#she ra short

[remembertoforgetme]

i got artblock and i guess this was my solution

[a-small-cretur]

kitty<3

[turtle-ly]

hater era

[weedle-testaburger]

in light of recent events (massive F for ice adolescence)

[cable-salamder]

“I want a kids cartoon with more diverse main character body types than just skinny teen” you guys couldn’t even handle Steven Universe

(Or Dead End Paranormal Park, or She-Ra)

[dorkspine]

Goodbye to peak Mickey Mouse cartoon.

[a-confused-spoon]

TDP s6: Soren, Viren and missing the point (2/2)

(jesus christ did I write a lot for this one...)

SPOILERS FOR THE DRAGON PRINCE S6!

*sigh*

I want to make a little disclaimer here: my feelings towards Viren were always a bit mixed- I loved the writing of him, but I loved to see him suffer more.

I would have been fine with him dying just as well as living, even if I didn’t love how quick his flip was in s4 (particularly ep2), the same way I’m not in love with how the most recent season seems to gloss over the weight of what the man did in book 1, 2 and 3, even in the scenes where he tries to take accountability: it’s not just the use of dark magic, misleading Claudia or the mistreatment Soren; he got 2 rulers killed, forced a fiery-transformation spell on thousands of soldiers who didn’t want to partake in it, was willing to put an egg before his son’s life, sealed the souls of people in coins etc.

Even if his redemption had continued (as in, had he kept breathing), I personally would have preferred for him to not get a happily forever after with his family, but something more of a "open ending" or whatnot.

However

I can't shake this feeling that The Mystery of Aaravos has a tendency of prioritizing very well-built and executed single scenes with intense emotion over overarching thematic consistency and overall character growth (the number of shenanigans that amounts to nothing in said two regards being exhibit A, but of course those two things don't exclude the other), and while it's a MASSIVE improvement over book 4 and 5, book 6 still has its issues.

While indeed apologizing to who he has hurt isn’t nearly enough for his journey to be (nor feel) “complete”, it’s also true that Viren isn’t given the possibility to do much else to begin with, despite being the first (and so far only) villain to do a complete 180 and check all the boxes of the ‘big no-no’ list the story presents us with when it comes to morality and/or ethics.

I want to explain my point of view the best way I possibly can, so stick with me for a minute:

The characters of the series (or, well, those who don’t belong to the cosmos) exist in a historical context led by a narrative of power that chains them to a never-ending cycle of violence; the use of dark magic plays a big role in said cycle, not only as an active part of it from the human side, but also because the very practice is on its own an incentive to use it more and more frequently, which is a very similar relationship people have with power in general.

What the “good guys” of the story do, as a matter of fact, is break the cycle by putting an end to the narrative of power and replacing it with one of love, ‘cause as we learn in book 2, real strength means being able to choose love, vulnerability and forgiveness, even if that’s not what they’ve been taught all their lives. Only then they can break free of the chains of history; additionally, for said history to not repeat itself, dark magic needs to be abandoned, even in tough circumstances (unless Sol Regem pulls up in Katolis, but I digress) given the detrimental effects on the long run- and with Xadia and humanity at peace with one another and ideally living in harmony, it wouldn’t be needed at all.

Therefore, the list of ‘big no-no’ here is: don’t do dark magic, don’t pursuit power as opposed to love, don’t let history define your perception of the world.

All the “bad guys” of the story are either unwilling or unable to do one or more of those things: Karim can’t for the life of him look past history, Claudia isn’t able to give up dark magic (for now, at least not without guidance), Finnegrin had no intention of giving up the power he held over his crew- and Aaravos deliberately chose to find purpose in the immediate anger he felt during Leola’s trial (consequently engaging in the centuries old cycle of violence in all its ugliness), instead of giving in to the love he has for his daughter and pass away alongside her, resulting in Leola being left alone and scared throughout the horrible process (and also the whole world going through some crazy shit).

