#she has one of the most elaborate backstories of all my characters and I NEVER use her for anything

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.

[hallowpen]

There was a lot of destructive criticism surrounding My Marvellous Dream is You, but I actually thought the series was quite good despite its shortcomings. I'm a lot more forgiving than most when it comes to Thai GL series, and that will have absolutely affected my viewing experience. But... every time I would see a comment that just read "This is boring/terrible/stupid" without ever elaborating, I felt very much like Khun Pu's character from Be My Favorite hehe

*WARNING*: There will be minor spoilers for the final episode of My Marvellous Dream is You, should that be something you wish to avoid.

I will be the first to admit, that I was very skeptical about this series in the first handful of episodes. So let's just get my personal negatives out of the way first... I think, by now, it's no secret that I do not support where a lot of Thai GL adaptations source from. So, this series already had an admittedly disadvantaged subjective expectation from the get go. It wasn't really surprising to see pacing issues within the first 5ish episodes, that seems to be a common occurrence in Thai GLs produced by IDOLfactory. Whether that is a result of the novels the series have thus far been adapted from OR from a choice in direction is up to you. I, personally, think it's a bit of both. Where I believe certain productions struggle in letting their narratives breathe, I find the complete opposite problem to be true with IDOLfactory. There were a lot of plot points that needed restructuring or to be removed entirely in order to have a stronger cohesive story that focused on the main characters' relationship more so than it did.

Now, while I stand behind my opinion that the series could have benefited from tighter and better organized storytelling, a lot of the groundwork was there to make a decent character driven narrative. And that's what I've chosen to focus on. Wan and Kim are both deeply flawed characters. There were so many inferences to be drawn from character relevant visuals and their joint backstory that truly informed their current dynamic.

The👏🏾character👏🏾focused👏🏾visuals👏🏾in👏🏾this👏🏾show!!!

One of the most interesting parts of watching a series, for me, is having to pick up on certain character cues in order to understand and��delve deeper into the core of their behaviors.

Wan and Kim share a trauma, and it's easy to see how they both became so dependent on one another to fill the void their fathers left.

In flashbacks, Wan is presented as egoistic and headstrong since high school. She is also shown to be extremely protective of Kim before she even realizes her feelings. Kim, on the other hand, is a bit more sensitive. She cherishes Wan's attention and affection to a point where she would be willing to play a little dirty in order to keep it for herself.

All of these emotions become heightened once they are forced into adult life with adult problems. Wan is struggling with her mental health. While trying to balance fame and the repercussions her actions might have on her career, Wan must also deal with her mother's alcoholism... which has essentially caused her to check out from Wan's life. Her need to have Kim by her side, and never leave her, has become less protective and more possessive. Kim's desire for approval and affection has led to an over devotion of herself to Wan and constant worrying about disappointing her mother. She's neglected her own wants and needs for so long, that she's afraid putting herself first would be considered too selfish...too much like her dad. Her mother's cancer diagnosis further pushes Kim to continue to place her mother's wishes over her own desires. Even though comments about Wan and Kim being 'annoying' or 'frustrating' were aiming to be negative... they weren't exactly wrong. The audience was supposed to feel that way. Heck, even the surrounding characters called out their behavior on more than one occasion. Because in an effort to not lose one another, Kim and Wan fell into a cyclically unhealthy dynamic where their actions and reactions were actually pushing each other away. Their inability to communicate their true feelings to each other beyond their (unbeknownst) shared dreams prevented them from making any true progress toward a romantic relationship that they both so desperately wanted, but were each terribly afraid to pursue. Their feelings for each other were put up against the reality that their love being unreciprocated could spell the end of their relationship altogether. There was an added pressure of being unfairly compared to their fathers, where any romance between them might be found 'unacceptable'. Couple that with societal views of same-sex relationships, and you can understand why these two were so hesitant to reveal their truths.

(Quick sidenote: I did not agree with the idea that what Kim and Wan did was exactly the same to what their fathers did. They did not leave and abandon their families. Marwin didn't make it easy for them, and given the glimpse we saw into his family's cruelty, it made all the sense in the world to have him react in the way he did. Kim and Wan were at least willing to stay and face the hard consequences of their choice, no matter the outcome.)

I think them having to work through all of their issues made the moment of Kim and Wan finally deciding to be together that much more satisfying... And that was the point Kru A was trying to make when he explained his direction for their relationship on social media after hearing viewer feedback (He was subsequently rudely criticized by interfans for that decision, to the point where he alluded to the fact that he might take a break from directing... but that's a whole other discussion).

That final scene of them being married purposely not clarifying whether it was in a dream or in reality alluded to the fact that their shared dream world and their real life were no longer at odds, finally. I thought it was very fitting.

The frustration caused by KimWan's lack of communication reminded me of a similar dynamic between Team and Win in Between Us, a series that suffered from a lot of the same problems (not enough focus on the two leads and irrelevant plot points). However, those characters and the actors that portrayed them didn't receive even half the amount of negative reactions. They existed, trust me, but there were a lot of positive reviews to balance it out. I'm not going to get into what that means, because I think you can make the inference for yourself.

All in all, I don't think this series deserves to be completely written off. Is it perfect? No... but an effort was made, and it wouldn't hurt to make the effort in return to understand the vision. Fay and May did an incredible job for their first go around as main leads. And I hope they get the chance to develop their craft further.

[ape-apocalypse]

There's been a lot of talk about Mae since Kingdom's release and she seems to be the character most people are split on, especially with the ending. After much pondering, here are my own thoughts about her, the alternate ending that almost was, and her path in upcoming movies. Spoilers ahead!

Straight to the point, I liked her character. In a lot of ways, she reminded me of Caesar. Her entire goal is focused on protecting humans no matter the cost to apes, much like what Caesar did to protect apes from humans. She has a no-nonsense determination to complete her mission and she doesn't trust apes, even Noa who she spends the majority of the film with. I watched Kingdom thinking it was odd that there was no real bond between Noa and Mae but I think that was on purpose. Though they both rely on each other to complete their individual missions and they concur that Proximus should not have access to what is in the vault, they don't fully trust each other. I know some people are upset that she brought a gun to her final meeting with Noa. Honestly, I don't blame her because they don't trust each other! 

Freya Allan revealed in a recent interview that the goodbye scene between her and the chimp was originally filmed differently. "In the scene that I shot, Mae was going there to kill him because he scares her. His intelligence scares her. Mae doesn't want to kill him, but she feels she has to... Originally, you actually see her pull the gun on Noa, but his back is turned to her. And so you think, 'Oh my God, is she about to shoot him?' Mae is crying as she's doing it... and then she doesn't. The minute he mentions Raka's name, she puts the gun down. But then in the edit, they wanted it to feel more subtle, and I honestly way prefer what they've done with it. It's so much smarter and really allows you to think more... so it becomes a very emotional goodbye, one with tragic, lingering doom."

I'm really relieved that they changed the ending. If she had actually drawn the gun on Noa, especially when his back was turned, I would have been pissed. But the ending we received, with an almost old school Western stand-off between two opponents, with them actually debating if this town - this planet - is big enough for the both of them, I think it perfectly sets up the tension between humans and apes heading into the next movie. 

Now I do wish they had done something to make her a little more sympathetic to hating the apes. There is the briefest mention that Proximus' apes killed the other humans she was traveling with but it's really glossed over. I wish when she and Noa were making the plan, Mae had mentioned the group again. Maybe that someone she cared about was killed or just how vicious the attack was and she saw terrible things. First, this would have connected Noa and Mae more because of the attack on Eagle Clan and the death of Koro, which Freya Allan confirms: "Proximus' apes killed her camp, similarly to Noa's, which is what's so bizarre about it". Second, it would have made Mae have some personal stake in the downfall of Proximus. This clearly was the intention because Allan says in defense of her character's actions, "She's gone through so much, she's lost all the people she cares about, which was a large part of how I justified everything she did." The backstory was there but a few extra lines would have made her thoughts clear and perhaps gotten more of the audience on her side. Allan elaborates that she even "...created a backstory that her parents had also gone off and tried to do the same mission, but they never came back and presumably died". I'm not sure if they were worried about the already long length of the movie that they felt the need to leave this out but I really wish they had added in even a few lines that would have allowed people to empathize with her.

