#share your life story

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[fictionadventurer]

Maybe Jane Austen's real genius was that, unlike other authors at the time, she didn't have long sections where characters share their backstory. Or rather, when she did it, she set it up like a mystery so we'd want to know the backstory.

Instead of having a character be like, "Here's three chapters about my life," soon after showing up in the novel, she'd sprinkle little clues through the story that make us wonder, "What's Colonel Brandon's deal?" and then closer to the end of the story, Colonel Brandon would tell us what his deal was. We'd wonder "Why does Mr. Darcy do all those horrible things?" and then he'd give an explanation that includes a lot of backstory.

And these infodumps always come in response to significant moments of the story. She'd engage our minds and our emotions and then give us the infodump at a point when we care about the information it contains. Compared to some other authors (even some that came long after) it seems like a significant innovation.

[tasty-littl-snack]

love shipping shyan bc its not really shipping it's just observing whatever they have going on and thinking wouldn't it be nice if...? And then they go and say some insanier and gayer thing that happened to them that you didn't think of.

[deanofsam]

some of y’all cowards. i tell people irl i ship wincest all the time. of course, they first stare at me in shock and so i go “what. they’re not real.” and then they go “i guess?” and then i smile and they smile back, a little hesitant and shaky, but real and somehow raw, and then i lean forward and we kiss tenderly and

[oneluckydragon]

Thinking about how these two met. Get adopted, idiot.

More human!Echo.

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,

[inamindfarfaraway]

I need to clarify that Duke Thomas did not start the We Are Robin movement. It was already up and running, albeit in its early days, when he joined. He was the last addition to his cell. This is their first appearance.

From left to right, not counting the guys who’ve been and are being knocked out: Duke, Izzy Ortiz, Troy Walker, Daxton Chill, Riko Sheridan and Andre Cipriani. They’re in the sewers. Duke is down here looking for his missing, Joker-gassed parents among the homeless. The others are here to foil a terrorist cult of homeless people, and also because their shadowy true leader has his eye on Duke and specifically sent them to give him the chance to sign up. Duke jumps into their dangerous mission like the hero he is. That same day, Troy dies. He stays behind to defuse a bomb and can’t, while his close friends and teammates, and Duke who just got here, escape on a train. In the wake of this trauma, Duke decides that he doesn’t care that that could happen to him. He wants to be a hero.

He goes on to be one of the network’s most influential and accomplished members, being a natural leader and impressing the official Robins the most (along with his friends, they’re the best team). The movement really takes off after he joins. Mostly due to exponential increase in numbers, but partly due to him. So I understand why fans think he started it, on top of him being the obvious choice as the one who becomes a proper Bat. But he didn’t.

We never learn the original amateur Robin’s name. It could have been anyone. An unknown, unremarkable background character lit a spark that set Gotham ablaze. I think that’s pretty beautiful. It definitely fits for the comic’s themes of community, being part of something greater than yourself and how ordinary people collectively can have a powerful impact that transcends their individual weakness. What’s important is that We Are Robin exists and endures. That we are all Robins together. It’s the “Anyone can be Spider-Man” idea from the Spider-Verse movies with no superpowers attached.

So who is the mysterious mastermind, the reason Duke enlisted in the first place?

Alfred Pennyworth. He either founded or cofounded We Are Robin himself or stepped in to organize and equip the very first wave of kids. He acts anonymously in disguises or online, using the handle the Nest. He gives his recruits special phones that connect them to him and each other, their armoured uniforms, information and weapons if they need them. Some, like Dax with his wrench and later handmade grappling hook guns, prefer their own tools. But he does tell Dax the key to making the grapple guns compact.

Stop joking about Duke founding a teen vigilante street gang. Alfred founding a teen vigilante street gang is much funnier. He should never hear the end of it. It’s implied that he did it all independently and kept it secret from the rest of the Batfamily, so they might not even know about it until Duke, who figured it out during his first meeting with Alfred out of disguise, informs them. And Duke’s real origin story needs no exaggeration. It shows him to be a proactive, altruistic menace with no regard for rules or his own safety just fine.