Then there’s Viren, who used to rely on dark magic (unlike Karim), pursue power (unlike Claudia) and look at things through the lenses of history (unlike Finnegrin), so he was a bad guy in all possible aspects.

Eventually though, he manages to successfully give up dark magic and choose love over power and refuse the chains of history (as shown both in his relationship with Terry and his willingness to serve King Ezran), with no expectations of mercy or forgiveness... and literally nothing comes of it because the other characters don’t give him the possibility to act on any of said changes, aside from doing one thing that gets him killed.

So it’s “we gain nothing if we don’t give the chance to learn and grow” (or whatever Amaya said in s4) until...? It's "it's never too late if you quit" or whatever Rayla says in ep3 unless...?

I’d love to agree on the “it’s too late” argument, but aside it going against the very principle of the story, even the awful things he did that I mentioned don’t really matter by the time s6 ends: Lain and Tiadrin are happly together and got to say goodbye to their daughter, and she herself chose to save Runaan instead; the fiery-transformation turns out to be temporary, no one seems to even remember that Eveneere and Del Bar exist etc. The only thing that still has an effect is Lux Aurea becoming unhabitable, yet the only character who gives some weight to said tragedy is portrayed as an idiotic bitter nobody (aka Karim) who should just look past it and take a chance on the elven-human camp. So exactly how am I supposed to care? *

I already talked extensively about the theme of forgiveness in part 1 of this essay (if I can call it that), but the point is that the story shouldn't pick and choose who gets rewarded and understood when acting according to the moral of the story and who doesn't even get a chance at getting a second chance while trying to do the exact same thing, not when the very thematic premise of said story automatically puts EVERYONE into perspective- because if it's the lies of history that chain them to a narrative of power, misleading them, and those started way before the characters were even born, then the conversation unfortunately but necessarily needs to include the perpetrators of violence too; they too were misled, therefore they too can unlearn what they've been taught (which Viren does) and should get a chance to really live a life spent on being a better person, not because they may “deserve it” or because it might not be "too late", but simply because they have the CAPACITY to do good, if they choose to.

A show that really nails this point (to me) is She-Ra and the Princesses of Power, which frankly I'm not even that big of a fan of... speaking of which, if Viren was always meant to die sacrificing himself without no one's recognition, it probably would have been better for him to pull a Shadow Weaver ftom the beginning.

(I don't mean this as a comparison, it's just a way for me to lay down all the elements that I belive ultimately don't work or don't help)

For those who aren’t familiar (MAJOR SPOILERS), Shadow Weaver in She-Ra is for the most part what a lot of Viren haters think Viren is in The Dragon Prince: a magic user that loves power, traumatizing the children she grows and nothing else. She doesn’t even have a greater good she intensely believes in to explain her actions and behaviors like Viren does- she’s just a massive bitch. And she doesn’t really grow or learn during the series, it’s just that at some point hanging around the good guys becomes more convenient for her... if I’m not mistaken, she doesn’t even do much unless someone comes to her spontaneously, aside gardening. At no point in time she becomes really trust worthy or good, and it’s always looming in the air whether or not she’s even beginning to be, or will ever be for that matter.

This goes on for like, 3 seasons, until at the very end- and I mean the very end (like, last episode very end) she does one good thing, sacrificing herself to save the two girls she abused the most throughout the series, which leads to her death.

What really sells the scene (leaving out the music, the animation, the dialogue, the voice acting- all of it is just *chef’s kiss*), it’s the fact that:

Her final words to Catra, who she abused the most, really feel like they put a period at the end of a sentence; it feels like closure, you feel that both her and Adora can now move on;

It’s a deliberate choice, because she had the option of staying safe and not do it, and still did;

She dies at peace with herself, and seemingly proud of herself for making that good action too;

Her death isn't the conclusion of an arc nor it comes out of nowhere, because of the general uncertainty regarding her character that precedes that moment

I talked about closure and 'moving on' in the first part of this essay when talking about Soren (which I'm now realizing was a lot shorter, lol), so I’ll move on to everything else.

