#she is the stone mother

[wingedblooms]

Secret, slumbering land

This meta is a continuation of theories (forbidden secrets, blooming dreams, bright as the dawn, and heart of the night court) about Elain’s connection to Wyrd and the land. This new thread focuses on the gentle healing land and lake that the sisters visit in their stories. Maasverse spoilers below, so please proceed with caution.

It seemed like a secret, slumbering land that time had forgotten. (acosf)

Both Feyre and Nesta visit a turquoise lake nestled in the mountains. Because their description is the same, this theory operates on the assumption that it is the same place. And since things come in threes in this series, Elain may visit this magical lake in her own story. When I reread the scenes with previous visits, I was struck by the language Sarah used to describe it—secret, slumbering, forgotten—and the clues those words might hold for Elain and Wyrd, the Stone Mother.

Secret

During the first visit to this lake, Azriel teaches Feyre to fly and shares their court philosophy on training, which is connected to a legend about Nephelle (more on that later). During this scene, Azriel is bathed in blinding sunlight and his shadows are gone. His appearance is stark and clear, readable.

In the blinding sun off the turquoise water, his shadows were gone, his face stark and clear. More human than I had ever seen him. “There’s no chance that I’ll be able to fly in the legions, is there?” I asked, kneeling beside him as he tended to my skinned palms with expert care and gentleness. The sun was brutal against his scars, hiding not one twisted, rippling splotch. (acowar)

@offtorivendell connected his appearance to the bonus chapter ages ago, and it is still one of my favorite metas. In that bonus chapter, we learn Azriel’s shadows are also prone to vanish around Elain.

Elain sucked in a soft breath that whispered over his skin. His shadows skittered back at the sound. They’d always been prone to vanish when she was around.  The golden necklace seemed ordinary—its chain unremarkable, the amulet tiny enough that it could be dismissed as an everyday charm. It was a small, flat rose fashioned of stained glass, designed so that when held to the light, the true depth of colors would become visible.  A thing of secret, lovely beauty. (Azriel’s bonus) 

He tells us he doesn't need to rely on his shadows to read her, so his deep trust and vulnerability might be the only explanation for his shadows' behavior, but they can also sense power and respond to it as power themselves. For example, if someone's power is related to music, they might sing or dance in response. What power, other than the revealing light of Truth, might cause them to vanish?

But even the silence weighed too heavily, and though the shadows kept him company, as they always had, as they always would, he found himself leaving the room. Entering the foyer. Soft steps padded from under the stair archway, and there she was.  The Faelights gilded Elain’s unbound hair, making her glow like the sun at dawn. She halted, her breath catching in her throat. (Azriel’s bonus) 

The Faelight reveals Elain's secret, lovely beauty: she glows like the sun at dawn. What do we know about dawn? In nature, dawn restores the light and awakens the earth. In the Maasverse, it is also associated with healing magic. And when we return to the lake in Nesta’s story, we learn it was once connected to healing. Healing light is bright and warm like the dawn; it has the power to pierce the darkness and outrace Death itself. It is pure life in its rawest form.

Sarah has repeatedly connected Elain to rebirth and renewal, especially in relation to Azriel: in his presence, she's the lovely fawn, vibrant spring behind her. Standing before Death. Even the headache tonic, a lighthearted remedy, serves as potential hint for this secret, lovely beauty: 

Then Azriel tipped his head back and laughed.  I’d never heard such a sound, deep and joyous. Cassian and Rhys joined him, the former grabbing the bottle from Azriel’s hand and examining it. “Brilliant,” Cassian said.  Elain smiled again, ducking her head.  Azriel mastered himself enough to say, “Thank you.” I’d never seen his hazel eyes so bright, the hues of green amid the brown and gray like veins of emerald. “This will be invaluable.” (acofas) 

Elain’s gift awakens life, veins of emerald, in the earthy brown and gray within his soul, just as she does in her own garden. It is no coincidence that Elain, who is most radiant in healing hues, glows like the sun at dawn in the dead of night. And Azriel is stark and clear before her just as he is about to finally allow himself a taste of pure life, of healing. In the wake of Elain’s healing presence, we even glimpse Azriel’s emotional scars through his internal dialogue. On healing journeys, lingering scars are faced and overcome rather than avoided. Some wounds require deep trust as the healer, patient as a gardener, walks the road with them on that journey. 

Slumbering

On our second visit to the lake, we learn the surrounding land is inhabited by ordinary faeries who prefer solitude. This immediately made me think about Elain, content and beautiful in her simple gardening dress, and Feyre’s comment about her clinging to Azriel for some peace and quiet. It would be fitting for them to come here in their story, to find joy and love and healing here together. And if I were to hand select a place for Rosehall, where someone like Azriel's mother could find solitude and healing, this would be it.

He knew these mountains well enough from flying over them for centuries: shepherds lived here, usually ordinary faeries who preferred the solitude of the towering green and brownish-black stones to more populated areas. The peaks weren’t as brutal and sharp as those in Illyria, but there was a presence to them that he couldn’t quite explain. Mor had once told him that long ago, these lands had been used for healing. That people injured in body and spirit had ventured to these hills, the lake they were now two and a half days from reaching, to recover. Perhaps that was why he’d come. Some instinct had remembered the healing, felt this land’s slumbering heart, and decided to bring Nesta here. 

-

She’d never seen such a view. It seemed like a secret, slumbering land that time had forgotten. […] The mountains watched her, the river sang to her, as if guiding her onward to that lake. (acosf)

The mountains here aren't brutal and sharp, but they still have a powerful presence. Like the third sister. The mountains watched Nesta like a protective seer, and the river sang to her, as if guiding her onward to that lake, like Elain’s scent. Her scent is a sparkling river, a promise of spring, that guided Nesta to her. And what did Nesta find when she reached the source of that scent? Elain’s sharp angles, once like the Illyrian mountains after she was Made, were now replaced with softness. She glowed with health and her smile was bright as the sun. She also smells of jasmine and honey, which are soothing scents and herbs that have healing properties. 

