#she DID do all the fighting. but the fact she still doesn't get to fight in a game she's literally headlining????

[fluffyk97]

Sonic 3 spoiler rambling about Sonic and Shadow under cut !

Y'know something that I feel might go lil under-appreciated is how well they made Sonic and Shadow mirror each other in the movie.

Like something that always can easily irk me are people boasting one of the two over the other because from the very beginning of his introduction to the series, Shadow's character is meant to reflect Sonic. They're meant to be equals that are so similar and complete opposites at the same time.

With the movie, I honestly wasn't expecting it that much. Sonic actually has a backstory that is just like Shadow's: powerful little hedgehog that is wanted for his power, so the one he's known his whole small life that he loves sacrifices herself to save him.

I fr fully expected Sonic to learn about Maria and be like "I lost Longclaw, I know you're pain, but-" blah blah blah- BUT they don't do that??

Of course, we have Commander Walters first telling Sonic that Shadow's story is a lot like his but wasn't able to find family and friends, and Sonic does find Shadow had a family from finding a picture of him and Maria together. He never gets told what happened exactly though, although it wouldn't make too much of a difference with the fact they did change up Shadow losing Maria just a little bit.

Since they didn't live up in space, Maria didn't have a capsule to send Shadow off with sacrificing herself and instead they made it an accident. WHICH- can be understandable if people don't like that, however personally I don't mind it that much because honestly the intent to shoot Maria was there, but she ended up being lost from an accident caused by Walters.

Which, ties in to Shadow hurting Tom...

Walters in trying to help save Maria's, Shadow's and Gerald's lives unfortunately led to Maria's death and watching Shadow be put in stasis for 50 years where all he thinks about is that painful memory burned fresh in his head. So of course when Shadow sees Tom disguised as Walters, he takes his anger out on him by hurting him while also stealing the key for the ARK. Leading to unfortunately another scenario of where the intent of harm is there, but someone still got hurt from an accident because Shadow never really meant to hurt Tom. But he does anyway..

Which of course in turn, makes Sonic mad just like Shadow was 50 years ago. Only difference is Sonic doesn't get immediately captured by GUN and forced into stasis. Letting him able to go straight to Shadow afterwards for hurting his family.

We have Shadow take note of all of that himself, telling Sonic he's feeling exactly the pain he felt and Sonic being the one to say "I'm nothing like you!". Just like how I thought Sonic would tell Shadow about Longclaw in hopes of redeeming him, but reversed and both sides full of anger and grief.

One awesome super fight later though, we come to the talk on the moon. Probably my favorite part in the whole movie. outside of the super fights and Live and Learn playing lol

After mentioning Tom and getting uppercutted straight to the moon by Sonic, Shadow loses his super form, leaving him vulnerable, easy for Sonic to take his revenge on him. Only for all of that to be stopped because of Shadow pointing at his own chest which reminds Sonic what Tom told him at the beginning of the movie and calm down.

"You didn't let pain change who you are."

This completely baffles Shadow, with him actually wanting Sonic to finish it, but of course Sonic just refuses saying "No one wins with revenge". It just leaves silence between them, finally giving Shadow his own moment of remembering Maria outside of her death by looking at the stars he used to gaze upon with her.

He mentions it to Sonic how all he knew and felt was just the pain, and now finally- FINALLY, Sonic mentions how he shares that feeling of loss from Longclaw. Not in a moment of trying to just redeem Shadow without the full weight of it, but in a moment of understanding.

A strong moment of these two looking at each other in a mirror, eye to eye. Sonic, who was allowed to grieve all those years ago after losing Longclaw, telling Shadow the pain of loss will never go away, but the love will always remain.

"The light shines, even though the star is gone."

And through that shared pain and loss, now coupled with empathy and understanding one another through it. They truly connect.

Sonic and Shadow's dynamic was just done SO WELL in the movie and I couldn't be happier with it...

[comet-soda-lite]

I finally got around to watching Arcane season 2. Very beautiful, but I do have one major gripe: Vi shouldn't have ever given up on Powder. Not after everything.

She spent nearly a decade in a cell, her sister was all she had left. All she did, every moment, for years, was live for Powder. Then she gets out, and it's her one defining motivation. The whole world can burn for all she cares, as long as she can reach Powder, maybe get revenge on Silco for what he did to her family. She finally finds Powder, messed up, in pain, afraid. And she says over and over, she'll never give up on her, never leave her behind. And then, all of a sudden, in one shot of a cannon, she accepts that Powder's gone entirely. Not just that, she's willing to outright kill Jinx if they get the chance. Why? Where did any of this righteousness come from? Just because a few council members that never gave a shit about her got blown up?

The story doesn't even change if she doesn't give up on Powder. In this version, she accepts the enforcer badge as a way to prevent a full-scale invasion of the under city by joining the smaller task force, as she does in the show. Or maybe the invasion goes through and she does it in an attempt to access the under city while it's under said invasion, to reach Jinx easier. Either way, she's sick with herself over it, but she swallows it down, because it's a necessary evil to find her sister—instead of her having that weird shoehorned-in change of heart about Enforcers because one person acted all bright-eyed and nice to her.

She lies to Cait, telling her she understands Powder's gone, that it's only Jinx now. Because after what Jinx did, she knows Cait would never trust her if she still made it obvious she wanted to save Jinx. And Vi feels horribly guilty and conflicted over this too, because she knows she's the one who prevented Cait from taking the shot that would've saved her mother, but at the same time she doesn't regret it. In the fight underground, it goes the same way, Vi stops Cait from shooting at Jinx and Isha. Afterwards, Cait accuses Vi of not having given up on Powder at all, to which Vi stumbles over her words trying to deny it.

They have a falling out, Vi spirals in the same way. Jinx shows up in Vi's room, telling her about Vander being alive. And Vi goes to choke Jinx out, at her lowest point, barely lucid and faced with Jinx's cruelest "trick" yet. She almost can't see Powder in there anymore for the first time (despite the fact that in reality Powder's never been so close to the surface). At the last second, she lets go. She's distant, her guard's up, but she still follows her down to the mines. She can't let herself believe that after all this time chasing Powder, now Jinx has come right to her, asking for her help. And then they find Vander, and she finally lets herself believe it. Everything else proceeds the same.

Well ok, except, to me personally, Jinx doesn't die in the end, because she vehemently deserves to live. At every point she tries to throw away her life, she's not able to, and that means something. Yet, at the very end, the show allows her to throw away her life anyway, acting like its different because it's in self-sacrifice. And yeah, it is a little different, but it still doesn't feel right. Of course, maybe I just like happy endings too much, while Arcane—at least the story of Vi and Jinx—is a tragedy, if there ever was one.

EDIT: I have been informed Jinx survived, the above paragraph is cancelled. The rest of my post still stands, though.

[fynnlink]

Personal opinions aside your first post claimed that none of these points were explained which is simply untrue. They may not have been explained as in depth as one would like but we have been given answers.

It may not be too specific but still an answer was provided. And the series literally points out again and again that no witness of or account of history is objective. We literally just found out that the Human Kingdoms weren't barren but exploited until they lost all magic which was then hidden from history to sway the future humans' opinion of Xadia. Neither Aaravos nor any character is a truly reliable narrator.

With the line he won't fall for that trap twice he literally confirmed that he did in fact fall for it at one point. And fighting four Arch dragons at their prime (and potentially a few powerful mages) would be difficult even for Aaravos.

Also we don't see in depth how Xadia managed to exspell ALL humans but we get a stylised montage explaining it back then we also just had an unreliable narrator (Aaravos) explaining it and were only given vital context later. The Series literally "show don't tells" us this with the S1 and S3 intro reframing the fight between Ziard and Sol Regem.

Again you never specified anything regarding what you consider obvious or not and asked about what his "beef" with Sol Regem was and despite it being "obvious" the answer is that Aaravos' side of the conflict began with Sol Regem telling the C.O. about Leola. There doesn't have to be any other reason for it. The nature and full extend of Aaravos taking revenge on SR hasn't been explored but the reason has been given. Aaravos manipulated SR both by everything with Karim's part of the Sunfire plotline and before that with stoking the conflict between humans and elves and especially against the dragons to lead tensions to a point where SR in his blind (figuratively) and aggressive fury would also harm someone he cares for. Sol Regem is impulsive, vindictive and prone to outbursts of anger which literally leads to him charging head on towards the dark mage he just provoked by threatening to murder innocents. And while I do find it interesting and would like their history to be explored further this series isn't primarily focused on the specifics of the past but about how it impacts the present and future.

Sidenote Zubeia didn't "allow" Avizandum to imprison Aaravos she actively contributed. The betrayal comes from the Archdragons trapping and outsmarting Aaravos, who it is important to note is also not a reliable source and who and what he deems a "Traitor" or "Betrayal" isn't objective.

I'm not disagreeing with the want to see these stories explored further but we know the Orphan Queen was involved with and literally present and participating in Aaravos' imprisonment, that she found the KoA and probably kept it as it went to Katolis with her, that she may have been involved in the Mage wars and that she went on to become Ezran's ancestor (again that's the answers we have so far no matter how unspecific they may be)

Again you never said what was obvious to you. I don't know you so I can't know whether or not you know this stuff so I explained parts of it.

No the Staff has never been confirmed to be stolen so "taken" is a better term for it. But the staff is missing from the zenith point of the Starscraper. As to Ziard getting it from Aaravos who else could he have gotten it from as no other Startouch Elf was active during this time or at least not trying to assist humanity and Ziard is literally depicted as one of the pawns/chess like pieces of Aaravos (like Callum, Claudia and Viren)[1], Ziard also bows to him after returning from the In-Between. Also they are obviously setting up Elarion as the next focus point with even the Key of Aaravos leading there. (My working theory is that Aaravos and Leola's home was close to where Elarion would one day be founded and may still be there.) And it's literally built on the banks of the Sea of the Castout so of course Aaravos is a relevant figure. (But yes, the poem hasn't been explained further yet)

The reflection in the Sea of the Castout is what first leads "the wisest among [the humans]" (which was probably Ziard at that time with how Aaravos likes to flatter Mages he tries to convince) to "imagine what such power would feel like in his own hands, should he be allowed to hold it." Thus leading to the humans exploring magic -> dark magic.

There is no need to remind me but the writers setting up a continuation or sequel was obvious so they could get interest for said follow up. But the core plot of the series has more or less been resolved especially with the founding of Evrkynd.

And the driving force behind Aaravos' actions, the most important parts of his history, his goals and his character have been explored compared to Aaravos in Seasons 1-3 the "Mystery" of Aaravos has been lifted. He's no longer the "Hand -" -> "Elf in the Mirror" (with half the fandom debating his gender identity)(good times /pos) -> "Aaravos, the probably a Star Elf" -> "Oh it's StarTOUCH Elves" -> "Let's translate these two useful frames of a poem" -> "What the h- is an 'Elarion'?" -> "is he the Elf from the prologue?". We actually know things about him and even back then Act 1 introduced Aaravos and explained he was imprisoned but never got specific or explained why the Archdragons did it. That was all answered in the following Act after a years long hiatus in which it was also uncertain whether we'd get another season. (Blame streaming and profit maximisation) then in this Act we got his backstory and more basic facts about Startouch Elves (their immortality, apparent lack of interest/empathy in the world, their powers, etc)

The original titular mystery surrounding Aaravos has been lifted. Who is he, why is he doing this, what even is he doing. All these questions have been answered.

