#shane connolly

[newyorkkiss]

dean blunt and inga copeland for “the attitude era” photographed by shane connolly

[gatheredinamber]

This looks well worth going to if you're anywhere near Glasgow on Wednesday:

You are invited to make yourself welcome to this evening of film, music, poetry and song that recognises and celebrates the ongoing resistance to plunder by our visitors from Brazil's Amazon, and the connections that they have weaved with people and their organisations in Scotland over the last four years… The event will open with the film “The Ailing Forest”, with an introduction by the young Munduruku film makers, followed by performances of song and word by artists including Alasdair Roberts, Donald Lindsay, Nerea Bello, Shane Connolly, Lucy Searle and friends. 

[transthadymacdermot]

Woman who has no problems

[caymannewsservice]

Robber gets 39 months for Christmas carjacking

Gerardo Connolly (CNS): Gerardo George Connolly (32) has been sentenced to three years and three months in jail for robbery in relation to a car-jacking in a supermarket car-park on Christmas Day evening where he had stabbed his victim with a screwdriver. Connolly, who was convicted earlier this year, has a long rap sheet dating back to when he was a teenager. Continue reading Robber gets 39…

[nanowrimo]

A Letter to Writers who are Parents

Can you successfully write while also being a parent? NaNo Participant Desiree S. Brown confidently says yes, you can do both. Desiree offers heartfelt words of inspiration to other author-parents out there. My eyes were heavy with sleep as I plodded over to my son’s crib. I remember holding him in a state of awe, but I was also terrified. I hadn’t written in months—not from lack of trying—and had just emerged from a digital rabbit hole.

Desperate for pointers from seasoned author-parents, I asked Google, “How do authors write while raising kids?”

I expected encouragement, but found Lauren Sandler’s essay The Secret to Being Both a Successful Writer and Mother: Have Just One Kid and Cyril Connolly’s famous quote: “There’s no more somber enemy of good art than the pram in the hall.”

You can write and be a parent.

Many authors opted out of parenthood, believing each birth cost them a book. Doris Lessing, for example, had abandoned her children with their father in favor of her writing career.

It’s heartbreaking, but untrue. Zadie Smith, Toni Morrison, Jodi Picoult, Ursula K. Le Guin, Sarah Manguso and other authors managed to have successful careers while raising children. Manguso wrote in The Grand Shattering:

I used to believe that maximizing the number of hours reading, writing, and thinking about writing would make me the best writer I could be, and that my friend who had chosen to have three children just didn’t value being a writer as much as I did. Then I had a child and found that the amount of time I spend writing isn’t the only thing that makes me a better writer. I also grow by weathering trauma, practicing patience, being seasoned by love.

Parenting will help you grow as a writer.

Many author-parents noted an enrichment in their writing. In his essay, The Pram in the Hall, Shane Jones wrote, “I’ve discovered many writer-fathers who not only continued to produce work, but produced work that is richer and more interesting because of their fatherhood.”

New life moments create powerful experiences and what is storytelling, poetry, or essays but the exploration of those experiences? Parenting shaped me and my writing in a way that childlessness couldn't. I’ve learned to be more empathetic and honest with my time management (why didn’t I write during my son’s two hour nap?).

Jodi Picoult learned to be “hyper-aware of relationships between people,” Jane Smiley’s kids exposed her to new ideas by forcing her into the world, and Maggie O’Farrel learned “to concentrate with the intensity of a telekinetic.”

You’re not neglectful for prioritizing writing or parenting.

There’s a constant tug of war within writer-parents, not to mention the crushing weight of social expectations: writers need silence at all times and parents prioritize their kids.

But that's an unrealistic standard that will ruin any parent’s mental health, resulting in a loss of self, depression, and frustration. O’Farrel writes:

Don’t feel guilty about taking time to write. Guilt is no use to you here. Throw yourself headlong into whatever is in front of you, whether it’s writing or doling out small bowls of pasta or making potato prints. It’s good for your children to have a fulfilled parent, not a frustrated one. A child witnessing their parent working and being gratified by that work is an excellent lesson for them.

So, what’s the answer to the big question? How do authors write while raising kids?

They do it like anyone else: stealing time between diaper changes and naps; juggling housework, parent-work, and writer-work as best as they can; and realizing that they have the potential to create a fulfilling writing career like anyone else.

That’s the answer I will carry with me into Camp NaNo, the next project, and beyond.

