#she rather have her loved ones than power

[auroreliis]

What about Reader with Deadpool powers and humor?

Oh Jason would love you.

Bruce would be stressed to the core. Despite the fact that you would probably be fine if you got injured, he is NOT taking chances. There will not be a single scrape on you. He doesn't want it to become a norm for you!!!!!!

And if there is a scrape on you? Then all hell breaks loose. Yeah, you'd better heed his words...

Dick, much like Bruce, is rather stressed, though he's a bit less obvious about it.

Huh? You wanna go run through a field of landmines for fun? Hahahahaa, sure, whatever you say. Now, come on. Let's get you to your room ^^ (You're getting locked in the basement tonight.).

Jason finds it hilarious. What a legend you are, absolutely precious. Would that he could take you out on patrols (You have powers, you'd be fine.). Even Dick is starting to get annoyed at Jay's laughter echoing through the manor whenever you say the most mundane thing ever. Be careful before they forbid you two from spending time together for good.

Tim is trying to relax around you, but he remains on edge.

Oh, hahahah. Yeah. Don't jump out that window, he really doesn't want to board it up...it's his last way to access fresh air.

Stephanie likes spending time with you most of the time, but sometimes you do things that are too reckless for her. Like, she gets it, the powers and everything, but do you really have to tumble down the staircase do get down quicker?

Cassandra is somehow always ahead of you and always behind the corner. You can never seem to get a moment away from her. She's probably worried, but you'll literally be fine, so why is she just standing there and watching you? Also, she's the one who stops you from going to the kitchen and experimenting with your powers using the knives and forks.

Duke is absolutely stressed. It doesn't help that he takes all your jokes wayyyy too seriously.

"WAIT NO- DON'T TRY TO BASH YOUR HEAD ON THE COUNTER TO SEE IF YOU CAN MAKE BRAIN SOUP- Oh...you...you weren't going to? Okay...good."

Damian thinks you're really funny, but he has to restrain himself from laughing at your jokes because he knows that they're made in bad taste.

He sees that Bruce isn't laughing and has to hold it back too, but wow, he really wanted to laugh when you said that you'd rather get crushed by a meteorite than hug Tim's sweaty form.

Also, he thinks that your power is really cool and he would give an arm and a leg for it.

[bramblebeau]

Alright I told myself I wouldn't interact with fandom when s2 came out, and I haven't and don't plan to except to say this about people deciding Caitlyn is the Worst or that the writing is OOC.

As someone who has had a family member violently killed, I cannot stress how much it shakes up everything you thought you were and stood for. My beliefs in proportionate compassionate justice and the rights of all human beings are some of the strongest I have (stronger now because of the way that experience affected me personally), but they were pushed to the absolute limit when it came to an individual who had killed my loved one, showed no remorse, and laughed in our faces outside court, among other things.

People generally like to believe it wouldn't be them or their peace-loving family members being talked down from seriously considering violent revenge, consequences be damned. People like to believe they wouldn't lash out at people closest to them under that pressure, that they wouldn't build walls around the kindest and most sensitive parts of themselves because those parts are the ones feeling pain you never thought possible, that they wouldn't stalk the killer, make notes on all their family and friends, and fuck up their hands punching walls in anger wishing so badly it was flesh and bone because they can't handle the fact that there's no way to turn back time to stop it all from happening. People like to think they're "better" than that. But the reality is messy and painful as hell.

With Caitlyn, she has the added guilt of having actually had the opportunity to stop Jinx before she fired the rocket, but she hesitated just long enough for it to result in the deaths of her mother and other councillors and in the cities being plunged into chaos. Not only that, but the person close to her she's lashing out at is the person who caused her to hesitate, and just so happens to be the sister of the killer.

Furthermore, her behaviour is entirely in character. We have seen her set up as someone who becomes obsessed with achieving a goal and will do pretty much anything she wants to get there. In S1, we agreed with her methods because her goal was exposing and taking down Silco, and because it led to Vi being released. In S2, she's doing a similar thing but it's fuelled by fear and a type of pain she doesn't know how to deal with, rather than being fuelled by a need to prove herself and solve a case, and it leads to her making morally questionable decisions and to hurting Vi. She admits herself, albeit privately to Vi, that she does not know what she's doing and doesn't know how to fill this hole in her chest (and the hole in the city leadership). She has been sheltered from the real world for almost all her life, and as a result she has no experience of functioning or making decisions under this kind of pressure. The real world blew up in her face in the worst way and she was given power and a loaded rifle, and then shoved into an even more elevated position by a very experienced warlord who is manipulating the shit out of the whole situation.

I'm not saying that you have free rein to hurt people when you're grieving and facing extreme stress. (If you think that's what I'm saying then idk I'm not sure there's much hope for you in terms of critical thinking skills). What I'm saying is that Caitlyn is exhibiting pretty normal human behaviour that most people would be susceptible to in those circumstances, not the behaviour of someone who is some kind of heartless abusive bastard.

TLDR: Caitlyn is being written in a way that completely makes sense and is also not OOC, and if someone told me there would be no chance of them reacting in similar ways I simply would not believe them.

[akamitrani]

omg i just read your dht fanfic and it was so good!! if your taking requests could i request that reader is married to david and she was with him on the set if terrifier (2024) and reader asks him to make love to her with his Art costume still on? Thanks!’ (sorry if this makes no sense lmao)

— The After-Hours Act —

David Howard Thornton x Fem!Reader

Warnings: Smut, established relationship, costume kink, roleplay (?), kissing, pining, choking, rough sex, public sex (well, kind of).

Summary: It's late at night, filming is practically done. Your husband, David, gives his final performance of the day.

[A/N: Omg hi, yes I accept requests! Thank you so much for liking my last fic 🤍 Hope you enjoy this one too, it's my first time doing smut. I absolutely loved the idea and probably had way too much fun with it lol.]

The set was alive with chaos. Flickering lights casting long, jagged shadows against the cracked walls, making the abandoned warehouse look even more sinister. Fake blood is pooled on the concrete floor and the air is thick with the smell of sweat, latex and the metallic tang of stage blood.

In the middle of it all stood David, fully transformed into the unnervingly silent and grotesque Art the Clown. His smile stretched wide under the white mask, black lips curling into a grimace that was equal parts amusing and horrifying.

You watched from the shadows just beyond the set, your eyes never leaving him. David had always been able to command a room and, as Art the Clown, he held a power that drew you in no matter how many times you had seen him in character.

The director yelled “Let's wrap it up!” and the tense energy of the set dissipated like smoke. David instantly broke character, his terrifying expression melting into his usual boyish grin as he exchanged a few words with the crew. His eyes flicked over to you and he gave you a subtle wink.

Your heart skipped a beat as he made his way toward you, still in full costume. The other crew members busied themselves with cleanup, leaving you and David in a pocket of relative privacy.

“Enjoy the show?” – he teased, voice low and familiar despite the eerie costume.

You couldn’t help but smile, mix of nerves and excitement – “You were terrifying, as always. But...” – you replied, eyes lingering on the smeared makeup around his lips – “I have a little request tonight”

David’s brow quirked in curiosity, he stayed silent, slipping back into Art’s mute persona for a moment. You took a deep breath, stepping closer so only he could hear your words...

“Can you stay in costume... For a little playtime, with me?” you whispered getting closer to him, a blush creeping up your cheeks.

For a split second you saw a flicker of surprise in his eyes, it was quickly replaced by a mischievous glimmer... He understood the idea. He nodded slowly, slipping fully back into character, his smile turning wickedly playful. Stepping back, he walked towards the door of the warehouse, locking it.

You felt a thrill shoot down your spine, you were completely alone with him now – No crew, no distractions. He moved closer to you, his movements slow and deliberate, like a predator toying with its prey. The game had begun.

David – or rather, Art – stopped just inches away, tilting his head in that unnerving, silent way.

“Are you sure about this?” – he whispered, the question hanging in the air like a dare. You could see it in his eyes, he was more than ready to play along. You wanted to see just how far he would take it, how much you could handle... You nodded.

Without warning, he lunges forwards, pining you against a cold concrete wall. A gasp escapes your lips as his gloved hand wrapped around your throat, not tight enough to hurt but enough to send a wave of adrenaline through your body.

The pressure of his hand on your throat sends waves of heat between your legs, your breath coming out in short gasps. He leaned in closer, his painted lips brushing your ear, he remained silent, true to Art's unsettling nature.

You whimpered softly, feeling the undeniable desire. David's grin widened and he pushed you harder against the wall, his free hand slipping to your waist, pulling you closer. You could feel his growing bulge against your thigh, his gloves rough against your skin. His eyes bored into yours demanding submission.

You gave in willingly, letting him take control over you. The grip on your throat tightened just slightly, enough to make you even more wet.

“David...” – You breathed his name. A futile attempt to break the spell of Art's menacing silence.

But he wasn't ready to break character yet. Instead, he released his hold on your throat and captured your lips in a messy kiss, taste of makeup and sweat mixing between you two.

He pulled back, just enough to look at you. For a moment you thought he might speak, but instead he let out that eerie silent laugh, his shoulders shaking as he looked at you with a mocking expression.

“You really are good at this...” – You said, voice husky with arousal and fear.

He flashed that terrifying grin again and in a heartbeat lifted you up in his arms. You look at him with a surprised look as he carries you to the prop bed in the set and carefully throws you in it. He hovers on top of you, grabbing your waist and pulling you closer to him. This time you completely feel his hard cock pressing against your thigh, making you moan – “Hmm yes...”

David's hands start to wander around your body, you're completely under him, completely at his mercy. His fingers slid under your dress pushing it up, revealing your black lacy set of lingerie. He pulled back and paused for a moment, he had an idea, suddenly getting out of bed – you look at him confused.

"David? What happened?" – You asked, afraid you did something wrong. He doesn't speak, instead he silently laughs gesturing for you to wait with an excited expression.

You watch him happily reach for Art's infamous black trash bag that was in a corner, open it dramatically and start looking for something inside of it. You were about to say something, but before you could do that he threw the bag away, in his hand is a black knife with fake blood still on it. He smiles devilishly pointing to the knife... then you. You freeze, feeling genuine horror with his actions now.

David senses your growing tension and gestures with both hands as what can be understood as 'relax, I'm not going to hurt you... probably'. What an imp. He starts crawling on top of the bed towards you with a hungry look, reaching your legs. He signals for you to open them and you gladly do so, without asking questions. He pauses for a moment as if savoring the situation, the position you're in – He gives you his trademark creepy smirk.

He reaches for your panties, his finger lifted one of the side edges and in a swift motion he uses the knife to slash it, removing it and revealing your throbbing cunt – now on full display for him. You inhale sharply, the cold air making you shiver. He throws away the knife and your undies somewhere around the set.

He pulls you towards him roughly, demanding, pushing your legs more far apart. You notice his bulge is very prominent now, poking through his clown costume. David hovers above you, one hand beside your head and the other ghostly stroking your sensitive bud making you moan. You don't want to wait, can't handle teasing now – you shift slightly as a form of protest.

“Fuck me now” – You breathlessly groan

He stopped in his tracks and looked you dead in the face, up until now he has been real soft with you, taking things slowly... But if you're such a needy bitch with no patience then he will give you exactly what you want.

David pulls back slightly and gathers your legs in front of him, pushing you to the side forcing you to change positions. Your back now is exposed to him, your ass completely tilted up, he uses his knee to once more spread your legs. You tried to look back at him but he shoved your head down in the bed and unspokenly demanded you to stay this way. Not wanting to defy him again you accept his command.

You stayed like this for a few seconds wondering why nothing has happened, you couldn't help but listen to your surroundings, especially behind you – focusing on any sound, any clue to what will happen. Unbeknownst to you, your husband – Art, at the moment – was dazed at the sight before him. Pussy swollen with desire and wetness threatening to drip down your groin, enough to make his dick beg to be released.

A sudden sharp noise of tearing cloth invaded your ears, making you jump a little bit. You were scared to look back but your curiosity was louder at the moment and you couldn't help but slightly glance to the source of the sound. David had torn his clown suit to free his dick, now holding his fully erect member in his hand leaking in precum, pumping it a few times.

He caught you looking and in a futile attempt you tried to avert your gaze, too late now. He smiled wickedly and as punishment, he gave you an unexpected ruthless slap to your butt, making you hiss in both shock and pleasure. The stinging sensation only adding to your burning heat. He continued – two, three, four, five slaps – smacking until you were moaning for the pain, for him.

“Mmm-aah fuck” – you moaned – “fuck me, just fuc-”

Your phrase cut short when he entered your pussy, shoving his dick deep inside you then completely out in a excruciatingly slow speed. He was taunting you, giving you what you wanted but not in the way intended to.

“Mmmm Dave, please ah- please...” – You cried out. You could feel the clown smirking behind you.

David started picking up speed, pounding hard, grabbing your waist for stability. There will definitely be some purple digits engraved there tomorrow.

You can hear his ragged breath and occasional whimpers, you're surprised he could maintain Art's silent persona this far. David is usually quite vocal, he enjoys praising you during sex. The difference is noticeable, you're still unsure about it... On the other hand, his much more dominant demeanor when portraying Art makes up for it.

He takes his dick out and flips you on your back to face him again, he takes your legs and puts them on his shoulder. He promptly aligned his shaft with your entrance again, staring directly at you. David's half-lidded blue eyes peaking through the white mask, black lips slightly open indicating breathlessness. Pounding you, he pushed your bra out of the way, he loved the erotic sight of your tits bouncing just for him.

His cock deliciously hit your sweet spot with expertise – he just knows how to make you feel good – feeling the climax build up more and more on your stomach on each thrust he gives, you're almost there.

He leans in closer to you, one of his hands grabs your throat while the other stays at your waist, pining you completely onto the bed. He's choking you mercilessly, cutting your oxygen this time.

David picks up his speed really fast, making the prop bed creak loudly, the sound of rough slapping skin filling the set – Your orgasm threatening to crash down. The stimulation is overwhelming and you can't hold it anymore.

His dick hits hard and deep in your pussy – you deliciously cum, your juices spilling all over his shaft. He nods maniacally feeling your tightening warm cunt around his cock, it was all that he needed to reach his peak – closing his eyes and throwing his head back, he ejaculates inside you with one final thrust. He releases the hold on your neck allowing you to gasp for air.

You see his face contorting and you think he might break character now. Instead he opened his eyes and smiled at you while clapping his hands cheerfully. The way he stayed silent, embodying Art’s menacing playfulness, drove you to the edge.

He removes himself from you, sweating, panting. You suddenly feel the exhaustion and so does he – literally plopping himself on the bed, by your side.

“I love you so much, you know that?” – he finally spoke after some minutes, the real David finally breaking through.

It was such a relief to hear his voice again – “I love you too... Even when you're being a complete psycho” – you teased, still breathless.

David laughed, genuinely – “I hope I wasn't too rough” – he said, pressing his forehead against yours, his arms wrapping around your waist in a comforting embrace.

“Maybe a little” – you admitted, resting your hands against his chest – “But I like it when you surprise me”

David smiled, leaning in to kiss the top of your head, filled with all the tenderness you knew him for. It was just the two of you, sharing a quiet moment.

“Thank you” – he murmured – “For loving all sides of me... Even the creepy ones”

You laughed softly, running your fingers through his chest – “I wouldn’t have it any other way”

You knew this was a moment you’d cherish – a memory of the man you loved, both the sweet husband and domineering clown... And tonight, you have experienced both.

