#she could've been so cool on her own but i feel like she just ended up being a thing gor cody to pine over
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Sometimes writing inspiration strikes at the most random times for the most random things. Instead of working on any pre-existing things I have I'm writing a solid one-shot about London Tipton returning to Boston for the first time in six years and reuniting with Maddie and maybe (definitely) realizing they love each other
#whoops i watched the second part of the suite life of zack and cody video essay and my gay little brain took over#i forgot how much i cared abt their friendship back then.#also watching a playthrough of the quarry made me realize that a bob is such a good hairstyle for brenda song oughhh she's so cute#and what better way to signify that Time Has Passed And She's Grown As A Person than a cute trendy new haircut?#and man watching the recap makes me realize how much less i liked suite life on deck#nothing against debby ryan but i didn't like bailey. or rather what they made her.#i hate when an interesting female character is kept around primarily for love interest reasons#she could've been so cool on her own but i feel like she just ended up being a thing gor cody to pine over#and oh how i disliked how the twins' characters warped too#but. anyway. london and maddie are in love and i cannot and will not be convinced otherwise
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I swear to god, Zanmu has just been on my mind recently, she's taking over my fucking brain please send help
Artist's Note:
Why is it that everytime I do a drawing of Zanmu I always make the canvas size fucking huge and it ends up being a living nightmare to fucking export. I swear to god I had to go from 1200 DPI to 600 to 350.
Exporting hell aside, I loved working on this piece. With Zanmu's design, I wanted to combine all the design details that I love and have seen in other people's drawings of Zanmu and give them my own personal touches. First of all, her sleeves were inspired by @amemenojaku's design for Zanmu, and I absolutley love that detail because not only does it make her feel more regal, it also can be a callback to Satori and old hell, and also gives me the idea that Satori's fashion sense was inspired by Zanmu because IRL a lot of historical fashion was inspired by what the nobles were wearing at the time, and since Satori was around since when Old Hell used to be Hell, she probably took some wardrobe inspo from her (or it could be my headcanon that Satori could've been Zanmu's royal advisor or she was in her court or something but that theory is kinda grasping at strings from other headcanons I have, but that's for a different post). Also, the eye makeup she has was inspired by @jothelion's drawings of Zanmu, and like, I fucking love that detail because it just adds so much like omg I just love it sm.
And now for the design details I put in. I gave Zanmu tassel earrings because I think they'd look great on her. I also really like to exaggerate her hair and really try to make it look wild, as well as having little grey hairs here and there. I also try to add some wrinkles to the corners of her eyes, but TBH I don't know how visible that detail is, since the image is pretty fucking big. I also really exaggerated the tassles/strings on her outfit, since I really wanted to play around with the potential flow they could have. Also, big fan of giving Zanmu longer sleeves and pants. IDK why but I just like how it flows better. Also big fan of making her taller, idk why a lot of fanart makes her short. Also, I placed her horns closer to the front of her head as I just think placing horns in that position looks cool.
Also, if you're wondering about the halo, I took some inspiration from a few of Caravaggio's paintings where he often depicts saints with this very thin halo around the top of their heads. I just liked that detail a lot so I thought I'd include it.
Fun fact, I was originally gonna make the four skeletons Chiyari, Biten, Enoko, and Hisami but I didn't like the prospect of having to draw four more characters, so I chose to replace them with skeletons (if you wanna get silly with it, Zanmu got Hisami to kidnap Aya, set up some skeletons with bones from her bone collection and told her to take a picture of her).
I kinda gave up on Zanmu's feet and the one skeleton's hands (as if drawing hands normally is hard enough but NOPE, HAD TO MAKE IT LIVING HELL FOR MYSELF BY MAKING IT A SKELETON) and the quality of the image may suffer because of how much I had to fucking compress it (Zanmu's presence alone was enough to make the computer lose all of it's desire and motivation to export the drawing of her lmao), but I have been hacking at this piece for a while now, plus I need to learn when to call it quits when it comes to drawings). Also as I was fixing up the hands there was one spot where I forgot to clean up with the sketch and I can't fucking unsee that now and it's going to fucking bother me until I fix it but fixing it requires going back and putting my computer through hell so yeah.
So yeah, that's about all I have to say with this drawing, it was fun but also a nightmare lol
#art#touhou project#fanart#touhou fanart#touhou 19#unfinished dream of all living ghost#zanmu nippaku#touhou#東方project#東方
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So!
I really really liked Transformers One!
The visuals were gorgeous, the characters were interesting, more under the cut
I especially liked the designs of the Quintessons, and the Quintesson ships. I liked how the ships themselves seemed like living organics up close, like some sort of massive arthropods.
I'll admit that initially learning Elita's VA had worried me, but I think Scarlett did manage to capture Elita's personality in a very interesting light— so much that I mayyyy have forgotten she was Elita's VA until the credits😅
there were so many recognizable characters in the background, but since I was. Well. In a theater and not in a place where I could pause and screenshot things I'm sure I missed quite a few Easter eggs
May I return to how much I loved the visuals??? Iacon felt alive and busy, and even though you can tell the surface was ravaged by the Quintessons it was full of so many interesting details. I fucking loved the shifting rocks and mountains
oughhh Airachnid was so cool, she gave me heavy xenomorph vibes.
I may or may not have quietly called D-16/Megatron Optimus's wife several times in the theater. I don't think my Grandma heard me as she was screwing around on her phone the majority of the time.
The transformations were pretty cool
Sentinel was the utter bastard I knew he'd be
They didn't kill the Quintessons or even directly go up against them, (which I was expecting them to go against them) which makes me think they might be saving that for a sequel or something.
LOVED THE END SEQUENCE OF D-16 FINALLY BECOMING MEGATRON AND ORION PAX BECOMING OPTIMUS PRIME, visually it was so cool
Alpha Trion's altmode was cool
I didn't expect it to have been Sentinel to scratch the first decepticon badge into Megatron's armor as a mocking gesture
Didn't expect the future decepticons to be called the High Guard, and to have their ties to the Thirteen Primes
again I loved how beautiful everything was, again and again
hehehe mild swearing in a PG movie
Probably more I can't think of right now!
Things I questioned / think could've been changed:
... I'll admit, as much as I love Megs, his character and progression from miner to leader of the decepticons felt a little out of character to me. I understand this is a new continuity with its own rules but I almost felt like Orion and D-16 should've been swapped. Idk, just an opinion. It felt very weird to hear D-16 go "mnnn but maybe we're better off as just miners, we're cogless :/", and I feel like his turn to seek violence was a bit fast.
I've seen the inclusion of Bee/B-127 as part of the original four questioned since the first trailer released, and while I liked him in the movie I do agree he might've should've been another character. Though, I'm inclined to suggest he maybe should've been Dion, and died somewhere at the end of the movie.
I'm a little disappointed we didn't get to see other possible Cybertronian cities like Tarn, Kaon, Vos, or Praxus. Idk if it'd've been realistic for them to include them, but still.
.Still not sure about Chris Hemsworth as Orion/Optimus.
Idk. I liked a lot of things about the movie, but there were a few things here and there, you know?
#maccadam#transformers#transformers one#tfone spoilers#transformers one spoilers#tf1 spoilers#tf1 Orion Pax#tf1 Optimus prime#same guy#tf1 megatron#tf1 d-16#tf1 elita one#tf1 elita#tf1 bee#tf1 Airachnid#tf1 sentinel prime#sentinel prime#tf1 alpha trion#alpha trion#Quintessons#tfone#tf one spoilers#you cannot stop me from using the tag ''tf1''
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Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.
(you might have to turn up the audio).
Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.
#vivzepop critical#hazbin hotel critical#hazbin hotel criticism#hazbin hotel critique#helluva boss critical#helluva boss critique#helluva boss criticism#i dont support vivziepop
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Bad for Business
Jenna Ortega X Fem!Reader
(picture not mine)
Summary: After receiving a text message from her manager, what would Jenna do? Will she and Y/N can still fix their friendship?
Warning/s: curse words.
A/N: Part 3, thanks for waiting, noticed you liked this one. Emma Myers is the Emma. Also, give me a name for Y/N's best friend, please.
Masterlist
Cool About It (Part 1) | Nothing To Lose (Part 2)
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Jenna is currently sitting on the sofa on her manager's office.
"What is your problem Jenna? You have invited a big crowd and thank heavens we don't need to delete much picture from the both of you because they were so surprised from what you did. We only have a few twitter and tiktok accounts that still post what happened." Jenna's manager told her as he seats in front of the girl.
"I'm sorry..."
The only words that came out from Jenna's mouth ever since she was brought by her manager from Y/N's unit to the office, because inside her head, she goes back to the moment where Y/N admitted her feelings. She could've react differently instead of being silent, she could've agreed to Y/N and talk to her, or maybe she can kiss Y/N to prove that she also wants to kiss the girl, or maybe just maybe, she doesn't pull the shit from the park and just watched a movie.
There are so many 'what if's' and 'could've been' that's running inside Jenna's mind not until the voice of her manager removed her from her thoughts.