Also Aaravos was already important and semi-active participant in most of the series from S2/3 onward and again this isn't the end of his/the story even if Netflix decides not to renew the series.

[1] (official and canonical drawing, featuring a figurine of Ziard tipped over and Aaravos' hand reaching for a similar figurine of Viren standing next to one of Callum. All on what looks like a chess board)

Final addendum all mages who have used Dark Magic fall prey to Aaravos' control and no one else's so I makes no sense for Ziard to have been assisted by any other ST-Elf

wait a fucking minute...

We still don't know why and how Aaravos was imprisoned.

And what exactly his beef with Sol Reg and the other archdragons was about.

And what his relationship was with the Orphan Queen.

Oh yeah! And also his relationship with Ziard... and city of Elarion...

DID THEY JUST KILL HIM WITH ABSOLUTELY NO EXPLANATION?

I'M SO PISSED OFF

[rekino2114]

Snowball fight with arei nageishi

Holiday post #7

Pairing:arei nageishi x gn reader

A/n:I don't really know what to say here but I wanted to fill the space sooooo arei is great....that's it

"Hey look it's snowing!"

You turned towards arei who was pointing at the snow outside through your window

"Oh yeah it is"

"Can we play outside?"

"Like in the snow?"

"Duh"

"Why?"

"Cause it's fun"

"We aren't children anymore"

"Oh what so only children can play in the snow now?"

You giggled and grabbed your coat

"Calm down I was joking, just make sure to dress warmly, I wouldn't want you to catch a cold"

"Yeah, yeah, don't worry"

She put on her winter attire, which consisted of a blue jacket, a beanie, and a scarf and gloves, and you did the same and went outside

"It looks beautiful"

Arei didn't answer you as she immediately feel into the snow and started making a snow angel while laughing

Seeing her so happy warmed your heart, so you decided to do the same. You went near her and started making a snow angel, too. Until you saw her get up and run towards the other side

"Hey what are you doing?"

"Having fun"

You smiled and got up, dusting the snow from your jacket. You were about to look back at arei when you heard her speak

"Hey babe, catch!"

"Huh-"

Before you could even respond you were hit with a snowball right in the face, when you shrugged off the cold sensation you looked up to see arei giggling to herself

"Hey no fair"

"Eh, did you think I was only good at bowling?"

"I was distracted, that's against the rules"

"Too bad, we didn't set any rules"

"Two can play at that game"

While arei was busy laughing you picked up a snow ball and threw it at her face instead

"Hey!"

"It doesn't feel good does it?"

"Tch"

She got mad and started throwing more snow balls. You tried to run, but she got you with her good aim, so you retaliated by throwing even more snow balls

The situation soon developed into a full-on snow ball fight, but your irritation very soon turned into happiness, you started laughing while hitting your girlfriend and being hit.

As you launched another snow ball you felt yourself getting tired, arei hit you once again and you decided to end the fight, falling in the snow in the same position you and the blue haired girl were in before the fight started

"Hey what's wrong tired already?"

You saw her face smirking at you as she held up a hand to help you get up

"Yeah, it's cold too"

"It's snow, what did you expect?"

"How are you not cold?"

"I dunno, I guess I'm just better at you"

"At handling cold temperatures. That's a very specific thing to brag about"

She giggled and laid down on the snow next to you

"Come on you know I'm just teasing you"

"Yeah, I know"

You closed your eyes and let the cold breeze and snow hit your face for a bit, you then felt a hand wrap around your gloved one, you opened your eyes and looked to your right where you saw arei giggling at the fact that she could see her own breath. When she noticed you looking at her, she turned towards you and stared back at you

"Oh yeah, thanks for letting me spend winter break with you, by the way?"

"Did you seriously think I'd let you go back to your family?"

"Fair"

You felt arei's gaze on you soften as she was thinking

"........still thanks"

"Don't thank me, it's the least I could do, you're the girl I love after all"

"......yeah, I love you too"

She kissed your cheek and licked a bit of the snow off your face

"Blergh! It's cold!"

You couldn't help but laugh at that

"It's snow, what did you expect?"

She laughed a bit too and sighed

"......hey you wanna go back inside and cuddle?"

"The cold is finally catching up to you?"

"Nah, I just miss you"

"OK, just remember we also have to do our homework"

"Eh? They gave us homework?"

"Yeah obviously, it's winter break,....you didn't know?"

She just stood up and started running towards the door, you sighed but smiled at her as you started following her

[dmclemblems]

A couple things confuse me about the "Edelgard was never the Flame Emperor in Hopes so that's why people are acting differently with her" thing people try to say to explain GW and SB.

1) 3H almost never makes it a narrative focus that Edelgard was the Flame Emperor, just that the Flame Emperor as a separate entity was bad. Barring Dimitri, barely anyone says "hey wow, Edelgard sure is a giant fucking asshole since we know she's the Flame Emperor" - they're more like "wow, can't believe she smeckledorfed us like that, not based and kinda cringe." So many people go "I don't wanna fight her tho, I regret having to fight her :/" as though the fact that she clearly never gave a shit about any of them, proven by her lying about being the Flame Emperor for damn near a year, doesn't mean anything to them. She's still their beloved classmate, no matter what she does to a lot of them, so I don't see why it's only now that they'd suddenly give THIS much of a shit about something they never put focus on before. And to the extent that they'd 180 on their characters just to be chill with her.

2) What actual, substantial difference is there between "I am willing to torture my citizens by turning them into Demonic Beasts," and "I will torture my citizens by slowly starving them through my war that is draining away the country's food supplies"? She is still needlessly and cruelly making her people go through suffering, just because it isn't as loud as Aegir mindlessly pillaging shit doesn't mean she isn't still responsible for mass suffering and death of her own citizens. And this isn't even getting into the rest of Fodlan either, who she is similarly ruining/ending the lives of in similarly cruel, torturous ways. But it's not specifically Demonic Beasts or specifically with TWS, so suddenly she's fine? It's morally acceptable for certain characters to join her for no reason other than her (lying) words? Hell, being a pragmatic, amoral asshole for a second - at least a weapon's being made with the Demonic Beasts method of slow and cruel death, the starving citizens do no good for anyone!

I dunno, just seems like a pretty thin straw to reach for to explain why certain characters (WINK WINK) act so wildly OOC :/

Preface after writing: I'm sorry, this is stupid long and two months late. I hope it being stupid long makes up for the wait. :D... :'D...

Yeah, the Flame Emperor portion of her character has nothing to do with Hopes. Between both games, Dimitri treats her completely differently because she didn't do the same things and he has a very direct attachment to her and TWS both, but other characters don't just like her more because she wasn't the Flame Emperor.

For example, Dimitri never spirals into the mess he became in Houses because Edelgard never hid her identity, and the Flame Emperor was very openly allied with TWS. Edelgard in Hopes broke off her ties with them as soon as the game really begins, i.e. post the prologue (in all routes, but you only see it actually be discussed in her route).

I do agree it's a flaw in the writing that they kind of switch on the whole "the Flame Emperor is a bad person" to deciding they don't agree with that anymore once they know who it is. What she did doesn't change just because she was "someone else" at the time, the same way Dimitri's actions don't change just because he was "someone else" for those five years. Difference being, there are actually allied characters who hold Dimitri accountable for it, and Dimitri holds himself accountable too. Just another instance of the writing making women wound like saints because they gotta sell their merch. I'm saying that as a woman, mind you, and it's frutsrating that gender dictactes how a story gets written. Gender also doesn't define someone's personality and who they are, so it shouldn't make a story geared around uwu waifu not bad, we don't wanna fight her.

The thing is, this is one of the problems people have with the narrative of Houses is not committing. It's true that Edelgard didn't care about a lot of people because she explicitly didn't let herself care, because she went into the year fully expecting and being aware of her inevitable "betrayal" (which I quote because she didn't really intend to be friends with them to begin with, so in her view it's probably not really a betrayal. It would be to them, but not so much to her).

It's also true that she decides to "care" about people who side with her simply for siding with her. Unfortunately the writing can't commit to kepeing her consistent as a character because they don't want her to be the villain because it's harder to market villains. That is, in part, why TWS exists, because they're meant to be the 'true villains".

Basically, TWS exists to make Edelgard look better as a person. Since they made her look pretty and cute, they didn't want to commit to making her a more villainous person, despite openly saying in an interview that they made her the villain. If she were a man, they would have made her more of a villain.

Regarding Houses and her evils:

The characters are sad about classmates being their enemies, but they set aside all the bad things as soon as they know the ringleader is a woman. Remember how they all considered her a horrible villain who had to be taken down when they knew her as the Flame Emperor? They thought the Flame Emperor was a man. As soon as it turns out that, that very same person was a woman they uwu went to school with, they don't think he's such a horrible villain who needs to be taken down anymore.

The point of the first half of Houses is that you're involved in all these happy academy days (as far as their relationships go, less so about the missions and stuff). They all trust each other and see each other as people they will one day have to work alongside. Suddenly they find out a pair among the students were plotting against them and weren't really ever on their side. The people they met in school were, in some ways, "fake". They weren't their true selves because they were in enemy territory the whole time (even if they were safe there, but in their minds these were enemies).

Like, personally, would I feel bad when I found out these people were lying to me the whole time and planned to kill me one day if I didn't agree with them? lol no. The characters went from thinking her actions were horrific to "well let's hear her out because she's actually our friend, even though for being our 'friend' we actually know nothing about her and our 'friend' lied to us the whole time".

Regarding Hopes and her supposed lack of evils:

In Hopes, even though none of that is there, it's still true she lied to them and was their enemy. It's still true she started a war and did all the same things from there, and in fact, some of it she actually had to do herself because she broke off with TWS. This includes trying to invade the Kingdom, which Cornelia was the one to do and succeed in doing in Houses. However, Edelgard herself, and the might of the Empire, is canonically not enough to subdue the Kingdom in Hopes. This does mean, however, that she had to do the deeds herself and cou;pdn't hide behind anyone else.

Breaking it down for why she seems less evil in Hopes though, we have SB. Technically both the Empire and Alliance took on the Kingdom, meaning that the Empire alone couldn't handle it. Reminder that, Dimitri, Dedue and Felix all survive SB, so the Empire can't take down three of the strongest fighters in the Kingdom (so less people die, because in SB she's not allied with TWS and does nothave the strength given to her by them, such as the beasts). Ingrid went out specifically to die because she planned to fight as long as possible so Dimitri could get away, meaning she never intended to survive that battle. Sylvain went out in a fit of rage seeking revenge for Ingrid, so his head wasn't on straight and he wasn't fighting with his brain, but his emotions.

Could they have taken these people down otherwise? Sylvain, no. He's too smart. If he wasn't so angry he would have backed off as soon as he realized he was overmatched in that battle. He wouldn't have died there because Dimitri wasn't there to die for, and neither was Felix. Also, he's not nearly as suicidal in this game. If he wasn't seeking revenge, he wouldn't have died, plain and simple. Could they have beaten Ingrid normally? No, because similarly, she would've retreated if she didn't go into the battle planning to fight until she died. She would've left to continue protecting her friends, home and king.

