#she wants the world to understand her. so her powers are about changing reality to fit her perspective. but THEN
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And no one in the world can see through you...
I think one of the most important and acute themes of the drama is the desire to be seen, to be real for someone. The desire is so greedy and desperate that many heroes are ready to die for it.
Because without this feeling of being seen and understood, they feel like they are in an endless dream. Not so real. And for the opportunity to become real, they are ready to pay with pain and life.
Ying Lei and Bai Jiu both died trying to do something meaningful for their special person. Striving to be the one who changes something - himself, alone. And maybe that's why they were so reckless.
Li Lun sacrificed his immortal existence to become a real man for one day - the man Zhao Yuanzhou will not forget.
The bird goddess understands that this Fei is not real - and understanding this, she kind of see the real Fei in her heart.
And therefore she feels it as if they are finally together.
This is a desperate, beautiful but painful desire to have someone who sees you and whom you see, someone who will illuminate the darkness of your loneliness, especially acute and painful for those who are used to feeling like an "anomaly".
The drama also raises the social aspect - about how anomalies are not accepted by society, are seen distortedly and falsely, and this experience of social invisibility makes the desire to find someone who will see and understand the real you even stronger - sometimes dangerous and even destructive.
All the characters are in some sense are dreamers in a dream and puppets in a play.
And in this play you can go beyond the given role, show a glimmer of your true self only at the moment when your role ends. And every hero here dies looking at the one for whom they wants to become real most of all.
This interestingly reflects the fact that under censorship, a lot can only be shown at the cost of the hero's death. Like queer couples in censored dramas, they usually die in the finale (at least one of them). Antiheroes who reject the laws of this world's also usually assert their right for sympathy with a selfless death.
But in reality, a person asserts themself and finds understanding not through death, but through life. It is not the final sacrifice, but the path traveled that matters.
And this is where I see the meaning of Zhao Yuanzhou's path.
He could have died in the middle of the story - and the villain would not have received his power, and the world might not have needed to be saved.
But then ZYZ would have died unrecognized and misunderstood, lonely.
But thanks to the path traveled, he finds someone who sees him, who understands him, who loves him and makes him real.
And for Zhuo Yichen, this is no less important - for someone who was afraid of his dreams and therefore lived as if in a dream, for someone who was afraid of that unconscious part of himself. And therefore, diligently fulfilling his social role, he did not get close to anyone.
But the more alive and real they become together, the tighter the web of fate becomes. As if resisting their desire to be together.
And yet I would like to think that this desire and their mutual reality turns out to be stronger than the tragic scenario.
Like at the moment when Zhuo Yichen was supposed to die together with the villain, but did not die because the Zhao Yuanzhou's spell "recognized" him.
This desire to stretch the thread of connection through all obstacles, barriers and through death itself is very tangible in the way they're holding hands.
And this courage not to let go even when it seems the universe itself is separating you plays a key role in the finale.
"I recognize only the principles of my heart," says Li Lun.
And I like to think that along with his power, he passed on to Zhuo Yichen a part of his rebellious spirit and gave Yichen the courage to resist fate.
Yichen too manages to save part of Yuanzhou's soul because he knows that soul truly. They manage to pull this theme of mutual recognition into a situation as far away from an act of love as possible.
This "I knew you would do this" "and I knew you would do this, and that's why I do something else" and "you're still so..." - as both recognition of "it's you" and surprise and recognition anew.
They are both tied with ropes to their roles, like puppets of a demon who fulfills wishes. But they see each other beyond these roles. And with his final act, Zhuo Yichen seems to connect their destinies beyond the boundary where their roles end.
Zhao Yuanzhou had to fulfill his role as a sacred sacrifice and leave. Zhuo Yichen had to fulfill his role as an instrument on which Yuanzhou would make his sacrifice. But Yichen, taking on an active role in a situation of impossible choice, goes beyond the role of an instrument - and thanks to this, he can do what does not fit into this role.
Save Zhao Yuanzhou's life and connect their fates beyond the fulfillment of the prophecy.
And now they're both free.
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Ghosts: BBC vs CBS
It’s been almost a month since I finished BBC’s Ghosts, and I cannot stop thinking about it. It has quickly become one of my favourite TV shows. I watched the US-American version first because it had been plaguing my TikTok FYP. It was a fine show, but it didn’t have the grip the BBC version currently has on me.
This is an exploration of why I found UK Ghosts to be a much more compelling story than US Ghosts, even if they are “the same show”.
DISCLAIMER: There will be spoilers for both shows.
The Main Couple
Underappreciated in both shows, let’s begin with the two livings: Alison and Mike, and Sam and Jay.
Sam and Jay feel, to me, like they just spawned at the beginning of the show. They aren’t people, with lives before the fragments we see, which will continue after the show ends. Sam is the biggest offender of the two. Where are her friends from before she moved to Woodstone Manor? I would understand if she didn’t have any friends over, and we also have to consider that the US is massive compared to the UK, and her friends might live on the other side of the country. But not one call? No facetime? Not even one text message? And let me be clear: I don’t want this to be a show about her living friends, and I don’t need them to be characters in the show, but do Sam and Jay have to be completely cut off from the real world?
Alison and Mike, on the other hand, have a friend group, and when these friends play a role in an episode, the focus is still on the ghosts’ reactions. They don’t distract from the main characters, while still making Alison and Mike feel more grounded in reality.
Character moments vs. cheap jokes
I’m not the first person to point this out, and I certainly won’t be the last, but it’s still worth saying: why would you change a ghost’s powers from Mary reliving the moment of her death, being “burned at the stake” again, and subsequently making the living people that have passed through her smell the burning of the fire that killed her, to a fart joke. Isaac’s life/death is tragic, but his ghost power being “fart” get’s really exhausting really quickly.
Ghost lore
Expanding on ghost powers, let’s talk about the other ghosts. This point, I realise, is less black and white and more about personal preference rather than bad writing. I like that Ghosts (UK) doesn’t always directly answer the viewer’s questions about the afterlife. Some ghosts have powers, and some don’t and the ones that don’t aren’t searching for them. Mary gets “sucked off” but we don’t know what comes next.
In the US version, however, there is explicitly a hell and a heaven, and Elias comes back from hell to tell us what happens there.
That is one of the many charms of the UK version, the uncertainty. What comes next? I don’t want to know.
I also think it helps the emotional punch of Mary’s death (re-death, moving on? idk) land better. If one of the CBS ghosts were to die, the grieving wouldn’t be as devastating, because we know what comes next, and how could we be sad when a character has, certainly, gone to heaven? It could still be made into an interesting episode, maybe exploring the other ghosts’ (especially the older ones) jealousy, who also want to get “sucked off”. Still, I much prefer the uncertainty of Mary’s death (would also very much like to see a main character from the US version move on, just because I would like to see how they handle it when it isn’t a fake out like with Flower).
Found family vs. pair the spares
CBS’s Ghosts has an obsession with romance, to the point where it is quite frankly absurd.
You know when in a fandom there is a four-person friend group (or other even number) and two of those characters are in a really popular ship, so the fandom decides to ship the other two characters together as if they couldn’t be happily single, or aromantic, or whatever? (Author’s note: yes, aromantic people can still date, doesn’t take away from my point.) Yeah, I feel like that watching CBS’s Ghosts. Some characters are single, but I still think there is too much of a focus on romance/sex, with Flower and Thor, Isaac and Nigel, Hetty and Trevor, Pete and Alberta/Donna since he discovered his ghost power, and I’m sure when the series is over I will have more examples. Maybe, if these couples had more chemistry and were properly set up, I wouldn’t be so hard on them, but my point still stands.
Both shows try to pull off the found family angle, but only one of them succeeds. You can’t call it a found family if your only “family dynamic” is “romantic relationship”, that’s just a regular friend group. The Captain and Kitty’s father-daughter relationship is one of my favourite things about the original, and I also love Julian being a sort of mentor to Alison in all things scheming. It can even be played for laughs, with Robin being the “family dog”. None of this charm is carried over to the US-American version, and I really, really wish it was, because it has made me fall in love with the BBC’s version.
Pacing
You know, for a show with 20-ish episodes per season instead of six, you’d think they could take more than an episode to develop a storyline properly. Let’s take a closer look at two storylines that appear in both shows.
Firstly, the one with Alison’s/Sam’s long-lost sister. In the BBC’s version, this is a season-long arch, and it is not solely centred around uncovering whether she is lying, but also discussing Kitty’s jealousy and possessiveness over Alison; and Alison’s deep desire for a family, and how the ghosts have become that for her. And, generally, it makes you believe that Alison would believe the lie, and wouldn’t see the holes in the story, because she just really wanted a sister. Sam’s story plays almost the same but is reduced to a single episode. I know it is the classic sitcom formula, things must return to the status quo by the end of the episode. Still, I wish it wasn’t so rushed.
Secondly, the Captain(s) coming out. In both shows, the queerness of these characters is very obvious, but in the UK version, coming to terms with his queerness and learning to express his feelings is the core of his character. However, the US version takes this in another direction, placing more importance on the budding relationship between Isaac and Nigel (see: my point about this version’s obsession with romance). The UK version is hardly subtle, but compared to the US version… I wouldn’t be so angry if they hadn’t decided to undo their development by having Isaac leave Nigel at the altar.
Bad people vs. bad characters
This discussion should extend beyond Ghosts and into literature/art in general. To quote Oscar Wilde, “It is absurd to divide people into good and bad. People are either charming or tedious.” A character being a bad person doesn’t mean they are a bad character, those two qualities can coexist, but don’t always come together. CBS’s Ghosts seems wary of making any of the characters bad people. BBC’s Ghosts doesn’t have this problem. Julian (the equivalent to Trevor in the CBS version) is a bad person, especially at the beginning of the show. And he is probably my favourite character. He died of a heart attack while cheating on his wife, he didn’t bother to take care of his daughter and he attempted to kill Alison, which ultimately resulted in her being able to see ghosts. He is not nice, and the show doesn’t want you to think that. And you watch him grow throughout the series and it is great.
None of the characters in the US version are bad. This is mostly just a pet peeve of mine, but I do think it makes things much more static. Everyone in this version is just too nice. And too excited about everything. Why is Sam so onboard with the ghosts? Why is she never annoyed with them? And why do they never talk over each other? Do they never get tired of each other? I mean, some of them have been “living” together for centuries!
This topic in particular is something I want to write about more extensively, looking at other shows and fandom perception and that kind of stuff, so I’m going to cut myself here.
Conclusion
I don’t think that CBS’s Ghosts is, like, the worst show ever, it just doesn’t live up to its predecessor. That was just, from my point of view, a really high bar. There is one thing I think it does better than its BBC counterpart, and that is Jay’s relationship with the Ghosts (as opposed to Mike’s), which is to say, he actually has one.
So, yes, CBC’s Ghosts has lots of issues that may come from adapting the story for an American audience, or may just be lousy writing. Either way, I still enjoy it, although the episodes are definitely harder to get through.
#tgnostic's babbling#bbc ghosts#cbs ghosts#julian fawcett#the captain#bbc ghosts captain#alison cooper#mike cooper#sam arondekar#jay arondekar#isaac higgintoot#mary guppy
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Ignoring Reality Makes No Sense When You Are Reality
Pay attention to the 3d because what you say about it tells you where you are in consciousness. If you know the outer world is based on your inner world, you don’t need to ignore it. If anything you should laugh bc Mrs. 3D really thought she was doing something like girl bye.
This notion that you need to "ignore reality" in order to get what you want is wack asf and it pisses me off honestly. Why would you ignore reality when you are reality itself? When somebody calls you by your favorite nickname, are you gonna ignore them because you like that name or will you answer since it’s your name????
The 3d is a reflection of old and present thoughts and your state of awareness. How you respond internally is what determines what is happening externally. Change the meaning to what you “see” with your physical eyes and see with your mind’s eye that which you are now choosing to experience. Are you gonna ignore your sp, new money, house or car now bc they are in your 3d???
Your reality/3d only becomes real when you are getting what you want? Are you serious? Who told you that? You need to stop listening to that person. The 3d is you. So if reality isn't real, that means you aren't either boo. How can you be reading this post right now if the 3d isn't real?? Are you dreaming right now or something? Don't take people's advice just because they might be popular or get a lot of attention. Listen to what they say and actually see if it makes sense. Most of the times it doesn't. If you want to ignore reality, go ahead and ignore yourself for a week and see how that goes.
There were times people would tell me I couldn’t have something or do something because it’s too expensive or whatever and every time I’d respond back in my mind like “no wtf. It’s cheap asf actually.” I used this to lower my rent (somebody pays it for me now) and medications costs and ofc flights. Literally anything I want because I have come to understand that it’s just me.
Similarly, it’s just you in your reality. The 3d is you and you shouldn’t fear it. Let it remind you of who you now are— the creator that has everything they want. Giving her power and trying to act like she isn’t there makes zero sense. Now that you have all your desires, are you gonna act like they are not real because you can “see” them in the 3d? No. That would be stupid and nonsensical.
#itsrlymine#loa success#sucess story#law of assumption#pure consciousness#manifesting#dream life#manifestation#loassumption#i am awareness#lawofassumption#void state#shifting#shiftblr#shifting community#shifting blog#imagination is reality#reality shift#success story#shifters#loa blog#loa tumblr#instant manifestation#desired reality#living in the end
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I NEED to talk about this so bad so bad so bad I couldn't just scream in the replies because Eve is my favorite character to think about in the whole world, like???
she's so wonderfully flawed, complex and multifaceted, and her relationship with Zuke goes much more deep than "she's just jealous of Mayday"
it's the fact that Eve yearned for Zuke (or really, anyone) to COMPLETE her because she fully rejects a whole ass half of who she is - the PINK side, the one that is more aggressive judging by Mayday's side of the battle, the one that is stronger and more impactful, a color that is EXTREMELY hard to ignore which she loudly presents as EVE, not as Nadia (WHICH COULD. BE SOMETHING THAT SHE AND MAYDAY COULD BOND OVER. IM JUST. SAYING.)
As opposed to the WHITE side, that represents her quietest, most vulnerable and lonely parts, if the white room during her talk with Zuke is anything to go by. also the color she used to conceal her uniqueness when she was younger
so when Zuke finds someone who, instead of completing him, COMPLEMENTS him, it's obviously Eve's wost nightmare. Because this really showed that he could live without her, he could go on without her and she's still carrying him everywhere she goes. Her fucking JACKET is literally Zuke's hair shape and palette???? SHE HAS THE BROKEN HEART MADE OUT OF BOTTLES FROM WHEN THEY WERE IN COLLEGE???
when you go around exploring her district, you get THIS when interacting with a sculpture that's a bunch of hands
MAYDAY: Hmmm. Is this supposed to be symbolic of how grabby Eve is...? This is way too abstract for me to understand. ZUKE: It's a symbol of her lowest point in life, and how Eve felt helpless no matter what she did. I guess she stil can't let it go.
AND THEN HER BATTLE LEVEL IS FULL OF HANDS HANGING AROUND, HURTING AND GRABBING MAYDAY AND ZUKE. BECAUSE THIS MOMENT IS REALLY EVE'S WORST NIGHTMARE, to have the ONE person she's put on a pedestal come back to show how he replaced her with someone who doesn't EVEN come close to the level of artistic view she and Zuke share???
and we didn't even get into the fact that Eve sees herself as a stepping stone and a tool to be used by others, and it's shown so many many many times through her art it's PAINFUL
LIKE. there's the OBVIOUS chair moment, the fact that she directly says that a chair without a seater has no purpose - she has no purpose if she's not being perceived or adding anything to this world. she's not worthy of taking up space unless it's useful or meaningful to anyone in any way. LIKE YOU SAID IN THE REPLIES, EVERYTHING ABOUT HER SCREAMS "LOOK AT ME"???