"Do you understand? We just need you to follow what we said and we will be alright" Jenna's manager said and looked at her intently, looking like he will never take a no for an answer.
Jenna then just nodded her head and quietly said "yes."
Jenna's team was now fixing the table and the papers that were scattered on the table not until Jenna broke the chaos "Please don't contact Y/N anymore. I don't need you in her business." She said and looked intently to her team, and directed it to her manager.
A long pause was given, half-heartedly, her manager nodded. That made Jenna feal at ease somehow, because she doesn't want Y/N to get stress about this issue, it is all her fault anyway.
Even though Jenna doesn't quite remember what are the rules that her manager and her team gave her, she just go with it, because it's normally lesser public appearance, lesser use of her social media, and sadly, lesser meet-ups with Y/N. She thinks she can handle it, because in a few week, she'll be back to filming Wednesday S2 and just will be facetiming Y/N. If Y/N will answer, she thinks.
---
Jenna was now in her bedroom, tired after the long night that she had. Fumbling with her phone, thinking if she should text Y/N and ask her about what happened, Jenna was pulled out from her thoughts by a facetime call, it is Emma.
"I WAS RIGHT" Emma said, "I WAS RIGHT YOU LIED TO ME, HOW COULD YOU?"
Jenna was stunned because what the fuck is Emma talking about, she have no idea, "What are you talking about?" Jenna asked with full curiosity.
"You and your long time friend who owns the coffee shop inside the studio is dating!" Emma exclaimed like stating the truth, Jenna then replied "No, no, what do you mean?"
"Like bestie, your proposal in the lake is all over the internet right now, I should congratulate you, or not I guess" Emma stated as she started to send screenshots to Jenna from twitter to tiktok. Jenna then shakes her head "No, this can't be, my team deleted all the pictures and articles about this." Jenna was slightly panicking because she thought that her team have deleted any pictures and articles from the proposal.
"I'll call you later I promise, bye" Jenna ended the call without giving Emma a chance to reply and reactivated her twitter account just to see what Emma is talking about, and the other girl was right, the both of you are trending.
In her search list, the words that was associated to the both of you are I knew it, dumbass, and Her loss.
She saw tweets like stating that they knew it from the start that Jenna and Y/N was in a relationship, another tweet said that Y/N was dumb to reject Jenna, and some were begging Jenna that if she proposed to them they will say 'yes'. But Jenna thought, they are not Y/N, they are not the person that she likes.
After opening Twitter, she went straight to tiktok and search her name, which is probably not the right thing to do but she wants to see what people say to you, the last thing that she wants is for the general public to hate you and blame you.
And with that, almost all of the videos of Jenna and Y/N are edited with the song Champagne Problems by Taylor Swift. Captions in the videos are quoting the lyrics from "You won't remember all her Champagne Problems" to "I can patch up the tapestry that she shred." She also saw some comments in the video saying "she's fucked in the head" pertaining to Y/N.
That broke her, why are you getting all the hate if it is all her fault? You don't deserve this madness that she brought to your life because all you did was to bring her sunshine and be the silver lining to every dark cloud that she had. You were right, she thought.
Jenna then calls her manager and he answered fast "I thought you all deleted the pictures and the news? What happened now?" Jenna said full in rage, angry for what the public is labeling you as, "I thought you agreed?" Her manager replied "We would not delete the pictures and the news, but we would let it grow, we can handle it anyways, we just need to get Y/N out of the picture and make sure that she will not be part of any narrative. That woman is bad for business Jenna, we're telling you."
That stunned Jenna, all the time that they were talking inside the office she was so occupied with thoughts of you that she fucking agreed with this shit where you are scrutinized. Jenna then starts to cry and ended the call. What she did next will probably make her manager more angry with her.
She went out of her bedroom, grab her coat, grab her keys, ride her car, and drove to your apartment.
---
Currently in your apartment, you are with you best friend trying to read all the shit that was thrown into you in the internet. You told her the whole story and she thought that was a shit move for Jenna, because not only her manager hated you, but now, almost all of the people in the world hated you.
"I told you Y/N it was a bad idea to go that day didn't I?" your best friend told you proving a point but you can't even focus on her voice because you were so drowned out with your own thoughts that was coming in like a flood.
Your best friend kept on talking and talking until they noticed that you were just spacing out and sat next to you and pulled you in a hug which you gladly melt in to, "I'm sorry this is happening, I didn't mean to blame you, but your friend is fucking shit."
A knock to your door was heard which your best friend gladly attend to. Opening the door they were so stunned for seeing who is in the other side, Jenna.
"What do you need?" your best friend tells Jenna, which she answered "I need to talk to Y/N please." Your best friend just looked at Jenna not until your voice was heard from the inside telling that Jenna should come in.
"You have the guts to show up here, make this right." Your best friend threatens Jenna and left the apartment leaving you and Jenna alone.
"I'm sorry" Jenna started, looking at your back. You tap the empty space beside you and that is where Jenna is walking to, seating beside you.
"I wanna blame you for everything Jenna." Y/N blurted out, not facing Jenna, "I wanna blame you for everything that is happening right now." Y/N lets out a heavy sigh.
Jenna answered "I know, I know, and I'm sorry, I should be the one who gets to be blamed, I don't know what to say, I'm really just sorry and I wanted to tell that you were right." Jenna is now trying to stop the tears from falling while she looks at you, "Y/N please, look at me, just tell me what to do for you to forgive me, I'll do it, please" Jenna begs.
Y/N looked at Jenna with so much pain in her eyes, "be gone."
Seconds have passed, Jenna was too stunned to even speak, still processing what you said.
"No, Y/N please no, this can't be" Jenna said, "This was what your manager wanted in the first place, he wanted me out of the picture ever since you blow up. I don't fucking blame him for that because who am I, right? But this is not the way I imagined it" Y/N looked so defeated in Jenna's eyes. Y/N was willing to give up their friendship, even if it's not what she wants.
"No, that's not gonna happen Y/N, you are my best friend and I can't just leave you hanging, getting all the scrutiny from the media, from the public. This is entirely my fault, please, don't ask me to leave." Jenna plead, because that was the last thing that Jenna wats to do, to leave you.
"Jenna we can't be friends okay, don't you understand? You leaving me would benefit the both of us; it will benefit you since there will be one less problem to your management and it will benefit me because it can possibly help me to move on from you." Y/N said with a sad smile.
"Move on? The hell are you saying? There will be no moving on for you because..." Jenna said, making Y/N confused "because I like you too. I like you too, just like how you like me Y/N."
Y/N laughed "Stop with the pity Jenna, I know you are sorry but you don't need to tell me that you like me to give me a proper closure."
"No, but I'm not lying Y/N, I swear to God, I like you too and I'm just too scared to admit it to myself because I got so scared for what will happen to me, to us, to our friendship." Jenna said, trying to convince Y/N, but Y/N won't budge and just shakes her head.
"Jenna it's okay, you don't need to lie, I understand" Y/N said standing up from the sofa.
"But you don't understand Y/N, I like you, for real, without a doubt. Even before this shit happened, even before that dinner in our house, that night stroll in K-town, the first picture of us from the public, even before my manager knew you; I liked you since then" Jenna said standing up and getting a hold of your hand.
Y/N started to shake her head and retracted her hands from Jenna's hold "This can't be Jenna" Jenna then answered "How can you not believe that I like you Y/N."
"Because I'm just me Jenna, I'm just me and you're you. I mean, you can find someone who's better than me and who will be good for your name, but I'm just me Jenna" Y/N explained.
"But that's it Y/N, I like you because you are you, and I wouldn't want to like anyone because they are not you," Jenna said and continued "Please just tell me what can I do, please."
Y/N sat on the far side of the sofa, her mind twirling with the words that came out from Jenna's mouth. She's very glad that Jenna likes her back, but the damage was done, the media hates her, Jenna's manager hates her, and the public hates her. But most importantly, Jenna hurt her.
"I honestly don't know Jenna" Y/N confessed "You hurt me, and I don't know what to do. The public also despise me, and your manager hates me."
Jenna then kneels beside Y/N and said "I know, I know. I'm gonna tell you how sorry I am and I will apologize until you forgive me but I also know that it isn't enough for you to forgive me. The damage is big and let me just think of a way to handle it. As for my manager, let me just think again." and chuckled looking at you.
Y/N knows to herself that a simple apology from Jenna will make all the pain go away, but this is different, Jenna really hurts Y/N's feelings.
Y/N gave a sad smile to Jenna which Jenna gave back, she rested her head at Y/N's thigh and dropped a light kiss on her knees. Y/N tried to relax in the seat and puts her hand on Jenna's hair and caress it that makes the other girl relax too.
Minutes of silence have passed until Jenna bounced between Y/N's thighs and opened her camera.
"What are you doing?" Y/N asked Jenna and the other girl answered "I'm gonna do something. You just need to stay still, okay?"
Jenna puts her phone down, directed to your indoor slippers since the both of you decided to buy a matching indoor slippers because "it's cute", and captures it.
