#she ra season 1 but bad

[mdantics]

Thought I'd go ahead and just drop all the Spop but bad characters

make sure to check out spop season 1 but bad

[crownspeaksblog]

Stop she's just a baby!!

[tropicalcryptid]

Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it

One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.

When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."

But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.

On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.

But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--

Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...

Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.

It's not nice.

It's really not nice.

Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).

And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.

Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.

Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!

Very cool, ND.

There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!

Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.

But maybe Hordak can.

And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.

Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.

This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.

Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[marylily-my-beloved]

FATIMAH ! ♡

»»-----------► I HAVE A MICROFIC BLOG: @marylilymicrofic IF YOU LIKE MARYLILY AND LIKE MARAUDERS YOU SHOULD GO FOLLOW AND WRITE FOR IT!! I MADE IT WITH @icarus-last-fall

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»»-----------► MY #1 WIFE RIYANA I LOVE HER GUYS @im-on-crack-send-help

»»-----------► Hiii! I hope you guys are prepared for like 4 fandom related posts a day and random rambles + shitposts ♡

»»-----------► My name is Fatimah (not real name), I am a minor (so plz don't be creepy) make any nicknames for me that you want (please please please call me Fay !!) ♡ She/they, arab, muslim, pansexual, infp, im just a girl ♡

»»-----------► MY AO3 <33 Go check it out I write marauders fics

➥ Lily and the Princesses of Power (ongoing). She-ra au, marylily fic, background ships as well. Lily escapes from the Death Eaters leaving Mary behind. 6/? Chapters ♡ On haitus sorry guys but I might update soon! Just have big writers block for this and I feel super bad for not updating :(

➥ Back at that Party (finished). Canon AU, marylily fic, background dorlene. Mary & Lily have a disagreement at a party and forced to sort it out together. 1/1 Chapter ♡

➥ Good Luck Babe! (finished). Canon AU, Lily x Narcissa wedding fic, end game narcissa x lucuis. Lily gets invited to Narcissa's wedding, and warns her about what could happen to her, and then dies a couple of years later. Main Character Death, 1/1 Chapter (based on Good Luck Babe! by Chappell Roan) ♡ (tumblr link)

➥ Burning Stars (finished). Canon AU, Bellatrix x Alice fic talking about their relationship in Hogwarts and how it ended. very angsty, hurt no comfort. 1/1 chapter ♡ (tumblr link)

➥ Strawberry Mentos (finished). Modern AU, marylily fic based on 'strawberry mentos'. Short and pretty cute and sweet. Getting Together fic. 1/1 chapter ♡ (tumblr link)

➥ Letters to A Happier Life (finished). after war AU, marylily. Lily is already dead, and Mary discovers their old letters after she obvliated herself. 1/1 chapter ♡ (tumblr link)

»»-----------► DNI IF

Rasict Transphobic and/or homphobic Islamaphobic Zionist / supports israel Sexist Discriminate against people for any stupid reason

»»-----------► I am obessed with Chappell Roan and women so much its not even funny anymore

»»-----------► I love writing fanfics, reading anything (plz give me book & fanfic recs), baking, listening to music & playing basketball ♡

»»-----------► I love hearts, pearls, rings, aesthetic stuff, pink and purple, uquizzes, cats, my moots & lipgloss ♡

»»-----------► SOME LINKS TO MY FAVE POSTS I MADE

Black Sisters Dialouge

Mary Macdonald Deep Dive (P2! more in depth)

Dorcas Meadowes Deep Dive

Black Sisters Deep Dive (sorta)

Peter Pettigrew Deep Dive

Blue by Billie Eilish = Andromeda & Bellatrix

Skinny by Billie Eilish = Lily Evans

Chihiro by Billie Eilish = Dorcas Meadowes

Lacy by Olivia Rodrigo = Dorlily (Dorcas x Lily)

Apple by Charli XCX = Evans Sisters (Lily & Petunia)

24/7 by The Neighbourhood = Jily modern AU

Bellatrix & Sirius Comparison

Microfics

»»-----------► Fandoms: ♡

・❥・ Harry Potter/Marauders fandom. Gryffindor. Lily, Mary & Remus kinnie. In love with James Potter & Pandora Lovegood ♡ (fuck jk rowling I do not support her) (jkr should go die)

・❥・She-ra (2018 reboot). Harcdore catradora and scorfuma shipper. Entrapta kinnie and I am in love with her ♡

・❥・ PJO (Percy Jackson). Percabeth and Valgrace <333 Cabin #8. Pretty sure I kin Annabeth. My favourite charcater is Bianca ♡

・❥・Hunger Games. Have not finished the series yet but working on it <3. In love with Johanna ♡. Need to read half of Mockingjay & TBOSAS ♡

・❥・Heartstopper. So excited for season 3, read all of the books on webtoon. Tori & Tara lover ♡. Darcy, Elle & Charlie kinnie. Harcore Tara x Darcy shippers ♡

・❥・ Young Royals. Harcore Sara x Felice shipper & Stedrika (stella x fredrika) & of coure Wilmon and Henry x Walter. Wilhelm and Felice kinnie. In love with Maddie ♡

・❥・ ATLA & LOK. I love them so much, I love Korra and Katara & Asami. Toph + Zuko kinnie ♡ Harcore kataang and toph x suki. getting into zutara but kataang will always be the otp. I have almost all the comics for ATLA ♡

・❥・TDP / The Dragon Prince. love love love love, I got sooo back into it after season 6. protect my boy terry!!! ♡ rayllum my loves. sorvus my heart. fuck viren. probably a soren kinnie... ♡

・❥・Probably more but I can't remember rn ♡

»»-----------► My tags and other random stuff <333:

➥ Pride Month headcanons: #fatimahs pride headcanons 🤍 (this will be every pride month) ➥ Headcanons: yapping about headcanons 🎀 ➥ Personal stuff: me me me ! ➥ Basically everything: fatimah yaps 🎀 ➥ Deep Dives & Random long rambles: #Fatimahs deep dives ➥ My Writing (either here or a link to ao3): #Fatimahs writing ➥ Asks: #Fatimah gets an ask woah ➥ My life: fay.talks 🎀 »»-----------► Quotes ➥ marauders: Fatimahs marauders quotes 🩵 ➥She ra: Fatimahs she ra quotes 🩷 forgot the rest lol ♡

»»-----------► Music: Conan Gray, Sabrina Carpenter, The Weeknd, Olivia Rodrigo, Chase Atlantic, Suicidal Tendencies, Hozier, Ariana Grande, Beadadoobee, Chappell Roan, Billie Eilish, Ethel Cain, EMELINE, Lana Del Ray, The Neighbourhood, Arctic Monkeys, CAS, David Bowie, Queen, Mitski, Cavetown & girl in red ♡

»»-----------► I LOVE ALL MY MOOTS IM TOO TIRED TO MAKE A LIST BUT I LOVE YOU GUYS <33333333

»»-----------► I usually yap only about the marauders and/or she-ra but will occasionally yap about anything and everything else <3 please send me asks for anything you want I love asks and your like personal comments on my stuff ♡

the dividers are by @cafekitsune & the images are from Pinterest ♡

[tippenfunkaport]

"She-Ra is bad bisexual rep because all the bi/pan characters end up in m/f relationships!"

Not true! Perfuma is bi/pan and she ends up with Scorpia!

"Oh, well I like to headcanon Perfuma as a lesbian."

...so then you understand that's not the show's fault, right? That that's just a problem you made up in your head?

-

Excuse me a second, I need to scream about this...

Because this has come up over and over (esp on Twitter and TikTok) with people who want to claim that every bi/pan SPOP character ends up in a m/f relationship... by conveniently pretending Perfuma is not canonically bi/pan herself. And every time they are asked to elaborate why they are ignoring her canon status, they give the same answer: that they consider Perfuma a lesbian because now that she's with a woman, she's "not bi anymore"

And... yeah... you know that's not how it works, right? That being bi/pan is not just a phase you get over? That a bi/pan woman dating another woman doesn't suddenly make her a lesbian any more than it makes a bi/pan person dating someone of the opposite gender magically straight?

The person you are currently dating does not change your bi/pan status. Ever. And insisting it does, especially just so you can score some points by making up an issue about a show to be mad about, is super GD harm harmful to the real bi/pan people in your life.

(This is the exact same thing The Owl House fandom does with Lumity and why Dana had to make Luz present a whole slideshow in the cartoon reminding everyone she is still very much bi even though Amity is a lesbian. TOH fans kept insisting because Luz is dating Amity now, she's a lesbian. Nope. Her and Amity can be married for a billion years and that wouldn't change Luz's orientation.)

"But I heard that someone's roommate's cousin who worked with someone on the show once liked a fanart that showed Scorfuma with the lesbian flag so it's basically canon!"