Regardless of how she was portrayed in this movie, I'm already starting to theorize for the next film (with the hopes that Disney will announce its approval soon!). I think the next movie will have Mae fully on the side of the humans in her base/bunker and whoever they connected with. She completed her mission in Kingdom and there will be a new mission to recover the planet for humans that she'll be part of. She will be fully invested in it but something will change by the end of the film that will make her want peace between apes and humans. Then she'll spend the third film in the trilogy helping Noa to find a way to end bloodshed between the two species. 

There is a little part of me that wouldn't mind a female bad guy, because there hasn't been one in any of these films, even back to the originals. But honestly, I do want to see Mae and Noa reconcile and become friends and partners. Who knows, maybe Dichen Lachman's character Korina (the human in the hazmat suit who comes out to greet Mae at the end, who I adore in the TV show Dollhouse) will be the leader of the humans and the main villain of the next film, satisfying my wish for a female baddie? That would leave Mae free to have a redemption story where she helps Noa and works with him to protect apes from whatever the humans are plotting.

[the-martyrfication-of-the-matron]

There's some stuff to say about MCD ep36, but i want to talk specifically about Matilda.

We don't know a lot about her until this point, all we know is what we hear from other characters, and from Malik's diary (in which she is called 'milfina'), and it's unsure how much is still technically 'canon' or not even to this point, because we do get that name change and not much elaboration on her backstory or anything up until this point.

What we do know is that she abandoned her old village and came to Phoenix drop, where she met Malik, fell in love, so on. From Malik's diary, he says she was already there when he arrived, so we can't be sure of the timeline, but we know she 'quickly fell in love'.

Matilda also says that Malik (and other lords) are responsible for SKs being released onto the world, and i want to yap about SK stuff in another post, but this is significant to me because earlier in the episode Aph reads a note that seems to implicate Matilda in this too. Or at least implicates her in *something*. Either way, she has done something she feels guilty for, that Zenix was blackmailing her with, and whilst we can assume it's the SK thing, we can't really be sure.

There's also a quote by Matilda where Jesson kinda fucked up what they were saying and idk if they're saying Malik couldn't communicate with wyverns or that Matilda is also a descendant of Irene but cant communicate with wyverns, but.... y'know, that's not something i'm gonna speculate too greatly on. I'm the Aphblr reacher but I will give myself some boundaries.

Also, I want to bring up the 'Does Garroth remember me?' line again because it is one of the most repeated lines of evidence in favour of the dadroth theory, and whilst i can accept a multitude of reasonings for it, it is a line that will always stick out for me.

Matilda was never lord, it doesn't make sense for her to assume that Garroth would remember her, despite the magic of the king. Of course, she says he's 'noble', but we know from Burt that the only reason guards who are of 'pure heart' are exempt from being affected by Sk magic is because of the bond they have with their lord. Shadow/King stuff is sort of different as of this moment in the lore, but they are intertwined, and often used in place of each other even when recounting the same piece of lore. And so for Matilda to ask this isn't logical, because there isn't the lord/guard bond that would give Garroth that exception.

Unless, of course, it isn't a lord/guard thing, because (despite the complaints about jesson's writing) the story seems to be implying that there is a lot of religious deception and lies and misunderstandings about magic. And the lord stuff is very heavily intertwined with descending from Irene. Maybe the Lord/Guard bond isn't that, but some kind of bond formed between Descendants of Irene, and people they are close to, which does lean into the little 'is matilda a descendant of Irene' spec i said i wasn't gonna look into, but... still. Maybe Matilda and Garroth were, somehow, very close, and she assumed the bond between them was close enough to make the magic not work on him, but his heart just wasn't pure enough, or they just weren't that close, or the little bit of Irene blood she had wasn't enough to keep that connection.

Really i've been thinking this because there is no magical basis for lords. And i want to talk about this in my SK post, but Lords aren't... a magical thing. They're not being killed by knights because the breaking of that bond is completing that transformation, it's because The king wants all descendants of Irene dead, and Descendants of Irene typically take positions of lordship. So the idea that lords are only special because descendants of Irene are special is something that has just clicked to me. and it's so crazy.

idk im crazy and stupid. don't listen to me.

i have like quotes and screenshots if people want them for certain things im saying, i just think this post is long enough lol.

i need an insitution.

[sophiamarieispinkbunny-chan]

Yor and Anya could both be of Royal Ancestry in Ostania. (Long Post Again, Sorry!)

It has a little connection to the first theory I’ve post about Yor being a subject of Project Apple. You can read it here.

Just some take I have on this scene on Chapter 4 (Because it always makes me wonder)

Notice how the three of them immediately caught Henderson’s attention just by walking? Like they haven’t done anything remarkable yet Henry said he could sense some elegance in them. It was only them that he pointed out. I can’t help but think about the reason why Henderson said this.

My take is that the three of them used to be part of elite and prestigious families.

Loid’s family in the West, in Luwen, seems to be well off judging by the way they dress, their home, and his father’s job seems to be important too.

But if it wasn’t the case, Loid can still be elegant because he strived to be perfect in everything he does. He was trained how to act elegantly in order to blend in with other people. But I stick by my theory that he came from a rich family from the West.

But being elegant wasn’t taught to Anya and Yor. It’s like for both of them, they had that tinge of elegance in their blood.

Then come through this theory about Anya being a part of monarch/royalty. If that theory is true then that must be the reason why Henderson saw something with Anya.

Then how about Yor? She also came from a prominent family. I’m going to make a wild guess that she’s also a monarch. A hidden monarch like my theory with Anya. 

I would like to consider her back story to be the same as Sleeping Beauty or Little Briar Rose since it is evident that this fairytale inspired most of Yor’s characters (The needle like weapon, her surname, the roses). So what if the royal family were the first ones that have these abilities? The first experiments, after the monarchy was taken down, are the remaining members of the monarch family.

But her parents took them and hid them faraway where no harm would ever come to them, just like how the fairies kept Aurora hidden in the forest, keeping the fact that she’s a princess/royal. But at the end of the day, despite them keeping her away from the spindle, the needle (being used because of her ability) she still ended up taking the bait in the end after they died (Like how Aurora still ended up getting pricked by spindle despite all her parents’/kingdom’s parents  effort to protect her).

Yor has been under a curse since then, like asleep and paralyzed, devoid of emotions. But then, came the prince who saved her life and made living worth it for her again (If she never married Loid, I really think she would just accept death in that cruise arc battle he had with that Katana guy).

Ah! just think if Loid’s real name has something with Philip, the same as Briar Rose/Aurora’s Prince’s name in the Disney movie! What if it’s also a surname like Yor BRIAR. Loid could be James (From 007 James Bond) and Philip, James Philip! Just imagine, it would be genius right? Loid’s name could be anything though, but I would totally flip it was that, just the parallel and the complement of his real name to Yor!

Anyway moving on….

If Yor is also a monarch like Anya then does that mean that she’s blood related to Anya? That is what I don’t have a theory about. Maybe if I have the time, I’ll reread the manga from the start again and find some details that can help me elaborate this theory or debunk it.

These are all speculations of mine that I wanted to share. Thoughts that I can’t help but think of regarding what could be Yor’s backstory because we know nothing besides her parents both died when they were kids and that was all.