It surprised Y/N "Okay, what the fuck was that for?" Jenna then answered Y/N "Since my management is not dropping any statement and I didn't sign any contract to get you out of my life, I will be the one to make an announcement."
Y/N questionably looked at Jenna, not sure on what Jenna will do with the picture, not until Y/N saw Jenna opened her Instagram account.
"Jenna, NO." Y/N said while trying to get Jenna's phone, but Jenna knows that Y/N will gonna do so Jenna pushed Y/N away from her and starts to type.
Y/N then surrender, both of her hands up in the air and said "Okay, I'm not gonna get your phone, but please just tell me what you're doing."
Jenna then situated her phone between the both of them and made Y/N read what she typed.
With a surprised look Y/N said "Are you fucking insane? Are you sure? What the hell are you thinking?"
"Please trust me on this." Jenna said with a smile and Y/N just nodded and answered "This doesn't mean I forgive you" and Jenna bring her phone down and looked at Y/N directly and said "I know, I will do my best to earn your forgiveness and trust me back, I just hope you still love me then."
And that made you smile, because you know in your heart, you will always love Jenna, "I will promise to love you" Y/N answered with a small smile.
---
In his office, Jenna's manager was reading what Jenna posted and it is a picture of Jenna and someone's feet, but boy does he know who it belongs
After seeing the post, Jenna's manager can feel the nerve on his right lobe pulsated with what he saw. Because what the fuck is this?
______________________________________________________________
A/N: Thanks for waiting, I hope this satiated you all. Just play nice with the ig post please. I feel like I'm gonna have a headache, lol. I also don't know if I tagged the right people, I'm sorry.
People who wants to be tagged (I hope I get to tag you all):
@lilbitdepressed27 @jusnough @stalinf @mirage018 @geed-3 @atlafanforlife @adam-malkov @belatrixdragon @ijustlovemaths @canvascoloredin
#jenna ortega#jenna ortega x fem!reader#jenna ortega x reader#jenna ortega x y/n#jenna ortega x you#fiction#fanfic#jenna ortega imagine
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my thoughts about the new drdt episode...
I want to start off that this episode has not left me in a great mental state and this piece of fiction is starting to effect my reality in a negative way, currently. I do suffer from mental health issues, so please be sympathetic. If something I say seems too emotional or a bit off, that's likely why. My therapist will be hearing about drdt, lol. No hate towards drdt, it's an amazing project, and I'm amazed at how the piece of fiction is able to make me react in such a way.
1. I am not educated on ASPD or anything like that, so if I say something wrong feel free to correct me. I had a feeling that Levi likely had it from his secret, but this is a cool confirmation. I like that this is represented in a really great way, and that the reactions to his confessions are also very realistic. I like Levi a lot, but now I understand him so much more, and it makes me really appreciate him.
2. I find it interesting how Levi is so detached, as Veronika said, to everything. Even if I was not capable of remorse, I would've remembered killing my own father. I wonder what his father did to be so looked down upon.
2.5. OKAY SO HES KINDA JUST LIKE ME FR. like I stated previously I've had some bad mental health issues in the past to the point I've kicked windshields of cars in and attacked people. It is not my proudest moment, but holy shit I can relate to this a lot. It makes me so good to see someone who's done shit like I've done who's trying to change.
3. Ace really did care about Levi and considered him a friend, which warmed and broke my heart at the same time. I really hope Ace finds another friend, because he deserves to feel some comfort and joy. I hope he learns about Levi's ASPD and realizes Levi has no malicious intent towards him. I find it nice that Ace did really trust and look up to Levi though, it proves him capable of friendship and deeper feelings that people usually overlook. Great complex character.
4. I was shocked that Levi sided with David, but honestly I do too. David is a good person, and we see that later in the ep where he doesn't tell Eden what Arei said.
5. J CALLED OUT HU??? UNEXPECTED. called her a stupid argument moderator. Interesting. I love you J, but watch it.
6. Veronika's secret isn't the worst thing she's ever done- interesting. I think it could be the thing she's the most ashamed of, but you never know. It really breaks my heart for Hu, and I hope we get a backstory on her soon.
I'm coming back after point 14 and adding this: these secrets don't seem to be any of the worst things they've ever done, nor relevant to the killing game (besides "Xander's"). These secrets are personal. I think they each have worse secrets but they are too related to the killing game so they couldn't give those out.
7. Excuse you, David. Freaky ass.
8. that is NOT Teruko's secret 😭😭😭
9. This is seriously rich coming from J, as she usually escalates the situation.
10. Eden's monologue broke my heart. I am so glad David lied to her at the end, or I think Eden's heart would've been broken. This just makes me so sad.
11. "That maybe there would be a world in which we would be friends." I'm sure there would be, since your fans have created worlds that you're dating her.
12. Arei needs to genuinely shut up. This is where I get very upset and irrational. I am so fucking mad at Arei for lying to Eden. For the rest of Eden's life she's going to be wondering what she could've done or if her friendship was enough. Why the fuck would you lie and say you believed you could change, only to come back and admit you know you can't. My heart breaks for Arei though, because I believe she could've changed. This especially makes me so upset because as a previously bad person who relates to Arei and tries to change, I feel like I'm going to give up hope to do so too. Obviously I gotta overpower and not let fiction effect my reality, but it really hurts.
13. Arei's worldview that nobody is a good person mirrors David's (though David excludes Xander). Makes me really sad. I can hope, but there's really no hope left.
14. Well we know who attacked Xander (what the actual fuck). I hope we learn how that ties in later. Eden's hidden quote, "you can never go back, no matter how hard you try." maybe it's referring to this incident instead of the situationship with her friends in the past.
15. Love this.
16. WE HAD A JRUKO MOMENT!!! So happy about this!!!
17. Why the actual fuck does Whit know so much about how that hanging mechanism would work. You're making yourself look so suspicious. High and low were highlighted, which was interesting.
18. Whit said this murder would've been hard if Arei wasn't a willing victim. If she was, this just makes this case even more tragic. She may have convinced herself to give up hope and cooperated with the killer, which pains me a lot. I think this was due to David's secret.
19. I love the carousel bit! And the banter between Arturo and Whit. They had banter last trial too, so that's a continuation. Maybe they'll have a confrontation in the future.
20. NICO FUCKED BRO
21. At this point my only logical conclusion of who I think the killer could be is J.
22. Everyone is bringing up Ace's friend- Taylor! It's seriously throwing me for a loop bc that's my name!
ENDING:
To clarify, I think it's sad that Arei believes she can't change and even started doubting Eden.
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Ugh! I love how so unapologetically punk this film. Obviously, there's Hobie with his battle jacket and electric guitar, and his whole Vibe™ immediately comes to mind, but the subgroups of punk are so deeply entrenched throughout the entire movie.
Like Hobie's style, in particular, reminds me so much of how British punk fashion is accumulating old, worn, even ugly pieces of clothing and turning it into something cool. It's thrift stores. It's hand-me-downs. It's customisations. It's momentos from friends. Maybe even piercings done by friends. It's about taking things from different places and making them your own - which is exactly how Hobie ends up making the dimension travel watch. Another thing is Hobie's blue laces, which I've been told is punk-code for having killed a police officer. We as audience members can go back and forth on whether ATSV is a copaganda film or has its themes, but I believe that tiny detail about Hobie is huge for a film distributed from a country that often values authoritative institutions more than it citizens.
Gwen is implicitly trans and shaves half her head, which is, from my understanding, HUGE for trans women who experience gender dysphoria. A lot of Gwen's fashion and prom dress especially reminds me of Hayley Williams in the late 2000s-early 2010s. It's very experimental, which I feel matches her age and uncertainty about being Spiderwoman, her dad, and Peter's death.
There's also a lot of concept art for Gwen's hair where her side-cut becomes an undercut and she wears it in a pony tail or bun and I just think they're so cool - D especially.
Miles G Morales' design is so heavily inspired by alternative goth fashion and techwear - a mix of combat attire and hip-hop streetwear. It's loose yet slick with it's own customisations in the crown-cut collar and the spray-paint insignia, and incorporates high-advanced technology in the mask.
It's futuristic. A what-could-be. And specifically what Miles could've been if he wasn't bit by the spider. Another cool thing, I don't know if this is related but worth pointing out, is that Prowler wears a modified (leather, bomber, varsity??) jacket. That's kinda crazy for an superhero/anti-hero suit if you think about it. Most of the time you'll see Marvel or DC characters running around in a spandex suit or (for women) almost nothing at all. But like Hobie we see how Miles G styles himself even when he's disguised. Like I wouldn't be surprised if his outfit change was just turning the jacket inside out like a sukajan jacket.
ATSV has so many characters with the own specific styles and it's really nice to see where most franchises are all or nothing when it comes to character design aesthetics.
#man there's so many ways to be punk in this film whether it's alt or anarcho or garage etc#spiderverse#across the spiderverse#miles morales#spiderman#atsv#satsv#hobie brown#gwen stacy#miles g morales#spiderman across the spiderverse#prowler#spiderman: across the spiderverse#spider punk#spiderwoman#spider man#ghost spider
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I've been obsessed with @demon-of-the-ancient-world's post about Paul bandaging his own wounds after the duel with Feyd ever since I saw it. Partially because I am pretty sure he would not be physically able to do it, but he sure would try. So have a little thing.