First of all, the legend of this grows daily and I think it's really telling that this archival obsessed fandom only talks about this mythical like and yet has never been able to produce a single screenshot of it.

But for the sake of argument, let's say that this really happened and actually exists, that someone related to the show, however distantly, liked fanart once that implied Perfuma was a lesbian somehow. That still doesn't make it canon. People related to the show and even ND himself have liked and reblogged all sorts of stuff that isn't canon, including g/a, and have been very clear that the only canon is what happens within the show itself.

And, in the show, Perfuma is canonically bi/pan. We see her crushing on Bow, She-Ra, Huntara and Scorpia. The fact that people want to pretend the Bow thing never happened when he's the only character we see her actually date over the run of the show AND it's a major Season 1 plot point is wild to me and just shows the lengths people will go for bi/pan erasure.

And I get that some people enjoy using Perfuma to tell a story about comphet or coming out as a lesbian later in life and I am fully in favor of doing your thing with your headcanons in fanworks. But when it reaches the point it has now where fans are attacking other fans for saying Perfuma is bi/pan or attacking the show for not having any bi/pan character in same sex relationships when Perfuma is CANONICALLY bi/pan is ridiculous. 

Keep in mind that your headcanon is literally just something you made up in your head. It's pretend. Fun, yes, but NOT something you can use as justification to attack people over!

Especially when it's something like this that causes real world harm by perpetuating harmful stereotypes about bi/pan people being "just a phase" or a temporary state that changes based on who you date.

[jalluzas-ferney]

I just thought about how Lloyd and Jordana could actually relate to each other.

When Lloyd was a kid he wanted to to be evil and do bad things all because he wanted to be loved and valued by his father. In the end he ended up getting manipulated and used- and the things he did ended up being much more catastrophic than he intended, and he realize he didn’t really want any of it, and felt incredibly guilty for it.

Jordana has a very similar story right now. She’s clearly incredibly insecure. Doesn’t seem to have any love in her life. No friends, no family, nothing. She just wants to be seen, and validated. Ras manipulates her into joining and doing all these evil things that ended up turning into even more catastrophic events than she wanted. At last that’s what we see during season 2 part 1. We can see her being scared of Ras plans which leads us to believe that she’s probably having a change of heart or willl have a change of heart. So while she’s still not redeemed, she’s basically going through what Lloyd went through kinda.

[baileybeez]

My Top 10 Catradora Moments (My Opinion Obviously)

10. Adora Has Always Loved Catra

This is the moment I believe Adora firmly knows she's in love with Catra. I know she's in love with Catra beforehand but I believe this is the first time she realizes 'I'm in love with Catra'. Adora is getting ready to face an uncertain outcome with Horde Prime and she's trying to remain strong. But we can see glimpses of her looking for Catra wanting to her come back. We then see as she's heading to the Heart of Etheria, memories are being projected. The first one that comes up that really hits Adora is Catra. Catra saying her last and classic 'Hey Adora' and Adora is at first thrilled she's back. But then it changes to Catra when she was younger training in the fright zone, Catra from when she was chipped, Catra from Season 4, Catra from season's 1-3 and then current Catra. This to me screams 'Adora has always loved Catra despite all the hardships they've endured'. Even though she realizes deep down, this isn't the real Catra, she wanted to reciprocate her touch. But then the fake Catra disappears as Adora is almost off the edge.

Also this scene brought that iconic 'Somewhere Only We Know' tiktok.

9. God She's Cute When She Laughs

Everyone knows I'm a sucker for fluff so this little moment always stuck out to me. We've seen Catra blush before and she looked at Adora's New She Ra Form and was like 'Damn...she kinda bad.' But this one was so sweet and wholesome. Catra at first is annoyed cause they're teasing her about how cute her helmet is and at first you think she's gonna be defensive about it. At first she is but then she see's Adora laugh and freezes. Adora is so happy Catra is getting along with her friends and is back to the Catra she grew up with. And Catra just smiles at Adora, any frustration she had melted away.

8. Princess Prom

Ya'll this episode was the reason I gave She-Ra a shot. I saw this scene floating around online and I just had to find out what was going on. At the time, I had only recently accepted myself as sapphic and this was one of the first scenes that caught my attention during that time. There were already strong hints of Catradora later becoming a thing but this scene hit differently. We get to see the dynamic these two would have for a few more seasons. The shift between them as they become enemies while still seeing they still care for one another.

7. It's Over, He's Gone

The end moment with these two in She-Ra was fantastic. Hearing Catra's soft 'Adora' as the two smile at each other was adorable. Adora reaches out her hand to Catra and reassures her that it's over and that Horde Prime is gone. These two had gone through so much because of the Horde. And now, their foreheads touch as they're just happy they made it to their happy beginning for each other. With Catra still being snarky and saying 'Good riddance'. It's a good final moment where the two can be happy. And now this just makes me wish we got a She-Ra movie.

6. Please Just Stay

First of all, if you haven't already please read Don't Go by Nate Stevenson. It's a fanfiction he created that takes place after Save the Cat and really helps highlight this and other scenes I'm about to get into later. It's also just really good. But Catra beforehand is struggling to figure out why Adora saved her and dealing with the aftermath of what Horde Prime did to her. She and Adora just had a big fight with Adora telling Catra she never hated her. We find out later, the chip on Catra is tracking the ship they're on and they need to get it off. With Catra needing to confront Entrapta (who she also didn't end things on good terms with) and Adora. Adora tells Catra once they're done, they can drop her off and she won't have to see any of them again. We see this crumbles Catra's usual strong self as she lets herself be vulnerable for a moment. Grabbing Adora's wrist and then her hand requesting that she stays, Adora also blushes. Catra also comes up with an idea to read what Hordak's planning since their minds are connected. Catra knows Adora will continue to fight Horde Prime and knows she'll be reckless. She just asks Adora to stay with her with two two holding each other. I love this moment as we see the two work together and slowly build their bond again.

5. You Coming?

As Adora is succumbing to the virus and Catra calls out to her, we get this moment of Adora's wish. She's back home with Catra, Glimmer and Bow as they're all getting ready for Scorpia's Princess Prom. Adora wants desperately to have this future with her friends and home happy. She's slowly learning to be selfish after she's been stuck trying to give and give as She-Ra. And she wants a life with Catra, the person she's come to love and married to in this vision. Stevenson confirmed couples in Etheria have something to show they have ties to each other. Catra is wearing Adora’s wing buckle on her shirt and Adora is wearing Catra's head piece on her dress. At first, Adora is sad because part of her wants to embrace this future but doesn't think she deserves this. But seeing Catra, the person she's married to in this version ask her if she's coming with them. She can't help but want to follow her. Even when Adora was dying, all she wanted was a peaceful life with her friends and the person she loved.

4. We're Going Home

Save The Cat in general is a great episode and my personal favorite of She-Ra's. Adora manages to save Catra with the help of her friends as Catra is still unconscious from the fall and whatever Horde Prime did to her. Adora gently holds Catra and telling her she's not done yet and that they're going home. Adora's healing powers manage to work on Catra as she wakes up. She also says her classic 'Hey Adora' in a very weak voice. And Adora is so relieved that she just embraces Catra and and Catra is shocked. We see how hesitant Catra is accept Adora's embrace but eventually she does while letting out a deep breath of relief. With her purring being the last thing we hear before the episode ends. Catra purrs mostly when she's around Adora, she's always happy to be accepted by Adora. This description from Nate Stevenson also really helps sells the moment too.

'They stay that way for a long time, Catra’s face tucked into Adora’s shoulder, Adora gently cradling Catra’s head. Adora is careful not to hug Catra too hard or make her feel restrained, anticipating the moment that Catra will start to pull away — but Catra doesn’t. She hangs on so tightly it hurts, her claws digging through Adora’s jacket and into her back, latching into her like she did when she was a kitten and didn’t know how much her claws could hurt. Adora tries not to wince, tries not to move a single muscle, worried that if she does the spell will break and Catra will struggle away, appalled at having shown weakness. But Catra doesn’t let go. And so neither does Adora.'

3. I'm Not Leaving

Save the Cat and The Heart Part 2 have my favorite Catradora moments and this one is one of them. We saw how Catra came back to Adora when she needed her and almost died trying to save her. Shadow Weaver comes in though and sacrifices herself with Adora and Catra reuniting. This time it's Catra rescuing Adora and coming to her aid instead of the other way around. Adora is struggling to use the failsafe and realizes it might not work. She tells Catra to get far away from where she is and that there's no more time. Saying how she can save everyone and touches her forehead with her own. While also stating how it's okay and she's ready. It's heavily implied Adora is going to die trying to use the Failsafe and Catra stands firm on staying with Adora. Saying whatever happens she'll stay here with her. And we see that as Horde Prime's virus is trying to take control of the Heart, Catra is facing it with Adora.