What this means is that she looks less bad because less people died, meaning her war killed less named and beloved characters. The difference though is that it doesn't make her less evil - it just means that alone, her might isn't capable of taking these people down. She needs to be allied with another army to win her war, which is why she took with TWS in the first place in Houses. Since they wanted her to look better in Hopes, she ditched them... but that means she still needs allies for her war. She knows she can't take down the Kingdom alone and they're allied with the Church, and she knows she can't take down Rhea because Rhea is a dragon.

Then there's GW, which just makes Edelgard look FUNNY. It's Claude who has to invade the Kingdom, because she can't break through the west front. Even after Claude fights in Fhirdiad, she still can't take down the west front. This means that, not only did the Empire have people do their bidding for what they weren't strong enough to do, but they had to take any other matters into their own hands for what TWS wouldn't help with in this story. It means Edelgard had to dirty her hands because they weren't there to do it, and she just wasn't strong enough to win her own war.

Remember, in SB, she doesn't win her own war. Her enemies kill each other, and the Kingdom is weakened because she allied with another army to fight them because she doesn't have the strength to do it herself. She looks less evil in Hopes because, being totally frank and not even saying this out of a hatred for her, she's weak. She's too weak to actually win and conquer, and she looks worse if she wins and takes control of all the lands she stomped on to win. When she loses, she looks better because she's not the tyrannical leader of all of Fodlan. In Hopes, no matter what route you're on, Edelgard does not win the war and does not achieve anything with her own army's strength. In CF, she does win because her allies are TWS for the entire game and they're only defeated post game because the game's duration is her war, which she needed them for the entirety of to actually win.

In GW, she doesn't win the war. She doesn't defeat Rhea, instead leaving that to Claude, who had Shez in his army (and was probably the only one with the actual power to rival Rhea's, for obvious reasons).

This also is why the kingdom survives and is never taken over. In Houses, it was never Edelgard's strength that conquered it. However, it does mean every single thing that happened in the war was on her head, because there was no TWS to take the fall for her the bad things that happened.

How it looks on her character:

So, looking at it from both ways, to sum it up... why are they so upset that they have to fight their classmate, who lied to them and was faking around them? Why are they upset about fighting her when she's been doing all this stuff in the war by her own desires and orders? There's no getting mad at TWS for what she does.

The Empire when pitted against the Kingdom can't win without allies, and Edelgard presumbly knew that in Houses and had allies - TWS. In Hopes, she gets Claude on her side because she can't do, well, jack shit to the Kingdom without him. Without something unexpected in the mix (the Alliance in Hopes, TWS in Houses), the Kingdom's strength is enough to defend.

Since TWS are her enemies in this story, she never actually wins. She doesn't lose, but she doesn't win. The only reason she doesn't lose is because she allied with another army (who she was canonically losing to in both routes anyway).

So basically, how do the writers make up for Edelgard not teaming up with TWS here? They have her use the Alliance instead, making her look better for not siding with TWS. To make her look even better, they have TWS do horrific things as a third party to it all, independently fucking around and making Edelgard have to go stop them. It makes TWS look like the worst of all scum, and it props up the "less evil" villains.

In GW, Claude does shady shit because ??? and that also makes Edelgard look better because she's very up front and doesn't do tactics the way he does. She's very forthright and if she didn't want to ally with the Alliance, she would have said as much and not have teamed up with them to stab them in the back later. Instead, that's given to Claude because, well, let's face it, it makes him look worse than her. She also gets no flak for killing Rhea in this game because she can't, because she doesn't have the power TWS gave her. She fights Rhea, certainly, even with Shez's power... but it's not enough. Rhea survives everything you do and only dies against Thales.

So basically, Edelgard is just weak and incapable of winning in this game, and it makes her look better and nicer, since she doesn't have the ability to use Demonic Beasts. The characters feel like upset because she did "less evil" things and killed fewer people (again, because she's not capable of doing so).

And again, I'm not even saying that out of hate. Edelgard admits they needed TWS in CF if they were going to win the war. Consequently, she doesn't win the war in any route in Hopes because she splits off from them in all routes.

No, it doesn't make her a better person or more worthy of people's pity, but they used Claude as a means of having someone else do worse things than her to make the characters doubt Claude while believing wholly in Edelgard for being so forthright. Since TWS is worse than Claude, it makes a tier of "bad", and she's at the very bottom of it. Thus, the characters see her in a better light and don't want to kill her.

Other stuff:

In AG it's actually kinda interesting, because even though the Empire has fallen because of Thales, literally nobody pities Edelgard for the situation she ended up in. Nobody feels bad about it and nobody thinks man, we should save Edelgard, she isn't the one who made the Empire fall into ruin like this. They still understand she's the one who started this war and enabled enough of a situation for TWS to take advantage of it. She gave them the opening instead of fighting them in the first place.

Even if you went along with her strategy of siding with the Church to take out TWS, but then she betrays the Church and starts her war against them because she also sees them as her enemy, that would have been the most reasonable strategy. Side with the Church, take out the strongest enemy first so they can't run around wreaking havoc while you ignore them to fight your war, then deal with the Church after when they won't have distractions and a potential other enemy creeping up on them.

Point being, it was stupid to start a war against the Church after simply driving out Thales from the capital. She should've waited to start the war until they'd taken out TWS completely. Why didn't they do this? Because they needed TWS in the story to make her look like a better person. Removing them too soon would mean she can't go back and stop their destruction. She can't seem like the better person because there's nobody worse than her. By making her strategy, well, let's face it, incredibly stupid to the point even Hubert told her outright not to do it/that he didn't agree with it, it made her look, well, honestly, dumb... but a better person in the long run.

Like I said, in AG it's done in a more interesting way because her situation doesn't get pitied by anyone. The people loyal to her are still loyal to her, but that's about it. None of her enemies feel sorry for her. None of them see that her war brought about something bad on her (i.e. being controlled by Thales) and went awww poor thing. She reaps what she sows and faces the consequeces of both starting a war and not being smart about it (i.e. dealing with TWS altogether at the start or remaining allied with them until the war was over like in CF). The characters in AG see it for it was, and Edelgard had to have known that there would be potential consequences of doing what she did.

Even at the very end, Dimitri doesn't pity her when she her mentality reverts to a child's. He doesn't feel it necessary to stain his hands with her blood at that point because the war is over. If she was still a threat they would defeat her but she wasn't, and she also didn't have any memory of starting the war, so killing her would be for nothing but personal gain, which at that point Dimitri didn't have. If anything, it might have staved off even more more because the emperor would be returned home safely, and possibly even by Dimitri (because I can't imagine the Church would do it after she declared explicitly on them, and I doubt Claude would even care to do it because he has no history with her like Dimitri does) or someone he trusts.

The Empire would need to focus on dealing with what happened to her, and they wouldn't be in a position to keep fighting or even need to since the person who wanted the war doesn't even have the memories leading up to why the war was started. All they could really do at that point was take care of her and decide what to do about leadership (and in this moment, we're going to prefend Ferdinand wasn't killed offscreen. They didn't say he was, so he wasn't! Got it? Yeah? Great!).

This last part doesn't really have much to do with your ask, but I wanted to add it in as a contrast to the way SB/GW were written and how they did make her seem like a better person than Claude. They made it seem like she was less bad for doing whats he did with her own hands this time because there was no TWS to do it for her. AG flips that on its head and says no, we don't care that she ended up in a bad situation because she brought it on herself. They said no, we're not going to pity her just because someone worse than her came along because she still did what she did.

Imo AG was just a much more refreshing and realistic take. They didn't look at her and see uwu classmate. They looked at her and saw the woman who started a war and knew what she was doing. Just because she lost in her own war and just because someone got the jump on her didn't make her worth pitying.

Instead, we get a wholly satisfying conclusion to the Duscur story, whcih was completely dropped in AM and probably because they ran out of chapters. We can bring a literal army of victims from that tragedy with us and have them be able to face the person who caused all of it. Since Duscur was also allied with Faerghus for a long while at this point, it wraps up that storyline in a nice, neat bow. The only thing left is to assume that things with Duscur went well and that Claude determined starting a new war over the Church just wasn't worth it.

Claude post AG (in contrast to him in the other routes):

Yes, I think Claude considered taking advantage of an existing war to fight the Church and might have done so in Hopes if Edelgard wasn't out of commission, because if she wasn't the war would continue. However, the war was over right then and there and more fighting on his part would just be a really stupid move that would turn everyone around him against him.

The war ended, the person who started it lost, and the third party was defeated. People would not want to fight another war just because Claude doesn't understand Fodlan at all in this game. Quite ironic that Edeglgard's rhetoric to him in VW about not knowing enough about Fodlan to lead it was completely true in this game... or maybe they did that on purpose to make her look better! Again! :D :'D

So yeah, Claude didn't start another war after AG ended. I say that, of course, assuming AG Claude has a brain and knows how to use it. Also, I don't think he would want to make enemies of the Kingdom at that point. If his goal remained to bring people together, he had already succeeded in getting every territory on the same page by allying with the sides opposing Edelgard in the first place.

The only people left are the Empire's people, who weren't in a position to fight and would probably just agree to an allying sort of truce so that all of Fodlan was on the same page. Even without Hubert or Ferdinand, they have Waldemar, and he's smart enough imo to make the right moves there. Claude has no reason to start a new war/renew an existing war that just ended when now that there's no war to just jump into to use as an excuse for something, he can just use words and his presumably route working brain to figure out how to work with the Church. Like, you know, he does in VW.

[th3houseofleaves]

thinking abt dove baek and how they've done a variety of illegal things to survive and they justify all of it bc it was for their survival right and as an adult they're avoiding breaking the law as much as possible bc they have to be a good influence for sparrow bc they don't want him to pick up any of their bad behaviors right but at the same time they're super nonchalant and open abt some of the stuff they did (there's some things that are going to stay buried forever thank you very much) so sparrow absolutely picks up on that energy and the first (and only) time dove has to come pick their son up after he's caught stealing they're incredibly upset – at him but mostly themself – and they fear for their LIFE bc it's totally going to be blamed on them and while karina isn't gonna hold it against them forever she won't be happy abt it and her parents will be even more upset.

meanwhile sparrow thinks he's done some cool shit and doesn't understand why everyone's not being chill about it

[thewistlingbadger]

Wow guys thank you for all your additions it means a lot to have this conversation sksks. The idea that people would be more receptive to silco and Jinx's relationship if they were both women is so interesting to me, and I think it is true. People seem to be very receptive of the relationship between Mel and her mom even though their relationship is very similar to jinx's relationship with Silco. They're able to understand that Ambessa loved Mel even though she damaged her, but some people really struggle with understanding that Silco was the same way. Some people believe that Silco groomed Jinx to be a weapon but they fail to see how Ambessa canonically DID groom Mel to be a weapon. I definitely think people wouldn't see their (jinx and Silco's) relationship as sexual if they were mother and daughter because in our society it's like once you hit a certain age (or rather begin to look a different way) your relationship with your parents HAS to change because certain things are "no longer appropriate." People see Jinx crawl in Silco's lap and think there's something sexual to that. I see Jinx crawl in Silco's lap and see a daughter who still acts like a little girl with her dad, even though that time has passed. To me it's clear that Jinx's disregard for Silco's space is because their relationship lacks boundaries, and it lacks boundaries because everytime silco tries to show some restraint, jinx ignores him and he really doesn't put up a fight. He does get upset at her he does try to control her but she's so unbothered by it that it makes him just give up.