Eventually, he is able to stop giving orders and having them fervently obeyed long enough to limp over to the hallway leading out of the war room. With every step, he is figuring out how to better hide the limp. His side still fucking hurts.
Close to the relief of the cool dark hallway, he spots a familiar face. Mari, the medic from his old band of fedaykin. Her gaze falters as he approaches.
"Bandages," he requests. At least his voice is still coming out steady.
She fishes in her pack and pulls out a roll. Holds it out to him like an offering, her fingers retreating as soon as he takes it.
She'd once held him down with a knee on his back while she pulled a piece of shrapnel out of his shoulder. Now she is afraid to touch him.
"More," he rasps.
She produces another roll. That should be enough.
There's a little anteroom just off the main chamber. A few Fremen trail after him as he heads there.
"Guard the door," he says to no one in particular. "No one enters." He shuts them all out.
He doesn't remember what this room was used for, in the brief time that he had lived here. It's empty now, save for a stone platform that runs along one wall at waist height. He drops the rolls of bandages on the platform and sags against it.
As soon as he lets the control slip, a wave of nausea washes over him. His head is pounding, blood drying tacky and itchy on his face, and with every breath it feels like both knives are still inside him.
Focus. He hears it in his mother's voice. She taught him this, how to reach inside himself and master pain. Attention stretching inward, finding the nerve endings that are screaming and shutting them down. He'd practiced with an embroidery needle pricking his finger. This is a bit more than that.
He concentrates until everything still hurts, but not so much that he's going to pass out. Probably. Then he starts working the fastenings of his stillsuit loose.
He gets the shoulder straps released and the moisture seal broken at the main seam, but then he's stuck. Pulling the suit off his left shoulder requires raising his right arm, and that comes with a spike of pain and an abrupt tilt of the floor underneath him. He grabs the edge of the platform and has to spend some more time working on not passing out. Starting with his right shoulder proves no better; twisting his torso in that direction makes his vision gray at the edges.
He's leaning heavily against the stone platform trying to figure out what to do when there's a commotion at the door. He hauls himself into standing up straight just as a young man, wide-eyed and with blood all down the front of his stillsuit, gets shoved into the room. "Forgive me, Lisan al-Gaib," the man says. "The scarfless warmaster insists on entering."
It takes him a minute to realize who he is talking about. "Let him in."
The man retreats, and Gurney steps into the room. "My lord." His gaze takes in the bandages, the pathetic progress he's made on removing his stillsuit. He closes the door behind him. "If I may."
Paul nods.
As soon as Gurney peels the stillsuit back from his injured shoulder, he realizes he never could've done it alone. It's a two-handed job, easing his arm out of the garment, and he needs his one free hand to bite down on to keep from making noise.
Gurney helps him slide the suit down to his waist. His torso is painted with blood but there's nothing to clean it with now. Best to focus on keeping any more from coming out.
Together they bandage his side, then his shoulder. Gurney's hands are not unkind but they are pragmatic, efficient, not flinching away from his wounds but not lingering either. There is no talking save Paul telling him to wrap the bandage tighter.
He remembers a time, long ago. Sitting on a storage chest in the staging room of the parade grounds below Castle Caladan, watching Gurney help his father put his armor on.
There had been a surrender--of whom, he can't remember. He could not have been more than five or six at the time. Generals of the army they'd just defeated coming to sign the armistice agreement, but with enough resentment about it that everyone was nervous, and his father was wearing armor to declare peace.
There had been no talking then, either. Just Gurney moving practically around his father, an extra pair of hands for pauldrons and breastplate and greaves, while his father practiced the speech he was going to give under his breath, making subtle adjustments to tone and emphasis along the way. He doesn't remember the speech, only the feeling, Gurney preparing his father's body while his father prepared himself in other ways.
That is what is happening now.
Once they get his shoulder wrapped as tight as they can, Gurney helps him ease the stillsuit back on. Gurney still needs some direction to get it laced properly, the Fremen way, but having another pair of hands to pull the straps tight over his shoulders means he only has to grit his teeth, not spend time waiting for the room for stop spinning.
He takes a few test steps across the room. The bandage around his ribs restricts his breathing a little, but it makes walking slightly less painful. That will do.
He pulls himself up to his full height, straight-backed, head held high. The posture of an emperor. Ready for battle.
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Dragon Age: The Veilguard
There's some post-game thoughts I can mark as spoiler ones. Read only if you finished the game.
I love the game. Really. The grand finale was magnificent, the main plot idea is painfully touching and I adore the heavy weight of sorrow I bear after I finished the game. The best kind of bittersweet grief of possible.
However it doesn't mean the game is flawless. There's some stuff I didn't get at all.
Why there's no option to ask Solas about the Forgotten Ones? Like, hello, you have an encyclopedia of elven lore in your head, can't you ask a few optional questions about weird ancient guy you've met during the journey? Nadas Dirthalen? (Or it's because da5 is going to be about new dwarven and/or qunari lore and Forgotten Ones/Executors?)
You also can't say anything about the murals.. which is kinda strange. Why didn't Rook comment those mind-blowing revelations? For Harding, at least?
Evanuris. Solas' story is beautifully written, Mythal' story was also revealed more than before (even if she's in all 4 games) so we get to know her better. But Elgar'nan and Ghilan'nain? Fine, forget other evanuris.. but the spectacular duo? Spirits and demons are kinda the same, like two sides of a coin. Solas is Wisdom and Pride, Mythal is Benevolence and Retribution (as Morrigan said). Elgar'nan and Ghilan'nain are just.. bad? They're blighted and corrupted now but what about the past? Where's the duality of their personalities? No chance for redemption now because they don't want or need it, I get the idea, but the story itself? I wish there would be more about them. We do have something on Ghilan'nain tho, like: she created hallas but can't create them any longer and she has a full control over the Blight as if it's modeling clay (+ some Bellara' thoughts on a matter of "navigation" and "healing" and path Ghilan'nain chose for the People). But Elgar'nan? He likes tyranny. And he still had his hair. Uhm.. ┐( ∵ )┌
Romances. Can't say much because I didn't try all of them but Neve's and Lucanis'.. uhm. It doesn't feel like a written romance, y'know? Just a bonus lines so you doesn't have to feel lonely or whatever. Characters are on their own and don't have connection with Rook till the very end. There's no impact and Rook is, ironically, just an enjoyable side benefit™ but nothing more. Comparing to datv romance situation solavellan romance is hot as hell and full of content. And it says a lot.
Inquisitor. I do like how their absence was explained... yet Lavellan was robbed. I don't want to see a cringe Fade therapy session with Solas telling his tragic lovestory to a random stranger (Rook) and whining about just how much he misses his gorgeous wife (and I'm solavellan). But adding a few tiny details? The bare minimum: take the dai tarot card and place it on the wall in a music room. That already could've been much better. (mods mods mods 🤞🤞🤞).
Dialogue timing and triggers. I suspect dialogues are cool but I can't know for sure. In my first playthrough I didn't even know Davrin and Lucanis are not a big fans of each other before the Weisshaupt quest because I didn't hear it. DATV locations are much smaller than it was in DAI, so you just don't get the chance to hear those dialogues unless you find a trigger point and just stay there waiting to play all lines.
Some of that is not a tragedy and, theoretically, could be improved by magnificent people creating mods. But sometimes datv seems kinda unfinished like there's a missing puzzle pieces as if content was cut out with no replacement.
Despite some questionable moments and a bit of criticism I love this game regardless. It's dark and atmospheric, absolutely beautiful and mesmerizing. And analysis of Regret? Choices and consequences, acceptance, struggling, desperation, guilt..? The work Bioware did deserves to be highly appreciated. The final left me in tears, sobbing and grieving, and heartbroken - that's all I ever wanted of Dragon Age 💜
#dragon age the veilguard#dragon age veilguard#dragon age 4#da4#datv#datv thoughts#datv spoilers#bioware
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The Birthday Boy
Jenna Ortega x Autistic!Male!Reader
Summary: You finally get to celebrate your birthday for the first time, and with the one you love.
Words: 1552
Y/N POV
Today is my birthday. I've never really celebrated it; family never really bothered. Now that I'm older it just seemed more insignificant. No one to celebrate it with, and let's be honest and no one wants to celebrate it on their own.
Jenna was out working, I never told her when my birthday was because I didn't want to interrupt her filming schedule, she's already got enough on her plate she doesn't need to worry about getting me gifts for my birthday she has a career to grow.
I've turned 20 today; Jenna turning 21soon. 20 years feel a bit surreal not gonna lie, crazy to think it's been that long since I was born. I try not dwell on that to much, it'll just send me spiralling.
