#sharon forester

[authorsharonforester]

Sticking To A Writing Routine

​Welcome. Today, I will show you how hard it is to stay on track with writing and the ways to overcome it. Here at home, I will currently express that I haven't written in a long time. 

The trouble with that is that I really want to, and despite that, I am not writing. I have a hard time sticking to writing a little bit every day because I am worried about how I will finish my work and the work it takes to do my writing and then edit it.

People have different reasons why they procrastinate writing. For all of us, it doesn't mean we enjoy writing. We are just afraid of failure in some way. For example, for me it is the process of editing and how much work it is going to take. My brain tells me that I will never finish the editing process because it takes so much time. I want to do things that will take very little time.

The story I am working on is about an alien that joins his people's plans on wanting to invade planet Earth, but the alien doesn't want to partake in this mission, and meanwhile on Earth, a girl and her friend are desperate to meet a live alien. This is a novel that took me three years to write when I was a little girl. I have written the entire thing on paper and now I need to type it on the computer.

It is important to keep yourself accountable for getting the work done. I am on camera because I want to show you that it is possible to come and stay on track in the writing process if you really let yourself do this. There are different ways to hold you accountable. You just gotta pick the types that work for you because everyone is different.

-Make a schedule and stick to it -Make a goal and stick to it -Make a checklist and work on it for a duration of time -Make a sign in, sign out sheet -Set a goal for the day -Get someone else to keep you accountable -Dedicate a day for your tasks

What works for every single person is different, so it is important you find what works for you, whether it is something from this list or something you come up with on your own. What works for me is this (when I am disciplined): Setting a goal and using a day to accomplish it. ​ Let me tell you how I found this. I was roaming through YouTube one day when I found an interview with Stephen King on there. I clicked on it because the title said he was talking about how he was making books so fast. He went into the conversation to mention that he sets the goal of writing SIX PAGES a day and then having the entire day to accomplish this. He also mentions that when he is being overcome with obstacles in writing, then he will use that time to take breaks, and what he does in those breaks is either eat a meal, shop at the door for things he needs or do a chore. He uses his breaks to do something he needs to get some practice in his personal life instead of being distracted by the phone and TV, which is really important to getting anything done. It is like being at school at home. Sometimes it makes it easier to think of it as an assignment he needs to get done. All these little things work as a motivator for him while he is working. Then he will start over the next day until he reaches his day(s) off.

This was inspiring to me because everyone else always came up with ideas that didn't work for me, such as the list above. For me, working under a time limit didn't work because I didn't know what to expect to come in randomly in my life. Others are able to work under pressure… It all depends on who you are and that you pick what works for you. As long as you pick something that is realistic to you, then you are on your way.

The last thing that you need to remember is that you need to start with small goals and just write! before you set yourself up with bigger goals and worry about editing, or else you will never get anything done because you are overwhelming yourself. We will overthink everything and then end up messing up our own stories.

[authorsharonforester]

Loads of awesome writing advice! More learning for all of us in the creative writing world ready to make amazing inspirational stories!

Some writing advice

that I like to use when I write. None of this is meant to be taken as hard and fast rules, they’re just things I like to do/keep in mind when I’m writing and I thought maybe other people would enjoy! <3

Never say what you mean

This is an offshoot of the very common “show don’t tell” advice, which I think can be confusing in application and unhelpful for scenes where telling is actually the right move. Instead, I keep the advice to never say exactly what I mean in stories.

By using a combination of showing and telling to hint at what you really mean, you force your reader to think and figure it out on their own, which makes for a more satisfying reading experience.

You might show a character getting angry and defensive in response to genuine care and concern. You could tell the audience that the character doesn’t see/talk to their parents often. But never outright give the real meaning that the character feels unlovable because of their strained relationship with their parents and as a result they don’t know how to react to being cared for.

Your readers are smart, you don’t need to spoon feed them.

Be sparse with the important things

You know how in a lot of movies there’s that tense scene where a character is hiding from something/someone and you can only just see this person/thing chasing them through a crack in the door? You get a very small glimpse of whatever’s after the character, sometimes only shadows being visible.

Do that in your writing. Obscure the important things in scenes by overdescribing the unimportant and underdescribing the important.