There's also something about the fact that Jinx is trans coded and Silco is her primary supporter. Silco is the one affirming her identity and helping her transition from "powder" to "jinx" (I'm not saying that Jinx is implied to be trans in the story I'm saying Jinx's story IS trans, if you know you know and if you don't you can ask about it and I'll explain). I think there's a lot of added value to the story when you consider Silco as trans. He's been fighting all his life to be seen a certain way, to be given respect he feels is commonly afforded to others but not to himself, and suddenly when he finally gets it he encounters a little girl. To me in the story it's clear that having Jinx in Silco's life is healing him, like how Isha healed Jinx's inner child Jinx did the same for Silco. It takes a whole new meaning behind "silco saw himself in jinx." Something about a story of a fully transitioned man deciding to raise a little girl because she reminds him of how he used to be...yeah. That hits. That resonates with me.

Also yeah the points about his makeup, his style, his voice being not too low and very soft, him having no sign of facial hair, his build, how the people he's closest with and surrounds himself with are women, etc, does seem very trans. At the bare minimum silco is comfortable with his gender and his expression and masculinity. I also tend to consider his relationship with Felicia. This is pure speculation and indulgence but I see them as brother and sister, the way Silco is brothers with Vander he's also Felicia's brother. I like the idea that he knew Felicia before Vander, that they grew up together and looked out for each other since childhood. That long ago they were sisters. That resonates with me too.

Extra note the way Silco uses makeup is symbolic he's using it to cover his scar, to cover his past because he wants to leave it behind. And he's doing do with a substance that society would consider reserved for women. Silco covers his scar not only for himself but for others. He doesn't want people to see it, to see who he used to be. He wants people to see who he is.

I'm so glad people are finally realizing silco is trans lol

[arolesbianism]

Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)

[go-fornicate-yourself]

Every day I am in the trenches fighting for my life defending this poor man. He was going through so much and people online demonize him and say he's as bad as his abuser

(I've got a lot of thoughts about this so I'll make sure to separate things to make it easier to look at lol)

Curly is a victim of abuse. Jimmy is his abuser. This is something that I feel a lot of people tend to brush over or don't acknowledge it often.

And I'm not just talking about post-crash. Jimmy's abuse of Curly is there pre-crash too. The party scene where the crew learns about the company going under is a huge example of this. Jimmy verbally abuses him, he gaslights him, he blames him for their (his) misfortune. Jimmy accuses Curly of thinking he's better than everyone (better than him), that he doesn't care about them (about him). That he's going leave them (leave him). Which is not true. Curly tries to explain himself but Jimmy shuts him down and he just takes it.

The fact that he just allows this to happen makes it seem like he's used to this... That this kind of behavior is a recurring thing with Jimmy. And the fact that nobody else tries to defend him or stands up to Jimmy just normalizes it for him. When Anya tells Curly what Jimmy did it catches him off guard. Bc he genuinely didn't think that his friend was capable of that. It wasn't something that was obvious to him. There were absolutely many red flags in the past but they were subtle enough for him to not see them bc he cares for Jimmy, he trusts him. Jimmy's the only one he feels he can open up to, who he can let his guard down with. Jimmy's his home. That's how close they are.

Because of this deep love for his friend and the subtlety of Jimmy's cruelty, he doesn't see the constant verbal and emotional abuse as what it is: abuse. Which is why he finds Jimmy's abuse towards Anya so shocking and jarring.

He isn't a man covering for his rapist friend bc of the 'bro code'. It does look like that from a certain angle and it's understandable why people see it that way but that's not what his character is really about as much as it makes sense otherwise.

He's essentially a battered housewife who's still in love with her husband but is realizing for the first time that the man she loves is a monster. That the man she loves and devoted her life to has been hurting her this whole time and she didn't even realize it. That the man she loves and spent so much of her life caring for has gone and hurt someone else. That he's most likely hurt others before and she's been utterly unaware of it the entire time she defended him and made excuses for him when he wasn't the best or the fairest or the most responsible or when he screwed up yet again solely bc of how much she loved and cared for him.

And Curly barely had any time to process ANY of that before Jimmy decided to try and kill them all to avoid the consequences of his actions. It was ultimately a selfish act even if he thought he wasn't just doing it for himself. Jimmy is selfish and needs to be in control or he loses it. He cares for Curly. He loves him. Curly's done so much for him. Curly's the only one who understands him, who doesn't hate him. Curly's his home. He resents how 'successful' he is but that's only bc he thinks so highly of him. He constantly puts himself down and put Curly on a pedestal and worships him while simultaneously mistreating him.

He treats his best friend like shit, he's awful to him. But he's not aware that this is the case or maybe he's in denial about it. He can't or just refuses to see how he's doing all of what he does for himself in the end. He justifies his attempt to kill them all (to himself and to Curly) by claiming he's doing this for them both. That if they were to get back to earth it would all be Curly's fault, that it'll ruin his life and career... despite the fact he had basically nothing to do with Anya's abuse. Jimmy's shifting the blame on him while acting like he cares for him. Well, he does genuinely care for him but clearly not nearly enough to not mistreat him or use him as a scapegoat for his own guilt.

Jimmy is the rapist, Jimmy is the one who does all of these horrible things. And yet it's highly likely that Curly would just blame all of it on himself bc that's exactly what Jimmy did to him. He's in so deep he can't see the facts of the situation.

It takes abuse victims so long to come to terms with their abuse. It takes time and reflection to see things with an unbiased and healthy perspective. Abuse (especially years of it) isn't just something you can just escape. It consumes you and can twist your reality. Curly had about a week or less to process all of it and then take action in a way that protected his crew and abided by Pony Express' guidelines. Dealing with something this serious in a setting that makes resolving it extremely difficult in a practical sense is already hard.

There were no locks on any of the doors except for medical and the cockpit. They couldn't just kill him. There was nowhere they could detain Jimmy that wouldn't involve corporate potentially penalizing the entire group. They could have used the cryopods but then there'd only be three available for any actual emergency and there were already five crew members and four pods in total. Also, I doubt corporate would be 'okay' with them using the cryopods for anything other than their intended purpose. Hell, even if they were able to make it back to earth without any incidents there's a good chance that corporate would consider the situation 'poor team synergy' and collectively punish the entire crew for Jimmy's actions.

So on top of having to deal with an already difficult situation, Curly has to grapple with the realization that Jimmy a: abused Anya, b: has been abusing him as well (for a very long time too), and c: has probably abused others before Anya and he had no idea about it. He needed to act but he didn't and it doomed all of them.

But it's so unrealistic (maybe even cruel) to put that much pressure on someone, force them through an utterly earth-shattering realization, and then expect them to do the correct/right/responsible thing in that moment. It's a little ironic how people vilify him for that when other characters do the same thing that nobody blames for it.

Anya is the ship's nurse. Curly is the ship's captain. They both have duties and responsibilities on board the Tulpar. She has to keep the crew healthy and safe and is the only one with enough medical knowledge to do so. He has to make sure that everything goes well and goes according to procedure. He's responsible for the crew, the cargo, and even the ship itself. Both positions are integral and require a lot of responsibility to do properly

They're both put through distressing and traumatic situations where due to them being human people with emotions and fears that make them essentially avoid their responsibility/doing what's required of them.

Curly has a freeze response and doesn't act when he should have when it was crucial to have done so. Anya has a fawn response and essentially puts her patient in danger and harm's way. She knew full well what Jimmy was capable of. She experienced it herself and she witnessed it happening to Curly as well. And yet she allows Jimmy to be alone with Curly while being fully aware of how dangerous he is. Which she shouldn't have, that wasn't the 'right' thing to do. Keeping him safe was her responsibility.

But Anya's human. She's going through a lot at the moment. She's terrified of Jimmy and she's trying to appease him so he doesn't hurt her again. It's a natural very understandable thing to do even if it's not the 'right' or 'responsible' thing. They failed each other when they needed each other most and I think that's the most tragic part of it. If anything, all of them failed each other in some way, shape, or form.

So it's incredibly frustrating to see people give Anya so much sympathy and grace for doing something so human yet still 'wrong' but then turn around and give Curly none of that for doing essentially the same thing she does.

I don't know for sure if it's actually because Curly is a man or if it's only part of it or maybe some people just lack that sense of awareness but it's depressing and frustrating as fuck as a male victim of sexual violence and abuse to see this kind of behavior and this much victim blaming towards a character who is undeniably a victim of abuse like I am.

[teddybeartoji]

zombie apocalypse au where you end up in a settlement and meet a cutiepie satoru. he's lived almost his entire life there – sure, he goes on runs every once in a while but you've been out there. it's different.

right?

the dark bags under your eyes have yet to fade but satoru has never heard you complain. he knows everybody gets a talk when they first come to this place; where they can get help, who they can talk to when if they have any problems. if you can't sleep. or eat. or if you still feel restless. it's understandable that the change from having to fight for your life on a daily basis to not even having to carry a gun with you is hard.

the food tastes weird when you're not starving and drinking water seems like a complete waste when you're not dying of thirst. the bed you sleep on is too soft, the sheets feel like silk and it makes your skin itch. it's off-putting.

and yet, not a single complaint has left your lips. you observe your surroundings while handing out pretty little smiles like they're candy. you say thank you and goodbye, you offer to help out with the chores that weren't even yours to begin with and you're willing to entertain the kids with silly jokes. it's an almost perfect mask.

but you're tense; your eyes are always scanning your environment despite the fact that you've been at the settlement for almost a week now. you stretch your lips to show your gratitude, but satoru sees the way your fist tightens whenever the room is too crowded. the way you pocket smaller snacks when you think that nobody is looking. the way you flinch at a faraway sound of a child's laugh.

satoru finds you utterly intriguing.

people come and go, but you... there's something different about you.

maybe it's the dark, murky look in your eyes whenever you're handling a knife. carving a piece of meat like it's something you do every day; your eyes are the only things that change – you give a small smile to the lady working next to you as a thank you for whatever kind of advice she just gave you. she pats the steak while laughing and satoru doesn't miss the way your lips twitch.

you lick the remnants of the meat that stick to your fingers, the liquid that dribbles down the side of your hand the second she turns around. and satoru can't look away.

but there's no obvious malice.

it's interesting.

satoru is no detective, but he's done his fair share of people looking. what else is there to do when you're locked behind big walls; people are interesting, especially now that the world has ended. they tick faster, they explode bigger. they shiver more, they cry more. the lies have more consequences. it's hard to trust others, it's hard to trust anybody at this point. but satoru's eyes are keen, more so than anyone else's there.

you're not some caged beast, you're no dog on a leash, but you're an animal nonetheless. satoru just doesn't know which one yet. which of the living things that reside in the woods is calm enough to get so close to other people? confident enough. arrogant enough.

which one of them is as curious as you are? as sly? which one of them knows how to hide their sharp teeth behind a warm smile? satoru promises to himself that he'll figure it out, no matter what it takes.

or maybe the 'something' is the way you handle yourself when things go south. you didn't look away when a walker that managed to slip in through the gates sank his teeth into a man's neck. when everybody else was in shock, their eyes set on the gory sight in front of them – you were the first to grab the closest thing resembling a weapon and to deal with it.

blood splattered all over your clean clothes, your hair, your face. but you paid it no mind. this is what you're used to, this is what's normal. taking a knife to the poor wailing man laying on the ground was nothing special either. you kneeled down beside him and looked him in the eyes as you did it.

desperate hands reached out for you as fear settled in his stomach. he grabbed onto the collar of your shirt and pulled you closer, pleas stumbling from his lips like a waterfall. but to you, he was dead already. there's no remorse, there's no guilt. you're not a killer, you're a survivor.

satoru's mind raced as he watched you work while all the other had turned away, their sobs barely reaching his ears. no remorse, no guilt.

he just thought the blood looked beautiful on you.

but you're keen, too.

you try not to pay him too much attention, you try not to look but you feel his curious eyes wherever you go. you hear him laugh and you see his big smiles. he likes to play with the kids and he likes to tease his peers. he seems to know just about everybody, mingling in their lives by acting like a cupid or just indulging in gossip like some high schooler.

but something rotten sprouts deep inside him as well.

there's blood on his hands and you know it the second your gazes meet from across the big dining hall. the corners of his eyes crinkle and his dimples make a show as he gives you a grin, sharp teeth shining right at you. he knows you and you know him.

a survivor always recognizes a survivor.