I do wish I had a good birthday though, the feeling of being celebrating. I know this may sound narcissistic, but I always wanted to be celebrated, have a day just about me. I wanted to feel like everyone could come together and show support for me even if it was just for one day, I never had that kind of love growing up so I'd like to know what that's like, though I doubt it'll happen.
My father never paid any attention to me growing up, saying I was too much of a hassle to put up with. You know you have a bad parent when they have to "put up" with you instead of loving you unconditionally, but hey beggars can't be choosers, right?
Me thinking about how life could've been was making me depressed so I decided to go out for breakfast, I got dressed and got the keys to my car and went out get food.
On the way there I get an incoming call from Jenna, thought she would've been busy this morning so this was a pleasant surprise. I answered but kept my eyes on the road.
"Hello darling, how'd you sleep" she asked, she knows I don't sleep well when she's gone.
"Um... I slept okay, probably could've got more sleep though. I'm just going to that Italian place we went to a month ago for some breakfast. How's shooting going" I asked, she's currently filming for her new movie 'death of a unincorn' with Paul Rudd.
"Filming's going great, Paul's really cool and I can't wait for you to meet him, he's knows you're a marvel fan too." She giggles mischievously, that little minx.
"Jenna why'd you say that." I whine feeling embarrassed.
"Aw babe, don't be shy he thinks you're really cool." She says reassuringly.
"Yeah sure he does" I say sarcastically, making her laugh. "Do you know when you'll be home?" I miss her dearly, I need to see her soon.
She let's out a sigh, I brace myself for bad news. "Sorry, sweet boy. I won't be back for another week." I let out sad sigh and a whine, I missed her alot.
"Hey, hey, don't be upset baby boy, I'll be home before you know it and we'll have so much fun together. The week will go by quick I promise." She cooed, she always knew what to say to put me at ease.
"Alright sweetie I have to go, drive safe for me and I'll see you very soon." She blew a kiss through the phone "I love you, sweetheart"
"I love you too, Jenna." We end the call and I continue my journey.
I arrive at the restaurant, this is gonna drain my social battery for today so I hope I don't have to to anyone that much, I just wanna get my food, eat then leave.
I ate my food peacefully, the staff were wonderful, definitely going there again for breakfast. I leave the restaurant and do some birthday shopping for myself, figured I may aswell treat myself to something nice for my "big day"; I sound miserable.
I'm pulled out of my thoughts when I feel my phone vibrate, a few text messages from some of my friends and cast mates from scream 5 and 6. I read them and I was shocked, how did they know...
Jasmin
Hey Y/N/N, hope you're having a lovely birthday. Can't wait you see you soon.
Devyn
Howdy stranger, happy birthday my love, you're 20! Hope you're doing well and I'll see you soon... very soon. 😈
Mikey
Looks like someone has a birthday today... AND YOU DIDNT TELL ME! HOW DARE YOU! Besides that betrayal I miss you so much Y/N, happy birthday my sweet.
Mason
Hey man, looks who's 20 years old! Happy birthday bud, hope you have a good one.👍
Melissa
Hey hey, it's the birthday boy! Happy birthday honey, you deserve the best birthday in the world. All the best from me and my husband.
Jack Quaid
Hey buddy, happy 20th birthday! I miss you alot pal, Karl and Antony send their birthday wishes too. Hope to see you soon, buddy.
I was shocked; flabbergasted even. How did they know, they couldn't have possibly...unless. I looked the last message, it was from Jenna, the mastermind behind this.
❤️Jenna❤
Hi baby boy, guess who found out when your birthday is! You never told me when it was but I asked around and viola! Happy birthday sweet boy, I promise we'll see each other very very soon. I love you so much, sweetheart.❤
That little minx... this is why I love her so much, I can't begin to express how much I love her and this just solidifies that. I sent her a message back saying I love her and continue to the mall.
But as I walk to the shopping mall I see three woman who look very familiar, they're wearing party hats too. No... no way... it can't be...
Jenna POV
The look on Y/N's face is priceless, he looked shocked, excited, and emotional at the same time. I think me, Jasmin and Devyn did good on surprising him.
"JENNA?!" He says with glassy eyes.
"C'mere sweetheart" I say and open my arms, he runs towards me and I wrap him in a tight hug.
"I missed you so much" he said while crying, he's such a cutie oh my god.
"Aww sweetie, I missed you too, so much honey. I've been tracking you on Life360 and we intercepted you here. Happy birthday my love, I know you don't like big crowds so I brought Devyn and Jasmin with me" they spoke up.
"Happy birthday, Y/N/N. It's so good to see you, I've missed you alot." Devyn says making him smile widely.
"It's been too long since we've seen you Y/N, how have you been?" Jasmin asks. He lifts his head from my neck and speaks.
"Better now that you guys are here, I haven't really been feeling the best since I've been on my own, I'm so glad you're here Jenna." I hold him and rub his back in comfort.
I want him to really enjoy his birthday today, I already have stuff waiting for him at home. I think he's gonna love it. "Let's go do some shopping and then we'll go home, I have a surprise for you." His eyes lit up and I kiss his cheeks.
- 2 hours later
Y/N drove behind me as we made our way back home. Jasmin and Devyn went home soon after we shopping. We park up to the driveway and he joins me at the front door.
"Close your eyes, birthday boy" I ask and he looks at me with caution.
"What are you planning now, Ortega?" He asks me; suspicion in his voice.
"Just close them silly" he obliged and I take his hand to guide him to his surprise. We reach the living room. "Okay, open your eyes sweetheart."
He opened them and is met with countless presents ranging from: action figures and Lego sets from their favourite franchise, new clothes, PC parts and much much more. I wanted to spoil him and make up for the 20 years of birthdays he missed out on. He looked like he was on the verge of tears.
"Jenna... is this all mine?" He asked, still not believing that he finally had a proper birthday.
"All yours, sweetness" I hug him as tight as I can, he cries into my shoulder out of, what I can only assume, happiness. "Don't cry honey, it's okay. That's all for you because I love you so so much, you deserve this my love, you deserve the world." I cooed softly.
"Thank you so much" he said through his cries.
"You're so welcome, my beautiful birthday boy." I say then kiss his forehead, cheeks and lips.
"Wait here, baby boy" I head into the kitchen and grab his cake. I light the candles and head back into the living room.
"Happy birthday to you, happy birthday to you, happy birthday dear Y/N, happy birthday to you." I sing and he blows out his candles.
I cheer and set the cake on the table. He smiled so brightly, he finally got to have a real birthday to celebrate.
Happy birthday Y/N.
A/N
Not my birthday, but I thought it'd make a good story. I hope you enjoyed.
#jenna ortega x y/n#jenna ortega x reader#jenna ortega#male reader#jenna ortega x you#jenna marie ortega#wednesday x you#wednesday#wednesday x reader
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2.7 Quest Thoughts
Spoilers Under Cut, it's a long one and is kinda incoherent and definitely doesn't cover everything I would've talked about in proper detail v-v
I felt heavily moved by the themes of this quest. Both Sunday and Tingyun (Fugue) are characters met with a huge shift in their worldview due to near-death experiences (especially on Tingyun's part with death), so I just wanted to word-vomit about it.
Tingyun first since her section in the quest was shorter, but the fact that they brought up the whole thing where she technically never met the Astral Express and how having Phantylia copy her so closely felt tickled the part of my brain that loves when media explores these topics and scenarios. The confusion and heartbreak that comes with having most of your existence taken and used, people experiencing "you" without it actually being you but being so close to you that you can't even find much comfort in the fact that it wasn't you (say that sentence twice ToT). Also how the trauma comes in the form of "Destruction" creating scars in her that won't ever leave, and while she's troubled by it, and will continue to be troubled by it, she chooses to take a step forward and take action, which is really cool for her in long term storytelling! I just hope we get more time with her grappling with these changes while she makes these strides, because of course, as established, those scars won't heal (at least not so easily). I have more thoughts but I don't think I can put them into coherent words at the moment.
Now, onto Sunday, he's always been an interesting figure in this game, especially his place among the player base and fandom. Genuinely, I think he's one of the most easily misread/misunderstood characters in HSR through a matter of media literacy, which is a mix of many things, and a slight failure of Penacony's long-winded writing, but that's a discussion many people have already brought up (plus a very fair criticism). Despite that, I think Sunday's intentions were pretty straightforward in the end, but for the sake of memes or something else, I've noticed that quite a bit of players twist him into something more malicious than he actually was (which tbh, he wasn't malicious at all).
(Part of me wonders if, in terms of players that also play Genshin, stemmed from the comparisons with Wanderer/Scaramouche, which that in itself is a can of worms I might make another post on.)
He's a lot of things. Very empathetic to the plights of those who can't fight for themselves, very meticulous and orderly (to the point disorder makes him feel uneasy), very sacrificial (self-sacrificial specifically, which I think players have confused with him having a "god complex" when it's more of a "savior complex"). Considering his background, he identified and related with the "weak" even if he wasn't fully aware of that before. All these traits that were shaped by his upbringing come to light in this quest.