Her sister’s delicate scent of jasmine and honey lingered in the red-stoned hall like a promise of spring, a sparkling river that she followed to the open doors of the chamber. Elain stood at the wall of windows, clad in a lilac gown whose close-fitting bodice showed how well her sister had filled out since those initial days in the Night Court. Gone were the sharp angles, replaced by softness and elegant curves. […] Her sister turned toward her, glowing with health. Elain’s smile was as bright as the setting sun beyond the windows. (acosf) 

In the span of a few pages, we're also told twice that this land is slumbering. Since it was once used for healing, it would make sense for healing magic to be at the core of its slumbering heart. Remember, the rawest form of healing magic is pure life and we just learned that Wyrd, the Stone Mother, was once blossoming with pure life. Elain’s wyrdcrown seems to mirror Stone Mother's creative powers in the form of sleeping buds:

She had no mental shields, no barriers. The gates to her mind…Solid iron, covered in vines of flowers—or it would have been. The blossoms were all sealed, sleeping buds tucked into tangles of leaves and thorns. (acowar)

This imagery of Elain’s power has always reminded me of the darkness of creation and rest Yrene receives guidance from while she bathes in Silba’s Womb, which she calls the slumbering heart of the earth. In the tog series, Silba was the goddess of healing and gentle deaths and Elain shares many connections with the healers who honor her. So, it’s possible slumbering simply means the land reflects the restful and restorative healing power of those who once lived on and fed the magic of the land. 

Slumbering or sleeping can also indicate dormant magic, which is something we’ve seen in both tog and cc. In tog, Dorian has raw magic and he can shape it into different things—phantom hands, shifting, healing, etc. His raw magic is sleeping in his heart before he explores it. 

“You have power in you, Prince. More power than you realize.” She touched his chest, tracing a symbol there, too, and some of the court ladies gasped. But Nehemia’s eyes were locked on his. “It sleeps,” she whispered, tapping his heart. “In here. When the time comes, when it awakens, do not be afraid.” She removed her hand and gave him a sad smile. “When it is time, I will help you.” With that, she walked away, the courtiers parting, then swallowing up her wake. He stared after the princess, wondering what her last words had meant. And why, when she said them, something ancient and slumbering deep inside him had opened an eye. (com)

We recently learned the Asteri poisoned the waters in Midgard with a parasite to feed off of the magic of its citizens. This parasite warped their magic and it is described as dormant and tethered as a result:

The Asteri had infected the water we consumed with a parasite. They’d poisoned the lakes and streams and oceans. The parasites burrowed their way into our bodies, warping our magic. (hofas) - Somehow, a barrier had been removed. One that had ordered him to stand down, to obey … It was nothing but ashes now. Only dominance remained. Untethered. But filling the void of that barrier with a rising, raging force— (Ithan’s magic, hofas) - Tharion withdrew. Lidia shook with rage and power. Tharion could feel it shuddering around him, rising up like a behemoth from the deep. What had that antidote woken in her? What had been taken during the Drop? And what had lain dormant, all this time? His water seemed to quail at it—like it knew something he didn’t. (Lidia’s magic, hofas) - Warm, bright magic answered. Healing magic, rising to the surface as if it had been dormant in his blood. He had no idea how to use it, how to do anything other than will it with a simple Save him. […] He willed that lovely, bright power to keep healing Ketos, though. (Ruhn’s magic, hofas)

Similarly, the Asteri pooled and imbued their magic in Wyrd to warp her purely creative magic. 

The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced…those, too, my parents would turn to their advantage. (hofas) - Those of us who ventured here found ways to amplify that power, thanks to the gifts of the land. We pooled our power, and imbued those gifts into the Cauldron so that it would work our will. We Made the Trove from it. And then bound the very essence of the Cauldron to the soul of this world.” (hofas)

Is it possible Elain’s sleeping buds, as a mirror of Wyrd’s original magic, represent what remains dormant, tethered?

“Or maybe it’s dormant, as the Cauldron is now asleep and safely hidden in Cretea with Drakon and Miryam. Her power could rise at any moment.” A chill skittered down Cassian’s spine. He trusted the Seraphim prince and the half-human woman to keep the Cauldron concealed, but there would be nothing they or anyone could do to control its power if awoken. (acosf)

In the scene above, Cassian and Rhysand are discussing Nesta’s powers. We learn that they aren’t dormant, which makes sense; they seem to represent the magic that the Asteri imbued into Wyrd to become a tool of death and destruction. That magic might be feeding off of Wyrd’s creative powers like a parasite and keep her half-awake, like the Fae in Midgard and, perhaps, the healing land: 

It was all so still, yet watchful, somehow. As if she were surrounded by something ancient and half-awake. As if each peak had its own moods and preferences, like whether the clouds clung to or avoided them, or trees lined their sides or left them bare. Their shapes were so odd and long that they looked as if behemoths had once lain down beside the rivers, pulled a rumpled blanket over themselves, and fallen asleep forever. (acosf)

Ancient, half-awake, behemoth. These terms are also used to describe Wyrd. The word behemoth in particular is associated with a primordial chaos monster in mythology and may be yet another potential hint that Chaos is Hel’s name for Wyrd.

The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. […] “And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” (hofas)

-

As they walked up those steps and entered a space that was a near-mirror to temples back home—indeed, its layout was identical to the last temple Hunt had stood in: Urd’s Temple. […] “The Temple of Chaos is a sacred place,” Apollion said sharply. “We shall never defile it with violence.” The words rumbled like thunder again. (hofas)

-

But the Cauldron. As if some great sleeping beast opened an eye. The Cauldron seemed to sense us watching. Sense us there. (acowar)

@silverlinedeyes, @offtorivendell, and I believe Wyrd saw Elain as a kindred spirit and gifted her the language of creation with the hope that she could be the key to her freedom, her healing in body and spirit. Those original creative powers could include a deep connection with the earth (earth magic), divine sense (seer abilities), fluid form and movement (travel and shifting), and healing, pure life and world-building power. Elain might already be testing the boundaries of that creative magic, learning to shape it into different things (explaining her mysterious appearances).

Elain may also need to bring her sisters together to help Wyrd. They represent the three faces of the Mother together and have been marked by her from the beginning of the series. When Feyre physically healed the Cauldron with the help of Rhysand, she cupped her hands and became the first face of the Mother. Nesta became the second face of the Mother when she healed Feyre and Nyx with the Trove. And the healing lake appears to hint at Elain's role, the third face of the Mother:

Nesta cleared the hill that Cassian had mounted ahead, and a sparkling, turquoise lake spread before them. It lay slightly sunken between two peaks, as if a pair of green hands had been cupped to hold the water within them. Gray stones lined its shore. (acosf)

This is our first earthen depiction of the Stone Mother. Someone with green fingers or a green thumb is skilled at gardening. Gardeners provide gentle order to pure, blossoming life with their green hands. And we already know, thanks to Rhys and Feyre, that Elain won’t hesitate to get her hands dirty—stained green, even—for a pretty result. 