[dietmimo]

Daily life: YHK edition

[justanotherfanfolks]

Ok, what is up with Vil and coming for this boy?!

[olreid]

[ID: Ally (as Timothy): I don't know about you, but my life does get worse and worse as I die.

Brennan (as the Sea Witch): Is your life supposed to be good? end ID]

work.

[swagging-back-to]

it should be a cut and dry case if you go to a restaurant and get glutened by them. and by case i mean criminal. not just suing for damages and distress.

[crownedwille]

.

[polarisbibliotheque]

Hii!! so i just want to say first that i love love the way you write dmc fanfics. The way you just understand them, makes all their action seem like something they'd do. And well, if it doesn't bother you, may I ask a few advices on how to write Vergil, young and current? I'm trying to write a story and I think your input would be very helpful since you're probably the most accurate Vergil writer there is. Thank you andI just want to say that your fics helped me out a lot mentally. Thank you for bringing the characters to life 🫶

You just left me floored, loved to death, giggling like a 7 year old in public, and I thank you wholeheartedly for that 🖤🖤

First of all, thank you SO much for your words - and wow, I am absurdly flattered that you think so highly of me as a writer, really! I mean, I'm just writing my crazy shenanigans here, I don't expect much hahahaha words like yours make my day and, honestly, you made my whole week!

I am SO happy what I write helped you mentally. I do write to help myself in that regard too, and seeing I was able to have an impact on someone else, it makes everything worth it. That's what Dante would have wanted :')

Asking me for advice doesn't bother me AT ALL! Feel free to ask anytime you want it - by all means I see myself as someone so good as to give advice, but I've gained some experience and it's always good to share! Maybe I'll say something that makes sense to you!

So, without further ado, a few advices on writing Vergil - young and current - down the cut 'cause I haven't written it yet, but knowing myself, I know it's gonna be big :)

(spoiler: it's huge *puts on fool hat and jingles away*)

I sprinkled some things here and there about Dante and Vergil on this blog, but I think it'll be nice putting it all together in one place!

I recently got an ask about which MBTI personality I think it's Dante and Vergil, and there's a LOT on BOTH of their characters in there. You can find it here.

(I won't repeat the things I wrote there, 'cause oh boy this one's got bigger than I expected)

But oh, Verge, this little emotionally constipated goth man *sighs* he's Mr. Darcy from Pride and Prejudice. I'm not even joking.

But all of that aside, I do keep a few things in mind when writing him. I've said before I have many similar personality traits with him and I think it makes it easier for me to write this little bitch (affectionate).

Vergil is pretty much shaped by his trauma. You could argue Dante is as well, but differently from his twin brother, Vergil never really found acceptance. Yes, the twins lived through the same thing but the fact that Eva managed to save Dante and not Vergil is crucial to both characters.

Dante has survivor's guilt and depression from all that happened. He can't keep a deep connection to save his life, 'cause he keeps everyone at bay - he thinks his demonic blood is a curse and he is the reason everyone perishes. So it's best if people keep away from him.

But even with that, Dante loves being around people. It's what makes him so fond of his human part and, in my opinion, it's what made Dante healthier than Vergil. He seeks connection and humanity, he wants to use his strength to protect the weak - like Eva once used hers and sacrificed herself to protect and save him. That is crucial to Dante's character.

Vergil, in the other hand, believed for a LONG time he was left for dead. That his mother chose to save his brother because she loved Dante more and Vergil was left to die. He was left all alone in the cold, in a cemetery filled with demons who slaughtered him in quite a gruesome manner. If he hadn't find the rage, strength and power inside of himself that day, he wouldn't have survived.

Vergil learned he is on his own, his own family didn't love him (even if he was wrong, that's the impression he had for a LONG time) and the only one he could count on was himself. That made him withdraw completely: be wary of people and their intentions, shut himself to the world, allow only strength and power to come through his personality and keep his vulnerabilities and feelings shut down in the darkest and most protected place of himself because if he didn't, that could be his death.