Learning that Wonweek was a fragment of Sunday was really interesting, and what made things better was how their interactions near the end were handled. It could've been easy to do the merge and have Sunday "change" in ways that would have felt cheap or a speedrun of sorts to "redemption." But the thing about this quest is that this is just the starting point, so having Sunday express dislike for Wonweek, and while admiring certain traits, decide to maintain himself as he is now was great, in my opinion. It gives Sunday things to work towards at his own pace but also doesn't invalidate the intentions he came in with, which is the point Hoyo seems to be taking his journey with. Sunday's perspective wasn't entirely invalid like some players have made it seem to come across, it's just that his approach ended up being extreme/wrong. I appreciate that HSR didn't do a "we're absolutely right, you're completely wrong" approach with Sunday. I think it makes this new chapter in his journey feel more like a first step instead of a one-and-done "redemption quest."
Now we get to directly see Sunday trailblaze, learn, be challenged, grow, and have a potentially satisfying arc that spans over a longer time, which fits HSR's long-term storytelling. I, for one, welcome Sunday onto the Express.
I don't think I've been able to express my thoughts that well, but I wanted to do this while my emotions and memories were still fresh.
On another note, I found myself tearing up at the interactions between Tingyun and Yukong + Sunday and Robin. When you're aware of the contexts and backgrounds of these characters, it just makes the moments hurt more. There's so many things I could say from each conversation but I'm sorely lacking in the elegance to express them all. Different forms of support and parting, it's so bittersweet. (Yukong, my girl, I know you are suffering frfr)
Robin talking about Sunday and saying that he's stronger than most people but as a result, people expect him to get up faster when that isn't the case just got me, especially since he was actually agonizing over things in real time. The siblings make me sad, and I love their love for each other. The whole, we don't have to fly out together because we'll meet up in the sky stuff has me being a mess out in these parts. Maybe in a later post, I'll be able to talk about these parts with better articulation.
But for now, cheers to taking that first step forward!
#honkai star rail#hsr#hsr sunday#tingyun#hsr fugue#yukong#hsr robin#hsr spoilers#sunday fills me with a lot of feels#i think i related to sunday a lot#especially in terms of being “normal” and “weak” people#that experience of growing up without much experience in actually going out but also hearing a lot of stories#that bring out the worst in humanity#it's a shame that he's been reduced to “villain” or the charmony dove copypasta for a lot of ppl#can't wait for his goofy interactions with the AE#struggling jpg loves#struggling jpg thinks
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[Click for better quality]
Ok so as a sort of followup to that Yachie drawing, I did one of Yachie as well. I already had a pretty solid idea in mind (though tbh drawing her wasn't as fun as drawing Saki) but I'm overall pretty happy with this drawing.
Artist's Notes;
So I knew that I would never forgive myself if I completely missed the oppurtunity to give Yachie face scales, which is something that I haven't really seen many people do yet. I do feel like I could've pushed it a lot more, but I'm liking the direction my take on her is going.
I also wanted to take this opportunity to talk about some of my headcannons for how Hell's fashion works since I've had this on my mind for a while. So ever since I refined my own design for Zanmu, I really liked the idea of having there be some connection between her and Satori in their clothes because they're both the defacto "leaders" of their respective Hells, and then I had the idea of having Hell's fashion trends mimic real life history where it mimics whatever the upperclassman are wearing in someway? I've always been really fascinated with the idea of how Modern Hell works as a society and also how Old Hell was impacted by it's abandonment, and while I am aware that the animal realm isn't exactly Hell and is moreso it's own thing right next to it, I imagine that there would be some overlap in the fashion and culture due to their close proximity to each other. Of course, I still kept a lot of elements in from Yachie's original design, the only thing I really added to the outfit was the jazzed up sleeves and the bottom of her shirt as well as those cool triangle things ZUN added to her shirt in 19. I also have her some nice and sharp nails since I thought they fit her. I also tried adding some scales onto the tips of her ears though tbh IDK how well they read. Her colour palette also ended up becoming a lot more teal than I had anticipated, but I honestly like it as I love it whenever people make Yachie's colour palette and design a lot more teal. I also wanted to try and differentiate her face from Saki's, though I do plan on experimenting more on how to avoid same face syndrome, as it's a problem that haunts me in my dreams. There's not really much I can say here aside from "hee hee clothing rendering go brrrrrr" and how the Clip Studio Paint charcoal brush is really all you need for any given piece and it is literally the only brush I use aside from the occasional airbrush for lighting (sometimes) and the blend tools. I've been doing a lot more simple character art recently and I've just been waiting for a cool enough idea for a full blown piece.
Though now that I've talked about some of my headcannons about how Modern Hell works, I really just want a Touhou manga spinoff about Modern Hell. Like, please ZUN I'm begging you, just do it, it would be so fucking cool because Touhou 17 is literally the only time in modern Touhou when we've been to Hell proper, does modern Hell have any settlements of Oni and other Youkai? Does it have cities? Towns? Villages? What's the technological level of Hell? How do they keep sinners from pulling a Touhou 17 and summoning a fucking god to save them? Where do all the characters associated with Hell as of right now fit into everything? You can't just drop a character like Zanmu who is stated to essentially be the king of fucking Hell and then not elaborate further on how she fits into the general framework of Hell! Is she officially the king or is this more of a "true mastermind using the official king/ruler as a puppet" type deal? How does the Animal Realm fit into all of this? Did Hecatia purposefully create Hell so it would be right next to the Animal realm? Did it just appear there on it's own once Buddhism started popping off on Earth or was it established once Zanmu established Modern Hell? How long was Keiki a problem for, and how did that affect the rest of Hell? Seriously there are so many unanswered questions here and I don't know if I just need to read an interview Zun had where he was asked these same questions and if so please tell me because these questions have all been stirring in my brain for quite some time and I really wished we'd just get a new fucking manga instead of going over the same settings in Gensokyo over and over and over and over again dear god. Like, I get that there's still a lot to explore with what we already do have, but it would just be really nice to see the Animal Realm get a little more explanation as to how it fits into the overall grand scheme of Gensokyo's worldbuilding because that would just make such an already interesting idea for a setting in Gensokyo so much better.
I'm hoping to get the drawing for Keiki done before Touhou 17's 5 year anniversary, though I am willing to postpone that and take my time on it and I also have something coming up where I won't have access to my main drawing tablet for a while so it might be a while until I post again, maybe, who knows, consistent posting schedule? Who are they, I've never heard of them. I do fully intend on talking about my thoughts on Touhou 17 though, even if it's a day or two late, it's Touhou 17's birthday month so it still counts! Also because out of all the Touhou game anniversaries, this is the one I care about the most because Touhou 17 was the first Touhou game I played and 1CC'd(???) on normal, and even though it has plenty of flaws (i.e. the many missed opportunities for it's gameplay, how unbalanced the mechanics are and also screen visibility), I'm always going to have a bit of a soft spot for it and I think that the game's strengths make up for some of it's weaknesses in my opinion.
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WITCH THOUGHTS LET'S GOOOOO!
THEY IMPROVED CARMELA THANK FUCK! They did it for me..! ^v^ She is WAY more coordinated and the colours are sooo nice! The frilly skirt bit is soooo cute! I love how she kinda looks like an octopus or some kind of sea creature. Not sure how well that links with Manaka but eh. I don't think there's much I dislike here. Perhaps the knife rack thing is a little out of place? Not sure. Now as the witch from the doppel hmmmm it seems like the circular bit is completely lost... for link-age, that's not great but getting rid of it to make the design better, i am wholeheartedly down for. She is a big win for me!
Obariyon. I'm hmmmmm not sure. I don't hate it. Why does its head look like a bear? Is it cause like... Obeariyon..? I just don't know if this would be what I'd imagine the full witch to be... The doppel makes me think more of an insect or something whereas this is going for a mammal it seems. It's good but I'm on the fence whether I personally like it.
From the silhouette from the trailer I was super worried about Hevelius but I think I like her? I think her shape is interesting and as stupid as the head is, I think it's fun. But I do have gripes. I'm a bit bothered that the white fabric bit that was so focal before is just completely gone and the head piece and veil is completely removed, like c'mon, that could've been super pretty on her head. And I'm not sure about the coral-looking uhhh thing. And I hate those legs why do they look unfinished? As I rack up the complaints maybe I don't like it..? Hm... I feel like I could improve it using that shape base though. She's fine.
Also... THE HEAD LOOKS LIKE THAT MANNEQUIN HEAD FROM RUPAUL'S DRAG RACE BUT I CAN'T REMEMBER ITS NAME
Now we're getting onto the ones I super like again wheeee! I think Pennen Nolde is so fun, the little matchstick girl theme is ace! I'm sad some super cool aspects of the doppel are gone though... I loved the matchstick thing and the lace and hanging diamonds but eh, maybe they just didn't fit. She's good and I can see it working the other way if the doppel came second. Although the legs are simple, I think the doll legs work and aren't bland like Hevelius'
Pennen Nemenu, ough, I think she's beautiful! I think she takes from the doppel super well! I miss the weird teapot head but I think the head they chose is also cool. Maybe add the tassels onto the end of the hat thing? I love how the main body is utilised into her bloomers (one thing I was sad was missed about Nolde) and she's super cute. My only gripe is her body shape, she is a child she does not need a stick thin waist and boobs, thank you
Now I did notice that these last 3 doppels share a similar body shape and I get that for important, linked characters. I don't think it's a bad thing cause they're all unique enough on their own.