When Elain's creative magic rises in her story, will it flow like a sparkling river, unfurl like a bloom, to awaken the soul of the earth? Could it soothe Azriel’s icy rage and bring true spring and healing to Ramiel, softening its sharp angles when its heart, Wyrd, is finally restored? Only time will tell.

Forgotten

The land is also described as a place time had forgotten and, as I mentioned earlier, it's where Azriel shared the story of Nephelle—the one who had been passed over, who had been forgotten—while he tended to Feyre's wounds after a fall during flying practice.

Nephelle, who had been passed over, who had been forgotten…She outraced death itself. […] And yet her too-small wingspan, that deformed wing…they did not fail her. Not once. Not for one wing beat. (acowar)

Nephelle wanted to be a warrior, but was turned away due to her small wingspan. So, she made herself indispensable as a cartographer and excelled at finding the most geographically advantageous positions for their armies. And now that hofas has been released, we know earth magic can be used to locate the best geographical locations:

…those with earth magic were sent ahead to scout lands [...] Not only the best geographical locations, but magical ones, too. They could sense the ley lines—the channels of energy running throughout the land, throughout Midgard. They told the Asteri to build their cities where several of the lines met, at natural crossroads of power, and picked those places for the Fae to settle, too. But they selected Avallen just for the Fae. To be their personal, eternal stronghold.” (hofas)

Those with earth magic are deeply connected to the land and their creative power flows freely in places where the natural magic in the land is untethered. Is it possible Nephelle excelled at finding the best locations because she possessed earth magic? And could that come into play in the next story if Elain possesses earth magic as part of her creative powers?

Despite being perceived as weak, Nephelle outraced death itself with her small wingspan to save Miryam. Her miraculous rescue inspired the Night Court's philosophy toward training: 

I raised a brow. Azriel shrugged. “We—Rhys, Cass, and I—will occasionally remind each other that what we think to be our greatest weakness can sometimes be our biggest strength. And that the most unlikely person can alter the course of history.”  “The Nephelle Philosophy.” (acowar) 

We saw this philosophy in action at the final battle with Hybern when Elain raced against death itself and appeared out of nowhere with Truth-Teller to protect her family. Like Nephelle, she was and still is passed over, forgotten.

Elain is pleasant to look at, her mother had once mused while Nesta sat beside her dressing table, a servant silently brushing her mother’s gold-brown hair, but she has no ambition. She does not dream beyond her garden and pretty clothes. (Nesta's memory of Mama Archeron, acosf)

-

"Go back to Feyre and your little garden." (Nesta to Elain, acosf)

-

Elain said, "Then I will find it. I might require some time to...reacquaint myself with my powers, but I could start today." "Absolutely not," Nesta spat, fingers curling at her sides. "Absolutely not." "Why?" Elain demanded. "Shall I tend to my little garden forever?" When Nesta flinched, Elain said, "You can't have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater." "Then go off on adventures," Nesta said. "Go drink and fuck strangers. But stay away from the Cauldron." (Elain and Nesta's exchange, acosf)

-

Elain in black was ridiculous. Yes, she was beautiful, but the color of her long-sleeved, modest gown leeched the brightness from her face. It wore her, rather than the other way around. And he knew the cruelty of the Hewn City troubled her. But she hadn’t hesitated to come. When Feyre had offered to let her remain home, Elain had squared her shoulders and declared that she was a part of this court—and would do whatever was needed. So Elain had let her golden-brown hair down tonight, and pinned it back with twin combs of pearl. He’d never once in the two years he’d known her found Elain to be plain, but wearing black, no matter how much she claimed to be part of this court…It sucked the life from her. (Cassian's observation, acosf)

These quotes hit differently with the release of hofas. @offtorivendell and @willowmeres seem to be on track with their theories that the warped magic of Hewn City affected Elain's creative magic. What if she reflects the magic of the land around her, and when that magic is warped or tethered, her physical appearance mirrors it? Is this another sign she will be able to use the language of creation to unearth Prythian’s secrets, forgotten by time? And maybe, like the legendary Nephelle, the things that Elain is viewed as weak for—her little garden, a symbol of her care for and connection to the land, and her appearance, a reflection of what was forgotten—actually become her family's biggest strength.

[starcurtain]

I think it is particularly interesting how Aventurine's relationships with Jade and Topaz were depicted in 2.3.

At the risk of inciting the wrath of Aventurine/Topaz shippers (I'm sorry, everyone can ship what they want; this particular ship just isn't for me!), their interactions were framed in a very familial manner, at least when Aventurine was involved.

Jade is clearly projecting herself as a mother figure for him, directly calling him "child," a "kid," and taking on a disciplinarian role such as in this scene, where she nabs both their room keys to stop them from whining at each other. On Jade's end, this is very deliberate--given what we know of her cornerstone ability, she can almost certainly see the void that Aventurine's mother's death left in his life, and she is intentionally acting in a maternal manner in order to ensure his compliance and respect. (Personally, I'm of the opinion that Aventurine is smart enough to clock this manipulation tactic, but also that he's going along with it because why not? He was going to be manipulated anyway, might as well get free mom out of it.)

Topaz, meanwhile, definitely feels like she's being cast in the "annoyed sibling" role, particularly in this scene where they squabble so much the Trailblazer can't get a word in edgewise and Jade has to step in as the parent figure to correct their behavior.

Although the relationship is clearly different than the kind and supportive one we saw between young Kakavasha and his older sister, the "siblings fighting over a toy" and "sister irritated by bratty brother" vibe (I am such a sister myself, I feel this dynamic in my bones) was out in full force in 2.3, creating a very strong parallel to the missing sister figure in Aventurine's life.

I just think it is particularly interesting that the hole in Aventurine's heart was created primarily by the loss of his mother and sister--and then 2.3 suggests echoes of those exact roles being filled by other women who have stepped into his female relatives' places.

Given her maneuvering to fill the mother role on purpose, I have to wonder if Jade didn't also have something to do with Aventurine's connection to Topaz (clearly another favorite of Jade's). Did she help to cultivate this friendship and sibling-esque rivalry between them on purpose, with an end goal in mind?

It seems to me that it would be much more difficult for Aventurine to cut ties with the IPC if the Stonehearts were providing him with not only wealth and power but also a simulacrum of the very family he wanted to die to meet again...

Just sayin'.