The point of him dying can’t be about being selfless, because Viren always was selfless for what he thought was right: he was willing to swap bodies with Harrow, he went back to fight Avazandum when the Queens of Duren went to face the dragon alone, when Aaravos tells him he might die going in Lux Aurea he went anyways etc. Not to mention how Soren, of all people, asks him to do dark magic, of all things, so that he can… help… people… mh, now where have I heard this before? I’m sorry- wasn’t using dark magic for the sake of protecting humanity literally what got most problems started? The source of so much conflict and pain and death? A practice that wasn’t worth doing due to the detrimental effects on the long run, even when if people were going through tough times? Literally what Viren did and received a lot of shit for when he was a full-on villain? By all means, if you find it poetic, that’s great! In my opinion it’s a bit weird: if the show wants to make a point, then it should stick to it;

Viren's literally a shell of his former self, from the very moment he steps into the castle. Sure, knowing about Claudia’s state and the part he played in it wouldn’t make anyone sleep at night, but to have him so desperate, unseen and unheard once he finally picks a path "of truth" as opposed to one of darkness really wasn’t... the best. Like, my own bias against the “redeemed character dying/character searching redemption dying before getting to the end of it” trope aside, not even while dying he seems to reach some kind of inner peace. And when Soren comes into his cell, even then, when it’s his chance to prove that he is committed to this new life path he’s still unsure and scared- Soren had to insist for Viren to step in and help. As if he didn’t really know what to do with himself;

I didn’t hope Viren could build a better life for himself because the idea felt right to me, but because for two whole seasons and a half that’s the direction his character was taking, and the fact that his journey ultimately doesn’t come to a proper end isn’t even drìirectly on him just pisses me off. So much time spent on showing Viren’s progress for what feels like nothing... if not setting up Claudia to be Aaravos's new daughter and giving Soren even more trauma to deal with :D

I didn't want Viren to receive a mere slap on the wrist of course, but I also didn't want his journey to be... this. It feels incomplete, partial, and we didn't even get the final conversation he has with Soren about sacrificing his own heart instead of his son's before saying goodbye- which may have single handedly fixed most of what I said (in part 1 more than here, but still).

[ edit: I’m adding this part because I’m only now thinking about this, and I believe it’s worth mentioning.

As I said at the beginning, I do take issue with how Viren’s journey only considers the damage he made on an interpersonal level as opposed to what he caused on a macro-scale. Had his progress continued only with what the second act of the show bothered to explore so far, I’d still have many complaints, just of different nature.

Because of what I mentioned here though (*) and, again, after two seasons and a half of giving all the impressions that there was a light at the end of the tunnel for him after all, I think that it would have been nice for said things to at least be acknowledged once he got back to Katolis, instead of just making a vague matter of deserving or not deserving mercy, as this is the very logic that keeps cycles of violence going. I do know that’s what they are referring to of course, but I still think it should have been an actual part of the conversation; I briefly mentioned this in part 1/2: I would’ve loved for Soren to be the one to call him out on it, especially the ‘leaving Claudia behind’ bit, in a “You can fool yourself into thinking that you’ve changed, but you can’t fool me, not anymore” fashion of sorts.

This still doesn’t mean that a redemption was impossible to begin with imo. I think that there might be a common assumption that redeeming a character means having them join the main team, which isn’t always the case, it just happens to be the most recurring one.

Idealistically, what I think could have been an ‘okay’ solution (I am talking only in utopistic terms here, though I don’t think it would’ve been impossible to pull off in the actual show- but it would have been admittedly very difficult considering the number of episodes per season) would have been for 2 episodes to be mostly focused on choosing how to go about it:

The first one having the main team arguing with each other before coming to the agreement of sticking to their principles despite not liking the situation one bit (but you know, had it been an easy choice then the efforts at peace would’ve started a lot sooner than the actual events of the show);