Desiree S. Brown is an author that lives in the sunny state of California with her husband and son. She publishes her work on her website, desireesbrown.com, while also sharing her passion for reading and writing. Photo by SHVETS production from Pexels

[dependswhoasks]

Dean Blunt and Inga Copeland ph. Shane Connolly for “The Attitude Era” (2011)

[usernamemybeloathed]

Okay, so this is a little different, its a little ficlet based on my new Stardew Valley/Twisted Wonderland crossover. I decided to post it as part of the Stardew 1.6 Fest here rather than AO3. It's a little short but sweet fic about the first time my farmer Clodagh meets Kent.

(Link to the very first chapter of the crossover fic, in which we haven't got to meeting Kent yet, at the bottom of the story.)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Get Off My Land

Clodagh was woken up to a banging at her door. It was early, too early for guests, but everyone round here seemed to run to their own time. The joys of country living, she muttered as she stumbled down the stairs wearing nothing but a blanket that she’d gathered off a chair by the bed.

It’d probably be the mayor again, wanting this or that done. Or Rasmodius with some batshit request. Or maybe Rook was back. Although he wouldn’t knock. He’d just be sat there at the breakfast table, all smiles and ‘bonjour’s’ as he helped himself to her coffee and eggs. Not that she’d seen him for weeks now. Feckin’ eejit, making her feel something, then disappearing like a wisp of smoke, she continued to mutter. Bastard.

It was as if nobody could read the sign that she’d put up on the first week she’d got here. People in this town had no boundaries, everything was everyone else’s business. The number of times she’d been asked her opinion on this, or what she’d thought of that. The lowest point being when she’d had to revive Shane from a night on the lash using only the power of her watering can, when she’d only gone to Marnie’s for hay. It was mortifying.

Hence the sign. It sat with pride of place on the pathway, and said quite simply in bold, clear letters:

Get Off My Land.

Did anybody get off her land? Nope, they just kept knocking. Or, even worse, dragging her inside her house when she’d fallen asleep on her own land. One time Harvey had somehow let himself into her shed because she fell asleep in there. No, Clodagh wasn’t grateful about it. She wasn’t some damsel in distress, waiting to be rescued at any moment, she’d just worked too hard and fallen asleep in the greenhouse, like anyone would.

The knocking started up again, interrupting her thoughts.

“Alright, Alright! I’m coming, just hold your horses!” she called out as she made her way hurriedly to the door. Such a rude awakening at this ungodly hour.

Flinging the door open, Clodagh stopped in her tracks. There, standing in her doorway, was the handsomest man she’d come across since she’d moved to Pelican Town. Tall, blonde, broad shoulders. His hair was even tidy, short at the sides, slightly longer on top. A sensible haircut. Not like Rook’s stupid bob. No hat either. Okay, this one could stay.

“Well, hi,” she said, leaning on the doorframe and running her finger through her knotted, messy-from-sleep ponytail. “Name’s Clodagh Connolly. What can I do for ya?”

“Um, hello there,” he said quietly, his expression deadpan, brown, brooding eyes looking directly into hers. “I’m Kent. I just got back last night…”

“Back from where?” Clodagh asked with a slight drawl that she didn’t even know she had in her. C’mon Clo, don’t be cringe, get it together.

“From overseas. The military.”

Well, that narrowed it down, she thought huffily, not that she let her face show it. Nope, she was officially boyfriendless, so flirting with this absolute ride of an older man that had been delivered to her doorstep was perfectly fine. And he was a soldier? She did so love a man in uniform, and he could make himself useful round the farm.

“Oh! I’m from overseas, what a coincidence!” You eejit, she cringed as she giggled coquettishly. You feckin’ eejit.

“Err yeah, sure. My wife mentioned that a new farmer had moved in while I was gone.”

“Oh?”

A WIFE! DAMMIT! How could she miss the bright blue mermaid pendant round his neck, it wasn’t even tucked into his t-shirt. The smile remained frozen to her face as the dream died as quickly as it sprung up. Images of him coming up the path towards her house, beads of sweat running down his shirtless, muscular torso from all the farm work, and scooping her into his arms, evaporated into the morning mist. The best ones were always taken.

“Yes, I’m married to Jodi. Sam and Vincent are my sons. You know them?”

“Yeah…,” Clodagh nodded slowly. She remembered it now, Sam saying about holding off the wedding till his dad got back. Another sign she’d missed. And he looked a bit like Sam too, if she squinted.