You might describe the smell of a space, the type of wood the floor is made of, the sound of work boots moving slowly across the room, a flashlight in the character’s hand. And there’s a dead body, laying in a pool of blood in the far corner of the room, red soaking into the rug. Then move on, what kind of rug is it? What is the color, patterns, and type of fabric of the rug?

Don’t linger on the details of the body, give your reader’s imagination some room to work while they digest the mundane you give them.

Dialogue is there to tell your story too

There’s a lot of advice out there about how to make dialogue more realistic, which is absolutely great: read aloud to yourself, put breaks where you feel yourself take a breath, reword if you’re stuttering over your written dialogue. But sometimes, in trying to make dialogue sound more realistic, a little bit of its function is lost.

Dialogue is more than just what your characters say, dialogue should serve a purpose. It’s a part of storytelling, and it can even be a bridging part of your narration.

If you have a scene with a lot of internal conflict that is very narration-heavy, breaking it up with some spoken dialogue can be a way to give some variety to those paragraphs without moving onto a new idea yet; people talk to themselves out loud all of the time.

Dialogue is also about what your characters don’t say. This can mean the character literally doesn’t say anything, they give half-truths, give an expected answer rather than the truth (“I’m fine”), omit important information, or outright lie.

Play with syntax and sentence structure

You’ve heard this advice before probably. Short, choppy sentences and a little onomatopoeia work great for fast-paced action scenes, and longer sentences with more description help slow your pacing back down.

That’s solid advice, but what else can you play with? Syntax and sentence structure are more than just the length of a sentence.

Think about things like: repetition of words or ideas, sentence fragments, stream of consciousness writing, breaking syntax conventions, and the like. Done well, breaking some of those rules we were taught about language can be a more compelling way to deliver an emotion, theme, or idea that words just can’t convey.

Would love to hear any other tips and tricks other people like to use, so feel free to share!!!

[lifewithoxox]

[rainintheevening]

Tagged by @pepperonyscience to make a poll of beloved female characters and see who everyone else likes most.

Tagging @ablatheringblatherskite @novelmonger @sailforvalinor @steampunk-archer if you like!

[fornpt1]

[johnschneiderblog]

Vine-slayer

Now that I’ve had my hunting fun and am no longer paranoid about human activity spooking the deer, Sharon has free rein, once again, to run wild in our woods.

She proceeds with purpose, gathering debris from the forest floor - sticks, pine cones, anything without roots - into piles. Then she sets the piles on fire, which, I admit, is a satisfying project on a brisk day.

She particularly delights in wrestling with the vines - some fatter than garden hoses - that can can slither up a tree and choke the life out of it. She grabs hold of them and tugs until they give up … or she does.

“Great exercise,” she says.

[zmediaoutlet]

this land is your land

for @wincestwednesdays - americana

"Relax," Sam says, and Dean says back immediately "You relax," but that doesn't work because Sam, damn him, is so relaxed Dean's surprised he's still walking upright and not a puddle of dissolved bones, somewhere a few miles back on the sun-baked road. Where the car's sitting, steaming, the engine ticking as it cools, alone--

"You know what's wrong?" Sam says, and Dean gives him a look, and Sam says, "You know how to fix it?" and Dean rolls his eyes, and Sam says, "So what are you gonna do about it between here and that co-op in town?" and Dean says, "You know, this is how you talked when you didn't have a soul," and Sam laughs kinda soft, hitching his backpack higher.

Hot, humid, but not horrible. The fields growing up with something green. Maybe future wheat. Dean's not a farmer. The kind of summer day where you want to lay in thick grass and drink about twelve ice-cold beers and eat watermelon, or burgers off the grill, or a rainbow snowcone just dripping with every color, like remember, that time --

"Fairfield County Fair," Sam says, grinning. He drags his hair back from his forehead. Their jackets tied around their waists and Sam's sleeves rolled up to his elbows; if it gets much hotter out here he might strip that layer too and then, hey, free show. "Yeah. That was good. Other than the ghost."

"Ghost was easy," Dean says, "as was Miss Mindy the concessions girl. You remember, right? All that funnel cake?"

"I think I puked it all over the tilt-a-whirl," Sam says, dry, and Dean grins back at him so Sam rolls his eyes, but -- he remembers, and that's what matters to Dean now. When he's got this brother, stitched back together, remembering the snowcone and the tilt-a-whirl and also what it means, that they're walking side by side through this yellow afternoon, sweating their balls off.