And there's a LOT of art sculptures in her district that directly tell you how much she cares about the outside world - a lot of sculptures are to help with the flooding, some are to filter water, others are just to repay the kindness of those who supported her when she began her career. when Zuke abandons her, she immediately goes on to become an icon for those who struggle with similar issues.
it makes sense that she's Tatiana's right hand-woman because Tatiana embraces all of her, therefore she must repay the love and acceptance she received
and like. the extreme close up on Eve's eyes when Mayday tells her that Zuke is better than her? I always interpreted that as Eve's realization of. Zuke never needed her in the first place, she did.
the broken mirrors motifs in her battle are just. so important to me. because it really feels like Eve is looking at the whole world through a one way mirror, and she wants everyone to see what she sees, but there is a barrier and she REALLY cannot cross to fully connect with anyone - hence wanting to elevate others to her level instead
I think so much. about the fact that her hair falls over that specific white half, and how that correlates to Eve being both desperate to find genuine connection and at the same time, refusing to show vulnerability again.
The duality of her WHOLE character is so good??? she wants to put herself out there, to be perceived, so that those who are misunderstood like her can feel less lonely, she struggled so much with how the world saw her and perceived her throughout her entire life. but then she isolates herself through her art and uses the world's perception of herself, NSR's quirky diva, as a weapon when she feels threatened and continues to put up barriers and obstacles for those who want to genuinely connect or help??????
IM NOT EVEN DONE SORRY GUYS IM NOT DONE. BECAUSE THE ALBUM COVERS ARE SO GOOD FOR STORYTELLING TOO
in here, Eve's eyes are wide open and the mirror is cracked - because her perception of reality, the unique view she clinged onto that she wanted others to understand but also set her apart and made her lonely, has been shattered and challenged. there's that distinct separation between her two halves
BUT AFTER HER TALK WITH ZUKE???
THE PINK AND THE WHITE MIX TOGETHER. Like she's REALLY taking his words into consideration and coming to terms with accepting she doesn't need anyone to complete herself, she's enough on her own??? but it's still a very hard pillow to swallow, so her eyes are closed
OK I'LL SHUT UP NOW THANK YOU GOODBYE
Thinking about Zuke and Eve and her powers and his ability to always see her.
Yes, he can see her art, yes he can understand it to an admirable degree. He can explain her thought processes and methodology in a subject that he really knows nothing about aside from the fact that she considers herself one with it.
But through all of what she covers herself with he can see her.
He knows her.
He knows her well enough to explain the sheer incomprehensible matter that she made herself to be to someone who's never seen her.
He can tell May when to focus and he can warn her of Eve's 'performance,' whatever way she'd prefer it called.
Something about the concept of "he's nothing without her and yet he figured out how to see her all on his own."
And the fact that in the beginning of the battle May quite literally is unable to see her while for Zuke this is a normal occurrence. To May, nothing was there, but he knew better.
How many times have they done this?
How many instances have there been where someone else had to question who Zuke's even talking to if they walked in on everything—because, to an outsider, there is nothing. To an outsider, Eve is nothing when she doesn't want to be. Or maybe even more than that, maybe it isn't always intentional. Maybe she does truly hide herself under however many layers and metaphors she can manage but he will always see her.
Something about her calling him nothing without her when art needs to be perceived to be considered "art" and he can see everything.
And at the same time... he can't.
He may have tried so hard, he may have come so close to seeing the full vastness of her, and yet even he couldn't see it all at once. Only mere glimpses of her 'greatness.' And she wants it to be a challenge. Something to be earned. A great, arduous task that only one person can ever even fathom to succeed in.
And he came close.
He came so, so close.
But maybe in her eyes, he gave up on her. He failed. And instead of trying again, trying to make himself up to the task, he chose to run away.
Something about her never truly perceiving herself as whole without someone else and being met with that person who nearly was everything she needed who is now telling her she already is whole, she just has to find herself first.
#IM SO IM SOS OSOSOSOS NORMAL ABOUT HER GUYS I PROMISE I MSO FUCKIGNN ORMAL ABOUT EVE#SORRY FOR HIJACKING YOUR POST NYM I JUST. REALLY LOVE HER. AND YOU HAD SO MANY GOOD THINGS TO SAY ABOUT HER#i love how much of a hypocrite eve is actually. shes everything to me#she wants the world to understand her. so her powers are about changing reality to fit her perspective. but THEN#she uses those powers to CONCEAL herself. GIRL! GIRL WHAT DO YOU WANT!!! I LOVE YOU GIRL!!!!#I didn't talk about zuke bc this post already got long im sorry again teehee#but zuke's speech at the very end when he apologizes to eve? much. to. think. about#when he goes 'i wish i was like you. but im not' and she insists on trying again#really put a spotlight onto zuke's inferiority complex which i dont see many ppl talk about#the pressure of being eve's only anchor and support. but then not being able to meet her expectations and level#the pressure of looking up to your big brother but then. not being respected by him and living in his shadow all the time#zuke can only understand nadia through her art. not as a person. because she needs to see herself as a complete human being first
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Waste a Moment / Part 2
Summary : Bucky had always kept his distance, but seeing you get hurt on a mission changed everything. For the first time, he has a chance to start over with you.
Pairing : Bucky Barnes x avenger!reader (she/her)
Warnings/tags : Mentions of food. Cursing. Memory loss. Head injury. Reader used to work in a museum.
Requested by : @remoony
Word count : 2.7k
Note : Thank you so much for all the love ya’ll! Let me know if you want to be tagged in the next part!
Series Masterlist
“No Kin”
Monday morning.
The next couple of hours were a blur.
The harsh, sterile scent of antiseptic filled your lungs, the fluorescent lights buzzed overhead, burning a too-bright, clinical glow in your corneas. Sam's voice faded in and out, his words distant, like they were filtering through a thick fog. Everything felt disconnected, alien, as though you were drifting underwater. The reality around you belonged to someone else.
In a way, it did.
You blinked, trying to focus, but even the sharp edges of the medical bay seemed to blur at the corners. The walls seemed to close in with a claustrophobic pressure that made it hard to breathe.
You sat on the edge of the bed, staring at your hands as Sam stood in front of you. To his credit, he had been sympathetic— but he was also mourning.
He was mourning a friend he had lost in you.
Still, he tried.
He told you about the last four years—how you had left the museum to train with the Avengers after an expedition to recover a powerful object in an archeological site three years ago. He told you how you had become a hero, fighting alongside some of the world's most powerful beings. He showed you pictures of you standing side by side with the Earth’s Mightiest Heroes, who you swore only knew by reputation.
It sounded surreal, like he was describing someone else's life, not yours.
Sam’s words drifted around you like a static charge. You nodded when you were supposed to, said the awkward yes here and there.
Sam hesitated every other second, his gaze soft but uncertain as he searched your face for some glimmer of recognition. His voice was steady, but there was a quiet strain as he forced himself to hold it together.
Every time you failed to react to something that should have meant something to you, you noticed the brief hurt in his eyes, quickly masked. He pushed forward, pausing longer between sentences.
Deep down, you couldn’t shake the feeling that this wasn’t your life. You were supposed to be at the museum, curating exhibitions, setting up tours for students.
“You’re safe,” Sam had reassured. “We’re keeping you here until we know more about what happened. Until we can help you remember.”
But you couldn’t remember any of it—this life, this version of you that everyone else was all so sure of.
Bucky had been by your bedside for days, but even looking at him made your head spin. You knew him, of course you did—everyone knew Bucky Barnes, the Winter Soldier, the reformed hero.
But the way he looked at you, with so much pain and familiarity, made your stomach churn.
Why was he so devastated? What had you meant to him?
You needed answers, and you knew you wouldn’t find them in the clean, white, sterile room they kept you in.
Monday afternoon.
As the compound grew quiet, you decided you couldn’t stay there any longer. You didn’t trust yourself, didn’t trust this world they said belonged to you.
So you slipped out, wearing whatever clothes you could find that fit you— black jeans and a white shirt.
As you slipped through the compound's corridors, the faint hum of security cameras buzzing overhead felt like an accusation. Your heart pounded in your chest, each beat a reminder of how wrong everything felt. The shadows wrapped around you, familiar but unsettling, your muscles tensed with a mixture of fear and instinct that you didn’t fully understand. Your hands trembled as they brushed against the cold metal doors, the sound of your shallow breaths loud in your ears, blending with the adrenaline that coursed through your veins.
Sneaking past the security measures was easier than it should have been. It made sense, the more you thought of it. The compound was made to stop people from coming in, not prevent people from getting out.
Muscle memory guided your steps, an invisible map in your head kicking in without you understanding where they had come from. You moved through the halls like a ghost, heart pounding as you made your escape.
Your destination was clear—the museum. The place where your real life had been. The place that made sense.
—
When you arrived, using the staff entrance which you knew the code to, everything was wrong.
The exhibits were slightly different, the lobby had been renovated, and even the lighting felt a bit brighter than it should’ve been.
You wandered the halls in a daze, your breath catching in your throat as you stumbled through what felt like someone else’s reality. How could everything have changed so much in such a short time?
Four years—they said you’d lost the last four years, but it didn’t feel like four years to you. It felt like a blink. A gap you couldn’t explain.
And then you saw her— a young woman with long black hair and a suit.
Alex!
You knew Alex! She was the intern you had hired what felt like just a month ago.
She was older than you remembered, taller, with a hint of maturity in her features.
Alex froze for a moment, her eyes widening as though she had just seen a ghost. Her smile faltered, the shock on her face poorly hidden behind an awkward attempt at casualness.
She whispered your name.
"I—I haven’t seen you in so long," she stammered, her voice tinged with confusion. There was a pause as the distance between you felt like it had stretched for miles.
The version of Alex you remembered, eager but shy, was worlds away from the composed woman standing in front of you. The gap between what you thought you knew and what was real now felt more disorienting with every passing second.
She gave you a sisterly hug, squeezing you tight. When she pulled back, she asked. “What are you doing here? You—”
“I work here,” you interrupted, your voice shaky, your grip on reality slipping on thin ice. “I—I hired you. Last month.”
Alex’s expression shifted to shock. “You quit. Four years ago. You left to train with the Avengers. I thought you were on some mission.”
Your heart sank.
It didn’t make sense. None of it made sense. You backed up a step, your mind whirling, trying to reconcile the reality facing you with the one you remembered.
“I quit?” you whispered, more to yourself than to her.
Alex nodded slowly, confused. “Yeah, you… you told us you had to go help save the world or something. We thought you were pretty badass, actually.”
The realisation of it hit you then, hard and fast. The truth that everyone had been telling you, the facts you had refused to believe—it was all real.
You had been gone for four years. You had left behind the life you thought was yours, and now you were standing in the ruins of what was once familiar, a stranger in your own world.
You finally believed them.
Your legs felt weak, and you reached for a nearby display case to steady yourself. The room spun around you, the shock sinking in with every beat of your heart.
You had become someone else, someone you didn’t recognise.
Tears pricked at your eyes, and you didn’t know if they were from the overwhelming grief of losing the life you thought you had or the fear of the unknown that now lie ahead you.
You looked back at Alex, who stood there awkwardly, unsure of what to say.
“I—” you started, but the words wouldn’t come. How could you explain the gap in your memory? How could you make sense of a life you couldn’t remember living?
“Do you want to tell me?” Alex asked gently, sitting you down on a bench to the side of the main hall.
Alex had her hands folded in front of her, fingers tense, her eyes searching your face as if trying to read something in your expression that wasn't truly present. The familiarity in her gaze was unnerving, as though she saw something in you that you couldn’t find in yourself.
Taking a slow breath, you began. The words felt heavy, tangled in your throat, but you forced them out, piecing together the fractured shards of memory. You told her what you knew—or rather, what you didn’t.
You spoke of waking up in the compound, of how nothing seemed to fit, the way the people around you treated you like a ghost of someone you couldn't remember being. Each sentence seemed to echo with uncertainty, the fragments of your life splintering as you said them out loud.
Alex’s face shifted as you spoke, her initial composure cracking. Her eyes grew darker with every word, her mouth tightening at the corners as she tried to hold onto the version of you she knew. Her hands trembled slightly as they unfolded, offering to hold your hand.
You watched her as you spoke, the silence between your sentences growing uncomfortable. The pain in her eyes mirrored the unease inside of you, a recognition of everything that had been lost, even if you couldn’t name it. When you finally finished, there was nothing left but the soft sound of echoes throughout the halls.
Finally, Alex shuddered, before giving you a small, sad smile. This must be so difficult for her to take in, and yet she was still here, as a friend.
“It’s okay,” she said softly. “You’re always welcome here.”
You weren’t sure if that was comforting or not, but you nodded anyway, swallowing the lump in your throat.
It was real. All of it. And now, you had no choice but to face the truth.
You weren’t the person you thought you were anymore.
—
You wandered through the museum in a haze, your footsteps echoing softly in the dimly lit corridors. It was after hours now, the building nearly silent except for the distant hum of air conditioning and the muffled sounds of your breathing. You didn’t know why you stayed, but something kept pulling you forward, drawing you deeper into the heart of the exhibits. The old, familiar halls felt like a sanctuary, a place where time had paused, even if your own life had raced ahead without you.
That’s when you found it—the World War II exhibit.
The dark wood floors and vintage lighting gave the room a nostalgic feel, a place frozen in time, just like the stories held within it. You wandered past the displays of uniforms, medals, and grainy black-and-white photographs of soldiers who had once fought for a future they believed in. Then you stopped.
Sergeant James Buchanan Barnes.
His name was etched in bronze on a plaque beneath a glass display case. Besides his photograph was a set of his old military clothing, neatly arranged—his jacket, trousers, and a pair of worn boots, remnants of a life long past.
You didn’t remember him, not really. But standing there, looking at that face, you felt a pull. Something deep and bittersweet. Something that said this man, whoever he was, mattered.
You stayed there, frozen, for what felt like hours. Trying to piece together a past that didn’t feel like yours. A life you had lived but couldn’t remember. The weight of it all pressed down on you, leaving you feeling untethered, lost.
You felt a tug in your chest as you stared at the sepia-toned image of Bucky once again—the Bucky from another time, another world. His boyish grin was a far cry from the man you’d seen at the compound, a man worn by time and experience.
Your own breath sounded too loud in the quiet of the exhibit, and the steady thrum of your heartbeat made the walls feel closer than they were.
Then came the voice that broke the silence. Low, hesitant. “I thought I might find you here.”
You turned sharply, your pulse quickening. Bucky stood in the doorway of the exhibit, his figure half-shadowed by the dim light. His face, though calmer now, held that same unreadable look from earlier—like he was carrying something heavy, something aching. His hands were shoved deep into the pockets of his jacket, as if he didn’t trust himself to move them.
“I—uh, yeah,” you stammered, the edges of your voice shaky as you tried to steady yourself.
Bucky took a few steps forward, his movements careful, as if he feared he would you. His gaze drifted to the display, lingering on the younger version of himself. For a moment, you saw something flicker in his eyes—a glimpse of the man he once was.
“You found me,” he murmured, his voice barely more than a breath.
You nodded, swallowing hard.
When you tried to speak, your voice faltered, the words catching in your throat. Bucky didn’t seem to notice, too focused on the shadow of his past.
“I don’t remember,” you finally whispered. The words tumbled out before you could stop it, the guilt that followed sinking deep in your chest. “I’m sorry.”
Bucky’s face didn’t change much, but you saw the slight tightening of his jaw. “It’s not your fault,” he said quietly, his voice calm, with a rough edge.
“But I should,” you said, frustration slipping into your voice. “I don’t know where I fit in any of this.”