On that note, she hoped nothing else would come up. Surely Sam had told his dad about her? Or maybe not, given everything that had happened between them. Well, if Sam hadn’t said anything, Jodi sure as hell would give out to him about her later.

“Well, I just thought I’d introduce myself,” he said, turning away from the front door. Casually, his face still deadpan, he turned back. “Although, one thing. Next time you run to the door, cover yourself with a blanket that doesn’t have holes in it. See you around.”

Looking down, Clodagh saw immediately what Kent meant. She’d grabbed her crochet blanket, and she’d definitely given this poor man something to ogle at.

Feck!

Now safely inside and making herself a coffee in the kitchen, Clodagh tried to shake off the urge to feed herself into the worm bin outside. Despite complaining that the locals didn’t read her sign, she’d missed every single one from Kent on the way down. The mermaid pendant, Sam’s comments about his dad being in the military, and his coming back soon. Feck, even the way he looked!

This wouldn’t have happened if people didn’t call round at such an ungodly hour, she thought.

Maybe I should make another sign!

[ptbf2002]

My Top 10 Favorite Australian Shows

Next Stop For My Top 10 Worldwide Shows Is In Australia. Here's My Top 10 Of Shows That Was Produced In Australia.

#10 Dennis the Menace and Gnasher (2009 TV series)

#9 The Strange Chores

#8 H2O: Just Add Water

#7 CJ The DJ

#6 Zeke's Pad

#5 Mako's Mermaids

#4 100% Wolf Legend Of Moonstone

#3 SMG4

#2 Nate Is Late

And #1 Space Chickens In Space

Original Template By @DemitriaMiriam

Templates: https://www.deviantart.com/demitriamiriam/art/My-Top-10-Favorite-Meme-207757812 & https://www.deviantart.com/demitriamiriam/art/My-Top-10-Favorite-Meme-Ver-2-306608634

Dennis the Menace and Gnasher (2009 TV series) Belongs To David Law, Jiang Toon Animation Co. Ltd. Morning Sun Animation Co., Ltd. Shanghai Morning Sun Animation Co., Ltd. Sichuan Top Animation Co., Ltd. Top Draw Animation Inc. Sticky Pictures, Red Kite Animation, Beano Productions, The Beano, DC Thomson & Company Limited, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. British Broadcasting Corporation (BBC), Nine Network Australia Pty. Ltd. And Nine Entertainment Co. Holdings Limited.

The Strange Chores Belongs To Charlie Aspinwall, Daley Pearson, Ludo Studio, Media World Pictures, Succ Pictures, Screen Australia, Film Victoria, VicScreen, Screen Queensland Studios, ABC Me (Australia), ABC Television (Australian TV network) And Australian Broadcasting Corporation (ABC)

H2O: Just Add Water Belongs To Jonathan M. Shiff, Jonathan M. Shiff Productions, ZDF Enterprises GmbH, ZDF Studios GmbH, ZDF, Australian Film Commission, Film Finance Corporation Australia, Screen Australia, Film Victoria, VicScreen, Pacific Film and Television Commission, Screen Queensland Studios, Network 10, Ten Network Holdings Ltd. Paramount Networks UK & Australia, Paramount International Networks, And Paramount Global

CJ The DJ Belongs To Stu Connolly, Mark Gravas, Kapow Pictures, Vision Animation, Millimages, Screen NSW, ABC Me (Australia), ABC Television (Australian TV network) And Australian Broadcasting Corporation (ABC)

Zeke's Pad Belongs To Liz Scully, Flying Bark Productions Pty. Ltd. Studio 100 Media, Studio 100 N.V. Bardel Entertainment, Inc. Avrill Stark Entertainment, Leaping Lizard Productions, Seven Network, Seven West Media Ltd. YTV, YTV Canada, Inc. And Corus Entertainment Inc.

Mako's Mermaids Belongs To Belongs To Jonathan M. Shiff, Jonathan M. Shiff Productions, ZDF Enterprises GmbH, ZDF Studios GmbH, ZDF, Screen Australia, Screen Queensland Studios, Network 10, Ten Network Holdings Ltd. Paramount Networks UK & Australia, Paramount International Networks, Paramount Global, And Netflix, Inc.