The second where the pentarchy, the Sunfire Queen and the Dragon Queen have a meeting, so that they can all have their say on the matter, given that they too were directly or indirectly affected by the man; the meeting is full of tension, there���s shouting, there’s calling each other ‘traitors’ and ‘hypocrites’- generally it really puts to the test how much of the world really is committed to the cause and how much of it isn’t ready to move on, but ultimately they begrudgingly come to the conclusion that there’s obviously a series of restrictions that need to be imposed on the man, while still not completely preventing him from doing his part if he truly means to prove his change. Things like: he cannot put foot into Xadia without the surveillance of dragons (preferably Phyrrah plus a couple more) and/or maybe the drake tamers of s4 lead by Rayla (who Viren is terrified by, so she’s perfect for the job), and when he’s in the human side of the land he still must be guarded 24/7 by at least 5 trained guards; he must find a spell to try to undo the corruption of Lux Aurea, but he’s not allowed to touch any source of magic without being openly granted the possibility to by Callum (who’s now in a higher position); anything he might suggest will be discussed among the council etc… how much of this changes in the course of time and how much people are willing to trust him can either change or not change, depending on whatever follows (even if this list is just hypothetical).

Also, in light of this very recent interview:

I want to be very clear: all I’m saying in these two posts is limited to the immediate effect of s6, and if the following season (or, hopefully, seasons) manages to handle things in such a way that it’ll make me eat my words, I’ll be unbelievably happy. This show means so much to me, and I’m only critical of it only because I feel like the second act of the story doesn’t do quite justice to all that the first one laid out: TDP used to be a hyper-fixation for me and it was the saving grace that got me out of the depression loop after Voltron’s ending, so anything that can get me back into that level on investment will make me cry happy tears.

This being said

I do wonder what the whole point of Viren’s journey of this season and the prior two was if the character is deemed irredeemable by the creators themselves, especially since Soren doesn’t get closure, Claudia only gets more trauma, and Viren doesn’t even die somewhat proud knowing that he did what he could manage to in the little time he had in Katolis after so long (as I said earlier), so no one gets much out of it if not more angst… which is always welcomed, if done with a valid point.

If said purpose was just so that his passing could influence his children’s arcs and therefore being there in function of other characters, the entire thing in retrospect feels like a bit of a waste of time, given that the same exact outcome could have been achieved without him being around in this last season at all: just have Claudia come back home to figure what to do next instead of seeing her dad again; she even has the Sunfire scepter thingie to do the spell from s3, so no one needs to die of poorly executed surgery. And then she can just, find the pearl and cave to Aaravos’s temptation, as he does claim he can revive him again anyways. That, plus I’m dying to have Claudia and her brother talk again after in s4 ☹.

…so yeah, like, on a scale from a VLD Lotor frustration to an MLB Chloe Bourgeois frustration, I’m sort of in the middle with Viren. But I do like that there’s a lot of conversation on the topic ]

CONCLUSION: Despite everything, s6 is the first season I actually enjoyed since s3, though it is still not quite at the same level to me, and while I have my problems with it and I'm very saddend that the Viren and Soren thing is among those, I'm acutally very happy that a lot of people enjoy it and that the fandom is ecstatic. It just wasn't for me- but I still had a fun time writing this two parter :)

Thanks to anyone who got 'till the end of this, I really appreciate it! <3

[user-without-a-cool-acronym]

Lord Ras, a powerful tiger from another dimension, who is skilled in close range combat and wields an gigantic hammer: "You cannot stop me, Ninja! My master will rise and you all will be destroyed!"

Sora, reassembling her Headphones into a gun: "parry this, you f-cking casual"

[thestargayzingetherian]

The hilarious mental image of realising that despite there being so many cool and badass looks for Catra out there, both butch/masc and femme varieties, in all manner of canon things and fan arts…. the moment you remember that Catra is, in fact, a short tiny kitty only barely taller than Glimmer, it becomes a tiny bit hard to take her seriously when she's so small and cute (not that she'd admit it lol)

[n7punk]

Pairings: Adora/Catra (Catradora). Fandom: She-Ra and the Princesses of Power (2018). Series: Sapphic September 2024 @sapphic-september

Rating: T. Chapters: 1/1 (One-shot). Words: 2.4k.

