#she is not doing any work

[arcanespillo]

i haven't been sharing any pictures lately but, look at this surfing ant... she's surfing guys

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[chloesimaginationthings]

FNAF movie Mike misunderstood Vanny’s request,,

[gumdefense]

We have moved past Maya and Franziska wingmanning narumitsu as a society. They would not fucking do that. We need to realise the truth which is that Larry and Gumshoe would try to wingman them and only succeed through failure

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[erabu-san]

Burning going to be my new gender i afraid

+ a doodle i made yesterday before sleeping

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[felixjmustdie]

romanticizing work

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent (Pt. 4)

—

Tw: descriptions of body horror, Dr. Crane has PTSD and Does Not Realize, Crane has an actual panic attack and just doesn’t care, the Riddler makes one (1) sex joke about Batman

Will be crossposted to AO3 eventually

(Pt. 1 here) (Prev here) - (Pt. 5 here)

(Masterlist here)

—

Dr. Jonathan Crane is in his lab, the acrid scent of chemicals filling the air, and his hands are shaking.

Danny’s health, for the first week that he had him, had been steadily improving at an extremely quick rate. However, his healing had begun to stagnate. Danny said that it was because his body had run out of ectoplasm, and that while there was a lot of ambient ectoplasm in Gotham, he needed a stronger type in order to heal.

And so, that led Dr. Crane here.

He had stolen the research notes from the Penguin years ago regarding his experimentation on him.

(He quite vividly remembers the sound of bone creaking and groaning as it twisted, lengthened. The squelching of shifting tendons and muscles, the strange fabric-like tightening of skin. The feeling of going from man to monster, of losing all claim to his humanity.)

Danny had called him Liminal, part ghost. He had said that he was transformed by, among other things, a kind of synthetic ectoplasm.

Danny needed ectoplasm.

Crane had the research notes. He had every ingredient necessary. And yet, attempt after attempt failed.

The chemical smell burns his nose. His hands tremble.

Dr. Crane is not afraid.

He doesn’t feel fear anymore. He’s tried to, many, many times, but nothing has worked. And yet, his hands are shaking still.

(The horrifying sensation of vertebrae pop-pop-popping along his spine, growing and lengthening. The unbearable itching beneath his skin as toxin glands begin to form. The feeling of his teeth sharpening and elongating, of his skull growing, of his vision changing and brightening. The awful stench of chemicals. The awful stench of ectoplasm.)

Jonathan takes careful note of his shaking hands, his blurring vision, his accelerated heart-rate and shallow breathing.

(Human hands. Human vision. Human heart and lungs and organs.)

He takes note of them, but he does not let that distract him from the task at hand. Danny is not a chemist, but Jonathan is.

The boy knows enough about chemistry in theory, but he won’t go anywhere near Crane’s equipment. He seems to have some sort of intense fear of laboratory settings, probably developed during his stay with the GiW, and Crane is willing to respect that, if only because he cannot afford to lose him.

As such, Crane is the only one qualified to do this. And, unfortunately, if he isn’t successful the boy may very well die.

He heats the chemicals to precisely the right temperatures, adding each one to its correct container.

Dr. Crane thinks of the Scarebeast, that creature born of cruelty and greed and a sense of superiority. That creature which he tries to ignore is a part of him, that can never be removed. A damage which cannot be undone.

He pours the contents of a small beaker into a larger flask, watching the liquids swirl together. The stench in the air is becoming closer and closer to the one burned into his memory.

Crane’s whole body is wracked with unpleasant sensations. It’s truly unfortunate, he thinks, that despite his mind’s lack of fear, his body still reacts so harshly.

Jonathan’s eyes wander, eventually settling on a purple and green card sitting innocently on the corner of the table.

Right.

Even if they wiped out the GiW tomorrow, and even if Danny could survive without ectoplasm, he would still be in danger.

Crane has to get him back to good health. It’s the only way he can be sure that the boy can defend himself properly.

The solution in the flask begins to foam, and Jonathan does not hesitate as he adds the final ingredient. He pours the mixture into a new container, capping it and placing it into a freezer set to -40 degrees.

Hopefully this time he got the timing right.

Jonathan tries to relax, the ventilation in the room slowly but surely clearing the familiar smell from the air.