Bucky stood beside you now, not quite close enough to touch, but close enough that you felt the warmth of his presence. He let out a slow, deliberate breath, as if he’d been holding it in since the moment he’d walked in. “I know what that’s like,” he said, his voice soft, almost too quiet. “More than you think.”
His words hung between you, and you could feel the truth he carried. He didn’t have to say more—you knew he’d been through this, lost in a world that didn’t fit him anymore.
You had lost 4 years of your life.
They took nearly a century of his.
“How did you deal with it?” you asked, your voice a fragile thread, almost afraid to hear the answer.
Bucky glanced at you, his eyes softened, but you could see the battle behind them—the countless days of grappling with the man he used to be and the man he was now. He looked back at the display, his shoulders tense. “I didn’t… not at first. But there were people who reminded me I wasn’t alone.”
If only you knew, he thought, that one of them was you.
His words made your throat tighten. You swallowed hard, unsure of what to say. The man you were standing next to wasn’t just a stranger—he was someone who had known you, helped you, maybe even saved you. And now, you were the stranger in your own life.
You felt a lump form in your throat, your heart aching with a mix of confusion and fear. “I don’t know where to start,” you whispered.
Bucky’s gaze softened, his voice gentle when he spoke. “You have an apartment not far from here,” he said, “Yelena and I helped you move in last year. I could take you home?”
That was kind of true. Yelena helped you move in as he silent carried the heaviest of boxes since he was the only one without a mission that day who could.
You blinked, taken aback by the sincerity in his words. “I— I don’t know if I should be alone.” You told him, not knowing if you trusted yourself enough.
“I have a spare bedroom, if you need to stay with someone for a while?” The significance of his offer hung between you, heavy and raw.
You might not remember him, and you might never get these four years back. But you’re still you, to some extent. This was the least he could do.
Maybe, maybe this was his chance to start over with you.
After all, he did promise you that when you woke up, he’d make it up to you.
You took a shaky breath, feeling a strange mixture of relief and sadness. “That sounds… good,” you said softly, your voice trembling.
You might not remember him, but you could tell that you trusted him.
For a moment, you both stood there, the quiet of the museum wrapping around you like a fragile cocoon. The past might have been lost, but standing here, in front of Bucky’s old life and the pieces of your own forgotten history lost to the fray, you felt something solid you could finally hold on to.
-to be continued…
Taglist: @hzdhrtss @irisk12 @tayyyystan @seventeen-x @lomlbuckybarnes
@greatenthusiasttidalwave @avatarofthetimelords @bckynatt @winchestert101 @zemosprincesa
@nngkay @hiireadstuff @sapphirebarnes @thatesqcrush @bethexo07
@florie1 @nyutasgirl @coraliix @harrysgothicbitch @jules-and-gemss
@infqnitysblog
#bucky barnes x reader#bucky barnes x you#bucky barnes fluff#bucky barnes imagine#bucky barnes fanfiction#bucky barnes#bucky x reader#bucky x you#bucky barnes x female reader#james buchanan barnes#james bucky barnes#bucky barnes x f!reader#Sebastian stan#Sebastian stan x reader#bucky barnes fanfic#bucky barnes angst#Bucky barnes x reader angst#bucky barnes x reader fluff
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YOU ARE THE ONE & ONLY INNER SELF 𖥔
WHAT IS INNER SELF?
inner self is you. it is imagination. it is god. it is power. it is reality. it is identity. it is you.
"the one in you that imagines, is you. that is the one who is desiring. that is the one wants to be exalted. that is the one who wants to have their desires fulfilled."
INNER SELF VS THE 3D
you are the inner self. there is only self. since it is always inner self / inner assumptions that gets expressed, there is no 3d. the 3d is always neutral and therefore dead. you are the inner self which is also taking on the role of a human in the '3d'. but since the 3d is always molded by inner self, the 3d is just a form of inner self; it is connected to self (you). the only possible 'thing' that can control this dead 3d world is inner self. as we know already, the inner self molds the dead 3d world so to manifest something, one would have to change self first and as a result, the dead 3d will only follow because that is its only job. the 3d cannot function on its own because it is only a reflection of self since they arent separated.
the human body is not the real you. think of this human body like a costume. the real you is internal (inner self) and it is what is always being expressed in the physical 3d, the part which the human self experiences. self is limitless. as self, you can occupy any state you choose (state of wealth, state of luck, state of dating your sp). there are infinite states, so there are infinite versions of you that you can embody.
everything is an expression of self, an expression of you, an expression of who you are being in imagination
IDENTIFYING W THE INNER SELF
now lets think about the 3d/human self: nelly is in math class and she wants to see a pink elephant right now. so since shes uneducated about the law, she affirms for the pink elephant and then searches for it in the 3d using her human senses. she looks at the board and around the tables to see if she can find the pink elephant. she cant find it. the 3d (even though it is only an expression of self), is always limited. this is simply because the 3d is a limited version of self. at this moment, she is identifying w the 3d, outer self.
afterschool, nelly gets pissed because she still didnt see that pink elephant even though she searched everywhere. she goes home and reads her favorite loa blogger, @/etherealkissed ;) and is now educated on the law *wink wink* now she knows that she is only ever self which is limited by the 3d. she sees how limitless and free her inner self is, so she decides to identify w inner self.
now she identifies as inner self and sees the pink elephant. instead of searching for it in the 3d, she imagines the pink elephant and instantly sees it. she (her inner self) instantly experiences it in imagination. her inner self embodies the state of having the pink elephant. since she understands that self is always what is expressed, she knows that by law, the 3d will reflect self and she will see the pink elephant in the physical since her inner self already experienced it. but she isnt searching anymore because she knows it is done already. she (her inner self) continues being that person with the pink elephant in imagination, regardless of the physical. she no longer identifies w the unreal outer self by searching for it or wondering when she will see the pink elephant. later that day, her mom comes home with a cute pink elephant plushy as a surprise gift. “shit, inner self really is all there is,” nelly thinks. now she knows without doubt that inner self is always being expressed!
the point is that she learned she cannot be limited by the 3d since she is always limitless inner self. she is comfortable with knowing she is always inner self and always experiencing inner self.
“To the Inner Man EVERYTHING ALREADY IS TRUE, not to the outer. IT ALREADY IS SO, to the Inner Man. There is no convincing necessary, no 1,000 affirmations, no repeating over and over hoping it works, IF YOU IDENTIFY YOURSELF WITH THE INNER MAN. If you claim to be the One Within, you will find it incredibly easy, I will say natural, to FEEL what you want. Pay attention to what I am saying: When you imagine your "end" is it not ALREADY SO? You did not imagine "How" to get there, you are already there in imagination. Your issue is NOT in imagining the end, your issue lies in who you are identifying yourself with. If you imagine yourself in the end, which is easy, but then you identify yourself with the outer-man, you will breed nothing but frustrations. However, if you first identify yourself with the One Within, and then imagine your end, you will not question if you "are going to get it," you HAVE IT! The Inner Man always has it. He see's the end, he is the one who creates his own fate. The Inner Man is his own destroyer and redeemer. Identify yourself with the inner man. The immortal you. Not this body nor this outer-life. If you want freedom, love, joy, happiness, confidence. If you want to be a King/Queen, treated like a god/goddess, loved beyond your wildest dreams, then identify yourself with the INNER MAN. The Inner Man can have all those desires fulfilled.”
to the outer/human self, you have to convince it, search for it. to the inner self, you only have to be it, imagine it, assume it.
“Let's give an example. Suppose I wanted to go to Las Vegas but I am in New York. While I am in New York, I would imagine myself in Las Vegas at the MGM Grand lobby. So while I am looking around in the MGM Grand's lobby, I assume that the Inner Man who is looking around is the REAL ME, the I AM. So I say, "I AM in Las Vegas." If I identify myself with the Inner Man, then yes, it is a PRESENT FACT that I am in Las Vegas. To deny this is to be delusional. I am looking at the lobby and I see people walking around. Of course, I am here.” - edward art
the inner self is all there is. the inner self is the true you. the 3d/human self is a limited expression of self. why limit yourself to the neutral and limited world?
kisses, jani ☆
#etherealkissed🎀#law of assumption#etherealkissed#manifesting#loassumption#loa blog#edward art#neville goddard#3d#imagination creates reality#imagine#imagination#inner man#inner self#4d reality
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Virtually Becki
Victoria Walker had always kept her head down. As a shy, introverted student with a passion for coding and technology, she spent more time with her laptop than with people. Her grades were flawless, and her intelligence outshone most of her peers, but none of that mattered to Becki Carter.
Becki was everything Victoria wasn’t: loud, attention seeking, effortlessly beautiful, and, worst of all, cruel. She was the queen of their school’s social scene, a party girl who flaunted her looks and seemed utterly disinterested in academics. For Becki, her reflection and her popularity were all that mattered. She bullied Victoria at every chance mocking her clothes, her interests, and the fact that Victoria never seemed to fit in.
Victoria never understood why Becki targeted her. She tried to rationalize it maybe it was insecurity, maybe jealousy but the constant ridicule was wearing her down. She had to understand Becki, figure out what made her so cruel, and maybe just maybe find a way to make her stop.
That’s when she had an idea.
Victoria had been working on a virtual reality project for months. It was a personal venture, a highly advanced program that could simulate entire environments based on a person’s thoughts and memories. She decided to take it further. What if she could create a virtual replica of Becki’s world? If she could live as Becki in this VR space, perhaps she could understand her bully from the inside out.
She spent weeks coding, analyzing every detail she could find about Becki her social media posts, the way she walked, talked, dressed. Victoria meticulously programmed every aspect of Becki’s life into the simulation: her lavish parties, her shallow friendships, her careless attitude. The final touch was Becki herself a digital clone so accurate that it was almost eerie.
When the program was finally complete, Victoria hesitated. It was one thing to create this world, but another to step into it. Yet her curiosity pushed her forward. She strapped on the VR headset and entered the simulation.
Immediately, she became Becki.
The first time in Becki’s world was overwhelming. Victoria felt herself swaying in unfamiliar heels, her body clad in tight, revealing clothes. The mirror in front of her reflected Becki’s perfect face plump lips, long lashes, a flawless tan. She felt powerful, commanding attention as she walked through a crowded virtual party. It was intoxicating. For a moment, she reveled in it, but she quickly reminded herself why she was there. She wasn’t Becki. She was Victoria, just here to understand.
The first few sessions were just that explorations. Victoria tried to pick apart Becki’s life, to see if there was some hidden reason for her cruelty. But as the days passed, something strange began to happen. Every time she logged into the simulation, it became harder to remember that she wasn’t actually Becki. She found herself slipping into character effortlessly, responding with the same carelessness, the same vapid remarks that Becki would make.
Soon, Victoria wasn’t just observing Becki’s life she was living it. She started going to virtual parties, enjoying the attention, flirting with the virtual versions of Becki’s friends. The more she acted like Becki in the simulation, the more she started to enjoy it. She had built the world so meticulously that every detail was perfect: the music, the flashing lights, the intoxicating energy of being the center of attention. In Becki’s world, she wasn’t the quiet, overlooked nerd; she was the one everyone wanted to be around.
At first, it was just an escape, a chance to experience something so far removed from her real life. But slowly, subtly, the lines between the virtual world and reality began to blur.
In the real world, Victoria found herself changing. It started small. After one session, she was brushing her hair and caught herself hesitating. She stared at her reflection, noticing her plain clothes and simple ponytail. That wasn’t Becki. The thought rattled her, but she couldn’t shake it. Becki wouldn’t be caught dead in baggy sweaters and jeans. Without fully understanding why, Victoria reached into her closet, pulling out a tighter shirt she rarely wore. It fit differently than she remembered. It felt different like she was stepping into someone else’s skin.
The next time she logged into the simulation, the transformation was easier. She didn’t just slip into Becki’s world; she embraced it. Her virtual body moved with confidence, her voice carried a flirtatious lilt, and her presence commanded attention. Every time she played Becki in the virtual world, it felt more natural, more addictive. It wasn’t just fun anymore it was becoming who she wanted to be.
The changes in Victoria’s real life escalated. She started spending hours in front of the mirror, fixing her hair, experimenting with makeup, mimicking the style Becki wore in the VR world. She bought new clothes tighter, more revealing outfits that she never would’ve dared to wear before. The girl who used to shy away from crowds was now shopping for mini skirts and low cut tops.
Her behavior at school began to shift, too. The studious, reserved Victoria started skipping classes, spending more time with her laptop, fine tuning the virtual world. Every session lasted longer than the last. But it wasn’t just the virtual Becki she was fine tuning it was herself. She caught herself laughing louder, flipping her hair more, and enjoying the glances she received from classmates, even from people like Becki’s real world friends who barely noticed her before.
But as she spent more time inside Becki’s life, her mind changed in ways she couldn’t control. Victoria used to care about her coding projects, her studies, her future. But those ambitions were fading, drowned out by thoughts of popularity and appearances. Why should she stress about grades when she could be the most desired girl in school? Her obsession with Becki’s shallow, glamorous life consumed her.
One day, while shopping for a new outfit that Becki would’ve approved of, Victoria caught her reflection in a store window. She stopped, startled by what she saw. Her once bare face was now caked in makeup plump, glossy lips, smoky eyes, and perfectly styled hair. Her clothes, far from the modest jeans and sweaters she used to wear, clung to her body, designed to attract attention. She stood there, in a mini skirt and a crop top, looking nothing like the girl who once prided herself on her intelligence.
But instead of fear, she felt a rush of excitement. The reflection wasn’t Victoria anymore it was Vicki.
Her transformation grew more dramatic. At parties real ones now, not just the VR simulations she was no longer the awkward girl in the corner. She became the life of the event, just like Becki. Guys who never gave her a second glance were suddenly wrapped around her finger. She flirted effortlessly, enjoying the power she held over them. Her studies fell by the wayside. She didn’t need to be the smartest girl in the room anymore she had other ways of getting what she wanted.
Weeks passed, and the two worlds the virtual and the real merged even more. She started correcting people when they called her Victoria. She wasn’t just pretending to be Vicki like anymore she was her. Her thoughts shifted, too. She found herself daydreaming about boys, about parties, about the superficial things she used to mock Becki for. The coding genius who had once lived for intellectual challenges was now obsessed with her looks, her social status, and her power over others.
The final stage of her transformation came without her even realizing it. One night, after spending hours in the VR world, she took the headset off and looked at herself in the mirror. But this time, she didn’t see the old Victoria trying to play a part. She saw Vicki. Her lips parted in a smile sultry, shallow, perfect.
She didn’t miss the old her. In fact, she could barely remember what that Victoria was like. She wanted to forget. Being Vicki was easier, more fun, more exciting. She liked the attention, the freedom, the power that came with being desired. The things she used to care about grades, knowledge, her future less important some how.
Victoria.. no, Vicki had finally completed the transformation. She was no longer the shy, nerdy girl who tried to understand her bully. She had become her.
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4dbarbie interview: All about Desires
4dkelly notes: I had fun making this in an interview style Q&A between 4dbarbie and Vanessa. I thought "how would 4dbarbie answer anon questions if she were still here today?". Spoiler alert, it wouldn't be much different to the questions anons asked her lol. Most answers are just directly extracted from her posts/answered asks but some have been adapted a bit or rearranged to make it flow better. I have added some relevant posts for further reading. I may or may not make more of these. This was mainly just for fun (but then it really evolved into an educational piece lol). My highlight key: key concepts are in pink, action points in purple, really important points in red
Vanessa: I really like this guy and want to manifest him. 😢 How do I do that?