Summary: Bright Moon is Adora’s choice – the only choice she can make after seeing the destruction the Horde enacts – but that doesn’t make it easy to leave everything she has ever known behind. She doesn’t want the Rebellion to know how she struggles, though. They need her to be stronger than this. She knows that no matter how much she misses her old friends, she will never turn her back on the Rebellion, so there’s no need to ever give them a reason to doubt her conviction. She can miss Catra and she can fight her at the same time. It just hurts. (Or, the one where Adora has undiagnosed depression)

[tippenfunkaport]

something something, visited by three spirits that push you to reinvent yourself

and meanwhile, the three mother-type figures in Adora's life were all key to her to figuring out what she really wanted and who she wanted to be but literally...

Light Hope "died" trying to right a wrong from the PAST

Queen Angella died trying to preserve Adora's PRESENT

and Shadow Weaver died to give Adora a chance at a FUTURE

[a-small-cretur]

made a little loopy animation gif thingy

[frostaoftheday]

Today’s Frosta of the Day has been brought to you by: The Birthday of our beloved Princess Frosta!

Happy birthday, Frosta!

[maeljade]

Basics

Name: Mael Dotharl

Nickname: (None)

Age: 28

Nameday: 15th sun of the second umbral Moon

Race: Au Ra, Xaela

Gender: woman, violence

Orientation: Pansexual

Profession: Mercenary and Duelist

P H Y S I C A L     A S P E C  T S

Hair: Rolanberry red with white highlights

Eyes: Dark Red with bright Red-pink Limbal rings

Skin: White

Tattoos, scars: None

F A M I L Y

Parents: original tribe is Dead or otherwise mysteriously disappeared, adopted by Sadu and the Dotharl tribe

Siblings: She sees Sadu as her bigger sister

Grandparents: See Parents, dead or otherwise disappeared.

In-laws and Other: She sees the Dotharl as her family, she would adopt Alaqa if she could

S K I L L S

Abilities: Black Mage, Red Magic, the ways of the Sage. Both Black Magic and a Sages skill are similar enough to the magic of the Xaela that she had a head start and does her own spin on them, learned Red Magic.

Hobbies: Fighting, hunting, preparing buuz.

T R A I T S

Most positive: Willing to brave any danger for her friends

Most negative: She cannot decline any challenge offered

L I K E S

Colors: Reds, snow white, Dotharl blue.

Smells: Fresh buuz, petrichor

Leathers: Anything flexible enough to hunt and fight in

Drinks: Sake, tea

O T H E R    D E T A I L S

Smokes: Only the smoke rising from a battlefield

Drinks: After winning a great battle but she will only drink little to stay ever battle ready

Drugs: None

Mount Issuance: Her Yol mostly, occasionally the Kamuy of Susano

Been arrested: Only in Ishgard while they had their "trial is a fight to the death" law, because she was bored and with full intention of getting arrested.

tagged by @lilbittymonster

tagging @wisismydumpstat and @zeloinator

[vital-information]

Depictions of CPTSD for people with CPTSD (instead of feeling like an after-school special)

“The child trapped in an abusive environment is faced with formidable tasks of adaptation. She must find a way to preserve a sense of trust in people who are untrustworthy, safety in a situation that is unsafe, control in a situation that is terrifyingly unpredictable, power in a situation of helplessness. Unable to care for or protect herself, she must compensate for the failures of adult care and protection with the only means at her disposal, an immature system of psychological defenses.” —Judith Lewis Herman, Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terrorism

Lilo & Stitch (2002)

Avatar: the Last Airbender (2005-2008)

Nastume’s Book of Friends (2008-present)

Short Term 12 (2012)

Mr Robot (2015-2019)

She-Ra and the Princess of Power (2018-2020)

Shazam! (2019)

Kotaro Lives Alone (2021)

Bee and Puppycat: Lazy in Space (2022)

[callmerobinnn]

Love Catra <3