“Alright, alright. I think we've given Art enough playtime for one night.” - he murmured, gently caressing your back. He kissed you one last time before preparing to get out of bed.

“I think I'll have to buy another clown costume” – he joked, pointing at his groin area, where he had ripped the fabric.

“And new panties for me, ruined my favorite one” – you added with a fake pout pointing at the long gone undies, currently at the floor. (rip undies)

“Yeah, sorry about that... I- I don't know what I was doing honestly” – he said looking down

“No, no. None of that. I loved everything. All of it.” – You quickly replied, forcing him to look at you. You could swear you saw a faint blush creeping up his cheeks.

“C'mon, let's get out of here” – He said sweetly, slipping his hand into yours – “We've had enough fun for one night”

Some minutes later as you both walked out of the darkened set hand in hand, you realized what you had just experienced was a moment you'd never forget. Fear, love and desire collided in the most thrilling way.

[barnacles34]

Diamond Ring (Karina x male reader)

tags: 2.4k, historical smut (French Empire), subby sub karina, marriage, and sex.

Wealthiest of them all, you are the Medici of North Europe. Your vast estates span back to the plantagenets - an everlasting relationship established between the English and French - Duke of Touraine, wealthiest of them all. 

It would be an understatement to state that you have seen greed - you are the epitome of greed, and even you would be appalled by the display of greed and such bad humors. And there’s no such thing as the French without bureaucracy: a long, lengthy, powerful bureaucracy.

And, you, Duke of Touraine, are the master of the bureaucracy. This wasn’t some practiced effort or a hereditary nepotist agenda. You were akin to Ivan the Terrible: all hereditary claims stripped, your entire family stripped of its glory and massacred in cold blood, but you weren’t killed - that was Frankia’s fatal mistake.

Coal turned diamond, endless pressure as if you were held under the deepest part of the Earth, and forced to endure its endless torture for years gone will drive anyone to adapt - it just happens to be you.

This backstory, alongside the natural cunning of the plantagenet dukes before you, led you to gain some significant, absolute, palpable advantage over all else. Stories of you utilizing those very debased by this society: cunning troubadours, your faithful concubines (most of which you never engaged with in lustful relief), and all else ignored with a distaste. Somehow, someway, this became the lever with which the entirety of medieval Europe moved, and you jammed it, over and over, until you became Master of Europe.

And, this lever, also became the bane that you resent - the lever that led you to fall in love with the serene, beautiful Karina. 

“Emperor Napoleon? He’s decided to invade Prussia?” You ask, with a pen in hand, mostly focused on the writing rather than the person begging to talk to you.

But when you hear that first word, laced with everything that you desire, deeply pavlovian, your eyes stick on Karina.

“Yes, Master, he’s set his sights on Prussia and likely Russia if he crushes the coalition.”

“He’ll crush the coalition.”

“What?” A surprised remark from Karina, she’s never so informal, dear bird.

“He has an army that has stuck with him since the time he first commanded control, dear. Experience in this dastardly elitist century beats all else. The only thing that could possibly kill his momentum is if his army is slowly dwindling, and that’s something that he hates to the very core, paradoxically, those who die first are one of the most faithful to him. He’d rather use them for menial and laboriously easy wins.”

“Excuse me, amor, but how would he go about this operation? Winter is rapidly approaching and the coalition is only of the most efficient winter warriors.”

“Confidence is a trap that is waiting to be set up. Expect some sort of feigned retreat, then absolute destruction.”

All of this conversation, natural to the core, all happened during the duration while Karina - now, your only concubine, and by proxy: lover - placed your favorite tea and a cup of the sweetest Swedish mead atop your table, that was brought across the Ottoman Bosphorus.

And during this moment, slight and short kisses were exchanged. First, she’d plant a peck on your cheekbone; then, she’ll decide that it wasn’t enough, then plant a peck on your lips; then, she’ll indulge her own desires, into a kiss that was more involved, of tongues and spittle.

It was clockwork, and she didn’t for a second notice this routine that she so adorably set for herself. And, how could you resist her? This matchwork routine never bored you, in fact, excited you to the very core.

And so, it’s very distressing when you can’t destroy her over the table, let her back bend in angles only ventriloquists even dare to attempt, let her throat return to its usual color after a daring handprint - white where you gripped - makes her squirt all over your expensive table.

But she leaves regardless, that’s her duty, because you’re so buried in work these past months, of course, being master of Europe is a job that’ll always be difficult. But, you don’t let her leave without a few words of encouragement. You grip her thin, soft wrist, leading her on so that her ears are closer to your mouth.

“I’ll fucking destroy you today.” The words had the intended effect, you felt the tremor in her body, that’s how you deconstruct Karina. If she’ll train you pavlov-style, you’ll fight back, fire with fire, and you’ll fucking win.

You let your hand go below her dress, and grab, hard, on the soft ass-cheek that so cheekily points towards you. God. You’re already salivating thinking of all the ways you can get Karina to wet your entire master bedroom.

It’s a shame she’s so brilliant at desktop research: you would’ve had her, under your desk, suckling on your nuts and your length till hell freezes over.

Royalty from the eastern world, Karina was suddenly here, in Paris. She cites her reasons to be fairly absurd, she was just forgotten: she wasn’t royalty to the extent of high status, rather a scholarly sort of lineage that lost any sort of favor with the Chinese Emperor, and to your understanding, was a sort of exile. You just hope, somewhat, that you provide her the homeliness that she deserves and desires.

Oh, and, yeah, it’s a fucking surprise that Karina loves to be submitted so fully.

—

The steam of the bath rose in the heavily humid room, dew drops form on your face - the day’s hardships melted off your face, physically and mentally. Especially because Karina was next to you, with a scrub that’s often too harsh for princely skin rubbed considerately all over your body.

“Eyes up here, amor.” While she scrubbed the remaining area of your chest.

“No.” As is, cause, how can anyone keep their eyes off.. that?

“Heyy!” She splashes some water toward you, some sort of cover to hide her beautiful breasts.

Oh, now her arms are covering it, such a shame.

“Karina, let me.” Pointing towards the scrub, and of course, Karina suspects some ulterior motive; and, it’s justified, you’ve failed 100% of the time to avoid her breasts.

You place your hand on her shoulder, let handfuls of water flow off the perfect curve of her back - you could do it for hours. Then lightly press on her skin with the palm of your hand; then, softly moving your palms around the entirety of her body while you are behind her.  She’d already washed, and your request to wash her body was a pathetic excuse to touch her body - but, she never seems to mind it, her face knits in a fake frustration, then when she’s turned around, she slowly vibrates against your firm touch.

Sometimes, this turns into a wet fuck session around the large bathroom, and today, might just be one of those days. Because, the hand that trailed her shoulders, then her collarbone couldn’t stop its firm grasp on her throat. 

She lets out the faintest gasp, she wants it, she so badly wants to be ravaged against these tiles of various blue hues. Her head retreats back, letting it slot right in the dip of your clavicle as you begin pinching her pink nipples - erect in a place as humid and hot as this place can only mean one thing only: an utter rutting desire to be fucked into oblivion.

She’s just begging for it, her resting head on your clavicle turns to the side, trying her best to goad you in some way - and, you’d wish she’d stop, otherwise both of you wouldn’t be able to walk tomorrow.

Yet, still, she nibbles on your earlobe, trailing kisses on the side of your princely face. If you asked her what reward she desires, and as a joke, she’ll say your dick, your hands, your lips, but sometimes you suspect whether or not that was some Freudian slip showing her true intentions.

That hand that endlessly teased her breast trailed down her body, letting you feel the curvature from the tip of nipple to her underboob, then the slight curvatures of her abdomen, sleekly muscular yet feminine. Then the purely smooth lower pelvis, and finally, her flower - a word that she begged for her pussy to be called, rather than it being used for its intended purpose, it quickly turned to a joke.

And… this is where she seriously breathes in, preparing for the soft onslaught she has to face with the pads of your fingers trailing over her sopping wet cunt. Circles around her hooded clit, wet to the touch, slick, and you’re just dying to have a look. And she’s just dying with the arousal, not even penetrative, and she’s already creaming on your fingers.

“You’re a fucking slut.” You nearly growl into Karina’s ears. 

And her eyes are closed, fighting back against the onslaught of pleasure, yet still, she has something witty to say, “I - I’ll seri- seriously just leave.”

“I doubt that, you good-for-nothing slut,” you tighten the grip on her throat, and she just begins gyrating her hips over your fingers, speeding up every so often until she’s just about to climax.

And then she’s just rutting her hips, against nothing, and every so often her pussy looks for the phantom feeling that your fingers left just at the cusp of her orgasm, leading to an unsatisfactory orgasm. Now, that’s fucking irritating, and she’ll press you until the end of time for that, and you’ll fucking love it.

The finger that dwelled on her wet cunt, that also left prematurely, swiftly went to her face, first, a soft slap on her cheek, then a shove into her mouth - there, she’ll taste the essence of herself. 

Oh, and she’s just loving it, you don’t even have to look at her to see in your peripheral that her mouth is just perpetually letting out these uneven moans - moans indicative of the highest pleasure - and her dilated pupils just rolling everywhere.

“How do you feel that you get an intense orgasm from just the cyclical motion of one or two fingers, huh?”

You pull her neck in, and she’s just blasted out of her mind - all sorts of pleasured, and she hasn’t even sampled the main course yet.

“I lo…ve it… so much,” you swore you could see heart pupils for a moment when Karina was staring at you: she wants your dick to punch against her cervix.

“That’s right. Who’s the master? Who owns you entirely?” 

“You! Amor, you are my master.” She’s back to reality, but she’s even more insatiable, the way her eyes dart every second down to your erect length.

Well, you’ll just have to give it to her.

This time, you both enter back into the knee-deep part of the bath, and as standard protocol would have it, she’s bent over, perniciously waiting and rutting.

And then you realize something, that she doesn’t have the largest bedazzled diamond ring on her ring finger. The smack was loud enough that Karina immediately, abandoning all pretenses of a submissive session, came over to attend to you. 

“I’m sorry Karina.”

And, she seemed to know exactly what you were thinking about, the facepalm, the tone.

And she hugged you, “That’s okay, amor, I would’ve waited until the end of time.”

A contradiction that shows how badly she wanted to be called your wife.

It’s rather ridiculous, this situation, this relationship, all of it, but you couldn’t be happier.

You’d propose, and she’d say yes, then you would resume destroying her soft and supple pussy, then cream it with your baby batter.

“I’ll get the biggest diamond ring.”

“Hmph. You better.” Pretty angel.

“That’s a yes?” You ask, just to be sure.

“Dummy.” Karina kisses you deep, stroking your cock while she’s at it. 

And she knows that you’re gonna say something stupid like, “cockdrunk slut, you want it so bad?” so she’d rather just seal your mouth with a kiss, either way, you’re happy to oblige.

Then, the fateful penetration, the way Karina still stares at you - the same as the day you deflowered her - is always the extra hardness that drives Karina crazy.

Face-to-face, your dick prods at her squishy entrance; then, you enter, the velvety folds full of the arousal that Karina accumulated, likely, from the assgrab at the office, so almost the entire day. That’s why it’s so soft, yet so succulent. Everytime you exit, her pussy drags along, smearing a trail of her delicate arousal, flowery, from her flower.

And, she’s just fucking losing it.

“I love it! Amor! I love it so fu- fucking much!” Her voice gets all manners of shaky, and misconstrued, yet she’ll still profess her love for you.

And, you just know exactly what’ll drive her over the edge. A grasp on her throat, and a steady stream of hard slaps against her ass, or the side of her thighs - any place’ll do, in fact.

Up and down, up and down, her breasts - perfectly aligned with the law of inertia, has a delayed bounce that just interests you to no end, and Karina will stare at you, confused at how a person could love someone’s breasts so much. You probably couldn’t name a single thing that you disliked about her body, or her personality or anything for that matter.

And that’s the progressive upscale, the deadly slope that you climb, your thoughts get more opulent and luxurious as you approach climax. Everything becomes one-sided truths, that’s when you know you’re about to cum.

“Karina, where do you want it?”

“I want it everywhere, especially inside me.” 

“As you wish, dear.” One thrust, then two, then three.

You grab hold of her asscheeks, one completely red and the other normal, both’ll get the treatment that you administer. Then you enter to the deepest part possible, and you’re just completely painting her insides, your throbbing length pulsating till the very last second.

“Argh!” You growl against her.

And she moans, squeals, an unintelligible amount of squirt trails down her legs while you’re still face-to-face. 

She’s on her 5th orgasm, she must’ve really like the assurance for the ring.

As you pull the plug, a stream of semen just trails out of her, passing her folds, then trailing against her left thigh - what a fucking sight.

And, with an intense propensity, you pull Karina down, holding all her hair as she cleans your cock.

When she finishes, remnants of semen still on her chin, looking up, she says, “Amor.”

And you reply, “Dear.” Rubbing her soft, pliant face.

[piece-of-pierce]

Gotham’s Ghosts are an open secret. Outside the city, people think it’s a metaphor referring to how old the city is and the near-endless history carved into every corner.

Gothamites know better though. Some call it a joke, most refuse to say it out loud, but all respect Gotham and her Ghosts. She is a city that cares for and protects her own. Those who are hers never truly leave and those who are not can feel her desire that they do.

Out-of-town-ers tend to trip more, feel paranoid, always catch the red light and rain, and plenty other little things in Gotham that show they are unwanted by the city. The not a joke is that these are acts of her Ghosts, those who once walked her streets now working together to carry out her more subtle desires. The Bats and Birds are believed by some to be more powerful Ghosts, her elites, permitted to carry out more tangible tasks.

Truth is, the only thing Gothamites have wrong is the Bats and Birds. They’re helped by the ghosts who make bullets stray just right and keep their footsteps quieter than is possible. They have Gotham’s blessing and her Ghosts’ assistance, for they are hers and protectors of her others, but they do not yet hear her decrees.

So, when one Bird leaves Gotham, she frets and her Ghosts grow restless. When the news comes that only his corpse will return, they grieve with their knights, both hoping and fearing that their lost bird will join them.

Instead, he wakes up, he wanders, he leaves again (and oh Gotham, how she weeps to see him go, knowing how it had gone before, raining tears down on her people and sending her ghosts to make all feel the dread, if only that one might notice the danger of her missing bird, the danger of tragedy striking a second time.) Then! Then he returns. He returns strong and angry with a ghost of his own festering within but he is home and Gotham beams and her Ghosts all swarm to see him safe.

They aid him in his efforts to rid her of the Mad Clown, then show the Bat their displeasure when he harms Her Bird to stop those attempts. The Dark Knight hears his footsteps and feels his weight heavier than before, adapting as much as he can but only finding relief when he finally abandons his anger at Her Bird. Her ghosts gather around him in the night once more, but they decide amongst themselves that they will leave again if need be and far more choose to remain with the Returned Bird, rather than the Dark Knight.

Between their assistance to Gotham's favored and little tricks along the street, the City's Ghosts have a place to which they retreat. A place to refresh themselves and gather their strength before returning to the larger city. They have a bar where they go, formed by Gotham herself, her own Afterlife for her own Ghosts so that they need never leave her. It is a passable imitation of what they lost when they chose to stay and serve their City.