4dbarbie: IMAGINE KNOWING ALL THIS AND STRESSING OVER A GUY?!?!? Unbelievable. Who's holding you at gun point to type this out to me??? 😧😧😧 I refuse to believe this is what this material is getting wasted on. I refuse to believe this is the understanding you guys have after I explained who you are in so many ways. Imagine liking someone who didn't text you back right after to tell you how amazing you are as well 🤮 what do you like about this nobody? You want to give me a heart attack? I tell you there is no one out there but you and instead of being free and loving yourself you... you give a crumb of your precious attention to this? I tell you you are life and you try to make life better through dates?
Vanessa: Okay but what about my other desires? I want them...
4dbarbie: Everything about Vanessa is meaningless. She has a life and if it's boring, who cares? Forget it. What do you need these stories for? Do you not understand they have reality because you give it to them? YOU! They have no standing on their own! The whole world is just your mere thought. The body exists because you are aware of it being! Only you have this power. Only you are. Why are you dreaming like this? Gosh, you break my heart. If Vanessa is hurting you why do you keep on choosing her?
Vanessa: Then what should I do? I still have things I desire despite knowing I cannot desire because I am not a person, ego, mind...
4dbarbie: You know it intellectually, but have you acted on it at all? You know yourself as Vanessa by acting like Vanessa, know yourself as your Self by acting like yourself. Desires and fears dissipate then. You have desires still because you never stopped thinking you're Vanessa. Investigate who Vanessa actually is :) Spoiler alert: it's a thought! Think something else and see what happens.
Vanessa: How long will this take? When will I see a change?
4dbarbie: Now. Who is doing the change in attitude, what are you waiting for to happen for you to change your attitude? It's instant. You see it, you realize you have no reason to worry/doubt/desire/fear anymore, let things happen as they happen while you're undisturbed and they dissolve.
Vanessa: Should I just keep assuming that I don't desire things anymore because I already have it while I'm denying and dismissing my senses? It feels like I'm just waiting and being delusional though
4dbarbie: Your world is right and perfect, what you see is what you are so even if you're seeing what 'you' don't want, the world is not wrong in being what it is. Fearing it, trying to manipulate it, lying to yourself about it being something different - all useless and vain attempts.
Not seeing the world as it is, is an aversion to it. - Lester Levenson
See it as it is and it will fix itself.
And no, being delusional is not good, it leads you not to trust your own judgment or senses. Which is not right, why shouldn't you? What is wrong with your vision? Being delusional from your ego self is really harmful, someone could be abusing you and you would go "i'm sure that's not right he loves me so much in my mind!!!"
You won't be able to get rid of the waiting feeling as long as you're identified with your ego, it can manipulate nothing. And if you weren't your ego -- everything would already be materialized, so there would be nothing to wait for.
Vanessa: Well since I Am and I give life to everything, when Vanessa desires something, I can just "give" her her desires, right?
4dbarbie: The desire that *I*... the desire is of Vanessa, the Self can have that and it's nothing to it. It's just another experience. Those things are in you, not you in them.
You don't have to give her anything... you don't have to fulfill anybody... I Am is already everything... you only don't see you are all and have the all because you won't stop thinking you're the ego. All you're doing all the time is creating lack & limitation, perfection already is. You just add unsatisfying labels constantly with your wrong thinking.
Let go of the thinking, it's instant. No need to fulfill anybody. 1 My tip is to realize your Self, have enough courage to face Vanessa's fears. See how unnecessary is to pay them any mind at all. Let go of thinking you are this little helpless thing already. After you realize yourself, any bold assertion does it. There's no time delay. 2
Vanessa: Now I feel defeated, do I just give up on everything then?
4dbarbie: Feeling defeat is actually good, it prompts you to let go :D You don't need to reach for what is already within you. Give up the idea that you have not found it and just let it come into the focus of direct perception, here and now, by letting go of all that is of the mind.
Abandon all sense of separation, see yourself in all and act accordingly - Nisargadatta Maharaj
You have it, all is well. Just stop believing the illusions born out of thinking you're a person.
Vanessa: So as Awareness, I have to stop desiring?
4dbarbie: If you know yourself to be Awareness, then you know yourself to be the all. There is nothing to desire, because you have no reason to create desire.
That's why it's necessary to realize all that is is awareness and the person comes second. If you think all that is is the person, then the chances of believing you're suddenly a different person are slim, and the persuasion and convincing are nothing but a form of self-instilled mental torture. 1 All you're doing is imagining/thinking you're an ego who has to strive for things, but it is "I AM" imagining itself to be so.
What is beyond is clear of all striving. The cause of suffering is in the identification of the perceiver with the perceived. - Nisargadatta Maharaj
When that identification ceases, so does desire. Then, if you want to express yourself as being a person, nothing is stopping you from doing so, only know yourself first. After that, no matter what you choose to experience the world as, you will know you are not it and it can't hurt you.
Vanessa: What do I do when a desire or fear comes to my mind then? It doesn't feel right to suppress them...
4dbarbie: I am not talking of suppression. Just refuse attention. Nisargadatta has a saying "When you happen to walk in a crowd, you do not fight every man you meet — you just find your way between." Neville has another "Indifference is the knife that severs, feeling is the tie that binds." When you refuse to play the game, you are out of it.
Vanessa: Then how do I stop feeling anxious about trying to change my life?
4dbarbie: You are not the one who is anxious or fearful, the ego is fearful. LOA was wrong about letting go because you can't let go of desires or fears if you don't know who you really are. If you think you are this ego you can't help being anxious. You can't help wanting to get. Real surrendering can only be of the ego. By letting go of who you think you are and seeing you were never it in the first place, that it is because YOU are, you naturally drop all desires and fears because they weren't yours. 1 Get into a habit of watching, letting them be but not identifying with them. If you can observe them, it means you are not them.
Abandon all imaginings and know yourself as you are. All craving is due to a sense of insufficiency. When you know that you lack nothing, that all there is, is you and yours, desire ceases. - Nisargadatta Maharaj
Vanessa: How do I stop feeling doubts then?
4dbarbie: You shut them down. There is no reason to argue with them, contemplate them, or give them any kind of attention at all. See them for what they are, an illusion of the mind. When you catch yourself being aware of something that's undesirable, just go 'What problem?' and know it to be perfect again. Always remember, the real you can't have doubts, only your ego can.
Vanessa: I feel like I'm not doing enough to realize my true Self. How can I be more productive on this journey?
4dbarbie: There's nothing to be productive about. What a silly concept. Don't add another burden or worry onto yourself. Right now you make yourself guilty over not seeking more and doing more to attain realization, but you already have it. You need not take time to meditate or put time aside to contemplate and "apply". All you need to do is detach from this form during the day, let life happen as it happens while reminding yourself it's a dream, a dream that doesn't have to be yours.
The guilt is because you think you're running out of time and you need to change "your" life now. Be patient with yourself because you don't lose any time, just get to that place I'm telling you about and then you can just go back in time if you so wish. All worry is pointless! And there is nothing to fear, things just happen, do not claim them as yours for a while. Unclutter your mind, it becomes your servant after you've freed it enough.
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I woke up just now but in half asleep summer nap state I will roll for Heermandi
1. I felt that Alamzeb's casting could be better. The girl was pretty but yet I could not feel the budding romantic expressions on her face and body language. Like that sharmana and poetry narration felt very forced.
2. TAJDAR WHY WHY WHY SLB I WILL NEVER FORGIVE YOU. No spoilers. Tajdar is very charming, amazing voice, very handsome.
3. Okay considering the history of tawaifs I was at times so mad at Alam and was about to hit the phone screen to say woman wake up to reality.
4. Lajjo and Zorawar's story. Why he left her, her addiction and Lajjo's story could have been explored more. You have such a brilliant actress and when SLB is noted for using actors and their character to their greatest potential, I felt he did not not do that with lajjo this time. We only see her enter in sakal ban, she is always drinking and thinking about Zorawar
5. Manisha was brilliant. The ruthlessness, the wit and slyness. And for a tawaif of those times whose existence and power is constantly challenged, by other tawaifs and rivals and then nawabs and British she has to be so clever, cunning and vicious. Yet her feelings for Alam especially by the end (spoiler free) did make me understand her stony heart more.
6. Aditi as Bibbo was charming, graceful and elegant. And goddamn the way she uses her skills to charm henderson so she may help her people to fight against the British.
7. Star villain Fareedan. I was looking forward to her schemes. And it was understandable why she hates Mallikajaan (manisha). The power play, the constant challenging was interesting to watch. Also sonakshi really acted well, both as Fareedan and as Rehana aapa. I won't say much because the way her character changed at a point where mallika was violated (watch the series for that) like it made me get an overview of these women. Women who were wronged since birth, clinging on to their art and performance, carving a distinct identity for themselves and yet having pride over who they are, and despite all the politics, inner enmity and betrayals, they still did not wish the worst to each other and later come together for they all share one pain.
8. The women if heeramandi coming together to fight for the British got me goosebumps. They decide to use all their money and life to fight for the country. Aditi's (bibbo) dialouge ek baar mujrevali nahi mulkvali bannke sochiye and another dialouge which meant that when the country is burning one does not organise lavish gatherings (mujra mushayra)
9. Songs were pretty good. Sakal ban was trending and I loved the other songs too. Reminded me of Pakeezah
10. Sanjeeda Shaikh as Waheeda. Bhai I used to feel so bad for her. She was betrayed everytime. Poor girl wanted power too like her sister but I understand why she wasn't given. Tawaifs cannot be put into a box. They aren't your gentle shy lover girl type women like we see in pakeezah, the lovely shy, sweet, pure sahibjaan. Their world is a golden cage and to survive here is a war fought everyday.
11. Tajdar ka baap kya gadha egoistic aadmi hai
12. End thoughts: aesthetics = 100/10. I was still looking for slb to explore more of their emotions and life and not just their opulence. Summing up everything, heermandi: 7/10
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Everything pt4 (FINALE)
PJO Show Ares x Child!Reader (no gender specified)
Word count: 6772
Summary: It’s been years since you’ve spoken with your father, but with Kronos’ armies marching and the final battle approaching, you have one question on your mind. If you survived this, would it be too late to mend what was broken? Unbeknownst to you, Ares is wondering the same thing. Warnings: Spoilers for The Last Olympian (not too big though), giving Hestia a power idk if she has for the plot, angst, OOC Ares but y’all know this already
You know what sucks more than daddy issues?
The world ending.
Both are seriously draining but the world ending? It was a real bummer. Not only was it a bummer, but it was incredibly confusing. You expected to be actively in battle right now, not being made a peanut butter and jelly sandwich by Luke's mom.
As shady as it sounded, you couldn't understand for the life of you how Hermes had fallen in love with her. She looked as if she had been electrocuted multiple times and the smile she wore reminded you of something you'd see in a horror movie. Looks aside, sandwiches and cookies were rotting in her house and it smelled like something had died. You couldn't see Hermes being here.
“Ms. Castellan” you began as nicely as possible. “I'm not Luke. My friends aren't either. This is Percy, Nico and I'm Y/N. We're…” the people that want Luke dead. No. You couldn't say that. “We're friends of Luke. That's all”. She seemed to understand what you said, even if her eyes told a different story.
“Friends… Friends? Friends with my precious boy…” you almost scoffed. “I'm so glad he has friends. I've always wanted to meet his friends”. She spoke like she was in a dream state and her eyes stayed on you, not blinking once. “You've come for a sleepover? I'd have to talk to your parents first. I need to know if you have allergies! Then your parents and I can also be friends and spend time together! I'm sure I'd like them”.
You forced yourself to keep smiling at her, even if she unknowingly brought up something you were trying desperately not to think about. In 2007 you and your father Ares came to an agreement that it'd be best if you never saw each other again. The year was 2009 and you were still keeping up your side of the deal. You didn't burn offerings for him, you didn't go see him for that field trip, you haven't even uttered his name since then. When you heard about the gods fighting Typhon, you tried not to think about him getting hurt.
You were the one that proposed the deal, yet you immediately regretted it. A part of you thought “good job! You're keeping your peace! Your relationship would've never gotten better anyway!”. The largest part of you kept thinking “but what if you were wrong? What if he changed?”.
You shook your head. Curse your stupid loyalty. You could've turned Nico and Percy down, but Percy pleaded with you to come with him. The last time you become someone's adoptive older sibling…
“Nah, you wouldn't like my dad Ms. Castellan. He's a real hardhead”. She chuckled, which looked insanely creepy because she still hadn't blinked.
“Men tend to be. I'm sure he's still very lovely”. Yeah, if you enjoyed headaches.
Nico took over the conversation and thankfully your familial issues were no longer a topic. Thankfully should be in quotations though, because the conversation quickly turned depressing. May Castellan spoke like she was floating and talked about her son and Hermes as if the last couple of years hadn't happened at all. In your heart, you knew that she either didn't know, or she forgot. You didn't know what happened to her and why she looked like she took a tumble in Wonderland and never escaped, but whatever happened caused her to never see reality the same. You pitied her. Poor woman. Forever making sandwiches for a boy that had grown into a man. An angel that snipped his own wings.
Suddenly she stopped and screamed. You all jumped up and you pushed the two boys behind you. You doubted May Castellan would try to fight any of you, but you wouldn't take that chance.
A glowing green filled her vision and she rasped “My child! Must protect him! Hermes! Help! Not my child! Not his fate! No!”. She grabbed at your shoulders and continued screaming about fates and you pushed her off.
“Guys! Let's get out of here!” You yelled to the boys behind you.
You were prepared to run out of there, but May collapsed and Percy ran to catch her before she could hit the floor.
As quickly as she was screaming about fate and her eyes were glowing, it all stopped. She went back to her version of normal.
“Normal” was a word that really sucked as a demigod because your version of normal would never be what you wanted. What you wished was normal for you was going to school, complaining about teachers, listening to music and playing video games. Your normal was fighting monsters, training, keeping the world from ending and nightmares. When other people's lives diverged from the norm, it was probably something small, like dyeing their hair a neon color. Your version of “well this doesn't always happen” was sitting across from Hestia and listening to her do that thing gods do, where they give you advice in riddles.
The conversation was mainly on Percy, until it wasn’t anymore. Hestia looked over at you and you couldn’t help but feel small under her gaze (which was comical considering she looked like an 8 year old girl), like she was peering deep into your soul in search of something.
In any other circumstance, you would’ve stayed silent. You didn’t have time for more mysteries right now, so you cleared your throat and said “my lady, is there something you want to say?”.
“I just wonder…”
”Wonder? About what? Please, I wanna hear it”
“I wonder whose side you’re on”.
What?
Your brows furrowed. “The gods obviously”.
”Is it obvious though?”. You had to stop yourself from rolling your eyes. Making an enemy out of Hestia wasn’t on your to do list.
”My lady, may I speak bluntly?”. She nodded. You really wished she didn’t choose the form of a child so you wouldn’t feel so silly. “The world is ending and there’s still so much I haven’t done. I’m stressed out, wondering if I’ll survive the battle-” if your father would care if you didn’t, “-if our efforts will be enough, how many mortals will die, if the gods survive their battle with Typhon. Please don’t add ‘not understanding a riddle’ to my stress. Whatever you’re thinking, just say it”. You could feel Nico shooting you a ‘are you crazy?’ look. How else were you supposed to say it? You thought you were being extremely kind and respectful. The alternative was “English please”.
Hestia looked you over as she thought. “I’ve heard about your conversations with your father”. Yeah sure, let’s bring that up again. Perfect!
You shifted uneasily, not wanting to talk about this anymore. Hestia either didn’t notice or didn’t care. “I wonder why you didn’t side with Kronos”.
You couldn’t stop yourself from rolling your eyes this time. Did she truly think so little of you? “Why would I side with him?”.
”Many of the demigods on his side feel neglected. No doubt you do as well. I wonder what’s the difference between you and them”
“Brains” you answered. “We all have parental issues. You don’t side with a guy like Kronos”
”You think little of those demigods? Think yourself above them?”