Vergil didn't learn to protect the weak, because he wasn't protected when he was weak. He learned to survive, because when he needed the most, no one was there and his own will was the only thing that could save him. If he had given up, he would've died - no one would come, no knight in shiny armor, no powerful protecting demon, no sacrificing loving human mother.

✨That's why he's an asshole✨

Hahahaha jokes aside, that's why he's so laser focused on power, I think. When he was younger (around DMC 3), he finds Dante again and there's a hatred for his brother because he believed he was left to die and wasn't loved as much as Dante (as always, our red devil being a clueless himbo who just got lucky to be around Eva, poor guy). He wants to prove he is better than Dante, that he was worth something, that he too was worth saving - even more than his brother.

To some extent, up until that moment in DMC 3, Vergil is better than Dante (regarding power). He's got a lot of knowledge and control over his demonic heritage, things Dante didn't even know he could do. But Vergil is so blinded by his hurt and in so much pain he can only deem himself worthy if he beats Dante down, if he wins, if he gets all the power in the world.

I don't think he ever wanted to kill Dante - he just wanted to win. Like a kid, going "see, mom, dad, I win, I'm worth as much as Dante!!" - quite tragic, really.

With his power thing, it's not a desire for power for it's own sake, but as an armor. Given everything that happened to him, that Vergil has this thing of "only I can protect myself and I can count only on myself to save my life", it's very understandable that his logic takes him to the path of "if I am the most powerful being in this world, I will never bleed and I will never hurt again".

So, even if he says on the outside he is power hungry because he wants to honor his demonic heritage and humans are weak, on the inside it's actually that he's trying to carve his heart out from himself so he won't feel nothing and stop hurting - as well as gain all the power he can so NO ONE can make him feel scared, vulnerable, weak and powerless like he did that night when no one appeared to help him.

Vergil hides his pain under a mask of cruelty and hubris - since being honest means being vulnerable to him and that is something he's got a deep aversion to.

Current Verge has dragged himself out of Hell in a crumbling body. If Dante hadn't "killed" him as Nelo Angelo, he probably would've never been free of his shackles with Mundus, but once again he was left for dead (even if not intentionally, I know Dante would have gone through all the layers of Hell to bring his brother back, but VERGIL doesn't know that). Once again, Vergil had to muster all his will, his power, his demonic heritage to drag himself out of that godforsaken place.

He didn't know Nero was his son, he just took Yamato back 'cause he didn't really had time to explain everything that was going on. Vergil was on the brink of death, it's not like he could think logically about everything he was doing and weight pros and cons. He needed to survive. That's what he does.

It's only when he separated his human and demon parts that he came to realize a bunch of things - because Vergil never really had time to do anything else other than surviving; and thinking too much, going over your feelings and past trauma, doesn't do anything good when you're stuck in survival mode (been there, done that).

After he gets both of his parts together and goes back to being Vergil, he knows a lot more than he did before, because V allowed his heart to feel and to process all that pain he didn't allow himself to process before - because if he did, he would probably break, like V himself was falling to pieces.

He knows his mother loved him. He knows it wasn't Dante's fault. He knows it was all a tragedy and no one is to blame - he knows he wasn't left there to die: Eva died trying to get to him. It honestly changes everything he's been thinking for the past 40 (if I'm not wrong...?) years.

That's why he wonders, if he was in Dante's place all those years ago, would that change something? And honestly, it probably would. Because everything Vergil did was from a wound he couldn't bring himself to heal from that fateful night.

Therefore, current Vergil is a lot more accepting to his feelings - but internally only, he won't let it show. He also understands his thing of wanting to surpass Dante wasn't his brother's fault and it's something he has to work on.

Not saying he won't be a little bitch sparring with Dante all the time and keeping score over stupid stuff, because that's EXACTLY how these two function - but now Vergil is fueled by healthy sibling rivalry and fun instead of inferiority complex and pain/hatred.