I know these might be far-fetched and don't make sense and the story can’t be that complicated but hey, the possibility of these being canon is not zero.

[ravel-puzzlewell]

Hi! Do you mind elaborating on what you meant by "tiefling politics" on that wotr vs bg3 post? Just curious, ignore if you want

its about the fact that bg3 has a lot of tiefling characters, somehow more than wotr, and huge theme of like hells and connections to demons\devils and somehow manages to say absolutely nothing interesting about it.

in wotr we have examination of tieflings fitting into human society, ostracization and (literal) demonization of them, where even if some of them would want to help in war against hell, they are scared (frex, group of tieflings thieves you save which you can ask to help u and they are like are u kidding me, crusaders will torch us). woljif in particular is a deconstruction of selfish chaotic neutral tielfling rogue archetype, his story both exploring how both he was pushed into being a criminal bc he had no other options, but also interplay with how he then himself tends to dismiss his own agency in being able to decide for himself and choose better, forever excusing himself with "well this is a crappy hand dealt to me", his survivalist attitude of everyone for themselves vs desire for community, how when given a smidge of stability and access to decision making in council, he tries to awkwardly, but eagerly advocate for societal improvement for all tieflings, and this is one of his most sincere moments - and gets laughed at immediately, etc etc. and speaking of community, v interesting intersection between "good" and "bad" marginalized groups of mongrels vs tieflings, with Lann being self-righteous about both his moral superiority and how mongrels "have it worse", while ignoring that mongrels - and he himself specifically - are mistreated literally bc they are mistaken for tieflings.

btw if anyone wants me to talk more about mongrels vs tieflings thing, hit me up, i think there was a interesting stuff, even if not properly dramatized

meanwhile in bg3 being tiefling largely means nothing? like the refugees would sometimes like drop a line out loud about how tieflings should stick together bc humans won't help them, but like that's it. the refugees could literally be humans running from war or blue cat ppl from avatar running from capitalism and nothing in the plot or characters would need to be changed. tieflings is just cosmetics for them, like idk its cool to have colorful NPCs with fire eyes and sexy horns. And even companions wise, you know I love Karlach and tried to romance her, but being tiefling is just looks for her, its not meaningful. It doesn't matter for her backstory, she could have been a strong human from poor background who was sold out to idk, underdark. like it sucked bc she was forced to do violence and everyne was an asshole and she couldn't see sun, but otherwise it being Blood War specifically doesn't come into play. and like. Blood War has famously huge effects on ppl with hell heritage! I'm not saying she should have been Valen Shadowbreath with entire plotline about struggling with blood war calling, but like. idk, something?

my point is that tieflings and hell has a lot of lore and like, FLAVOUR in this setting, which were not explored at all. these are just ppl with horns and generic Bad Place.

and then like. devil essentialism. bg3 has central motive of how evil races are not ontologically evil, but like, devils are. sdfghjk. apparentely mind flayers can fight actual mind control if they are V Special, but all devils/demons are evil with no exceptions. karlach was in hell for 10 years and never met a single sympathetic devil. the closest one he had mocks IS Evil when we meet her in game. and I actually liked Raphael (transition could've saved her), but there is nothing particularily interesting about him, he's also straighforwardly evil. this severely limits how interesting interactions with hell are. in wotr there is a wide range from reformed succubus to most evil sadists, with every shade in between, which allows for complex stories, like that that fucked up love between that betrayer dwarf and demoness who seduced him. she's legit evil, but she also has actual twisted affection for him, and he knows she uses him, but he was pushed too far by humans and chooses her anyway. this background story is honestly has more depth than wyll's and mizora relationship, where shes just evil and he's straighforwardly martyr. when mizora offered to have fun wink wink, i immediately knew she's gonna Evil It. and she did. and she didn't even get anything out of it! it was just staining your soul to be evil:3 like ok, but boring tbh.

and like yeah war with hell is central plot of wotr, obviously it has a lot more to say and explore about it, but like. bg3 didn't HAVE to have to include so many tieflings and have us follow their stories through all acts. it didn't have to include hell in "no race essentialism" game if it didn't want to talk about it. it chose to, and when game has big chuncks of content about smth connected by a theme, i expect it to say smth about it? anything interesting? eh.

btw, this is not to say i think wotr's writing is perfect, far from it, i can talk for ages of my problems with that game's writing, but this initial phrase was from shitposts specifically comparng things in wotr to bg3, so

[thelyingjoke]

what are your thoughts on pregame kokichi?

this took a long time to answer sorry!!! i start getting Busy around this time (school my nemesis.......) but this ask is interesting enough that i can use my remaining free time to answer it! thank you!!!!!!

now a thing like this is something i personally can have a bit of trouble with—that is, making up a personality for a character that doesn't have one. when i have something to go off of in canon i can run with it all day and come up with so many things...but i need that little prompt to start with, and if there's nothing, i can't really think of anything. so for a Longgggggg while i've kept my hands mostly Away from the pregame characters, since most of them have so little about them i just couldn't think of anything that would satisfy me. but more recently, maybe like. a few months after i rewatched v3 last year, i started to think about them a little more...and now i think i can answer this question kind of!!!

pregame kokichi is a hard one considering he's one of the many that has like. 1-2 lines that don't say much at all about his character. like the most he has is this

and really Nothing Else of note. but after thinking on it it says A Lot.

already you get from it a guy who is Helpful and looks out for others, even in a situation where it might be dangerous! both caring and also maybe does not have a good sense of self-preservation...but not like, nervous or cowering at all. so, that's a start!!! though there's also a bit i wanna get into in order to elaborate more on what else i think about him (i anticipate this will get Long so. i will put the cut here)

yeah anyway the thing that made me Really start thinking about the pregame characters was the full realization of kaede and shuichi being like...basically the same, just kaede being a little more snappy. and i mean, i knew this the whole time, but i never put too much thought into it because like—yeah they're still the same guys that makes sense. (and i was in major denial about the ending at first haha)

but actually thinking about it it kinda intrigued me. of course they'd be like that. sure they were given different memories, but there's only so much that that can really change about a person, you know? like...there's the assumption i'd have had that they directly tweaked the personality alongside the memories, but honestly i don't think they did. i mean, of course, the memories do influence the personalities—some more than others—but that's as much as i'd imagine they'd have done in terms of personality-changing. they didn't do it directly.

it's like nature vs nurture, kind of. your memories make up a large portion of who you are and how you act, but they're not everything. there are certain things that are just inherent to certain people. two different people given the exact same memories would likely act similar, but ultimately there would be differences, because they're two separate, unique people, with their own quirks and preferences.

and for how the characters were made, i do believe that their backstories and intended personalities were based on their original personalities (whether you believe tsumugi was lying about the audition videos, and i do lean towards her lying, i don't quite think she was lying about getting a flash of inspiration from shuichi's nervousness, that part makes sense to me). kaede is just pregame kaede without the cynicism—because she's given a happier life prior to everything. i think parts of them leak in throughout the game that were not necessarily intended by tsumugi...just because those traits are part of Who They Are, and the memories can't change that. these might be obvious thoughts to have but i felt like talking about them haha

it's hard to say what those traits might be, since we see so little of them, and we don't know what exactly tsumugi would have intended, but you could perhaps guess...maybe kaede's temper? and well. i was going to have a ramble about my ch1 murder theories but i was having trouble wording it and realized that was Really off topic so i will move on

ANYWAY the reason i think this all has to do with kokichi: his pregame personality likely inspired some of ingame personality, so my thoughts on what parts...i think perhaps his Playfulness. i mean, a guy with a hairstyle like That has gotta be down for all kinds of fun and games. so i guess i see him as a playful little guy who wants to help others and maybe doesn't have the best survival instincts/views of self-importance...........