2. You Matter To Me

I love the scene of Adora trying to save Catra from the chip she's being controlled under. Adora is trying desperately to bring Catra back out and trying not to hurt her despite Catra attacking Adora. Then Catra does break free from control and tells Adora she should have stayed away and asks why she came back when she doesn't matter. With Adora gently holding her face telling Catra she matters to her. This is also asked later again by Catra in Don't Go.

“Why did you come back for me?” she demands.

“I —“ Adora’s voice trails off in the silence. Catra doesn’t let go. The only sound is the soft, muffled humming of the ship’s engines as it moves through space, away from Horde Prime. “Because…” She trails off again.

What is she supposed to say?

“Because…you’re Catra,” she finishes weakly.

Because at the end of the day, Adora will always care for Catra. Then Catra get's possessed again as she walks towards the edge fighting to not be controlled by Horde Prime. Adora reminds Catra she's never listened to anyone in her life and asks if she's going to start now. Catra looks amused as she just says Adora's an idiot with Adora agreeing, tears in her eyes. Adora then says she's going to take Catra home as Catra breaks free from Horde Prime saying 'Promise?'. Adora holds out her hand saying 'I promise!'. This is obviously a parallel to when they were kids and they promised to look out for each other. It's such a heartfelt and touching scene

I Love You

'Catra she distracts you, confuses you.' - Shadow Weaver

'You Etherians are all alike. Such strong connections to one another, it's what makes you weak.' - Horde Prime

And yet their 'weakness' and 'distraction' saved the universe. The Catradora confession scene is number one as it is a finale to Catra and Adora's character arcs. Adora is dying and seemingly getting ready to accept her fate. That there won't be a happy future for her. But then she hears Catra still reaching out and calling for her to wake up. Catra hasn't given up on Adora and Adora never gave up on Catra, so she shouldn't start now.

Adora does try to reach for Catra but doesn't quite make it with her saying it's too late and that she failed. Catra reassures her that she's got Adora and won't let go. In desperation and perhaps wanting to finally tell Adora, Catra says.

'Don't you get it? I love you! I always have! So please just this once, stay!'

We hear Catra and Adora's theme Promise in the background playing this whole time which we haven't heard since the episode Promise. Last time it was Catra leaving Adora to follow her own path and Adora learning to let go of Catra. Now, it's Catra reaching out for Adora as Adora takes her hand. Adora is blushing as Catra has tears in her eyes begging for Adora to stay. Adora does wake up in awe asking if Catra loves her. Catra is blushing while smiling calling Adora an idiot. Then she looks surprised as Adora just smiles at Catra saying she loves her too. They then kiss as Adora is finally able to activate the Failsafe but the two are too busy kissing.

I also want to add in the storyboard version of this scene where Catra says 'We always said it would be you and me, together at the end. But not now, okay?'.

Honorable Mentions Down Below:

[inthretis]

Glimmer from She-Ra and the Princesses of Power (2018) is a shounen anime protagonist. Here is my proof:

She solves all her problems with brute force and force of will and sheer determination. How she breaks out of the anti-teleport field that is incredibly painful? Just teleport harder. (Season 1 episode 9 “No Princess Left Behind”)

Simple but incredibly useful power (seasons 1-5, it’s shooting magical blasts and teleportation)

Missing dad (Season 1, episode 4)

Dead mom (Season 3, episode 6)

Has to fight her evil parent (Season 5 episodes 11-13)

She gets a character redesign and outfit upgrade and a power up after a loved one dies (Season 4 episode 1)

She has weird eyes, a little sparkle in each of them. That’s anime as heck. (Seasons 1-5)

Her season 1-3 hairstyle is reminiscent of characters from Studio Trigger anime. Notably, the short-haired tomboy type ala Ryuko from Kill la Kill.

Her fantasy in the season 2 episode “Roll With It” is inspired by Cowboy Bebop.

She has a super special heritage, being half angelic being and half “the most powerful sorcerer alive”.

Despite this, she still considers herself an underdog by being “the weak princess, needing to recharge” and had a lonely childhood, with one childhood friend. (Seasons 1-2, notably “The Sea Gate” and “The Frozen Forest”.)

Her tactical strategy in fights is to punch first, ask questions later. (Seasons 1-3, seasons 4-5 to a lesser degree but still present)z

She has a temper, an age old trait in anime protagonists. She was notably upset when she thought Entrapta was being tortured so she attacked Catra. (Season 2 episode 2 “Ties That Bind”)

Like a lot of anime protagonists, she undergoes a dark and edgy phase. (Season 4, episodes 4-13)

For her, violence is the answer, and great for bonding. (Literally the entire show. Speaking of…)

In season 1, Glimmer is the first person to trust Adora, earlier than Bow, trusting her with the sword to turn into She-Ra to protect Thaymor. In “The Sea Gate” she bonds with Sea Hawk more than any other main character, giving him a pep talk that leads to them fighting together to defeat the Horde.

This does lead to problems, trusting in Shadow Weaver to Adora’s own warnings, but she also makes up for that by buying out Double Trouble with cash, and then of course later on despite much bad blood and Adora disavowing Catra in season 3 “The Portal”, Glimmer still bonds with Catra. It was her words to her that convinced Catra to turn on Horde Prime. She did what Adora couldn’t, the freaking main character.

She works via the power of friendship, more so than any other character. She made the Princess Alliance, an ensemble cast of quirky characters. She convinces former enemies to her side using talk no jutsu, in the same vein as Goku and Naruto.

The funniest thing about Glimmer is that she is a shounen anime protagonist in a show that is neither a shounen anime nor is she the protagonist.

[sokuly419]

I don’t typically make posts like this myself, but maybe some others would like to hear it. This is something of a stream of thought so sorry if it seems choppy and whatever.

I’m not going to sugar coat it. This election was absolutely awful. I know we’re all fucking terrified. We’re all grieving. Famous show hosts to politicians on both sides of the aisle are in tears with us.

I bawled before they called it. I cried once Trump broke 100 electoral votes well before Harris. I knew it was over by time I went to bed. My best friend tried to talk me out of it, telling me it wasn’t over until it was. I absolutely bawled when I saw 210. My wife held me while I just sobbed in a way I haven’t in a very long time.

I am terrified. And heartbroken. And pissed.

Now… we have to live. Trust me, I’m having those thoughts too. Many of us are. But the biggest middle finger you can give to them is to stay alive. They want us dead. We know that. Don’t make it easy for them. Don’t make any of this easy for them.

Take your time to cry, scream, lose control for a moment. But don’t kill yourself. You will have a place in fighting back that no one else can take. You don’t have to be on the frontlines. Just simply staying alive is fighting back and if that’s all you can give, we’ll take it.

Listen to your favorite song one more time. And maybe again after that. And again. Rewatch your favorite show or movie. Do it a few times so you don’t forget your favorite scenes or lines. Read your favorite book or fanfic. Escape for a bit. Make your favorite comfort food.

Are you looking forward to a new show? A new season of a show you like? A new movie maybe? Is one of your favorite musicians releasing new music soon? Do you have pets? They won’t understand and they’ll miss you.

I don’t care what you have to do to keep seeing the next day, just do it. I know it’s hard. I really, really do. I’ve been there. I’ve tried more than once. I still have those thoughts. And those thoughts got bad again with the outcome of the election. We’ve already lost so many people because of it, there’s no denying it.

I hope this can reach at least one person who needs it. If this can save even one person from taking their life, I’ll take it.

Right now, I’m looking forward to season 2 of Arcane. I rewatched season 1. A She-Ra rewatch is in my sights too. I’ve been listening to new (to me) music. If you have Spotify, the daylist is a good way to get new music through the day. I have pets and they wouldn’t understand. I can’t do that to them. And it would devastate my wife. And my family. I have yet to reread a couple of my favorite fics.

Take it from someone who lost a best friend to suicide. The grief… it’s not something that can be explained. You will be missed. Your best friend will scream and cry and cuss out every deity there is. They will feel like they failed you in every way. I don’t wish that kind of grief on anyone. If I didn’t have the list of things I’m pushing through for, the experience I went through definitely would make me think long and hard about it.

Now is the time we organize and fight back. And we can’t do it without you. You’re fighting back by living, so live. And keep living. Stay as safe as you possibly can. I love you, stranger reading this. I see you. Let’s hold hands or hug or whatever and just breathe together for a minute. We’re alive. And we have to stay that way for as long as possible.

Don’t forget: the first Pride was a riot.

We got this. We’re going to do it terrified. But we’re gonna do it. We have to. We owe it to those before us.