Vergil's path is a lot similar to Anakin from Star Wars: fear leads to anger, anger leads to hate and hate leads to the Dark Side of the Force. If the Jedi Council had understood Anakin's upbringing as a slave, his deep love for his mother - and for all the beings on the Universe, I argue, because he did want to become a Jedi to free all slaves - his overflowing empathy, his deep feelings, his love for Padmé, etc., Anakin wouldn't find himself vulnerable to the grooming of an older man who saw all this and took the opportunity to twist it all to make him feel pain, fear, anger and hate.

If Qui-Gon Jin had trained Anakin he would've never turned to the Dark Side, I will DIE on this hill and fight EVERYONE, even if I love Obi-Wan

Star Wars ramblings aside, that's Vergil in a nutshell. And I think with him older, currently, he can finally see all of that, because he had a chance to be just demonic, as Urizen, and just human, as V - noticing how everything that happened to him shaped him to feel pain, fear, anger and hate, doing desperate things to protect himself and feel safe.

I argue Vergil hasn't felt safe for a single day in his whole lifetime, and that matters. Because in the end, that's how I write him: a wounded stray dog who knows only pain and hatred from the outside world.

If you try to approach him, he'll first bare his teeth, bark and try to bite you - not because he's mean, but because he's stuck in survival mode and that's his first response to ANYTHING. Just like a wounded stray, you have to approach carefully, offer kindness and show him you're not there to hurt him.

And just like a stray dog, he'll eventually melt and accept that kindness - he just has NO IDEA how that feels like.

✨What about Nero's mother, I hear you ask?✨

Hahahaha so that one I have some doubts myself. I often imagine two scenarios and I still haven't chose one of them to satisfy my heart HAHAHAHA

That might be me projecting, of course, but because of ALL THAT, I don't see Vergil as being open to relationships and one night stands - he takes things too seriously, and that's part of his character.

He either decided to try it out empirically with a one night stand with someone who was kind to him and he wanted to understand that kind of experience to understand himself better and out of curiosity (look, I know this sounds crazy, but that's exactly what I did on my first kiss with a super random guy at a party and I was like "oh, well, that's not for me, I'm gonna stick to kissing people I love, this sucks" and it took a weight off my shoulders)

oooooor he was treated with kindness for the first time in his life and that broke him for a while, he melted under a soft touch and gentle words and couldn't resist trying out new experiences he only had by proxy from his books - and when he woke up next morning, he was reminded how broken he is, how powerless, how not worthy of love not even from his own mother, and left because that would lead to nowhere. Because of him. Because he wasn't worth it - she probably fell for his looks, his heritage, his outside, but when she knew his inside she would run in horror.

Again, Vergil has a lot of issues, the poor man.

When I'm writing Nemesis, we have young Vergil - laser focused on power, proud as fuck, stepping over anything and everything to get what he wants, because life favors the ones who survive. The weak ones should die, that's the law of the jungle and he won't waste his time saving those who can't do it for themselves like he did for himself. When he sees the reader struggling to keep fighting him to protect others, he sees not only Eva, but himself in a will of a survivor who will go through excruciating pain to save themselves. He values that and admires that - admiring the reader as an enemy and having utmost respect.

When he's older, he's trying. And he has a LOT to learn - but his partner has to understand he's the stray dog who knows nothing but harshness. Vergil is quiet, methodical and disciplined, knowing how to live only with himself as company. But now he has a family: he has his brother back, he has a son, he has the whole crew to live alongside him. That's new, harrowing and comforting at the same time.

So, when in doubt, think about how a wounded animal would react - and how you would have to act to be able to approach and help.

Vergil, differently from Dante, is forever stuck in survival mode and has forsaken his humanity so he could keep going. As a younger man, he's ruthless and won't spare efforts to get what he wants because he is desperately trying to not feel vulnerable and worthless as he usually feels. As an older man, he's trying - in his own stupid Mr. Darcy way - to recover, to understand himself better and finally heal that horrible wound in his heart.