(sorrySorry i just recently read a 5 year old dr/woy crossover fic with kokichi and i haven't been normal since. it was so ridiculous too bad the author orphaned it they were kinda cooking...kokichi and wander are similar you're so right...wish i could talk to them about it SORRY I'LL GET BACK ON TOPIC!!!!!)

in all Seriousness though. i think that that small line has such a big influence on how he acts ingame. of course he's not nearly as willing to throw himself into danger for the others' sake...but i think that Care, that Desire to Help them still lingers, just under whatever backstory gave him those trust issues so he's not as Open about it. and the self-sacrificial nature i Mean...chapter 5. and it's how he kind of 'breaks character'. if you get me? i'm not sure if i'm explaining right...doesn't help i have to do it in increments between Other Things haha

i don't really know if i have an overall point to this but Yeah that's how i see pregame kokichi. i don't have much other thoughts though :( Do you want me to check on what's happening is all i really have to work with...i've seen people talk about him being a student council president and i like that thought. but nothing too concrete, pregame kokichi enjoyers tell me what you think about him i would love to hear what you have because i. do not have much! everyday crying at the lack of information so many things have

[kyouka-supremacy]

Yeah, Teruko was the one that made me realize the sexisim that existed in BSD when I first binged it. Or, more accurate, what TYPE we're dealing with. The female characters can exist and have their own moments, but they can never outshine the male characters and Asagiri can also allow himself to forget them if he needs to. When I read Stormbringer, one of the things that stood out to me is the fact that no female character has any prominent role until like, 200+ pages in, and what role Kouyou got was so minimal she might as well not have shown up at all. Yosano has a huge important backstory that doesn't become relevant until SEASON 4 while most of her male companions have had theirs explored way before her. It's disappointing, but I genuinely find Teruko intolerable and find her to be the worst written character in the entire series. It's not her fault, but her behaviour around Fukuchi and her ability was just horrid to me. Her ending here just enhances all the issues that already existed in her character for me. She's the only female character in this series I can't stand and that SUCKS because I want to love them all, but Asagiri is making that mighty difficult when he pulls stuff like this :/

(´；ω；｀)

The almost complete lack of female characters is personally my greatest disincentive to reading Stormbringer (together with the lack of ss/kk. Discredit where it's due).

Teruko's role this whole doa arc has been.. Saddening? I feel all the hd have a lot of untapped potential; but whereas with Fukuchi and Tachihara and even Jouno it's like, you know what's their deal, there's so little we know about Teruko and Tetchou's motivations and backstory. And even when both had their occasional times to shine - I like Teruko's scenes in the Sky Casino arc! A lot! I think they make for a very cool character! -, there's the whole deal with Teruko in the airport arc which is just :/// Like, she's just there to move the plot forward. She was very pretty in chapter 105 and made me feel like she had some further insight in the whole picture, like she had taken a stand and had a motive, but in the end it was never elaborated on, and I'm very sorry for that. Way worse, she was exclusively delegated to the role of numbly moving the plot forward, which is just wholly unfortunate. Why did she let Atsushi go just like that, like, really?? Oftentimes women's role in this franchise is truly meaningless. I don't really care for what side she was going to take in the end, I just wish she was just handled more sensibility, more respectfully. But alas. Hoping she'll get some spotlight in the future, because I really like her.

I like Teruko! Like, I genuinely get where you're coming from, and your reasons for not liking her are very valid. To me it's more about straight-up ignoring some stuff I don't like (REALLY can't vibe with the Fukuchi worshipping, I find it quite gross to be honest) and emphasizing the aspects I do like. I like how she's unapologetically mean - honestly, not many female characters get to do that. She gets to be a villain -, but I also like how it's compensated with a very strong moral code and genuine intent to protect citizens. I love lots of her scenes in the Sky Casino arc: her interactions with Tachihara are funny and vaguely wholesome, her determination and resourcefulness to win over Sigma is so cool, and her reluctance to hurt citizens, and the scene where she stopped an aircraft with her bare hands!!!! Honestly, banger after banger after banger, looking back at it that's probably why I held such high expectations for her character. Despite personally wholly disagreeing with bsd's morale, even Teruko's enouncement of her Hobbesian principles is enjoyable for me, because it's quite rare to see a woman preach such realist, cynical worldviews; if anything, it's refreshing. I think her ability is super cool and original, I love it tons!! I really like her character design, too. I like how she's of the highest grade compared to all other hd members minus Fukuchi and I like how she can be childish and keep them in line at the same time. I like how more mature and savvy she looked in her latest airport arc appearances, how she looked tired of war on par with Fukuchi. I wish she was given more screentime and importance and agency, and I wish the mess of the last chapter didn't happen, but I like her personality.

On her ability, I think it's pretty cool, and neutrally problematic by its own; but I do agree that between Teruko having child appearances and being obsessed with a grown-up man, the whole Mori deal, Aya proposing to Kunikida in chapter 40, the chapter 107.5 page that left everyone perplexed and was only later on clarified by the anime, (and, regretfully, even how the Kyouka / Atsushi dynamics are framed in some of the earlier chapters), it creates a very distasteful pattern.

I really like Yosano's backstory (really. I've said it a lot of times before, but I think chapters 65-66 are the best written chapters in the whole manga.), but it's not like just because of two small chapters that center around a woman after 15 volumes of male spotlight bsd suddenly stops being sexist lol. And that's something I've already said before, but: Yosano's chapters are beautiful! But they don't really help empower female characters in this franchise. Yosano completely lacks agency in the story, which is FINE for the story on its own, yet in the context it simply does nothing but reinforce the fact that women can't be masters of their fate.

I also strongly agree with the fact that female characters are accurately written as to never outshine their male counterparts. As someone else has pointed out before, both Kyouka and Higuchi have respectively saved Atsushi and Akutagawa's lives (in Kyouka's case, multiple times), so why is it that Atsushi and Akutagawa don't serve them the same respect and admiration that they hold for them? The double standard is really blatant once you start seeing it.

I've written more on bsd's sexism here, if you'd like to check it out. Even though it's very important to read things critically and acknowledge franchises' faults, I still can't help but feel bad for spreading negativity (╥﹏╥) Here's to hoping the bsd writing of female characters will improve in the future!!

[feministsouthpark]

South Park Filler Guide - Season 2

Link for Part 1

I find the existence of filler guides quite amusing, since for some shows it makes sense (like Naruto), but for others (like Pokemon) it absolutely doesn't and they still exist. So here is an attempt to do an absolutely unnecessary one just for fun. 😅

The classifications are CANON (an episode with major storylines present), LORE (in which we get significant backstory or world building, but could be skippable)  and FILLER (completely skippable episodic storytelling, not connected to overarching story arcs)

PLS my analysis will have spoilers, if you're a first time viewer, just scroll to the bottom and read the list and only read full text if you are familiar with the content of the show already!