“You know what I did when I was angry with Ares?” His name felt strange on your tongue. It’d been so long since you said his name. “I gave myself terrible bangs and wore all black. I stared outside car windows, listened to sad music and imagined myself in a music video. I wrote in a diary that said ‘do not touch or I’ll kill you!’, all in uppercase letters. I didn’t side with a crazy Titan that wants to destroy the world as we know it. Seems a bit extreme, don’t you think?”. She nodded.
“My lady I mean this with respect and love in my heart; what is the point of this conversation?”.
She poked at the fire a bit before answering. “This battle will be a hard one. Perhaps I am buying time and trying to memorize your face in case something goes wrong”. Gee, thanks for all the hope lady.
”If something goes wrong for me, I at least hope everyone else gets a happy ending”
”Your death does not frighten you?” She asked with a raised brow.
”Of course it does” you answered truthfully. “But I can’t let fear stop me from doing what I know is right. You’re the goddess of the home, so you should understand when I say I fight for my home. I don’t think home is just a place though. Home can be people. Percy, Annabeth,
Grover, Nico…” you swallowed, “… my dad. They’re my home. I won’t let my home be hurt without a fight. I’m willing to fight, kill, and die for my home. That’s how much home means to me”.
She smiled. “Spoken like a true child of Ares”. You wish she’d just tell you why she was hassling you in simple words. “But homes can be hectic-“
”My relationship with Ares is hectic but it doesn’t matter”
”You have hope”
”Sounds more like a statement than a question” you mumbled.
You looked at the fire, not wanting to look at (what appeared to be) the child on your ass.
When looking at the flames, for whatever reason you thought of home.
Images flashed in your mind. Images of camp, of laughing campers, of you and Percy giving Sally multiple heart attacks.
Of you and Annabeth debating, you and Grover planting flowers, you and Clarisse training together.
Images of your life flashed quickly, yet it all made sense. You could see everything as if you were there again.
Then the images slowed.
You felt Ares arms as he caught you when you fell from multiple floors up in the mall.
You could smell burgers and fries in the diner and saw him sitting across from you.
You could hear the two of you arguing and your ears started to burn with rage when you suddenly felt his warm embrace. You leaned into him and sighed, feeling his beard against the top of your head. You probably looked ridiculous to everyone else in the diner, but you didn’t care. You couldn’t remember the last time you felt his warmth and you knew you never would again.
“I love you dad” you said.
You couldn’t believe what you heard next. He said “I love you too” and he genuinely sounded like he meant it. At the time, you thought there was no possible way he could’ve been being genuine.
“He’s gotten good at lying” you thought. “That’s all. He doesn’t care. You’re making things up”.
But what if you were wrong? What if there was a chance?
”I have to have hope” you said out loud. You were too busy looking at memories in the fire and missed Hestia’s satisfied smile.
Hope.
Home.
If you were still alive by the end of the war, you knew you’d have to break your end of the agreement.
You knew you had to go home.
***
Everyone knew war was coming.
The hope for everyone else was that Kronos would never get strong enough to challenge the gods. Hope wasn’t something you could depend on though. You had to actually work, and apparently the gods hadn't done enough.
All the gods, besides one, was nervous. Of course Ares was more excited than nervous, like a child in a candy store. If he had the power to control time, he’d speed this whole thing up so he could be in battle already. The anticipation was killing him.
It was so grim and depressing in Olympus. Everyone was on edge and acting as if this would be their last time seeing each other. Complete and utter bullshit. They were the 12 Olympians for fucks sake! Anyone else there was there for a reason. They’d beat Kronos and his army, then drink to their victory and hug their children.
Hug their children?
“Stop”, he thought. “Not that shit again”.
He didn’t wanna think about children.
He pinched the bridge of his nose in annoyance and made his way to a nearby fireplace.
”Ares” Hestia greeted without having to look at him.
“Hestia” he greeted back and sat down next to her on the ground. “Poking at the fire again?”
“What else is there to do?”
“You could be preparing for the battle”. She made a noise of disapproval,
“You know I'm not one for fighting. I am where home is”. He couldn't say he understood it, but whatever kept her happy. Ares wasn't fond of all the gods, but he liked Hestia. She stayed to herself and overall was friendly with everyone. She didn't blab her mouth or make jokes about him and Aphrodite being caught by Hephaestus. She was a breath of fresh air honestly.
Hestia looked over at him and cocked her head to the side. “No” he said before she could get anything out, “don't start asking me questions about feelings and try to dissect me”. Hestia was nice and all, but she always noticed when someone was off, and even if they weren't she'd find a way to make a conversation more deep than it needed to be.
“Ares, the battle ahead will be a difficult one. There's a possibility that you could be destroyed or that your children-”
“Don't”. His voice came out harsh and he shot her a warning look. Unfortunately for him, Hestia was never intimidated by that.
“They can die. Do you think they're keeping their feelings bottled? I doubt it. I hear them whisper their fears around the campfire at camp. They're terrified Ares.”
“How many are terrified?”
“All of them”.
He wished he didn't ask. He should've stayed curious.
Hestia was right. Any of his children could die. Maybe all of them. They all probably whispered to each other in their cabin, trying to comfort each other, and what was he doing? Sitting in Olympus.
He hated that he cared. Ever since his last talk with a particular child, he had been trying to build those walls back up and go back to being his “normal” self. Unfortunately, those cracks seemed to remain and refused to go away. He tried to seal them, but even something as small as a talk with Hestia revealed those cracks again. “They'll be ok” he said although he knew the truth. The truth was that he had no idea what would happen.
“I could deliver a message to them if you'd like”
“There's nothing I can think to say to them”
“Then perhaps you could say something to me. Whatever is on your mind, you can speak and I will listen”.
Ares didn't wanna look at her so instead he looked at the fire in an attempt to ignore her. That proved to be an error when his nose filled with the familiar smell of rain and his ears filled his child's voice.
“To me… to me you were everything. You are everything. “. Your tears mixed in with the rain and you wore a deep frown full of a child's repeated crushed dreams. His heart squeezed tightly for the first time in a while and he hated it. That's when it all started.
Other memories flashed. Memories of him and the other Olympians fighting wars, sometimes with each other.
He saw a time before strict rules and before he vowed to keep himself distant from his children. A time when he mourned them fully and intensely when their final breath passed their lips and their bodies became limp.
He saw the time now and while it was full of distance and misery, he saw his other children. He saw them visiting him and talking about things he didn't care about but listened to anyway. Saw their sad faces and hung heads when they had to leave.
It all went back to you though.
“You want more from the child of Ares?!” You had puffed your chest when you said his name and held your sword tighter. “I have plenty to give!”.
He heard your back and forth snarky comments to each other before the smell of food filled his nose and the conversation went from humorous to angry then sad.
“I don't matter to you. Just admit it so we can move on”. You were so wrong but you said the words with such conviction. You genuinely thought you were right. Was that truly how neglectful he had become? All his children had become strangers and he couldn't blame anyone but himself.
“Seeing you at all, it gives me hope” Was hope so bad to have though?
“You want this?”
“No” you said immediately. He remembers how he was surprised you had been that honest with him. He thought you'd make up a lie and pretend to be extremely confident, but your voice cracked and this time there was no rain to hide your tears. If earlier you wore a frown of repeated crushed dreams, that day your eyes filled with a child's final dream crushed.
But then he felt the both of you hug and he couldn't help but think to himself “Does the dream have to be crushed? Does hope have to be lost?”.
The fire continued to show him more memories of his children before it went back to you purposefully ignoring him. He had to admit that seeing you spend time with Hermes instead of him made his brows lower in frustration. But he agreed to a deal.
“Ares?” Hestia questioned. Ares kept staring at the fire and hoped the images would return, but they slowly faded away. She said his name again. She had saw what he saw and felt the way his heart cried. It was a feeling she never wanted to experience again.
He agreed to that deal… but what would happen to him if he broke it? Nothing that hasn't happened before. How could he see all of that and still want to keep his side of the deal?
“I think…” he whispered “I think I miss my children…”.
His children. His family. His home. He had to believe that hope was possible.
Hope.
Home.
He'd fight with his all while keeping everyone in the back of his mind. He knew he'd have to break his end of the deal.
He knew he had to go home.
***
If someone were to ask how you felt in this exact moment, it'd be irritation. Because of some stupid disagreement between the Ares kids and the Apollo kids, Clarisse ordered that none of Ares' children were to attend the battle. When you reminded Clarisse that this battle was bigger than some stupid argument over a chariot and that campers have already died and more will, she simply puffed her chest and went on about how she's tired of Ares getting disrespected. Sure, ok. Maybe you got a point Clarisse. Couldn't this wait until after though?
You shared some harsh words, half of them being curse words, and joined the battle with everyone else.
Manhattan as a whole was trapped in a deep sleep, yet somehow they seemed like the lucky ones. Sure, maybe a monster would step on them but at least they'd die in their sleep. If you died you'd be fully conscious and you knew it'd hurt.
Only a fool feels no fear. A bigger fool lets fear paralyze them. You did your best to let your fear move you through your enemies and you cut and hacked at them, leaving a trail of dust in your wake. You tried at first to ignore how many old campers you were killing, but it was hard to when your sword was soaked and you stared in the eyes of people you used to call friends before you took their life. It didn't feel good but it was either you or them. None of them held their punches and those same kids came in camp and killed campers, so you wouldn't hold your punches either.
A squeal filled your ears and you winced as you looked up. The fighting stopped and you understood why when you saw a huge flying pig heading straight towards everyone. You scoffed and wanted to make some sort of joke, but figured now wasn't the time.
“As far as I know, no hero has ever beaten it” you heard Annabeth say when you got closer to her and Percy. Your heart beat in a skittish panic but you forced yourself to hold your sword firmly and say the words “we will” as serious and brave as you could muster.
Percy had some idea and while you were told to keep the enemies back, your eyes landed on a white Pegasus and you knew you couldn't.
“Hey Annabeth” you grabbed her arm, making sure not to grab too tight because of her previous wound.
“Yeah?” she asked. Annabeth looked terrible. She was covered in dirt, dust, blood, and her hair was so out of place that you thought May Castellan would take kindly to her. You didn't know how you looked but you knew that all of you would need showers if you survived.
“I love you too”
No. When you survived.
“I'm gonna try and help Percy. Stay here. I'll come back. I promise”. Before she could ask you what you meant or remind you that you couldn't promise such a thing, you ran off to the Pegasus.
“Hey buddy” you waved and forced a smile. You knew Percy could understand them and vice versa, but you couldn't understand them and you didn't know if that could understand you. “Me” you pointed at yourself, “friendly” you raised a thumbs up. You pet its head and it didn't bite you, so you assumed it understood.
“Me” you pointed at yourself. “You” you pointed at the Pegasus. “Follow Percy and pig” you pointed at Percy and the pig, who were quickly vanishing from view. It nodded its head and after a sigh of relief, you got on its back.
If it wasn't for the war and death, you'd say you were really enjoying this. How many people could say they had done something like this? Not many, that's for sure.
“Hey Sharkboy!” You yelled when you were within shouting distance. Percy thankfully was no longer hanging by a rope, but was on Blackjack. You didn't know if Blackjack recognized you as the one always giving him donuts, but he made a pleased sound when he saw you. “Uh, is this a part of your plan?” You motioned to the statue that took his place attached to the rope. “It's a pretty shit one”.
The boy rolled his eyes and huffed at you. Whether it was because of the nickname or insulting his plan, you didn't know. It made you smile either way. “I gotta get close to it! I can activate the statue to fight the pig!”.
Flying pigs, fighting statues, just another day as a demigod. You rubbed in between your brows to stop the migraine that was forming. How hadn't you gone insane yet?
“It sounds crazy but-” Percy kept talking but you stopped listening. You looked behind you at the battle and like a fool, you froze.
Manhattan was a war zone. This you knew. Seeing it up high like you were a god though made it all seem so much worse. You could see family being forced to fight each other. You could hear screams and pleads and crying. You could see kids trying to dodge being stepped on. You saw so many people not being allowed to mourn. You saw death. You saw it everywhere.
Then your shock and fear turned to anger. These were your friends and family killing each other! Sure, they were still responsible for their actions, but there wouldn't be any actions for them to take if Kronos hadn't got in the way. He used these people and he didn't care how many died. He just wanted his throne. Annabeth could die. Grover could die. Percy could die.
Your father could be destroyed.
You didn't know how you looked, but you must've looked terrifying because Percy “talks back to everyone” Jackson looked at you the way you expected him to look at the gods; with edge.
“Hey-”
You pet the animal under you neck and pointed at the pig “closer!” You ordered. It obeyed. It beat its wings harder and you passed Blackjack and Percy with ease. The closer you got, the more you could smell its stench. Under normal circumstances you'd pinch your nose and walk the opposite way, but this time you kept going straight towards it.
The animal under you whined and you assumed that meant it was having a hard time keeping up. Your eyes fell to the rope and you knew what you had to do.
Your sword morphed back into a necklace when you brought it close to you and after so much practice, clasping it wasn't a problem for you anymore.
“Good boy or girl. I'll get you some snacks when this is all over. You like donuts?” it made a pleased sound and you pet its neck.
You moved so that instead of straddling the animal, your legs were hanging over one side.
“Don't let me die” you whispered to no one in particular then you pushed yourself off.
A mixture of luck and skill prevented you from becoming a mark on the concrete.
The rope burned your bare hands but you held on anyway. You managed to grab on above the statue and started climbing upwards, using the beating in your chest to motivate you not to fall and die. The white Pegasus stayed beside you as you forced yourself up the rope and you gripped the pig's fur to pull yourself all the way up. Now, pigs don't have tons of fur, but a giant pig had plenty enough to grab onto.
The wind blew through your hair so harshly that you were surprised it didn't snatch it all off. The pig was flying at an intense speed with its only goal being to destroy everything you loved.
You pulled your necklace off and it turned back into the double edged sword your father gifted you so many years ago.
It was only now that you realized something.
When you killed this thing, it'd disintegrate. You wouldn't. In the mall you were high up but you were only up a couple floors. Now you were definitely above the mall and many other buildings. The white Pegasus was no longer keeping up with you and when you looked behind you, Percy and Blackjack were still a while away.
Percy connected the dots a lot faster than you did and you saw his lips move and Blackjack's wings flap faster.
What do you say when you know you're gonna die? Damn. You didn't have time to prepare and you didn't have time for a speech.
You felt like you were looking back at the flames. At home. At hope. You were supposed to return home after the battle and things would be okay again. But in the same breath, this is why you were fighting. You were fighting for your home and so the people you love could live as peacefully as they could.
The sword felt heavier in your hand. You smiled to yourself. You still had a piece of home with you and you'd use it to better the lives of the other people you call home.
You screamed as loud as you could in hopes Percy would hear you. “IF EVERYTHING GOES OKAY, TELL MY DAD THAT…” tell him what? You had so much to say. What could wrap everything you wanted to say together?
“... TELL HIM I MISS HIM! AND THAT I LOVE HIM!”.
Blackjack's wings beat harder, yet he was still far. Percy wore a look of determination and you laughed. You couldn't believe he was still the young scared boy that arrived at camp when he was 12.
“I LOVE YOU GUYS TOO!”. You smiled at him to leave him with something nice to remember. “THIS WAS FUN!”.
You turned away from him and with as much strength as you could muster you plunged the sword through the pig’s skin.
You felt its body crumble away and then you felt yourself slipping through the air.
***
As one could assume, war was Ares' element and where he felt the most comfortable. There wasn't much to say about the battle. Sure, it was a battle for humanity but honestly? Ares wasn't that worried. Call it an inflated sense of self. Was it really that though when you could back up how high you thought of yourself?