But of course. He is still proud, observing, regal and prone to overkill here and there and showing off his skills. These are all inherent to his personality.

(Also. Vergil enjoys some dumb fun sometimes - he only lets it show a tiny little bit when competing with Dante over ANYTHING. If Dante says he can eat a cheeseburger in three bites, Vergil will go above and beyond to eat it in two. Everyone thinks he's just being stupidly competitive with Dante and wants to win against his brother no matter what, but that's just his way of being fun)

Phew! That's quite a lot on the blue devil! Hahaha it isn't everything I keep in mind - of course there are the other things like him being reserved, more on the quiet side, intellectual, methodical, a lover of beauty (like literature, philosophy, poems, etc.), stupidly independent... But I think those traits are more "worldwide" known.

If you take all his trauma and how it affected him into consideration, I think, his personality follows easily. You understand a lot better how he would react in certain situations - in the end, that's what being a writer is all about: creating characters and watching how all of them react to situations given their backgrounds and baggage!

I'm so sorry it's such a HUGE answer, but I do hope it helps. There's a lot to unpack and I didn't want to just "oi, he's a traumatized asshole, that's it" - because you miss the nuances if you just work with that perspective.

Thanks a lot for asking, though, I had fun writing this little essay on Vergil, the man, the myth, the legend HAHAHAHAHAHA

Hope you have a nice weekend and have fun writing!! If you need any advice, even on writing in general, you can always ask me again! As you can see, I'm happy to help and I do love sharing what I know xD

[imthursdaysyme]

It'll Pass series 3/5: Steve Harrington and Max Mayfield

[fanfic-gremlin-ft-trauma]

fellas what do you do when your bestest bud sends you a text saying they’re wearing your hoodie you accidentally left at their house bc “the rest of theirs are in the wash”

[fluffypotatey]

That is, huh. A lot more of a thought out response then what I was going for lol. I was like “what little rat does that remind you of” “the dude spying in the castle just now” when I rhetorically said “what shadowpeach does that remind you of” and you debunked it 😭 but since we’re talking about this now

Wiki calls em “an interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system. Yin and yang transform each other: like an undertow in the ocean, every advance is complemented by a retreat, and every rise transforms into a fall.” Idk about you but with Mac getting chaos powers, I figured the show might take inspo from this, what with the cycles and all too. There might be an opposite “order” power in contrast to Nines. If Pandora’s box is literal, MK is “hope” there’s a lot of other symbolism fandom likes the stereotypically portray into their ShadowPeach lol. But they have day/night too. Nobody has to think too hard to take inspo, and most shows don’t in my experience. Shout out to Ninjago and ATLA just mixing culture and language in a way that annoys people and placing it under one umbrella.

well i mean, lmk is already playing with the themes of order and chaos. except there Order was on the side of the antagonists while MK was Chaos (being the harbinger and all). we saw it with LBD and Azure and now with Nines

also, lmk’s order can be seen when it talks about Fate and Destiny and even the “story”, but in a way where they are shown as being too fixed and bureaucratic compared to the lessons being taught to MK and by MK which are “your fate (order) is your own and can only be determined by you.”

we had it with MK telling LBD “do you really think the universe cares about any of us?”

we had it when Macky told MK “if you tread the paths already carved for you, then you doom yourself into a self-fulfilling prophecy”

we have it even more explicitly in s5 from Wukong: “sometimes you need to carve your own path and fuck all the rest”

lmk is all about finding that balance between the chaos of your mind and the forced order of the world around you. our own daily ying and yang that we must balance, and that is why i don't place those themes with shadowpeach just because it takes away from the crux of the show where it’s original focus is on MK and how he changes and grow throughout the seasons

tbh i think their day/night themes with ying/yang are significantly minor. the major focus with them is the themes of betrayal and reconciliation and past haunts