[problematic-yuri-poll]

PYP BONUS SEASON: Problematic Femslash Ship Tournament!

the bracket is too big to grab a screencap of it, but we'll add polls to this post as they are posted!

no particular "right" way to vote—you can vote for your faves, whatever looks the "most problematic" to you, or just click randomly!

the following will not be accepted and may result in a block:

harassment of people who ship or vote for the opponent of the ship you're rooting for.

excessively volatile comments towards the shippers of the opponent of your ship. (anti-propaganda is allowed, though, if it's targeted at the ship itself. "imo a/b is a stupid ship" is ok. "everyone who ships a/b is stupid" is not.)

general "anti-ship" sentiment—in this context, this doesn't refer to just being against a ship (that would be fine), but certain practices of moralizing over ships. for example, you'll be blocked if you suggest one ship is "morally wrong" to ship and encourage voting for the other based on this, or leaving any comments suggesting people who like a certain ship are a "bad person" for liking it. (it's fine if you vote based on the other ship being "too problematic" for your own liking, so long as you recognize this is a matter of your own personal tastes.)

we will not change our blog theme based on the winner of this tournament, as this is a bonus tournament.

seeding is based vaguely on popularity, but somewhat random

submissions for future femslash ship tournaments go here!

submissions of yuri series for our main tournament go here!

ROUND 1 POLLS:

Despaircest - Junko Enoshima x Mukuro Ikusaba (Danganronpa Series) VS. Shoka Sakurane x Ayano Kamachi (Neo The World Ends With You)

"Bad Rain" Ocampo x Alice Abernathy (Resident Evil Retribution) VS. Fitzcest - Brigitte Fitzgerald x Ginger Fitzgerald (Ginger Snaps)

Kohakiha - Akiha Tohno x Kohaku (Tsukihime) VS. Kanon Shibuya x Aria Shibuya (Love Live Superstar)

Tridentaricest - Ianthe Tridentariius x Coronabeth Tridentariius (The Locked Tomb Series) VS. Miyako Hoshino x Hana Shirosaki (Watashi ni Tenshi ga Maiorita!)

Catradora - Catra x Adora (She-Ra and the Princesses of Power) VS. Nano Shinonome x Nakamura-sensei (Nichijou)

Chikane Himemiya x Himeko Kurusugawa (Kannazuki no Miko) VS. Haruhi Suzumiya x Mikuru Asahina (The Melancholy of Haruhi Suzumiya)

Satorika - Satoko Houjou x Rika Furude (Higurashi When They Cry Franchise) VS. Elizabeth x Lily (WACCA)

Remiflan - Remilia Scarlet x Flandre Scarlet (Touhou Project) VS. Gideon Nav x Cytherea the First (The Locked Tomb Series)

Arlefuri - Arlecchino x Furina (Genshin Impact) VS. Helena Cain x Kara "Starbuck" Thrace (Battlestar Galactica)

Kittymimmy - Hello Kitty x Mimmy White (Sanrio franchise) VS. Yua Kusunoki x Mia Kusunoki (Chaos;Head)

Sakurin - Rin Tohsaka x Sakura Matou (Fate/Stay Night) VS. Narrator "Lazi" x Shui Ling (Notes of a Crocodile)

Squidcest - Callie x Marie (Splatoon) VS. Klee x Nahida (Genshin Impact)

Liliana Malcatras x Millarca Malcatras (Malcatras' Maiden) VS. Aya Asagiri x Tsuyuno Yatsumura (Mahou Shoujo Site)

Griddlehark - Gideon Nav x Harrowhark Nonagesimus (The Locked Tomb Series) VS. Saki Hanami x Ume Hanami (Gakuen Idolmaster)

Momiji Hozuki x Mahiro Oyama (Onii-chan wa Oshimai!) VS. Koharu Shimoe x Hanako Urawa (Blue Archive)

Satoshio - Satou Matsuzaka x Shio Koube (Happy Sugar Life) VS. Shiro x Madame Witch (Albino's Diary)

Mahiro Oyama x Mihari Oyama (Onii-chan wa Oshimai!) VS. Diaruby - Dia Kurosawa x Ruby Kurosawa (Love Live! Sunshine!!)

Harukana - Haruka Oozora x Kanata Higa (HaruKana Receive) VS. Harrianthe - Harrowhark Nonagesimus x Ianthe Tridentariius (The Locked Tomb Series)

Girlpowershipping - Dawn x Cynthia (Pokémon) VS. Natsumi Onitsuka x Tomari Onitsuka (Love Live Superstar)

Emmaemi - Emma Woods x Emily Dyer (Identity V) VS. Kanata Konoe x Haruka Konoe (Love Live Nijigasaki)

Samarina - Marina Domek x Samarie (Fear and Hunger 2: Termina) VS. Dashi x Min (Octonauts)

Kanabiki - Kanade Otonokoji x Hibiki Otonokoji (Super Danganronpa Another 2) VS. Emilico x Kate (Shadows House)

Shion Sonozaki x Mion Sonozaki (Higurashi When They Cry Franchise) VS. Ange Ushiromiya x Maria Ushiromiya (Umineko When They Cry)

J7 - Kathryn Janeway x Seven of Nine (Star Trek Voyager) VS. Muachina - Mualani x Kachina (Genshin Impact)

[mdantics]

SHE-RA AND THE PRINCESSES OF POWER SEASON 1 (BUT BAD)

make sure to also check out the youtube upload!

[andhereisthetea]

MASTERS OF THE UNIVERSE: REVOLUTION comic Issue No. 1 by Dark Horse Comics (available here)

Summary:

"Journey to the earliest days of one of the universe’s most consequential, and fraught, team ups in this first issue of the official four-part prequel to the Netflix streaming event. Hordak is an ambitious general, eager to make his mark; Skeletor is an aspiring mage, hungry for power. Joining forces, melding ancient Eternian magic with advanced Horde technology, could bring them all their evil hearts’ desire…but they’ll have to survive each other first."

I'm going to proudly admit that I've sacrificed hours of sleep writing this, sorry for the bad spelling.

Okay, Masters of the Universe Revolution prequel comics was released early past month (May 15th) and as a MOTU/She-Ra fan I just had to check on it after watching the last season. And oh boy, there is a lot to unpack here….

The story of this prequel arc is centered around Keldor's origin and life as Hordak's apprentice, very much like "The Secret Origin of Skeletor" from the Minicomics era (which you can find here in @emperorsfoot blog), which took a lot from the He-Man 200x show and comics. I would say this is a rightful continuity to what the 200x never did, but with a pitch of new plot material and new perspectives to add.

For once, the writers also took a focus in Hordak's mysterious backtory and point of view through the issue, now is not only Keldor who shows his perspective of the story but also Hordak has something to say; both are the protagonists, not only one of them, which also shows us a glimpse of their future relationship as apprentice-master.

Lets start.

The story begins with a tale told by an unknown figure, (whose identity is addressed in the next pages) about a big battle (the first balled in the Universe) between the forces of Zoar (our beloved Preternian God from which the Goddess' powers belong) and Ka, God who would be the representation of Serpos in this continuity (the deity of the Snakemen). As the tale says, both turned against each other... until Ha'vok arrived.

According to this unknown person, Ha'vok is a deity and power who brings balance between Zoar and Ka, but entered a type of... stagnacy over time. Now, who is the champion?

Now, the first scene of the issue, oh boy. I love when the Horde has a good intro.

The Horde has always been a favorite of mine, and the introduction of two new female characters (you know, because the writers can't use any of the female characters belonging to the She-Ra continuity due to copyright reasons) has put a smile on my face for real. These two characters were designed by Alex Gimenez, but he couldn't continue with the comic project unfortunately:

They are a cool new addition to the Horde team, and I am very happy to see the original Horde members around too.

We are in Anwat Gar... the Island which was already mentioned by the 200x show as a site with great technology, as well as in the Revelation prequel comics, showing us is the site where the Gar lived in this continuity.

The Horde is attacking the place for an unknown reason, and at some point is mentioned that magic is actually forbidden in that place, contrary to what is seem during Randor's rule in the present.

Meanwhile, where is Hordak?

You see it right??! for old MOTU fans, this is the Fright Zone playset!

Apparently, Hordak has used the attack as a type of distraction to get to this place, he is looking for answers, and only magical entities can give it to him:

I want to take a moment to appreciate the call back to She-Ra's classic comics because these Fortune Sisters are a tribute to the 'Enchanted Sisters' who canonically ended up tricking Hordak in the classic comics:

Also, some dialogue of the scene:

Who the hell is Gaull?!

Soooo I had to go back to the He-Man character encyclopedia, remembering that Hordak's father was caller "Seferus-kur" also known as Horde Supreme, killed by Horde Prime (Anillis Kur) and Hordak (Hec-tor Kur), this info is ONLY in the MOTU 2008 bios and also to the 200x continuity (that is the story they wanted to use for the comics), so I guess they have choosen to retcon Hordak's origin story and also add a name for his father, because contrary to DC's interpretation, Prime is Hordak's older brother here:

Note to add, Revolution's continuity choose to go by a technological background for Hordak rather than magic, making the Horde a highly technological empire which despises magic.