As corny as it sounded, the war in his mind was much more intense. As he fought, his mind kept slipping back to what he saw in the flames. His family. His children. His home. His hope. The reason he fought. Sure he liked a good fight but he fought this giant monster with the other Olympians for his family.
Ares is a proud man, so naturally he had faith that his children would survive the battle, but an ego could only get you so far. He knew the truth. He knew that any of his children could be crushed at any second, or squeezed to death, or stabbed, or eaten, or whatever Kronos and his army had planned. He knew that he could return to whatever was left of Olympus and he could mourn children that he had forced to become strangers. He wanted to be better. He had to be. He just needed time and that meant he needed his children alive. Especially the one that started this.
Besides the diner, Ares had only held you once. He didn't think he'd remember it well yet somehow he could smell the cookies your mother had baked and he could remember exactly how the furniture was. He could see blinds covering the windows and the white walls lined with family photos and art pieces. He could see the black couch that sat across from the TV which sat on a table.
And he could feel your mother place you in his arms.
“This is your child” she had said. He looked over at her and she smiled down at you with a sense of joy and pride, which was much different to how he saw her look at you recently, with hate and contempt.
You were so small then. Only months old, still exploring the world and having no idea how life would beat you down. You cooed as you looked up at him and shifted in his arms. He wondered if somehow you knew he was your father and that he was no threat to you.
So small. So curious. So innocent. Now you were a warrior seasoned by the battles you had been fighting since you were a small child.
He kept thinking about what would happen next the entire time. He knew he'd have to break his end of the agreement, but it was up to you and any of his other children to accept him turning a new page. It absolutely did NOT frighten him more than the Titan he was battling. Absolutely not.
As Ares suspected, the Olympians and their children won the war. Kronos was gone and his armies were slaughtered. That was the best part. He didn't get the chance to have a good look at the battle, but seeing the damage the demigods caused made him proud. He hadn't seen you though, which was something he noted.
The worst part was looking at Percy Jackson's face. Sure, he started the fight but that didn't matter! When Ares said “enemy for life” he meant it! The fact that he had to listen to Percy be praised and he couldn't beat on him right then and there made him tap his finger against the arm of his chair in discontent.
“Lord Ares” Percy said and he could tell he hated saying the “Lord” part. It made him grin.
“Boy?”
Percy's fist balled and Ares continued smirking.
“I have a message from your child”.
His smirk fell when he heard your name. A message? Did that mean…
“They said that they missed you and loved you. They were… They…” he paused and Ares leaned forward. “They were in trouble and out of everything they could've said, they said that. They’re-”
Ares didn't let him finish. He jumped out his chair and his feet thundered against the ground as he sped walked to the elevator.
This couldn't be. That boy was wrong. His child was fine! He wanted to be better for them and now…?
No. No no no no! This couldn't be! He pressed the floor button repeatedly hoping that the elevator would move faster, even if he knew that's not how elevators worked.
He lied to you once and said that gods didn't feel fear. How wrong he was. His whole body felt warm and if he wasn't pressing the button then he was tapping his fingers against his legs and if he wasn't doing that then he was pacing and if he wasn't doing that then he was imagining your limp body covered in blood. Was it at least quick?
“I love you dad”
No…
Not his baby…
After what felt like hours the elevator dinged and the doors opened.
He stepped into the hall of the building.
***
Turns out you should give Blackjack a lot more credit.
You closed your eyes and hoped that the fall wouldn't hurt as much as you suspected it would and then suddenly your crotch hit something hard.
“Fuck!” You exclaimed. Your eyes flew open and that's when you realized Blackjack actually managed to catch you. Percy let out a breath you suspected he was holding the whole time.
“You don't ever do that again!” he scolded. Ironic coming from the guy who always did stupid things.
“I hope I won't have to”. He rolled his eyes and looked back ahead of him.
“I just knew you were gonna do something stupid. I just couldn't tell what it was at first. And don't you ever look at me like that again”
“Like what?”
“Like you want to kill something”. Once again, ironic. Percy had that same look on his face more times than you could count, but instead of arguing you kept a hand on his shoulder and said “sure Sharkboy”.
You tried to tune out the rest of the battle to keep yourself sane. One moment you and Percy joined everyone else, then Percy and Annabeth went to Olympus and now you were sitting in the Empire State building completely exhausted. You were slumped in a chair, covered in dirt and grime when the Stoll brothers came over.
“Guess what we have” Connor said in a sing song voice and raised his brows.
“An Advil?”. The two laughed like what you said was funny. It wasn't funny to you. Your head was killing you.
“Even better” Travis said. “Boom!”. You hadn't noticed the bag he had on him somehow, and when he opened it your eyes were filled with candy. You looked back up at their faces, both with an ear to ear smile.
“I thought Percy said not to snatch anything when everyone was asleep”.
“We didn't! How could you say something like that?” The two looked at each other with faux innocence but their devious smiles betrayed them. Whatever. You were too tired to scold them and it wasn't your business that got ransacked.
“Listen, we'd typically charge for these but since you killed that pig, you can get something for free”
You raised a brow at them and looked at them disinterested. “Or I could report you and make you take all that back”
“You won't” Travis challenged.
Little shit was right.
You looked in the bag for what you wanted and chuckled when you saw it.
When you and Ares talked in the rain that night, you debated on burning a fruit roll up as an offering. You decided that was a shit offering and didn't do it, but your father saw you in the rain and came over anyway.
Now that same flavor of fruit roll up was sitting at the top of all of that candy.
You took it and thanked the two. They were on their way after, probably about to scam some poor kid by overcharging it. They never tried that with you or any of the other older kids.
You pocketed the candy and used your sword to help you stand. You were exhausted. Your shoulders sagged, your back ached and you smelled like everything unfortunate in the world. You needed a shower and new clothes desperately.
You began walking then a ding filled your ears and out of curiosity you turned from the door and looked over.
It was him.
By the way his eyes softened you could tell he saw you. You were done lying to yourself and convincing yourself he didn't care. You knew you saw relief in his eyes.
Maybe Ares should've listened to what else Percy was gonna say. Maybe he was gonna say “they're fine but you should really talk to them”. Something like that.
Ares had seen you tear up multiple times. In sadness, in anger, in betrayal. This time though? You didn't look hurt. You looked relieved. You looked like how he felt. You looked like a huge pain had been lifted off your shoulders. If before you looked like a child whose dreams were crushed, now you looked like an adult who realized there was nothing crushed that couldn't be fixed.
You had grown up more since he last saw you. He didn't wanna miss any more years.
“And I hope the idea of me calling you Ares instead of dad terrifies you”
The words rang in his ears. You were right. It terrified him. It paralyzed him. He had one question on his mind.
What would you call him?
The two of you stood facing each other for seconds but it felt longer. Both your minds were racing. You were both thinking of the past, the fact that both of you were okay, and wondering what the future would be.
You felt like a kid again. You just stared at him with so many emotions coursing through you. The main ones being joy and relief.
Without thinking, you threw your sword to the side and ran at him. “Daddy!” You shouted with the inner voice of a child who was finally getting everything they wanted. You jumped into his arms and he caught you. His grasp was firm and he kept you close.
You both closed your eyes and focused on each other's warm embrace. You were both okay. You were both home. Neither of you held your tears and vulnerabilities from each other.
“I heard you were missing me” he said. You knew it was a joke but you couldn't laugh. You nodded into his shoulder.
“I did”.
“I missed you too” he admitted. It felt so good to finally admit.
It felt so good to finally hear. He missed you. He cared for you. He loved you. He was holding you.
“I don't like our agreement anymore” you mumbled. “You gonna rearrange my fingers or-”
“No” he answered firmly. He set you down and his hands held your face. “No” he said again.
“Not gonna turn me into an ant either?” You joked. He smiled at you and pulled you into another hug.
“I love you dad”
“I love you too”.
Ares did something he hadn't done in a while and he kissed the top of your head like he saw other fathers do. It surprised him how much happiness it filled him with. You on the other hand thought this would only happen in dreams. You were so glad you were wrong.
Then he did something else he hadn't done in a while.
He apologized.
“I'm sorry”
“I know” you answered simply.
“I'm gonna be better”.
You smiled and closed your eyes, allowing yourself to melt in his embrace.
“I believe you”.
Hope.
Home.
You two managed to hold onto hope. What others would call delusional or stupid, you called a dream. You both managed to make that dream a reality.
After years and years of complications, heartache and frustration, you two made it.
You two made it home.
If y’all sexualize the reader calling Ares “daddy” I swear I will rewrite this and have the reader die a terrible death. Do NOT-
Anyway y’all IT’S HERE! We finally made it to the end! Y’all feeling as proud and emotional as I do? Originally Everything wasn’t gonna be a series. I made pt1 and was like “yeah. A simple one shot” but people wanted more and it became a series. I got 2 abandoned series for different fandoms so it’s an accomplishment I finished this one. I don’t have any new series planned right now but I wanted to say thank you for the support Everything has gotten and the nice comments I’ve received. This was really fun. Until next time! (Also I told y’all they’d get a happy ending. I know some of y’all didn’t believe me)
Taglist: @kyuupidwrites @chadmeeksmartinswifey @lebguardians @beansficreblogs @itzjustj-1000 @white-wolf-buckaroo @elsisenta @leathesimp @marshymallo @stickyfictioninwriting @asexualaromosafezone @arialikestea @1mawh0re @samoanroyalty @wolfgirl294 @unoficialy-married-to-ace-austin @ohlookitsasinglepoeceofpopcorn
#percy jackson#percy series#percy jackson ares#pjo tv show#ares pjo#ares x reader#ares x child#ares angst#ares percy jackson#pjo angst#pjo x reader#pjo olympians#I never know what else to put
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Every single day I think more and more about how the Grey's Anatomy writers fortuitously wrote one of the most poetic relationships to ever exist. And it's a travesty that they don't seem to understand that despite the unchanged popularity of this ship.
They are two completely contrasting characters with the same brand of edgy just in different fonts, and they match each other's energies like no one does. And what I love the most about them is how it's their flaws, not their strengths, that drive their dynamic.
She's fire and he's air. At first glance, that seems like a recipe for disaster. But it isn't when they are both shielded by each other. She ignites his spirits, and he uplifts her. Without her, he's a calm, cool breeze. But with her, he's an ever-changing current with power and warmth. Without him, she's a fiery spark subdued by the world, but with him, she becomes an intense flame ablaze with passion. And when this current and fire get out of control, guess what has the ability to contain and ground them by drawing back their catalyst? Each other!!!
April makes Jackson passionate and forces him to dream bigger. It may be mistaken for impulsivity, but she just stops him from taking the safe roads in life and forces him to live life fully on his terms. On the other hand, Jackson grounds her and provides a safe place for her to truly be herself. He's the only person who ever does that for her. Not man. Person! Not even her family provides that space for her. And that is why she becomes independent and sure of herself with his influence.
Some people justify hating them by saying they would be happier with other people. Don't even get me started! Those two would be miserable with other people. April is so spirited that she would be instantly desolate with anyone other than Jackson because she needs someone who can keep up with her and feed into her positivity. Jackson seems so calm on the outside, but in reality, he is often so turbulent that he would be completely bored with anyone else cause he needs someone who can keep him on his toes and anchor him at the same time.
The only reason that they fell apart after losing Samuel was because that grief made them forget that they couldn't be truly happy without the balance they provided each other. April ran towards something passionately without Jackson, and lost her stability and fire, and Jackson wanted to drift away from her and live calmly, but ended up becoming morbid and dispirited without her. You can literally feel how drained and colourless they become without each other.
Their relationship isn't supposed to make perfect sense because the unpredictability of life influence it, but their dynamic certainly does. And that is why those two keep going back to each other. Sure, they would be fine by themselves. But they're at their best with each other. So basically, they mirror each other, and make up for each other's limitations so they could be the happiest version of themselves. They are each other's spark and tether all at once. And that is why Shonda Rhimes will probably never create a more dynamic ship.
#not me writing an essay about them in 2024#this stuff makes up about 40% of my inner monologue#japril#jackson avery#april kepner#greys anatomy
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The problem I have with the new ending.
I really don't understand what devs tried to accomplish when they wer making 'Your new world'. Like, the game is about accepting or rejeting change. On one hand we have a Shifting Mound. As an embodiment of change, she's is a key component to keep the reality flowing. So if you take her offer the cycle of death and rebirth of the worlds continues. If you refuse her, you're gonna stay in the same old universe forever. And it made sense!
But Your new world completely undermines the premice of the game by telling you tha you can create a whole new reality on your own, which lore-wise makes The Shifting Mound completely useless. As if she can't exist on her own while TLQ can. There's a clear power imbalance. Even before the Pristine Cut her position as a onmipotent diety was shaky, now she doesn't even seen as equal to TLQ. She doesn't have much agency even at her supposed peak form. She doesn't want to fight us, and even when pushed to do so, she's either getting slain or spared. There is not a singleinstance of her overpowering us.
Her faith is still in the hands of the player(ik it's a game and it's chracters have a will on their own but come on, I expected at least a sempblance of her being in control). We're practically bullying this woman into submission. I am so fucking mad.
#slay the princess#stp spoilers#pristine cut spoilers#stp pristine cut#stp shifting mound#stp the long quiet#slay the princess spoilers
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What if Cale Henituse had someone special during his time as Kim Rok Soo? Although they were never officially a couple, it was clear to everyone that their relationship went beyond mere friendship. Slowly but surely, KRS grew more comfortable and at ease around this person until they were killed. Brutally (lmaaooo I'm sorryy HAHAHWHAHW). Later, they reunite in his life as Cale Henituse, but reader has changed significantly because, like KRS, they too have been transmigrated. Their life has been deeply affected and troubled by their own close relatives, unlike Cale, who, despite some hesitation from his family, at least had the comfort of a family that cares about his safety and well-being overall. (Dyk Roxanna from TWTPTFLOB? Basically her family. If you don't know, basically her family is torturous to have. I think normal ppl would die if they suddenly transmigrated as a part of Roxanna's family because they're the definition of insanity)
I'm sorry if this is too much, feel free to scroll past 🤧💌
Our Fragile Promise in Magnolia - Cale/Reader
notes: Yes the title is a bunch of Laufey song titles. Shameless plugin but my fics Close and Can I Really have similar concepts to this one
tags: female reader, novel spoilers (war), angst? not sure, very loud unspoken feelings
English isn’t my first language so there will be grammatical errors
Pls don't repost my work anywhere without my permission
Constructive criticisms and any kind of interaction are more than welcome
Requests are open and welcome
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_____ stares at a male figure’s back. She’s used to looking at it. At finding comfort in it. How can she not? His back always seems so big. So strong. As if it’s capable of shielding her from everything.
However, this time that back looks smaller than how she remembers it.
And _____ is the reason for that.
“_____ don’t you dare close your eyes, don’t you dare fall asleep on me”
“Wake up! Just why did I get cursed with such an airhead child…”
The woman in front of the girl daydreaming speaks exasperatedly, bringing her back to reality.
It reminds _____ of who she currently is. How she’s not on earth fighting monsters anymore. How she has been granted another life.
Another life, another suffering.
“Follow me, the meeting is starting.”
The woman, _____’s mother, looked behind her to see if her daughter was still following.
“If you utter one word that causes our family disgrace you know what will happen to you. Won’t you, my dear?”
_____, who’s currently 20 years old in this life, is both used to and tired of the sickeningly sweet smile on her mother’s face.
“Yes, mother.”
She internally laughs but says nothing outwardly. Just how scared is her mother from the announcement of war that she dared talk to her like that?
It reminded her of when she was a child.
A time before she rose to power within that useless family of hers.
“Your name is _____?”
“Why? Do you have any problem with it?”
“No, it suits you.”
The woman was taken aback by the nonchalant compliment. The man in front of her has said it as if it didn’t mean much. No, for him it probably really didn’t mean anything.