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[luxaofhesperides]

the beginning - danny

0.

The Lazarus Pit brings Danny back.

The child who went into them, however, is gone forever.

Danyal al Ghul is the soul who should reside in this body. Danyal has a life still to live and Danny died ages ago, old and surrounded by loved ones, ready to spend the rest of his forever in the Infinite Realms.

Something's gone terrible wrong, he thinks rather wryly, squinting through the cold green water that surrounds him. An ache echoes through his body and he brings a hand—small, a child's hand that shouldn't belong to him— to his stomach, where he can feel a large wound slowly pull itself together.

Did I get stabbed?

He means to continue the thought, but a sharp pain hits his head, making him curl up. He gasps and air bursts from his lungs, water rushing to fill in the empty space. Danny chokes, panicking, as memories slide into place, the lives of Danyal al Ghul and Danny Fenton fighting for dominance in his head. His lungs burn, throat working futilely to push water out, but there's nothing to be done.

Danny is a child again, and just like last time, he dies young.

1. So.

Assassins.

Danny honestly can't tell if this is a step up or a step down from mad scientist parents. On the one hand: he knows they loved him, as clumsy as it was, even though they loved their work more. On the other hand: assassin cult sounds like something out of a fairy tale, and while cool, is definitely not safe for kids.

And Danny, somehow, is a child again.

This really wasn't what he expected when he woke up on the sandy bottom of the pit. He's in ghost form, which is an unpleasant shock, but at least its familiar.

He is also, if his memory as Danyal serves him correctly, nine years old.

Kinda sucks that he died so young this time round. Didn't even make it to the double digits before he was taken out of the running.

He can't remember what it was like being so small in his last life. He can't imagine how anyone would look at a child and run them through with a sword. It's a cruel world he's woken up in. It's made worse by the fact that he's alone.

At least being down here without needing to breathe is giving him valuable time to think.

Danny has lived a full life already. He didn't really need or want another one, content to be a full ghost in the Infinite Realms. But going back isn't really an option, now that he's in a new body. The kid he could have been deserves to live fully, and the least Danny can do is live that life for them.

It'll be hard, but Danny's sure he can manage a decent life for himself.

Being presumed dead will make his escape from the assassins easier, though he'll miss getting the chance to meet his new mother; assassin as she is, Danyal knows her not by her blades but by her soft lullabies and jasmine-scented hair. The loss of her child must be hurting her deeply, but it's necessary. If Danny wants any semblance of a normal life, he has to leave her behind.

Besides, he's seen enough death. He doesn't want to ever be the cause of it.

So, he needs a plan for this new life.

Step one: get out of dodge.

The rest he'll figure out on the way.

2.

Turns out assassins weren't the most shocking thing in this new life.

No, that honor goes to superheroes.

Genuine, honest to God superheroes! With powers and everything!

To think that Danny once called himself a superhero. Ha! As if! He's nothing compared to the likes of Superman or the Flash or even Green Lantern. They're in another league. Literally. They're part of the Justice League, which has a whole slew of other heroes, and Danny is possibly their biggest fan.

Not like that's weird; most people in this world are huge fans of superheroes. Makes sense, since they're the ones who rely on their protection the most.

It does suck to know that his background belongs to that of a villain. Assassins aren't known for saving people, after all.

Part of him contemplates becoming a hero again, taking up the role of Phantom and joining the ranks of Superman. But he's had many years to come to terms with the loss of his teenage years and the bitterness that came with it. That experience, that life once lived, helps him decide each time that being a civilian is the gift this life owes him.

At thirteen, Danny lives in a foster home with six other kids. He's the oldest and has his hands full taking care of everyone else while their foster parents work three jobs between them to keep them all afloat.

When his younger siblings play superheroes, he gladly takes the role of the villain, swooping in with a blanket to kidnap away an innocent bystander that has to be rescued. He falls over dramatically at the end of each fight and praises his siblings' strength and teamwork, making them puff up with pride.

It's all fun and games so long as it only stays fun and games.

Superpowers are cool and all, but his came at the cost of his life, his health, his future. He knows, better than anyone, the price of being a hero. He knows that even Superman carries heavy losses on his shoulders, struggles under burdens no one can see.

He's lucky that the small town he ended up in—Luray, Virginia—has no heroes or villains. Too small a place to be on anyone's radar, apparently.

His classmates often complain about how they wish they could live in a big city where there's more to do, more to see, superheroes flying through the streets to protect them.

Danny is happy where he is. It's quiet, and small, and nothing like what he's used to, but it's safe.

That's all he really wants.

3.

Here's something that stays the same no matter what world he's in: Danny is a magnet for trouble.

If the trouble stopped at bullies, everything would have been fine. Danny could handle Dash, and he could handle Justin just as easily.

But the universe loves to escalate with Danny, specifically, which is why Danny had to reveal his powers when some villain-wannabe school shooter attacked his high school.

And to think he felt bad for Jackson when he didn't make it onto the track team.

Luray does not have a meta population. They're too small to have much of a population at all, and much of it is white which made him, half-Iranian, stand out even before he threw out a barrier of ice to protect his classmates a second before the gunfire began.

"Danny?!" his seatmate, Clarrissa, cries out in alarm.

"Everyone get out the window and run for it!" he orders, "I hold him back as much as I can!"

"You can't stay here!"

"Don't worry," Danny says, offering her a tight smile. "He couldn't kill me even if he tried. Now go!"

His classmates hadn't wasted any more time, sending him shocked looks as they escaped the classroom. A glimpse of his reflection in the window revealed glowing green eyes and blue mist wafting out of his mouth.

Looks like his time in Luray is up. He hopes his foster siblings won't be too mad at him for running away.

The gunfire stops, and Danny takes his chance to leap through his ice, intangible, and tackle Jackson, easily knocking the gun away from him.

"Monster!" Jackson spits at him, and Danny laughs.

"Bold of you to say that. I'm not to one trying to kill people."

He doesn't want to hear anything else that comes out of Jackson's mouth, so he knocks the guy out with a solid hit to a pressure point on his neck. Hopefully that'll keep him down long enough for the cops to get him.

Danny stands and means to leave, but something hits the back of his head hard and he's out before he realizes what's happened.

When he wakes up, he's strapped down to a table in what is undeniably a lab, and sighs.

At least he made it to sixteen before he went into another lab. Maybe in his next life he might even get all the way up to twenty before he's pulled back down here.

4. Though he has all his powers and a ghost form, that doesn't mean he is a ghost in this life.

No, he's fully a meta, which means meta-suppressing cuffs work on him.

It's not exactly a discovery he was hoping to have while locked up in a lab, but it's what he's got, so he has to roll with it. The cuffs are heavy on his wrists and around his throat, keeping him from escaping as a group of people in masks and lab coats bustle around, ignoring him.

His head is still foggy, though likely more from the drugs than the hit he took to his head.

He doesn't bothering talking to any of them; they don't see him as human, and Danny's dealt with enough of that in his past life.

Mad scientists love to talk though, so he still hears the gist of their plans: recreating the meta gene for normal people, making a profit from selling powers, getting rich and famous from their accomplishments. They had been using Jackson to get corpses for human testing, but they got Danny instead — someone they can harvest bio material for, a much better find than a couple dead kids.

If he had the energy to rage, Danny would have killed everyone in the room already. They planned to kill his classmates just for test subjects.

He doesn't want to be an assassin, but he'd gladly lean into those old lessons to make sure they never hurt anyone again.

But the cuffs and drugs do a good job of keeping him docile, barely able to think, as they transport him around to different locations and cut him open.

He's not sure how long it's been when they ease up on the drugs a bit. It still takes time for his body to work through everything, and he comes too with a throat that's dry and a stomach that hasn't had anything in it for quite some time.

The first thing Danny does when they start asking him questions is throw up on them.

If they wanted cooperation, they should have treated him better. This is fully on them.

It makes for a convincing argument for food and water and a bathroom break, at least, so he gets what he demands and takes care of his human body under the cold gazes of three scientists.

"You guys suck," he says conversationally. "Keeping test subjects alive is like basic knowledge. No wonder y'all suck at your jobs."

"Your comments aren't needed," one of the scientists says primly. "Get up. We need to study how using your powers affects your body."

They hook a bunch of different things onto him, then lock him in a glass cage and use the cuff around his throat to send jolts of electricity through him when he doesn't do anything. He throws a chunk of ice at them, watching as it breaks apart into small pieces when it hits the glass. The scientists scribble in their notepads, and when they look at him again, he flips them off.

He gets shocked again, but it's worth it.

The process repeats for another few hours, then he's pulled out of the cage, gets an IV stuck in his arm, and drops off into drugged oblivion before he has time to start throwing hands.

5.

It must have been months. Danny's not sure; it's hard to keep track of time when locked in isolation.

He knows he's fed at least once a day. He's been getting a tray of bland food at random times, but he's counted over 50 trays sliding through the little slot on the bottom of his cell door.

Turns out insulting scientists and their procedures is a bad idea, especially when he has the language to really bruise their egos.

So.

Isolation sucks.

But at least they don't drug him anymore!

The cuffs do their job of keeping him in place, and if he didn't have memories of another life to keep him company, he definitely would have lost his mind long ago.

There's other people in here, other metas. He's heard them screaming and begging for mercy. He's heard them go chillingly quiet. He wonders why there are so many superheroes in this world when not a single one has come to save them.

Surely at least one would notice metas disappearing and would investigate?

But no.

No one ever comes to save them.

So Danny needs to figure out a way past the cuffs, and then he can be Phantom again long enough to free the other metas and make every scientist involve pay for their crimes.

He just needs to wait.

He just needs—

6.

When Danny wakes up, the alarms are ringing. It makes his head pound, throbbing with each piercing sound.

He stumbles up, using the wall to keep his balance, and freezes when he sees that the door to his cell is open.

…Huh.