More dialogue, Hordak's prompting to Eternia's ChatGPT

Man... the future will kick you in the ass.

Also, FINALLY the introduction to our second important protagonist in this issue...

Keldor's backstory is very similar to his 200x one, the only difference is that in this continuity he knows who his mother is, as if he had been raised by her rather than with Miro's. In fact, he was pushed to go and live with her by his father in the end. And surprise, she is a magic user, which was already pointed out as something forbidden in Anwat Gar, but Keldor doesn't care and uses his magic to attack the Horde invaders.

Saryn (Keldor's mother in 200x, here we don't have a name yet but I guess they will go with her original one) is the first magic teacher of Keldor, and she taught him for most of his young life, together with the magic history of Eternia, so we can already imagine who was narrating the story of Eternia's deities in the begining:

She taught him two things 1) we are made to defy and surpass our teachers 2) Keldor is destined to exceed Miro (Randor's and Keldor's father) at all cost and become a champion.

As well, she maintains a kind of telepathic connection with Keldor, where she constantly tells him he is destined to be a champion. But if she communicates with Keldor this way, where is she? apparently in some type of expedition:

Meanwhile Hordak has become frustrated by the Fortune Sister, who are trying to follow his indications, but going around the destiny of... someone else, who will accompany him through a parallel path:

"Grayskull's heir, yet unborn, will ground the ascendat bat, and in the fierce and final battle, Des-"

Screams internally... Hordak shut up and let the magic women speak.

Interesting thing, there seems to be a disagreement between some of the Fortune Sisters here, I wonder why?

*snorts* I really love this panel so much, Hordak is just so arrogant he thinks he would get it right away... man what if this was charged by some type of magic that would have killed you in an instant?!

Now we get to Anwat Gar again, where Keldor is trying to reach his mother while battling the Horde, meanwhile the citizens are more concerned about a magic user saving them than the whole Horde army around destroying the city, so we can say they have their priorities.

Finally Hordak arrives, helping a wounded Keldor and telling him it was all a distraction, as well Hordak tells him some interesting things:

"My name is Hordak, Supreme commander of the Horde fleet, Next in line to the Emperor's throne" hmmm...

Is important to highlight, is not Hordak who convinced Keldor to join the Horde, but his mother:

Finally, Keldor is recruited by Hordak to join the Horde, telling him they had uncovered a great power, and manipulating him (quite easily) to search for his rightful destiny.

Some things I liked about this issue:

The illustrations and art are ways better than most MOTU comics I've seem, even DC comics gets short in quality.

I liked the subtle call backs to the classic comics, the use of new characters, especially with the copyright issue, I believe the Fortune Sisters are going to reemplace Shadow Weaver, and the new Hordewomen are here to stay. We can see they cared for this story, especially with how much Lore they are trying to inplement here, blending most of the past continuities to create a new logic.

I liked that the Horde is a technological empire, just like the classic Filmation shows, and Hordak clrearly is the same arrogant and proud commander, still I can see he is more cunning and intelligent here, not the buffoon he was in the 80s, he is a good blend between his past continuities, including 2018. There is ambition in what he says, but his arrogance takes the worst of him.

If I have to point out what disappointed me the most... I do believe Keldor's introduction. He seems to be too young maybe, still focused in his mother's teaching and being seem as a rightful heir by Miro, his father. He is easily manipulated both by his mother (we don't know if she is good or bad yet) and by Hordak. he is desesperate to have his destiny and legacy.

I don't trust the Fortune sisters, or the only one of them who presented Hordak's with the Ha'vok staff, is evident she is going to be an antagonist in the future, and maybe she is Keldor's mother trying to led his son into a path for power using Hordak, which could be Keldor's undoing.

Thanks to @pennamesmith @lemaistrechat and @kuurankaiho for talking with me about this issue, is always good when there are more MOTU material to explore XD

[agenericplaceholdername]

Dragons Rising E6-10 Thoughts

Here’s some thoughts on each episode in the latter half of Dragons Rising, Season 1 Part 1:

Return to Imperium:

The color grading of this opening seems off – almost as if it’s a flashback (it’s not, ofc)

JORDANA SPOTTED

The conveyor belts directing people where to go is so on the nose for an authoritarian society

“It's the perfect companion for anyone that might... be lonely” :(

“Unconventional? Perhaps you can forgive her” man this is seriously dystopian but also pretty funny

Sora in her S1 outfit without headphones is kinda cursed

“Ever since the Merge it’s been you and me” I AGREE ARIN. LET’S KEEP IT THAT WAY

Kai’s Wu impression is great

The Advanced Science Lab? Isn’t it the Advanced Systems Lab?

I HATE SORA’S PARENTS I HATE SORA’S PARENTS

The sewer smash cut is perfect. Beyond the Phantasm Cave implies that Sora actually traveled through the sewers before so at least she had a reason to assume there was no security

The public shaming platform? At least it’s not a two hour YouTube video essay documenting your every misdeed (which I will then watch)

This episode sold me on Sora’s character and is essential for her arc this season

Mindless Beasts:

Like the Rapton ad

The Arin chase scene is fun

I certainly hope nothing bad happens to the new shoulder pad store

The Imperium Teenage Protection Force all have shorter legs, meaning they’re probably slightly younger than Arin (or just short)

Every Wyldfyre line is gold: “If I was your enemy, why would I let you out of your cell?” “If you don’t know, how should I?”

Sora says her family was poisoned against her by LaRow— meaning she believes that her parents would have accepted her if not for LaRow. Ofc, we know later that once they see the truth, they don’t change their mind, so her rejection of them means even more

For a scientist, LaRow isn’t very smart (or lab skills =/= street skills)

“I’ve got a master teaching me all the things I’m doing wrong” Arin no he’s trying to help you

Percival talking about him is the first time Lord Ras is identified in front of Arin — before, he was just the “tiger guy”

Rapton has the perfect combination of incredible arrogance and thin skin

Dorama just wants to show off

Ras has such a deeper voice than in S2

The Hunted soundtrack!

LaRow just can’t stop gloating lol. Not sure how a Photac can capture a source dragon 

This episode is pretty important for Arin and Sora, and introduces Wyldfyre… but also isn’t super interesting

I Will Be the Danger:

Wyldfyre opening! Not what I was expecting when I originally watched but super cool. Not sure where she came from tho

The caregiver-bot helping Wyldfyre train is sweet. I wish she came back later (I know she does in a canon(?) novel and there was a deleted scene, but I wish it had been in the show)

Wyldfyre not knowing certain words is a clever detail that isn’t used often

Percival is so not convincing as an antagonist

JORDANA NAMED??

Considering the other empty holes in the portal gate room—are they supposed to link to other monasteries? Since the one Kai goes through links to the Imperium Monastary?

You probably are famous among ghosts Kai, considering the whole Morro thing

Poor Riyu

Thank you Sora, she really is weird— oh shoot Dorama! forgot about him

“I DON’T THINK YOU UNDERSTAND THE WORDS ‘SHUT UP’!” and then the one take after are pure Wyldfyre gold

The “ninja think Sora betrayed them” plot line could have gone somewhere but didn’t, and honestly I hate bad miscommunication plots so all good

Weird way to end

This episode peaks with the opening scene, and is generally fine outside

The Calm Inside:

Green eyes child Lloyd voiced by Sam Vincent is off putting. I get why they do this but whatever. The lighting/texturing in this scene (maybe bc of the rain) also makes Lloyd and Wu look super plasticy

Good lesson tho, and I’m glad it keeps coming up

Arin and Sora are a great duo

Melvin, remember, always do the bare minimum that gets you paid

And so the Empress joins the main plot

Super cool protective Lloyd is great, leaping down to pull Wyldfyre back from the Photac

What’s his “big plan” Beatrix? Why does Ras want Riyu? “You can’t [drain him] yet. My plan for—” no wait he was about to say it!

Ras is so mad at Beatrix omg

Kai and Nya have interacted more now than in any season post Hands of Time right?

So how did Arin trip? Tbf he punched himself in the face so makes sense

Ok the show just made the same joke after I wrote it, I guess I forgot

This sweat thing reminds me of the first Sam Raimi Spider-Man movie (the blood scene)

Lloyd being surrounded by chaos is overshadowed by the very strange design of imaginary Wu, but the scene leading up to Wu is so great. The music, the action, the direction— really stellar. Someone needs to let this guy take a break

Not Rapton’s unicorn figurines!

Excellent rhetorical comeback Lloyd

Ras is so cool -- singlehandedly fighting multiple dragons

Zane! But how did he end up in that pod?

