#she just really does Not believe that

[kerra-and-company]

I'm curious what Casca's thoughts are on the New Flame Imperator, Efram Greetsglory.

Absolutely, sure sure!! :D

If Efram were in almost any other position, Casca would like the guy and respect him. He reminds her of Ari a bit. As it is, she's almost more wary of him because she'd otherwise be inclined to trust him.

Casca got herself out of imprisonment/captivity with Flame after three years. Didn't have any help from anyone, just made plans and had a decent dose of luck. She knows others suffered like she did (Brook, for one, though it was in a different manner), but she has no reason to have any faith that there's been meaningful change made. Sure, maybe Efram's better than Gaheron on a first glance, but that's about all she's confident of, and that's a low-ass bar to clear.

I guess the gist of Casca's thoughts on Efram Greetsglory are "I sure hope you're doing good things, even though I don't and can't fully believe that's true, but regardless of whether you are or not, I'm staying the fuck away from you and your legion."

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[pikechris]

yeah the doctor hasn't kissed a man since 2005 but they also haven't kissed anyone on screen since missy in 2014. ten actual years. do you understand the significance of this

[chloesimaginationthings]

Okay, but Elizabeth being an absolute savage girlboss isn't something that's talked about enough.

Love how you're spitting facts for our girly pop. 💪💪💪

TBH I go off the personality baby has, and gotta assume some of that sass is definitely Elizabeth

[imagine-too-many-books]

Imagine Annabeth and Percy have a kid early, unplanned and it kinda fucks with their finances so Percy drops out of school to get a job so he can care for the kid and support Annabeth in school. At first he gets a job teaching kids sword fighting but then he hears about underwater welding which pays well because it’s dangerous but Percy is a child of the sea so it’s much less so for him. His boss is even willing to give him flexible hours which means Annabeth doesn’t have to take their kid to class anymore and they can actually afford daycare (why does is it the price of a mortgage nowadays???). A huge financial burden is lifted and Percy doesn’t mind the work so it’s good all the way around.

Fast forward to when Annabeth is done her masters in architecture and lands a job at a top firm. They’ve got savings and have Annabeth’s income to rely on. Percy heads back to school and finishes a degree in marine biology, going on to research some really niche topics like how underwater welding impacts the environment and shifting from there until he’s a well known expert in the field.

Just them finding their way. Supporting each other and landing on their feet no matter what

[wazzi2ya]

Art for the portraits in Sinsmas by jigokuhana89

[turtledotjpeg]

thinking about that "I don't have anyone close to me" line 🤔

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[starrysharks]

"it's *not* some fake fairy dust bullshit, onion. it's witchcraft, and it's real."

jaundice myers, a companion to onion, punching bag to the big fish of postmortem high, and one of the supporting characters of reassassination. a self proclaimed witch, she spends her days listening to goth music and practicing curses to finally thwart her enemies.

+ inspo sheets for her and onion!

[sysig]

“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)

Bonus:

Hmm, wonder what he could cover those holes with :3c

[vi-is-badass]

Arcane Season 2 - The Base Violence Necessary for Change

I think this shot is the most interesting part of the trailer. We see a shot of Jinx as a painting on a wall. A symbol. A leader. Her actions stand for revolution in Zaun and I think this could be an interesting expansion of Arcane’s exploration of violence and the idea that there is a base violence necessary for change.

Silco is framed as an antagonist in season 1 because of his actions against the undercity people specifically.

In act 3 he’s not the revolutionary he positioned himself as and is instead hurting the people of Zaun through his leadership. He’s doing as much to hurt topside as Vander was in act 1 (meaning nothing at all). He’s even got the sheriff working with him just like Vander, but, unlike Vander, Silco is hurting his own people to facilitate power and he’s not even fighting for that freedom he claimed to want so much.

We see the damage his actions have wrought. We see the shimmer addicts, forgotten and exploited. We see that he's created a hierarchy rather than a community.

And it’s contrasted with the firelights. People considered terrorists to Piltover, who do use violence to fight back against Silco and topside, and yet offer the biggest glimmer of hope. They aren’t villainized. The act of fighting back isn’t villainized and it shouldn’t be.

Because it’s not the violence in and of itself that’s the issue. It’s what that violence is used for.

The series hammers this idea home through Vander. 

Vander’s staunch stance against violence is flawed as well. It comes from a good place. A desire to protect what he loves rather than destroy what he hates and it did create a time free of the death revolution brings, but it’s made it so no ground could be made to free Zaun and create a better world for the people in it. It created stagnation. 

The people of the undercity are still stuck in a cycle of crushing poverty, growing up without parents, dying young due to pollution or violence wrought by desperate people or oppressive enforcers.

It didn’t move the needle because Piltover and the system in place wasn’t going to change just because the people of the undercity were playing nice.

The unrest and anger felt towards Vander for his ideal was understandable. His views on the cyclical nature of violence and the fact that if you fight you will lose people (“What are you willing to lose”) is correct, but that doesn’t make this option the ideal one.

Which brings me back to that shot in the trailer of that painting of Jinx.

Season 2 looks like it’s going to be a season of opposites and rediscovery where it flips what we expect of Jinx and Vi on its head and further explores these ideas of violence, oppression, and revolution.

And I think this season might possibly do that by reversing how Vi and Jinx reflect Vander and Silco.

