around the tables to see if she can find the pink elephant. she cant find it. the 3d (even though it is only an expression of self), is always limited. this is simply because the 3d is a limited version of self. at this moment, she is identifying w the 3d, outer self.

afterschool, nelly gets pissed because she still didnt see that pink elephant even though she searched everywhere. she goes home and reads her favorite loa blogger, @/etherealkissed ;) and is now educated on the law *wink wink* now she knows that she is only ever self which is limited by the 3d. she sees how limitless and free her inner self is, so she decides to identify w inner self.

now she identifies as inner self and sees the pink elephant. instead of searching for it in the 3d, she imagines the pink elephant and instantly sees it. she (her inner self) instantly experiences it in imagination. her inner self embodies the state of having the pink elephant. since she understands that self is always what is expressed, she knows that by law, the 3d will reflect self and she will see the pink elephant in the physical since her inner self already experienced it. but she isnt searching anymore because she knows it is done already. she (her inner self) continues being that person with the pink elephant in imagination, regardless of the physical. she no longer identifies w the unreal outer self by searching for it or wondering when she will see the pink elephant. later that day, her mom comes home with a cute pink elephant plushy as a surprise gift. “shit, inner self really is all there is,” nelly thinks. now she knows without doubt that inner self is always being expressed!

the point is that she learned she cannot be limited by the 3d since she is always limitless inner self. she is comfortable with knowing she is always inner self and always experiencing inner self.

“To the Inner Man EVERYTHING ALREADY IS TRUE, not to the outer. IT ALREADY IS SO, to the Inner Man. There is no convincing necessary, no 1,000 affirmations, no repeating over and over hoping it works, IF YOU IDENTIFY YOURSELF WITH THE INNER MAN. If you claim to be the One Within, you will find it incredibly easy, I will say natural, to FEEL what you want. Pay attention to what I am saying: When you imagine your "end" is it not ALREADY SO? You did not imagine "How" to get there, you are already there in imagination. Your issue is NOT in imagining the end, your issue lies in who you are identifying yourself with. If you imagine yourself in the end, which is easy, but then you identify yourself with the outer-man, you will breed nothing but frustrations. However, if you first identify yourself with the One Within, and then imagine your end, you will not question if you "are going to get it," you HAVE IT! The Inner Man always has it. He see's the end, he is the one who creates his own fate. The Inner Man is his own destroyer and redeemer. Identify yourself with the inner man. The immortal you. Not this body nor this outer-life. If you want freedom, love, joy, happiness, confidence. If you want to be a King/Queen, treated like a god/goddess, loved beyond your wildest dreams, then identify yourself with the INNER MAN. The Inner Man can have all those desires fulfilled.”

to the outer/human self, you have to convince it, search for it. to the inner self, you only have to be it, imagine it, assume it.

“Let's give an example. Suppose I wanted to go to Las Vegas but I am in New York. While I am in New York, I would imagine myself in Las Vegas at the MGM Grand lobby. So while I am looking around in the MGM Grand's lobby, I assume that the Inner Man who is looking around is the REAL ME, the I AM. So I say, "I AM in Las Vegas." If I identify myself with the Inner Man, then yes, it is a PRESENT FACT that I am in Las Vegas. To deny this is to be delusional. I am looking at the lobby and I see people walking around. Of course, I am here.” - edward art

the inner self is all there is. the inner self is the true you. the 3d/human self is a limited expression of self. why limit yourself to the neutral and limited world?

kisses, jani ☆

[hotdonnafox]

Virtually Becki

Victoria Walker had always kept her head down. As a shy, introverted student with a passion for coding and technology, she spent more time with her laptop than with people. Her grades were flawless, and her intelligence outshone most of her peers, but none of that mattered to Becki Carter.

Becki was everything Victoria wasn’t: loud, attention seeking, effortlessly beautiful, and, worst of all, cruel. She was the queen of their school’s social scene, a party girl who flaunted her looks and seemed utterly disinterested in academics. For Becki, her reflection and her popularity were all that mattered. She bullied Victoria at every chance mocking her clothes, her interests, and the fact that Victoria never seemed to fit in.

Victoria never understood why Becki targeted her. She tried to rationalize it maybe it was insecurity, maybe jealousy but the constant ridicule was wearing her down. She had to understand Becki, figure out what made her so cruel, and maybe just maybe find a way to make her stop.

That’s when she had an idea.

Victoria had been working on a virtual reality project for months. It was a personal venture, a highly advanced program that could simulate entire environments based on a person’s thoughts and memories. She decided to take it further. What if she could create a virtual replica of Becki’s world? If she could live as Becki in this VR space, perhaps she could understand her bully from the inside out.

She spent weeks coding, analyzing every detail she could find about Becki her social media posts, the way she walked, talked, dressed. Victoria meticulously programmed every aspect of Becki’s life into the simulation: her lavish parties, her shallow friendships, her careless attitude. The final touch was Becki herself a digital clone so accurate that it was almost eerie.

When the program was finally complete, Victoria hesitated. It was one thing to create this world, but another to step into it. Yet her curiosity pushed her forward. She strapped on the VR headset and entered the simulation.

Immediately, she became Becki.

The first time in Becki’s world was overwhelming. Victoria felt herself swaying in unfamiliar heels, her body clad in tight, revealing clothes. The mirror in front of her reflected Becki’s perfect face plump lips, long lashes, a flawless tan. She felt powerful, commanding attention as she walked through a crowded virtual party. It was intoxicating. For a moment, she reveled in it, but she quickly reminded herself why she was there. She wasn’t Becki. She was Victoria, just here to understand.

The first few sessions were just that explorations. Victoria tried to pick apart Becki’s life, to see if there was some hidden reason for her cruelty. But as the days passed, something strange began to happen. Every time she logged into the simulation, it became harder to remember that she wasn’t actually Becki. She found herself slipping into character effortlessly, responding with the same carelessness, the same vapid remarks that Becki would make.

Soon, Victoria wasn’t just observing Becki’s life she was living it. She started going to virtual parties, enjoying the attention, flirting with the virtual versions of Becki’s friends. The more she acted like Becki in the simulation, the more she started to enjoy it. She had built the world so meticulously that every detail was perfect: the music, the flashing lights, the intoxicating energy of being the center of attention. In Becki’s world, she wasn’t the quiet, overlooked nerd; she was the one everyone wanted to be around.

At first, it was just an escape, a chance to experience something so far removed from her real life. But slowly, subtly, the lines between the virtual world and reality began to blur.

In the real world, Victoria found herself changing. It started small. After one session, she was brushing her hair and caught herself hesitating. She stared at her reflection, noticing her plain clothes and simple ponytail. That wasn’t Becki. The thought rattled her, but she couldn’t shake it. Becki wouldn’t be caught dead in baggy sweaters and jeans. Without fully understanding why, Victoria reached into her closet, pulling out a tighter shirt she rarely wore. It fit differently than she remembered. It felt different like she was stepping into someone else’s skin.

The next time she logged into the simulation, the transformation was easier. She didn’t just slip into Becki’s world; she embraced it. Her virtual body moved with confidence, her voice carried a flirtatious lilt, and her presence commanded attention. Every time she played Becki in the virtual world, it felt more natural, more addictive. It wasn’t just fun anymore it was becoming who she wanted to be.

The changes in Victoria’s real life escalated. She started spending hours in front of the mirror, fixing her hair, experimenting with makeup, mimicking the style Becki wore in the VR world. She bought new clothes tighter, more revealing outfits that she never would’ve dared to wear before. The girl who used to shy away from crowds was now shopping for mini skirts and low cut tops.

Her behavior at school began to shift, too. The studious, reserved Victoria started skipping classes, spending more time with her laptop, fine tuning the virtual world. Every session lasted longer than the last. But it wasn’t just the virtual Becki she was fine tuning it was herself. She caught herself laughing louder, flipping her hair more, and enjoying the glances she received from classmates, even from people like Becki’s real world friends who barely noticed her before.

But as she spent more time inside Becki’s life, her mind changed in ways she couldn’t control. Victoria used to care about her coding projects, her studies, her future. But those ambitions were fading, drowned out by thoughts of popularity and appearances. Why should she stress about grades when she could be the most desired girl in school? Her obsession with Becki’s shallow, glamorous life consumed her.

One day, while shopping for a new outfit that Becki would’ve approved of, Victoria caught her reflection in a store window. She stopped, startled by what she saw. Her once bare face was now caked in makeup plump, glossy lips, smoky eyes, and perfectly styled hair. Her clothes, far from the modest jeans and sweaters she used to wear, clung to her body, designed to attract attention. She stood there, in a mini skirt and a crop top, looking nothing like the girl who once prided herself on her intelligence.

But instead of fear, she felt a rush of excitement. The reflection wasn’t Victoria anymore it was Vicki.

Her transformation grew more dramatic. At parties real ones now, not just the VR simulations she was no longer the awkward girl in the corner. She became the life of the event, just like Becki. Guys who never gave her a second glance were suddenly wrapped around her finger. She flirted effortlessly, enjoying the power she held over them. Her studies fell by the wayside. She didn’t need to be the smartest girl in the room anymore she had other ways of getting what she wanted.

Weeks passed, and the two worlds the virtual and the real merged even more. She started correcting people when they called her Victoria. She wasn’t just pretending to be Vicki like anymore she was her. Her thoughts shifted, too. She found herself daydreaming about boys, about parties, about the superficial things she used to mock Becki for. The coding genius who had once lived for intellectual challenges was now obsessed with her looks, her social status, and her power over others.

The final stage of her transformation came without her even realizing it. One night, after spending hours in the VR world, she took the headset off and looked at herself in the mirror. But this time, she didn’t see the old Victoria trying to play a part. She saw Vicki. Her lips parted in a smile sultry, shallow, perfect.