[marzipanandminutiae]

reading Shirley Jackson's college love letters to her future husband is like watching the heroine go into the basement in a slasher movie

like. girl. I know he's also a big nerd, and probably sometimes takes breaks from incessantly criticizing and trying to change you, but I'm from the future and this relationship is going to suck until you die please dump his ass

(also speaking of dying, Just Say No To Mixing Barbituates and Amphetamines. yes, even if the doctor says it's okay. no reason. celebrate your hypothetical 49th birthday really hard I SAID NO REASON CALM DOWN)

[screechingfromthevoid]

that was an exercise in "who's going to tell Orym and Dorian to fuck" chicken

[bet-on-me-13]

Johnny 13 is the Black Racer

I like the idea that Danny would promote many of old rouges to higher positions once he became King, and this one seemed obvious to me

(I looked it up and apparently the Black Racer uses Ski's, not a motorcycle like I had thought he did. Either way, it works)

Johnny is promoted to be a representation of the Concept of Death. He uses a Motorcycle, and has Shadow make him look more intimidating when he is on the Job.

When Johnny complains to Danny that he isn't fast enough to catch any Speedsters, he has Ellie (the Speedforce) give him some of her Power so he can catch them.

So now Johnny 13 is the Black Flash.

Idk what to do with this, but I liked the idea too much to let it just go unsaid.

Thoughts?

[chiliontherocks]

who could've come up with that plan?

[sshireens]

i love seeing people take preexisting characters and just make them their own ocs. i love adopting fanon as gospel. i love stealing from the source and turning mercury into gold. rb and tag with your own

[stheresya]

“Well, you can scarcely be my trueborn daughter. I’ve never taken a wife, that’s well known. What should you be called?" “I . . . I could call myself after my mother . . .” “Catelyn? A bit too obvious . . . but after my mother, that would serve. Alayne. Do you like it?” (Sansa VI, ASOS)

[…] You are marked by the way you speak, so you must be some girl of Westeros . . . but a different girl, I think." She bit her lip. "Could I be Cat?" "Cat." He considered. "Yes. Braavos is full of cats. One more will not be noticed. You are Cat, an orphan of . . ." (Arya II, AFFC)

this is a moment where the stark girls have to let go of their true selves in order to survive, and as they are forced to become something else they immediately choose to name themselves after their mother. sansa and arya's identity goes through a temporary "death", and in death they seek to recover their lost mother in a way where she can encompass them. like in fairy tales and gothic literature the heroines are often deprived of the mother figure because she signifies unity, strength and protection, all of which would avoid the conflict that these heroines need to face for the story to exist. and asoiaf is a series that pulls heavily from those genres, especially with its female characters because the gothic has always been the subgenre where gender horror is best explored. in order for the the girls' perilous journeys to happen the narrative needed to remove the mother from their lives right in the beginning, first through separation, then later with death. but as both sisters' identities symbolically die they try to have their mother symbolically live through them as a way to derive strength from her memory.

[iristial]

So we got a happy Shouma with no trauma-laced flashbacks hitting us in the face with a steel hammer for once but at what cost.

[wingedblooms]

Blooming dreams

Gardeners, I think, dream bigger dreams than emperors. (Mary Cantwell)

This meta is a continuation of my thoughts over the years, but especially the ones expressed in the following links. Please be aware that there are major hofas spoilers in this post and avoid if needed.

Secret, lovely seer / Forbidden secrets

A rose in the thorns / The flower of life

Seer, wise woman, witch / Three sisters witches / Starborn light

Since my first meta, I have been fixated on Elain’s connection to the Mother, Cauldron, and Fate (let's call her Wyrd) and her potential powers, including sight, shapeshifting, and healing. They are all related when you’re talking about Wyrd, though I am not here to say what I have written is what Sarah has planned. This post is more a love letter to Sarah’s mystical and earthy depiction of Elain and what I would love to see in her story based on all the seeds she’s planted (and if there is an actual magical bean seed involved, I’ll love her all the more for it). Thanks especially to @psychologynerd for previewing this fever dream of a post.

I gazed again at that sad, dark house—the place that had been a prison. Elain had said she missed it, and I wondered what she saw when she looked at the cottage. If she beheld not a prison but a shelter—a shelter from a world that had possessed so little good, but she tried to find it anyway, even if it had seemed foolish and useless to me. She had looked at that cottage with hope; I had looked at it with nothing but hatred. And I knew which one of us had been stronger. (acotar)

From the first book in the series, Feyre recognizes that Elain views things differently. She views things that are sad and dark with hope, and that’s why Sarah has called her the quiet dreamer. It’s a strength that sets her apart. I like to think that’s also what the Cauldron—though warped by the Asteri—saw when she was forced into its womb. 

The Cauldron seemed to realize what she’d done, too, as his head thumped onto the mossy ground. That Elain…Elain had defended this thief. Elain, who it had gifted with such powers, found her so lovely it had wanted to give her something…It would not harm Elain, even in its hunt to reclaim what had been taken. (acowar)

@silverlinedeyes and I wondered if it may have recognized Elain as a kindred spirit, some echo of its Mother form. A creator, life-bringer. Were the waters of the Cauldron more like Silba’s Womb—a darkness of creation, sweet and lovely—when Elain was immersed? Or is it possible that when Elain entered its dark womb she viewed it differently than her sister? Did she see a wounded creator to help rather than an enemy to combat? 

Elain’s hopeful perspective might be why it gifted her with such powers, powers that we know allow her to see differently than others. And since it may have enhanced her unique perception, I wonder if it also enhanced her ability to bring life and beauty into the world. As a gardener, Elain is well acquainted with the task of envisioning her garden and then getting her hands dirty to make that vision a reality. Dream and reality are entwined in gardening, just like her Sight.

“She loves to garden. Always loved growing things. Even when we were destitute, she managed to tend a little garden in the warmer months. And when–when our fortune returned, she took to tending and planting the most beautiful gardens you’ve ever seen. Even in Prythian. It drove the servants mad, because they were supposed to do the work and ladies were only meant to clip a rose here and there, but Elain would put on a hat and gloves and kneel in the dirt, weeding. She acted like a purebred lady in every regard but that.” (acowar)  If Elain was a blooming flower in this army camp, then Nesta…she was a freshly forged sword, waiting to draw blood. [...] Nesta stared them all down. Elain kept her focus on the dry, rocky ground. (acowar)  She had no mental shields, no barriers. The gates to her mind…Solid iron, covered in vines of flowers–or it would have been. The blossoms were all sealed, sleeping buds tucked into tangles of leaves and thorns. (acowar) If Elain’s mental gates were those of a sleeping garden, Nesta’s…They belonged to an ancient fortress, sharp and brutal. The sort I imagined they once impaled people upon. (acowar)  “What now?” Elain mused, at last answering my question from moments ago as her attention drifted to the windows facing the sunny street. That smile grew, bright enough that it lit up even Azriel’s shadows across the room. “I would like to build a garden,” she declared. “After all of this…I think the world needs more gardens.” (acowar) 

As we saw in acosf for Nesta—a new type of warrior who forges magical swords and retrieves the Harp from an ancient fortress (the Prison) connected to the Starborn—these descriptions are clearly meant to foreshadow what occurs in the sisters’ stories. While Nesta is a freshly forged sword, Elain is blooming life in Illyria. And what do we learn in hofas? 