A barn, past the next field of maybe-wheat. White-painted metal that's peeling bad as they get closer, but it's got a heavy fall of shadow in the driven-over silty dust and abandoned crates that don't collapse when Dean plants his ass on one, so it's good enough for now. "Could go for a snowcone," he says, and Sam snorts somewhere past his closed eyes and there's a thunk of his bag hitting the dirt and then scuffing away, through the silt, and Dean watches the world golden through closed lids and imagines. Sam sweating, long, his body moving sure through the shadow and then -- through the barn door, sliding on squeaky rollers -- and then into somewhere Dean can barely hear him except whatever he imagines might echo through the wall, but it's okay because he'll come back. He's promised that, now. Dean turns his head against the side of the barn anyway, his ear against the warm metal, in case there's some echo. Long night and a long day and a long night ahead and maybe it's lame but he's old now, or feels it, and he's tired. He'll take even an echo.

In the barn: dusty John Deeres, and tools Sam doesn't bother to describe, and a case of too-warm water of dubious age in cheap plastic bottles. "Thief," Dean says, but just to say it, and Sam shrugs and says, "Trespassing, too," but he cracks a bottle and hands it to Dean and Dean dumps it over his head, just to get off some of the sweat and dust. Long walk. Sam says dude and Dean says, "Bite me," but when he slicks his hand back over his head Sam ends up smiling at him, after all, and hands him another bottle to actually drink, and then -- bends at the waist and dumps water over the back of his own head, slicking his hair to black in the shade, dripping down and turning the dust to mud. Stripped down to his t-shirt after all and the water sopping the grey to dark. "See, I'm a genius," Dean says, and Sam scratches through his hair and groans like he does on other midnights and says, "Don't get ahead of yourself," but when he sits down next to Dean his hair's curling wet against his neck and he looks as relaxed as Dean's seen him in -- god, how long? Years anyway. Like Dean would see him sometimes in dreams, during that year that's pressed too close up against his back teeth, and he'd wake up on those mornings with his heart full in his chest and with a good mood, almost, that lasted until he opened his eyes and remembered what bed he was in and the mood pierced like a water balloon that hadn't popped right. Draining out slow until he was left pointless and limp.

Sun finally heading toward setting. Over the fields the air's golden, thick in that way of summer. Sky exactly the shade of a cherry '67 Mustang. Acapulco Blue. Sam's bootheels stretch out to full-length in the silt, past the mud-mess he made, and there's his legs long in denim. Dust on the hems. Dean leans forward, elbows on his knees, taking in one of those long deep breaths that when he blows it out feels like he's expelling air from decades ago. Lungs one hundred percent empty.

Big hand on the back of his neck. He closes his eyes. Sam strokes up over his head where the hair's gone spiky-wet and then smooths it back down, his thumb braced up behind Dean's ear. Heavy and hot.

"Gonna make it back to town tonight?" Sam asks. Like he doesn't know the distance just the same as Dean. Dean shrugs. Sam hums and squeezes Dean's neck, and then Dean opens his eyes and looks from where his head's held down like this to see Sam's heel draw up through the dust, and for his knee to press against Dean's, and then his hand dragging down Dean's back and then back up under his shirt, hot on damp skin, a big square heavy thing. Landing somewhere up between his shoulderblades. Dean wants it on his dick and on the side of his face thumbing his mouth and also just exactly where it is. Sam touching him. Over that last year, what he missed more than anything else. For Sam to touch him and for it to mean what it was supposed to, when Sam touched him.

"We've probably got the worst case of swamp ass this side of the Mississippi," Dean says.

"You remember that time in Tupelo?" Sam says, and of course Dean does. Of course, every single time, like some dorky glittery journal in his heart, he remembers -- Sam's face over his in Tupelo spattered with mud-and-blood and laughing at how disgusting it was, and doing it anyway; Sam's breath desperate at the back of his neck in Portland, both Maine and Oregon; Sam's fingers lacing with his in Colorado Springs, and Sam pressed chest-to-chest with him in Pittsburgh, and Sam's mouth blurring strange in the drunken dark in too many places to name. Dean remembers.

Sam lifts his hand, stretching Dean's shirt, and Dean feels the air gust up against his sweaty back before he follows it, unbending slowly, and then Sam's whole arm's shoved awkward up against his spine, his fingers and thumb bracketing Dean's neck, and when Dean tips his head back Sam's there to catch him.