Jordana! Sora is just totally lost lol

Do you think Kai, Nya, and Zane were planning on jumping out or was it spontaneous?

Lot of questions in this episode, and it would probably be better if they saved Lloyd hitting the targets for a flashback later in the episode (that is, end the first flashback before Wu gives Lloyd the lesson)

That being said it’s the best one since E6 and a good setup for the finale

The Battle of the Second Monastery:

Jordana getting insulted by LaRow (albeit indirectly) :(

This is probably very overwhelming for Zane

Everything seems particularly saturated in this scene 

The Jordana reveal is very good. Funny, but also kinda heartbreaking since Sora was just using her technology to give herself a friend

Lord Ras is not very nice (although he’s right how do you lose to two mostly-untrained teenagers who are in handcuffs)

Arin and Sora use Jordana swinging her sword to free themselves, just like Lloyd did in E2. Shows how far they’ve come (much better than when they fight Ras, which just diminishes him as an antagonist)

Ouch Lloyd, always look before you leap

“As opposed to those really strong gnats” I’d spend some more time workshopping those comebacks Arin

The Source Dragon scene is SO cool!

Sora beats Ras mostly though luck but the real question is why was he running so slowly

And so we finish the S1P1 aspect of Sora’s arc, although her conclusion of “having a responsibility to use her powers” is very similar to the end of E5

Sad Arin :( already made a post relating this scene to what happens in S2 but it takes on a whole new meaning knowing what happens after

Beatrix imprisoning Ras actually makes a ton of sense and I might make a whole post talking about why (and her character generally)

The Ras fight isn’t great - I get why it happens and Arin and Sora don’t really beat him physically, but it does undermine him as a threat. The rest of the episode is really good tho, especially the vision

Next up, the first half of S1P2!

[icyrambles]

hi friendly reminder that everything said in this post is my personal opinion. i actually really enjoyed earthspark season 1 and i was really really excited for season 2. i do not expect a piece of children’s media to be a perfectly written masterpiece but good lord was the bar low. anyways extreme spoilers below the cut. proceed with caution :3

i do not think it an untrue statement to say that the writing quality went down significantly between seasons. the plot, while not perfect in season 1, was far more fleshed out and actually took a whole season's worth to complete. meanwhile we had a plotline with much higher stakes get finished within the span of about a third of what the first season got. additionally while many of the episodes had some sort of connection to the wider goal of this batch of episodes, that being reclaiming the emberstone shards, many of the episodes did not focus specifically on the emberstone itself, instead sidelining it to a background plot or merely having characters randomly finding bits and pieces of it just lying about.

i would not think this a bad thing had the episodes not felt so rushed. starscream's plotline of obtaining all the emberstone shards should've taken the whole season, not just 9 episodes. the rushed writing reeks of corporate interference and slashed budgets and i have nothing but praise for the writers who scrambled to try and salvage a story that should've gotten 1, if not 2 seasons for a well rounded plot. however this does not stop me from wishing that they had tried to focus on creating a plotline that felt at least marginally more connected and tonally sound

it's an issue that i noticed throughout the first season where the dialogue and general morals of the show seem to be marketed towards a much younger audience and then the actual content of the show is not at all suited for children. obviously rampant child endangerment is a common theme in a lot of children's media (steven universe, she-ra, literally every tf show to ever feature a child character, etc...) but it's very strange to me that so few of the adult characters seem to care or understand how much danger mo and robby are in whenever they are part of an active combat scene.

neither dot nor alex seem all that concerned that their literal children are fighting alien robots who are more than twice their size and could easily maim or kill them without much trouble. obviously they have plot armour because they are the main characters but even then that's not a very good excuse when it's been established within the show that the characters are in highly dangerous situations that could get them killed and yet mo and robby's parents simply stand by and let their very young, elementary/middle school aged kids throw themselves into the line of danger.

and it's specifically the tone issue when it comes to the violence. if the combat in earthspark was treated as though no one could get hurt seriously and everyone would be okay, like it is in many prior transformers shows (like G1, TFA, and cyberverse) then i wouldn't have any issues with this. but it's not. fighting the decepticons is treated like it's a majour risk and that mo and robby could die every single time they leave the house to go on patrol. but their parents, beyond a few verbal warnings, do not do anything to keep their kids out of the way. they do not question why their children must be the ones to fight the decepticons, instead of leaving it up to the much more capable autobots.

it was bad in the last season but at the very least most of the fights then were simply due to the maltos being caught up in combat they weren't actively seeking out. but now, they are actively hunting down and searching for pieces of the emberstone that frequently lead them into situations that could risk their lives.

another issue i have with the tones of the show is how it treats injuries. hashtag seemingly gets very badly injured in the first episode because of aftermath and we, as the audience, are supposed to be very worried for her. however this lasts for all of about 10 minutes before she's back on her pedes and rolling around just fine, which once again leads to the confusing question of whether we're supposed to care if characters get injured. 

in transformers animated as an example, i was never particularly worried when characters got injured because of the allspark key. it was functionally a fix all tool used to repair any cybertronian character who got injured. therefore, whenever there was a majour battle, i never was in disbelief when a character would get seriously injured because it was previously established that the characters have a tool that can fix them should they require such drastic medical care. and it even tied into ratchet’s character arc and him learning to trust newer forms of technology.

wheeljack is another example of tonal dissonance when it comes to injuries. he gets stabbed in the face by a weapon called the cyberslayer. he then passes out and his optics turn completely black. we see dot grabbing him and looking very worried and then we don't get to see him again until the very last episode (which takes place two episodes after when he first gets injured) where he only appears for a split second fighting nova storm. no one mentions the fact that he got grievously injured, not even characters who saw him get hurt, like twitch, who has a strong emotional attachment to him and should likely care about him getting injured. 

mind you beyond a cybertronian’s frame going completely grey, their optics are how their physical and emotional state are often portrayed to most animated audiences. it’s not like in the comics where they can be covered in gore and lose limbs without consequence of scaring a young child. so seeing wheeljack’s optics go completely black and having people be worried about him and then never mentioning him again for two fucking episodes is really poor writing. 

and speaking of characters getting grievously injured. let me talk about spitfire and aftermath.

i do not enjoy the fact that they were killed. in fact i am appalled that they took two characters who were maybe less than a month old and then had them killed in what is to be implied to be an extremely painful manner. i’m unsure as to why the terrans are treated as though they are fully grown cybertronians when they are clearly not. they may have fully developed frames but they have the minds and personalities of children. additionally the way the chaos terrans are treated makes me deeply uncomfortable considering their age and the way they were brought into the world.

it is implied that the emberstone brings terrans into existence depending on the situation and in both cases of a chaos terran being created, that situation is combat. aftermath was created when breakdown fumbled an emberstone shard and it landed in a puddle of water. he was then immediately hit by a truck and began attacking the rest of the terrans. spitfire is much the same, being created when a shard of the emberstone was tossed into a thunderstorm while twitch was being chased by laserbeak. 

the way that the maltos talk about the chaos terrans, addressing them as evil and corrupted versions of the other terrans is deeply unsettling to me considering season 1’s themes of acceptance and understanding for those around you. it’s very weird to have jawbreaker go from being buddy-buddy with aftermath in one episode and then upon meeting spitfire in the next episode, distrusting her. obviously aftermath did betray jawbreaker’s trust by stealing the supply of cave water, but it feels incredibly out of character to see jawbreaker, who is friendly, kind, and unrelentingly positive, suddenly stick his nose up at spitfire, an individual he has never met before in his life. 

i’m aware that the terrans are proven right about aftermath and spitfire but it’s so gross to see characters who are less than a year old get thrown under the same bus as the decepticons who have committed literal war crimes. 

and then there’s the fact that they were killed by starscream. now to be clear, i did not expect starscream to be a good person in this season. i was tentatively hopeful that he would get a redemption arc of some kind considering megatron’s whole deal, but i was fully expecting him to be the main antagonist of season 2. however… it feels bizarrely out of place to see starscream quite literally murder two newborn babies and then not have said babies get revived at the end of the season. 

aftermath and spitfire are dead. just straight up gone. and it’s a waste of potential in my opinion. 

these are two characters who could have gone from side antagonists to genuine fan favourites given enough time and proper development. that’s what i though their plotline would be to be honest; i assumed that we were going to see them grow and develop over the course of the season (not just the first nine episodes) with the two of them eventually leaving the decepticons to join the autobot side. 

instead they are murdered in front of four main characters and banished the realm of never having had existed once again. there is the possibility of them being revived but i am highly unsure of that being the case considering how their existence sort of depends on the emberstone being shattered into several pieces. 