He thinks of the letter.

Surely, he thinks, that man can come up with some better material for his jokes. Or, at least something new.

Same old threats, same old attempted poisoning.

Aiming his threats at Danny, though, that was new. New and utterly unacceptable.

Scarecrow did what he had to.

He doubted that his solution would last forever, of course, as with that man it never did. As such, he would prepare both himself and Danny for the inevitable moment that his choices came back to bite them.

However, for the moment, they were safe. Danny could rest and recover, and Jonathan could figure out a plan to minimize possible damages.

Jonathan is no longer shaking.

He’s exhausted. This is his fifth attempt today, and each one leaves an unfortunate strain on his mind and body.

With a sigh, he settles himself into his seat at a nearby desk, opening up his computer and logging his most recent attempt. He still has to wait for it to chill to know if it was successful, but he can always update the logs later.

Once he’s done, he stretches, joints popping loudly as he walks to the freezer.

When he sees the results of his tireless work, the ghost of a smile flits across his face.

Success.

Jonathan picks up the jug of ectoplasm and leaves the lab, which is in all actuality the basement of the new apartment that he moved himself and Danny into after receiving the note. The scrappy old woman who was his landlord had told him that as long as he paid her five hundred dollars up front, she would let him set up in the basement without any questions or cop calls.

And so, the most expensive apartment in the Narrows was his.

At least, he thought, the distance between the basement and the apartment was short enough that Danny didn’t have to sit in while he was doing his labwork.

Jonathan knew that he didn’t exactly have a strong grasp on the concept of ‘lab safety,’ proven by his built-up immunity to almost every toxic chemical he’d ever encountered, and he doubted that Danny should be around such an environment.

He was back to the apartment quickly, not bothering to hide the self-satisfied smile on his face. Danny is sitting in his armchair, trying to read one of his books. Danny looks up, ready to greet him, when he sees the jug in his hands and pauses.

“Is that..?”

“Synthetic ectoplasm,” Jonathan says proudly, “I found the Penguin’s research notes and decided to recreate it, since you said that you needed it to heal properly. I’m not sure if it’ll work the same as what you usually have, but I hope it’s helpful all the same.”

Danny is standing, now, and looking at Jonathan with a strange look in his eyes. He looks, Jon thinks, like he’s about to cry.

Then Danny is rushing forward and wrapping his arms around Jonathan, his scrawny form shaking.

Jonathan is, for a moment, horrified. Did he do something wrong somehow? Why is this child, who’s so afraid of touch, hugging him?

And then he hears Danny’s voice, and he knows that it was all worth it.

“Thank you,” he’s mumbling, over and over, “thank you, thank you, thank you, thank you so much.”

“Of course,” Jonathan says softly, because what else can he say?

The boy cries in his arms for a while, and Jonathan briefly wonders what his life must have been like before, if a person like him can be seen as a comforting figure.

Then, Danny pours himself a small glass of the synthetic ectoplasm, putting the rest into the small fridge which had come with the apartment, and he settles back down, sitting in the armchair once again.

Jonathan sits opposite of him, and they chat with one another as Danny drinks.

Danny talks to him about the stars and tells him about different spaceships, and Jonathan makes sure to pay attention and ask the boy questions.

He doesn’t miss the way that Danny lights up every time he asks him something about his interests. He’s so passionate, so smart, a trait that he seldom sees outside of his fellow rogues, and Jonathan wants to encourage that.

It’s…nice. Peaceful, almost.

And then the front door flies open, because Jonathan isn’t allowed to have nice things.

“Jon,” a familiar voice rings out, “what the hell?!”

Danny is frozen in place, clearly terrified.

Jonathan heaves a sigh, turning to face the nuisance who’s entered his apartment.

“Eddie,” he drawls, “to what do I owe the pleasure?”

Edward’s face is red with anger as he invades Jonathan’s apartment.

“Oh, I don’t know! Maybe it’s the fact that you sent a bunch of rogues a cryptic message and then dropped off the face of the earth for two weeks! I was worried, Jon!”

Jonathan hums in acknowledgement.

“I didn’t think it was that cryptic,” he says, picking up a book in order to pointedly ignore the Riddler.