And back to disappointed. My fears came true, I did not want her witch to just be the Nightmare-esque part... sigh... it doesn't even take from it well... no ears? Hair completely wrong colour, face completely different, stripes going wrong way. Like, I get it. Gas mask for poisons, bandage on head for uhh illness (i dont know enough about Alina but she was in the hospital right?) but it's not her doppel. Disappointing.
#madoka magica#puella magi madoka magica#pmmm#witch#madoka magica witch#magia record#doppel#old dorothy#pennen nolde#pennen nenemu#hevelius#obariyon#carmela
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Cindered Shadows Thoughts
Btw if you don't wanna see thoughts on my 3H playthrough block this tag #playing fe3h
-Finished it in exactly 8 hours, at least 2 of which could've been an email /s
-It is truly a microcosm of my foundational issues with 3H as a whole, besides two things
-One is that exploration isn't as tedious because Abyss isn't as big as the monastery, but I guess that isn't really a point in its favor since that's the whole point lol
-The second is I feel like Byleth's dialogue and text selections with the characters is a bit better. There's less instances of , what I describe as "characters extrapolating how Byleth feels in 1-2 text boxes before actually responding to what they said", which I swear is a cause for why the main game reads as if it's 10% longer than it's supposed to be.
-IMO unique map objectives don't save map design that's pretty uninteresting at the end of the day.
The first map's layout is cool! Until it gets reused in chapter 4, where it's only saving grace is a new objective utilizing prior knowledge established in chapter 1. Clever, but still a reuse in a game that infamously spams repeat maps. And outside of Chapters 2 (a slog where you defeat enemies in waves which isn't fun in FE) and 7 (a cramped hall where you have to brace against a monster boss), the other maps are reused from the base game, even chapter 3 is a slightly modified sealed forest.
-Combat itself is so slow, I'm really just debating turning off animations in general when tackling the main game. Not only do the animations take forever, but they don't look interesting, are surrounded by washed out textures and models, and-my personal biggest grievance-have absolutely no momentum nor weight behind them. The Tellius games, from what I've seen, yeah the animations take decades, but from a visual and sound design point, fighting feels significant. 3H also being sandwiched between Echoes (the gorgeous culmination of handheld 3D Fire Emblem presentation after half a decade) and Engage (which to me set a new, high bar standard for 3D FE presentation going forward) is an extremely unfortunate situation and I feel really sorry for it.
-Music still hits though, Shackled Wolves never gets old
-Another thing that 3H does that this DLC reminds me of is the amount of -Stand Around- cutscenes there are. It confused me that Engage gets the most heat for this, when this game does it more, due to more drawn out dialogue, simpler camera angles, stiffer models with fewer animations, and an absolutely diabolical background setup. For a game with an expository selling point, it repeatedly falls short at being engaging in a visual sense, with its scenes always being saved by the phenomenal voice acting. Almost always, at least. The scenes where the Wolves are getting their blood drained while they just stand there is so jarring and bad, it's nearly funny, when it's obviously not supposed to be given the lines, their delivery, and the accompanying music.
-The story from A to B is sweet I guess, but given that the devs said the Cindered Shadows version of events is basically non-canon to what happens in the main game sours me on it. Like, yeah it's cool that the Wolves can technically be capable enough to do it offscreen on their own, but then what's the incentive then for me to recruit them beyond the player's pre-established care? There's no narrative payoff in the grand scheme :/
-Also the whole plot is "what if Yuri, Rhea and somewhat Claude/Linhardt do everything and also these other goobers are here" which became really funny, because after a while even the lines had characters deliberating the sheer amount of coincidences and melodrama that was occurring. 3H style writing shoved into an 8 hour timeframe is accelerated, exhausting nonsense.
-Sothis not being in the plot is fine, because even though it doesn't make sense why she wouldn't comment, it's not like there's anything of value she would contribute beyond her usual schtick of "bratty banter, where are my memories, i sleep now".
Not having Jeralt though? Absolutely ridiculous. I don't like Jeralt as a character (he's my idea of pretty face and that's it), but there's no convincing me why he couldn't be here but Alois can. Love Alois! But he was a device used to have the Knights on standby and nothing more, which Jeralt could've done and it would've let him have a proper impact on the ordeal with Aelfric.
Speaking of which, revisiting this DLC had me thinking... wow this love of Aelfric is veering very close to cult-like, and it's cut short after chapter 5 because we don't go back to abyss once that map's done. I'm left with wondering how the Abyss denizens would feel after knowing that their caretaker was Like That™️, which is a completely foreign feeling to me when discussing 3H's narrative since the game normally never lets it be remotely unclear how the characters or the player should feel about anything ever. So... props for that for making me flex that part of my brain! You did it Fodlan, the creepy custodian plotline that was left dangling was great fridge horror material.
-The constant suspicion throwing and animosity towards Rhea and the church is tiring as usual, and also sometimes downright baseless. Like, at one point it's said that orphans are among those who are relegated to Abyss or otherwise ignored on the surface which is flat out not fucking true, Rhea literally takes in former bandit kids and Remire orphans, what are we doing here.
-Balthus has a cringe "fight the system line" meanwhile he's an irresponsible jackass pushing 30; Constance is written like a joke; Hapi's writing is a joke; Yuri is as incomprehensibly competent and storied as ever and I love that cuz it's nonsense.
-Overall, not godawful terrible, but nothing in it that's worth coming back to in my eyes.
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Sorry while I was running errands I was thinking more about this, but like...they really really really not only could have but imo should have done the Guillermo/Canon Capital storyline seasons ago. Guillermo literally leaves the house and the vamily several times over the seasons and while the Canon Capital storyline is still very similar to his stint with Celeste I think it did help to give Guillermo and Nandor a new perspective on themselves and their relationship, so it has it's own kind of unique edge. So why, why, why did they wait this long to do something like this? Why did they have him 'leave' several times just to whip out an actually productive outcome to that repetitive plot at the eleventh hour? We could have done the Celeste thing, the vampire-change fakeout and then Canon Capital thing and then had maybe even a couple of seasons to explore them trying out the new vigilante dynamic (wHICH I HAVE WANTED FOR YEARS NOW). I don't know all the BTS lore, so for all I know it's possible they were hoping to do more with it in future seasons and then got cut off at six, but STILL. Why did we waste so much time treading water with these characters over and over and over again when CLEARLY we had a way to give them something more productive and interesting to do with each other? Like don't get me wrong, I loved that last episode and the nandermo moments very much but it's a little frustrating and disappointing to know this was in their back pocket and could've been done SO MUCH EARLIER. But honestly a lot of this last season feels like they were treading water with conflicts we've already resolved and filling up episodes to pass the time rather than address plotlines that have been left hanging (of which there are so many- Jenna? What happened to her? Even if Beanie couldn't return bc of schedule conflicts or whatever we could've at least had a mention from Nadja of what she's up to these days idk. The Vampire Council really were just...cool with them killing other vampires, there wasn't a bigger storyline there? And ig the whole 'taking over the new world' thing was resolved with the popping of Jerry's head which is...unsatisfying to say the least- could still be addressed in the last ep but that's A LOT to hang on what, 25 mins?).
lol sorry I'm not trying to go FULL negative nancy here but like others have said I think it's possible to both love something for what it is and acknowledge its failings. I'm going to enjoy this last ep for whatever it ends up being but MAN, the more I think about it, the more I see these baffling, obvious missteps in potential and I cannot fathom why the writers/powers that be thought that having the characters run around in a hamster ball with the same rehashed plots over and over was better than what they're doing now, what they could have done. I get the whole thing about vampires and a lack of change but shouldn't we, as the audience who is sympathetic to them, want to see them grow? Deal with different conflicts, both internal and external?
idk I'm just ranting/thinking out loud atp, and the show's not over yet so we'll see what they do in this last one, I'm just setting my expectations accordingly. Like someone else said, if nothing else we can fix it in post (fanworks lol)
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I think Star and Wander would be just as frustrated w/ each other as Wander was with Dom in s2, if not more. Ostensibly, they share the same goals so theoretically it shouldn't be too hard for one to get thru to the other. Problem is, both Wander and Star are very stubborn irt their views and what they think is the right way to go about things. Granted, with s3 being about testing Wander, he likely would've started to question his beliefs abit and eventually become not as stubborn with his views, especially considering Dom blunty turning down his offer of redemption/friendship at the end of s2. Maybe Star would've had a similar arc? What do you think ?