Gotham's Afterlife is too closely connected to the living Gotham, though, and garners attention from some of the living. Gotham is too deeply entwined with her people and struggles to keep this place of pride a secret from them, so calls to the Realms with a request of a gatekeeper. The Realms respond and send her their favored, a ghost who lives and is experienced in guarding the space between Ghosts and the Living. He becomes Gotham's only living Ghost, a caretaker of her Afterlife, and a friend to the other Ghosts. He even brings a few more who have worked alongside him before (an entertainer and her lover, who happily takes a position as the guard, a young couple who love to travel and take on the job of leading the bats and birds where they need to go, a cook who ensures the Ghosts all replenish themselves properly and regularly, and a worker who keeps additional watch over the warehouse district that desperately needs it. There are even more who flit in and out and Gotham and her Ghosts take to them all quite quickly.)

It is with time that this Gatekeeper and his friends become Gothamites in their own rights. It is also with time that Gotham's Ghosts share that the spirit in her Returned Bird's chest is slowly weakening with time, speeding up slightly when around other ghosts. It is with pride that Gotham learns her own Ghosts can rid him of this foreign influence.

Of course, the only reasonable course of action is to lead the Returned Bird to her Afterlife. Perhaps time with more Ghosts will speed up the process. Gotham has the Ghosts with her Returned Bird start leading him toward her Afterlife, night after night until he finally finds it. He doesn't go in, but he returns to study it, night after night. Then, finally, with enough prompting by the Ghosts, he approaches. He steps through the door, willingly entering himself into their world, allowing Gotham's Ghosts to finally reveal themselves to him.

And oh, what a reveal it is, to welcome the Returned Bird home at last. For even as he stands wary, Gotham beams with pride, her Ghosts all looking to the figure in the doorway, only some with recognition but all with respect for the Living soul who has earned Gotham's pride and the right to see their Afterlife, let alone walk in.

-=o0o=-

From the moment he steps over the threshold, Jason knows he's been drugged. He feels strangely calm, despite the unexplainable knowledge that he is being watched by everyone in the bar, a strangely full bar for a place nobody has gone in or out of, and the pits have quieted in a way he has never known since coming back to life. They're not gone, but for once he's only hearing overlapping whispers instead of the usual constant screaming in his skull.

All these strange people, clearly locals in how they carry themselves, make him feel like this is a sort of homecoming. Unwilling to draw too much attention or behave too strangely, he quickly moves on from the doorway and makes his way to the bar against the wall, settling onto a stool.

"Welcome to the Afterlife, how may I-woah! ...okay, hi, new guy... I'll be with you in a moment." The bartender, one of the few people in the bar who didn't look like he was going to a 'decades in history' themed party, had stark white hair, pale skin, and bright green eyes. They were glowing slightly, too, and his lips had a concerning green tint to them.

"Take your time," Jason said, leaning against the bar with a nod that the bartender returned before darting through a door that seemed to lead into a kitchen. While he was gone, Jason took the chance to take another look around. The people here were varied, some looking like they'd just walked in off the street but most looking like they were stuck in time and had been for a century or more.

Jason hadn't seen anyone going in or out. They mostly looked like they'd been showing up and staying for a hundred years at least. Jason had tried reading Percy Jackson as a kid, and while it didn't hold his interest for long, he remembered some parts well enough not to like how this was looking.

"Here. Might not be what you were planning to order, but dude, you need it. I don't know what you've been up to but it left something rancid in your system." The bartender was back, skin flushed green and a crooked grin on his lips, doing nothing to hide the concern in his eyes. "I'm Phantom, by the way. Sorry about the wait."

"Call me Jason."

"Nice to meet you, Jason. You're gonna want to chug that, by the way. It's kinda gross, but what medicine tastes good?" Medicine? "Just trust me, it'll flush out all that grossness in your system. It'll make Gotham happy." The bartender, Danny, returned to tending the bar as if nothing was strange.

Jason had to get out of here. Fast.

DPxDC Afterlife, But It's A Bar

[discontinued, feel free to add on]

It was weird. Not wrong, alarming or dangerous type of weird. Not good or comforting either.

Just plain weird.

It all started a few days ago, on Wednesday, to be exact. On a rare occasion, Jason was patrolling outside of his territory ("cover for me, I have a date" my ass, Replacement), and he spotted something out of place. A neon green, almost toxic colored sign that read "Afterlife".

Honestly, who names a place like that? But judging by the placement and design, it was a bar, and Jason could almost appreciate the irony. Maybe it had a slogan along the lines of "our drinks will send you beyond the lines of life and death" or something. But at the same time, it could be interpreted as "alcohol can and will be the death of you," which, technically, is not the best PR campaign for a bar.

Jason decided to visit the place anyway. He was curious about the implied death joke, sue him.

Of course, he didn't visit immediately. He was still on patrol, and he just heard the sound of gunshots to the west. Not to say that the place was quiet.

(Oddly quiet for a bar in Gotham, now that he thinks about it)

Anyway, the next day, he went there not as Red Hood but as Jason Todd, an ordinary civilian who decided to grab a beer in the evening. Only to not find the place.

He couldn't have just miss it - he remembered the street, he knew the building, he was absolutely fucking sure where the "Afterlife" should have been. He searched the whole block nonetheless, and then proceeded to check the whole area, but to no avail.

Damn, it seems like he can't get to the afterlife both literally and- the other literally. Yeah, he might be having too much fun with the oddly chosen name for the nonexistent bar.

It didn't exist on the maps and internet either. At this point, Jason was contemplating the idea of it being a hallucination or a dream. He even checked the recording on his helmet from Wednesday night, but the whole time he was in the area, the video was filled with interference and static.

Weird. Slightly suspicious, but Red Robin, who's been patrolling the same area for weeks before him, never reported any interferences, so it probably had something to do with his helmet and not the area in general.

On Thursday night, he purposefully went there right after patrol. And the nonexistent bar suddenly existed again! The same neon green sign, the same quiet street around it.

Seriously, what is this mysterious fuckery?

Now, if he was a Bat, he would have reported this to others and investigated, lurked around in shadows, and approached with caution. If he was a Robin, he would have still reported and then straight up marched in there and saw how it goes.

Alas, he was Red Hood, so he decided to watch for the bar guests and see just who the hell goes in and out of the place.

And there was the next weird thing.

No one was going in or out. Jason sat there for a whole hour, and not even one person entered or left the building. Despite the muffled sounds of music, voices and laughter coming from the place.

The final kicker was the fact that after some careful questioning and dropping hints, Jason found out that no one except him ever saw the "Afterlife"'s sign. No one's even heard of it, both the Batclan and the Gothamites.

The fuck?

So he did the next logical thing. He brought the smartest member of the Bats with him. Tim owed him anyway. Might as well use it now instead of later.

Friday night proved two things: one, Tim was still his favorite to work with out of all the bats and birds, not questioning anything as to why Jason is asking him to check out a bar, and two, Jason just might be going insane.

Tim couldn't see the "Afterlife" even when Jason pointed at the sign from not further than ten feet. The irony of the stipid name was not even amusing anymore.

Tim didn't ask any questions after this experiment, and Jason didn't want to admit that he is losing the grip of reality, so they ended up simply parting their ways after. Can the Pits cause brain damage? More damage than there was in the first place, that is.

Now that he thinks about it, the color of the sign is really similar to the Lazarus waters. He should have noticed it sooner, but in his defense, who would look at the bubbling pool of toxic waters and think, "Oh, that would make a dope neon sign"? Apparently, the owner of the "Afterlife".

The color might be just a coincidence.

...no, in the world he lives in, coincidences like this just don't happen. Besides, Jason doesn't believe in shit like fate or destiny.

So, here he is, on Saturday night, standing in front of the door to the Afterlife. It would have been funny if it wasn't so weird. What's even more weird is that the closer he gets to the door, the less nervous he feels, like the place is radiating some calming aura. Wait, no, scratch that, Jason is so not calling it a calming aura for God's sake. That sounds just like those homemade witches with their crystals, tarot readings, and whatnot.

He's going to call it... tranquilizer vibes. Yeah, that's better.

He takes a deep breath, getting ready to see whatever it is on the other side, pushes the door open, and walks into the bar.

...

Whatever he's been expecting to see, it's not this.

[quirkwizard]

I've been getting a lot of asks about the various futures of the characters in this setting, specifically Class 1-A. So I thought it'd be fun to mix them all up together and toss in some headcanons about the various students in the future. And yes, I will change some of the hero names and titles to what I believe are better versions. Because I like to think that someone from the Management Course got to these kids before they went public.

The Fresh-Picked Hero, Vineyard: Rank: 100s to 150s Specialization: Defense Popular Product: Sticky purple orb toys that you can throw around.

Mineta eventually grew to a more decent of a hero. He learned to properly apply himself rather than coasting on what little talent he had and worked to put on a brave face when fighting villains. He was hoping his growth would improve his image with the ladies. It did not.

The Super Sweet Hero, Sugar Ray: Rank: 100s to 150s Specialization: Combat Popular Product: A line of sweets designed and endorsed by Sato himself.

In spite of his brutish power and appearance, Sato found himself loved among old folks and housewives that loved the recipes he came up with. He'd always spare his treats with anyone he helped in his hero work, always brightening the spirits of anyone he came across.

The Taping Hero, Cellophane: Rank: 100s to 150s Specialization: Recon Popular Product: A brand of tape supposedly based on Sero's own tape.

While never the most popular or successful hero, Sero was always the most approachable one of the class, remaining down to Earth in spite of his past and lifestyle. This ended up making him more of the "working man's hero", finding fans in blue-collar workers. His power may have played a part in this.

The Fighting Hero, Martial: Rank: 100s to 150s Specialization: Combat Popular Product: A line of fur coats inspired by his tail and costume.

Ojiro was never going to be a popular hero, yet found a hardcore audience in niche communities. He would go on to found several dojos that would help young heroes learn how to apply themselves as marital artists, with or without their Quirks, and would accept many of them as his sidekicks.

The Unseen Heroine, Ultraviolet: Rank: 100s to 150s Specialization: Recon Popular Product: A shoe line inspired by the ones from her costume.

In spite of the massive controversy when she appeared on the hero scene because of her power, Hagkaure has taken to stealth-focused hero work well. Still, she tries to gain as much attention as possible as not to be left in the background. Surprisingly, this does not interfere with her work since no one ever sees it coming.

The Petting Hero, Anima Rank: 100s to 150s Specialization: Rescue Popular Product: A playset featuring various animals Koda works with, including little information cards on them.

While Koda had a role in the Heteromorphic moment, he found himself far more preoccupied with animal protection and conversation, working to endorse several zoos and sanctuaries. The once shy boy found his voice in sharing his love of animals. He remains popular with young children.

The Tentacle Hero, Sixth Sense: Rank: 50s to 60s Specialization: Recon Popular Product: A mask and headpiece set resembling Shoji's costume.

True to his word, Shoji helped foster and repair the relations with the Heteromorphs. He worked tirelessly as the public face of the movement and as the hero who would help deal with cases of Heteromorph related crimes. In time, Shoji started to feel like he didn't needed to hide his scars.

The Illustrious Hero, Rayonnant: Rank: 100s to 150s Specialization: Combat Popular Product: A clothing line heavily inspired by his own fabulous wardrobe and costume.

In spite of his flashy looks and grandiose persona, Aoyama was always one of the more empathic heroes. He would always help encourage "lost causes", becoming an icon and true hero for those that felt alone and afraid. He wanted to make sure they all grew to shine as bright as he did.

The Astonishing Hero, Paradigm: Rank: 100s to 150s Specialization: Recon Popular Product: A toy version of his masks that distorts your voice.

Preferring to stay away from the limelight, both for himself and his Quirk, Shinso made a valuable underground hero for the world at large. He's been immensely helpful in deescalating dangerous situations and assisting police in doing wet work to gather evidence. In spite of that, he never once felt like a villain.

The Stun Gun Hero, Chargebolt: Rank: 70s to 80s Specialization: Combat Popular Product: A toy version of his disk launcher and glasses

While not as lazy as he was in his youth, Denki still takes a laid back attitude to hero work and tends to treat it more like celebrity work. Less out of any selfish desire and more that he's surprisingly good at that part of it, especially with teenagers. Still does little electrical shows and short circuits himself sometimes at the request of fans.

The Hearing Heroine, Treblemaker: Rank: 20s to 30s Specialization: Rescue Popular Product: Various musical equipment themed after her, especially headphones and musical toys.

After her injury, Jiro focused less on hero work as a whole. While she still went out and landed her ear when she was needed, she instead used it as a platform to prop up her music to a resounding success. She'd often use her music and concerts to help raise money and attention to disaster areas she had worked in. Eri has been and always will be her biggest fan.

The Alien Heroine, Pinky: Rank: 10s to 20s Specialization: Combat Popular Product: Various health and beauty products, especially skin care ones.

It's been said by her fans that Mina was built to be a hero. And they'd be right. Between her flashy power and friendly personality, she quickly gained a following and shot up the ranks. She remains a fan favorite among the crowds, earning the fan name of Alien Queen. Tends to gossip a lot about her fellow heroes and causes undue drama.

The Sturdy Hero, Red Riot: Rank: 20s to 30s Specialization: Defense Popular Product: As much as Kirishima wants it to be his workout equipment and videos, it's his hair care products.

Kirishima became a noble and courageous hero, always being the first to run into whatever danger was in his way. In spite of his simple ability, his overall brand helped him garner the attention he deserved. He became an icon for young men around the state, inspiring them to be brave, to improve, and to protect the ones they love.

The Everything Hero, Refine: Rank: 5s-15s Specialization: Support Popular Product: A junior chemistry set that actually taught quite a bit about chemistry.

While never at the front of any one operation, Momo's plays a pivotal role in organizing and planning many operations, both big and small, and is considered the resident "mastermind" among the heroes. When she isn't doing that, she is assisting Uraraka, helping to provide the resources for needed to help those who can't afford the needed support equipment.

The Jet-Black Hero, Tsukuyomi: Rank: 10s to 20s Specialization: Combat Popular Product: Various plushies designed after Dark Shadow

In the shadows of the night, this dark hero would strike out giving all villains a true terror for the dark beast inside him. Yes, Tokoyami is still a massive dork. His own phrase of "Revelry in the Dark" became his catchphrase in the public eye, especially among his massive chunin fan base, much to his embarrassment. He thinks he could have come up with something cooler.

Rainy Season Hero: Froppy Rank: 100s-150s Specialization: Rescue Popular Product: A collection of Froppy themed water accessories, like goggles and water guns.

Tsuyu still patrols the coastline with her sidekicks, the Tadpoles, searching for anyone in need. While her niche work keeps her from the limelight, she is still extremely popular with small children. This is helpful whenever she helps Uraraka with her Quirk Counseling endeavors, helping to educate younger children on the matter.

The Turbo Hero, Ingenium Rank: 10s to 20s Specialization: Combat Popular Product: An Ingenium themed car for the action figure to drive around, much to Iida's confusion.

As Tenya grew older, he began to mellow out more, becoming more like the man Tensei was than the man Tenya thought he was. Still, he holds himself and his sidekicks to the high standards of the Ingeium family name. Hopes to instill those values in the younger generation and works extensively with Uraraka with her efforts in Quirk Counseling.

The Lighthearted Heroine, Uraravity Rank: 20s to 30s Specialization: Rescue Popular Product: A series of space themed toys based around a space mission storyline her brand did.