"Gonna miss the show tonight," Dean says, slit-eyed. Salt in his eyelashes.

The county such-and-such. Volunteer firefighters put on the show, one of the witnesses told them. Not a big display but big enough to please the kids and the folk who hadn't got too cynical for it. He was kind of looking forward to catching it, just because. When was the last time they'd had a July 4th that wasn't some kind of miserable?

"Maybe," Sam says. His eyes on Dean's mouth. Which is so like the soulless version Dean's heels dig into the ground, some weird no instinct making him want to stand -- but then Sam's eyes flick up to meet Dean's, and he grins lopsided and dorky like Sam always used to, when he was okay enough to grin, and relief washes through Dean like stepping under a waterfall. "Could celebrate right here, though. Right?"

"You think that line actually works on anyone?" Dean says, chest blooming hot, and Sam says, "Guess we'll see," in a way that's frankly smug, and Dean rolls his eyes but he also swivels on his stolen crate-seat and presses his mouth against Sam's and gets salt-sweat and stale bottled water and also the good spit-flavor of his tongue, and so maybe Sam deserves the smug.

Birds calling in the trees by the barn, squawky-loud like they're making commentary. Sam's thigh hard and hot alongside his. At first Sam presses against him too hard and Dean grunts, and then Sam lays his other hand soft against Dean's cheek and kisses him sweet, instead, and then grips Dean's neck and kisses him just -- right, Goldilocks finding the right level of comfort. Dean lays his hand on Sam's chest and feels his heart go right out of himself, like a roman candle.

[girlprayers222]

[imiging]

by Olaf Meyer, meolog.tumblr.com

Club imiging Member / Team member of imiging

Daily original photographs and creations selected by the imiging team!

Happy Birthday @sharonbphotos

[terracegallery]

Soft Tranquil Landscape

I am a Florida Native, where it’s flat and warm. However, I have friends and relatives who live in the North where they get hills and valleys. I enjoy seeing their pictures and I feel inspired. Nature is so beautiful everywhere if you take the time to look! This piece is a perfect peaceful scene with green hills, trees and a glowing sun. A great addition to any home or office space. A a taste of…

[mmwm]

INDEPENDENCE DAYS #30

[authorsharonforester]

Organization of Multiple Story Projects Helps You Finish Your Writing 

There are countless times where the brain cannot handle juggling multiple writing/editing projects at the same time, but there are also days where switching between projects does the trick to keep you disciplined and not burn out with a single project that you end up rejecting for weeks to months at a time. At the end of the day, you have to do what works for you on most days so that you can keep the creative flow of your writing going. 

I have reached a point in my hobby where I needed to stop the messy editing routine I’ve been engaging in and organize all the stories I decided to prioritize for the editing process. This is what I did to make me feel good about the progress in my writing goal: I grabbed a blue binder and several sheet protectors, printed out all the projects I wanted to edit off my computer, then stuffed them inside the sheet protectors, and placed them into the binder. As I did this, I didn’t limit the number of writing projects I was going to edit. Instead, I pushed my brain aside and let my heart decide, and rolled with that. I have a list of unpublished stories, but nothing too crazy.

I have written a novella that has undergone two rounds of edits and is currently pending a third one. I have a copy of chapters 21, 22 and 23 for the novel I am writing based on my cartoon characters. The book has undergone two edits and is now pending a third one. I have a deleted chapter from this story that I need to add to the deleted scenes computer file. (I am setting these scenes aside so that I could one day publish this after people have read my book and I can show off my writing process with the world. This will be the most fun thing I do for myself and for others who feel they are alone or falling behind.) Lastly, I have written two separate episodes for the aforementioned cartoon characters that have already undergone one round of edits and are pending a second one. (I am planning to publish a show with them). On the first page of the binger (as you can see in the picture), I have a list of pending writing projects. That little list is there to keep me on track with the chosen writing material I need to finish before publication.

This blue binder isn’t the only thing I have. I also have other binders that hold other printed stories awaiting my attention, like the very first book I have written when I was ready to start 7th grade. I have journals that hold handwritten stories I produced when I was a little girl and a teenager. They are pending computer typing meanwhile I edit the rest of these stories.