“The Cauldron,” Nesta said hours later, pointing to yet another carving on the wall. It indeed showed a giant cauldron, perched atop what seemed to be a barren mountain peak with three stars above it. Azriel halted, angling his head. “That’s Ramiel.” At Bryce’s questioning look, he explained, “A mountain sacred to the Illyrians.”  Bryce nodded to the carving. “What’s the big deal about a cauldron?” [...]  “All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.” (hofas)

We receive confirmation that the Cauldron is associated with the sister peaks, as I suspected, and Ramiel in particular as @merymoonbeam has previously suggested. 

Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice. […] “The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced…those, too, my parents would turn to their advantage.”  [...] “They fought the Daglan and won, she went on. Using the Daglan’s own weapons, they destroyed them. Yet my parents did not think to learn the Daglan’s other secrets—they were too weary, too eager to leave the past behind.” (hofas) 

In Forbidden secrets, I theorized that Elain’s powers might allow her to map the secrets of the land in order to heal it and @offtorivendell discussed magical mounds in her theory on reviving dusk. It seems like the Asteri did indeed leave secrets behind, which might explain why certain places continue to be forbidden and barren. But we are given hope that they do not need to remain that way. In hofas, Bryce wakes and wields the land belonging to her Starborn ancestors on the Prison island:

And precisely as Theia had gifted her own power to Silene … perhaps Silene had in turn left that same power here, to be claimed by a future scion. One by one, rapid as shooting stars, the thoughts raced through Bryce. More on instinct than anything else, she dropped to her knees and slammed her hand atop the eight-pointed star. Bryce reached with her mind, through layers of rock and earth—and there it was. Slumbering beneath her. Not firstlight, not as she knew it on Midgard—but raw Fae power from a time before the Drop. The power ascended toward her through the stone, like a glimmering arrow fired into the dark— [...] Like a small sun emerging from the stone itself, a ball of light burst from the floor. A star, twin to the one in Bryce’s chest. Her starlight at last awoke again, as if reaching with shining fingers for that star hovering inches away. With trembling hands, Bryce guided the star to the one gleaming on her chest. Into her body. White light erupted everywhere. Power, uncut and ancient, scorched through her veins. The hair on her head rose. Debris floated upward. She was everywhere and nowhere. She was the evening star and the last rays of color before the dark. Azriel had nearly reached the tunnel. Another flap of his wings and he’d be swallowed by its dark mouth. But at a mere thought from Bryce, stalactites and stalagmites formed, closing in on him. The room became a wolf, its jaws snapping for the winged warrior— The rock had moved for her, as it had for Silene. “Stop him,” she said in a voice that was more like her father’s than anything she’d ever heard come out of her mouth. Azriel swept for the tunnel archway—and slammed into a wall of stone. The exit had sealed. Slowly, he turned, wings rustling. Blood trickled out of his nose from his face-first collision with the rock now in his path. He spread his wings, bracing for a fight. The mountain shook, the chamber with it. Debris fell from the ceiling. Walls began shifting, rock groaning against rock. As if the place this had once been was fighting to emerge from the stone. [...] From far away, she could sense it: the things lurking within the mountain, her mountain. Twisted, wretched creatures. Some had been here since Silene had trapped them. Had been contemplating their escape and revenge all this time. She’d let them out if she restored the mountain to its former glory. And in that moment, the mountain—the island—spoke to her. Alone. It was so alone—it had been waiting all this time. Cold and adrift in this thrashing gray sea. If she could reach out, if she could open her heart to it…it might sing again. Awaken. There was a beating, vibrant heart locked away, far beneath them. If she freed it, the land would rise from its slumber, and such wonders would spring again from its earth— (hofas)

The mountain–Bryce’s mountain–speaks to her, asking her to open her heart to it so it can finally rise from its slumber. Cue internal screaming, my friends, because this language was intentional and it might finally explain Elain’s conversation in this scene: 

She looked away—toward the windows. “I can hear your heart,” she said quietly. He wasn’t sure how to respond, so he said nothing, and drained his tea, even as it burned his mouth. “When I sleep,” she murmured, “I can hear your heart beating through the stone.” She angled her head, as if the city view held some answer. “Can you hear mine?” He wasn’t sure if she truly meant to address him, but he said, “No, lady. I cannot.” (acowar)

Elain’s hearing is a source of concern after she is Made because it is unusually heightened; she hears so many things, usually connected to the nature around her as @silverlinedeyes theorized. Like calls to like, and so she might be able to hear the beating heart of the land around her, even as it slumbers. Perhaps that is why her eyes were drawn to the barren ground in Illyria.

Vesperus, an Asteri trapped in a glass coffin below the Prison, tells us more about the connection between the Cauldron and the land: 

“I am the Evening Star,” Vesperus seethed. Bryce rolled her eyes. “Fine, we’ll call you the Evening Star, too. Happy?” “Is it not fitting?” A wave of long fingers capped in sharp nails. “I drank from the land’s magic, and the land’s magic drank from me.” [...] Vesperus folded her hands in her lap. “A planet that was once green, as this one is.” “And that wasn’t good enough?” “We grew too populous. Wars broke out between the various beings on our world. Some of us saw the changes in the land beginning—rivers run dry, clouds so thick the sun could not pierce them—and left. Our brightest minds found ways to bend the fabric of worlds. To travel between them. Wayfarers, we called them. World-walkers.” [...] “Once we left our home world, our powers began to dim. Too late, we realized that we had been dependent on our land’s inherent magic. The magic in other worlds was not potent enough. Yet we could not find the way back home. Those of us who ventured here found ways to amplify that power, thanks to the gifts of the land. We pooled our power, and imbued those gifts into the Cauldron so that it would work our will. We Made the Trove from it. And then bound the very essence of the Cauldron to the soul of this world.” Solas. “So destroy the Cauldron…” “And you destroy this world. One cannot exist without the other.”

