#she is more than a lover

[girlkissergideon]

im really late to this post but i am going 2 sob so hard. snot everywhere. anyways im gonna talk about one of my closest relationships in the tags because im sappy

Kith and kin.

Sometimes peace doesn't mean a lover's embrace, it means, well, peace.

Love loses! Happy aromantic week!! To me, to you and the whole cast of Avantris characters that have not shown any sign of romantic attraction, adore you.

EDIT: Since Richie asked for Art notes, here they are:

thanks for coming to my aro-talk.

[dingledraw]

South Downs cottage fluff based on the Dolly Parton song “Berrypie” 🩷

[choccy-milky]

modern AU seb and clora's first interaction 📘📗 (and by modern AU i actually mean super trope-filled high school romance set in the 80's/90's LOL)

[thursdaythen]

Day 6: New & Niche

What if we were two unknowable, female-presenting entities in the vast void haha.... unless?

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[tarancho]

i don't know if anyone else sees my vision but the bride and dr. phosphorous are roommates who are co-parenting a dog they found on the side of a road (weasel). please tell me you get what i'm saying. propaganda under the cut (spoilers for ep. 3)

[novampirebrainrot]

i was scrolling through pinterest a few hours ago and someone commented on one of my old versions of this meme (the cat-Laito one) that they wanted a Yui version and I said "you know what? me too."

so there you go lol

[yashley]

I feel like if she's telling me so strongly to stay away from it, I don't trust her anymore.

[snidy]

so-called free thinkers when they think theyre making original content and it turns out they just made yuri elf jayvik

[this-blog-needs-a-new-name]

Let’s get technical…

Asking to keep her promise 👀 by wan

🙈 Keeping her promise by Pleng

“If you want me, I’ll give myself to you” -Pleng to Wan…. I’m floored ���

[punchouthottakes]

FLAMING HOT TAKE INCOMING, DISCLAIMER FIRST: punch out is a game with no lore and little to no characterization so it’s natural that different people have different takes on a character and I 10000% respect that and I love seeing how people interpret stuff differently from me!!!!! this is not a dig or a diss this is just personal observation!!!!!!!!!!

i don’t get why the overall fandom consensus is that don flamenco is head over heels in love with the blonde lady [that the fandom calls Carmen (this I do understand why)] in his cinematic trailer. it’s always been apparent to me that this guy is supposed to be like a casanova/serial womanizer/harem enthusiast douchebag kinda guy.

1. country of origin and profession: every enemy character in this game is supposed to be an exaggerated cultural stereotype/caricature, so it’s natural to assume that most of their character traits are not meant to subvert audience expectations, and flamenco is no exception! Spaniards are stereotyped as carelessly romantic, and toreadors seem to be associated with more socially conservative or dare I say, sexist/woman objectifying behavior. it would be logical to presume that flamenco also embodies these traits

2. contender intro slideshow: most people (and I as well) like to use the final slide of his contender intro as evidence of his romantic status. however, I fail to see how it shows him as faithful; on the contrary, the fact that the girls around “Carmen” are a. (for one of them) also wearing roses - the same color as the one he’s giving her, in fact - and b. clearly looking shocked and disgusted seems to show me that those girls were also the object of flamenco’s short-lived affection and that the blonde girl is just his next “target” so to speak.

now how to justify his in-battle voice lines referring to his affection for carmen? well look no further than Carmen, the opera by Bizet, where the titular Carmen ends up being with a toreador (like don flamenco). it could be possible that he uses “Carmen” as a pet name for all of his flings rather than the actual name of his one true love

please feel free to prove me wrong bc I see nobody else with this interpretation and I wanna know why everyone agrees that he’s a faithful boyfriend/malewife lmao

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[child-of-hurin]

Part of what charms and compels me in Jeyne Poole's arc is her reaction to her predicament. All the female POVs in this book are dealing with a lot of gendered violence, and they all deal in different but dignified forms... Jeyne is not a POV character and she is absolutely not dignified lol. She cries and begs, she is utterly helpless. But unlike most women in this book who are utterly helpless, she survives. It's frustrating how fans refuse to celebrate that, simply because there is no glory in it.

[kurithedweeb]

I just learned why Shad hates Irene in canon and knowing what I do now about everyone’s favorite the Matron, I can say with my whole heart,

What the hell, Irene

[gingermintpepper]

I would love to hear you talk about Kassandra???

So, what can I say about Kassandra.

Well, firstly, I've been thinking about how I want to answer this question since I got it however many months ago and I figured I wanted to speak about my own interpretation of things rather than formal stuff - half because I don't want to cite anything since going through Iliad based papers brings me little joy and half because I figure I could treat it a bit more casually this way. So here's like, a very brief selection of thoughts I have about Kassandra, Saintess of Troy.

I view her tale as a microcosm of the wider tale of the Fall of Troy from Apollo's perspective. A human is given a choice and, of their own free-will, they make the most destructive decision ignorant of the way they're sealing their own fate and no matter how much their patron will want to save and help them, they will be unable to so much as lift a meaningful finger because the choice made is one that is sealed in Fate and powers far beyond any one god. The themes of doomed love are also shared; Kassandra loved Apollo just as Apollo loved her but she couldn't be what he wanted of her. She couldn't accept what it was he was offering, no matter how much power, honour and love he tried to tempt her with and in a lot of ways, I think of her devastating visions of doom and death(tm) as a physical parallel to the feelings Helen must be tormented with knowing that she will be cited as the reason of such mass death, destruction and violence. Likewise, I see Apollo's inability to save Kassandra up until the end as representative of his wider inability to save Troy. All his love and blessing were not enough, even though all she had to do was take his hand, it simply wasn't meant to be and so I imagine that must be a fresh hurt for him with each beloved mortal he loses during the campaign.