additionally, going back to starscream, i honestly do not want him to get a redemption arc now. there is no way in my mind that the writers can make him a good guy after he murdered two children. like, zero chance. unless they just bumped it under the rug, it’s fucking impossible to go “yeah starscream, the guy who killed two babies and then tried to destroy an entire town full of people, yeah he’s a good guy now!” 

that just would be tone deaf.

okay i’m moving on to the various plotholes and open ended questions that have been left on the floor now because if i keep thinking about how the chaos terrans were treated it’ll make me sadder

so first big question. why are the cons bad now? no genuinely, i would like to know why exactly the decepticons suddenly turned evil. the excuse of “oh that’s just how cons are” is not an excuse, it’s a fucking shame explanation that goes entirely against the themes of the first season. like even a fucking line of just “oh we tried peace but like many of our past ceasefires our ideologies just clashed too much” or something along those lines. 

and it’s been a whole year since season 1. something must have happened for the decepticons to have suddenly flipped sides on a dime. it’s so weird to me seeing a character like breakdown finally have the opportunity for something tangentially related to peace and then become a con once again despite having zero reason to actually stay with them. 

like ghost is gone (which is another thing i’ll bring up later) so why wouldn’t he chill with the autobots where he’s not in active combat and being starved for resources. like i can understand soundwave, shockwave, and starscream leaving considering their ties to megatron, and novastorm and skywarp leaving because of starscream seems about right. 

but swindle? hardtop? the insecticons? why the fuck do they care about the decepticons? surely those individuals don’t have the same loyalty to the cons as the others? and it doesn’t help that the insecticons get no lines this season and swindle and hardtop get like 6 collectively. we don’t learn anything about them or their motives. we can’t deduce anything because the narrative doesn’t care enough about them to actually explain or show why they’d choose to stick with the decepticons over the autobots. 

and starscream’s motives are another really weird thing. we’re told it’s because he wants to build a new cybertron but that feels so wildly out of character when he’s shown to generally just dislike megatron and his rule. why would he want anything to do with earth? 

“oh well shockwave hasn’t found anything that says cybertron is still around” 

well he hasn’t found anything that says cybertron is gone either. like one blown up spacebridge would not fucking explode an entire planet. and it would make far more sense for starscream to be building a new spacebridge powered by the emberstone instead. and the decepticons being the antagonists instead because of them wanting to go home quicker and not wanting to be patient and resorting to violence. 

like you’re telling me that shockwave couldn’t build a fucking space bridge when agent croft and mandroid could. pathetic. he would probably do it faster and with better materials because he knows what he’s doing. 

additionally if we got a space bridge up and working that would mean getting to see cybertron which would provide a lot of really good character building for the terrans! like it would be very fun to see them getting to explore and grapple with their cybertronian side!

ignoring the whole mess that is decepticons are the bad guys again because of “reasons”, i wanna talk about the carnival episode

now overall i actually enjoyed this episode. like beyond the whole crush plot not really being my thing (which is more a result of me not enjoying romantic subplots within kids media to begin with which is in it of itself just a result of me being aroace and disliking unnecessary romance in media) i actually really liked this episode! i enjoyed seeing the terrans interacting in an environment that isn’t a fight scene. and the use of their bond in regards to robby’s crush is actually a really cute concept that i felt was well executed. 

absolutely zero thoughts on robby’s crush. other than they both deserve jail for that food crime abomination of a funnel cake. but to each their own i suppose. 

but now comes the questions… what the fuck was up with cosmos man?!

from his dialogue about not knowing that megatron was an autobot we can assume that he’s been trapped there for minimum of like… 40 years give or take. and that’s a fucking horrifying thing to think about. he’s trapped in his altmode for decades without any way to communicate with his allies all while this random human uses him as a method of making money. 

i don’t particularly know how those altmode devices work, but surely his spark signature would still be recognisable correct? did the other autobots just assume that he was dead? did they not care? were ghost preventing the autobots from rescuing him? 

so many questions that will probably not get answered because having weird al voice him probably increased his budget several times over. 

oh and also are we going to learn where fairemestro got his tech from? did he just get it all from swindle over the years, that would seem the most logical, but also maybe he was working with ghost, that could be an interesting plot threat if the writers decide to bring him back. 

the quintessons are another group that leaves me with a lot of questions. like clearly they’re being set up as the main villains of the rest of the season but it’s so weird to me that they’re not set up earlier than that. 

why on earth make starscream the villain if you’re going to just get rid of him nine episodes in. surely it would’ve been easier to simply dedicate the time and energy into building up the quintessons in the first batch of episodes, with the decepticons as minour supporting characters along with the autobots and then have the rest of the season be about fighting the quints. 

it feels so oddly structured and rushed. 

i understand that time constraints and budget cuts most likely caused them to cram everything into season 2 because season 3 might not be a guarantee but considering how big of a threat the quintessons are likely going to be, having them get their own season to fully realise their goals and/or plans is a better writing decision than a singular episode of setup that immediately got forgotten for the rest of the episode batch. 

and okay, personal bias here. the quintesson executioner model was ugly. it was weird and it was gross and it’s fucking limbs made of jelly energon was just not it man. like give that thing some tentacles with blades on the end. not whatever the fuck that creature was. 

and also small tangent, i don’t like quintus prime. i do not like the fact that he enlisted two literal children to do his bidding and then having the writing team puppet said children around saying “yes quintus prime is our friend :)” while he has done nothing to earn their respect or trust. he’s a fucking dick who is leaving his mess for two kids to clean up. 

mo saying to the executioner “but quintus is my friend” pisses me off so much because he’s really not. he appeared in one vision for about 3 minutes and in that time he got angry at mo for being scared about her brother being in mortal danger. that’s not friend behaviour. 

additionally alex’s nonchalance about the quintesson executioner is so strange to me. he literally saw his probably 9-10 year old daughter getting hunted down and just doesn’t do anything afterwards to ensure that it won’t happen again. no sitting down with dot and saying “honey maybe we shouldn’t let our children do this anymore. it’s clearly dangerous.” nothing of that sort??? really??? do neither of these parents care about their children now???

season one dorothy malto would never do this. she would be furious that her children are regularly throwing themselves into life or death situations. 

not to mention the fact that these kids are still in school, actively!!! mo finding the quintus temple is literally only because she has to do a history project on witwicky, meaning she’s actively in school during the season. so that means that not only are these kids in school during the day, but they’re also training, going on patrol, and fighting beings roughly 2-3x their size on the daily????

how are they not exhausted physically and mentally? how have their teachers not noticed something is off? do they just not have any connections with their classmates? do they merely just go to school, go home, work, and then repeat?

this problem could be easily fixed by just saying they’re homeschooled or that it’s the summer. but nope, they’re in public school. 

okay end tangent. moving onto characters. 

i’ve already talked about the assassination of characters like dot, who is suddenly a background mom who seemingly doesn’t give a shit about her seven kids throwing themselves into life and death situations and the same goes for alex, but there was a noticeable lack of character time from pretty much every majour character from season 1. 

like bumblebee, someone who lives with the malto family and was their teacher and mentor in season 1. he’s just fucking gone for 90% of the season. he has like three total scenes and most of those are dedicated to him being comic relief. it baffles me that he’s just missing. everything from season one, his silly moments with alex, his awkward dynamic with optimus and megatron, his love and dedication with the kids is just gone. 

it breaks my heart because bumblebee was one of the highlights of season 1. he was silly, kind, caring, strong, and the perfect mix between the bumblebee’s of tfa, g1, and cyberverse. 

megatron, arcee, and grimlock also got almost no screentime. arcee and grimlock i can sort of understand because even in season 1 they were relatively minour background characters who featured in only one or two episodes… but megatron, fucking megatron, mr. i’m an autobot now. mr. i’ve changed for the better???? why is he not more prominently featured as a potential mentor for the chaos terrans. 

he of all bots would understand what they’re going through? why does he just brush off spitfire? why is he not more concerned when the chaos terrans are merely left to the side and dehumanised like the rest of the decepticons?

it’s so strange to see him become this random guy who says almost nothing and is mostly in the background when he played such a prominent role in season 1. and it’s especially weird that he’s also just okay with the terrans and malto kids collecting the emberstones by themselves. like he was very clearly protective and caring towards them in season 1 so why the sudden shift in character in season 2?

starscream is also such 180 from season 1. like did i expect him to be a perfect little angel who can do no wrong? fuck no. i was fully expecting him to be mean, ornery, and snippish when he interacted with megatron and the autobots. but to have him go from “look out for yourself” to hashtag and then straight up murder two children for a plot point that barely makes any sense is just so fucking out of line. 

i’m a firm hater of most starscream’s that are just evil guy for the sake of evil. i fucking hate what skybound did to him good lord. so to see him suddenly flip from being relatively sympathetic (i say relatively because he’s not like a good person. i fully understand that he was actively part of the group that invaded earth and probably killed a lot of humans) but having him just straight up kill two children… no man. i will not accept a redemption arc after that. 