Uraraka went on to participate in and champion the act of Quirk Counseling. She helped to push for the implementation and personalization of the process across many schools. She wanted to make sure that no one would feel hatred for the Quirk and would regularly go around to help teach kids to understand and accept their Quirks.

Great Explosion Murder God, Dynamight: Rank: 5s-15s Specialization: Combat Popular Product: Toys inspired by his bracers that light up and shoot out plastic darts.

Ever the firecracker, Bakugou remains a solo hero through and through. He fails at having any real media presence and is well known for his tumultuous relationship with the press. Still, he remains one of the most impressive heroes in terms of incidents solved and time spent patrolling. Tends to take in "troubled kids" and whip them into shape as his sidekicks.

The Thermal Hero, Shoto Rank: 5s-15s Specialization: Combat Popular Product: A limited edition model based off of his first costume.

Shoto became the pro hero he was always meant to be, moving on from the shadow of his family. However, in spite of his time and dedication, his public image keeps him from the higher rankings. He still cannot talk to people to save his life, and the awkward interviews are legendary in the hero fan community. Still manages to rank high among the "Hottest Heroes" listing.

The Greatest Hero, Deku: Rank: ??? Specialization: Combat Popular Product: A short-lived action figure from his time as a hero. It is considered a high-value item that any fan would kill for.

Deku's time away has led to endless speculation on what happened to him and why he left. However, with his big splash back on the hero scene, he's made huge waves in the hero world and is fully expected to shoot up the ranks. Many fans watch on in excitement to see what will come next of the young hero. Though for him, he's still eager to help teach his adoring students.

[benispunk]

Who's That Girl?

Chapter 5: We Stay Silent

All jokes aside, Wade had too much stuff to deal with. Keeping up his mask was way too hard.

logan howlett x reader

TW: language, D&W, panic attack, mental health issues.

A/N: chapter five is up!!! this one is directly connected to the previous chapter, it's basically the same chapter but from wade's pov, so please make sure you read Part 4 before reading this one!! Please don't be made at me I love wade so much😔✊

→ this fic is inspired by the TV Show New Girl, Wade and Logan aren't Deadpool and Wolverine (no powers/mutant gene etc) but I did take most of their character traits and storyline!!

Masterlist / Previous Part

Wade woke up later than usual, sunlight already creeping through the blinds. His phone buzzed on the nightstand with a few missed notifications, but he didn’t bother checking them right away. He stretched lazily, rubbing his face. The apartment was quiet, almost too quiet. Logan and Y/N had already left for work, probably hours ago. Good. He didn't think he was in the mood for any morning chit-chat for once.

After throwing on his running gear and grabbing a water bottle, Wade slipped out of the apartment and into the cool morning air. He’d hit his usual route— nothing too long today. He wasn’t up for pushing himself too hard.

He never liked running. He always wondered what part of running was actually satisfying for some people. It helped him clear his mind, gave him space to think, or better yet, not think at all. Maybe he had a toxic relationship with running. Maybe it worked like a drug on him. But he knew he would rather run until his legs give out rather than go down the same path he followed years ago. He knew better now.

The streets were familiar, and Wade let his feet carry him through the neighborhood without much thought. His mind wandered, as it often did, from jokes he was working on to what gig he had next to the weird thing Logan had said last night. Everything felt scattered, but that was normal. He was used to living with his thoughts bouncing around like a pinball machine. His mind felt like a computer with thousands of tabs opened.

But then, just as he rounded a corner near the park, Wade froze. Vanessa.

She was standing there, a few meters away, looking just like she used to—like a ghost from a past life. She hadn’t seen him yet, thank god. His heart slammed into his chest, panic rising as he quickly debated turning around and bolting. Too late.

“Wade?”

Her voice caught him mid-step. He turned, awkwardly waving like an idiot.

“Vanessa, hey!” Wade’s voice came out higher than he wanted, and the grin he plastered on his face felt all wrong.

Vanessa smiled, her eyes crinkling at the corners, looking genuinely happy to see him. “I knew that was you. How’ve you been?”

Wade’s brain scrambled for something, anything to say. How have I been? That was a fucking big question. How do you explain six years of missing someone without falling apart? He ran a hand through his hair, nervously glancing at his shoes.

“Oh, you know… same old, same old.” He tried to laugh it off, but his voice cracked.

She didn’t seem to notice his internal chaos. “It’s been so long, huh? We should catch up sometime, what do you think?”

He wanted to run. Run so fast he could break his legs and never even feel it. Catch up? What does that even mean? How do you catch up with someone you’ve been in love with since forever even after you both decided that being friends would be better, and bla bla bla, why was he thinking about this again?

He did his best at hiding his internal panic and forced himself to stay still, nodding like an idiot.

“Yeah, totally! That would be great.” He was still smiling like a maniac, but inside, every alarm bell was going off. Abort. Abort. Abort.

Vanessa seemed pleased with that answer, though. “Great! I’ll text you.”

“Yeah! See ya around, V,” Wade blurted before turning on his heel and jogging away as fast as he could without looking completely insane. He could feel her eyes on him as he sprinted, and he didn’t stop until he was several blocks away, breathing hard.

“Good job, Wade. You fuckin’ idiot,” he muttered to himself, wiping sweat from his forehead. His chest felt tight, but it wasn’t from the run. It was that familiar pressure building inside him, the one he tried so hard to ignore. The feeling of not being able to handle any of it.

———

Wade stood outside Blind Al’s door, debating whether to knock or not. He hadn’t seen her in a while, but she had been a constant in his life during the toughest times. Before Logan. Before everything fell apart.

He knocked, and her voice came through the door, as sharp as ever. “Took you long enough to visit, jackass.”

Wade smiled despite himself, pushing the door open. “Miss me, Al?”

“Not in the slightest,” she quipped. Wade knew she couldn’t see, but the way she was standing in front of him made it look like she was staring right through him, “Something’s going on with you. Spill it.”

Wade plopped down on her couch, letting out a dramatic sigh. “Ran into Vanessa.”

Blind Al didn’t react. She just sat back in her chair. “That so? And you didn’t completely lose your shit?”

Wade snorted. “Define ‘completely.’ I told her we’d catch up, and then I ran away like a coward. Does that count?”

“Yeah, that counts,” Al said, her voice gruff but understanding. “So what now?”

“I don’t know.” Wade rubbed his temples. “She seemed happy, like genuinely happy to see me, and I just… I don’t know what to do with that.”

“You don’t have to do anything,” Al said bluntly. “She’s part of your past, and that’s fine. Doesn’t mean you have to dive back into that mess.”

“Yeah, but what if…” Wade trailed off, staring at the ceiling. He wasn’t even sure what he was asking.

“Look, you’ve got your life now. You’ve got Logan, and now this new girl, Y/N, right? Stick to what’s real. Don’t go chasing ghosts.” Al’s voice softened slightly, and Wade felt a pang of gratitude for her, "Or go for it. Just, don’t think about it too much. Let things go their own way." she added.

Easier said than done, but duly noted.

Suddenly, she got up from her chair and walked towards her kitchen. Wade watched her come back with a cup of not-at-all full of alcohol coffee and settle back in her chair.

"So, you didn’t tell me about that new roommate…"

He stayed with her for lunch and then they talked all afternoon. He told her everything she had to know about Y/N, and how Logan was doing, too. But still, he couldn’t shake the thought of what had happened that morning. Vanessa. Al was always right, but the pressure in his chest still hadn’t gone away. It wasn’t just Vanessa. It was everything. 

———

By the time Wade got back to the apartment building, the weight in his chest had doubled. He made a turn into an alleyway, the walls suddenly feeling too close. His breath came in shallow gasps, and his hands started to shake.

No no no no no, not now. Not here.

He pressed himself into the corner, knees pulling up to his chest as he tried to get control, but it wasn’t working. He felt like he was drowning, like the air was being sucked out of the alley. Everything was overwhelming.

Breathe, Wade. Just fucking breathe.

He fumbled for his phone and dialed his therapist’s number. He knew she had given him her personal phone number just for emergencies but maybe, maybe this time, it was an emergency. He needed it. Because breathing wasn’t working. After a few agonizing rings, she picked up.

“Wade? What’s going on?”

He could barely get the words out, his voice shaking. “I…I c—can’t »

“Okay, okay,” she said calmly. “You’re going to be fine. You know the drill. Slow your breathing.”

Wade tried, focusing on her voice. After what felt like hours, his breathing steadied, but the tightness in his chest remained.

"Are you feeling better?" she asked and Wade had no idea what to answer. Air was back in his lungs, yes. But that was it.

"I’m losing it. I don’t know what to do." He waited a few seconds for his therapist to answer. When she didn’t, he continued. "I’m lost. I can’t make a choice. I feel like a fuckin’ loser and I don’t know why people are still keeping up with me. And I called you, god, I’m so sorry, I know it’s supposed to be for emergencies only—"

She interrupted him, "Wade, this was an emergency."

Wade shook his head and he watched his free hand for a few seconds, it was shaking like crazy. He didn’t say anything for a while. "Can we have a session soon?"

“Of course, Wade. Can you get to someone, right now? A friend?”

“Logan,” Wade muttered. “I could go see Logan.”

“Good. Do that. You’ve got people, Wade. Lean on them.”

Wade nodded, even though she couldn’t see him. “Yeah… yeah, I’ll go see Logan.”

He hung up and dragged himself to his feet, wiping at his face. Get it together, Wade.

———

Logan’s classroom was quiet when Wade arrived, a rare moment of calm at the end of a long day. The coffee shop near the center was still open, so Wade grabbed a box of donuts and two coffees before heading over. Showing up unannounced wasn’t unusual for him—Logan never seemed to mind (he did– Wade chose to ignore it). Besides, the guy could use a donut break anyway.

But as Wade neared the door, that familiar tightness crept back into his chest. Logan’s gonna see right through me. He paused, forcing down the rising anxiety, plastering on his usual grin before pushing the door open.

“Hey, I come bearing gifts. You looked like you could use a sugar rush.”

Logan frowned as soon as he saw him. “You okay?”

I hate him so much.

Wade waved him off, doing his best to sound casual. “Me? Of course! I’m always okay. What’re you talking about?”

Logan didn’t press further, but Wade could feel his friend's eyes lingering on him, studying him like he could sense the tension beneath the surface. He wasn’t sure if he wanted Logan to ask again or not. Wade kept talking, cracking jokes, doing his usual routine, but something in Logan’s steady silence made it harder to maintain.

They sat together, sipping coffee and biting into donuts, the atmosphere light but heavy at the same time. He knew Logan saw through him. He always did. But Logan didn’t push, and for that, Wade was grateful.

As they left the center together, Wade kept the conversation rolling, letting his words spill out faster than usual, a habit he’d sharpened over the years. Keep talking, keep things light, and maybe Logan wouldn’t dig deeper.

“...and I swear, man, if this one guy hadn’t backed off, I would’ve–”

“You sure you’re okay?” Logan’s voice cut through Wade’s ramble, and oh my god, was he using a gentle tone on me?

The question sent a jolt of panic through Wade. He felt the familiar tightening in his chest again, the pressure pushing against the cracks. Not now. Not here.

He immediately forced a laugh, one that felt too loud in his ears, like he wasn’t the one laughing . “Of course! Stop worrying about me, peanut. You’ve got your own crap to deal with. Speaking of which,” Wade added quickly, redirecting the conversation towards something he knew Logan wouldn’t press on, “how’s it going with Y/N, huh? Been hanging out together without me, yet?”

Logan rolled his eyes, but Wade didn’t miss the shift in his expression. He knew Logan had caught the distraction, knew the guy could read him like an open book. But Logan didn’t push, not yet.

“She’s our roommate, Wade,” Logan said.

Wade threw him a wink, keeping up the act. “Sure, sure. Got it.”

Logan let it slide, like Wade knew he would. He always did. Pushing Wade for answers never worked. Logan had learned that a long time ago. He’ll ask again later, Wade thought, the weight of it settling somewhere deep inside him. But for now, at least, Logan let it go.

Wade kept talking, kept deflecting, but even as his voice filled the air, he could feel Logan’s gaze on him, steady, waiting. Logan would be there when the time came, ready to listen. Wade knew that. He always knew that.

But right now? Wade wasn’t ready. Not yet. So he smiled, cracked another joke, and pushed the feeling down a little further.

Maybe later.

XXX

[rosquinn]

One of my Dorian Gray hot takes is that there was absolutely nothing in Dorian and Basil's relationship that was healthy. I keep seeing posts like "Basil's love for Dorian was so pure, that's why the portrait was so pretty and the real villain of the story is Wotton because he corrupted it"

As I see it, yes, Wotton did corrupt him, but saying Basil's feelings for Dorian were pure is simply inaccurate to the story. Basil says himself he merely sees Dorian as an artistic ideal [Dorian Gray is to me simply a motive in art. I find him in the curves of certain lines, in the loveliness and subtleties of certain colours. That is all; ch1] and admitted he (a 10 year older man, who had power over him) tried to isolate him from other people and "keep him to himself". Furthermore, Basil also plays a big role in the way Dorian sees himself and his beauty, by painting him everyday and not maintaining any conversation with him, he's indirectly reaffirming what Wotton tells him: people only care about you because you're pretty and young. There is also this scene from the second chapter:

Dorian Gray turned and looked at him. "I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say.

The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeksburning.

"Yes," he continued, "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one's good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself."

Hallward turned pale and caught his hand. "Dorian! Dorian!" he cried, "don't talk like that. I have never had such a friend as you, and I shall never have suchanother. You are not jealous of material things, are you?-you who are finer than any of them!"

Dorian is even dealing with a suicidal ideation over what Wotton has told him and the way Basil sees him, he needs emotional validation, he's asking to be told there's more than him than that, and Basil's reaction is just─ no. You're prettier than any other object (indirectly comparing him to one, too).

Basil's view of Dorian influences how he sees people as much as Wotton's. For example, to Dorian Sybil was only what she pretended to be, he loved her performance, her acting, how she did exactly what the public wanted (which can apply to Dorian himself), not the real her. She was only an artistic ideal to him, she meant to him exactly what Dorian meant to Basil. He ignored her desires, pain and everything not related to what he wanted to see, since that's what he's been taught he must appreciate.

I also disagree with the interpretation of the portrait as a "pure" reflection of Basil's love (I would personally rather describe it as an obsession, though) and Dorians soul because it's not. At least not entirely. Part of the point of the book is that everyone only saw the part of Dorian they wanted: the portrait represents Basil's idolized version of him, what he wanted to see and how he refused to see Dorian as a person instead of an artistic ideal. That's why he tried to make him redeem himself, because he hated seeing his version of Dorian shatter into pieces. It was never Dorian entirely, not even after aging terribly because that's the result of Basil and Wotton's influence. The portrait was not his soul, it was a modified version of it other people played with because nobody cared about the whole thing, and the influence was so big those parts became his whole being. It was just an idolized, molded version at first but turned into his real self with the time and the sins. Dorian's soul (the portrait) was constructed upon what others appreciated about him, so when Wotton motivated him to sin, because Dorian's potential to be terrible was what mattered to him, it became ugly and terrible. There was absolutely nothing pure about that portrait since day 1.