She didn’t miss the old her. In fact, she could barely remember what that Victoria was like. She wanted to forget. Being Vicki was easier, more fun, more exciting. She liked the attention, the freedom, the power that came with being desired. The things she used to care about grades, knowledge, her future less important some how.

Victoria.. no, Vicki had finally completed the transformation. She was no longer the shy, nerdy girl who tried to understand her bully. She had become her.

[evenworsefreak]

The problem I have with the new ending.

I really don't understand what devs tried to accomplish when they wer making 'Your new world'. Like, the game is about accepting or rejeting change. On one hand we have a Shifting Mound. As an embodiment of change, she's is a key component to keep the reality flowing. So if you take her offer the cycle of death and rebirth of the worlds continues. If you refuse her, you're gonna stay in the same old universe forever. And it made sense!

But Your new world completely undermines the premice of the game by telling you tha you can create a whole new reality on your own, which lore-wise makes The Shifting Mound completely useless. As if she can't exist on her own while TLQ can. There's a clear power imbalance. Even before the Pristine Cut her position as a onmipotent diety was shaky, now she doesn't even seen as equal to TLQ. She doesn't have much agency even at her supposed peak form. She doesn't want to fight us, and even when pushed to do so, she's either getting slain or spared. There is not a singleinstance of her overpowering us.

Her faith is still in the hands of the player(ik it's a game and it's chracters have a will on their own but come on, I expected at least a sempblance of her being in control). We're practically bullying this woman into submission. I am so fucking mad.

[clevercorvidae]

my issue with caitvi is honestly...i dont understand what its there for. what does it MEAN, what is the central theme of their story? Like, you look at timebomb and jayvik in comparison and they have so much MEANING.

Jinx and Ekko's story is one that heavily props up both of their characters. For Ekko, him giving up on Jinx and believing that Powder is gone for good, shutting down his care for her reflects his loss of faith in zaun, his paranoia and his close guarding of the tree and the firelights. But through his journey to the Good End universe he learned that Powder is still within Jinx, that she has beautiful qualities as Jinx and that in his world she has so much power and ability to change things. Him seeing Jinx for who she is, for her endless potential inspires him to go back to his reality and help fix it, to take the leap, to have hope for Zaun and for a better future. And in doing so he brings Jinx back to earth while at her lowest, after she's lost everything and puts that same hope for change into her. Their relationship, their story, is one about hope.

Jayce and Viktor's story is about control and perfectionism. Viktor loathes sm about himself. He thinks he is something that needs fixing, that he isnt enough. Jayce meanwhile wants to bring magic into the world, but he's naive and easily manipulated. Both of these mindsets leads them to attempting to progress with hextech in a dangerous fashion, in the pursuit of More. Viktor gets a kick in the ass with his terminal diagnosis and attempts to "fix" himself no matter the consequences, no matter his loss of humanity. When he is revived by the hexcore it only gets more intense, he leaves Jayce and all his connections in pursuit of "perfecting" everything else in existence. He believes flaws and imperfections and individuality only cause pain because he could only look ahead and see a dark future. Jayce meanwhile gets swept into politics and in his own way loses himself to his pursuit of their dream. it takes him getting sent to the Bad End universe, having to stew in the consequences of their hubris and, more importantly, in his own thoughts, that he achieves clarity. When Jayce is in the void with Viktor and he tells him he was never broken, that his imperfections were what made him who he was, and that he just wants to be with him again over any ambitions he previously held, he proves this by showing Viktor his memories of their relationship. He brings Viktor back to himself and they choose to stay together as the rune collapses everything, because what they truly needed wasnt perfection or progress, it was to appreciate each other in the present flaws and all. Their story is about appreciating what you have, about being in the moment.

But caitvi...I just dont get it. At first I thought their relationship was meant to be a reflection of Zaun and Piltover. But it just gets so messy the more I look at it. I suppose it makes sense considering the zaun vs piltover plot was handled messily as well. if my originally interpretation is correct then it makes sense that both plots would rely on the other working to make sense. Vi loses so much of her depth and she is hardly explored whereas Cait becomes very unlikeable. And then all of their conflict is simply brushed aside in the end. Its a mess. Please if you understand them and you got meaning from theur story please explain it to me. i want to like them, but i just cant make sense of it

[kseniyagreen]

And no one in the world can see through you...

I think one of the most important and acute themes of the drama is the desire to be seen, to be real for someone. The desire is so greedy and desperate that many heroes are ready to die for it.

Because without this feeling of being seen and understood, they feel like they are in an endless dream. Not so real. And for the opportunity to become real, they are ready to pay with pain and life.

Ying Lei and Bai Jiu both died trying to do something meaningful for their special person. Striving to be the one who changes something - himself, alone. And maybe that's why they were so reckless.

Li Lun sacrificed his immortal existence to become a real man for one day - the man Zhao Yuanzhou will not forget.

The bird goddess understands that this Fei is not real - and understanding this, she kind of see the real Fei in her heart.

And therefore she feels it as if they are finally together.

This is a desperate, beautiful but painful desire to have someone who sees you and whom you see, someone who will illuminate the darkness of your loneliness, especially acute and painful for those who are used to feeling like an "anomaly".

The drama also raises the social aspect - about how anomalies are not accepted by society, are seen distortedly and falsely, and this experience of social invisibility makes the desire to find someone who will see and understand the real you even stronger - sometimes dangerous and even destructive.

All the characters are in some sense are dreamers in a dream and puppets in a play.

And in this play you can go beyond the given role, show a glimmer of your true self only at the moment when your role ends. And every hero here dies looking at the one for whom they wants to become real most of all.

This interestingly reflects the fact that under censorship, a lot can only be shown at the cost of the hero's death. Like queer couples in censored dramas, they usually die in the finale (at least one of them). Antiheroes who reject the laws of this world's also usually assert their right for sympathy with a selfless death.

But in reality, a person asserts themself and finds understanding not through death, but through life. It is not the final sacrifice, but the path traveled that matters.

And this is where I see the meaning of Zhao Yuanzhou's path.

He could have died in the middle of the story - and the villain would not have received his power, and the world might not have needed to be saved.

But then ZYZ would have died unrecognized and misunderstood, lonely.

But thanks to the path traveled, he finds someone who sees him, who understands him, who loves him and makes him real.

And for Zhuo Yichen, this is no less important - for someone who was afraid of his dreams and therefore lived as if in a dream, for someone who was afraid of that unconscious part of himself. And therefore, diligently fulfilling his social role, he did not get close to anyone.

But the more alive and real they become together, the tighter the web of fate becomes. As if resisting their desire to be together.

And yet I would like to think that this desire and their mutual reality turns out to be stronger than the tragic scenario.

Like at the moment when Zhuo Yichen was supposed to die together with the villain, but did not die because the Zhao Yuanzhou's spell "recognized" him.

This desire to stretch the thread of connection through all obstacles, barriers and through death itself is very tangible in the way they're holding hands.

And this courage not to let go even when it seems the universe itself is separating you plays a key role in the finale.

"I recognize only the principles of my heart," says Li Lun.

And I like to think that along with his power, he passed on to Zhuo Yichen a part of his rebellious spirit and gave Yichen the courage to resist fate.

Yichen too manages to save part of Yuanzhou's soul because he knows that soul truly. They manage to pull this theme of mutual recognition into a situation as far away from an act of love as possible.

This "I knew you would do this" "and I knew you would do this, and that's why I do something else" and "you're still so..." - as both recognition of "it's you" and surprise and recognition anew.

They are both tied with ropes to their roles, like puppets of a demon who fulfills wishes. But they see each other beyond these roles. And with his final act, Zhuo Yichen seems to connect their destinies beyond the boundary where their roles end.

Zhao Yuanzhou had to fulfill his role as a sacred sacrifice and leave. Zhuo Yichen had to fulfill his role as an instrument on which Yuanzhou would make his sacrifice. But Yichen, taking on an active role in a situation of impossible choice, goes beyond the role of an instrument - and thanks to this, he can do what does not fit into this role.

Save Zhao Yuanzhou's life and connect their fates beyond the fulfillment of the prophecy.

And now they're both free.

[restinslices]

Everything pt4 (FINALE)

PJO Show Ares x Child!Reader (no gender specified)

Word count: 6772

Summary: It’s been years since you’ve spoken with your father, but with Kronos’ armies marching and the final battle approaching, you have one question on your mind. If you survived this, would it be too late to mend what was broken? Unbeknownst to you, Ares is wondering the same thing. Warnings: Spoilers for The Last Olympian (not too big though), giving Hestia a power idk if she has for the plot, angst, OOC Ares but y’all know this already

You know what sucks more than daddy issues?

The world ending. 

Both are seriously draining but the world ending? It was a real bummer. Not only was it a bummer, but it was incredibly confusing. You expected to be actively in battle right now, not being made a peanut butter and jelly sandwich by Luke's mom. 

As shady as it sounded, you couldn't understand for the life of you how Hermes had fallen in love with her. She looked as if she had been electrocuted multiple times and the smile she wore reminded you of something you'd see in a horror movie. Looks aside, sandwiches and cookies were rotting in her house and it smelled like something had died. You couldn't see Hermes being here. 

“Ms. Castellan” you began as nicely as possible. “I'm not Luke. My friends aren't either. This is Percy, Nico and I'm Y/N. We're…” the people that want Luke dead. No. You couldn't say that. “We're friends of Luke. That's all”. She seemed to understand what you said, even if her eyes told a different story. 