This should come as no surprise because we saw this play out in acowar, but the Cauldron is tied to the soul of their world. The term soul is intentional, and we will return to it in a bit, but I started to wonder in Forbidden secrets about that connection. The influence of Wyrd is especially clear in the sacred peaks, where the Asteri left behind their secrets. Could Elain unravel the Asteri’s magic from the slumbering heart of the earth, and unbind the Cauldron as a result? Or will she need to go to Cretea to retrieve and purify the magic of the Asteri from the Cauldron like a healer would, in body and in spirit? (Hello, Nephelle celebrations, let’s go.) Nothing feels more right than seeing our strong-willed gardener get her hands dirty as she rips out the Asteri from the root, or beating heart, of their world. Sarah may have even hinted at this role for Elain as she describes getting into her mind for her book:

“There was literally ivy everywhere: in the garden beds, wrapped around the trees, crawling up the sides of the house. So I went into this obsessive, I-need-to-rip-out-every-last-strand-of-ivy-before-I-have-this-baby mode. And I remember the entire time I was ripping out the ivy, and trying to get some semblance of order into the garden beds, I just slipped into Elain’s head. Elain is a gardener, and everything I did during those weeks became research for her book. I’m not even joking. Elain’s now going to have dreams about ripping ivy out and the ivy creeping in through the windows to strangle her at night, because let me tell you, that ivy does not want to go.” (Sarah’s interview in acofas) 

English ivy is an aggressive invader and its hosts decline over time before they die. That’s exactly what the Asteri are: aggressive invaders that feed off of their hosts, warping the power of the land for their sole benefit, until it begins to wither away. In hofas, we learn that the Asteri hid their power throughout the land, including at the root of sacred mountains:

Vesperus backed up a half step, hissing at the gleaming weapon. “We hid pockets of our power throughout the lands, in case the vermin should cause … problems. It seems our wisdom did not fail us.”

“There are no such places,” Azriel countered coldly.

“Are there not?” Vesperus grinned broadly, showing all of her too-white teeth. “Have you looked beneath every sacred mountain? At their very roots? The magic draws all sorts of creatures. I can sense them even now, slithering about, gnawing on the magic. My magic. They’re as much vermin as the rest of you.” (hofas)

And we see the moment Bryce discovers that Vesperus has hidden her power in the root of the Prison mountain, which is what sustains her and weakens the land: 

Bryce clutched the Starsword tighter. Its power thudded into her palms like a heartbeat. “But why store your power here? It’s an island—not exactly an easy pit stop.” “There are certain places, girl, that are better suited to hold power than others. Places where the veil between worlds is thin, and magic naturally abounds. Our light thrives in such environments, sustained by the regenerative magic of the land.” She gestured around them. “This island is a thin place—the mists around it declare it so.”  […] “Every world has at least one thin place,” Vesperus drawled. “And there are always certain people more suited to exploit it—to claim its powers, to travel through them to other worlds.” […] “Theia had the gift,” Vesperus said, “but did not understand how to claim the light. I made sure never to reveal how during her training—how she might light up entire worlds, if she wished, if she seized the power to amplify her own. But you, Light-Stealer…She must have passed the gift down to you. And it seems you have learned what she did not.”  Vesperus peered at her bare feet, the rock beneath. “Theia never learned how to access the power I cached beneath my palace. She had no choice but to leave it there, buried in the veins of this mountain. Her loss—and my gain.” Oh gods. There was a fucking firstlight core here, far beneath their feet— (hofas)

These thin places are where ley lines—highways for magic and communication—overlap, allowing travel for those who are suited to it (wayfarers). Starborn and Asteri alike seem to be suited to these places, and have used them to store their power, causing the land around it to wither. 

“Ley lines,” Bryce breathed. Aidas nodded. “These lines are capable of moving magic, but also carrying communications across great distances.” Like those between the Gates of Crescent City, the way she’d spoken to Danika the day she’d made the Drop. “There are ley lines across the whole of the universe. And the planets—like Midgard, like Hel, like the home world of the Fae—atop those lines are joined by time and space and the Void itself. It thins the veils separating us. The Asteri have long chosen worlds that are on the ley lines for that exact purpose. It made it easier to move between them, to colonize those planets. There are certain places on each of these worlds where the most ley lines overlap, and thus the barrier between worlds is at its weakest.” Everything slotted together. “Thin places,” Bryce said with sudden certainty. “Precisely,” Apollion answered for Aidas with an approving nod. “The Northern Rift, the Southern Rift—both lie atop a tremendous knot of ley lines. And while those under Avallen are not as strong, the island is unique as a thin place thanks to the presence of black salt—which ties it to Hel.” “And the mists?” Hunt asked. “What’s the deal with them?” “The mists are a result of the ley lines’ power,” Aidas said. “They’re an indication of a thin place. Hoping to find a ley line strong enough to help her transfer and hide Theia’s power, Helena sent a fleet of Fae with earth magic to scour every misty place they could find on Midgard. When they told her of a place wreathed in mists so thick they could not pierce them, Helena went to investigate. The mists parted for her—as if they had been waiting. She found the small network of caves on Avallen … and the black salt beneath the surface.”

All of the sister peaks thrum with power and are at odds with the land around them. Barren. They might all be thin places, interconnected through ley lines...and hiding a cache of magic in the root (heart) of their souls.

Bryce’s ancestors, separated by the Void, planted clues for those with the gifts and vision to see it.

What had looked like etched seas or rivers of stars now filled in with starlight, became … alive. Moving, cascading, coursing. A secret illustration, only for those with the gifts and vision to see it. (hofas)

A secret carved in stone. What secrets remain under other sacred mountains, such as Ramiel? Is it any coincidence that Enalius, who defended Ramiel, was the owner of Truth-Teller? Or that the Cauldron is depicted there? Who would be equipped with the gifts and vision to uncover those secrets and finally set the soul of the land free, like Bryce? 

“Light blasted up through the blades into her hands, her arms, her heart. Bryce could hear it through her feet, through the stone. The song of the land beneath her. Quiet and old and forgotten, but there. She heard how Avallen had yielded its joy, its bright green lands and skies and flowers, so it might hold the power as it was bid, waiting all this time for someone to unleash it. To free it. […] Helena had bound the soul of this land in magical chains. No more. No more would Bryce allow the Fae to lay claim over anything. “You’re free,” Bryce whispered to Avallen, to the land and the pure, inherent magic beneath it. “Be free.” And it was. (hofas)

Helena bound the soul of Avallen in magical chains. Doesn't that sound like what the Asteri did with the Cauldron and the land? There are so many hints that Elain is set up to address this plot, but the one I find the most compelling is given by the Under-King when he confirms who Wyrd (Urd) is:

The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. Symbols were carved all over the bowl, continuing down her fingers, her arms, her body. Ithan could only assume it was meant to represent Urd. No other temples ever depicted the goddess, no one even dared—most people claimed that fate was impossible to portray in any one form. But it seemed that the dead, unlike the living, had a vision of her. And those symbols running from the bowl onto her skin…they were like tattoos.” […] “And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” (hofas)

Now, doesn't that sound familiar?

Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer. (acosf)

The statues are essentially the same and Wyrd has already been described in terms that evoke the Mother, Cauldron, and Fate (Forces That Be). And Nesta just happened to feel the need (fateful tug?) to place Elain’s rose—a symbol of life and joy and beauty—right next to Wyrd, and drew our attention to it again in the final scene of her story. What do you want to bet that Wyrd, the Stone Mother, gave her favorite gardener the gifts and vision she needs to make her dream of building more gardens, of breathing life and beauty into the land, a reality?

Sarah has confirmed that the main female characters in her books are helped by others, usually a love interest and friends. So who might be foreshadowed to help Elain?

I dragged a hand over my face before going to Elain and touching her too-bony shoulder. “Can I set you up in the garden? The herbs you planted are coming in nicely.”  “I can help her,” said Azriel, stepping to the table as Elain silently rose. No shadows at his ear, no darkness ringing his fingers as he extended a hand. (acowar)  - “I’ll help you,” Nesta offered.  But Elain shook her head. “Nuala and Cerridwen will help me.”  Then she was gone–shoulders a little squarer.  - It was three by the time the others went to bed. [...] Azriel and Elain remained in the sitting room, my sister showing him the plans she’d sketched to expand the garden in the back of the town house, using the seeds and tools my family had given her tonight. (acofas)

It’s no coincidence that the characters closest to Elain possess unique powers that complement her own and relate specifically to the elements of Stone Mother. Azriel learned to speak the language of shadow and wind and stone, while the half-wraith twins are nothing but shadow and mist, able to walk through walls, stone as @psychee92 discusses here. Their magic likely thrives in thin parts of the world. It also isn't a coincidence that Nesta noticed and wondered this:  

“You came,” Elain said behind her, and Nesta started, not having heard her sister approach. She scanned Elain from head to toe, wondering if she’d been taking lessons in stealth either from Azriel or the two half-wraiths she called friends. (acosf) 

Their beautiful, wraith-like team has the gifts necessary to traverse the slumbering heart of the earth as easily as foreign courts, which is a hard combination to find and is uniquely suited for Elain’s mission to release the Cauldron and land from the magical chains of the Asteri. Especially since we learn that Bryce uses both blades of the Starborn to free Avallen from its magical chains:

On an exhale, she plunged the weapons into the slits in the eight-pointed star. The small one for the knife. The larger one for the sword.

And like a key turning in a lock, they released what lay beneath. (hofas)

They even help Bryce rid the land of the Asteri and their core of power, creating a larger void to devour the one the Asteri set in place. Back in acowar, as many have noticed, Sarah already planted this moment between Azriel and Elain:

I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection…that knife. (acowar)

She and Azriel seem to represent the balance of light and dark in the Starsword and Truth-Teller, as @merymoonbeam theorized. The Starborn blade—the one belonging to Enalius—is a bridge of connection between them. Bryce leaves the Starsword (Gwydion) and Truth-Teller with Nesta, encouraging her to learn about her connection to the Starborn (eight-pointed star). That might mean the Archeron Starborn connection may happen after all. I could see Elain wielding those blades when needed, activating their magic as she seemed to do with Truth-Teller, to release the land from its magical chains. It would also be interesting if Elain and Azriel functioned like the Made blades themselves, releasing the Asteri’s chains with their own blend of raw magic, and watching joyously as life blooms in earnest again.

Once they remove the magical chains of the Asteri—on the land and their sacred Cauldron—perhaps we’ll also discover what exists between Elain and Azriel at last: 

Elain sat silently at one of the wrought-iron tables, a cup of tea before her. Azriel was sprawled on the chaise longue across the gray stones, sunning his wings and reading what looked to be a stack of reports–likely information on the Autumn Court that he planned to present to Rhys once he’d sorted through it all. Already dressed for the Hewn City–the brutal, beautiful armor so at odds with the lovely garden. And my sister sitting within it. 

“Why not make them mates?” I mused. “Why Lucien?” 

“I’d keep that question from Lucien.” 

“I’m serious.” I turned toward him and crossed my arms. “What decides it? Who decides it?” 

Rhys straightened his lapels before plucking an invisible piece of lint from them. “Fate, the Mother, the Cauldron’s swirling eddies…” (acowar)

@silverlinedeyes, @offtorivendell, @elriell and others have written extensively about mating bonds, so I won’t discuss that in depth here. Essentially, Feysand and Nessian appear to have bonds that are true in spirit, and they are described as living threads of pure golden light between their souls. 

Thread after thread of pure golden light flowed into him, and he met it with his own. Where those threads wove together, life glowed like starfire, and she had never seen anything more beautiful, felt anything more beautiful. (acosf) 

This living light reminds me of the dawn, which is associated with healing and new beginnings. When Feysand and Nessian bind their souls together in these scenes, the dawn is invoked each time: 

Feysand

…I was his and he was mine, and we were the beginning and middle and end. We were a song that had been sung from the very first ember of light in the world. (acomaf)

Nessian

Cassian roared as he came, and the sound was the summons of a hunt, a symphony, a single clear horn playing as dawn broke over the world. (acosf)

And when Azriel first sees Elain in his bonus chapter, her hair is unbound and she appears like the dawn, gilded in living light on the longest night of the year. 

Soft steps padded from under the stair archway, and there she was.

The Faelights gilded Elain’s unbound hair, making her glow like the sun at dawn. (Azriel’s bonus chapter)

Is it possible that, with Elain’s connection to Wyrd and the land, her own threads of life are similarly chained, or warped? Perhaps when Elain clears away the Asteri’s power, we will finally see the truth blooming between them: threads of golden light twining together in an endless, earthy melody.

[afurtivecake]

damn i got through 153 episodes not feeling any amount of sadness for anything that happens to any of the characters, but what got me in the end was hearing eric talk and realizing how much gerry resembled his father who he never even knew. they've both got that attitude that's way too casual for their situation and that sardonic sense of humour. just painfully normal guys who just happened to find themselves living a life of supernatural misery. maybe it's just how people trapped in the book are, but i like to think they were enough alike that mary had to try extra hard to stamp out any trace of his weak father from her son and still didn't succeed.