Kassandra is genuinely so interesting? Both as a character and as a narrative idea; she sits almost in the center of so many fascinating parallels and foils that it gets me so excited whenever she comes up in conversation! I've mentioned it briefly before but she forms a very neat triad with Iphigenia and Troilus which runs parallel to the three dominant male powers in Iliad - Agamemnon, Achilles and Apollo. They're what I somewhat refer to as the sacrifice trio, innocents who must ultimately be abandoned and stripped away for the sake of the desire of their sacrificer, in turn revealing something intrinsic about the nature of the man. For Iphigenia, she reveals that Agamemnon truly values his ambition over all, that his image and status as a leader is more meaningful to him than the love of his family (which, of course, dooms him in the end). Likewise, for Achilles, Troilus' sacrifice reveals that no matter the glamour or glory that crowns Achilles' head, his rage is ultimately his most powerful feeling and it burns bright and hot no matter the circumstance, opponent or arena. For Apollo, Kassandra's sacrifice (which is much more symbolic as he is a god and therefore need not actually physically kill her) reveals his position as the 'loser', one who will be scorned and reviled and lose all the things he loves no matter how closely he cherishes or adorns them. He can't protect the mortals he's blessed, he can't protect his children - he can't even save one woman. She also has that aforementioned triad with Helen and Andromache - the sequestered women; doomed to wait and pray but each, in their own ways working to save and support their own in the conflict. They're all haunted by the promise of what awaits them - Andromache's hopes and future lies with Hector and with her son yet she is the embodiment of a war-wife, solid and stoic in her support when Hector returns but suffering deeply knowing each fight could be his last. Helen, of course, carries with her both the suffering of the greek women and the hatred of their men - if Andromache fears death taking the breath from her beloved fighters then Helen bears the weight of death upon her shoulders, all grief and scorn is bore like a crown upon her head and she must bear it. It is her duty to bear it. Kassandra then becomes the suffering of the young women - they who are surrounding on all sides by throngs of death and do not know why it has come, they whose screams intermix with that of the dead upon them. There is no avatar for Kassandra to experience the war through, no reason for her to be stoic or strong or upright. She tears her hair, hysterical at the suffering that is poured into her mind day in and day out, wild and unrestrained where her elders must hold their grief and tame it. In this way, she gives voice to the voiceless, she screams for those who cannot and is reviled for it - a young woman surrounded by death yet ordered not to speak a word of its stench or horror. There's many more things I can talk about too such as the whole Kassandra as Apollo's living Palladium thing or the Kassandra-Electra-Clytemnestra trio or even Chryseis as a reflection of Kassandra and how the taking of a priest's daughter could be seen as tantamount to trying to steal away Kassandra (and how this eventually wraps back around to the actual incident of Kassandra being stolen away and ending up right back under Agamemnon's care just as Chryseis before her) but like, we would be here all day.

Y'all maybe this is a hot take but scorned woman Kassandra is like, the most boring interpretation of her ever. She has so much life and passion in her, so much joy, so much despair, so much love - making her jaded and cynical towards both her fate and her god is such a slap in the face to me of what her character could and generally does seem to stand for. Kassandra never stopped loving Apollo - likewise, Apollo (at least to me) never abandoned her. All in Troy suffer heavy, cursed fates - Kassandra is one of the few who at least had some awareness of how hers would turn out. I like that she's a fighter. I like that she screams and cries and spits and is expressive and ugly in her torment and grief when so many of the women around her cannot afford to be. I like that she said no and despite how much she suffered for it, she never begged for her yolk to be taken from her because she knew that the choice she made was the right one for her. She's raw, she's vivid, she's human and more than anything, that's what I love so much about her.

[sincapjelly]

I wonder how it felt when Lilly gave birth to Cole and lost her powers right away. She was pretty young, and she probably had a different vision for herself as an elemental master, meaning she never got to have fun with her powers as much as she would like. She probably couldn't get enough of them.

I wonder if Lou was worried about her when she lost her powers. He has no idea how it must feel like, but he can guess some part of her feels empty now. He'd be so worried if with PPD she would be angry at Cole for taking her powers or feel hurt, because you know, even though in her right mind she was happy that he was her inheritor, you never know.

He finds her sighing sadly when she is taking care of their garden a few times, no longer feeling like a part of the earth below her. It no longer feels like they are one, and it's a very odd feeling, she can't say she likes it. And it took some time to finally get used to it too.

One night Lou wakes up, and she is not beside him. He wonders where she is, and finds her talking to baby Cole. She yaps to him, asks him about how she wonders it feels to him. How she heard that when elemental masters are too little to wield such magic, "the magic is around them and not in them", or something like that, whatever that means. So he probably isn't even aware of the connection between him and his element.

Lou listens to them. How she talks to the baby in a quiet, soft voice, how Cole sometimes makes happy, funny little sounds, how Lilly giggles between her words when he does that. Best of all, Lilly doesn't sound as sad. She sounds happy when she talks to the baby about their element. How she explains to him that she is sad about losing them, but it's okay because she chosed to give up on them. She will be okay, it's just gonna take a little longer to get rid of old mannerism.