“Oh, of course you didn’t, you straw-stuffed hickory dickory dickhead. I swear, you’re always—” he pauses, finally having noticed Danny sitting opposite of Jonathan, “—who is this?”

“My apprentice,” Jonathan replies, dreading the upcoming headache he was no doubt going to develop from Edward’s company, “he’s helping me hunt down the GiW. His name is Danny.”

Edward gasps dramatically.

“You—an apprentice?! And you’re letting him sit in the old man chair?! You don’t even let me sit in the old man chair,” he wails, draping himself over the headrest of the couch with a flourish, “Jonathan, I thought I knew you!”

“Edward,” Jonathan says, “get out of my apartment.”

“Oh my goodness, this is incredible. You’re becoming the bat!”

“I am not becoming the bat, Eddie, now get out.”

Edward has a shit-eating grin on his face as he waltzes over to Danny. Danny, who seemed terrified when he first appeared, is now looking at him with obvious amusement written all over his face.

“I mean, look at him! The hair, the eyes, the scrappy build. If you put him in one of those traffic light vigilante costumes, he could easily pass as a Robin!”

“I’m not doing this with you today, Eddie.”

“Riddle me this, Jon: I am a treasure hidden inside of a chest. You can break me, or steal me, or give me a rest. I can flutter, or pound, or attack, or drop, but if you don’t have me, you’re certainly fucked. What am I?”

Jonathan pauses for a moment before he groans, dropping his head into his hands.

“Eddie.”

Danny sits still, a confused look on his face as he repeats the riddle silently. Then, his face lights up in delight.

“A heart!”

“Jon, I like this one,” Edward says with a smile, ruffling Danny’s hair, “you are correct! A heart, something that I wasn’t aware that our dear Jonathan had!”

“Eddie, stop.”

“No, no,” Edward says, “I was worried about you, you deserve this. I mean, you even missed girls night! You never miss girls night!”

“Girls night?” Danny asks, absolutely delighted.

“Oh, of course,” Edward says, sprawling over on the couch, dangerously close to just laying in Jonathan’s lap, “we have it once a week. I’m invited because of Selina and Jon’s invited because Harley likes him.”

“And what does girls night entail, exactly?”

“Eddie,” Jonathan groans, “please.”

“Well,” Edward hums, “we usually paint our nails, or watch a movie, or gossip about the other rogues, and occasionally, we tell each other about any ‘encounters’ we have with Batman,” he says, raising his eyebrows up and down.

Danny’s jaw drops.

“Edward, shut up,” Jonathan says, an irritated tone in his voice that wasn’t there before.

“No way,” Danny says, “I thought that Batman, like, hated you guys or something. You mean he actually..?”

“Oh, the Bat is much like a bottle of liquor or a cheap cigarette, in that he was made to be passed around.”

Danny chokes on air.

“Edward Nygma,” Jonathan hisses, getting out of his seat and looming over the man, “get the hell out.”

Edward pales.

“Leaving, leaving!” Edward says, dashing away from Jonathan. He pauses, turning to flash Danny a quick smile.

“Remember Danny, I’m your favorite uncle! Not any of the other rogues, me!”

With that, he leaves, the room falling completely silent.

And, as per usual, that silence does not last.

“You full-named him?” Danny asks gleefully, “and it worked?”

Jonathan just sighs, sitting down on the couch and rubbing at his temples.

“Please, don’t take anything Eddie says seriously. He’s a moron.”

“Dr. Crane, please let me come to girls night with you,” Danny pleads, his eyes sparkling, “I promise I won’t embarrass you.”

Jonathan groans.

“Of course you won’t, Eddie will do it for you.”

“Come on, please?”

“I think we’re a bit busy with the GiW at the moment,” Jonathan snaps. He pauses as he notices the crestfallen expression on Danny’s face.

This boy is going to be the death of him.

“Perhaps, though, when all that is taken care of…”

Danny cheers, grinning wildly, and Jonathan is not at all relieved to see him happy again. Certainly not.

The rest of the day is relatively normal.

Danny works on trying to get information from the GiW database while Crane refines his his fear toxin, both preparing for a raid on the GiW base they located in Gotham.

It was only a temporary base, nothing of note, but there was a chance of discovering more bases through it, and that wasn’t something either of them were willing to give up.