[waugh-bao]

I saw that photo Melanie put up for Mick’s birthday where she was helping him with a bow tie. I thought an alternate caption would probably say ‘young woman helps elderly man dress.’ But then I felt bad about age jokes because if given the chance I’d have loved to help old man Charlie tie a bow tie even if I don’t know how and he’d have to end up slapping my hands away and then doing it perfectly himself. It’s just so easy to make fun of Mick because he’s so ridiculous.

Back in the day Mick knew the real move was to get Charlie to do it for him:

But yeah, that photo is not doing much to make the 44 year age gap look cute:

And I do love that she never mentions what number birthday it is for him. (Also Mick needs higher quality dress shirts, I can literally see his undershirt in this picture).

[ungodlysaltyinfrastructure]

Ok, time to be a nerd about AR.

Genetic talk under the cut.

How Alux has his powers is purposely vague for the sake of the story, but that won't stop me theorizing how he has them!

Ok, if we are going off of the idea that the magic system in AR is genetic to a degree, since as of currently of what we know, non-magic users seem incapable of learning or performing magic without magic capabilities, then I decided to calculate the likely hood of Alux being a magic user based off of Mendelian Genetics. (Note: This is 9th grade level Biology. This will not be sophisticated.)

I've already ruled out Codominance and Incomplete Dominance, as with the magic phenotype, it wouldn't really matter. Doesn't matter if a person is half magic user, it will just look like they are a magic user no matter what, since with Codominance and Incomplete Dominince, both traits being applied would appear to some degree. (In this case, just the ability of use of magic since the other gene is the lack thereof)

Codominance and Incomplete Dominance could* play a role in *when* a mixed non-magic magic users abilities appear, or how strong their powers are, which Alux could be, but when one discovers their abilities they are then from now on considered a magic user, so the point of extra calculation is kinda moot.

Now, onto the Punnet Squares!

Here is the set of Punnet Squares if, hypothetically, the gene for Magic abilities is a dominant trait. (Meaning it overides the hypothetical recessive trait of non-magic abilities and the offspring of the parents would be more likely to show that dominant trait.)

In this hypothetical, in order for Alux to be a Magic user, he would need at least one dominant Magic user gene from at least one of his parents.

Meaning his genotype would be either:

MM or Mm

Now, in this hypothetical, let's assume Elric is not a Magic user since there's no implication for him to be one, so his genotype would be:

mm

A purebred recessive. Meaning Alux's mother would have to at least have one dominant Magic user trait.

Either:

MM or Mm, same as Alux.

There are two possible Punnet Squares to represent the two possible genetic outcomes of this paring of Elric and Alux's Mother.

mm × MM

or

mm × Mm

mm × MM (MM × mm shown in the drawing) having a 100% chance, or 4:0 ratio of potential offspring being a magic user to non-magic user.

And mm × Mm having a 50% chance, or 2:2/1:1 ratio of potential offspring being a magic user to non-magic user.

To put it simply, in one possibility, Alux's mother would be a purebred Magic user, with Alux having a 100% chance of being a Magic user, no matter what,

While in another possibility, Alux's Mother was a hybrid/mix of Magic and non Magic, and Alux would have had a 50% chance of being a magic user.

Now, for the second set of Punnet Squares.

In the hypothetical of the Magic user gene being recessive (meaning it is overiden by the dominant trait, and requires two recessive genes to appear in the phenotype),

Alux would need two recessive traits to be a Magic user, with his genotype being:

nn

Here, both of his parents would have to be carrying at least one recessive trait, and if we still assume Elric is a non Magic user, then their genotypes would be:

Nn × Nn

Nn × nn

Nn × Nn had a 75% chance, or 3:1 ratio to Non-Magic to Magic users. (Giving Alux a 25% chance of being a magic user).

Nn × nn had a 50% chance, or 2:2/1:1 ratio of Non-Magic users to Magic users. (Giving Alux a 50% chance of being a magic user)

In one possibility, Alux had 25% chance of being a Magic user, while the other, he had a 50% chance of being Magic user.

Now, we already know Alux is a Magic user. Doing these calculations was more to find out what Alux's parent's possible genotypes were.

This depends on the likelihood of whether or not the Magic user gene is dominant or recessive in Cozen.

If it was dominant, then Alux had a 50-100% chance of being a Magic user, while if it were recessive, then Alux would have a 25-50% chance of being a Magic user.

With how Cozen is, it's most likely that Cozens Magic gene trait is recessive.

Now, I could be wrong on some parts, as there are things we don't fully know. We don't fully know if Alux's mother was or is a magic user. And so Alux's Magic gene trait would have to come from Elric if he secretly was and we didn't know that.

Maybe neither Elric nor Alux's mom were magic users or mix with, and instead, Alux had inherited his magical powers through different means. Either it be a curse, divine intervention, the necklace, or something else. We just wouldn't know.

And this is also why I'm really excited for the next few ep of AR, since through a leak, a new character is stated to know how Alux has his powers.

This was just a fun hypothetical since we don't fully know if the Magic system in AR is genetic or not, so take this entire post with a grain of salt for theorizing. :p

[presiding]

formerly an essay in tags but - billie lurk. half-nameless, misremembered woman. her powers derived from the things taken from her, without any catharsis or empowerment. the rat charm, tied with deidre's hair, her lover's voice in the mouth of rats. her arm and eye, taken, given back only to cause her chronic pain, then lost again. foresight seems a cruel gift for a woman who botched the timing of her takeover of the whalers, and bet wrong when it came to delilah.

she never bore the outsider's blessing; his first visit to her was more like an assault. every other dishonored POV character gets the choice to be selfish, and for that selfishness to mean something, but billie's actions have no effect on the world at large, either, in a game without a chaos system.

some say that corvo is the ghost, but he can reach out and change things. billie's buried herself twice and come back and nothing she does seems to matter - she is less a protagonist, more a convenient full stop in the narrative.

try this: open doto, start a new game. sit in her cabin. notice how little of billie there is. even the woman she loved more than anyone has the face of another named character.

she sits amongst the assets of other games: empty canvases and a dressmaker's mannequin that wears nothing.

[answermywearyquery]

vegas (kinnporsche) wishes he had the kind of relationship with his cousin as korn (4 minutes) has.

[beastsovrevelation]

I hate being cynical about my faves but... Every mother has her favorites I guess

At the same time, in Apocalypse, she did turn to Madison first