he had so much potential to be a good character, who actively struggled with becoming a good person and dealing with his trauma in a healthy way and to see that potential get tossing into the trash just makes my blood boil. 

zero thoughts on soundwave and his team. he got like three lines and was mostly just a cardboard cutout of his season 1 self. weird that we never got to see frenzy considering laserbeak and ravage got scenes. is she just dead now? 

shockwave betraying (or at least not listening to starscream’s orders) was pretty interesting. i’m ready to see what he’s going to do in the rest of the season. then again there’s a good chance that he’ll just be cardboard cutout later on. 

skywarp and novastorm. nothing much. they’re fine. i like the few interactions they got. i enjoy the fact that skywarp is allowed to be a little stupid like her g1 counterpart and her fight scene with elita-1 was pretty nice. i’ve seen people complain that they didn’t change enough about her to justify the pronouns change but i subscribe to the notion that cybertronians do not use pronouns in the same way that humans do, so like, i don’t really give a fuck about the she/her usage. it’s a silly thing to get hung up over in my opinion. 

insecticons are nothing burger characters. swindle and hardtop are boring as hell. also someone get hardtop a new arm for fucks sake. it’s been a year. surely they could manage that. 

another dropped plot was the combining concept. like it gets put into an episode and then it gets dropped only one episode later. i honestly did not like how jawbreaker was portrayed in the episode that he features more prominently in. he’s upbeat and happy sure, but even he isn’t that emotionally dense. you’re telling me that while combined with aftermath he really couldn’t figure out why aftermath was so pissy. or that he was going to end up stealing all the cave water? really man?

additionally i’m not a massive fan of combination as a concept in tf to begin with. it feels very much like a toy marketing scheme and after idw1 i just cannot bring myself to give enough of a fuck about such things considering how massive combination was in the comics. it especially feels out of place in earthspark. i did like the scene where mo and robby devour like three plates of food after combining, that was really cute!

quite literally zero thoughts on hashtag picking out a new altmode. it was cute but it felt highly unnecessary to be perfectly honest. also i genuinely hope that her ai doesn’t turn evil like i’ve seen some people saying that it will. i prefer the interpretation that hashtag is now plural and the ai is simply her headmate. hashtag’s new model is just fine. i don’t like her helm though, it feels too naked for me. but the colours and everything else. fine. no notes. 

in terms of animation i honestly don’t have too much to say. most of the models felt oddly stiff. like the people in charge of animation didn’t get paid enough to properly emote them during scenes beyond moving their mouths and maybe stretching their eyes. (this is a gross exaggeration. there is a lot of time and effort that goes into rigging and creating 3d models and i understand that on a tight budget it’s probably very hard to try and make every character as expressive as possible.)

the fight scenes felt so weirdly rushed and/or oddly choreographed. like it might just be a me thing but most of the scenes felt either too slow or too fast with the rare exception (i like spitfire and twitch’s scenes. they were good)

aftermath’s model is overall pretty good. besides his helm. it feels a bit too small. 

already stated my opinions on the quintesson executioner model above. it’s shit. i don’t like it. 

terratronus is honestly pretty good. the detailing is nice. don’t like her glorification of quintus prime though. like it’s in character but that doesn’t mean i have to like it. she wasn’t around long enough to make a big enough impression on me. she feels like a lore exposition dump and that’s about it. 

alright this thing is getting too long. like 4k words long. before i go, let me say something. 

i did actually enjoy watching season 2. despite my paragraphs and paragraphs of criticism and questions and annoyances with so much of the season, i think it’s perfectly fine by itself. but in comparison to season 1, it’s a poor fucking sequel. it fails on almost every level and i think more people should be more comfortable with admitting that it’s just very bad. that doesn’t mean you can’t enjoy it, that doesn’t mean you can’t like what it did. i just think that people shouldn’t sweep the massive issues these episodes have with pacing, dialogue, and animation simply because some parts of it were decent. 

i’m probably going to watch the rest of the season when the episodes drop (purely because prowl is there tbh. if he’s there at all.)

[imthepunchlord]

[1/2] 5 out of 7 are nailed down - we’re really in the home stretch now! I’m another follower who hopes that we get Mantis!Marinette as well as Butterfly!Juleka in the last two remaining Bugettes!Miraculous polls; the colors alone are enough to persuade me (Indigo and Violet match them the best respectively), but also all of the other reasons that the previous Dragonfly!Sabrina+Mantis!Marinette anon and Butterfly!Juleka anon brought up in their asks that I hadn’t considered before. An extra reason that I have is that it would free up Rose to get the Centipede, which would be really interesting to see considering how you said Arrdor goes about trying to manipulate the humans he links up with and given that Rose canonically possesses a great deal of willpower against negativity and negativity-based powers—like the ones Guiltrip had that were able to engulf its victims in their own guilt—despite her chronic illness. Speaking of which, as someone who gets chronic migraines, I would REALLY like to see someone tackle that aspect of Rose with far more tact than what canon did, even if it’s still in not-so-many words, and I sincerely believe you’d be able to do it given your writing history and consistent acknowledgment of research needing to be done for topics that writers aren’t personally related to, be it race or religion or afflictions of any kind. In terms of personality, I read canon!Rose as naive instead of oblivious in that she has a lack of experience and sophistication that manifests as a neglect of pragmatism in favor of moral idealism rather than being unmindful, unaware or ignorant of the existence of negativity. Two examples way back in Season 1 that illustrate this to me are Princess Fragrance and Timebreaker. In the former, Rose stutters when she asks Chloe if she mentioned Prince Ali and frowns and shrinks when Chloe smugly replies “Not to you.” And speaking of shrinking, Rose’s body language during that whole scene is very *timidly* hopeful, what with her hiding behind her love letter and bringing back her smile when she hands it to Chloe but being hunched over and not looking her in the eye. She actually only fully perks up and looks at Chloe when she lies about giving Prince Ali the letter before laughing in her face and ripping it up. And, while still heartbroken by the interaction, Rose is seen preparing another letter for Prince Ali to give him herself before getting akumatized instead of just giving up. Should Rose have known better than to even consider asking Chloe for any kind of favor? In my opinion, ABSOLUTELY, especially considering not only the in-universe class history we knew of at the time but EVERYTHING ELSE that’s been revealed up to this point. But what makes this genuine character flaw of hers (which isn’t a bad thing to have in and of itself if handled well) naïveté and not obliviousness is that she ISN’T just skipping up to Chloe and expecting everything to go well and DOES recognize and get hurt by Chloe’s first insult before pushing through it. The same goes for how she behaves in Timebreaker when she moves to help the titular akuma as she fakes being injured; Rose is hiding behind the stairs when Timebreaker calls out to her instead of standing out and about and trepidly inches towards Timebreaker to help her up instead of just rushing over. Timebreaker even says “Sweet Rose! Always thinking of others before yourself!” as she laughs and takes her energy. I honestly think that, considering their plan to make her a hero later on, canon!Rose is ML’s attempt at writing a character similar to She-Ra’s Perfuma that isn’t as well-written or fulfilled, especially with this quote from her to Catra in the last season: “It's hard keeping your heart open. It makes you vulnerable. But it doesn't make you weak, and I have to believe it's worth it.” …

So, first and foremost, while I get the idea, I'm not a 100% yet on Rose getting Centipede, and depending on how this story develops as it's planned out, I'm not certain on Arrdor returning to being Pink and becoming Miraculous once more.

Centipede is currently on the crossroads and I just can't take a path until I get farther into the planning, and that can delve into whoever has the Centipede as it could go someone trying to be a hero but is an enemy by fairy standards so they're in an awkward position, someone just being a neutral wildcard messing with both heroes and villains, or someone being a 3rd solo villain. There's options and I'd rather sit and wait and see where the story points to, as sometimes the story will just go ahead and write itself, whether it planned it a certain way or not.

I probably will do a take on Arrdor turning Pink once more, I just don't know if it'll be this story, nor do I know if it'd happen with Rose.

So until polls are done, I'll just put a pin on the possibility.

I also will give a heads up, I'm not sure if anything like Guiltrip will even come up at all, especially as I haven't watched it and I'm not sure if I want to. I also don't know how much of a focus point Rose having chronic migraines should be, especially as this feels like a detail that got slapped on her really late, and I kinda wonder if it even matters as chances are good it only exists for that ep and will never come up again.

Assuming if she does get an important role in Bugettes, that's not a full certainty yet, I'll then do research on chronic migraines and hopefully get an idea on how much attention it should get narrative wise, but at this time, I'm not going to make promises it's going to get a lot. I don't even know if it'll actually even come up as I just don't have ideas for it to be focused on right now.