YEAH !!!!!! YEAH LITERALLY !!!!! thx for asking! big oc infodump incoming
thats exactly what ive been thinking of, like SFEF honestly have the universe's best interest in mind. they motivate their actions on the belief that they're right n they're genuinely doing good by freeing galaxies of villains, even if it's in frankly cruel ways n their definition of what is "good" n what is "evil" is extremely black n white n divided. they are the always the good guys n others r the bad guys who are inherently fundamentally evil n dangerous n deserve every terrible thing in the world to happen to them (that worldview is basically exactly what leads to the dehumanization of villains in their eyes n that is what makes it rlly easy for them to do what they do cuz they don't view villains as actual ppl with their own motivations n reasoning but as a disembodied force to be defeated).
star, who is the perfect guy to represent SFEF's beliefs n ideals (like he genuinely does not question them in the slightest he accepts their worldview as his own to the point his self-identity is tied directly to SFEF. the way he goes about fulfilling his duty is sort of tainted by his own personal wants n opinions sometimes, that's why sugar n ultra r there to level it out, but at the core he operates on the same logic as SFEF do, underneath all of their inspiring slogans n speeches of their righteous mission), is also the perfect guy to serve as a contrast to wander. star is literally like helplessness-less wander from the wanders episode. we only got to see him once in the show n the only thing he did was do a cool pose n explain his worldview, so star is basically what would happen if he got to act upon n actively spread his ideology — if wander had to face against someone w his own discarded belief n prove not just to himself but to literally the entire galaxy that it is not the answer
i feel like wander would be absolutely delighted to see SFEF show up at first. new people in the galaxy, and they're here to help, and they're really good at their job and others seem to really like them — this is basically like the hot shot episode situation. but then as their mission goes on hed begin to recognize their approach is flawed AS HELL — hed get that ideological ick from them. the problem is — he's the only one. post-dominator, after his pacifistic approach didn't work and dominator turned out to be an irredeemable sadist who could've only been stopped by force, the yonder galaxy would sorta start questioning wander n be more willing to side w SFEF n their more forceful methods. maybe that would even include sylvia, give her a bit of an arc — ofc shed still stay w wander n in the end shed support him, but judging by her character i feel like she wouldn't be opposed to a team of good guys who stop villains by force instead of trying to befriend them. even if she started warming up to peepers a lot n even cheered for hater in the end of the galaxy, she still doesn't seem to fully agree w wander on the sentiment that villains can be redeemed (quite paradoxical considering she was a redeemed "bad guy". wonder where that stems from). i think an arc of her coming to her own conclusion that wander really is right abt that instead of just going along w all his plans throughout all s3 would do her pretty well. so there goes the testing wander part. no matter how confident in ur own righteousness u are, if literally the entire galaxy rejects ur worldview u can't help but start to question it. that might even work to wander's benefit in a way, cuz his approach admittedly is still kinda flawed, so starting to question it might in the end make it more nuanced n balanced instead — curiously, what tries to break him ends up helping him in its own way. in the end it'd all probably come around to a big epic wander win n a great philosophical conclusion abt pacifism n what is good n evil n how too drenched in nuance everything actually is to apply such simple black n white logic to it. idk exactly how it'll happen but thats how i imagine it
now this part is curious, cuz smth needs to happen to SFEF after they lose right? now um the best outcome would be to show the entire bigass intergalactic SFEF organization the error of their ways so they can use their influence n power for something better — but idk how to actually come to it, cuz it's quite the feat.
what is a bit less of a feat is to redeem just star sugar n ultra in the end. ultra has her own arc going on of gaining conscience n beginning to question SFEF's ways by virtue of their beliefs being programmed into her, n the very act of her gaining free thought goes directly against her programming. so she doesn't have a brainwashed stupidass little head like how star does, which makes it just the tiniest bit easier. wander would come in super handy as a guy who showed an alternative to loyal to their authority soldiers/robots at least two times before. now i just dont know if i should let ultra have her happy ending or give her the beep boop treatment, inevitably shut down for good or sent back to be reset back to her factory settings the moment she stops being convenient to the cause or even worse tries to sabotage it. hard choice
sugar... sugar is a bit of a pickle. they dont go against SFEF but they don't exactly support it either. u see their species — bonbons — due to their physiological advantages, r rlly convenient for SFEF to hire. theyre almost impossible to hurt, have the ability to regenerate, can shift shape freely n can solidify or liquify their body's consistency at will. so basically SFEF practically has control over their homeplanet, in the cultural n societal sense. working for SFEF is like the go-to career there — kinda like the military if they payed better n also didn't endanger ur life so much. so sugar isn't there out of some righteous desire to save the universe, or for glory, or out of obligation — theyre basically there for the bag. its like a 9 to 5 to them. a circumstance. that attitude is outrageous, but that's the point — sugar is rlly detached from reality. they just go w the flow. they dont want to think too hard about the cause theyre contributing to. they dont want to think of the fact their actions have consequences. they dont want to take the lead of their own life. n since they leave it up for grabs SFEF is happy to accept the offer. in order for sugar to have an arc of abandoning SFEF n growing as a person they need something DRASTICCCC to happen, put them in a situation where they have no choice but to take action n actually pick a side. to commit. idk how that'd happen but it would be great trust 🙏🙏
now star. heheheheheh. until just recently i actually didnt even consider a character arc for him. hes a stubborn self-assured delusional fucking blockhead who would rather kill himself than admit he's wrong. i felt like just keeping him that way cuz i didnt see how wander would be able to make him reconsider that wout it feeling forced. but then it came to me, that if there's anything he believes to be as correct as himself — its SFEF. like ive said SFEF is basically tied into his self image now. every "I'm not wrong" automatically translates into "SFEF isn't wrong" n vice versa. n now — what if those sentiments weren't just separated but directly put against eachother, one or the other inevitably false. what if SFEF fired him. its their big final loss, star is forced to admit defeat, mark the end of their mission in the yonder galaxy n just come back to the main SFEF station empty handed. but they don't even let him do that. they just fire him. he fucked up his first mission in a relatively small galaxy that was literally almost wiped out by a huge threat beforehand — like it was perfect picking n he fucked that up. he proved himself worthless n hes not rlly important enough to deserve a second chance from them, they can fire him n literally nothing would change (a big shocker for star who genuinely thought he was all that. in reality they didn't even hire him in the first place cuz of his skills or something — it was because he looked like their mascot 😭 ofc going up the SFEF career ladder to the point they oh so generously allow him to lead a mission took him a lot of effort. but in the end he's just another easily replaceable cog in the machine. he refused to see that until now. he was like the biggest SFEF d-rider ever n he naively thought he meant something in return, that his efforts would pay off, that he'd be recognized for how absolutely jawdroppingly cool n awesome he is, that he has some worth to them — but he doesn't). n so something that was a big part of him, something he built his identity on, now leaves him on the side of the road. n it creates a huge dissonance — n he can't figure out whether he's wrong for fucking up n being a fucking loser or they're wrong for firing him, cuz both of those r thoughts he refused to even consider before. now probably for the first time in his life he's forced to come face to face w the fact he failed, in a way he can't brush off or takw himself back from after. to make matters worse he's basically homeless now lmao cuz he used to live on the SFEF spaceship station until they fired him n he cant come back to his parents house cuz that's the most shameful humiliating shit ever to him n hed rather kill himself than let his parents know the fucking SFEF fired his ass cuz its kinda a big deal 👍 n so there goes wonder — @catfacedcat's oc
some exposition so wonder is a criminal who keeps getting away n hes basically like stars arch nemesis n they also have a bit of a Thing going on. toxic yaoi situationship. now to star wonder was like. a spot on his squeaky clean self image. falling for a criminal n ur enemy is basically... a flaw. a weakness. an inevitable loss n stuff. actually there was smth rlly good that came out of it, interacting w wonder a lot n warming up to him made star question a bit maybe he's not such a fundamentally evil terrible badguy after all. like "maybe nuance is real n bad ppl r still ppl hmmm ☝️☝️ nah no way" or whatever. so what i mean to say is star is at the lowest of the lows rn right. this is that inevitable loss. hes the spot on his own made up image of himself that he couldn't live up to. so he goes to the guy who he feels he belongs w most now — wonder. belongs not in a romantic sense(ok maybe a romantic sense too) but in a "ure the only person im vaguely close to who i feel like could look me in the eyes rn simultaneously the only person id let see me cuz the very act of me feeling anything towards u was already a step so low for me that begging u to let me stay w u doesn't even feel like going much lower. anyway so can u let me in ure my only hope 🥺" sense. so he just stands outside of wonders car cuz wonder doesnt even have a fucking house either, holding a cardboard box w 3 shirts 10 ties n a cactus, completely drenched out in the rain probably fell in a fucking puddle on the way. n i feel like he doesn't even expect him to open the door. n wonder wouldn't really be to blame if he didn't like things r rlly complicated between them. + she alr has to share her stupid broken ass car w her coolioburger 4yo kid (big shoutout to woopa) like be so fr rn. but hed probably let star in anyway n they just sit there rlly awkwardly n avoid eye contact. basically a huge humbling experience for star that is sure to kickstart a character arc of reconsidering things n becoming a better person n stuff 👍 all because of yaoi
big shoutout to my frjends for this one fr stars arc was like a group project
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