S2E1 Terrance and Phillip in Not Without My Anus is FILLER

This is the definition of filler, and not even a good filler, but the one that drags. The whole episode is a waste of time, and a horrible season opener if you ask me. I don't even care if Saddam Hussein dies in this one, skip it anyway, all you need to know for his next appearance is that he is already dead, which will be obvious and TBH since the movie gives a different story about his death, this one might as well take place in an alternate continuity. S2E2 Cartman's Mom is Still a Dirty Slut is CANON

We're back with the conclusion of the season 1 mystery. For now. S2E3 Ike's Wee Wee is CANON

Kyle learns the secret of his brother and he also gets a great deal of character development that makes this episode a must-watch. S2E4 Chickenlover is FILLER

A great character episode for Officer Barbrady, nontheless a filler half hour of the show. S2E5 Conjoined Fetus Lady is FILLER

One might enjoy this one for Pip. Or for Nurse Gollum. But not for its long-lasting consequences, that one is for sure. S2E6 The Mexican Staring Frog of Southern Sri Lanka is LORE

This one is debatable, and the one that I would think most people would actually debate on, since most of it is a one off story, however there is a single scene at the end with Satan and Saddam, which acts as foreshadowing for the movie, so that one scene provides context, however the movie is enjoyable without this little introduction. S2E7 City on the Edge of Forever (Flashbacks) is FILLER

Again, you can't make more specific filler content than a whole episode that is just a dream. Stan dreams that Eric dreams that Ms. Crabtree falls in love. S2E8 Summer Sucks is FILLER

I was thinking about the Mr. Twig storyline. It does build up Herbert's identity as a gay man. However looking at it, this doesn't seem like manga original content, rather, this hits every usual beat of an anime-exclusive filler arc. Edit: I know South Park is not based on a manga, it's an elaborate joke. S2E9 Chef's Chocolate Salty Balls is FILLER

Anything that gets brought up later from this episode is counted as filler content, so in the long run it doesn't matter. S2E10 Chickenpox is FILLER

Stuart and Gerald get some backstory, but otherwise the whole story is a one-off. S2E11 Roger Ebert Should Lay off the Fatty Foods is FILLER

I believe this one was expected. Nothing in this episode matters by the next. S2E12 Clubhouses is FILLER

Randy and Sharon divorce. They get back together by the end. Bebe likes Kyle. She doesn't by the end of the episode. Typical filler stuff. S2E13 Cow Days is FILLER

The Terrance and Phillip dolls never appear again. Neither does Eric believing himself to be a Vietnamese prostitute called Ming Lee have any consequences. S2E14 Chef Aid is FILLER

Herbert Garrison's filler arc with Mr. Twig comes to an end. Chef sleeps with a lot of women. End of episode. S2E15 Spookyfish is FILLER

I love this episode, but Sharon being crazy and all the paralell universe stuff are solely for this one. S2E16 Merry Christmas Charlie Manson! is FILLER

Eric now has a bunch of family members, none of which we ever see again. S2E17 Gnomes is CANON

It may come as a surprise after such a long string of fillers, but since the gnomes return and Tweek becomes a major player later, it only makes sense for this episode to be seen as fairly plot-heavy. S2E18 Prehistoric Ice Man is FILLER

Stan and Kyle get into a fight and then make up. The iceman never returns.

… SPOILER-FREE RUNDOWN

Again, CANON means you should watch it, FILLER means you can skip it, LORE is somewhere in-between, any episode with the LORE label will have an explanation that helps you decide if you should include it or not.

S2E1 Terrance and Phillip in Not Without My Anus is FILLER S2E2 Cartman's Mom is Still a Dirty Slut is CANON S2E3 Ike's Wee Wee is CANON S2E4 Chickenlover is FILLER S2E5 Conjoined Fetus Lady is FILLER S2E6 The Mexican Staring Frog of Southern Sri Lanka is LORE* S2E7 City on the Edge of Forever (Flashbacks) is FILLER S2E8 Summer Sucks is FILLER S2E9 Chef's Chocolate Salty Balls is FILLER S2E10 Chickenpox is FILLER S2E11 Roger Ebert Should Lay off the Fatty Foods is FILLER S2E12 Clubhouses is FILLER S2E13 Cow Days is FILLER S2E14 Chef Aid is FILLER S2E15 Spookyfish is FILLER S2E16 Merry Christmas Charlie Manson! is FILLER S2E17 Gnomes is CANON S2E18 Prehistoric Ice Man is FILLER *Only for its last scene if you want a tease for the movie. Personal notes: You may notice that this season is a lot less plot-heavy than the previous one, with only 3 canon episodes out of 18 compared to the 9 out of 13 in the first.

[cat-mermaid]

@modeus-the-unbound made this great post:

They put into words something that has sat in my brain but I didn't know how to address it, so now I do:

THIS

YES

THIS DAMMIT

Even after Miq sheds off all of his parts, and even after using Mohg to further his goals, I’ve still always thought that the Miquella we see at the end of the game is the best damn leader the Lands Between/Shadow Lands could have even gotten

I’M EVEN COOL WITH MIQUELLA TRYING TO STEAL MY CHARACTER’S HEART AND HAVE ME JOIN HIM, THAT SOUNDS DOPE AS FUCK

“Divinity is a cage!” who is caging him if the GW is gone? What is this cage? Why is it bad? Why is it so bad that it would be better for him to be dead then continue on as a god who wants to save us all from the consequences of his mom’s actions?

“Becoming a god means he’ll be beyond saving and forgiveness!” FROM WHAT TRINA, FROM WHAT. If she would to elaborate just a little more, saying something like what Gandalf said in LOTR about the one ring, how though he himself would try using it for good, it would end up corrupting him and make him a monster?

If Trina had just said a little something along the lines of-

EVEN THE MOST NOBLE SELFLESS SOULS WILL BECOME CRUEL AND UNYIELDING UPON GAINING THE MANTEL OF GODHOOD. MIQUELLA WILL BECOME A MONSTER GREATER THAN THOU CAN IMAGINE

-OR WHATEVER THEN I MIGHT BE DOWN TO PUT MIQUELLA DOWN LIKE OL YELLER

in past fromsoft games, I’ve always accepted the vagueness of the plot and the lack of answers, because at no point in demon/darksouls/bloodborne does anyone ask the question “how did this happen” everyone is just living in the moment and you are just plopped into and given a goal, your character and the characters around you aren’t trying to solve anything, just to obtain somthing

but the thing is that in Elden Ring, we are given way more plot and character backstory about NPCs(specifically Marika and the Demigods) then the past games, and thus we’ve become way more invested in them then characters like Gehrman, Lady Maria, Annalise, Micolash or Eileen the Crow

we the player haven gotten so much lore about the Demi gods, especially Miquella, that care about their destinies, their goals and their success/failure.

You think I cared about anyone in Dark Souls 3? Not really because we don't get any really deep interactions with many of its denizens. ALSO that world was pretty doomed, no real saving it.

You think I cared about anyone in Bloodborne? Kinda but most of them died right away and ALSO That world was SO doomed unless you became an infant great one.

In Elden Ring we’re told Miquella is the equivalent to Jesus/Buddha, and that he has the potential to mend this world, set it right and make it a better place for everyone. We’re disappointed when we see that he’s just ended up in a cocoon in the end, withered up and old because Mohg seemly fucked up his attempt to fix his body and ruined the haligtree plan

But when we the player find out that in the dlc Miquella is actually fine and wandering the Shadowlands, trying to get the to gates of divinity and ascend so he can right his mom’s wrongs? HOLY SHIT YES!

Previous fromsoft games have never done this kind of thing, usually every character meets their tragic end and thats it! No hope, no second chances.

So thats why I think it hurt the fanbase so much to go through that emotional roller coaster only to be told at the end oh lol you have to kill him now its for his own good yeah the sleepy gal said so

All it leaves is a sense of bafflement, bitterness and disappointment. Being a Fromsoft game, maybe thats wat they were going for

(what am I saying its Fromsoft, of course thats wat they were going for lol)

[liesmyth]

has something from a tlt fic ever become headcanon to you? i ask because i find this happening to me all the damn time with this fandom but not others

OK SO, my tlt headcanons are like schrodinger's cat, they explicitly contradict each other sometimes and all of them exist at the same time in different quantum states of canon. So in that sense I've never read a fic and thought, okay, THIS is my canon from now on.