The hallway is bathed in red light when he steps out. No one's around. He wanders around the facility, searching for answers and only finds more questions.

There are other cells, also empty. Certain rooms have blood splattered across the walls and the floor, but no bodies. Labs are destroyed, broken glass on the floor. But every room is empty.

He wanders until he finds what must be a security room. There's a strange device dangling off a keychain on a rack, and Danny eyes it curiously. He runs his fingers around the cuff on his throat, feels the little depression where the collar comes together, and takes the rounded device. If it doesn't work, then it doesn't work.

But if it does work…

The cuff pops open easily, as if it hasn't been his greatest foe these past few months.

All at once, his strength returns to him. He has forgotten what it was like to breathe easily, to feel his powers come to his call so easily, to be reassured that he can take care of himself.

It's almost like coming back to life.

He transforms, settling back into his ghost form with relief, and flies through the facility in search of any other metas that may need help. He finds no one, but he does catch a glimpse of the outside.

The sky is so blue it almost hurts to look at. Part of the facility has been blown apart; rubble surrounds the place and the surrounding forest has been flattened. It looks as though a fight has moved through the area.

Maybe a superhero did come to save them? Rude of them to leave only Danny, though.

He continues his search, poking his head into different rooms and hallways. He finds a staircase going down and follows it into the basement. More labs greet him, and the glow of computers and strange vials of liquid leave him unsettled.

There's a green glow coming around the corner than reminds him of the Lazarus Pit he flew out of, once upon a time many years ago, and that's what draws him forward.

Tucked away in that familiar glow is a small body, floating in a tube of liquid. There's an oxygen mask attached to her face, but that doesn't stop Danny from recognizing her.

"Ellie?"

7.

Just like in one life, Danny is cloned. The difference is that this time, there's no reason for it, no insane godfather trying to recreate a version of him that will choose him.

No, this time it's from a group of scientists who should have known better, who decided to mess around with his genes, and brought his once little sister now daughter into such a cruel, dangerous world.

Danny barely remembers breaking the glass to get her out of there. He doesn't know where he found the coat to bundle her up in, flying out of the facility as fast as he could. He feels sick, knowing it's his fault that she's here now, forced into a painful, terrifying existence because he wasn't strong enough to save himself.

He's a runaway meta victim of mad science. He can't take care of her.

"I'm sorry, Ellie," he whispers to her, pressing a kiss against her head. "I'm so sorry."

She small in his arms. She barely weighs anything.

Danny blinks back tears and tries to find some place he can stop and rest, somewhere safe he can gather his thoughts and figure out his next steps.

This isn't like when he first woke up in this world, with both sets of memories.

This is Ellie.

She deserves more than just a wish and a half-baked plan for a better life.

She deserves a family that wants her, that can care for her, that can protect her. She deserves to grow up normally and not worry about destabalizing or being a replacement for him or being hunted down.

She deserves one life to be a kid and grow up safe and be whoever she wants to be.

Danny will never be able to give her that.

But maybe he can give her to someone who can.

8.

Danyal grew up with an assassin mother and a cruel grandfather who expected far too much from a child. He was taught to kill and be more weapon than child. He was taught the world was something for him to take, to protect, to water with blood.

Danyal was meant to be the next Demon Head, and the next Bat.

Danny knows he can't go to his mother. If they're both lucky, he will never have to see her again. Knowing his luck, he's already planning explanations for why he never went back to her.

Danny's father, on the other hand…

It didn't take much to put the pieces together. The notorious Bat is Batman, Gotham's vigilante and one of the founders of the Justice League. While a child would have been left confused by the many comments his mother made about his father, it was simple enough for Danny to line them up with what he learned about the heroes of this world and realize, oh, that's my dad.

It takes a few weeks of research, using public libraries with Ellie tucked securely in a wrap to his chest, but he's able to learn more about Batman.

The most important thing being that he has kids.

Of course, none of this is officially acknowledged, but everyone knows that the Robins are his kids. Current Robin, especially, likes to remind people that he's 'the son of Batman'.

Okay. Cool.

Danny has siblings.

Awesome.

He's… not looking forward to those conversations.

At least it means more people to look after Ellie. Assuming they take her in, which Danny's really hoping for.

But it's the best he can do, so Danny sets course for Gotham and hopes that just this once, everything will work out.

9.

Meeting the Bats of Gotham is a lot harder than he expected.

A week in the city and he's barely caught more than a glimpse of them. He can't dedicate a lot of time to tracking them down either, needing to break into grocery stores to get food for him and Ellie.

She's so quiet as a baby, and it terrifies him. She's only cried twice the entire time he's had her, and Danny spends every day begging her to hold on.

Time during the day is spent catching naps and researching common vigilante spotting areas in Gotham. He's got a map of Gotham taken from a library and has been steadily marking it up, putting stars in the best places to find a Bat. There are places all over the city, and Danny has no idea how to know which ones are the best.

The only thing he can do is wait at a different rooftop each night, clinging to Ellie, wondering if this is the last night he has with her.

On the ninth night, someone finally arrives.

"Step away from the edge," a voice demands.

Danny turns to see Robin approaching, hands held out as if to catch him. He's bigger than Danny was expecting. Which makes sense; most of the stories Danny got online are from when Robin was a kid, and it's been a few years since then. He must be a teenager now. Older, but still young.

"Robin," he manages to say, his throat tightening. It feels almost like there's a noose around it. It feels like that meta-suppressing cuff has clicked back into place, leaving him helpless.

"Step away from the edge," Robin repeats. "There is no need for this to be your last resort."

"But it is," Danny whispers.

Robin darts forward and wraps a hand around Danny's wrist, yanking him towards the center of the roof. "Why on Earth would you come up here? Surely you must have known that someone would stop you."

"Batman," he gets out. "I need to speak to Batman."

"What for?"

"I'm… I was told, once, that I'm his son."

10. Robin stares at him for a long moment.

Then he takes off his mask.

Danny knows those eyes: he sees them every time he looks in a mirror.

"Danyal," Robin breathes. "You died before I was born."

"I did. Are you…?"

"Mother told me about you."

So he has a little brother. If only he hadn't left first chance he got, he could have known his little brother, gotten away from that place before it hurt him too. Danny has made many mistakes since he arrived in this world. Missing a little brother is perhaps the worst of them.

"Mother…" Danny repeats. "She put me in the Lazarus Pit. I remember that. She didn't want me to die."

"I was born to replace you."

Just like Ellie.

So many mistakes repeating. He's never felt like more of a failure.

"Batman. Our father. He treats you well? You are safe with him?"

Robins brows furrow, but he nods, which is enough for Danny. "Yes. Of course. Isn't that why you're here now?"

"I'm not asking for me." Danny carefully, gently, unwraps Ellie. "I'm asking for her. Please, take care of her. She deserves more than I can give her. Ellie… she'd be your niece."

Robin's eyes are wide. He's frozen until Danny pushes Ellie against his chest, forcing him to lift his arms to hold her.

"Wait, what about—?"

When Robin looks up, Danny's already gone.

It's for the best.

(masterpost for all parts)

[deathbxnny]

hey I need you SO BAD to do like an arcane reaction where they’re drunk and what they do/say while it and btw I love your writing

What Arcane characters are like when drunk. | Vi, Caitlyn, Jinx, Ekko, Sevika x Gn!Reader

So this may have become a little too angsty for some of them, so uh... don't mind me-

Also, thank you so much! I'm glad you love my writing. It means a lot to me!<33

Content: Alcohol obviously, some potential heavy angst, Pit fighter Vi, established romantic relationships, some toxic behavior, this has been written by someone who has never drank a sip of alcohol in their life so I'm sorry if this is unrealistic, sfw

Reader has no set pronouns.

((Not fully proofread))

》VI

Her being drunk wasn't unusual, and in fact, it has become the norm for her at this point. It was the only way for her to numb the agony she was going through every day, and there was no stopping the cycle she was in. If she wasn't drunk, then she was fighting. But even the line that was drawn between those two states she was constantly in was becoming blurry and unintelligible. Things were getting out of hand, and so was her aggression towards everything that moved, anything that cared for her.

But at least you were still here with her, trying your best to keep her together and intact when she refused to be.

She can be cruel and unfocused whilst drunk, often either yelling or punching things to express her frustrations, and yet she never dared hurt you. You were the only light she had left, and she'd be damned if she snuffed you out, too. But this doesn't mean that she can control her words at times. She says things she regrets all the time, insults that cut deep or accusations that made no sense were common. Yet you stayed, you always stayed.

A part of her knows you deserve better, but until Jinx showed up, she refused to wane off the bottle that kept her even partially functioning daily. In a different life, she'd put the bottle down, however, and just finally hug you instead.

》CAITLYN

She doesn't drink much, and when she does, it's in strict moderation. She has a reputation to keep up and can't let her sharp senses falter at any time, especially once she becomes the commander of Piltover. But when it's just the two of you attempting to relax after an impossibly stressful day, the alcohol helps her relax and become more open with her troubles. Her grief had manifested into an uncontrollable force she shyed away from every speaking on, but in drunken moments like these, she'll allow herself to find melancholy in your arms, her flushed face pressed into your shoulder as she did so.

She may cry or laugh of the worries of the day, maybe break down from the guilt and frustrations, let the anger quell over but only still hesitantly even with her judgment clouded. This is a very rare state to see her in after the loss of her mother, and she trusts you to keep this vulnerable part of her safe and sound in your heart behind locked lips.

With that said, knowing how emotional she can get whilst drunk, she tries avoiding drinking too much during functions in case things get too much out of hand. She'd rather not make a fool of herself infront of everyone after all.

》JINX

She doesn't typically drink. But the few times she does with you at her side, she somehow becomes extremely calm and lazy. She'll practically lay in the chair she was sitting in, eyes squinting at a far away point on the wall, whilst she seemingly contemplates life. Most would think that the alcohol would enable her crazy tendencies even more, but alas, it simply turns her mostly docile.

I say mostly, as she usually mentally comes up with the craziest plans instead, all of which are questionably more unethical than the last. She'll eventually lose herself in those thoughts and become either unresponsive or mutter the silliest, incomprehensible things known to man. And there is certainly no in-between.

With that said, she will probably eventually snap out of it and begin rapidly speaking about all these thoughts to you without a single care in the world. Drunk Jinx is somehow less miserable and yet absolutely doesn't like the feeling of it afterward. Sure, it makes her mind stop thinking about her issues and past, but it still feels wrong, hence why it's rare to see her drunk.

Her terrible hangovers alone also cause her to stay away from alcohol in general. It's definitely not worth that pain to her.

》EKKO

Another person who doesn't drink often at all, albeit out of his responsibility as a leader. He has to be a good role model for everyone and only drinks when the occasion calls for it, like a festival or get together with friends and you. That's when he lets loose a little and allows himself to drink more than he probably should, resulting in a very clingy and loving Ekko.

His alcohol tolerance is embarrassingly low, and he always tells himself that he should know better than to down so many glasses at once... yet it's hard to keep count after about 2 and a half of them. Or so he'd say after he sobers up in the morning, much to your amusement. During the time he's fully hammered, though, he'll always have a hand in you and slur his words rather heavily, whilst he practically near proclaims his love for you for everyone to hear. This often results in you having to slap a hand over his mouth before he embarrasses himself further... which is somehow he hates.