“Friends… Friends? Friends with my precious boy…” you almost scoffed. “I'm so glad he has friends. I've always wanted to meet his friends”. She spoke like she was in a dream state and her eyes stayed on you, not blinking once. “You've come for a sleepover? I'd have to talk to your parents first. I need to know if you have allergies! Then your parents and I can also be friends and spend time together! I'm sure I'd like them”. 

You forced yourself to keep smiling at her, even if she unknowingly brought up something you were trying desperately not to think about. In 2007 you and your father Ares came to an agreement that it'd be best if you never saw each other again. The year was 2009 and you were still keeping up your side of the deal. You didn't burn offerings for him, you didn't go see him for that field trip, you haven't even uttered his name since then. When you heard about the gods fighting Typhon, you tried not to think about him getting hurt. 

You were the one that proposed the deal, yet you immediately regretted it. A part of you thought “good job! You're keeping your peace! Your relationship would've never gotten better anyway!”. The largest part of you kept thinking “but what if you were wrong? What if he changed?”. 

You shook your head. Curse your stupid loyalty. You could've turned Nico and Percy down, but Percy pleaded with you to come with him. The last time you become someone's adoptive older sibling… 

“Nah, you wouldn't like my dad Ms. Castellan. He's a real hardhead”. She chuckled, which looked insanely creepy because she still hadn't blinked. 

“Men tend to be. I'm sure he's still very lovely”. Yeah, if you enjoyed headaches. 

Nico took over the conversation and thankfully your familial issues were no longer a topic. Thankfully should be in quotations though, because the conversation quickly turned depressing. May Castellan spoke like she was floating and talked about her son and Hermes as if the last couple of years hadn't happened at all. In your heart, you knew that she either didn't know, or she forgot. You didn't know what happened to her and why she looked like she took a tumble in Wonderland and never escaped, but whatever happened caused her to never see reality the same. You pitied her. Poor woman. Forever making sandwiches for a boy that had grown into a man. An angel that snipped his own wings. 

Suddenly she stopped and screamed. You all jumped up and you pushed the two boys behind you. You doubted May Castellan would try to fight any of you, but you wouldn't take that chance. 

A glowing green filled her vision and she rasped “My child! Must protect him! Hermes! Help! Not my child! Not his fate! No!”. She grabbed at your shoulders and continued screaming about fates and you pushed her off. 

“Guys! Let's get out of here!” You yelled to the boys behind you. 

You were prepared to run out of there, but May collapsed and Percy ran to catch her before she could hit the floor. 

As quickly as she was screaming about fate and her eyes were glowing, it all stopped. She went back to her version of normal. 

“Normal” was a word that really sucked as a demigod because your version of normal would never be what you wanted. What you wished was normal for you was going to school, complaining about teachers, listening to music and playing video games. Your normal was fighting monsters, training, keeping the world from ending and nightmares. When other people's lives diverged from the norm, it was probably something small, like dyeing their hair a neon color. Your version of “well this doesn't always happen” was sitting across from Hestia and listening to her do that thing gods do, where they give you advice in riddles. 

The conversation was mainly on Percy, until it wasn’t anymore. Hestia looked over at you and you couldn’t help but feel small under her gaze (which was comical considering she looked like an 8 year old girl), like she was peering deep into your soul in search of something. 

In any other circumstance, you would’ve stayed silent. You didn’t have time for more mysteries right now, so you cleared your throat and said “my lady, is there something you want to say?”. 

“I just wonder…”

”Wonder? About what? Please, I wanna hear it” 

“I wonder whose side you’re on”. 

What?

Your brows furrowed. “The gods obviously”.

”Is it obvious though?”. You had to stop yourself from rolling your eyes. Making an enemy out of Hestia wasn’t on your to do list.

”My lady, may I speak bluntly?”. She nodded. You really wished she didn’t choose the form of a child so you wouldn’t feel so silly. “The world is ending and there’s still so much I haven’t done. I’m stressed out, wondering if I’ll survive the battle-” if your father would care if you didn’t, “-if our efforts will be enough, how many mortals will die, if the gods survive their battle with Typhon. Please don’t add ‘not understanding a riddle’ to my stress. Whatever you’re thinking, just say it”. You could feel Nico shooting you a ‘are you crazy?’ look. How else were you supposed to say it? You thought you were being extremely kind and respectful. The alternative was “English please”.

Hestia looked you over as she thought. “I’ve heard about your conversations with your father”. Yeah sure, let’s bring that up again. Perfect!

You shifted uneasily, not wanting to talk about this anymore. Hestia either didn’t notice or didn’t care. “I wonder why you didn’t side with Kronos”.

You couldn’t stop yourself from rolling your eyes this time. Did she truly think so little of you? “Why would I side with him?”.

”Many of the demigods on his side feel neglected. No doubt you do as well. I wonder what’s the difference between you and them” 

“Brains” you answered. “We all have parental issues. You don’t side with a guy like Kronos”

”You think little of those demigods? Think yourself above them?” 

“You know what I did when I was angry with Ares?” His name felt strange on your tongue. It’d been so long since you said his name. “I gave myself terrible bangs and wore all black. I stared outside car windows, listened to sad music and imagined myself in a music video. I wrote in a diary that said ‘do not touch or I’ll kill you!’, all in uppercase letters. I didn’t side with a crazy Titan that wants to destroy the world as we know it. Seems a bit extreme, don’t you think?”. She nodded.

“My lady I mean this with respect and love in my heart; what is the point of this conversation?”.

She poked at the fire a bit before answering. “This battle will be a hard one. Perhaps I am buying time and trying to memorize your face in case something goes wrong”. Gee, thanks for all the hope lady.

”If something goes wrong for me, I at least hope everyone else gets a happy ending”

”Your death does not frighten you?” She asked with a raised brow.

”Of course it does” you answered truthfully. “But I can’t let fear stop me from doing what I know is right. You’re the goddess of the home, so you should understand when I say I fight for my home. I don’t think home is just a place though. Home can be people. Percy, Annabeth, 

Grover, Nico…” you swallowed, “… my dad. They’re my home. I won’t let my home be hurt without a fight. I’m willing to fight, kill, and die for my home. That’s how much home means to me”.

She smiled. “Spoken like a true child of Ares”. You wish she’d just tell you why she was hassling you in simple words. “But homes can be hectic-“

”My relationship with Ares is hectic but it doesn’t matter”

”You have hope”

”Sounds more like a statement than a question” you mumbled.

You looked at the fire, not wanting to look at (what appeared to be) the child on your ass.

When looking at the flames, for whatever reason you thought of home.

Images flashed in your mind. Images of camp, of laughing campers, of you and Percy giving Sally multiple heart attacks.

Of you and Annabeth debating, you and Grover planting flowers, you and Clarisse training together.

Images of your life flashed quickly, yet it all made sense. You could see everything as if you were there again.

Then the images slowed.

You felt Ares arms as he caught you when you fell from multiple floors up in the mall.

You could smell burgers and fries in the diner and saw him sitting across from you.

You could hear the two of you arguing and your ears started to burn with rage when you suddenly felt his warm embrace. You leaned into him and sighed, feeling his beard against the top of your head. You probably looked ridiculous to everyone else in the diner, but you didn’t care. You couldn’t remember the last time you felt his warmth and you knew you never would again. 

“I love you dad” you said.

You couldn’t believe what you heard next. He said “I love you too” and he genuinely sounded like he meant it. At the time, you thought there was no possible way he could’ve been being genuine.

“He’s gotten good at lying” you thought. “That’s all. He doesn’t care. You’re making things up”.

But what if you were wrong? What if there was a chance?

”I have to have hope” you said out loud. You were too busy looking at memories in the fire and missed Hestia’s satisfied smile. 

Hope.

Home.

If you were still alive by the end of the war, you knew you’d have to break your end of the agreement.

You knew you had to go home.

***

Everyone knew war was coming.

The hope for everyone else was that Kronos would never get strong enough to challenge the gods. Hope wasn’t something you could depend on though. You had to actually work, and apparently the gods hadn't done enough. 

All the gods, besides one, was nervous. Of course Ares was more excited than nervous, like a child in a candy store. If he had the power to control time, he’d speed this whole thing up so he could be in battle already. The anticipation was killing him.

It was so grim and depressing in Olympus. Everyone was on edge and acting as if this would be their last time seeing each other. Complete and utter bullshit. They were the 12 Olympians for fucks sake! Anyone else there was there for a reason. They’d beat Kronos and his army, then drink to their victory and hug their children.

Hug their children? 

“Stop”, he thought. “Not that shit again”.

He didn’t wanna think about children.

He pinched the bridge of his nose in annoyance and made his way to a nearby fireplace.

”Ares” Hestia greeted without having to look at him.

“Hestia” he greeted back and sat down next to her on the ground. “Poking at the fire again?”

“What else is there to do?”

“You could be preparing for the battle”. She made a noise of disapproval, 

“You know I'm not one for fighting. I am where home is”. He couldn't say he understood it, but whatever kept her happy. Ares wasn't fond of all the gods, but he liked Hestia. She stayed to herself and overall was friendly with everyone. She didn't blab her mouth or make jokes about him and Aphrodite being caught by Hephaestus. She was a breath of fresh air honestly. 

Hestia looked over at him and cocked her head to the side. “No” he said before she could get anything out, “don't start asking me questions about feelings and try to dissect me”. Hestia was nice and all, but she always noticed when someone was off, and even if they weren't she'd find a way to make a conversation more deep than it needed to be. 

“Ares, the battle ahead will be a difficult one. There's a possibility that you could be destroyed or that your children-”

“Don't”. His voice came out harsh and he shot her a warning look. Unfortunately for him, Hestia was never intimidated by that. 

“They can die. Do you think they're keeping their feelings bottled? I doubt it. I hear them whisper their fears around the campfire at camp. They're terrified Ares.”