But I've read so so many fics that burst my third eye wide open and made me consider different perspectives on a character / dynamic, or helped me shape some I already had. A few favourites:

the soul that seeketh him by bittybelle — missing scene pre NtN ft. John and Kiriona. Wherein John Gaius meets his daughter, remembers the women he left behind, and deals poorly with being the male god of a universe in which the divine is essentially feminine.

AO3 user LesbianJesusLovesYou gave me Big Feelings about Gideon's childhood on the Ninth and her relationship with Harrow, Aiglamene, Ortus and Crux

believing in everything (and knowing nothing at all) — A series of childhood memories from the Ninth

when i call, will you come to me? — “My Lady,” Ortus wheezed, shifting uncomfortably. “I only thought you should know… Gideon Nav was flogged before the congregation.”

A few fics set right after NtN that really stayed with me:

never hear the sound of someone calling me home by @corpsesoldier — Kiriona Gaia returns to the House of the Ninth.

One More Son by captainpeggy — After Nona, Pyrrha Dve walks the Ninth.

two old broads split a cigarette by @forjodssake — Aiglamene/Pyrrha. “sometimes the girl you like becomes one person w her soulmate and you have to jack off about it”

Post HtN missing scenes:

Death in its season by @ancientannoyance — John holds Mercymorn's 24 minutes funeral

recognize them by their fruits by @ceruleanvulpine — John and Ianthe emerge out of the River

Other stuff that Stuck With Me

so I open the window to hear sounds of people by @sunderedstar — post NtN flashbacks. John and Alecto are the only two beings on earth, and he starts working on the Resurrection. This is harrowing and I'm absolutely obsessed with the implications in this fic of WHY John removed everyone's memory.

and they were roommates by @herenortherenearnorfar — pre Resurrection Mercy and Cristabel, from their first meeting onwards and it just really burrowed a hole in my brain and grew roots and sprouts and everything. Latin American nun Cristabel it's all I can see now, and YES they met working with climate refugees when M— was a bright eyed idealistic doctor. It also lines up great with the Asian Mercy headcanon that exist in my head (I have a whole elaborate backstory about M— aged 12 proclaiming to her Filipino Catholic family that she's an atheist now). Anyway, it's just a lovely, gorgeous fic. I think about it every day.

John 25:12 by @halfeatenmoon — pre-Resurrection, John and his friends escape the cow fortress to spend Christmas Day at the beach. With beer, salads, pavlova, and the corpses of a million fish killed by nuclear weapons testing. Ft. Southern hemisphere holidays in Mururoa Atol and 100% canon. To me.

Operation: The Most Honorable Man by @cadmean — Augustine has a proposal for the Saint of Duty (Dios Apate. That's the proposal)

lowkey cheating but I can't choose — absolutely anything AO3 user Raxheim has posted has been SOO up my alley. Every time I read one of their fics I feel like I'm enlightened by some never-before-considered detail. And mean ANYTHING, from Harrow Nova to Wake to Cytherea and the Lyctors to the Universe's #1 Sadgirl Gideon

[sapphim]

reverse unpopular opinion: sebastian

i like him and i'm braver than a marine for that

WE are braver than any marine for that.

sebastian suffers in part, in my opinion, from the same problem that many other characters in this series suffer from, which is that his backstory is really complex and compelling but then his actual writing is very one-note and fails to really elaborate on any of it to the level of depth it deserves.

like, he was the cast-off youngest child, disowned by his family, who were later murdered in cold blood. he's done a complete about-face from hedonism to asceticism. his closest attachment in the wake of, again, the murder of his entire family and their household, immediately prior to the start of the game, is to a woman whose standards he is always trying to live up to but never quite seems to fulfill. he has no idea who he is or who he should strive to be, torn between two different paths set out for him, but feeling inadequate to both. there's a great amount of depth to work with there.

but what I like most about sebastian is that. he's just a good guy! like, genuinely. and he wants to be a good person, genuinely. he strives to be good. but he doesn't always, like, succeed? he's sheltered and naive. he trusts the people he trusts and is prone to harboring misconceptions about others. he very often won't examine his preconceptions without prompting. his definition of "doing good, helping others" is often motivated at a base level by "doing what I want to do (being a murder gremlin with my best friend hawke) and then telling myself I'm doing this to help others."

but take all of his flaws and even when he is at his worst, his most vengeful, hot off the murder of the person who took him in after his (also murdered!) family booted him out, seeing the face of her murderer on every mage in the gallows—all of his flaws, and say to him "andraste would not have stood for this. she would have sided with the victims." and what does he say? he says "you're right" and also "I shouldn't have needed you to remind me." good. guy. genuinely.

is he the most tragically underwritten character in a series of tragically underwritten characters? yes. but you know what? he's free real estate. he's mine now. I've picked him up out of the cardboard box he was dumped in off the side of the road and have rehomed him

[reverse unpopular opinion - send me a topic and I'll say what I like about it (or die trying)]

[sweetvixen1996]

ok, i never read manga or watched anime, but i see arlong park being mentioned in context of nami, so i wanted to know what was it about? do you mind spoiling me? 😂

as a new live action zinami shipper i just hope for any possible zonami crumbs in the future 😂😂

Oh boy, that is a BIG QUESTION. But I'll do my best to answer

Arlong Park is both an arc, a place, and an important moment in the sorta Meta of One Piece.

As an arc, is serves as very much the climax of the East Blue Saga. It has the biggest fights, the most elaborate backstory (so far), and is an event that leads to Luffy getting his first bounty.

For Nami, in particular, it is Her Arc. It is the one where her backstory, motivations, dreams, fears, and psyche are most explored. The long and sort is that the villain, Arlong, killed Nami's mother and enslaved Nami to make him maps. With the promise that if she gathered enough money, Nami could buy her and her village's freedom. For course, he's a filthy liar, and Luffy and the others need to help step to unleash some well-deserved beatdowns.

As a location, Arlong Park is where Arlong and his crew of fishmen (and Nami) live. It is a repurposed marine base and, as we learn much later, redesigned and renamed to look like the theme park that Arlong and his friends were unable to go to as children due to prejudice against fishmen. This all factors into the much large story about cycles of hatred that exist within the large story of OP that I don't have time to get into here.

But the important thing is that it serves as a great location for the final fights of the arc, giving three different environments to use and different ways to play to the different fighters' strengths. And, considering it served as Nami's prison for so many years, seeing it get destroyed is immensely cathartic.

Now, for the meta angle... When fans of OP are trying to get others into the series, we often say, "If you get to the end of Arlong Park and still don't like it, One Piece is probably not the series for you."

This is because Arlong Park is when the series really BECOMES One Piece. It's where all the elements of the story that make it great -the characters, the fights, the backstories, the worldbuilding- really come together in full force. That's not to say the previous arcs are bad, but rather that each did a few things very well while Arlong Park did EVERYTHING well.

Specifically, the famous 'Luffy... Help me' scene has become an iconic moment in anime in general. Many OP fans (myself included) cite it as the scene that made them fall in love with the series. When watching reaction videos and people reach that moment, I can sometimes even see some 'click' in their eyes. It's the moment they GET IT!

All these years later, and this moment still makes me tear up.

As for Nami & Zoro... This is definitely an important arc to their relationship.

Zoro has spent the previous arc being rather wary of Nami (and not without cause) but when Luffy orders Zoro to bring her back, he is determined to do it -even if it gets him captured. A fan-favorite moment occurs when a captive Zoro is brought before Arlong and Nami. Despite Nami herself and Arlong swearing that this cold-hearted person is Nami's True Self, Zoro decides to go with his gut and test her.

He throws himself into the water, still tied up, and banks on Nami to save him. And she does, even though it makes Arlong suspicious. Especially after Nami frees Zoro and gives him his swords back so he can escape.