But it meant the world to _____.
It was the first time she had received a compliment. And for something as insignificant as the name she gave herself.
‘Thanks, I gave it to myself since no one was willing to name me’
Were the words she held back from saying, not wanting to ruin the moment.
_____ never would have thought that she would become best friends with that very same man.
Clang!
The young woman watched as the silver plaque hit the table. The noise it made snapped the young woman out of her daydream.
She looked at the silver plaque and saw the crest of the royal family on it.
It’s easy to understand what it means.
Cale Henituse, the one famous as the young master silver shield, is now officially the Roan Kingdom’s Northeast Commander.
Not that _____ had any issues with it. She has heard about the famous young master. He may be young but he has the qualifications. Plus who is she to question the crown’s decisions?
If the crown has decided that Cale as commander is what the kingdom needs to defend itself against the Indomitable Alliance then so must be it.
However, not once has _____ looked at the famous redhead. Hence why when he started speaking again the young noble took it as a chance to take a good look.
The first thing that caught her attention was his long red hair. It was the same shade as blood. As if he was a vampire that drank so much blood it turned his hair into one.
But it wasn’t a gruesome sight. Quite the opposite actually. _____ finds his hair to be very pretty. It reminds her of a beautiful flame that’s forever ignited. Always strong and never extinguishing despite the strong winds that come its way.
“Kim Rok Soo..?”
As soon as _____ saw the commander’s eyes her world stopped. She knows those eyes very well. Has stared at them countless times for her to not know.
It couldn’t be.
Maybe they just have the same eye colour.
Kim Rok Soo’s reddish brown eyes might be rare back in her old world but nothing is impossible in this new one.
So it can’t be.
However, she can’t deny it.
She can’t deny that the way he lands his gaze is the same as him. The sorrow that is buried deep within those copper-like eyes is the same.
The way he stared at her knowingly was the same.
But she still tries.
She tries her best to deny it.
To deny him.
Because it can’t be. That can’t be him. That can’t be her best friend slash love of her life.
It’s just not possible.
And if it was then she must avoid him as much as possible.
For she has changed. And she is well aware of the fact that she has changed. She may have the same face and the same name, but she has become all too different.
She doesn’t want her love to see the new version of her.
Two people sat on the ground. Their back leaning against the sofa behind them. It’s a rare day when the two of them have a day off so they have decided to spend it by reading novels together.
“If you try to say another spoiler I’m going to seal your mouth shut.”
“But you have to listen to this!”
The woman tries to argue while tapping on a page of the book she’s currently reading.
“I’ll find out about it when I read it.”
“But I want to talk about it now!”
Kim Rok Soo shook his head at her. As if he couldn’t believe this was the same fierce person fighting monsters on the battlefield.
“Then wait.”
_____ internally smiled at the memory. She feels that familiar warmth in her chest she hadn’t felt for so long. As she did, she thought that it was a good idea to avoid Cale Henituse. She’s not sure if they’re the same person. And if they were she doesn’t know if he remembers her.
But it’s better to be on the safe side.
After all, it’d be embarrassing to see such a lively person turn into a shell of what they used to be.
“Just how long do I have to put up with this?”
_____ mumbled to herself as she picked at her food.
“Did you say something dear?”
“Nothing mother.”
She reciprocated her mother’s smile. After years of socializing with this family, she has learned to smile and bear it all. Things will become more complicated if she tries to refute.
“Where’s the antidote? Mix it in my usual juice.”
_____ orders her maid after lunch. The maid bowed and followed her orders like clockwork.
After all, this wasn’t the first time the young lady had been poisoned by her own family.
They see her as both a threat and an asset.
They try to bring her down, make themself look superior. But at the same time, they know that they need her.
It’s comedic. Really.
“My lady a letter has arrived.”
_____’s trusted maid hands her a tray that contains a glass of juice and a letter.
“That seal… It looks like it’s from the Henituse family.”
The young lady waved her hand away and the maid went out of the room.
Badump. Badump.
Her heart beats wildly in her chest and it’s not just because of the poison she consumed.
It’s not uncommon to receive letters from the guardians of the Dark Forest. They are business partners after all.
However _____ couldn’t help but feel nervous after the recent events.
Quickly drinking her juice that contains the antidote in one go, the transmigrator pulls the courage to open the letter.
“You have a very peculiar way of writing. I think I’d be able to recognize it anywhere.”
_____ hovered over Kim Rok Soo as he wrote something on a piece of paper.
“I would say you’re exaggerating but knowing you two, I wouldn’t put it past you.”
Choi Jung Soo spoke up from the couch while eating some sort of junk food.
“And what’s that supposed to mean?”
Rok Soo retaliates. His hands let go of the pencil in order to focus on his sworn brother.
“Nothing, nothing. I’m just saying. But hey, is that any way to speak to your hyung?”
“Again why are you the hyung? We were born on the same day”
“I was born first!”
True to what _____ said, she immediately recognized the handwriting on the letter. Its contents were concise, exactly how he likes to do things.
“He did his homework.”
The letter just said that the commander wanted to have a private meeting with _____ in order to talk about the upcoming war. The young noble instantly understands that he must want to talk about her territory’s military force.
She may not have an official title. She isn’t even declared as an official heir. Yet insiders, those who have a wide information network, will know that _____ is the one in control of her territory.
_____ doesn’t want to respond. But she has to. He wasn’t speaking as Cale Henituse or Kim Rok Soo.
He was speaking as Roan Kingdom’s Northeast Commander.
He was standing on business.
For he probably knows that’s the only way _____ wouldn’t avoid him.
Kim Rok Soo holds on the bleeding body in his arms.
Bleeding is an understatement.
The left side of her torso is gone. Eaten by the monster they are fighting.
“H ey, do you re member… remember our pro mise?”
A weak voice asks him. Kim Rok Soo nodded his head, too choked up to speak.
He does. Of course, he does. How can he forget?
He’ll record everything she says, no matter how trivial they are.
“Great… Th en I guess– I guess I can rest in pe ace.”
Kim Rok Soo doesn’t want that. He doesn’t need that.
“Don’t close your eyes. Please hold on. For me, for us. Please _____”
He begs. It’s so uncharacteristically of him to beg, but if it does the trick then he’ll do it a million times over.
_____ weakly chuckled. She may be weak and dying but there’s still fire in her eyes. A fire that will never be extinguished even in the face of death.
… or so Cale thought.
The fire that he thought would never die down is barely there in her eyes.
But it was still there.
It may be small. Struggling. But it’s there.
Alive and fighting to be as bright as it was before.
“_____…”
“Our business is now done, Commander Cale Henituse. If you have further business in the future please feel free to send me a letter like before.”
“_____.“
The young lady’s voice was firm, but Cale’s voice was firmer. He has no plans of letting her run away again.
He wouldn’t be able to let her slip from his embrace once more.
“Isn’t that concept sweet though?”
The two best friends are talking. They just finished a novel and are now discussing its contents with each other.
“You’re just a romantic.”
“But think about it. Promising to find each other even in another universe. Being together in every dimension…”
_____ stopped talking, lost in thought as she reminisced about the novel. Kim Rok Soo took it as a chance to stare at her face.
He has seen many people. Has read many descriptions of beautiful people in books.
But in his opinion, nothing beats _____’s looks.
Kim Rok Soo might be biased. His willing to admit that much. But his opinion won’t change.
“Hey Rok Soo?”
“What do you want?”
He grumbled as he suddenly came face to face with his “best friend”. Her face was full of excitement as she thought of a new idea.
“Let’s promise each other that in our next life, we’ll find each other again. Then let’s spill all of our secrets when we do. Not leaving anything out.”
Her idea sounds childish. Would they even remember anything in their next life? Would they even have a next life? If they did would they recognize each other?
Those were the thoughts that raced through Kim Rok Soo.
However, he doesn’t say it.
Because it was a silent confession. The best one they can give each other in this ruined world.
A promise to spill all their secrets huh?
It doesn’t need saying. Those secrets were probably talking about their feelings.
“Sure, I promise. We’ll meet again in our next life and tell each other everything.”
“_____”
Cale called out for the third time. _____ has changed and Cale has an inkling as to what brought that change.
Nothing he can’t handle.
His planning to overthrow an empire. Dealing with a noble family is nothing.
He’ll make things right.
Set things straight.
“I never break my promises. You know that _____.”
Cale– no Kim Rok Soo will make sure to fulfil his promise.
#trash of the count's family#lout of the count’s family#tcf#le asks#tcf x reader#lcf x reader#totcf x reader#female reader#x female reader#x reader#lotcf x reader#cale x reader#kim rok soo x reader#lcf#cale henituse#lotcf#totcf
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Hi, so, I'd like to request a one shot with Billy and Stu x Reader who looks cute and innocent, she can even trick them into thinking she's a sweet lamb, they are kinda friends? Like, the boys like to hang around her house, since she's almost always alone, and they watch horror movies together and all, Billy being creepy as always and Stu weirdly cute. Anyways, she looks so sweet and innocent, but, in reality, she has some dark thoughts and when a guy from school treats her bad or something like that (I'm think of her bing like a hidden Pearl) she kills him, but no one knows, after that she starts to go into a killing spree and the boys get worried she'll be a victim of this new killer, until they catch her killing, being stained with blood. I'd love if you could write it, so thanks ❤️ (English is not my first language, so sorry for any grammar error)
Oh no this was perfect so even if English isn’t your first language I got what you had in mind
↳ devil in disguise ↲
✭ pairing : billy loomis x reader x stu macher
✭ fandom : scream
✭ summary : billy loomis and stu macher befriend the new girl, there something about the innocence in her that has them wanting to keep her close, but what they don’t know is that underneath all that innocence is a psycho killer watching and building up.
✭ authors note : this will be pretty fucking long let’s be honest but I hope you enjoy :)
Appearances can be deceiving, a truth that resonates throughout the intricate tapestry of human nature. In the complex dance of life, the most innocent of individuals often harbor the potential for both light and darkness, a duality that echoes the very essence of existence.
Beneath the gentle facade of a kind smile, the spark of laughter, or the softness of a touch, lies a spectrum of emotions and desires that can lead down paths both virtuous and treacherous. Each person is a canvas painted with shades of morality, their choices a brushstroke that can create beauty or chaos, depending on the journey they choose to undertake.
The predator lurking within, the shadow of primal instincts, is a reminder that human beings are products of evolution, shaped by eons of survival instincts and genetic predispositions. In the heart of every individual, there exists a part that craves power, control, or fulfillment, a yearning that can manifest as ambition, passion, or even obsession.
Yet, it is important to recognize that the coexistence of light and darkness within us is not inherently sinister. It is a reflection of the human experience, a reminder that every choice is a crossroads, offering the potential for change, growth, and transformation. The predator within can propel us forward, driving us to achieve our goals, protect our loved ones, and forge our destinies.
In a world where appearances often mask the intricacies of the human soul, it becomes crucial to acknowledge the duality that resides within each of us. By embracing both our capacity for kindness and our susceptibility to darker urges, we gain a deeper understanding of ourselves and those around us. The predator lurking within can serve as a cautionary tale, a reminder of the importance of self-awareness, empathy, and the conscious choice to channel our instincts toward the betterment of ourselves and society.
Ultimately, the dichotomy of light and darkness within us mirrors the complexity of the world we inhabit. It is a testament to the richness of the human experience, the endless potential for growth, and the ever-present opportunity to shape our narratives, whether we tread the path of the predator or harness the power of our inner light.
The sun hung lazily in the sky, casting its golden rays over the idyllic small town of Woodsboro. In the heart of the town, the high school's courtyard was a hub of activity, a place where friendships were forged and teenage dramas played out against the backdrop of lockers and laughter.
Stu Macher and Billy Loomis, the quintessential charismatic duo, leaned casually against the fountain. Their respective girlfriends, Tatum Riley and Sidney Prescott, stood nearby, laughter and conversations weaving a tapestry of youthful energy.
"Hey, ladies," Stu greeted with a grin, his bleached-blond hair catching the sunlight.
Billy's dark eyes sparkled as he echoed the sentiment, "Looking good as always."
As the quartet exchanged banter and shared glances, a figure caught their attention. Randy Meeks, known for his encyclopedic knowledge of horror movies and his perpetual enthusiasm, approached with a wide grin that stretched from ear to ear. At his side was a girl who looked almost ethereal—a new face in a town where everyone knew everyone else.
"(Y/N), meet the gang," Randy said with exuberance, presenting the girl to the group.
(Y/N) stood shyly, her presence an aura of innocence and warmth. Her eyes were like open books, wide and filled with curiosity as she took in her surroundings. A white dress, loose yet gracefully hugging her figure, accentuated her delicate beauty. The boys, Billy and Stu, exchanged glances that spoke volumes—here was someone who radiated innocence and gentleness.
"Hey, (Y/N)," Tatum greeted with a friendly smile, extending a welcoming hand.
Sidney's eyes held a soft kindness as she added, "Nice to meet you."
"(Y/N)," Stu's voice was friendly, his grin never faltering.
But it was Billy who couldn't tear his gaze away. In his eyes, (Y/N) appeared as if she could do no wrong—a portrait of purity in a world where darkness often lurked. Her eyes reminded him of Bambi's, wide and open, untouched by the harsh realities of life.
"Hi," (Y/N) responded, her voice soft and sweet, as if her words were a whisper carried by the wind.
As the introductions and pleasantries continued, a sense of intrigue filled the air. The new girl was like a breath of fresh air, and the boys found themselves captivated by her presence. Billy's heart stirred, his curiosity piqued by the enigma that was (Y/N).
As the days stretched into a week, the dynamic between Billy, Stu, and (Y/N) began to evolve. To the casual observer, it seemed like the boys were constantly bothering her, popping up unexpectedly and causing her to jump with exaggerated "scares." (Y/N)'s jumpy nature only seemed to fuel their amusement, and they reveled in the opportunity to tease her.
"(Y/N), you really need to work on your reflexes," Stu teased, a wide grin playing on his lips.
Billy joined in, smirking, "Yeah, seriously, what are you so jumpy about?"
Inside, however, their thoughts took on a darker undertone. Each little expression that flickered across (Y/N)'s face was dissected in their minds, and they toyed with the idea of involving her in their sinister games. But deep down, they couldn't shake the notion that she was different, that her innocence was genuine, and that she deserved more than the fate they had planned for their victims.
One night, as they lounged around in Stu's living room, the topic of their potential victims came up, their voices hushed as they spoke of Ghostface's next target.
"You know, man, I've been thinking," Stu mused, his tone contemplative.
Billy's eyes met Stu's, curiosity gleaming within them. "About what?"
"(Y/N)," Stu replied, his voice surprisingly serious. "I mean, yeah, we've joked about her being our next victim, but... I don't know, there's something different about her."
Billy's brows furrowed in thought, his expression mirroring Stu's. "Yeah, I've been thinking the same thing. Her innocence... it's real, isn't it? I mean, it can't be faked."
Stu nodded, a somberness settling over them. "She's the only one in this school who doesn't put on a facade. I mean, just look at her. She's not trying to impress anyone or play games. She's just... herself."
As the two friends contemplated (Y/N)'s genuine nature, a decision began to crystallize within them. The idea of involving her in their deadly plans felt wrong, as if they were tainting something pure. The darkness within them seemed to clash with the light that (Y/N) exuded.
"Maybe she's the exception," Billy mused. "Maybe she deserves something better than what we had planned."
Stu's gaze was resolute. "I agree. We can't touch her. She's... untouchable."
And so, in the midst of their twisted games and hidden motives, (Y/N) emerged as a beacon of authenticity, a figure they couldn't bring themselves to tarnish. Their dark thoughts and desires were held at bay, overruled by the recognition that some innocence was too pure to be tainted.