This is a random strategy I am engaging in so that I can observe my thought process and determine which of my stories my emotions are taking me to. I think the reason I do this is because my brain gets bored and needs to zhuzh up my writing and editing routine before it can allow me to keep moving forward. This might sound like extra steps to some people, but others understand why I need to work with myself this way. I am sure there are others out there doing this exact thing.

It is a fact that we have different obstacles that stump us according to how our brains function individually as people. We see a lot of resources online that claim they have the ultimate method that works to get your writing done and published faster than expected. However, if I were to write a famous article, I’d tell you that there is no singular method that will work well for everyone to finish a project quickly. What works for you personally that you consider to be normal might be considered unorthodox to society.

Part of keeping yourselves grounded is knowing who you guys are as writers. I keep myself grounded on my writing and editing routines by making these blog posts. They make me happy. They allow me to connect with you guys out there in the world. They remind me that I am not alone as a struggler. I make the habit of occasionally reading about other people’s writing, editing and publishing struggles. Mentally, blogging helps me process my thoughts and feelings and helps figure out why I am or am not doing what I do or don’t do while I take the journey to make this writing dream come true. 

[vigilante24ish]

🌙 Moon Phases 🌙

Agatha Harkness X Fem!Reader

Chapter 1. - Chapter 2. - Chapter 3

Chapter 4. - Chapter 5. - Chapter 6

Chapter 7. - Chapter 8. - Chapter 9

Chapter 10. - Chapter 11. - Chapter 12

Word Count: 1684

Chapter 12:

The slide was muddy, the water helping you all go down and eventually you found yourself laying on your back; almost forming a pile with the rest of the coven.

On the positive note, you were back to your normal clothes, but now they were wet; wet enough to cause you feel a chill going down your spine.

You pushed some wet strands off your face and groaned faintly at the rough stopping while your body was slowly coming down from the adrenaline rush you had.

"Ugh," you exclaimed and brought your torso to a standing position before working to loosen your black tie; feeling as if you did not get enough oxygen with all the stress from the trial.

As you did, you took notice of Agatha standing up and trying to walk away; purposely pushing and kicking the others out of her way.

You could only shake your head, and with a sigh, you managed to stand on shaky legs. Careful not to slip on the wet ground, you realised you were back in the forest; though you were unsure if you were at the same point on the road or further down ahead.

Of course, Jen and Agatha had to start bickering again.

"We're alive. We made it through the first test. Everyone is safe." Agatha argued, one hand on her waist.

You were about to agree with her, when Teen pointed out something that no one else had done so far.

"Not everyone." He argued, drawing everyone's attention. "Sharon's dead."

It was then you took notice of the laying body of the human woman, spread like a starfish. Her skin was a ghostly white and her eyes had remained open, forever frozen to whatever image she saw last before death claimed her.

"Oh, no," you exclaimed, not believing you lost someone so early; let alone the poor woman.

A part of you, the more realistic part, expected Sharon would not survive till the end but it still came as a surprise. At least you knew, she was in a better place; or at least you hoped so.

"Who's Sharon?" You heard Agatha exclaimed and as you stared at her, you could not really tell if she was joking or she was literally that clueless.

You took a threatening step forward. "The human you took with you on this road," you explained, your voice coming colder than she expected, while one hand faintly motioned for the corpse next to your feet. "The human that had no place here, Agatha"

You had remained quiet when you first saw Sharon being dragged by Agatha and even after she came with you through the door. However, you drew a line to innocent lives getting lost.

Agatha had this hatred about humans, this feeling of superiority, and it was one of the few things you often argued.

Ironically, it was where your nickname came from. For your respect and kind nature to humans, it was always seen as something too sweet in her eyes, and eventually, she found that fitting nickname.

Sure, humans did prosecute and burnt your kind, but not all of them were like that. Some were scared, others followed the crowd, and you would be lying if you said there were no witches out there who acted similar; toying and harming humans for sadistic purposes.

Agatha looked at you in surprise by your tone, evident by how her lips had parted at your words. She almost felt offended but then scoffed, hiding any sense of vulnerability she might have shown for that one second.

She should not be surprised, you always had a soft spot for humans; when the moon was full and you were in a good mood.

Yet she still did not expect such a reaction from you, especially for a woman you knew for a few hours at most.

She commented nothing, realizing you were not going to listen to her excuses. She knew when the waves were little too harsh to navigate, even for her, and she had learnt the hard way to not mingle.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

In the end, you all agreed to bury her; offering some sort of closure to her spirit.