[thewhitewitch-bitch]

In Astris Supra (Chapter 5: Circulus Insutus Fato, Portas Abditas Resera)

Agatha Harkness x F!OC

Read it on AO3

October 1710

There is no amount or combination of words sufficient enough to capture the true horror of war. Even those who avoid the front face of conflict are subject to the cruelty and tragedy that befalls men at arms. There is heartbreak, sorrow, and a pain so immense that it blankets the battlefield and all that surrounds it like a straitjacket, constricting everything until it chokes both sides of the conflict and creates suffering. 

I had not truly known suffering like that. Not even when I left Salem behind in pursuit of a nobler calling, one that would hopefully allow me to one day return to Agatha Harkness and offer her a solution. At the time, I could only assume that she had remained in Salem, carving out her own place in the town and wreaking havoc on those who dared to get in her way. From what I could gather, based on the cries of newsboys from Boston to Philadelphia, the Witch Trials had come to an end, the town nearly destroyed by their own paranoia. It made me wonder just how much influence Agatha had gained in just a few short months, made me try to recall if I could have had the opportunity to see the signs of her inevitable descent into power mongering. 

But I couldn't. No matter how hard I tried, I could not bring myself to think that she had done so willingly. The love that I had for her remained, despite my best efforts to suppress it. At night, I dreamed of the days we spent together, when there was no barrier between us, no coven driving a wedge between her and her potential for good. Those memories would bring on what ifs that were as blissful as the feeling of her touch on my skin. What if we had left Salem before her mother had found us out? What if I had told her of my love for her before it was too late? What if we could have been happy simply being together, with no magic to get in the way?

"Lots on your mind this morning, eh, Ms. Stuart?" 

My thoughts were abruptly cut off by the voice of the man I was traveling with. Looking over at him from the back of my horse, I smiled wistfully and nodded. Dr. Rupert Kingsley was a rather handsome and kind young man, who came straight off the boat from London proper, with wide, dark eyes and light brown hair the shade of molten bronze. Had my interests been aligned with his, I likely would have married him as soon as the opportunity presented itself, but he was well aware that our paths were parallel to each other, never meant to cross but rather to guide each other to the right destination. So, as a talented young physician, with no ward or servant, he accepted me as an unofficial student and permitted me to travel with him as he moved from Boston northward along the coast of the colonies and into the wilds of French-controlled Acadia. 

"There's always a lot on my mind, Dr. Kingsley. Today though, the thoughts are just a tad bit louder than usual." I replied, tightening the grip on my reins. My gaze fell from the doctor to my hands, buried in the black mane of my mare.

"I'm sorry to hear that." Rupert said solemnly, "But I'm afraid you're going to have to silence them. There's no place for loud thoughts on the battlefield. If you want to be a doctor, and I know you do, you have to calm your mind and senses. Leave no room for distractions, they only lead to mistakes, and mistakes lead to death." 

"Of course."

We did not speak again after that, instead allowing the silence to be filled by the beat of our horses' hooves beneath us as we urged them forward to a lively trot and continued on the path northward. It had been a week since we had crossed into Acadia, and with Lieutenant-General Nelson on the move with nearly 2,000 men intent on laying siege to the French at Port Royal, we had little time for dawdling.

The troops were meant to make landfall at their destination any day now, a cohort of doctors and their associates not far behind. From there, it was simply the task of removing the French, an objective that had proven surprisingly difficult for the British forces as of late. But the British were unwilling to cave, which was why Dr. Kingsley thought it the perfect opportunity to 'break me in' to the world of mortal medicine. I was thankful that he remained blissfully unaware of my magic, the late nights spent practicing healing spells on wounded animals or patients that had come into his Boston office seeking extended treatment.

In combination with his medical prowess, I found that my magic was sufficient enough to reduce treatment time by nearly half, even with the most basic of spells. And while my power continued to fluctuate with the phases of the moon, I came to the discovery that at different phases, my spells reacted differently with the wounds and diseases they came into contact with. During a dark moon, I might be able to stop a person's vomiting with a simple digestive potion, but the same potion would have no effect on a patient with the same symptom if the moon was waning or it might make matters worse if administered during the full moon. Trial and error, as crude as it may sound, was the only way I was able to make any headway. The results of said experiments were all jotted down in a small black leather book that was tucked in the belt around my waist, a protective rune hidden just under the cover, making it impossible for anyone but myself to read its contents. 

Kingsley thought nothing of it, mostly because he didn't know that I had anything to do with sudden improvement or worsening of conditions amongst his patients. I intended to keep it that way for as long as I could, or at the very least until the end of this war that Queen Anne was so insistent upon waging. 

We trotted onward, surrounded on either side by pine trees and fog, dense and chilling in the early autumn air. The sun was hidden behind a heavy layer of gray clouds, the smell of petrichor hung over us warning of the impending autumnal rains that were sure to hit the shore at any time. The encampment for doctors and their associates was just past the bend in the road ahead, supposedly nestled amongst the pines beside the sheer cliffs of the Acadian shoreline. The not-so-distant sound of crashing waves roared and receded in its powerful, natural rhythm as we trotted on.

As we moved to the right of the road to take the bend, I felt a sudden presence, ancient and dark, reaching out to me from within the darkness beneath the trees. I tugged on the reins, bringing my mount to a halt as I scanned my surroundings. Under my breath, I muttered, "Mater divina me defendat hodie." 

A seductive chuckle echoed in my ear, though I couldn't tell what direction it came from. My head began to swivel back and forth, trying to find the source, only stopping when I came face-to-face with a woman dressed in hues of black and green. The cloak she wore seemed to fade into wisps of smoke as she stood not but five feet from me, a crown that appeared to crafted from fossilized thorns and obsidian resting atop the hood she wore. She had an entertained half-smirk upon her darkly painted lips, her eyes deep brown as the earth as they met my hazel gaze. 

"Prayers aren't going to get you anywhere, princess. Not here, at least." she said with a bit of a laugh. My horse snorted and began to spook, shuffling away from the woman with a frightened snort. Not wanting to agitate her further, I slid from her back and let my boots land softly on the grass, keeping the reins in one hand as I tilted my head at the woman before me. 

"You seem... familiar to me, and yet I know I've never seen you before in my life." 

"I get that a lot." 

There was a change of the light for only a moment, but in that brief time, I saw that the attractive face of the woman in front of me had changed. The lower half of her skull was exposed, no sinew or flesh to cover it, no blood or muscle to keep it living and the exposure spread down to her throat, where her esophagus sat nestled between two walls of cartilage. Just as quickly as the change appeared, it reverted back, and recognition hit me like a wall of stone. 

"Lady Death." I whispered. 

She smirked again, "In the flesh." 

I should have been terrified, scared to... well, death. But there was something about her that told me there was no need for fear. She wasn't here for me. So why was she standing in front me now?

"Why reveal yourself to me?"

She shrugged and began to circle me and my horse slowly, "There's something about you... you're important. And as much as I hate having Lunar witches walking around, you need to stick around for a while."

"That’s not an answer."

"Are you sure?"

I glared at her. She continued to smile back. When I wouldn’t relent, her grin dropped and she rolled her eyes. 

"You do know that most Lunar witches don’t live longer than a century, right?"

"I’m aware I’m on a doomed path.” I replied, trying to mask the slight tremble of my voice with a sharp edge, “A Lunar witch comes around maybe once every three hundred years. They never live long enough to teach the next one. Though I know you’re well aware of that."

"And yet, here I am, telling you that you’re the odd woman out."

"Why? What do you have to gain from my survival?"

Death scoffed at me, as if the whole concept of existence was amusing to her, "Nothing, actually. I'll lose more than I gain with you in the picture. But greater forces in this universe seem insistent on keeping you alive, so alive you’ll stay for now. But I must say, I'm looking forward to checking in on you over the next few centuries." 

I paled, there was no way to hide it, "What do mean?" 

"You're going into war, Aislin!" she exclaimed, as if it weren't obvious, "My favorite stomping grounds! We'll be seeing a lot of each other, I wager. Though I'm sure you'll be sick of me soon enough." 

She stopped her circling and looked to me full on, the intensity of her earthy eyes feeling as though they could bury me beneath the soil with just a hard enough glance. The around me seemed to shift, the petrichor smell growing steadily stronger. With a final smile, she offered me a sultry wave and said, "Te veo." 

And suddenly, I was alone in the clearing.

--------------------------------------------------

The doctors that had been summoned to serve did not take kindly to women in their presence. Of course, they had to tolerate the caretakers who sacrificed their white linens to the spatters of blood and fragments of flesh, but to have a woman stand among them as a student of the art, was far less palatable. After all, women had no place amongst the respectable ranks of surgeons and physicians, nor did the Iroquois healers who offered their services as their own warriors joined the British forces gathering on the coast, though given the choice, I'd have taken care from the Cayuga over Charles Cromwell any day. 

Kingsley found me as I led my horse on foot through camp aimlessly with my saddle pack and bedroll tucked under my free arm. He had taken no notice of my sudden absence, nor had he been subject to a surprise meeting with Death herself, but simply kept on riding to camp, claiming his large-framed tent and a much smaller one beside it. 

"Ah, did you get lost, Miss Stuart?" he asked me with a charming grin, "Or were you simply taking in the scenery?" 

"A bit of both I suppose." I answered honestly. I took my horse to the hitching post and tied her there, allowing her access to the trough and a bale of fresh hay before turning back to the young doctor. "Have I missed anything?" 

He shook his head, "Nothing at all. Lieutenant-General Nelson won't make landfall 'til midday on the 'morrow, at which time we'll board a smaller vessel and cross the channel to wait for incoming wounded and dead. I should warn you though, this siege may take weeks, months even. You still have time to return to Boston-"

I held up a hand to silence him, sending a sharp glare his way, "As much as I respect your offer, Rupert, I simply must decline. Despite the maliciously loud whispers I've heard about this camp already, I am most certainly needed here, so here I will stay. I do not shy away from the sword when it is flashed in my face." 

Kingsley's grin softened in understanding, a small nod rocked his head back and forth, "Spoken like a true fellow of medical academia, Miss Stuart. I suggest you take the evening to study, and if you're so inclined, I'd write to your family. Simply because we bear the caduceus, it does not mean we are immune from cannon and gun fire. You'll find all you need for the night in your tent."

Overhead, the skies finally broke, the satisfying drip of rainfall pattering against the trees and the waxed canvas tents. A few of the horses snorted in discontent but continued to eat away at the hay in front of them. As the heavy drops landed on our shoulders and heads, chilling us to the bone, we gave each other a silent farewell and retreated beneath the cover of our tents for the night. While I had no doubt that Kingsley's tent boasted all the necessary equipment he would need for operations and examinations, not to mention cigars and cheap liquor to numb his mind to the horrors incoming, mine was much reserved, containing only a camp bed with several woolen blankets, a pair of white cover aprons, and a small bedside table with a pair of lit candles.

Rupert must have placed the small stack of parchment on the table, along with an inkwell and quill. There was no way the other doctors would have extended such kindness to me, not when they didn't even want me there. Heaving a loud sigh, I dropped my bedroll and saddle pack onto the ground at my feet. I slumped onto the camp bed and let my head fall into my hands, my interaction with Death replaying over and over again in my mind.

She had told me that I was important, though at the moment, I couldn't possibly see how. And the way she had looked at me, as though I were a fresh piece of bloodied meat and she was a ravenous wolf... it was unsettling, though I suppose she always intended to be. 

"Oh, Divine Mother, what have you gotten me into?" I whispered, so softly that even I could barely hear myself. I dropped my hands and let my eyes wander back to the parchment on the small wooden table. I don't know how long I sat there staring at it, but by the time I had come to the conclusion to write, the gentle shower outside had increased to a torrential downpour, the weight of the water pounding against the roof of the tent as I dipped the quill into the murky black ink. As I took hold of the topmost sheet, I paused, wondering if sending a letter would make any difference. But then I thought of her, and the doubt melted away. I put the quill to the parchment and began to write in my most elegant script. 

Darling Agatha,

I hope that this letter finds you in suitable spirits after we departed on such egregious terms. Not that I fear for your well-being; I know you are certainly capable of taking care of yourself. I write to inform you that I have undertaken a task most unbecoming for women of our talents and station, serving as the student and assistant of one Doctor Rupert Kingsley of Boston. We, in response to the request made by the British Crown, have joined a cohort of other physicians and surgeons at a posting in Acadia, not thirty miles from the French stronghold of Port Royal, and are awaiting the order to cross the channel to provide medical assistance during the attempted siege of the fort. 

Having not heard from you in well over a decade, I am certain that you did not intend to seek me out again, and in truth, I was hesitant to write. But I am told that we, like the soldiers who will march onto the shore, will be subject to the shock and awe of war, and at the risk of walking into the next world without having settled the grievances between us, I found the courage to pen this letter. 

You may no long care for me, you may no longer wish to think of me, but I think of you often. And I shall be thinking of you on the 'morrow, when cannons roar overhead and the blood of dying men coats my hands. I shall be thinking of the days we spent in the peaceful solitude of the forest, relishing in the quiet hours that we spent together. I shall be thinking of you not as someone I once knew, but as someone I know and care for. For a witch should never abandon her coven and I, in my own anger and fear, have abandoned you.

It is my hope that upon my, with any luck inevitable, survival, that we may cross paths again, and I will once again be able to relish in peace with you as we once did. Until then, I shall think of you, darling, and hope that you think of me. 

With all my love, 

Aislin Stuart

I set the quill down and folded the parchment carefully once the ink had dried. Muttering a simple sending incantation, I lifted the letter to the candle on the left and let one corner light, before repeating the gesture with the candle on the right. I gripped the parchment tight between my fingers as the flames inched closer to my hand until I could no longer hold it. As I released my grip, I whispered, "Agatha Harkness." 

The ashes scattered in an invisible wind, drifting beneath the canvas walls of the tent and carrying my message to wherever she was. I lay back on my bed, and started at the roof in the eerie quiet, only drifting off to sleep when thunder finally began to roll in.  

[dreamwreaver]

Vox getting frustrated over the fact Alastor is getting too close to the princess.

Zestial hearing rumours of Alastor's involvement with Charlie's flight of fancy.

Lucifer thinking that Alastor was dating his daughter, only to be blatantly relieved to find out it was Vaggie she was dating.

Mimzy getting verbally booted out of the hotel by Alastor, who used to clean up after her and been her friend since they were alive, only because she brought danger to the hotel and before she leaves, says to have fun with "his little princess".

Angel half-jokingly remarks about Alastor and Charlie running away from their responsibilities which is a line often commonly used for a couple eloping.

Rosie, upon first meeting Charlie, says she's much too young for him, clearly kidding around about him finding a new date for her to formally meet.

So many hints, so many jokes, so many references to Charlie and Alastor's relationship... What does it all mean?? This is literally what foreshadowing a couple looks like, if this were any other show, of course.

Let's also add in the fact that he breaks his own rule of rather breaking his own bones to avoid being touched by people without prior consent for her specifically, is one of the go to people to make her laugh with a pun (the lowest form of humor depending on who you ask), made himself completely comfortable on her bed when she was at her lowest and CONTINUED to stay there even after she left thereby putting his scent all over the damn thing, refused to take her soul when we all know it was something Charlie would willingly give if it meant saving her friends and people from the exterminations, and quite possibly my favorite; the deer mating noises he makes around just her.