Still, something like this would take time. Rushing would only lead to failure.

…

Late in the night, long after Danny is fast asleep in his room, Jonathan pauses.

The GiW are not the only threat out there. They aren’t the only threat to him or to Danny. Perhaps it could be helpful to reach out to someone with greater resources than himself.

He sends a quick message to Red Hood.

Hopefully, he thinks, everything will go smoothly.

—

[artharakka]

Beautiful, But Broken

[possamble]

What I love about Dungeon Meshi is that it says “eat, or be eaten,” but not as in “survival of the fittest.” “Eat, or be eaten,” because there is no third choice—every day of your life, one or the other will happen. If you choose not to eat, you will be eaten. Eating is a mandatory part of being alive. The failure to acknowledge this makes you weak, guarantees that you will fail—as seen with Shuro, as seen with Thistle.

“Eat, or be eaten,” because “living things take other lives as sustenance, and no one is exempt.” If you eat—if you are a living thing—you will be eaten one day. Whether it's to literally be killed and eaten for your flesh, or decomposed down to the bone—violently or painlessly, quickly or slowly, you will be eaten and turned into sustenance for other living things. A dead body is always consumed as food, and there is no meaningful distinction between the two. The only way to avoid it is to have never been born at all.

“Eat, or be eaten,” because “eating is a privilege of the living.” And isn’t that incredible? To be a living thing is to have the privilege of eating. To have the ability to eat is a boon, an honour, a birthright. It is the unique, universe-given gift and right of all living things. It is synonymous with being alive—to live is to eat. To eat is to be eaten. We are eaten because we eat, we die because we were born, and the privilege of eating is earned through the inevitability of our deaths. The two cannot be separated. 

“Eat, or be eaten,” because “eating is a privilege of the living” and the reason why a mortal man could topple the personification of infinity—it cannot die, therefore it is not alive, yet it chose to eat. But to eat at all is to become a thing that can be eaten—choosing to take means you will have things taken from you in the same manner. The moment that Laios accepted this—after killing his sister with his own hands—was the moment the Winged Lion had already lost.

Dungeon Meshi is far from the first story to say, “memento mori.” But it takes the inevitability of death—a concept too distant and philosophical to grip the average person—and reframes it within the act of eating. Makes it visceral by using a universal part of daily life, a routine that every living thing is intimately familiar with. 

“Remember that you will die,” it says, but furthermore, “remember that your future death is a prerequisite for the food you are able to eat now—remember that other things die so that you can eat, remember that you will die to feed something else, and that there is no other alternative. There is no way to stop this. To take is to have things taken from you. To eat is to be eaten one day. There is nothing kind or cruel about this—it just is, and you must be the one to understand it and bring meaning to your own existence.

In light of all this, why wouldn't you choose to live as deliciously as possible?”

[sergle]

When I talk about something bad I've experienced, Baked In to my experience as A Woman, I am not "making my little cousins feel like shit for being women", because I am talking in a space with, allegedly, adults. I am not bringing my problems to children in the first place. That said, I don't HAVE to make my baby cousin feel bad, because she's already experienced sexual harassment in her life, and she's only 8, and doesn't even understand what any of it means yet. And everyone in her family can try to instill confidence in her, and never talk about our bodies in a negative way. But she can still feel like she's too chubby, because she still goes to school, and talks to other kids and their parents, and still sees ads, and still watches tv. We can be positive, but we can't fix the root of the problem. And I don't HAVE to tell trans women that "pain is a rite of passage", because that's not a Rule being enforced (by me), because I've already sat and listened to my friend complain about constantly shaving as a Baseline necessity and how it hurts her skin and she has to put makeup onto fresh cuts on her face because going out without a full face of properly feminine makeup would make her life worse, and being anything less than thin and lithe makes her "less feminine", and ALL the things that can make her "more feminine" are behind a paywall. And I can try to make her feel better, and I can hear her experiencing the tenfold version of problems I relate to, but I can't fix the root cause of her problems by just telling her not to complain. Forcing happiness as a core personality trait for women is not the Girlboss Feminist move that you think it is, and no amount of gender euphoria in the world will make you immune to systemic oppression.

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[raycatzdraws]

ribbonwood