Alice and Teen dug the grave, and you offered a silent prayer once the body was covered, the rest of the witches joining you; except for Agatha.

Now with that out of the way, one thing did remain.

You need a green Witch.

But before this could be discussed, another argument had to take place because what kind of testing would you all face if the coven bonds were not tested to the maximum.

"It's like the Ballad says... burn and brew, with coven two, and glory shall be thine" Agatha pointed out as if it wasn't obvious enough.

Apparently, it was not for Jen. "The Ballad clearly says... With coven true, glory shall be thine"

Agatha laughed. "Does it? It's Coven two"

"That doesn't make any sense"

You knew why Agatha was so persuaded it said Coven Two. It was because the last time on the road, a full Coven entered, and yet only two witches made it to the end; you and her.

So her argument was valid, for easily words had been misheard over the centuries; especially one as ancient as the Ballad.

However, something was telling you Jen was right in this case.

You chose not to argue, though, or enter this discussion. Instead you stood a little to the side with Lilia, who seemed to share your thoughts and maybe your migraine from all that arguing.

Jen stared Agatha right in the face. "How many witches left The Road with you last time?"

Agatha lifted a single digit but to the surprise of many, she added a second one; indicating the number two. Then with her thumb, she first pointed at herself and then at you; earning surprised reactions from the other witches.

Except for Teen. He already knew that little information.

"You were on the road with her?" Lilia asked, staring at you.

You nodded faintly but did not say anything or at least you didn't manage to because Agatha popped in.

"Yes, she did," she moved to stand by your side, one hand around your shoulders and pulling you closer in an awkward side hug, or at least it was meant to be a side hug. "See, coven of two," Agatha continued, trying to win thus pointless argument.

Jen looked between the two of you, trying to understand what kind of relationship you seemed to have.

The nickname was not that much of a help, at first, because Agatha had a knack for not calling people with their names. Now, it seemed you had a deeper connection with the former evil witch, but it was unclear what.

Plus, if you had survived the road once... why come a second time?

Now Jen was curious but chose to try and find an answer to that later.

For now, you needed to find a green witch though she was insure if it was possible. You were in the middle of the freaking Road; sort of locked in a very magical box that no one could enter or leave; let alone alive.

"We can summon one," you suddenly said, stopping the argument from continuing any further.

"We can?" Teen asked hopefully.

"Don't be silly," Agatha dismissed. "We can't. We are on the Road"

This time, you stood your ground. "We can. I know of a ritual that will open a door and summon us a green witch"

Agatha looked at you slightly betrayed, but as your gazes remained locked, you started to suspect her denial to the ritual was something more personal.

There was something Agatha was afraid or feared would come if you tried the ritual, and you doubted it was the Salem Seven.

No... this was far bigger.

"Let's do the ritual then," Teen said, earning nods from the others and leaving Agatha to huff silently; having lost the vote to the majority.

Had she mentioned she hated democracy and voted of the crowd?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It did not take long to prepare for the ritual, getting a few things from around like an obsidian stone, some herbs, and so on.

Then, you all stood in a line close to the grave; in front of you, the summoning symbol drawn amongst pushed away leaves and mud.

Well it was less of a symbol and more like the figurine of a person, made by pulled up mud and framed by the yellow and leaves all around it.

You had also managed to light three red candles that Teen for some unknown reason had on him, an extra to the ritual.

Standing in the middle of the group, you clasped your hands in front of you and started to chant in Latin; your voice coming heavy and powerful, echoing across the quiet clearing.

It surprised your coven, not having the quiet and simple you chant with some power, but now they knew better; especially if casting spells was the same way for you.

Once you finished chanting, you looked at Lilia at the very end of the formed line and motioned for her to lay the first object and acknowledge her intentions.

"May she be strong and wise, and the best at her craft." The old witch said.

Agatha followed next. "May she be smart and not annoying... and also, not super political."

You followed next, having chosen to place a Crysanthemum flower you had plucked from near by; ironically close to where Mrs. Davis was buried.

"May she be an ally, not an enemy," you manifested, earning a few head nods from the others.

Jen was next. "May she be pleasant looking."

Alice went last. "Can she bring some Advil?" She asked, earning a scoff from Lilia.

Once it was all done, you waited as in the next second, a strong ominous wind picked up and extinguished the candle flames.