Or one of my favorite scenes in the entire show;

Take a moment and really look at this. Alastor's gaze remains directly locked on Charlie, who reciprocates. But as he leans an arm on the back of her chair, far less in her personal space than he normally is, she grows incredibly bashful. Now, nervousness is a fine reaction, but notice the body language. She sticks her hands between her thighs and and closes her knees around them. Now I don't know about you, but consider for a moment how deliberate every action in animation is. Are there not better ways to convey the emotion she's displaying that DONT look like she's been caught having naughty thoughts about the radio demon by said demon himself?

I would love to show this scene to a non hazbin fan and ask them how they interpret this. There's a new charlastor challenge for my fellow shippers. Show someone that gif and ask them how they interpret it.

And if we delve into the meta lore there's even more. Viv has gone on record with a doodle explaining that Alastor and Charlie's shared sense of humor is the lonely island song "Mona Lisa", and that there are precisely three named characters who like pineapple on their pizza: Charlie, Alastor, and Lilith. Far be it from me to tell Viv how to run her show, but let's also look at helluva boss; a love story between a royal of hell and a creature of lower status. One who has found a way to seize some measure of power and eke out their own path. A lower class being who had a terrible father and lost his mother whom he was the closest to. Someone who hates being in chains, and is so desperate to break free of them and yet finds only emptiness when he realizes he does give a shit about this royal he tried to convince himself he didn't care about.

Am I describing Blitz, or Alastor?

All I'm saying is, it wouldn't be out of her narrative style if it was endgame. And even if it isn't in a traditional sense, all current narrative beats indicate that Charlie is going to become Alastor's person, his exception to all of his rules, and the person who as someone so successfully dodged a straight answer about, "who he'd do absolutely anything for"

[aruanimess]

Round three, of me endlessly yapping on Reverse AU. I am still VERY new to this.. tumblr asking, notes and whatnot, so.. I apologise if I seem somewhat annoying and bothersome Anyway, less 'bout me, more on blondes! I'm going to try spitballing a few ideas there and there, because I don't have ONE big topic/arc to really focus on, so here we go!

1; Armin being captured after his identity is figured out. There are.. three way's of this going, in my opinion. >First, being that they managed to successfully take him down into the tunnels to capture him, possibly after some convincing by Annie, since he trusts her a lot? (Plus, if Armin sticks around to around S3 when they're all in that Cabin, hiding away from the Military Police and all. I think Annie and Armin would be.. somewhat awkward, between each other. Since, she cares for him, a lot and.. betrayed him.) >Second, same scene where his identity is discovered and remains at the top of the staircase, but more or less breaks down because he doesn't know what is right anymore, he cares for his new found friends, the thought of betraying them crushes his heart, so he gives up and surrenders peacefully. >Third, transforms and makes a run for the walls to dip, which could ALSO go multiple ways, but.. I don't really have much on that. 2; Warriors Reveal, though Armin is now in the midst of it. I cannot see Armin ever betraying Paradis Island and trying to capture Eren (a second time, mind you), now that Reiner decided to reveal their identites to the same bloke he tried capturing too - yikes. Armin could very well try making them surrender, in a subtle way so the situation doesn't escalate, nor turn his own comrades against him. So, he tricks them and everyone. Transforming along the other two to capture Eren, only to fight Reiner along with Eren but obviously ending in failure with Bert's Titan crushing them. On one hand, I think Bert would try getting Armin, though Reiner is too focused on the mission, he ditches Armin and makes a run for it.

3; Armin still gets captured by the Opaki, though he saves Annie from being the one to be captured by it. As fun and simple it would be if she was the one to be yoinked, so they couldn't use the power of the Colossal and rescue her, I decided to go differently with this. While Armin does end up getting captured, he isn't terrified that he can't protect his people, that they need him, without him he'll die. No, he's accepting his fate. They have Annie, they can still blow up the Doomsday Titan and they'll all be fine, he may die but will die at least doing something right for them, finally doing something useful after betraying his friends, and putting his life down on the line, as their Commander.

(I also agree he'd still be the next Commander that Hange would put the title upon, so.. it sorta means a lot, like he finally is one of them in some way? - I dunno, spitballing!) But, ahaa.. Yeah, that isn't happening. Annie is not letting that blonde go, despite they have a clear winning shot here, she is not about to let him die. Not now, there is still more to be said to him, with how she feels. So, the mission of saving Armin is once more! AND, to end it off, I like to think he'd still be suicidal and jump for the Parasite to hold it down along with Reiner, even if there's a chance of him dying from the Colossal's explosion.

I apologise having to read this entire shit-show of ideas in your inbox, I doubt I'll do more to not seem too big of a yapper, but we'll see! I hope everything is going well for you, have a wonderful day/night! Now, I depart. Toodles!

Hello, Rux!!

Please, never apologize for sending an ask! I absolutely love hearing your ideas and I’m very happy to know the reverse AU still resonates with people :D

Okay, now let’s see:

1. I do prefer the second scenario in the staircase scene. Armin at this point has nothing waiting for him back in Marley and as a character he generally prefers ending conflicts with talking rather than fighting so I believe he’d rather strike a deal and resolve this through diplomacy. 

2. Now for the Warriors reveal… we do have to consider that this scene occurs very soon after Armin’s own reveal. Like it’s all happening within three days tops. There’s always the possibility that he’s too busy getting interrogated within an inch of his life to even attend these events. 

Personally, I’m more curious as to whether Reiner and Bertolt would attempt to convince Zeke to launch an operation to “rescue” Armin at that point, or write him off as a lost cause. I think there’s potential for drama and bitterness in both cases. In the first scenario, you have a Reiner who fought to save Armin getting betrayed by someone he considered his friend, while in the second scenario, you have an Armin even more estranged by his peers in Marley, sad and disappointed they never even cared for him. 

3. Here you’re gonna have to forgive me, because I respectfully disagree.

While Armin and Annie would absolutely act the way you described in the event of Armin getting captured by the Okapi Titan, I don’t see why the Founder Ymir would bother to kidnap him. In canon, she only does so because he’s the Colossus and is the only one with the power to stop Eren. So I’m afraid that our girl Annie would have to be the one getting choked by that tongue… (well that was a sentence I’d never thought I’d write xD)

As for the Commander part… I don’t know. On one hand, I do see how meaningful such a gesture would be from Hange, accepting Armin as one of their own wholeheartedly. On the other hand, the idea of an outsider coming in to “save” the Paradisians from their plight and lead them to the truth makes me feel kind of uncomfortable. 

Personally, because I’m a useless bisexual with a one track mind, I’d love to see how Commander Annie could work. At the very least I’d like to consider the possibility of her assuming a leadership role. She’s not an out of the box thinker like Armin in canon, but she is very practical and very decisive when it comes to battle. In another world, raised alongside Eren and Mikasa and not as confined by her father and her circumstances, I can see her developing a keen eye for solutions, maybe not outrageous strategies, but clean simple yet effective and devastating in their consequences plans. She’s ruthless, she’s perceptive and she’s willing to give up her life to achieve her means.

Honestly? I’d love to see it explored.

[joyfulcowboycandy]

My muse

Malleus Draconia x Reader

❥ one shot

Content warning: ...it's fluffy. Maybe that there are no established relationships? Oh, Y/n has social anxiety here and is an artist. Y/n takes yuu's place and no grim! :( he was turned into cat stew

Note: This is 4.1k words. Brace yourself ......Gosh I love Malleus, I have so many ideas for him........ I love good girl x bad boy typa dynamics I'm sooo not used to posting my ideas it's nervewrecking to share something so personal to me. I'm glad people seem to like them still!

fem reader

The sprawling stone arches of Night Raven College towered overhead as Y/n looked around, her heart a chaotic blend of excitement and unease. She was surrounded by bustling students, each one glancing her way with varying degrees of curiosity and indifference, but all carrying an air of mystique and confidence. She swallowed, her fingers fiddling with the hem of her shirt as she tried to keep herself from looking too out of place, which was easier said than done. She felt like a fish out of water—a lost, magicless girl in a sea of powerful beings, standing out not because she wanted to, but because she had no choice.

The courtyard buzzed with conversation, but every once in a while, a murmur seemed directed her way, and she could catch bits and pieces of whispered phrases.

“Is she the magicless one?”

“She doesn’t look like she belongs here…”

“Oh, she looks nervous.”

Her cheeks warmed at the attention, and she felt an urge to shrink into herself, maybe find a corner where she could hide until everything settled down. But she took a steadying breath instead. She had to be brave—she’d promised herself that she’d make this strange place work, somehow. After all, this was a second chance, an escape from a life she’d rather leave behind. If she was going to find herself anywhere, it might as well be here, in this strange, enchanted school. Even if it meant being the “magicless” one.

Lost in thought, Y/n barely noticed the approaching figures until one leaned in close, a familiar pair of mismatched eyes gleaming with amusement.

“Hey, little guppy,” Floyd drawled, his grin wide and sharp. He poked her lightly, his finger pressing right into her shoulder, making her stumble back a step in surprise. “Aren’t you jumpy? You look like you’re about to pass out!”

She let out a shaky laugh, cheeks flushed. “N-No, I’m fine! Just… adjusting.”

“Awww, look at that.” Jade, Floyd’s twin, sidled up on her other side, his voice smooth but carrying that same teasing edge. “It’s always refreshing to have someone with such… natural reactions. Isn’t that right, Floyd?”

Floyd snickered, leaning closer until she had to tilt her head up just to look at him. “It’s hilarious,” he said, his grin widening as he seemed to take in every flustered detail of her expression. “What, did no one ever tease you back home?”

Y/n’s gaze darted down, a nervous laugh slipping out. “W-Well, no… not really,” she admitted softly, her voice barely louder than a whisper.

“Well, that’s a pity.” Jade’s eyes glimmered with intrigue. “We’ll just have to make up for all that lost time.”

They laughed, and though she couldn’t help the heat spreading across her cheeks, she managed to laugh along, even if a little nervously.

As the twins wandered off, leaving her to catch her breath, she exhaled, trying to release the nervous energy buzzing through her. She caught herself fidgeting again, trying to brush off the lingering embarrassment. Her shyness had always been a part of her, something she hadn’t been able to shake, even here. It was hard enough to make friends back home; she could only imagine how much harder it would be in a school full of people who seemed so confident, so... powerful.

But beneath her anxious thoughts, there was something else—an excitement, faint but real. A tiny spark of curiosity to explore, to learn everything she could about this world and the people in it. Here, she was no longer tied to the past, to the hurt and broken pieces she’d left behind. Here, she could be whoever she wanted. She could start again.

Even if it took her a thousand blushes, a hundred nervous laughs, and countless teasing encounters.

‧₊˚ ☁️⋅♡🪐༘⋆

Living at Night Raven College and dealing with anxiety was difficult on its own. Y/N was the only female in the entire school, a fact known to everyone. Although the boys were decent enough not to be creepy or weird, they often teased her. She was always falling asleep in class or arriving late, which frequently earned her lectures from the teachers. This made her an easy target for teasing, though the boys never meant any harm (she hoped). She just wanted to stay on their good side. She wasn’t able to make any actual friends; her social anxiety always got in the way, and while she wasn't exactly avoided, she didn’t have anyone to confide in or talk to. She never blamed the boys, understanding that her anxiety made social interactions challenging.

Art was her only way to express herself, a cherished hobby since childhood. When she drew, she didn't need to worry about stumbling over her words or fiddling with her shirt to distract from her racing heart. It was also the only thing she had from her life back on Earth. She arrived in Twisted Wonderland with nothing but her own body and knowledge—not even the clothes on her were from home. She felt completely empty, making her art even more comforting.

Unfortunately, her inspiration always struck at night. She never understood why, but she did her best work during those hours. This habit interfered with her schoolwork and potential friendships, contributing to her clumsiness and constant drowsiness in class. She didn’t get enough sleep, being too busy illustrating the random things that caught her eye around the empty campus or the garden outside the Ramshackle dorm.

One night, she was by the old fountain, peering into the dirty water and watching her squirming reflection. The garden was beautiful, with slightly overgrown grass and numerous bushes and flowers she loved to draw. It was also peaceful, offering a gorgeous view of the moon high in the dark sky. Twisted Wonderland wasn’t much different from Earth, aside from the glaring difference of magic and slightly outdated technology. She was happy they at least had art supplies and canvases, which she was allowed to borrow. No one else seemed interested in drawing, so the supplies had been rotting in the storage room. When she asked to use them, Crowley was overjoyed that someone would finally make use of them.

Sitting in peace, enjoying the silence and the slight rustle of leaves, she sketched an owl glaring down at her from a tree a few feet away. She stayed silent, limiting her movements to avoid scaring it.

However, the sound of approaching footsteps startled the owl, causing it to fly away. Y/N gasped in disappointment, standing up from her seat as she watched the owl disappear into the little forest. It was then she noticed the presence that had joined her in the quiet garden. Tightening her grip on her pen and notebook, she reluctantly turned to face the intruder, her eyes widening in surprise upon seeing Malleus Draconia.

Malleus stood silently, his eyes analyzing her with intrigue. Despite his fearsome reputation and the rumors that surrounded him, Y/N felt something akin to adoration. Under the moonlight, his horns, long hair, and calm, calculating eyes made him appear otherworldly. An urge to draw him struck her.

Without thinking, she blurted out, “Can I draw you?”

Malleus’s eyes widened slightly in surprise, a subtle reaction that she noticed. The corners of his lips curled into an amused smile, and he tilted his head slightly. The sight made Y/N's heart leap in her chest. She realized how strange her request was, especially as the first thing she had ever said to him. She felt embarrassed and stupid for being so weird, but she couldn’t deny how striking he looked under the moonlight. If he agreed to her request, she would be overjoyed.

Malleus studied her for a moment, his expression thoughtful. “Very well,” he finally said, his voice smooth and resonant. “You may draw me.”

Y/N’s eyes lit up with joy. “Thank you!” she exclaimed, her shyness momentarily forgotten in her excitement. She quickly found a comfortable spot to sit and began sketching, her eyes darting between Malleus and her sketchbook.

As she worked, Malleus watched her with a curious glint in his eyes. “Why do you wish to draw me?” he asked, breaking the silence.

Y/N paused, considering her words carefully. “Umm… you looked really pretty under the moonlight,” she said softly, her cheeks flushing. “I’ve never seen horns like yours before, or eyes such a vibrant neon green. They’re really pretty.”

Malleus’s smile widened slightly, an almost imperceptible shift. “Is that so?” he murmured, amusement lacing his tone. “You find my appearance... pretty?”

Y/N nodded, her focus returning to her sketch. “Yes! I do,” she admitted.

They continued in comfortable silence, the only sounds being the soft rustle of leaves and the scratch of her pencil on paper. Y/N’s initial nerves faded as she immersed herself in her art. When she finished, she held up the sketch for Malleus to see.

Malleus studied the drawing, his expression unreadable. “You have captured more than just my appearance,” he said quietly. “How curious.”

Y/N smiled shyly. “I’m happy you think so.”

Malleus continued to observe the sketch, his expression contemplative. “Do you come here every night?” he asked, his gaze shifting from the drawing to her eyes.

Y/N nodded, her previous excitement fading into shyness now that the high from drawing had worn off. “I do,” she replied softly. “I get inspiration here, and it’s comforting.” She fidgeted with the corner of her sketchbook, her voice growing quieter. “I like drawing here at night.”

Malleus tilted his head slightly, intrigued. “You prefer solitude?”

“Sometimes…” she admitted, her eyes dropping to the ground. “It’s peaceful. And… I guess it’s easier than trying to talk to people. Drawing doesn’t judge me or expect me to say the right things.” She gave a small, self-deprecating laugh. “I’m not very good at that.”