He gets teased by the others all the time for it and glares when they mock his loving tone of voice that he only uses when he's in that impaired state with you. This alone makes him abstain from even a singular drop of alcohol... until the next festival roles around and he forgets to keep count again.

But hey, maybe he'll remember next time because you sure as hell won't remind him.

》SEVIKA

She drinks at bars all the time with you, although it's rare to see her ever get completely drunk. She has an extremely high tolerance to alcohol and it shows when there is barely a difference in her behavior. The only thing that may indicate something influencing her would be a slight slur in her voice and her being unwilling to get up or move around much at all. She'll just want to relax and play poker in peace, even if it starts getting hard to see the cards after a while.

Another way to tell that she may be getting drunk is by her sudden overprotectiveness. Sure, it was always there and never left, despite you being able to handle yourself alone. But when she's drunk, anyone that looks at you for too long in a way she doesn't like will either be punched in the face or yelled at to keep it moving.

She also definitely always denys being drunk or even tipsy when you ask her. Whether out of pride or stubbornness, you'll never know, but she will never admit to it. It doesn't matter if she denies it whilst being unable to walk straight either.

[midnightcrw]

Fight

Pairing: Ghost x Reader, Price x Reader, Soap x Reader, Gaz x Reader

Summary: Your child gets in trouble

a/n: This one is a little different from my usual ones, but I just felt like writing for all four of them. I'm not sure how accurate you'll all find them as I've deliberately exaggerated them, but I do believe that Gaz is a sassy man after seeing how he didn't want to shake Graves' hand. I've also named the children of the TF141, I hope that's okay with you all.

Scenario:

The moment you both heard that your child got in trouble, the first thing you two did was rush into the principal's office in fear that something happened.

And now you were both sitting in the principal's office with your child, while another child was there with his parents.

Ghost:

Your eyes widened as you heard the principal say that Daisy and another girl in her class had gotten into a physical fight.

"There was also something your daughter said that is completely unacceptable," Mr. Smith said, looking disappointed at Daisy, even though the girl apparently started the fight and your daughter was just defending herself.

"It wasn't even that bad..." Daisy muttered underneath her breath as she crossed her arms.

Simon was very quiet, but his stoic expression spoke for itself.

"Daisy, I want you to quote what you said," Mr. Smith continued, not wanting to hear another word from her unless she quoted exactly what she said to the girl.

Your daughter looked at you, a pleading look on her face but you just shook your head at her in disappointment, wanting to hear what she said.

She sighed and quoted what she had said before, "You have a face that only a mother could love."

Without missing a single beat, Simon started wheezing in his seat the moment he heard his daughter's insult to the girl.

You glared at him, "Simon!"

Trying to calm down, he put his palm on his mouth as he continued, completely ignoring the angry looks of the principal and the other family.

"Mr. Riley, I want you to calm down. This is highly inappropriate," Mr. Smith said as Simon calmed down.

A few seconds of silence passed between you all before your beloved husband opened his mouth.

"Did you win?"

"Simon!?"

Price:

It felt like hours as the girl's parents and the girl herself ranted and raved about the fact that your daughter Sophie punched her.

At first you had both been shocked, completely angry at your daughter until the parents opened their mouths to speak.

You almost fell asleep listening to the mother go on and on about how her daughter's nose was bleeding because of Sophie.

Price, on the other hand, sat still in his seat, listening to the whole thing, not having said a word since he walked into the principal's office.

"Your daughter should be suspended!" The father said, glaring at Sophie.

Mr. Smith didn't even get a single chance to say anything, as they continued.

Slowly, Price seemed to lose his patience and turned his head towards you and your daughter.

He whispered, "Punch her harder next time."

"What?" The principal asks.

"Nothing."

Price says as Sophie giggles at her dad.

You tried to stifle your grin by putting a hand over your mouth, just hoping that the parents would shut up soon.

Soap:

Your son sat between the two of you, his nose bleeding and his face bruised as he frowned at the boy and his parents.

You were extremely worried as you put a hand on your son, Callum's arm, and quietly asked him if he was hurt anywhere else.

Callum just shook his head, not wanting to speak while Soap was already getting bored listening to all of the talking the principal was doing.

"It doesn't matter if he started insulting him because Callum was the one who got violent," Mr. Smith said as you tried to defend your son.

The boy obviously looked much worse than Callum. His hair was disheveled and his face was bruised. His nose was also bleeding, as was his lower lip.

It looked like your son had done some damage.

"What exactly did he do?" Soap asked, wanting to know exactly how Callum had hit the boy.

As Mr. Smith explained what your son had done, Soap's eyes lit up and a smile appeared on his face.

"I'm so proud of you, you used the punch I taught you," Soap said, extremely pleased that Callum had listened and actually used the things he had taught him.

Callum grinned at his dad's antics as you put your face in your hands, sighing and muttering "Why did I marry this idiot..."

Gaz:

You were shocked to hear what your son, Ethan, had done to the boy.

Mr. Smith was obviously upset and angry that Ethan had acted so childishly, and immediately got into a physical fight the moment the boy wouldn't stop insulting him.

You felt the headache already pounding in your head as you rubbed your temple, completely out of it.

Ethan didn't really say anything, he just listened to everything that was said.

The boy's parents glared at the three of you, never once looking away.

The boy that insulted your son, looked angry, obviously still being pissed at the fact that Ethan punched him, even though he himself started with the insults.

Gaz was not even shocked, sitting there with his hand holding up his head up as he looked extremely uninterested in the principal's endless speech.

Rolling his eyes, Gaz moved closer to you and Ethan as he whispered.

"Did you break any of his bones?"

"No."

"Good, because I'm not paying anything in this economy."

[tender-rosiey]

hiii 😭 I REALLY LOVE UR GOJO X YN SO MUCHHH 😔😔 I was also wondering like maybe what if y/n has a wound, like any where 🥲 it could be either on her back, arms, legs but she doesn't wanna tell gojo abt it and she hides it, then he will find out about it either she winces when gojo hugs her, starts wearing long sleeved clothes or her shirt lifts up while sleeping 🤧 TYSMM❤❤

strain — gojo satoru x f!reader

a/n: I am honored that you like my works, love! hope you enjoy this as well 🫶💕🫶 also happy birthday to the man, the myth, the legend: gojo satoru!! (it’s still his birthday in my country so hush I am not late)

you are more than a capable sorcerer. in fact, you are one of the strongest in the field.

however, like anyone else, there are some moments where things get a little out of hand, and you come back bearing a rather long slash on your left arm.

but since it’s pretty late, you decided you will bother shoko about it in the morning. that is how you’re finally in your home, with satoru nowhere to be found.

you frown lightly at the fact that he is still out there fighting curses, but a part of you feels relieved that you don’t have to explain your situation right now.

the night should pass by smoothly, and you will go to shoko tomorrow: a fool-proof plan!

so you do what you can to sanitize the wound, and cover it until you can get it treated properly. you also take the chance to indulge in your favorite snack as a good job treat.

after finishing your food and tidying up for the day, you’re finally in bed, all-cozied up and avoiding anything touching your wound as much as possible.

a deep breathe in, a deep breathe out, and you slowly drift to sleep.

not much time passes before satoru’s familiar footsteps echo throughout the house.

your husband has an abundance of energy.

but it seemed like today’s missions have drained him a bit more than normal, so he skips eating anything and heads straight to your shared bedroom.

his heart softens, and his muscles relax upon the sight of you tucked in bed. he walks to press a small kiss on your forehead, quickly changing into his pajamas and settling right by your side.

he stretches a bit and turns to spoon you as per usual, eyes closing in contentment.

but you wince, even if adeptly, and it sends alarms ringing through his head.

he jerks up, and his hand is instantly placed on your arm again, softly. there is an ever so faint change in your expression as your eyebrows furrow, and he has never pulled his hand away so fast.

he keeps debating in his head whether to wake you up or not, but he swiftly settles for the former.

he needs to know what happened. so he, regrettably, nudges your sleepy form, “y/n?”

you groan, but, nonetheless, you reply, “…what?”

while satoru often likes to base theatrics around his every move and phrase, but he also knows when to get straight to the point, “did you get hurt on today’s mission?”

you’re no longer half-asleep, and you quickly sit up, eyeing your husband. knowing there is no escape nor denial, you fidget with your fingers and nod slowly.

then you hurriedly utter, “but I was going to see shoko first thing in the morning; I promise!”

he nods slowly, holding your hands in his own. you’re left to look him in the eyes. satoru’s eyes being exposed makes him feel so vulnerable, or at least that’s how he is with you.

you can see every wrinkle, and every crease; you can see what he is thinking about in real time. he has long given up hiding anything from you, and, besides, it feels fresh to just let go.

but right now, as you look into his eyes, you see them swarming with confliction, pain, and worry.

he doesn’t scold you about not going right now because he knows that you will tell him that you either thought it wasn’t a big deal or that you didn’t want to bother shoko with it.

instead, he settles on a hushed whisper of “can I see it?”

you throw him a confused look, “why? I am getting it treated tomorrow anyway,” then you smile, “it’s not going to permanent if that’s what you’re worried about.”

he shakes his head, “it’s not that; I just—“ he takes a deep breath then looks at you pleadingly, “just let me see it.”

perhaps it’s to silence his thoughts and to show him that you’re truly okay, as okay as you can be.

you’re still alive, and that’s what matters, he thinks. nevertheless, he feels the need to see just how serious is the wound anyway.

reluctantly, you slowly take off your jacket to reveal the poorly bandaged gash on your arm.

he looks up at you, asking for permission because even if he needs to see it for his own selfish reasons, he has to put you above anything and everything else.

you nod, giving the free reign to slowly take off the bandages. you can barely hold back any pained noises, but you can’t help the wincing of your body.

satoru’s frown deepens, and with every move, your husband’s heart aches. it goes like that until the wound is finally unveiled.

you feel satoru observing the cut so intently that you look away. satoru curses everything that he can think of, and never has we wanted the ability to heal others more than right now.

he straightens his back, “that’s a deep cut, y’know.”

“I know…”

“you also realize that the wound could’ve hit your chest and inevitably heart, right?”

you huff, “listen, if you’re going to give me a lecture or keep making me feel bad about it then I will have you know—“

“you could’ve died.”

you notice the strain in his voice, so you turn to finally look eyes with him. he looks pained, so hurt, maybe even terrified at the fact that there was a chance that he could’ve lost you.

your expression immediately becomes that of sympathy, “but I didn’t, and dwelling on the fact that I might’ve died will only bother you for no reason,” you hold his hand, “I am here and alive, aren’t I?”

your husband sighs, resting his head on your right shoulder, “you’re hurting my poor little heart whenever you put yourself in danger like that.”

a giggle escapes your lips, and your hands naturally find their way in his hair, fingers gently carding through, “whatever shall we do.”

“if things went my way then you would just stay home looking all pretty like you always do,” he states, and you roll your eyes.

“well, they’re going my way tonight, so—“ the clock strikes twelve, “happy birthday, silly boy.”

his eyes widen and he pulls away to look you in the face. he blinks dumbly then looks at what’s in your hands: a cupcake with a candle.

a wide grin of unbridled joy appears on your husband’s face. his eyes shimmer in the moonlight as he laughs, “I really didn’t expect it this time!”