“How many are terrified?”

“All of them”. 

He wished he didn't ask. He should've stayed curious. 

Hestia was right. Any of his children could die. Maybe all of them. They all probably whispered to each other in their cabin, trying to comfort each other, and what was he doing? Sitting in Olympus. 

He hated that he cared. Ever since his last talk with a particular child, he had been trying to build those walls back up and go back to being his “normal” self. Unfortunately, those cracks seemed to remain and refused to go away. He tried to seal them, but even something as small as a talk with Hestia revealed those cracks again. “They'll be ok” he said although he knew the truth. The truth was that he had no idea what would happen. 

“I could deliver a message to them if you'd like”

“There's nothing I can think to say to them”

“Then perhaps you could say something to me. Whatever is on your mind, you can speak and I will listen”. 

Ares didn't wanna look at her so instead he looked at the fire in an attempt to ignore her. That proved to be an error when his nose filled with the familiar smell of rain and his ears filled his child's voice. 

“To me… to me you were everything. You are everything. “. Your tears mixed in with the rain and you wore a deep frown full of a child's repeated crushed dreams. His heart squeezed tightly for the first time in a while and he hated it. That's when it all started. 

Other memories flashed. Memories of him and the other Olympians fighting wars, sometimes with each other. 

He saw a time before strict rules and before he vowed to keep himself distant from his children. A time when he mourned them fully and intensely when their final breath passed their lips and their bodies became limp. 

He saw the time now and while it was full of distance and misery, he saw his other children. He saw them visiting him and talking about things he didn't care about but listened to anyway. Saw their sad faces and hung heads when they had to leave. 

It all went back to you though. 

“You want more from the child of Ares?!” You had puffed your chest when you said his name and held your sword tighter. “I have plenty to give!”. 

He heard your back and forth snarky comments to each other before the smell of food filled his nose and the conversation went from humorous to angry then sad. 

“I don't matter to you. Just admit it so we can move on”. You were so wrong but you said the words with such conviction. You genuinely thought you were right. Was that truly how neglectful he had become? All his children had become strangers and he couldn't blame anyone but himself. 

“Seeing you at all, it gives me hope” Was hope so bad to have though?

“You want this?”

“No” you said immediately. He remembers how he was surprised you had been that honest with him. He thought you'd make up a lie and pretend to be extremely confident, but your voice cracked and this time there was no rain to hide your tears. If earlier you wore a frown of repeated crushed dreams, that day your eyes filled with a child's final dream crushed. 

But then he felt the both of you hug and he couldn't help but think to himself “Does the dream have to be crushed? Does hope have to be lost?”. 

The fire continued to show him more memories of his children before it went back to you purposefully ignoring him. He had to admit that seeing you spend time with Hermes instead of him made his brows lower in frustration. But he agreed to a deal. 

“Ares?” Hestia questioned. Ares kept staring at the fire and hoped the images would return, but they slowly faded away. She said his name again. She had saw what he saw and felt the way his heart cried. It was a feeling she never wanted to experience again. 

He agreed to that deal… but what would happen to him if he broke it? Nothing that hasn't happened before. How could he see all of that and still want to keep his side of the deal?

“I think…” he whispered “I think I miss my children…”. 

His children. His family. His home. He had to believe that hope was possible. 

Hope.

Home.

He'd fight with his all while keeping everyone in the back of his mind. He knew he'd have to break his end of the deal. 

He knew he had to go home.

***

If someone were to ask how you felt in this exact moment, it'd be irritation. Because of some stupid disagreement between the Ares kids and the Apollo kids, Clarisse ordered that none of Ares' children were to attend the battle. When you reminded Clarisse that this battle was bigger than some stupid argument over a chariot and that campers have already died and more will, she simply puffed her chest and went on about how she's tired of Ares getting disrespected. Sure, ok. Maybe you got a point Clarisse. Couldn't this wait until after though?

You shared some harsh words, half of them being curse words, and joined the battle with everyone else. 

Manhattan as a whole was trapped in a deep sleep, yet somehow they seemed like the lucky ones. Sure, maybe a monster would step on them but at least they'd die in their sleep. If you died you'd be fully conscious and you knew it'd hurt. 

Only a fool feels no fear. A bigger fool lets fear paralyze them. You did your best to let your fear move you through your enemies and you cut and hacked at them, leaving a trail of dust in your wake. You tried at first to ignore how many old campers you were killing, but it was hard to when your sword was soaked and you stared in the eyes of people you used to call friends before you took their life. It didn't feel good but it was either you or them. None of them held their punches and those same kids came in camp and killed campers, so you wouldn't hold your punches either. 

A squeal filled your ears and you winced as you looked up. The fighting stopped and you understood why when you saw a huge flying pig heading straight towards everyone. You scoffed and wanted to make some sort of joke, but figured now wasn't the time. 

“As far as I know, no hero has ever beaten it” you heard Annabeth say when you got closer to her and Percy. Your heart beat in a skittish panic but you forced yourself to hold your sword firmly and say the words “we will” as serious and brave as you could muster. 

Percy had some idea and while you were told to keep the enemies back, your eyes landed on a white Pegasus and you knew you couldn't. 

“Hey Annabeth” you grabbed her arm, making sure not to grab too tight because of her previous wound. 

“Yeah?” she asked. Annabeth looked terrible. She was covered in dirt, dust, blood, and her hair was so out of place that you thought May Castellan would take kindly to her. You didn't know how you looked but you knew that all of you would need showers if you survived. 

“I love you too”

No. When you survived. 

“I'm gonna try and help Percy. Stay here. I'll come back. I promise”. Before she could ask you what you meant or remind you that you couldn't promise such a thing, you ran off to the Pegasus. 

“Hey buddy” you waved and forced a smile. You knew Percy could understand them and vice versa, but you couldn't understand them and you didn't know if that could understand you. “Me” you pointed at yourself, “friendly” you raised a thumbs up. You pet its head and it didn't bite you, so you assumed it understood. 

“Me” you pointed at yourself. “You” you pointed at the Pegasus. “Follow Percy and pig” you pointed at Percy and the pig, who were quickly vanishing from view. It nodded its head and after a sigh of relief, you got on its back. 

If it wasn't for the war and death, you'd say you were really enjoying this. How many people could say they had done something like this? Not many, that's for sure. 

“Hey Sharkboy!” You yelled when you were within shouting distance. Percy thankfully was no longer hanging by a rope, but was on Blackjack. You didn't know if Blackjack recognized you as the one always giving him donuts, but he made a pleased sound when he saw you. “Uh, is this a part of your plan?” You motioned to the statue that took his place attached to the rope. “It's a pretty shit one”. 

The boy rolled his eyes and huffed at you. Whether it was because of the nickname or insulting his plan, you didn't know. It made you smile either way. “I gotta get close to it! I can activate the statue to fight the pig!”. 

Flying pigs, fighting statues, just another day as a demigod. You rubbed in between your brows to stop the migraine that was forming. How hadn't you gone insane yet?

“It sounds crazy but-” Percy kept talking but you stopped listening. You looked behind you at the battle and like a fool, you froze. 

Manhattan was a war zone. This you knew. Seeing it up high like you were a god though made it all seem so much worse. You could see family being forced to fight each other. You could hear screams and pleads and crying. You could see kids trying to dodge being stepped on. You saw so many people not being allowed to mourn. You saw death. You saw it everywhere. 

Then your shock and fear turned to anger. These were your friends and family killing each other! Sure, they were still responsible for their actions, but there wouldn't be any actions for them to take if Kronos hadn't got in the way. He used these people and he didn't care how many died. He just wanted his throne. Annabeth could die. Grover could die. Percy could die. 

Your father could be destroyed. 

You didn't know how you looked, but you must've looked terrifying because Percy “talks back to everyone” Jackson looked at you the way you expected him to look at the gods; with edge. 

“Hey-”

You pet the animal under you neck and pointed at the pig “closer!” You ordered. It obeyed. It beat its wings harder and you passed Blackjack and Percy with ease. The closer you got, the more you could smell its stench. Under normal circumstances you'd pinch your nose and walk the opposite way, but this time you kept going straight towards it. 

The animal under you whined and you assumed that meant it was having a hard time keeping up. Your eyes fell to the rope and you knew what you had to do. 

Your sword morphed back into a necklace when you brought it close to you and after so much practice, clasping it wasn't a problem for you anymore. 

“Good boy or girl. I'll get you some snacks when this is all over. You like donuts?” it made a pleased sound and you pet its neck. 

You moved so that instead of straddling the animal, your legs were hanging over one side. 

“Don't let me die” you whispered to no one in particular then you pushed yourself off. 

A mixture of luck and skill prevented you from becoming a mark on the concrete. 

The rope burned your bare hands but you held on anyway. You managed to grab on above the statue and started climbing upwards, using the beating in your chest to motivate you not to fall and die. The white Pegasus stayed beside you as you forced yourself up the rope and you gripped the pig's fur to pull yourself all the way up. Now, pigs don't have tons of fur, but a giant pig had plenty enough to grab onto. 

The wind blew through your hair so harshly that you were surprised it didn't snatch it all off. The pig was flying at an intense speed with its only goal being to destroy everything you loved. 

You pulled your necklace off and it turned back into the double edged sword your father gifted you so many years ago. 

It was only now that you realized something. 

When you killed this thing, it'd disintegrate. You wouldn't. In the mall you were high up but you were only up a couple floors. Now you were definitely above the mall and many other buildings. The white Pegasus was no longer keeping up with you and when you looked behind you, Percy and Blackjack were still a while away. 

Percy connected the dots a lot faster than you did and you saw his lips move and Blackjack's wings flap faster. 