(I'm really sad we don't get this moment in the live-action series)

This has Zoro convinced she's a good person in a bad situation, yet later, when it appears Nami has killed Usopp, Zoro is once again confused about her character. It's only when Usopp turns back up and explains what happens that Zoro fully throws his swords in Nami's corner. He even sleeps through her backstory because, by this point, he knows she is good.

Hope this all helps but honestly you should just go experience it yourself because I can't do the arc justice.

[bluegekk0]

If anything I think you should speak more, because I love everything you write (and draw.) You've been one of my biggest inspirations to go back and give all of my ocs actual stories instead of just designs.

In fact, ever since you mentioned having non-fpk family ocs before, I have been incredibly curious.

Please feed me all of the information like a bird feeding its young, except its letters going into my eyes instead of food going into my mouth

you have no idea how much that warms my heart, i'm really flattered that you see me as an inspiration. it's all i could really ask for

i do have some ocs, yeah. though i will say, the fpk au characters are definitely outliers when it comes to the amount of personality and lore they have. most of my ocs have very basic backstories, and many of them only do because i used to roleplay as them with my friends. a lot of my original designs that i'm attached to don't even have names, let alone personalities

since i'll be posting a lot of pictures, i'll throw this under a read more so it's not too long

i guess i'll start with my oldest oc, a lion king character who used to be my "fursona" (well not exactly, since i've never considered myself a furry. but persona wouldn't fit here) years ago, back in 2012 i believe. she went through a lot of changes over the years, but i've settled on a design that i really like

her name is swahibu (used to be swahili, i wasn't particularly creative, and i changed it recently since it was a bit awkward for her to be named after the entire language hahaha), and she has a little brother named kobe. their lore isn't anything too elaborate, they're essentially scar's grandchildren who used to be outlanders, but after the events of the second movie joined the pridelands. swahibu is bitter and a bit mean, but cares very much about her little brother. she got her scars in a fight with rogue lions which unfortunately ended with their mother's death, so they're now on their own. kobe is a smart cub, and brings a bit of joy and innocence to his big sister's life. as they both resemble their grandfather more than they'd like, they're often the object of nasty comments from those who lived under his tyrannical rule, though they do eventually earn the pridelanders' respect. not much else to say about them, except that i like to hc swahibu as gay. also, they have a very simple family tree that i made to show what their parents looked like, here (might not work if you don't have a deviantart account, but i'm not sure)

--

next up, there's a character i've considered my persona for quite some time, and one i used to put in many funny scenarios with my friends' ocs. he also changed the most out of all of them throughout the years, and recently i gave him a more furry like design as i hate drawing human faces haha

his name is rick, and he's a hybrid of all kinds of different animals. he's very laid back and lazy, though the fact that he's a hybrid gives him some animal-like traits and behaviors. he used to have a backstory but it's kind of stupid so i'm considering changing it, but he was basically created in a lab and then released after it was shut down. now he lives on his own with his cat, jon. he's one of those characters who are very flexible, so if i wanted to, i could modify him to fit into any scenario (for example, he used to have an assassins creed universe version which i used for roleplay years ago hahaha). not much else to say since i'm still in the (slow) process of changing him

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i also have a lot of dragon characters, most of them were made for the purpose of a larger roleplay story with my friends. in general i take 'dragon' as a very vague term, since to me a dragon can look however you want and all those classification rules are kinda stupid. but you'll still a bit of, idk, i guess a paleoart like direction for their designs, since i like speculative biology and such. also, some of these originated as heavily based on some of my favorite characters at the time, you'll see that with the first one especially

his name is stark and he's probably the dragon that has the most lore behind him. i won't go into too many details regarding the backstory since it's long and very connected to the roleplay (you know, bit of a "you just had to be there" moment haha). but tl;dr he was taken in by a village and raised from hatchling, so he's very docile and a little bit confused. the village was attacked and he was able to survive, but one of his legs was scarred pretty badly, so he noticeably limps while walking. he's a semi-aquatic dragon, so he's an excellent swimmer. funnily enough, he went through a complete "reboot" a few years ago. in the original rp, he was a massive asshole, he'd hurt others for his own amusement and was generally very aggressive and not pleasant to be around. also, he had a prosthetic leg, though i scrapped that as it was far too advanced for the setting i envisioned him in. i much prefer this direction, i love my giant himbo gator-dragon. and i wonder how many of you can guess what character was the inspiration for his appearance (it used to be a lot more obvious in his first design iterations)

(and no, his wing isn't missing. this is just to show his back haha)

these next three don't really have too much backstory to them. well, except for the first one, his name is ithaar, and he was one of my first ocs ever. he went through a massive redesign quite recently, so he has close to nothing in common with his first iterations. the other two characters, eurus and ash, were made for rp purposes quite recently, and so don't have too much lore behind them

ith is a bit of a coward, he struggles with his self-confidence and believes everyone sees him as insignificant due to his small size and inability to fly. he can camouflage, though, so he's a lot cooler than he thinks. also, he moves by hopping around like a little kangaroo. his design is very dromaeosaur-like, with short stubby arms and yi-qi inspired wings

eurus is very pterosaur-like, though much larger than even the largest azhdarchids. he doesn't like the company of others, he's a bit of a loner (with trauma!). he may seem mean on the surface, but his past experiences make him unable to walk past someone who's in need. not quite a gentle giant, though. i think it's easy to see which pterosaurs in particular were the inspiration for his design, though his crests are very dilophosaurus-like

the last one is ash, and she's the newest addition to the roster. her rp session was very short and didn't really add much to her lore, but she's generally a huge jerk who likes annoying others and stealing from them. but of course, it wouldn't be an oc of mine if there wasn't some trauma involved, and she's no exception. she believes she doesn't fit anywhere, she felt rejected by her own kind for her unnatural abilities (she can move things with her mind), and so she copes with it by being a prick. her design was inspired by junker queen from overwatch haha

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i also have four night fury characters i made during my httyd phase, and i redesigned them about a year ago to be a lot more "natural" in their appearance. they used to be quite a bit more colorful back in the day, and not in the good way haha

their names are vel'ri, sherok, atis and marivo. no real backstory, just vibes. the first one used to be my "main" character during the httyd phase. vel'ri and atis are female, sherok and marivo are male

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and lastly, some non-dragon characters. these don't really have any backstory that i think is worth sharing, but i still love them very much

this one is named rugat and they're a genderless, shapeshifting magma alien thing. i don't know what they are. i just really like their design. they're aggressive, but they have a soft spot for small, weak creatures. god knows what their reasoning is, but i thought it was a cute personality trait

and these two are named lox and bagel. they're a ragarox, an original species i made years ago when it was cool and hip to have a closed species. they're eyeless cave dwelling lizard things. very chubby. these two guys are not related but they hang out all the time. 🏳️‍🌈 perhaps?

lox, on the left, is the more active and territorial of the two. but he's also super affectionate towards bagel

bagel, on the other hand, is the couch potato. very round and chubby, 10/10

as a fun fact i like to think their long tongues have very distinct smells. lox's smells like lime, while bagel's smells a bit like blueberry

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and lastly, here are two unnamed characters. i like their designs but i haven't had the chance or inspiration to think of any details about them

the first one is an okapi-like thing. with a kitty face. the second is like a weird mix between a ceratopsid and some kind of mammal

oh and, here's some redesigns of old dragon characters that i forgot to mention earlier. they used to be very different (all but one were inspired by other characters, but you can't see it on their current designs), and i don't have any backstories for them yet. their names are also going to be changed, so consider them nameless for now

(fun fact: the top left one was one of the first iterations of eurus' design, but i decided to turn it into a different character cause i still like it)

[andreal831]

Where does Lucien rank among your favorite TVDU villains? Personally, outside of the Mikaelsons, he’s my favorite.