Before any of you could question if it had worked, a hand shot out from the freshly dug grave close to you.

Chapter 13

[lifewithoxox]

[sweetestberryofthebunch]

ALRIGHT Let’s talk everybody lives and is happy au thoughts!

Billy goes back to live a normal teen life because Agatha insists on it (she wants him to have a childhood as long as he can) but once a month he comes over and gets intense lessons on the different types of magick from each of the coven members.

Lilia is probably his favourite teacher, even though he is definitely the worst at divination. But she keeps her lessons entertaining, always has a story or a comment at the tip of her tongue. And while she does tease him for his slip ups, she equally praises a good card reading.

Alice is the most lenient out them all, they usually both get distracted and end up talking about music half of the time. Agatha constantly has to keep them in check and complains loudly about it. Its alright though, because Billy is pretty good at protective magick naturally, and Alice likes to joke she learns more from him than the other way around.

Jen is surprisingly strict with what she teaches him, makes him take tests and pop quizzes she makes, giving him actual homework and not accepting any slacking on memorising lists of ingredients, especially for poisons. One time Lilia notes she is just as strict as Agatha, to which both Agatha and Jen go „Absolutely not!“ in unison.

Sometimes he drives up to the house and Sharon sees him, and then he gets invited over for dinner, she‘s always so excited to see him.

Agatha teaches Billy the most, both about her intense knowledge of lore and their history as witches, but also guides him through his mind reading and astral protection. Sometimes they just sit in the enchanted basement and she tells him everything she knows about chaos magick, and on some rare occasions, the bunny sitting between them munching on some leftover greens, she tells him about Wanda. They grow a lot closer through this, even though Agatha would never admit that.

To everyone‘s surprise, Rio is by far the strictest of them all. She takes him out into the fields and forest until way past midnight, makes him stand in the dirt barefoot, feel the earth with his bare hands and feet, doesn’t let go until he manages to revive a dead branch, summon a flower from nowhere or feel the forest around him as a living organism, every single branch full of life. One night, under the full moon, Rio makes him meditate over a dead crows body for hours, until the bird springs back to life, flying away in confusion. She never discloses whether she allowed it to happen or if he stole the crows life back from her.

Or, sometimes she teaches him more fun stuff. How to shoot vines from the ground, how to control the life around him, call upon the wind, listen to the whispers of the trees, how to call upon the animals everywhere around them, how to grow thorns rich with venom. When nothing works and he gets frustrated, she shows him tricks with her knife, so he gets surprisingly good at knife throwing too.

They return at the break of dawn both covered in dirt and leaves, shoes lost somewhere in the forest, exhausted but happy, and Agatha makes a fuss about how the boy has school in the morning and Rio shouldn’t let him run around the forest at night. And definitely not teach him combat, what the fuck is wrong with her?

Just, you know, this boy has the Coven he was so excited about assembling now, and despite having such immense powers it scares him sometimes, he is being taught and accepted and they are here to support him. The way a young Agatha deserved to have too.

[buckets-and-trees]

The Pool Party Op

Characters/Pairings: Bucky Barnes x female!Reader, Sharon Carter Word Count: 1.2k  Summary: Post TFATWS. The Power Broker hasn't made any major plays, but finding out who they are is still a priority. Bucky has been working on and off with Sharon to track them down as there are potential leads. This mission has them attending a luxury pool party in The Maldives.

Content Warnings: sexual situations (kissing, vaginal fingering, vaginal penetration), strong language

Logistical Notes: Filling my twelfth square for Bucky Barnes Bingo @buckybarnesbingo - Y5 "Pool Party" - and Hot Bucky Summer Week 8 - "How did you meet?" undercover mission, high stakes op.

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“You’re sure that–“

“Yes, I’m sure, Bucky,” Sharon cut him off over the comms. “I’ve told you a hundred times. Everyone here lives in the grey area and after everything you were technically responsible for leading with the Thunderbolts team, the status of you as the reformed and squeaky-clean good boy is not a widely held belief anymore.”

“I know you managed to get me on the Power Broker’s guest list, but I still think this is too easy,” Bucky murmured loud enough for Sharon to hear.

“Tell me when you haven’t been able to trust me.”

He sighed. “I know.”

“And if things go sideways and you have to go full Winter Soldier mode on someone, all the better for convincing them you’re back in the Big Bad Business.”