What do you say when you know you're gonna die? Damn. You didn't have time to prepare and you didn't have time for a speech. 

You felt like you were looking back at the flames. At home. At hope. You were supposed to return home after the battle and things would be okay again. But in the same breath, this is why you were fighting. You were fighting for your home and so the people you love could live as peacefully as they could. 

The sword felt heavier in your hand. You smiled to yourself. You still had a piece of home with you and you'd use it to better the lives of the other people you call home. 

You screamed as loud as you could in hopes Percy would hear you. “IF EVERYTHING GOES OKAY, TELL MY DAD THAT…” tell him what? You had so much to say. What could wrap everything you wanted to say together?

“... TELL HIM I MISS HIM! AND THAT I LOVE HIM!”. 

Blackjack's wings beat harder, yet he was still far. Percy wore a look of determination and you laughed. You couldn't believe he was still the young scared boy that arrived at camp when he was 12. 

“I LOVE YOU GUYS TOO!”. You smiled at him to leave him with something nice to remember. “THIS WAS FUN!”. 

You turned away from him and with as much strength as you could muster you plunged the sword through the pig’s skin. 

You felt its body crumble away and then you felt yourself slipping through the air. 

***

As one could assume, war was Ares' element and where he felt the most comfortable. There wasn't much to say about the battle. Sure, it was a battle for humanity but honestly? Ares wasn't that worried. Call it an inflated sense of self. Was it really that though when you could back up how high you thought of yourself?

As corny as it sounded, the war in his mind was much more intense. As he fought, his mind kept slipping back to what he saw in the flames. His family. His children. His home. His hope. The reason he fought. Sure he liked a good fight but he fought this giant monster with the other Olympians for his family. 

Ares is a proud man, so naturally he had faith that his children would survive the battle, but an ego could only get you so far. He knew the truth. He knew that any of his children could be crushed at any second, or squeezed to death, or stabbed, or eaten, or whatever Kronos and his army had planned. He knew that he could return to whatever was left of Olympus and he could mourn children that he had forced to become strangers. He wanted to be better. He had to be. He just needed time and that meant he needed his children alive. Especially the one that started this. 

Besides the diner, Ares had only held you once. He didn't think he'd remember it well yet somehow he could smell the cookies your mother had baked and he could remember exactly how the furniture was. He could see blinds covering the windows and the white walls lined with family photos and art pieces. He could see the black couch that sat across from the TV which sat on a table. 

And he could feel your mother place you in his arms. 

“This is your child” she had said. He looked over at her and she smiled down at you with a sense of joy and pride, which was much different to how he saw her look at you recently, with hate and contempt. 

You were so small then. Only months old, still exploring the world and having no idea how life would beat you down. You cooed as you looked up at him and shifted in his arms. He wondered if somehow you knew he was your father and that he was no threat to you. 

So small. So curious. So innocent. Now you were a warrior seasoned by the battles you had been fighting since you were a small child. 

He kept thinking about what would happen next the entire time. He knew he'd have to break his end of the agreement, but it was up to you and any of his other children to accept him turning a new page. It absolutely did NOT frighten him more than the Titan he was battling. Absolutely not. 

As Ares suspected, the Olympians and their children won the war. Kronos was gone and his armies were slaughtered. That was the best part. He didn't get the chance to have a good look at the battle, but seeing the damage the demigods caused made him proud. He hadn't seen you though, which was something he noted. 

The worst part was looking at Percy Jackson's face. Sure, he started the fight but that didn't matter! When Ares said “enemy for life” he meant it! The fact that he had to listen to Percy be praised and he couldn't beat on him right then and there made him tap his finger against the arm of his chair in discontent. 

“Lord Ares” Percy said and he could tell he hated saying the “Lord” part. It made him grin. 

“Boy?”

Percy's fist balled and Ares continued smirking. 

“I have a message from your child”. 

His smirk fell when he heard your name. A message? Did that mean… 

“They said that they missed you and loved you. They were… They…” he paused and Ares leaned forward. “They were in trouble and out of everything they could've said, they said that. They’re-” 

Ares didn't let him finish. He jumped out his chair and his feet thundered against the ground as he sped walked to the elevator. 

This couldn't be. That boy was wrong. His child was fine! He wanted to be better for them and now…?

No. No no no no! This couldn't be! He pressed the floor button repeatedly hoping that the elevator would move faster, even if he knew that's not how elevators worked. 

He lied to you once and said that gods didn't feel fear. How wrong he was. His whole body felt warm and if he wasn't pressing the button then he was tapping his fingers against his legs and if he wasn't doing that then he was pacing and if he wasn't doing that then he was imagining your limp body covered in blood. Was it at least quick?

“I love you dad”

No… 

Not his baby… 

After what felt like hours the elevator dinged and the doors opened. 

He stepped into the hall of the building. 

***

Turns out you should give Blackjack a lot more credit. 

You closed your eyes and hoped that the fall wouldn't hurt as much as you suspected it would and then suddenly your crotch hit something hard. 

“Fuck!” You exclaimed. Your eyes flew open and that's when you realized Blackjack actually managed to catch you. Percy let out a breath you suspected he was holding the whole time. 

“You don't ever do that again!” he scolded. Ironic coming from the guy who always did stupid things. 

“I hope I won't have to”. He rolled his eyes and looked back ahead of him. 

“I just knew you were gonna do something stupid. I just couldn't tell what it was at first. And don't you ever look at me like that again”

“Like what?”

“Like you want to kill something”. Once again, ironic. Percy had that same look on his face more times than you could count, but instead of arguing you kept a hand on his shoulder and said “sure Sharkboy”. 

You tried to tune out the rest of the battle to keep yourself sane. One moment you and Percy joined everyone else, then Percy and Annabeth went to Olympus and now you were sitting in the Empire State building completely exhausted. You were slumped in a chair, covered in dirt and grime when the Stoll brothers came over. 

“Guess what we have” Connor said in a sing song voice and raised his brows.

“An Advil?”. The two laughed like what you said was funny. It wasn't funny to you. Your head was killing you. 

“Even better” Travis said. “Boom!”. You hadn't noticed the bag he had on him somehow, and when he opened it your eyes were filled with candy. You looked back up at their faces, both with an ear to ear smile. 

“I thought Percy said not to snatch anything when everyone was asleep”. 

“We didn't! How could you say something like that?” The two looked at each other with faux innocence but their devious smiles betrayed them. Whatever. You were too tired to scold them and it wasn't your business that got ransacked. 

“Listen, we'd typically charge for these but since you killed that pig, you can get something for free”

You raised a brow at them and looked at them disinterested. “Or I could report you and make you take all that back”

“You won't” Travis challenged. 

Little shit was right. 

You looked in the bag for what you wanted and chuckled when you saw it. 

When you and Ares talked in the rain that night, you debated on burning a fruit roll up as an offering. You decided that was a shit offering and didn't do it, but your father saw you in the rain and came over anyway. 

Now that same flavor of fruit roll up was sitting at the top of all of that candy. 

You took it and thanked the two. They were on their way after, probably about to scam some poor kid by overcharging it. They never tried that with you or any of the other older kids. 

You pocketed the candy and used your sword to help you stand. You were exhausted. Your shoulders sagged, your back ached and you smelled like everything unfortunate in the world. You needed a shower and new clothes desperately. 

You began walking then a ding filled your ears and out of curiosity you turned from the door and looked over. 

It was him. 

By the way his eyes softened you could tell he saw you. You were done lying to yourself and convincing yourself he didn't care. You knew you saw relief in his eyes. 

Maybe Ares should've listened to what else Percy was gonna say. Maybe he was gonna say “they're fine but you should really talk to them”. Something like that. 

Ares had seen you tear up multiple times. In sadness, in anger, in betrayal. This time though? You didn't look hurt. You looked relieved. You looked like how he felt. You looked like a huge pain had been lifted off your shoulders. If before you looked like a child whose dreams were crushed, now you looked like an adult who realized there was nothing crushed that couldn't be fixed. 

You had grown up more since he last saw you. He didn't wanna miss any more years. 

“And I hope the idea of me calling you Ares instead of dad terrifies you” 

The words rang in his ears. You were right. It terrified him. It paralyzed him. He had one question on his mind. 

What would you call him?

The two of you stood facing each other for seconds but it felt longer. Both your minds were racing. You were both thinking of the past, the fact that both of you were okay, and wondering what the future would be.

You felt like a kid again. You just stared at him with so many emotions coursing through you. The main ones being joy and relief. 

Without thinking, you threw your sword to the side and ran at him. “Daddy!” You shouted with the inner voice of a child who was finally getting everything they wanted. You jumped into his arms and he caught you. His grasp was firm and he kept you close. 

You both closed your eyes and focused on each other's warm embrace. You were both okay. You were both home. Neither of you held your tears and vulnerabilities from each other. 

“I heard you were missing me” he said. You knew it was a joke but you couldn't laugh. You nodded into his shoulder. 

“I did”. 

“I missed you too” he admitted. It felt so good to finally admit. 

It felt so good to finally hear. He missed you. He cared for you. He loved you. He was holding you. 

“I don't like our agreement anymore” you mumbled. “You gonna rearrange my fingers or-”

“No” he answered firmly. He set you down and his hands held your face. “No” he said again. 

“Not gonna turn me into an ant either?” You joked. He smiled at you and pulled you into another hug.

“I love you dad”

“I love you too”. 

Ares did something he hadn't done in a while and he kissed the top of your head like he saw other fathers do. It surprised him how much happiness it filled him with. You on the other hand thought this would only happen in dreams. You were so glad you were wrong. 

Then he did something else he hadn't done in a while. 

He apologized. 