“you outdid yourself, pretty girl,” he hums, hand caressing your cheek.

“I still have a lot more things for you,” you beam with pride. satoru can’t contain himself anymore, and he pulls you into a loving embrace.

“I love you so much,” he murmurs beside your ear, pressing a light kiss to the side of your neck.

you pat his back, “I love you too, ‘toru,” you laugh, “but you’re pressing on my wound, and I think I am just going to cry and not because of overwhelming love.”

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[youraverageaemondsimp]

Metanoia ;

Aemond Targaryen x Transmigrated!Strong!Reader

>> Chapter I : The Beginning.

Summary: "Be careful what you wish for" is what everyone says, you realise that you should've taken them seriously when you find yourself reincarnated as a character in the show who never existed.

WARNINGS: CANON TYPICAL INCEST, CONTAINS SPOILERS OF F&B, S1 AND S2, reader's appearance isn't described, only the fact that she is a strong, you can imagine her however you like, the picture used in the header is only to capture the feel of the story. A/N: divider credits to @cafekitsune

masterlist // next

“Jesus Christ, fuck this show, fuck everything, what the fuck is wrong with the writing?” You exclaim in annoyance after witnessing the scene that was supposed to be heavily impactful be butchered.

“That is the most anticlimactic death scene I've ever witnessed, this has to be a joke.” You furiously ramble. You decided to give House of The Dragon a try after your friend had recommended it, the show currently has released three seasons, with the fourth season in production, you thoroughly enjoyed season one and decided to binge all the seasons.

However, everything started to go downhill from season two, yet you still decided to watch for the sake of your favourite characters, daemon and aemond, only to witness the battle that was supposed to be intense and stressful get finished in the span of two minutes.

You stared at the screen, rolling your eyes in annoyance as you witnessed Aemond falling into the lake along with Vhagar, Daemon was knocked off Caraxes too and fell to his death.

They wrapped up the battle in mere moments, which made you angry as you were so hyped up to see them fight.

“Ugh, I never hated a show more than this, waste of my time, they did season one so well, what happened to rest? I did not expect this.” You sigh in frustration, feeling like you just wasted your time.

“If only… If only I ever get a chance, I'd change entire plot and script because fuck this.” You lay down on your sofa, staring at the ceiling, the show still playing in the background. You recollected the entire plot in your head, thinking of every moment in the show, trying to come up with an easy solution.

“If only they had married Jace to Helaena, it would have been peaceful.. Or at least if they had an older daughter married to Aegon or Aemond.” You mumble, but then shake your head, “What am I saying? Things still would've been complicated anyway.” You wonder in disbelief at your own words.

You yawned loudly, stretching out your limbs and blinking your eyes rapidly, your vision began to get blurry and you sighed in content, finally willingly wanting to sleep after you forced yourself to stay up all night to binge the series.

Your vision darkened slowly as you closed your eyelids, head spinning as you took slow breaths of air, cool breeze brushes past your cheeks and before you know it, you're slowly succumbing into slumber.

You blink your eyes open, realising you fell asleep, you sigh stirring on the soft sheets, entangling them between your legs.

Soft sheets?

Your sofa doesn't have any sheets.

You quickly blink again, taking the note of a translucent veil hanging from above, surrounding the bed you're in, creating a curtain around your bed.

Why were you in bed?

You sit up looking around, taking in your surroundings, your eyes widening in fear as you don't recognize this room at all, ancient tapestries, brown wooden furniture, and the source of light being only from the candle.

Have you been kidnapped?

You look down at your body, noticing you are in a white nightgown instead of the shorts you fell asleep in. Your heart begins to race and you panic, unable to understand where you are or how you got there. You steady your breathing, wondering if someone kidnapped you to play a role in a mediaeval film of theirs? But why would anyone do that?

The sound of metal clanking harshly against the floor and a small scream made your head turn the direction it came from, the liquid in the decanter spilling out rapidly as the person behind the fallen cutlery stood in shock.

“The princess is conscious!” She yells loudly before turning around and running out of the room in a hurry.

Princess?

Is this a prank?

You barely have any moment to think when you hear the sound of multiple footsteps coming from outside to your direction, you could almost feel the ground rumbling, noting that everyone was rushing to this room.

You push the veil to the side and stand up, getting out the bed and examining your surroundings, looking at the sigils and the paintings. All of this looked familiar somehow.

A small gasp echoed through the room, coming from the entrance, which made you turn around to take a look at who was in the room once again. Your eyes widened at the sight.

A lady with platinum blonde hair, blue eyes stood in front of you, someone who resembled Rhaenyra and next to her stood Jace and Luke breathing heavily, looking at you in shock.

Did the house of the dragon cast kidnap you to play a prank on you?

That sounds too unreasonable.

“Oh my sweet daughter!” Rhaenyra rushes over to you, embracing you tightly, tears flow down her cheeks as she peppers you with kisses “I-i i cannot believe this, you finally woke up after many years.” She sobs, you look at her questioningly. “Sister.” Jacaerys speaks up, coming to you and joining the embrace of you and Rhaenyra, Luke joins in as well.

“We missed you.” Jace says and you stare at all of them confused.

This has to be a joke.

They notice the expression on your face and their faces immediately drop, “Your grace, the princess woke up after many years, she might not be able to recognise you.” The maester chimes in, Rhaenyra nods, sniffling yet understanding your condition.

“Emma? Is this a joke?” You question, referring to the actor of Rhaenyra, “I’m not Aemma darling, she is your grandmother.” Rhaenyra corrects you. “I think she must be confusing the names of everyone due to her hazy memory.” The maester tries explaining, you sigh.

Yeah this must be a dream.

You shake your head gently and immediately slap yourself to wake yourself up.

“Ouch!” You yell in pain, cupping the cheek you slapped yourself on, Rhaenyra is mortified and the guards rush in and hold your arms back so you don't further hurt yourself.

This is not a dream.

You can’t feel pain in your dreams and you will wake up right before impact.

You look at Rhaenyra’s face, she is as real as a living person, standing right in front of you.

She looks just like Emma. of course, after all Rhaenyra is indeed played by them.

But this is not them.

She is not Emma

You can feel the vibe, it's very different.

You’ve met Emma before in costume, yet they did not give off the vibes as what Rhaenyra is giving off right now, after all, when you met them; it was just a show, but now it's your reality.

Did you die in your world?

You’ve definitely transmigrated into this show, but as who?

Did Rhaenyra ever have a daughter? You knew she didn't.

“Mirror, get me a mirror.” You ask and they look at you questioningly, your form begins to shake as the realisation is too overwhelming, there are many questions in your mind, “Please!” You cry, and immediately a servant moves and rushes over with a mirror.

Your eyes widen.

It's you.

You had not become someone else, but you remained as yourself. “What is my name?” You ask, “Y/N.” Rhaenyra replies. Your mind begins to spin, you are in another world as yourself, you have not possessed anyone else, which means your body must’ve disappeared from your world.

You try to stay calm in this situation, breathing heavily, “You are?” You ask, wanting to reconfirm, you watch as Rhaenyra's face crumples into that of a sad face, probably feeling hurt that her own daughter doesn't recognise her.

“I'm your mother, you are my eldest daughter, they—” She points at Jace, Luke and Joffrey, “—are your younger siblings.” You turn towards them.

You nod, pretending to play the part while you figure out everything. “I'm sorry, I do not remember.” You apologise and Rhaenyra shakes her head, “It is alright, you have been unconscious since the past six years, this is better than losing my daughter.” She replies.

“Six years… Did I fall unconscious after Aemond lost his eye?” You think out loud and Rhaenyra looks at you in shock, “You remember him?” She asks and you clear your throat, “It's hazy, my memory.” You answer back.

“Your grace, the event was probably traumatic for her, hence why she can remember it in parts.” The maester explains it to Rhaenyra, you mentally thank the maester for covering up for you always.

You noticed how they were all dressed up, looked as if they were about to leave but their plans were cut short, and you recognize this gown of Rhaenyra.

It was the gown she wore when she left for King's Landing, in order to settle the matter of Luke's right to driftmark. “You guys were departing somewhere?” You ask, wanting to really confirm it, “Hm? Huh, Yes, We were about to leave for King's Landing.” Jacaerys answers your question.

“Can I tag along?” You blurt the question.

“.. Tag along?” Lucerys repeats your words in confusion, your language confusing him.

“I mean to say, can I come along?” You ask the question in a proper manner, Rhaenyra shakes her head, “No- you've just woken up, you might still be weak- I cannot risk-”

“Mother! I am perfectly fine!” You cut her off, breaking free from the guards hands and running around the room, doing jumping jacks, showing her that you aren't weak and are perfectly capable of physical activity.

Rhaenyra watches in shock, seeing you move like this but she chuckles, shaking her head in comic disbelief, “I guess she has not changed after all.” The maester comments which makes Jace and Luke smile.

“Very well, Pack the princess’ belongings, and get her ready for departure, we will depart two days later.” Rhaenyra orders the maids and you smile at her.

“But mother, I do not have many dresses—”

“You do, I had them tailored every year, whenever you grew, hoping that you would wake up.” She replies softly and you just then realise how Rhaenyra loves her children.

“The maesters said that you might not ever wake up, and that your body will be stunted from growth, yet… I'm glad their predictions never came true.” She smiles gently at you, you smile back.

The maids come in with a bath as everyone leaves, some of them begin packing your belongings. You notice how your body doesn't look how a person in a coma state should be looking especially in the mediaeval times, but instead you seem to be well taken care of, treated as if you were alive.

The maids quickly finish your bath and dress you up, you have to pretend to get used to this atmosphere and era even though you're highly uncomfortable, the mere thought of having servants made you feel bad.

And with that, the night fell, you couldn't sleep thinking about how you're going to deal with everything, could you really prevent war from happening? It happens due to a misunderstanding in the show right? What if the misunderstanding doesn't occur? Your mind was filled with such thoughts through the whole night.

In King's Landing.

“My queen, Rhaenyra, has sent a letter saying that their arrival will be delayed further.” The master sums up the contents of the letter in the council room, in front of Aemond who had been called by Alicent for an urgent matter.

“Why so?” Alicent asks, furrowing her brows.

“Princess Y/N had woken up from her unconscious state.”

An ear piercing shattering sound of glass is heard through the entire room, when turned to look at the origin, It is known that Aemond had dropped the wine glass he was drinking from.

“Y/N is awake?” Aemond asks the maester.

“Yes my prince.” The maester replies.

Aemond's heart begins to pound in his chest loudly, his mind spiralling at the thought of you finally waking up all these years later.

“Please excuse me.” Aemond gets up from the chair, excusing himself from the council and leaving the room, his brain occupied with the thoughts of you.

There wasn't a day where Aemond hadn't thought of you, he would at least think about you once a day- the news of you waking up from unconsciousness made the adrenaline in his body rush.

He felt like a hungry snake that had been starved for many years who at last found a prey to feast on, he felt like a drought-stricken land finally receiving rainfall, he felt like a garden void of any flowers which started to bloom once again.

He was thrilled.

He reminisces of the fond memories you both shared, he could never ever forget them, smiling at the thought of you.

He wondered if you had changed or remained the same.

Whatever it was, he couldn't wait.

He couldn't wait to receive you.