“It just feels weird to know I’ll be strutting around with the arm on full display.”

“So that’s the real problem. It’s a pool party. People will look at your arm, but then your abs are going to steal the show.”

Bucky could feel the immediate flush of heat rushing up his neck, over his ears, and cheeks.

“I’ll get you in. The plan will work. Just be ready to improvise – I only told you half the plan because I knew you would argue with me over the rest of it. I’m going radio silent now so you can’t bitch at me and because that was already part of the plan anyway. Make good choices, Buck. I’ll check in with you in twenty and see you at the extraction point in forty-five.”

Bucky closed his eyes, pinched the bridge of his nose, and took a few deep breaths. This was, in fact, not the first time Sharon had gone rogue on a mission, but he did trust the track record they had together. He would never tell her a part of him reveled in the challenge that went with working blind or having to improvise. She didn’t need that kind of encouragement.

And he trusted her, which was more than he could say for most of the people he got assigned to work with or who assigned him to missions these days.

Bucky was always wary of putting operatives who were basically civilians into the field during missions, but he understood that sometimes the objective required it to ensure they achieved their objective.

Sharon had told him that much – that he would be working with a desk agent and providing cover for the mission in addition to actual security and extraction if it came to it. She said she would be talking to his assignment when he arrived, they would make eye contact, and then Sharon would move out so Bucky could move in.

They still didn’t have credible leads on the identity of the Power Broker, but merely being at the party, Sharon was going to mingle and grab facial scans for as many people as she could with the photo-contacts she’d been issued while Bucky assisted with the other key objective.

The Power Broker’s communications were behind an impenetrable wall that the team at the CIA had been unable to hack for over a year, so when they got a tip the Power Broker was hosting a glamorous end of season pool party at their luxury vacation home – or in this case, summer fortress. The play was to bring one of the CIA’s top hackers to a party Sharon was tapping into some of her old Madripoor experience to get them on the list for, and access and bleed whatever information they could from inside the system.

That hacker was you.

He sighed when he saw it was going to be a standard meet-cute play, sneak into the house to find someplace more private, and clearly that place would be the home office. He excused himself from the present company he’d been an idle party to conversation with and moved to the steps out of the pool, grabbed a towel from the rack, and wrapped it around his waist, then grabbed two drinks off a tray one of the servers was circulating around the crowd and approached you.

The plan was good. He didn’t like it at first, but he was sold on it now.

His lips on your neck, his right hand cupping your mound and his left hand palming the delightful weight of your breast in his left hand, grinding his hips against your ass, this plan was perfect.

The soft, broken whimpers escaping your mouth were satisfying, indulging a hunger he didn’t know he’d been suppressing until it was finally unleashed in this moment. Now he didn’t want to stop.

It seemed like you didn’t want him to stop either. 

The person who had come to check on the room and “caught” them was long gone, wouldn’t be coming back any time soon, and if they did they seemed too mortified to do more than check for noises and maybe knock on the door, but Bucky could tell they wouldn’t open the door again, so… he could stop, but there seemed no reason not to carry on.

He pressed hot kisses along the column of your throat from the base up to just below your ear, then paused to ask, “This okay?”

“Yes, yes,” you managed.

“You want–“

“More,” you moaned, putting your left hand over his to encourage him to continue his ministrations there, and clutched at his bicep with the other.

He didn’t need more encouragement than that. Bucky sunk two fingers into your slick cunt, and you rocked up against him. He smiled and licked the shell of your ear.

“Bucky…”

Your tone seemed almost hesitant, so he slowed for a moment. “What is it?”

“I mean more, Bucky,” you said.

“Fuck,” he groaned as you pushed back roughly against his hard cock. “You can have it, doll.”

Your hands reached back to tug his swim trunks down. He took over, pushing them down his thighs, and you hooked your own fingers into your swim bottoms to drag them down, and you leaned forward, resting your forearms against the desk, presenting your pretty pussy for him.

Fuck.

Okay.

He lined up the head of his cock with your slit, then pushed in and gripped your hips. The first full thrust he took slowly, sinking in balls deep. You were such a shy thing, and half of the fun once he’d discovered that had been flustering you, standing too close – because he needed to in order to keep the cover intact, the intentional but not strictly necessary touches, and now to have you decidedly not shy any longer as he pumped in and out of you.

He could do more missions like this.

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