“I'm sorry”

“I know” you answered simply.

“I'm gonna be better”. 

You smiled and closed your eyes, allowing yourself to melt in his embrace. 

“I believe you”. 

Hope. 

Home. 

You two managed to hold onto hope. What others would call delusional or stupid, you called a dream. You both managed to make that dream a reality. 

After years and years of complications, heartache and frustration, you two made it. 

You two made it home. 

If y’all sexualize the reader calling Ares “daddy” I swear I will rewrite this and have the reader die a terrible death. Do NOT-

Anyway y’all IT’S HERE! We finally made it to the end! Y’all feeling as proud and emotional as I do? Originally Everything wasn’t gonna be a series. I made pt1 and was like “yeah. A simple one shot” but people wanted more and it became a series. I got 2 abandoned series for different fandoms so it’s an accomplishment I finished this one. I don’t have any new series planned right now but I wanted to say thank you for the support Everything has gotten and the nice comments I’ve received. This was really fun. Until next time! (Also I told y’all they’d get a happy ending. I know some of y’all didn’t believe me)

Taglist: @kyuupidwrites @chadmeeksmartinswifey @lebguardians @beansficreblogs @itzjustj-1000 @white-wolf-buckaroo @elsisenta @leathesimp @marshymallo @stickyfictioninwriting @asexualaromosafezone @arialikestea @1mawh0re @samoanroyalty @wolfgirl294 @unoficialy-married-to-ace-austin @ohlookitsasinglepoeceofpopcorn

[4dbarbie-archive]

4dbarbie interview: All about Desires

4dkelly notes: I had fun making this in an interview style Q&A between 4dbarbie and Vanessa. I thought "how would 4dbarbie answer anon questions if she were still here today?". Spoiler alert, it wouldn't be much different to the questions anons asked her lol. Most answers are just directly extracted from her posts/answered asks but some have been adapted a bit or rearranged to make it flow better. I have added some relevant posts for further reading. I may or may not make more of these. This was mainly just for fun (but then it really evolved into an educational piece lol). My highlight key: key concepts are in pink, action points in purple, really important points in red

Vanessa: I really like this guy and want to manifest him. 😢 How do I do that?

4dbarbie: IMAGINE KNOWING ALL THIS AND STRESSING OVER A GUY?!?!? Unbelievable. Who's holding you at gun point to type this out to me??? 😧😧😧 I refuse to believe this is what this material is getting wasted on. I refuse to believe this is the understanding you guys have after I explained who you are in so many ways. Imagine liking someone who didn't text you back right after to tell you how amazing you are as well 🤮 what do you like about this nobody? You want to give me a heart attack? I tell you there is no one out there but you and instead of being free and loving yourself you... you give a crumb of your precious attention to this? I tell you you are life and you try to make life better through dates?

Vanessa: Okay but what about my other desires? I want them...

4dbarbie: Everything about Vanessa is meaningless. She has a life and if it's boring, who cares? Forget it. What do you need these stories for? Do you not understand they have reality because you give it to them? YOU! They have no standing on their own! The whole world is just your mere thought. The body exists because you are aware of it being! Only you have this power. Only you are. Why are you dreaming like this? Gosh, you break my heart. If Vanessa is hurting you why do you keep on choosing her?

Vanessa: Then what should I do? I still have things I desire despite knowing I cannot desire because I am not a person, ego, mind...

4dbarbie: You know it intellectually, but have you acted on it at all? You know yourself as Vanessa by acting like Vanessa, know yourself as your Self by acting like yourself. Desires and fears dissipate then. You have desires still because you never stopped thinking you're Vanessa. Investigate who Vanessa actually is :) Spoiler alert: it's a thought! Think something else and see what happens.

Vanessa: How long will this take? When will I see a change?

4dbarbie: Now. Who is doing the change in attitude, what are you waiting for to happen for you to change your attitude? It's instant. You see it, you realize you have no reason to worry/doubt/desire/fear anymore, let things happen as they happen while you're undisturbed and they dissolve.

Vanessa: Should I just keep assuming that I don't desire things anymore because I already have it while I'm denying and dismissing my senses? It feels like I'm just waiting and being delusional though

4dbarbie: Your world is right and perfect, what you see is what you are so even if you're seeing what 'you' don't want, the world is not wrong in being what it is. Fearing it, trying to manipulate it, lying to yourself about it being something different - all useless and vain attempts.

Not seeing the world as it is, is an aversion to it. - Lester Levenson

See it as it is and it will fix itself.

And no, being delusional is not good, it leads you not to trust your own judgment or senses. Which is not right, why shouldn't you? What is wrong with your vision? Being delusional from your ego self is really harmful, someone could be abusing you and you would go "i'm sure that's not right he loves me so much in my mind!!!"

You won't be able to get rid of the waiting feeling as long as you're identified with your ego, it can manipulate nothing. And if you weren't your ego -- everything would already be materialized, so there would be nothing to wait for.

Vanessa: Well since I Am and I give life to everything, when Vanessa desires something, I can just "give" her her desires, right?

4dbarbie: The desire that *I*... the desire is of Vanessa, the Self can have that and it's nothing to it. It's just another experience. Those things are in you, not you in them.

You don't have to give her anything... you don't have to fulfill anybody... I Am is already everything... you only don't see you are all and have the all because you won't stop thinking you're the ego. All you're doing all the time is creating lack & limitation, perfection already is. You just add unsatisfying labels constantly with your wrong thinking.

Let go of the thinking, it's instant. No need to fulfill anybody. 1 My tip is to realize your Self, have enough courage to face Vanessa's fears. See how unnecessary is to pay them any mind at all. Let go of thinking you are this little helpless thing already. After you realize yourself, any bold assertion does it. There's no time delay. 2

Vanessa: Now I feel defeated, do I just give up on everything then?

4dbarbie: Feeling defeat is actually good, it prompts you to let go :D You don't need to reach for what is already within you. Give up the idea that you have not found it and just let it come into the focus of direct perception, here and now, by letting go of all that is of the mind.

Abandon all sense of separation, see yourself in all and act accordingly - Nisargadatta Maharaj

You have it, all is well. Just stop believing the illusions born out of thinking you're a person.

Vanessa: So as Awareness, I have to stop desiring?

4dbarbie: If you know yourself to be Awareness, then you know yourself to be the all. There is nothing to desire, because you have no reason to create desire.

That's why it's necessary to realize all that is is awareness and the person comes second. If you think all that is is the person, then the chances of believing you're suddenly a different person are slim, and the persuasion and convincing are nothing but a form of self-instilled mental torture. 1 All you're doing is imagining/thinking you're an ego who has to strive for things, but it is "I AM" imagining itself to be so.

What is beyond is clear of all striving. The cause of suffering is in the identification of the perceiver with the perceived. - Nisargadatta Maharaj

When that identification ceases, so does desire. Then, if you want to express yourself as being a person, nothing is stopping you from doing so, only know yourself first. After that, no matter what you choose to experience the world as, you will know you are not it and it can't hurt you.

Vanessa: What do I do when a desire or fear comes to my mind then? It doesn't feel right to suppress them...

4dbarbie: I am not talking of suppression. Just refuse attention. Nisargadatta has a saying "When you happen to walk in a crowd, you do not fight every man you meet — you just find your way between." Neville has another "Indifference is the knife that severs, feeling is the tie that binds." When you refuse to play the game, you are out of it.

Vanessa: Then how do I stop feeling anxious about trying to change my life?

4dbarbie: You are not the one who is anxious or fearful, the ego is fearful. LOA was wrong about letting go because you can't let go of desires or fears if you don't know who you really are. If you think you are this ego you can't help being anxious. You can't help wanting to get. Real surrendering can only be of the ego. By letting go of who you think you are and seeing you were never it in the first place, that it is because YOU are, you naturally drop all desires and fears because they weren't yours. 1 Get into a habit of watching, letting them be but not identifying with them. If you can observe them, it means you are not them.

Abandon all imaginings and know yourself as you are. All craving is due to a sense of insufficiency. When you know that you lack nothing, that all there is, is you and yours, desire ceases. - Nisargadatta Maharaj

Vanessa: How do I stop feeling doubts then?

4dbarbie: You shut them down. There is no reason to argue with them, contemplate them, or give them any kind of attention at all. See them for what they are, an illusion of the mind. When you catch yourself being aware of something that's undesirable, just go 'What problem?' and know it to be perfect again. Always remember, the real you can't have doubts, only your ego can.

Vanessa: I feel like I'm not doing enough to realize my true Self. How can I be more productive on this journey?

4dbarbie: There's nothing to be productive about. What a silly concept. Don't add another burden or worry onto yourself. Right now you make yourself guilty over not seeking more and doing more to attain realization, but you already have it. You need not take time to meditate or put time aside to contemplate and "apply". All you need to do is detach from this form during the day, let life happen as it happens while reminding yourself it's a dream, a dream that doesn't have to be yours.

The guilt is because you think you're running out of time and you need to change "your" life now. Be patient with yourself because you don't lose any time, just get to that place I'm telling you about and then you can just go back in time if you so wish. All worry is pointless! And there is nothing to fear, things just happen, do not claim them as yours for a while. Unclutter your mind, it becomes your servant after you've freed it enough.

[ramayantika]

I woke up just now but in half asleep summer nap state I will roll for Heermandi

1. I felt that Alamzeb's casting could be better. The girl was pretty but yet I could not feel the budding romantic expressions on her face and body language. Like that sharmana and poetry narration felt very forced.

2. TAJDAR WHY WHY WHY SLB I WILL NEVER FORGIVE YOU. No spoilers. Tajdar is very charming, amazing voice, very handsome.

3. Okay considering the history of tawaifs I was at times so mad at Alam and was about to hit the phone screen to say woman wake up to reality.