In the first season the siblings were direct reflections of their respective father figures, but now they’re inversions. Jinx can become the good to be found in Silco’s ideals and Vi the pitfalls of Vander’s.

Jinx’s actions in season 1 weren’t those of a revolutionary. Her actions weren’t meant to free the people of the undercity or improve their lives. She didn’t steal the hexcrystal to bring hextech to the undercity and improve their lives and she didn’t kill the enforcers on the bridge to get rid of dirty cops. She didn’t kidnap Caitlyn for a greater cause.

But we know that Jinx isn’t only the violence she enacted. That she is “the monster they (the system and people around her) created”. Her actions weren’t heroic in the first season, but they were driven by the life that was forced upon her. Her hurt and anger are justified.

Now that she’s away from Silco, no longer a part of his machine and actively participating in his actions that were hurting the undercity, her actions and anger can take on a new light. She can rediscover herself away from his manipulations (this isn’t to say he didn’t love her but what he did and said isolated her and allowed her issues to fester) and become that symbol we see on the wall.

Jinx could be in a way what Silco could have been if he didn’t let his own self interest get in the way of his ideals. Not quite as forward thinking as Ekko or as idealistic, but still a symbol for resistance that fights for Zaun.

Whereas Vi is sort of on a path to becoming a darker reflection of Vander’s ideals.

Vi becomes a part of the system she used to rage against.

 Based on the season 2 teaser that was released in 2021– 

“Nobody else needs to get hurt.”

–I think it’s likely that Vi believes she can prevent more death or can stop Piltover’s violence against the undercity if she takes Jinx in.

Vi sees herself as a protector who has failed at every turn to protect those she cares about. She lost her parents, Powder, Vander, Mylo, Claggor, etc. and she is constantly desperate to try and save what she loves and that will likely drive her decision to become an enforcer.

Vi, like Vander, wants to save what she loves and as a result isn’t going to fight back against topside. This is a much more extreme version of Vander’s ideals. Where she “compromises” in an attempt to prevent bloodshed but as a result enables (or in her case helps) the system in place.

This decision will have negative consequences (and deservedly so!) because no matter what thoughts or feelings are the driving factor in it she is still siding with her oppressors and ultimately helping the system that is the root cause of that loss and pain in the first place. 

Based on the clip released at Annecy and what people have said the writers explained about Vi’s arc in season 2 it seems like Vi will be ostracized for this decision and deservedly so. She won’t belong anywhere. To the undercity she’s a traitor and to Piltover she’s nothing more than an undercity rat.

She will have lost everything. She will have no one to protect. And who is Vi if she’s not a protector?

Vi will be forced to re-evaluate who she is and what she wants. Just like Jinx, Vi will have to redefine herself when she loses everything.

I can’t wait for season 2 and what the team at Fortiche has in store for us. The way the show tackles complex themes and ideas is incredible and Vi and Jinx are some of the most compelling and complicated characters I’ve seen on tv. I’m looking forward to November.

[radfem-polls]

because of the poll that's going around about if someone is more likely to have blocked JKR on Tumblr vs. if she blocked them... I had this idea:

Is JKR on Tumblr?

Option a: No (boo....)

Option b: Yes, and she runs a JKR fan blog

Option c: Yes, and she's one of the really big radblr blogs

Option d: Yes, but it's a blank blog (lurker)

Option e: Yes, but it's literary criticism

Option f: Yes, and she's trolling

- 🐈

[vaguely-concerned]

lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[whatyourehungryfor]

lottielee is so good because it is the driving force behind SO MUCH in yellowjackets all because laura lee looked at lottie and saw something good. purpose was given, and laura lee dies for it, and lottie ends up killing for it. it's not what either of them want, but out in the woods what they provide is only what is useful to the group, and so lottie becomes a scapegoat and en excuse for the violence to come. and its good because tragic yuri 😌

[bucephaly]

It's kinda shocking to me how few people seem to know how prevalent the 'my great grandmother was cherokee' myth is and how it's almost never actually true, especially when it comes with things like 'never signed up' or 'fell off the trail' or 'courthouse burned down destorying the documentation' etc etc.

People just don't even seem to know the history like.. when the Trail happened. My great great great grandfather was 2 years old during Removal in 1838, so peoples 'my great grandmother hid in the mountains!' is so clearly wrong. And we have rolls. From before and after removal, rolls done by cherokee nation and others by the government, rolls that were not stored in one random flammable courthouse. It's not difficult to find the actual evidence of ancestry.

And just.. there are lots of ways those family stories get started. It was a practice during the confederacy to claim cherokee ancestry to show one's family had 'deep roots in the south' that they were there before the cherokee were removed. Many people pretended to be cherokee and applied for the Guion-Miller payout just to try to steal money meant for cherokees - 2/3rds of the applicants were denied for having 0 proof of actual cherokee ancestry. [We even see lawyers advertising signing up for the Miller roll just to try to get free money.] And the myth even started in some families in the cherokee land lotteries, where the land stolen from us was raffled off, including the house and everything that was left behind when the cherokees were removed. We have seen people whose families just take these things stolen from the cherokee family and adopt them into their own family story, saying that they were cherokee themselves.

If you had some family story about being cherokee and you wanna have proof one way or the other, check out this Facebook group run by expert cherokee genealogists that do research for free. Just please read the rules fully and respect the researchers. They run thousands of people's ancestries a year and their average is only around 0.7% of lines they run actually end up having true cherokee ancestry.