Malleus studied her for a moment, the moonlight casting a soft glow over his features. “I see. You find solace in your art,” he said, more as a statement than a question.

Y/N nodded again, a small smile tugging at her lips. “Yes. I-It’s the one thing I can always count on.”

A thoughtful silence settled between them. Malleus seemed to understand her in a way she hadn’t expected. Despite his imposing presence and the intimidating rumors that surrounded him, she felt a surprising sense of ease in his company.

“You may continue to draw here,” Malleus said finally, his tone gentle yet authoritative. “And should you desire company, you have but to call for me.”

Y/N’s heart fluttered at his words. “Thank you!”

As Malleus began to walk away, Y/N's curiosity got the better of her. "Wait," she called out, making him pause and turn back to face her. "Um- can I ask you something?"

He regarded her with a raised eyebrow, a hint of amusement still in his eyes. "You may."

Taking a deep breath, Y/N asked, "Are you really a prince? And a dragon!?"

Malleus nodded, a faint smile playing on his lips. "Yes, I am. Prince of the Briar Valley and a descendant of the dragon fae."

Her eyes widened in amazement. "That’s so cool! Everyone always says you're super strong, but we're not in the same year, so I’ve never seen it myself. Can you… show me?"

Malleus considered her request for a moment, then extended his hand. A green, magical aura surrounded him, and suddenly, ethereal, dragon-like wings appeared on his back, glowing in the moonlight. He didn't transform fully but gave her a glimpse of his power and heritage.

Y/N gasped in awe, her eyes sparkling with admiration. "Wow," she breathed. "That’s amazing! You’re so cool."

Malleus retracted his wings, the aura fading as he resumed his usual form. "I am pleased that you think so," he said, his tone carrying a hint of pride.

Her mind still reeling from what she had witnessed, Y/N asked, "Can I draw you again another time? I mean, like this?"

He seemed to ponder her request, his gaze thoughtful. "Very well," he said finally. "You may. It is an honor to be your muse," he said, a teasing smile finding its way to his lips. "Perhaps we shall meet again tomorrow night?"

Y/N’s felt her face flush at his words. “M-my muse? And, yes! Okay!”

With a final, lingering glance, Malleus turned and disappeared into the early morning mist, and she returned to her dorm, with only a few hours left till school would start.

‧₊˚ ☁️⋅♡🪐༘⋆

Since their initial meeting, Y/N’s encounters with Malleus grew in frequency, with each night solidifying their connection. Malleus had essentially become her muse, and she would show up with her art supplies, sketching and drawing him in numerous ways. He indulged her artistic passion, finding himself curious about her life while also sharing his own interests, particularly his fascination with gargoyles. She soon learned that his interest was so profound that he had created his own club dedicated to studying them, a fact she found incredibly cool.

Malleus, in turn, was intrigued by Y/N’s attraction to the very qualities that others found intimidating or unapproachable about him. Her genuine curiosity and admiration for aspects of his personality that were often deemed dark or formidable caught him off guard. He began to test her, asking questions designed to make her uncomfortable or to challenge her perception of him. Yet, to his surprise, she never faltered. Her view of him remained unchanged, always seeing the good in him.

It was a quality Malleus found both unusual and deeply attractive, especially in a place like Night Raven College, where cynicism and mistrust were more common than kindness and acceptance.

It seemed like just any other night when they met up in the overgrown garden, surrounded by flowers, bushes, overgrown grass, and the occasional firefly or grasshopper that graced them with its presence. Y/N, with her sketchbook in hand, was prepared to capture Malleus’s likeness once again. 

However, her curiosity had gotten the better of her tonight. She had grown so used to his company that she had momentarily forgotten his title as a literal prince.

Her eyes kept darting to his horns, the dark, curved structures that were as much a part of him as his regal demeanor. She couldn’t hold in her adoration any longer. Gathering her courage, she finally blurted out, “Malleus, can I… can I touch your horns?”

The words tumbled out before she could stop herself, and she instantly regretted it. Her face flushed, and she began stammering nervously, waving her hands in a frantic attempt to apologize. “I’m sorry! That was so rude of me. I shouldn’t have—”

Malleus, watching her with his characteristic calm, marveled at her audacity. It was rare a person who would even dare ask him such a thing, and yet here she was, this small, magicless human, filled with curiosity and adoration, doing just that.

He found her ignorance and boldness endearing. With a soft chuckle, he said, “It’s quite alright. You may.”

She stared at him in shock for a moment before he bent down on one knee and lowered his head slightly, giving her better access to his horns. Her hands trembled as she raised them, hesitating briefly before she gently touched one of his horns. It was smooth and cool to the touch, and she couldn’t help but let her fingers wander, tracing the intricate curves and shapes.

As she ran her fingers along his horns, her hands gradually moved into his hair, entangling in the soft, well-kept strands. This was clearly not what they had agreed upon, but she couldn’t help herself. His hair was unexpectedly soft and comforting, and she found herself running her fingers through it, almost forgetting where she was.

Malleus, to her immense surprise, allowed her this intimacy. He typically disliked when people were too casual with him, but with her, it felt different. Her touch was gentle and filled with genuine curiosity, and it felt surprisingly nice.

When she finally pulled her hands away, her face was a deep shade of red. “I’m so sorry, Malleus. I didn’t mean to…”

He leaned closer to her, his eyes glinting with amusement. “May I touch your hair, in return?”

She froze in surprise, not expecting his request. Before she could respond, he reached out and ruffled her hair gently, a slight mockery of her earlier actions. The touch was surprisingly tender, and it made her heart skip a beat.

“You have lovely hair,” he said, his voice soft but teasing.

She blinked up at him, still flustered but now smiling shyly. “Oh…. thank you…,” she managed to say, her voice barely above a whisper.

Malleus straightened up, his eyes still fixed on her. “You continue to surprise me, Y/N.”

Her heart fluttered at his words. “Is that a good thing?”

“Very much so,” he replied with a small smile.

“Um, I made a new drawing of you, but… I forgot to bring it with me.” Y/N’s voice trembled, her heart thumping with anxiety. “Can I… bring it to your dorm tomorrow? I want you to have it…”

It was a big step—after all, she and Malleus had only ever met in the garden at night. By day, they moved in different circles, and he was two grades above her, making their lives all the more separate. Their nighttime meetings had always been their own little world, a space where she’d sketch him and he’d indulge her, sharing stories of Briar Valley or answering her curious questions. But the idea of entering his territory, his life outside their usual routine, felt nerve-wracking.

She braced herself, half-expecting him to refuse. Their friendship, if she could even call it that, had never been formally established. He was her quiet, mysterious muse, and she was the strange, sleepy artist who drew him in shadows and starlight. Despite herself, though, she hoped he didn’t see her as just a source of amusement. She cherished their time together, and the thought of being nothing more than a curiosity to him made her stomach twist.

Malleus, however, seemed blissfully unaware of her concerns. He regarded her with his usual calm, interpreting her nervousness as another shy moment—something she was known for, after all.

“Very well, then. Seek me out after your classes in Diasomnia,” he agreed with a nod.

Y/N’s face lit up, her relief breaking into a bright smile as she nodded eagerly. “Okay! I will.”

‧₊˚ ☁️⋅♡🪐༘⋆

That night, after they parted ways, she returned to her dorm, her mind buzzing with thoughts of him. She often wondered how he managed to look so well-rested while she dragged herself through the day half-awake. Somehow, despite their nightly rendezvous, he attended all his classes, excelling in every subject. It was something she’d definitely ask about later, though for now, her focus was on perfecting the drawing she wanted to give him.

The next day, her morning went as expected—late to class, with her uniform haphazardly thrown on. Professor Trein made her stand outside for twenty minutes before finally letting her back in, and she gratefully slipped into her seat between Ace and Deuce. Though the two were notorious troublemakers, they left her in peace, allowing her to nap behind a book she propped up to look as if she were reading.

The following classes went in much the same way: some mild prodding from her classmates in her second class, a merciless session with Floyd in the third where he wouldn’t let her close her eyes for even a second, and finally a lunch break where she napped in the library. By her last class, she was somewhat awake, counting down the minutes until she could go to Diasomnia with her drawing.

As the bell rang, she set off, her heart pounding with excitement and a touch of nervousness. She’d spent so many nights working on this drawing that she wanted it to be perfect. Walking through the school, she felt the usual wary stares and heard the murmurs of students discussing Diasomnia and its prince with hushed voices. Most feared Malleus, but she couldn’t understand why. Perhaps it was because she’d met him alone in the quiet of the night, where they’d spoken freely without any pretense. She couldn’t help but feel that her bond with him was something rare, and maybe a bit fragile, too.

Upon arriving at Diasomnia, she noticed it was fairly quiet. When she asked after Malleus, most simply shrugged or said they didn’t know. A little disappointed, she learned that the third years might still be in lessons. Deciding to wait, she found a cozy spot in the lounge and settled in, passing the time by flipping through her sketchbook, which was filled with sketches of Malleus and scenes of Briar Valley as he’d described them.

Gradually, she began to grow drowsy from the soft, warm atmosphere of the lounge. The couch was incredibly comfortable, and before long, she’d drifted off, her sketchbook slipping onto her lap.

Some time later, the sensation of a weight lifting from her lap stirred her from sleep. She opened one eye groggily and noticed her sketchbook was missing. She shifted slightly, assuming it had fallen to the floor, and shut her eyes again, settling into the warmth of the armrest, deciding to look for it after another minute’s rest.

As Y/N rested peacefully, the sound of soft footsteps drifted through the lounge, though she remained undisturbed. Lilia, who had been wandering through Diasomnia’s halls, paused when he noticed her asleep on the couch. With a fond smile, he tilted his head, taking in the scene. Her presence here was unexpected, yet oddly familiar; she reminded him of Silver, the way she slept so soundly, though perhaps for entirely different reasons.

Lilia's gaze shifted to the sketchbook that had slipped onto her lap, its pages splayed open to reveal a delicate, meticulously drawn portrait of Malleus. He raised an eyebrow, his eyes sparkling with curiosity. Careful not to wake her, he gingerly picked up the sketchbook, his interest piqued.

“Ohhh, my, what do we have here…” he murmured, flipping through the pages with a mischievous grin. Nearly every other page was filled with sketches of Malleus—his contemplative gaze, his horns under moonlight, the sharp angles of his jaw. Each drawing captured a different side of Malleus, showing an unusual softness to the usually distant prince.

“So many drawings of our dear Malleus…” he whispered to himself, chuckling. The comment stirred Y/N from her slumber, her eyelids fluttering open as she took in her surroundings with bleary confusion.

“Huh…?” she mumbled, rubbing her eyes. The sight of Lilia holding her sketchbook made her jolt upright, her cheeks flushing.

“Ah, good evening!” Lilia greeted, closing the sketchbook with a smirk as he looked at her, amused by her flustered expression. “Didn’t mean to wake you… though it seems you have quite an eye for detail.” He gave the sketchbook a playful wave.

“Um… th-that’s…” She stumbled over her words, her face warm with embarrassment as she tried to reach for the sketchbook, but Lilia held it just out of reach.

“Is Malleus your muse, perhaps?” Lilia teased, inspecting one of the more recent drawings. “This is really quite impressive. But I wonder… did he know about this little ‘collection’ you’ve made of him?”

She stammered, her hands shaking as she reached out. “N-no, he just… I mean… um, it’s for practice! Just practice! He has, uh, interesting… features.”

“‘Interesting features,’ is it?” Lilia laughed. “Yes, I’m sure the horns and dragon scales make for good practice. I’ll have to tell him he’s become quite the artist’s inspiration.”

Y/N’s face reddened even more, and she quickly snatched the sketchbook as Lilia relinquished it with an amused smile. Just as she was about to stumble over another explanation, a familiar voice interrupted.

“Y/N,” Malleus’s calm voice echoed as he entered the lounge, looking between her and Lilia. “I apologize for keeping you waiting.”

“Oh, Malleus!” She nearly jumped, clutching the sketchbook to her chest. Malleus’s gaze softened when he looked at her, though his attention soon turned to Lilia, who was watching them with a look of dawning realization and unrestrained amusement.

Lilia clasped his hands together with a dramatic sigh. “My, my, Malleus. I didn’t know you had such devoted company in our dorm, coming here to deliver artwork no less.”

Malleus raised an eyebrow, glancing between them as understanding dawned on him. “I see you’ve made yourself acquainted with Y/N.”

“Oh, yes, indeed,” Lilia replied, giving Y/N a conspiratorial wink. “She’s quite the talented artist—though I must say, your likeness seems to be her specialty.”

Y/N ducked her head, overwhelmed and burning with embarrassment, but Malleus simply looked at her, intrigued. “Is that so?” he asked, a slight smile gracing his lips as he reached a hand out toward her. “If it’s ready, I’d like to see it.”

Flustered, she nodded, opening her sketchbook to the finished drawing she’d been working so hard on, holding it out with trembling hands. Malleus examined it, his expression softening as he traced the lines with his gaze.

“It’s… beautiful,” he murmured, glancing at her with a look that held an unusual warmth. “Thank you, Y/N.”

Beside them, Lilia’s eyes gleamed with silent amusement, watching the two of them with interest. “Well, I suppose I’ll leave you two alone,” he said with a wink, sauntering off with a chuckle.  “Just don’t keep her out too late, Malleus. I’m sure she needs her rest for all those upcoming drawings, hmm?”

Malleus watched Lilia disappear around the corner, shaking his head slightly as a small sigh escaped his lips. Turning back to Y/N, he noticed her still clutching her sketchbook tightly, her cheeks flushed. A gentle smile softened his normally serious expression, and he inclined his head to catch her gaze.

“You don’t need to be so nervous,” he said, his voice softer than usual. “It’s only me.”

She managed a small, tentative smile, but the blush on her cheeks remained. “I know,” she murmured, looking down. “I… just didn’t expect Lilia to… well, you know…”

Malleus chuckled quietly. “He does have a way of surprising people, doesn’t he? Though I find it intriguing how many drawings of me you’ve created. I hadn’t realized I was such an interesting subject.” He paused, an amused gleam in his eyes as he leaned forward slightly. “Or perhaps I’m only interesting when it’s nighttime?”

Y/N’s breath hitched as his words sank in. Her blush deepened, and she stammered, “I-I mean, you’re… interesting all the time, I just… it’s easier to focus on drawing when there’s less going on. At night, you’re… well, easier to approach.”

Malleus raised an eyebrow, intrigued. “Am I, now?”

She nodded quickly, gripping the edges of her sketchbook. “Yes. I… I feel like I can be myself more when it’s just us. I don’t have to think too hard about… everything else.”

A warm silence settled between them, broken only by the soft rustling of the leaves in the courtyard beyond the lounge window. Malleus took a seat beside her on the lounge sofa, close enough that their shoulders nearly brushed. His hand rested casually on the cushion near her, though she could sense his attention focused entirely on her, an intensity lingering behind his composed demeanor.

“And I quite enjoy these moments we share at night,” he said quietly. “They are rare moments of solace. There aren’t many with whom I’d wish to spend this time.” His gaze was steady, almost possessive as it held her own. “You’re… different, Y/N.”

The way he spoke made her heart skip a beat, a warmth spreading in her chest that was both comforting and strangely unsettling. She swallowed, glancing down as she fumbled for words. “I… well, I like being here with you, too.”