4. Lajjo and Zorawar's story. Why he left her, her addiction and Lajjo's story could have been explored more. You have such a brilliant actress and when SLB is noted for using actors and their character to their greatest potential, I felt he did not not do that with lajjo this time. We only see her enter in sakal ban, she is always drinking and thinking about Zorawar

5. Manisha was brilliant. The ruthlessness, the wit and slyness. And for a tawaif of those times whose existence and power is constantly challenged, by other tawaifs and rivals and then nawabs and British she has to be so clever, cunning and vicious. Yet her feelings for Alam especially by the end (spoiler free) did make me understand her stony heart more.

6. Aditi as Bibbo was charming, graceful and elegant. And goddamn the way she uses her skills to charm henderson so she may help her people to fight against the British.

7. Star villain Fareedan. I was looking forward to her schemes. And it was understandable why she hates Mallikajaan (manisha). The power play, the constant challenging was interesting to watch. Also sonakshi really acted well, both as Fareedan and as Rehana aapa. I won't say much because the way her character changed at a point where mallika was violated (watch the series for that) like it made me get an overview of these women. Women who were wronged since birth, clinging on to their art and performance, carving a distinct identity for themselves and yet having pride over who they are, and despite all the politics, inner enmity and betrayals, they still did not wish the worst to each other and later come together for they all share one pain.

8. The women if heeramandi coming together to fight for the British got me goosebumps. They decide to use all their money and life to fight for the country. Aditi's (bibbo) dialouge ek baar mujrevali nahi mulkvali bannke sochiye and another dialouge which meant that when the country is burning one does not organise lavish gatherings (mujra mushayra)

9. Songs were pretty good. Sakal ban was trending and I loved the other songs too. Reminded me of Pakeezah

10. Sanjeeda Shaikh as Waheeda. Bhai I used to feel so bad for her. She was betrayed everytime. Poor girl wanted power too like her sister but I understand why she wasn't given. Tawaifs cannot be put into a box. They aren't your gentle shy lover girl type women like we see in pakeezah, the lovely shy, sweet, pure sahibjaan. Their world is a golden cage and to survive here is a war fought everyday.

11. Tajdar ka baap kya gadha egoistic aadmi hai

12. End thoughts: aesthetics = 100/10. I was still looking for slb to explore more of their emotions and life and not just their opulence. Summing up everything, heermandi: 7/10

[illwilledomen]

Also i am obsessed with your fucked up son. Kay i ask why hero is Like That. Was it a programming error? He was meant to be the "friend", right, but even before the fall he was weirdly violent.

I just want to know more about him. Whats going on in his fucked up little head

I’m obsessed with him too. I love him and i cry so much about him here’s why:

Since Hero was the first, he has quite a few errors in his design, both in his hardware (body) and software (brain and tablet of information).

He does not have any internal concept of empathy and doesn’t fully understand the concept that other creatures think and live. This caused him to accidentally kill some of the animals introduced into the Garden because he didn’t understand that he was hurting them. HOWEVER — he only became purposefully violent AFTER he faced considerable abuse from the authority figures around him (guards, scientists, Rana herself, and white eyes).

Very important distinction because his lack of empathy was not what drove him to act aggressively, and it’s important to note that a lack of empathy does not mean someone is dangerous, conniving or violent, it just simply means that they don’t feel the sensation of empathy. You are free to interpret any of the abio characters as you like, but it is my personal belief Hero is not fully at fault for the violence he displays… I’ll explain why;

The violence Hero displayed was merely him, a person very new to the world, parroting the abusive behaviour shown towards him, and his way of trying to process emotions that he was not familiar with such as jealousy (towards the other players), fear of obsolescence and misery at the lack of autonomy and respect he is showed. Hero was in a position where he had no power over himself and was physically, emotionally and mentally dependent on authority figures that did not see him as an equal or a as a fully realized being. For example Hero is unable to will himself to eat without being commanded to by an authority figure (he is anorexic — does not feel hunger) so you can probably see how this puts him in a vulnerable position.

Basically he began to lash out at anyone he could lash out at, whether that be animals or the other players. He could not bear the thought of placing the blame on the authorities of his life because then his whole world would fall apart, so he instead shifts the blame on those in the same position as him (Alex, steve and two others, Jane and Ed, who would then become “null” and “entity 303”) convincing himself that they are malicious and want to replace him (when in reality they are basically robot infants).

Then, there was the influence from White Eyes. I’ve previously stated that White Eyes was a void entity but I’ve changed that after a friend suggested it to me and i got hooked on the idea. She’s another test subject, an unstable experiment born from trying to fuse living corporeal matter and void matter (basically she’s an enderman human and various animals hybrid). White Eyes is constantly in pain and this has made her a very vindictive and aggressive being. All voidborn beings have psionic influence and White Eyes has this as well, however it’s not as fine tuned as a natural voidborn like an enderman. Hers is more like an influence. White Eyes rubbed off on Hero, and while she was increasingly immobilized by her dying body, Hero would follow her commands and absorb her emotions like a sponge. They had a very close bond but it was very unhealthy. This was another factor that caused him to commit violent acts.

Anyway, that’s some abiogenesis hero lore for you.

[timegnosticproductions]

Ghosts: BBC vs CBS

It’s been almost a month since I finished BBC’s Ghosts, and I cannot stop thinking about it. It has quickly become one of my favourite TV shows. I watched the US-American version first because it had been plaguing my TikTok FYP. It was a fine show, but it didn’t have the grip the BBC version currently has on me.

This is an exploration of why I found UK Ghosts to be a much more compelling story than US Ghosts, even if they are “the same show”.

DISCLAIMER: There will be spoilers for both shows.

The Main Couple

Underappreciated in both shows, let’s begin with the two livings: Alison and Mike, and Sam and Jay.

Sam and Jay feel, to me, like they just spawned at the beginning of the show. They aren’t people, with lives before the fragments we see, which will continue after the show ends. Sam is the biggest offender of the two. Where are her friends from before she moved to Woodstone Manor? I would understand if she didn’t have any friends over, and we also have to consider that the US is massive compared to the UK, and her friends might live on the other side of the country. But not one call? No facetime? Not even one text message? And let me be clear: I don’t want this to be a show about her living friends, and I don’t need them to be characters in the show, but do Sam and Jay have to be completely cut off from the real world?

Alison and Mike, on the other hand, have a friend group, and when these friends play a role in an episode, the focus is still on the ghosts’ reactions. They don’t distract from the main characters, while still making Alison and Mike feel more grounded in reality.

Character moments vs. cheap jokes

I’m not the first person to point this out, and I certainly won’t be the last, but it’s still worth saying: why would you change a ghost’s powers from Mary reliving the moment of her death, being “burned at the stake” again, and subsequently making the living people that have passed through her smell the burning of the fire that killed her, to a fart joke. Isaac’s life/death is tragic, but his ghost power being “fart” get’s really exhausting really quickly.

Ghost lore

Expanding on ghost powers, let’s talk about the other ghosts. This point, I realise, is less black and white and more about personal preference rather than bad writing. I like that Ghosts (UK) doesn’t always directly answer the viewer’s questions about the afterlife. Some ghosts have powers, and some don’t and the ones that don’t aren’t searching for them. Mary gets “sucked off” but we don’t know what comes next.

In the US version, however, there is explicitly a hell and a heaven, and Elias comes back from hell to tell us what happens there.

That is one of the many charms of the UK version, the uncertainty. What comes next? I don’t want to know.

I also think it helps the emotional punch of Mary’s death (re-death, moving on? idk) land better. If one of the CBS ghosts were to die, the grieving wouldn’t be as devastating, because we know what comes next, and how could we be sad when a character has, certainly, gone to heaven? It could still be made into an interesting episode, maybe exploring the other ghosts’ (especially the older ones) jealousy, who also want to get “sucked off”. Still, I much prefer the uncertainty of Mary’s death (would also very much like to see a main character from the US version move on, just because I would like to see how they handle it when it isn’t a fake out like with Flower).

Found family vs. pair the spares

CBS’s Ghosts has an obsession with romance, to the point where it is quite frankly absurd.

You know when in a fandom there is a four-person friend group (or other even number) and two of those characters are in a really popular ship, so the fandom decides to ship the other two characters together as if they couldn’t be happily single, or aromantic, or whatever? (Author’s note: yes, aromantic people can still date, doesn’t take away from my point.) Yeah, I feel like that watching CBS’s Ghosts. Some characters are single, but I still think there is too much of a focus on romance/sex, with Flower and Thor, Isaac and Nigel, Hetty and Trevor, Pete and Alberta/Donna since he discovered his ghost power, and I’m sure when the series is over I will have more examples. Maybe, if these couples had more chemistry and were properly set up, I wouldn’t be so hard on them, but my point still stands.

Both shows try to pull off the found family angle, but only one of them succeeds. You can’t call it a found family if your only “family dynamic” is “romantic relationship”, that’s just a regular friend group. The Captain and Kitty’s father-daughter relationship is one of my favourite things about the original, and I also love Julian being a sort of mentor to Alison in all things scheming. It can even be played for laughs, with Robin being the “family dog”. None of this charm is carried over to the US-American version, and I really, really wish it was, because it has made me fall in love with the BBC’s version.

Pacing

You know, for a show with 20-ish episodes per season instead of six, you’d think they could take more than an episode to develop a storyline properly. Let’s take a closer look at two storylines that appear in both shows.