As the days continued to unfold, the bond between Billy, Stu, and (Y/N) deepened, shaped by unspoken understanding and the realization that appearances could indeed be deceiving. In the shadows of their minds, they grappled with their own darkness while protecting the fragile light that (Y/N) represented—an innocence they couldn't bring themselves to shatter, even in the midst of their sinister games.
The bond between Billy, Stu, and (Y/N) deepened with every passing day, an unspoken connection that drew them together. As the days grew longer, they found themselves gravitating toward her house, seeking her company whenever they could. They had adopted a role of self-proclaimed bodyguards, protecting her from a danger she didn't even know was real.
"(Y/N), you seriously need to upgrade your horror movie tolerance," Stu laughed one evening, sprawled on the couch as a horror movie played on the TV screen.
"Yeah, seriously," Billy chimed in from the armchair, his eyes fixed on (Y/N) with an intensity that sent shivers down her spine.
Despite her jumping at some of the movie's more intense scenes, (Y/N) laughed, trying to play it off. "Hey, don't judge me. I'm just not used to all this scary stuff."
Stu grinned, an idea forming in his mind. "You know what would be fun? A horror movie marathon. We'll toughen you up."
Billy's eyes gleamed with a sinister amusement, his gaze lingering on (Y/N) as he added, "Yeah, that's a good idea. Get you ready for the real thing."
Unbeknownst to (Y/N), their intentions were far from innocent. In their twisted minds, they envisioned her as the ultimate victim—the damsel in distress they could play out their darkest fantasies with. Billy's creepy stares and Stu's vivid imagination blended seamlessly with their supposed role as protectors.
As the marathon continued, (Y/N) did her best to keep her composure, laughing off her jumps and enjoying the company of her friends. She glanced at Billy and Stu, both absorbed in the movie, their expressions revealing something she couldn't quite put her finger on.
"Hey, you guys aren't actually planning to scare me for real, are you?" (Y/N) quipped, a playful glint in her eye.
Billy's lips curled into a charming smile, masking his true thoughts. "Of course not, (Y/N). We're your protectors, remember?"
Stu's grin was genuine, his gaze softening as he added, "Yeah, we're not gonna let anything happen to you."
Despite the odd tension in the room, (Y/N) felt a genuine warmth emanating from them. The camaraderie they shared was precious to her, and their presence was a comfort amidst the backdrop of uncertainty.
As the days turned into weeks, (Y/N)'s interactions with Billy and Stu continued to deepen, their friendship a blend of innocence and darkness that seemed to mirror her own conflicted thoughts. Beneath her sweet exterior, a hidden pearl of darkness lay dormant, waiting for the right catalyst to awaken it.
One day, after school, (Y/N) found herself crossing paths with a guy from school who had treated her with disdain. His words had been sharp, his actions cruel, leaving a lingering bitterness within her. As she walked away, her fists clenched and her thoughts turned dark. Anger simmered beneath her surface, and a newfound resolve began to take hold.
That night, the moon hung low in the sky, casting an eerie glow over the town. (Y/N) moved with a determination that belied her innocent appearance. Her actions were swift, her thoughts cold and calculated as she carried out a plan that would forever change the course of events.
The next day, news of the guy's death spread like wildfire. Whispers of foul play and shock resonated through the school corridors. Nobody suspected the innocent new girl, the one with wide eyes and a demeanor that seemed incapable of harm.
As the days turned into weeks, the incident faded into the background, but (Y/N)'s newfound darkness lingered within her. She grappled with the conflicting emotions that surged within, a duality that remained hidden from the world.
Billy and Stu watched from the shadows, unaware of (Y/N)'s secret but sensing a shift in her. They continued their roles as her protectors, the twisted bond between them growing stronger. Little did they know, they were not the only ones harboring darkness.
The trio continued to spend time together, their connection both genuine and unsettling. (Y/N)'s thoughts were a storm of conflicting desires, her actions a reflection of the hidden Pearl within her—a darkness that had tasted blood and now hungered for more.
In a town where appearances were often deceiving, (Y/N) navigated the delicate balance between innocence and darkness. The lines between right and wrong blurred as her hidden thoughts and actions remained shrouded in secrecy, while the world continued to see only the sweet, innocent new girl who could do no harm.
As (Y/N)'s dark inclinations grew, so did the trail of bodies left in her wake. The once-hidden pearl of darkness had been fully awoken, and her actions took on a chilling rhythm. Each victim was carefully chosen, their lives extinguished with a methodical precision that sent shivers down her own spine.
Billy and Stu, the twisted duo who had unknowingly played a role in (Y/N)'s descent into darkness, began to notice the change in her demeanor. Their concern grew as they realized that the one they had deemed untouchable was now capable of unspeakable acts. The irony was not lost on them—the protectors were now the ones who feared for her safety.
"(Y/N), are you okay?" Billy's voice held a note of unease as he approached her one afternoon.
She smiled sweetly, her eyes glinting with a hidden intensity. "Of course, Billy. I'm fine."
Stu's eyes were sharp as he added, "You seem... different lately."
(Y/N)'s laughter was almost melodic, a stark contrast to the darkness that seemed to dance within her eyes. "Oh, just exploring new aspects of myself."
As the bodies continued to pile up, news of the new killer on the loose spread throughout the town. Fear and paranoia took hold, and Billy and Stu's concern for (Y/N) grew exponentially. They watched her closely, trying to discern the truth behind her smiles and the shifting shades within her gaze.
One evening, as they gathered at Stu's house, the topic of the killer came up once again. "(Y/N), have you heard about this new killer?" Stu asked, his tone casual.
She feigned innocence, her voice dripping with sweetness. "Oh, I've heard. It's terrible what's happening."
Billy's voice was strained as he pressed, "You haven't seen anything suspicious, have you?"
She met their gaze, her eyes a storm of hidden secrets. "Oh, nothing suspicious. Just a town gripped by fear."
The tension in the room was palpable, a silent recognition passing between them that (Y/N)'s dark thoughts were far more than they could have imagined. In their quest for power and control, they had inadvertently unleashed a force they couldn't fully comprehend.
As the days turned into nights, the town continued to reel from the new killer's actions. While the trail of bodies grew, (Y/N) remained a step ahead, her innocence a perfect mask for her true nature.
Billy and Stu's worry for her safety intensified, their twisted roles as protectors becoming a desperate attempt to shield her from a danger they were unaware she posed herself. In a chilling dance of fate, the lines between predator and prey blurred as (Y/N) navigated her dark path, leaving those around her to grapple with the realization that appearances could indeed be deceiving.
The tension in the air was thick as the night sky hung like a heavy curtain over the town. Billy and Stu's concern for (Y/N) had reached a fever pitch, each body that dropped heightening their anxiety. Their roles as protectors had been twisted beyond recognition, their concern evolving into a fear they dared not admit.
In the midst of their own murderous pursuits, the two boys stumbled upon a sight that shattered their perceptions. Moonlight cast an eerie glow on the scene before them—their sweet, innocent friend standing amidst the remnants of a fresh kill, her hands stained with blood.
Frozen in their tracks, Billy and Stu stared at (Y/N), their breath catching in their throats. A palpable tension hung in the air, a silent acknowledgment of the darkness that now bound them all together.
Stu was the first to break the silence, his voice a mixture of confusion and desperation. "What... What the hell, (Y/N)?"
(Y/N)'s gaze remained steady, her eyes holding a mix of defiance and something deeper, something that Billy and Stu struggled to grasp.
"Billy, Stu," she said softly, her voice carrying a weight that belied her innocent exterior. "I know you've been worried about me. But you don't need to be. I've always known what I am."
Billy's voice trembled as he managed to speak, but it wasn’t from fear. No, it was something else he was feeling his heart pounding in his chest. "What are you talking about, (Y/N)?"
A knowing smile tugged at the corners of (Y/N)'s lips, her eyes glinting with a chilling clarity. "Predators and prey, Billy. It's the natural order of things. Carnivores feed on herbivores. But there are also omnivores—predators that feed on both."
Stu's confusion was etched across his face as he demanded, "What does that have to do with anything?"
(Y/N)'s gaze turned piercing as she took a step forward, her presence exuding an aura of both danger and inevitability. "I'm an omnivore, Stu. A predator that feeds on everyone and everything. It's just the way I am."
The stand-off continued, a twisted tableau of secrets, revelations, and darkness. The boundaries between their roles as predators and protectors had blurred, leaving them all to confront a reality they had never anticipated.
Stu's hand trembled as he reached up and pulled off his Ghostface mask, his expression a mix of vulnerability and confusion. "Why, (Y/N)? Why are you doing this?"
(Y/N)'s smile was haunting, her words carrying the weight of centuries of history. "Because, Stu, it's survival of the fittest. The world is full of predators and prey, and I've chosen to be a predator."
Billy's fingers gently grazed (Y/N)'s cheek, his touch sending a shiver down her spine. His eyes were filled with mischief as he moved her hair to the side, tucking it behind her ear. With a smirk playing on his lips, he leaned in closer, his voice barely above a whisper.
"You enjoy that, don't you?" he said, his words dripping with anticipation. "The thrill of killing."
(Y/N) stared up at him, her Bambi-like eyes wide with a mixture of fear and excitement. She nodded slowly, her heart pounding in her chest. It was a dark secret she had kept hidden from the world, a part of herself she had never fully embraced until now.
Stu, having observed the exchange, stepped forward after a moment of contemplation. He moved silently, his presence sending shivers down (Y/N)'s spine. As he stood behind her, his body pressed against hers, an unexpected warmth spread through her veins.
He wrapped his arms around her, holding her tightly. The embrace was both comforting and electrifying, a mix of tenderness and danger. (Y/N) found herself leaning into him, her breath catching as she surrendered to the darkness within.
Together, the trio began to explore the depths of their twisted desires. A newfound bond formed, fueled by their shared secrets and the thrill of the unknown. They reveled in the chaos they created, leaving a trail of darkness in their wake.
As the nights grew longer and their actions more audacious, (Y/N) realized she had found her true family. In Billy and Stu, she had discovered kindred spirits who understood her in ways no one else ever could.
Their connection went beyond the realm of friendship. It was a dark and wicked love, forged in blood and mayhem. They would stand together, united in their pursuit of chaos, forever entangled in each other's embrace.
And so, (Y/N) embraced her dark side fully, relishing in the exhilaration of the hunt, and finding solace in the arms of those who shared her twisted desires.
#x reader#x reader oneshot#x reader one shot#x reader requests#scream x reader#scream x yn#scream imagine#scream#scream imagines#scream x you#ghostface x you#ghostface imagine#ghostface imagines#ghostface x reader#poly ghostface#poly ghostface x reader#stu macher x you#billy loomis x reader#stu macher x reader#billy loomis x you#billy loomis imagine#billy loomis imagines#billy loomis x y/n#billy loomis x stu macher x reader#stu macher x y/n#slashers x reader#slashers masterlist
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Because of the jjk exhibition and new interview questions with Gege there's been a lot of discourse, specifically about how things ended with Nobara and Gojo.
From what the exhibition attendees can best recall (as recordings inside were banned), Gege stated that he doesn't really want to kill off a character if he knows it won't emotionally affect the readers and a bunch of people are reacting poorly to it. But honestly, I don't really disagree with him. The purpose of deaths in most media to pull an emotional reaction from the consumers! You want your readers to feel emotionally tied and affected by that loss! If you kill a character just to kill someone, that's when it's purposeless and pointless.
I think some people are taking this way too literally and interpreting it as "gege kills for shock value" which does NOT equate to what he was saying, in my opinion. Every death has some impact on the characters, the plot, or the underlying meaning of the narrative.
Nanami's death is the most understandable of all of these. As a mentor figure, he was already at risk just because of tropes of the genre and storytelling in general. His death provided motivation for Yuuji and gave us a strong feeling of loss and a desperation to see Mahito brought to justice. He was also a full grown adult so his death was less of a shocking tragedy and more of a painful loss. I don't think there's many people who who debate this.
Now let's get to Nobara. I might be in the minority here, but I believe her death did mean something! Jjk has always discussed themes of throwing kids into situations they aren't fully equipped for and how their youth and lives have been taken away from them out of a sense of duty. Nobara's death is exactly meant to lean into this. She didn't have to die and she shouldn't have died. She was young and made a grave mistake when she shouldn't have gone out by herself! Nanami told her to stay behind because he knew she would be at a heavy risk of injury or death, but because of the culture around her Nobara went anyway. She wanted to help and wanted to be useful. There's a sort of toxic glory in jujutsu society where the strong are held up and revered while also being used recklessly. Nobara shouldn't have died, the same way Haibara and Riko shouldn't have died, but they did. That's the tragedy of it, and jjk is a tragedy and always has been. It was meant to evoke anger and pain, a desire to ensure that something like this doesn't happen again.
Gojo's death is the most complicated. It's the most convoluted and shocking, but I can see what gege was trying to do with it. Gojo is the strongest, but he worked alone and was used to working alone. No one can keep up with him and would just get in his way, so he was somewhat forced to fight Sukuna alone. I believe that the intention behind his loss was to show that even the most powerful can fall, especially when they have no one else they can rely on. The students all have each other. They are meant to be the change to the culture around them, working together to defeat Sukuna and bring about change. We even see this when Yuuta in Gojo's body relies on Inumaki! He's in the body of the strongest, but he wasn't going in alone. That's the difference.
Jjk has shown over and over again the tragedy of the world and hasn't shied away from the reality of loss, grief, and how unfair the world can be. That's the point of all of these horrible things, to show that unfairness. But I don't believe it will end that way! What's the point in showing how sad and nihilistic things are if it doesn't also show hope? I'm certain jjk will have a hopeful, victorious ending but those things come at a cost. That's what I believe gege's intention is.
#also i think there's still a chance nobara can come back but i digress#talk to me in the replies or in my asks if you want to hear or discuss more#jjk#gojo satoru#kugisaki nobara#nanami kento#jinx talks
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i think i've finally found a drama worthy of similar, if not the same — immense love i gave #lovelyrunner.
LR was a beautiful dream; incandescent and pure — Love Next Door is bittersweet reality; shot through with tentative, bruised hope. both are so precious in their own ways.
simone weil once said that "attention is the rarest and purest form of generosity," and i think that applies to seokryu & seong-ho's relationship so well. he sees her — despite the bickering, the surface animosity, the childishness they pull out of each other — he really sees her. this is the power of true, unfeigned witness — to know when seokryu really wants to cry even though she's laughing. to give her the space to do so — the fact that she feels safe enough with him to instantly succumb to tears. to recognize her heartbreak enough, even without the details — to not push her to talk about it until she's ready. to recreate the stars on her ceiling because he understands that she could use little points of light in her life at this stage of vulnerability and sadness that she's going through. to sit with her in the rain, not saying anything as she sobs — because sometimes pain can only be acknowledged, not spoken to.
seokryu buying a pomegranate plant for seong-ho because even if she can't come for his launch, she secretly wants him to know she celebrates his achievement. that she recognizes his effort. at first objecting to mo-eum inviting him for dinner, but then offering to cook him a fresh green-onion pancake anyway. the way her hand unquestioningly covers his on the handle of the umbrella — because where else would it go?
there's something about seeing 'childhood friends (or not quite) to lovers' in motion — seeing the visual enactment of: "i've seen every side of you; and even though it frustrates me how well i know you, how indelible a part of me you are — i wouldn't change it for the world. i wouldn't change you for the world."
nothing can ever be LR — but i don't think Love Next Door has to be. i think it can hold its own. 🤍
#love next door#I AM SO BACK BABY#kdrama#lovely runner#kdrama lover#tvn drama#tvn#rom com kdrama#kdrama edits#jung hae in#jung so min#jung-jung couple#love next door edit
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