Malleus smiled, satisfied with her response, and gestured toward her sketchbook. “May I see more?”

Wordlessly, she handed the sketchbook over, feeling a flicker of shyness as he carefully flipped through the pages.

[literallys-illiteracy]

Trans Allegories in Lobotomy Corporation

Part 0.5 in a series that i'm making going over the archetypes, themes, and interpretable meanings of all the abnormalities in this game, before the next, and then finally in Limbus.

Cut is for further explainations

First Tier: Trans Allegory 100%

It is important to note that there is no strict defining line on what a trans allegory is, which I also have a project working on to describe my theory, but in the Scaffold one could theoretically understand the structure that I have.

Snow Queen:

The power of love overcoming that of cold, stagnating, uncaring evil in order to help one re-find themselves. The snow queen herself does not represent that of the allegory, it is rather Kai (Kay) and Gerda's story from the original tale that can represent this, however interlinked all the same to the queen.

King Of Greed:

Part 1, the work line:

"When The King of Greed assumes the form of an egg, you can faintly see a smiling girl inside it."

alongside the fact that her title is "king", a traditionally masculine rank.

Part 2, the actual thematic:

The concept of "greed" in this abnormality is not truly one that is borne of what one would traditionally think, rather than the desire to take for the sake of taking, it is the concept that the root of happiness is desire, and at the root of all desires is an insatiable greed within.

While desires many will go unfulfilled, they will always be the root of ones happiness, and will always remain in ones subconscious.

Snow Whites Apple:

Snow whites apple is one of being discarded and abandoned, hoping to rot (similar to another teleporting, hallway damaging, plant based Waw in this same tier), who, after time passed, realised that the life she had seen come to fruition for Snow White was not the life that would come forth for her, so she leaves to go on her own journey, to find herself.

The apple, realising that the life they had once thought was not for them, sprouted forth, grew, and became a princess in search of a story.

Nothing There:

Egg.

Beauty and the Beast:

Change, death, a life trapped in a body that is not *you*, an endless cycle that all parties wish to part from.

Today's Shy Look:

someone in a discord server noted that this abnormality is a parallel to neurodivergence, especially ASD. Unfortunately i beat them to that analysis a few months ago.

The themes of identity, denial, and divergence all carry over to themes of trans nature, however that is not to say that Shy Look is intended to be one, it is almost certainly intended to be that of ASD.

That being said, kill the author with your own bare hands, the autonomous psyche that exists in humanities collective contains these archetypes of identity and denial, and integrally they are linked to these conscious perceptions we have of them — Inseparably these ideals are linked to conscious perceptions, though borne from the unconscious mind, and forth from this there is no way to remove change from identity, to remove denial from the 'self', to differentiate one's societal differences and strife to that of another. We are all human, we all share in this human collective, these unconscious symbols are not defined by a singular perspective, interpret things as you wish. If you disagree with my analyses, by all means, slay me by your own hands; forthcoming the 'Death of the Author' is the 'Birth of the Reader'.

Alriune:

Doll wished to be human, abandoned to the wayside, finding their own goals shattered.

Though Alriune may be interpereted very strongly as a trans allegory, which i also have a different (netzach) project related to, that is once again to the visceral humanity of these abnormalities, which i plan to touch on at a later date if a certain mutual doesn't beat me to it.

Funeral of Dead Butterflies:

Whom also has their own post on this topic. which is another 'death of the author' tangent for you to read on i guess.

The Funeral of Dead Butterflies' thematic is that of death, and hence that of rebirth, of life.

This concept is best demonstrated through a quote from Demian:

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.”

Herman Hesse, Demain

However, i also have a topic essay separated from PM somewhat regarding the nature of death as an allegory, alongside an additional essay named "Transing Death".

Notes of a Crazed Researcher:

"The final chapter ends with the phrase: “Born again.” "

Notes of a Crazed Researcher, observation level 4.

We Can Change Anything:

Don’t like how you look? Are you too fat? Too skinny? We can change that!

We Can Change Anything, Observation level 3.

Being somewhat more serious, with both the notes and this tool, though not integrally linked to that of these allegories, they are both understandably interpretable as this with reasonable argument to support them.

Tier 2: Plausible to Write as a Trans Allegory:

Burrowing Heaven:

This abnormality will come back later. Keep an eye on this one for a moment until then, hold on.

So Burrowing Heaven's gimmick is that of attention, wings, and eyesight.

It's descendant from the trope of 'gazing upon a god' often present in fictional or extant religions such as in the Lovecraft mythos (which is noted in particular due to the abnormality being described i later depictions as "wings of an elder god").

That being said, this abnormality's concept of "existing within ones perception" is interpretable as that of identity, alongside the line of "I could only bear fruit in your sight", akin to the concept of only flourishing when viewed as what or who you are.

Scorched Girl:

Abandonment, sights of a better future, disregard by society.

This abnormality only gets this lower tier due to its source material's differentiation, rather than seeking a better life for strictly herself, she sees in the fires a world of warmth, of joy. Though hope is a powerful emotion, and one that is linked to desires at a primal root neighbouring the king of greed, it is wrote here in a way that is less linked to that integral theme of identity I seek.

The following three exist in the same vein:

Queen of Hatred, Little Red Riding Hooded Mercenary, and Big and Might be Bad Wolf:

All three of these abnormalities share the same virtual story framework, one of managing your identity within a predestined story.

Queen of Hatred defines her existence upon the extant force of evil, though in opposition to it, hence her dual thematic of both love for good, and hatred for evil. Little Red, similarly, is not a being without her antithesis, without the wolf she cannot exist as an individual, without her hatred for the one which haunted her for so long.

The Might be Bad Wolf exists in a barely different stream, though still that of a predestined story, it is rather that of societal fatalism, wherein its nature as a wolf determined its future, the wolf is always the villain of the story, the wolf is meant to hunt.

The wolf is also the most trans-coded out of any of these abnormalities, its nature of being hated due to its nature alone, its lack of decision in the matter, its fate, it "will be" the Big and Bad Wolf.

The former two however share this in many ways, due to the aforementioned predetermined nature of their tale, however in both a meta, and mirrored parallel.

The Hood and Queen both define themselves on another's basis, being unable to exist without the other, leaving themselves as incomplete — In queen's hysteria we can see the repercussions of this unfold, her strands of being still loose she unweaves into a beast, into a creature that she does not *want* to be.

The Hood exists in a slightly different manner once again, as she has found herself in the wolf's hunt, though less so in this unweaved state that the Queen has.

Warm hearted Woodsman:

Desires and is denied a heart due to its nature from birth, from its creation.

Do you know what letters heart has? thats right. HRT. I rest my case.

Der Freischutz:

Loss and searching for identity, sacrifice of ones old life in order to create a new one on their own accords.

Red Shoes:

This abnormality is the literal incarnation of desire, so much so that it's EGO is the only one to actually include the word "desire".

The Firebird:

The Russian avian version of Moby Dick essentially, a bird which wishes to be perceived, wishes to be hunted like it once was, in order to regain its glowing feathers.

This bird exists in the same concept of Burrowing Heaven (you can stop keeping an eye on it now), wanted to exist in ones perception, as beautiful as it truly can be.

Plague Doctor/Whitenight:

Both Plague Doctor and Whitenight share both of their placements due to its fucktonne of different plausible interpretations, this one was extant on its own, but furthered by someone named "chaos" in a twitch chat when i first made this list.

This concept is mostly that of change, of becoming your true self, and finding those that know about and accept this self before the advent comes.

This transformation is integrally linked to Whitenight, alongside Plague Doctor, however they will get their time in the spotlight soon enough.

Mirror of Adjustment:

Changing one's self though appearing the same in the mirror, see Limbus Company canto 4 for more details.

Meat Lantern:

Appearance verses reality.

Knight of Despair:

Yet another struggle to find one's identity in a cruel world, a tale as old as time, where the knight's experiences, her cycles of despair, lead to her view of herself, her sough purpose in life, to be naught.

This purpose is then renewed through the protection and guidance of others, similar to mine, like how i attempt to guide others (in both understanding themselves, alongside subconscious themes, and media literacy), the knight attempts to guide others, and protect them from the harm that she could not protect others.

Yin/Yang:

The innate feminine and masculine traits that each holds, alongside their obvious dichotomy and wholeness in unity can be understood as one coming to understand or accept their true identity.

The reason that this is not in a higher tier is because of some psyche stuff that i don't want to get into here but i think i may have wrote about in the past.

[Censored]:

This abnormality is by design an enigma, which is its entire purpose, the concept of a hidden form, of redacted information, of a 'true form'.

Now as the river of humanity I may be a bit biased but i think that this abnormality is the peak form that one could take in a transition i think.

Tier 3: Transphobic:

Forsaken Murderer:

Medical experiments forced upon someone in order to cure an unseen disease of the mind, which removes ones identity and personhood in the process.

The above paragraph is describing what is known as "conversion therapy" which is a fucking horrendous concept that draws parallels to the forsaken murderer's story involving medical experiments forced upon someone in order to cure an unseen disease of the mind, which removes ones identity and personhood in the process.

Whitenight:

This is about people who use religion to justify their hatred of others, about people who make their anger justified through their posited god, who make their disdain, their xenophobia, into a so called 'Divine' wrath.

Plague Doctor:

[...] cure an unseen disease of the mind, which removes ones identity and personhood in the process.

(me, 3 paragraphs ago).

The plague doctor, sharing the concept of Forsaken Murderer, seeks a so called 'Disease of the mind', which culminates in the deaths of many once its mission is seemingly complete.

Bald:

[...] forced upon someone in order to remove [...] which removes ones [Hair] and [Hair] in the process.

[junkgatorswritings]

Harry Potter and the Sorcerer's Stone

Okay guys this is kind of ridiculous, I started reading the Harry Potter books with one goal in mind: to prove that the reason it has so many plot holes is because JKR didn't actually plan anything about what happened in the marauder's era.

Not until book three at least and even that isn't really enough information. I have the Scholastic Inc. version of this book with a cover made by headcase design.

But let's start off with a bang!

Most of the information in this book is on Lily Evans and James Potter, which makes complete sense, I'm not going to throw a hissy fit about that.

Here's what we know about Lily:

She has a sister who rejected her named Petunia (pg. 2).

According to Hagrid she was very good at magic (pg. 51, 79).

She turned teacups into rats at home meaning that she broke the underage magic rules (according to petunia pg. 53).

Her parents were very proud to have a witch in the family. (Petunia pg. 53).

She was Head girl (pg. 55)

Was killed on Halloween when Harry was just a year old (pg. 55)

Her eyes were green (pg. 82)

The wand she used was Willow 10 1/4 inches, swishy, and good for charm work (pg. 82). Now if we look at the harrypotter.com page we can find out a little bit more. "Willow is an uncommon wand wood with healing power, and I have noted that the ideal owner for a willow wand often has some (usually unwarranted) insecurity, however well they may try and hide it. While many confident customers insist on trying a willow wand (attracted by their handsome appearance and well-founded reputation for enabling advanced, non-verbal magic) my willow wands have consistently selected those of greatest potential, rather than those who feel they have little to learn. It has always been a proverb in my family that he who has furthest to travel will go fastest with willow" (Harrypotter.com).

She's a very pretty woman with dark red hair and eyes that aren't only the same color but the same shape as Harry's (pg. 208)

She tried to protect Harry and if she hadn't, there's a possibility that Voldemort wouldn't have killed her (pg. 294)

She loved Harry so much that it left its own mark, though not a visible one. (pg. 299)

James Potter:

He was a good for nothing husband who was very unDursleyish (Petunia pg. 2).

He was good at magic according to Hagrid (pg. 51).

He was head boy (pg. 55).

Was killed on Halloween when Harry was just a year old (pg.55).

The reason Voldemort didn't try and get him on his side was because he knew how close the Potter's were to Dumbledore, technically this is also mentioned about Lily but seeing as she was Muggle born I highly doubt that the offer to join the Death Eaters would ever be extended to her so I didn't put this in her section (pg. 55).

His wand was Mahogany, 11 inches, pliable, slightly more powerful than Lily's, and excellent for transfiguration (pg.82). Kay guys I'm not kidding when I say that mahogany isn't listed on Harrypotter.com and I even went to the fandom wiki but all it had was that James potter's wand was made of mahogany as well as a table in the leaky cauldron and the Nimbus 2000.

According to McGonagall he was an excellent quidditch player, however she doesn't say what position he played (pg. 152)

He left his invisibility cloak in the care of someone (who we know is Dumbledore pg. 202).

He was tall, thin, had untidy black hair that stuck up in the back, and he wore glasses (pg. 208).

Severus and James loathed each other (pg. 290).

Voldemort killed him first and he apparently put up a courageous fight (pg 294).

James mainly used the invisibility cloak to sneak into the kitchens and steal food (according to Dumbledore pg. 298).

He saved Snape's life (pg. 300)

Now I'm just barely going to mention that Lily and James were very rarely brought up without the other.

Sirius Black:

I'm honestly shocked that Sirius was even mentioned in the first book, I knew that it was his motorcycle that Hagrid had but I really thought that was going to be something mentioned in later books. however on Page 14 Hagrid says "'Young Sirius Black lent it to me.'" From this we know that Sirius was there on the night Harry's parent's died.

Harry later has a dream about a flying motorcycle which I think can either be read as a reference to the night Hagrid flew him to the Dursley's OR as subtle mention that Sirius was around a lot before Lilly and James died (pg. 19).

So kudos to JKR for having one other character than Harry's parents created.

General information about the marauder's era:

20 years from the beginning of this book Voldemort started looking for followers and found them. Some wanted power others were afraid (pg. 54).

No one ever lived after Voldemort decided to kill them (pg. 55).

Voldemort killed some of the best witches and wizards of the age: McKinnons, Bones, and Prewetts (pg. 56).

According to Hagrid there wasn't a single witch or wizard who went bad that wasn't in Slytherin (pg. 80).

[rosetyler42]

...Probably a mix. I've ran into quite a few people who seem to love Lucy and Simon! However, they are 2nd love fan children and Drericka has had quite a few haters, so I could see Simon and Lucy getting the same treatment. Lucy especially since she'd probably be seen as a Mary Sue, weird, ugly, rude, Social Justice Warrior, too Woke for a cringe kids show, possible antisemitic accusations, either vilified or having her relationship with dad be abusive, etc. If she isn't super sexualized like Mavis. Simon would probably have things easier, since he's a bit more conventionally attractive and not as powered. However, I could definitely see him getting some fatphobia, basically being seen as an "Uwu soft boi", drawn ripped with abs, People seeing him as a "Nice Jewish Boy" trope, getting upset at the interfaith message (despite the films actually being ABOUT mixed cultures,) calling him a redo of Dennis, thinking Drac would neglect him because he's human, etc.

And of course, there's the classic twincest and possible shipping with Mavis or Johnny. Esoecially since Lucy is Aroace and Simon is Bi, and people would think Lucy HAD to like someone in a show where everyone has a zing. Also the whole "You made the vampire ace and the humany one Bi" thing when I wanted to reverse the usual "Outgoing Bi, Shy Aroace" thing and I myself am alot like Lucy. There's also headcanoning that Simon is gay rather than Bi.

Hey, do you guys ever ponder how the fandom would treat your fandom OCs if they were canon? Is it good or bad? 🤔

I'm so curious to know! 🧐

[winnie-the-monster]