Firstly, the one with Alison’s/Sam’s long-lost sister. In the BBC’s version, this is a season-long arch, and it is not solely centred around uncovering whether she is lying, but also discussing Kitty’s jealousy and possessiveness over Alison; and Alison’s deep desire for a family, and how the ghosts have become that for her. And, generally, it makes you believe that Alison would believe the lie, and wouldn’t see the holes in the story, because she just really wanted a sister. Sam’s story plays almost the same but is reduced to a single episode. I know it is the classic sitcom formula, things must return to the status quo by the end of the episode. Still, I wish it wasn’t so rushed.

Secondly, the Captain(s) coming out. In both shows, the queerness of these characters is very obvious, but in the UK version, coming to terms with his queerness and learning to express his feelings is the core of his character. However, the US version takes this in another direction, placing more importance on the budding relationship between Isaac and Nigel (see: my point about this version’s obsession with romance). The UK version is hardly subtle, but compared to the US version… I wouldn’t be so angry if they hadn’t decided to undo their development by having Isaac leave Nigel at the altar.

Bad people vs. bad characters

This discussion should extend beyond Ghosts and into literature/art in general. To quote Oscar Wilde, “It is absurd to divide people into good and bad. People are either charming or tedious.” A character being a bad person doesn’t mean they are a bad character, those two qualities can coexist, but don’t always come together. CBS’s Ghosts seems wary of making any of the characters bad people. BBC’s Ghosts doesn’t have this problem. Julian (the equivalent to Trevor in the CBS version) is a bad person, especially at the beginning of the show. And he is probably my favourite character. He died of a heart attack while cheating on his wife, he didn’t bother to take care of his daughter and he attempted to kill Alison, which ultimately resulted in her being able to see ghosts. He is not nice, and the show doesn’t want you to think that. And you watch him grow throughout the series and it is great.

None of the characters in the US version are bad. This is mostly just a pet peeve of mine, but I do think it makes things much more static. Everyone in this version is just too nice. And too excited about everything. Why is Sam so onboard with the ghosts? Why is she never annoyed with them? And why do they never talk over each other? Do they never get tired of each other? I mean, some of them have been “living” together for centuries!

This topic in particular is something I want to write about more extensively, looking at other shows and fandom perception and that kind of stuff, so I’m going to cut myself here.

Conclusion

I don’t think that CBS’s Ghosts is, like, the worst show ever, it just doesn’t live up to its predecessor. That was just, from my point of view, a really high bar. There is one thing I think it does better than its BBC counterpart, and that is Jay’s relationship with the Ghosts (as opposed to Mike’s), which is to say, he actually has one.

So, yes, CBC’s Ghosts has lots of issues that may come from adapting the story for an American audience, or may just be lousy writing. Either way, I still enjoy it, although the episodes are definitely harder to get through.

[kepnerandavery]

Every single day I think more and more about how the Grey's Anatomy writers fortuitously wrote one of the most poetic relationships to ever exist. And it's a travesty that they don't seem to understand that despite the unchanged popularity of this ship.

They are two completely contrasting characters with the same brand of edgy just in different fonts, and they match each other's energies like no one does. And what I love the most about them is how it's their flaws, not their strengths, that drive their dynamic.

She's fire and he's air. At first glance, that seems like a recipe for disaster. But it isn't when they are both shielded by each other. She ignites his spirits, and he uplifts her. Without her, he's a calm, cool breeze. But with her, he's an ever-changing current with power and warmth. Without him, she's a fiery spark subdued by the world, but with him, she becomes an intense flame ablaze with passion. And when this current and fire get out of control, guess what has the ability to contain and ground them by drawing back their catalyst? Each other!!!

April makes Jackson passionate and forces him to dream bigger. It may be mistaken for impulsivity, but she just stops him from taking the safe roads in life and forces him to live life fully on his terms. On the other hand, Jackson grounds her and provides a safe place for her to truly be herself. He's the only person who ever does that for her. Not man. Person! Not even her family provides that space for her. And that is why she becomes independent and sure of herself with his influence.

Some people justify hating them by saying they would be happier with other people. Don't even get me started! Those two would be miserable with other people. April is so spirited that she would be instantly desolate with anyone other than Jackson because she needs someone who can keep up with her and feed into her positivity. Jackson seems so calm on the outside, but in reality, he is often so turbulent that he would be completely bored with anyone else cause he needs someone who can keep him on his toes and anchor him at the same time.

The only reason that they fell apart after losing Samuel was because that grief made them forget that they couldn't be truly happy without the balance they provided each other. April ran towards something passionately without Jackson, and lost her stability and fire, and Jackson wanted to drift away from her and live calmly, but ended up becoming morbid and dispirited without her. You can literally feel how drained and colourless they become without each other.

Their relationship isn't supposed to make perfect sense because the unpredictability of life influence it, but their dynamic certainly does. And that is why those two keep going back to each other. Sure, they would be fine by themselves. But they're at their best with each other. So basically, they mirror each other, and make up for each other's limitations so they could be the happiest version of themselves. They are each other's spark and tether all at once. And that is why Shonda Rhimes will probably never create a more dynamic ship.

[aventurineswife]

Hi! Can you please do a Sunday from Honkai with shy fem reader. Shy fem reader is based on a wishing star whose grand wishes like the character Star from Disney wish movie 2023 please. Fem reader can fly, does magic & change into a human or star form, sorry about my poor grammar.

Where Dreams and Stars Collide

Summary: On the Astral Express, Sunday notices your inner turmoil and takes the time to connect with you. Through a tender conversation, Sunday helps you confront your idealistic vision of a painless reality, offering wisdom on the balance between peace and growth.

Tags: Sunday x Female!Reader, Shy!Reader, Transformation (Human/Star Form), Emotional Support, Slow Burn, Philosophical Exploration, Light Angst.

Warnings: Mild angst, Reflective themes.

A/N: Might've made some few changes since I have never watched the video (heard a lot of negative comments about it so, idk anymore 💀🧍‍♀️)

The Astral Express had always been a place of strange wonders, a train that traveled across worlds, weaving through stars and galaxies. Among its passengers, one stood out, a being of pure wonder—a shy, ethereal girl who could transform between a human and a shimmering star, her powers guided by the grand wishes she carried deep within her heart. You were the Wishing Star, whose wishes weren't just dreams but destinies in the making, waiting to touch the lives of those around you.

Yet, despite the power you held, you were a quiet soul, hesitant to reveal the full extent of your gifts. Your soft voice was often drowned by the bustle of the train, your delicate hands hiding your magical prowess as you clung to the warmth of your friends aboard the Astral Express. Among them was Sunday, whose presence had always intrigued you. With his golden eyes, navy pupils, and gentle air of nobility, Sunday radiated a calm yet powerful aura. But what caught your attention the most was the quiet kindness he never failed to offer, his gaze never pressuring you, always patient.

One evening, as the train moved through a quiet sector of space, you stood near the window, gazing out at the shimmering cosmos. The stars outside felt so distant, just like your own desires—grand and untouchable. The wishes you kept locked away, the dreams that could never truly come true. You let out a small sigh, unaware that someone had quietly approached behind you.

"Is something troubling you, my star?" Sunday’s voice was soft, a question wrapped in understanding.

You turned, startled by his sudden presence. His smile was warm, and though you were nervous, you managed a small nod. It was rare for you to speak openly, but Sunday’s gentle demeanor made it easier. “I… I wish to help others. I want to make their dreams come true, but… I’m not sure how.”

Sunday’s eyes softened as he observed you, his gaze steady but not intrusive. “You have a grand wish inside you, one that can light the universe. But sometimes, even the brightest stars must be patient and trust in their path. You’ve already helped more than you know, just by being you.”

You looked down at your hands, a faint blush coloring your cheeks at his words. “But my wishes… they’re so big. I can’t do it all at once.”

He moved closer, his presence comforting, as if the weight of the cosmos itself had lifted in his gaze. "Not all wishes need to come true at once. Some dreams take time to grow, and others are meant to be shared." He paused, his voice dropping to a soft whisper. "A world without pain… where people can escape the suffering of life, is that not the dream you hold?"

Your heart skipped a beat. He understood. You had always kept that wish hidden, unsure of how others would react. "Yes," you whispered, meeting his eyes. "A place where everyone can be at peace, away from pain and hardship."

Sunday smiled, the faintest hint of sadness in his eyes. "It’s a beautiful wish, my star. But sometimes, the world needs more than just peace. People grow through struggle and loss, even when they cannot see it themselves."

You hesitated. “But isn’t it better to escape the pain? To live without suffering?”

Sunday's gaze became distant for a moment, a quiet ache in his expression. "I once thought the same, that people could be free of their suffering. But the truth is, peace without growth is an illusion. The dream you wish to create—it's not weakness, but a mercy. Sometimes, all we can do is protect others from the pain we cannot shield ourselves from."

His words echoed in your heart, a blend of his own philosophy and his understanding of your wish. You felt a warmth spread through you, not from the bright stars, but from his words, his gentle nature. For the first time in a long while, you felt understood.

"Thank you, Sunday," you murmured, your form flickering with soft, golden light as you began to shift between your star and human form.

Sunday chuckled softly, his voice a melodic hum that soothed your soul. "You are more than welcome. And remember, you are not alone in your journey. We all have our dreams, even if they are vast and complex. Together, we can help them take shape."

You blinked, surprised by his words. "We?" you asked quietly.

His eyes softened, a knowing smile tugging at his lips. "Yes, my star. I may not fully share your vision, but I will always be here to help guide you." He reached out a hand, gentle yet firm. "The universe is vast, and though it can be full of pain and hardship, it is also filled with the possibility of dreams. And those dreams are worth fighting for."

As you gently placed your hand in his, a quiet understanding passed between you. For the first time in a long while, you felt as though your wishes could truly matter.

And maybe, just maybe, you weren't so alone in the world after all.