It's complicated. Mostly cause I don't really have a rank in my head for villains. I love/hate them for different reasons.

Lucien is a really good villain and I like that they just let him be a villain. Yes, he has a sort of sad backstory, but so does everyone. I hate how people say characters "aren't evil, they're just broken." 99% of villains in media have tragic backstories. It doesn't make what they do ok. And Lucien's story was not more tragic than a lot of what we saw. He was essentially a "lower class" person who got rejected by a girl... and then, yes tortured and killed by the nobility... But who hasn't?

I like that they never really tried to play up his backstory. We see him in flashbacks and can feel a little bad for him, but then Lucien is still just Lucien in present time. He never feels sorry for what he does. He never questions his choices. In his mind, he deserves to do what he is doing and doesn't hesitate. Even when he has bonded with characters, he's still willing to harm them to achieve his end goal. Like I said, I like him as a villain because he is unapologetically a villain.

He came to New Orleans with an elaborate plan to take down the people who he felt wronged him. I really liked the storyline where he was going after wealthy men, but the show kind of dropped it. I love vampire serial killer storylines because they all are serial killers but most of them are just sloppy with it. Lucien was methodical. It makes him even scarier as a villain. He had this hatred towards elites, yet he was one. He complains about how he grew up, yet he spent the vast majority of his life at the top of the food chain.

I will always hate him for what he did to Cami, but it makes him a better villain. He had a fondness for Cami or was at the very least amused by her bravery and spirit. But it didn't matter. His revenge was above everything. So this may put him at the top just for the fact that he was such a good villain all the way through.

I also really love Dahlia, Celeste, and Aurora. Yet, they spend so much time trying to make us understand Dahlia and Aurora that they lose some of their edge. Don't get me wrong, I love that they got their redemption, but it felt like it took away some of their "evil." It was supposed to. We were supposed to root for them and their redemption at the end. So it just makes me not want to list them as my favorite villain.

Celeste, not surprisingly doesn't get this ending (since she is a woc, I am not surprised by how quickly her arc was finished). If Celeste had a main story, she would probably be my favorite villain. She doesn't get enough credit for how she manipulated and launched TO. People love to credit Katherine for sending Katherine to NOLA, but Celeste was the one that manipulated the prophecies and was there at the beginning, destabilizing the factions in order to make the witches desperate to call the Mikaelsons back. She was incredibly powerful and actually had the Mikaelsons running scared because she knew how to emotionally manipulate them.

Speaking of Katherine, I know people love her as a villain, and she is fun. But if we are talking about the top villains, she doesn't rank very high for me. She was too caught up in the teen drama of it all and revolved around Stefan. It was just never a good enough reason to me to like her as a villain. But I don't want to turn this into me just going through each villain and analyzing them, because that's not what you asked for.

All of this to say, Lucien ranks pretty high for favorite villains for me. To me, the TO villains were all a lot scarier than TVD since they all had to be so much more powerful because the main characters were. While I liked TVD, the villains just don't rank as high for me. But I really liked all of the TO villains. I can't think of one that I was bored with actually, I can, Greta, but all of season 5 was a mess so that's not surprising. Even the Hollow, which was a bit of a messy storyline, still had a really neat backstory and was scary.

Season 3 is one of my favorite seasons because the story was so interesting. You can see where the villains are coming from, but they are never redeemed. They are villains and choose to be villains. It also plays on the idea that one mans villain is another man's hero. Like I don't consider Aya a villain at all because she was just fighting for her freedom, whereas some of the other's were motivated by power. I definitely prefer Lucien over Tristan, but Aurora is my favorite of the trio. Yet again, I never felt she was as good of a villain as Lucien because Aurora's actions were more understandable and even justified at times. She did things that weren't, but so did everyone. It really just depends on how you rank your favorite villains.

Sorry for answering this in a stream of consciousness. Let me know if you want any clarifications!

Thanks for the ask!

[wobster109]

Ratio’s position in the IPC is, in my opinion, one of the great and understated plot twists of Penacony. I would not be surprised if Ratio is secretly an IPC executive equivalent to a stoneheart. I thought he was secretly a stoneheart until the myriad celestia came out.

He has an unprecedented amount of responsibility and authority in a very delicate and risky mission. The IPC is burying the lede when they introduce Ratio as their “technical consultant”. He himself says that he is the “manager” of this mission.

He has dreamscape access that even Topaz doesn’t get. They could've chosen another stoneheart for the mission, but instead, they chose him.

He has the ability to open Cornerstone boxes.

He has enough info to sink the whole mission into the meme zone if he cared to betray the IPC. No, they must be confident that he wouldn’t sell them out at any price. And where do they get that kind of confidence in a random, loosely-affiliated technical consultant?

It’s not just by being a researcher of an affiliated institution. It seems to me that a normal working relationship between a corporation and a researcher is: the corp funds the researcher, and then the corp benefits from the research. In extreme situations, the corp may lock down the researcher, like Chadwick. It seems strange to involve a researcher in the most secret schemes, akin to one of your own top-level directors.

As far as I know, every stoneheart is there for very profound personal reasons that are so deeply rooted that the idea of betrayal is unthinkable. Topaz has her conviction that the IPC saved her planet, and her unwavering dedication to saving other planets. I do not know why Aventurine joined, but whatever his reason, it was worth gambling his life in an elaborate scheme to get in. I believe Jade is bound by the same contract as her clients. "There's no turning back for me or you" - there are hints that she's not just the proprietor of the Bonajade Exchange, she may be its first customer as well.

So, what does Ratio have that assures the IPC of his loyalty?

The most obvious guess is that he's in love with Aventurine. Regardless of whether it's true, that can't be the reason. Feelings in general are fickle, even if the doctor's are not - the IPC would not rely on something so ephemeral to serve as the foundation for his loyalty.

Another possibility is that he's being enticed, or even coerced, by funding. It's plausible that the Intelligentsia Guild may be unable to carry on without the IPC's financial support, and there is no other organization in the universe with comparable wealth. Sunday and all of Penacony couldn't "outbid" the IPC by offering to fund the Guild in its place - they simply don't have the money. If loyalty goes to the highest bidder, the IPC has it locked down. I'm not entirely convinced though. They would still be relying solely on Ratio's sense of duty to the Guild, trusting that he wouldn't be tempted by any amount of personal gain. Though Sunday can't fund the entire Guild, he could still offer Ratio enough, either in wealth or knowledge, to sway a more worldly or opportunistic man. Perhaps they are simply very assured of Ratio's character, since he has a long history of noble and charitable deeds, and has previously thrown out students for attempting to bribe him. But then, how do they know he won't turn against them for a moral reason? How can they be sure he won't find just cause to become their enemy?

The IPC has blackmail on him. HAHAHAA blackmail on Ratio? He has spent his entire life being upright and brilliant and beautiful in the bath. Moving on.

The IPC saved his planet, similar to Topaz's planet. It's just coincidence that it's never mentioned in any of his lore or backstory, and it was also something he couldn't do himself, despite solving a planet's energy crisis.

My final guess is that he may be bound by a contract that no mortal can break, similar to signing a contract with Jade. Perhaps he made a wish to be at peace with never making it into the Genius Society - after all, he would never wish to get in, he would consider membership attained that way to be worthless. And the price was doing work for the IPC, mundane work among mortals that would preclude the lofty academia of the Genius Society. I'm just spitballing here - something to that effect that makes betrayal literally impossible. It is hard to imagine Ratio of all people entering into such a contract, though. He's all about finding your own way, in knowledge and in life. I doubt he'd take a shortcut, not even for something personal such as inner peace. "You learn to know yourself before the enemy." He'd want to find his own way.

In short. . . I have no idea what it could actually be. I hope that we'll be seeing more of him though!