Nate Is Late Belongs To Sylvain Huchet, Peter Saisselin, Watch Next Media, La Factorie Animation, Nate is Late Productions, KidsFirst Distribution, Super RTL, RTL Deutschland GmbH, RTL Group S.A. Pop, Pop Max, CSC Media Group Limited, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, Narrative Entertainment UK Limited, Nine Network Australia Pty. Ltd. Nine Entertainment Co. Holdings Limited, France 4, And France Télévisions S.A.

Space Chickens In Space Belongs To José C. García de Letona, Rita Street, Markus Vad Flaaten, Tommy Vad Flaaten, Alan Keane, Shane Perez, Scott Sonneborn, Ánima Estudios, S.A.P.I. de C.V. Studio Moshi, Gingerbread Animation, Ingenious Media, CAKE Entertainment Ltd. Walt Disney EMEA Productions, 9Go! Nine Network Australia Pty. Ltd. Nine Entertainment Co. Holdings Limited, Disney XD, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, And The Walt Disney Company

[a-solitary-sea-rover-backup]

The one time it looked like David Witt might actually win an ocean race…

Seng Huang Lee’s 100ft SHK Scallywag from Hong Kong, has become the first casualty of the Rolex Sydney Hobart Yacht Race, breaking her bow sprit early this evening Sydney time.

SHK Scallywag, skippered by David Witt, had recently undergone modifications and with some well-known crew added, seemed to be in great shape, but it was not to be. Without the bow sprit, flying spinnakers is impossible.

A short time later, Peter Davison’s Archambault 40 RC, Arcadia from Victoria, along with the two-handed entry of Shane Connolly/Tony Sutton on the J/99, Rum Rebellion, also reported they had retired from the 78th running of the Cruising Yacht Club of Australia’s 628 nautical mile race.

Arcadia has retired with a torn mainsail, but no reason has been given at this stage for Rum Rebellion from Sydney.

This leaves 100 boats racing, including 17 two-handed entries.

[whatsonmedia]

Music Monday: New Music Releases for November 2nd Week!

Embark on a musical odyssey with Adam Humphries' curated indie playlist, a diverse tapestry of indie gems that will tantalize your auditory senses. RHEA explore complex, ambivalent love with alt-rock single - "Creeping Through My Head"! An incredible song from start to finish and after this one song I am officially a fan of this band from Belgium. Even though the title has a suggestive sound to it the song itself absolutely reeks of rock and roll. It doesn't exactly go all punk mode but the attitude is there. Creeping is about a relationship but choosing to remain no matter how hectic  https://open.spotify.com/track/7GUuRxDcmihZblp7j9Nijy?si=df2030f837884f8f SODA BLONDE's sonically rich new single - ‘Boys' + London tour date! I have listened to quite a number of artists from Ireland, and some of them I am still listening to today. For me, Soda Blonde is amongst that. Boys by Soda is such an incredible tune not only does it have something of a hype in itself, and not to mention downright catchy, it clearly shows that there's definitely a hype about the band themselves. Watch this space  https://open.spotify.com/track/3frTwlLBB97qYztkEVZInD?si=fde11e9abfdd49fc https://youtu.be/3iAnUmsJtNw?si=us04VEDsjgsmaQXk DREAM BIG TOUR 2023/2024 Nov 22 - The Lexington - London Nov 24 - Roisin Dubh - Galway Nov 25 - Dolans - Limerick Nov 26 - Connollys Of Leap - Cork Nov 30 - Cyprus Avenue - Cork Dec 7 - The Black Box - Belfast Dec 8 - Spirit Store - Dundalk Dec 14 - Vicar St - Dublin Jan 17 - PopUp! - Paris Jan 18 - Le Botanique - Brussels Jan19 - Paradiso - Amsterdam Jan 20 - Nochtwache - Hamburg Jan 21 - Prachtwerk - Berlin TICKETS AVAILABLE AT -  https://www.sodablonde.com/#tour https://www.sodablonde.com/ https://www.facebook.com/sodablonde https://twitter.com/sodablonde https://www.instagram.com/sodablonde/ DEADSET unveil video for their heavy-hitting noise-rock single - "Bleak"! I openly admit that I was somewhat skeptical of the video but after a few seconds I actually found myself enjoying it. It's very British in the core. It has that sort of humor where it doesn't take itself seriously and where the song has nothing to do with the video. Quite a good video, actually like it, particularly when you see the band members dress up and muck about  https://youtu.be/0NgAY9NVxCA?si=fPYioDQqJnrgdbbW FERAL FAMILY - Share Searing New Single: "Deep Cuts" + Debut 'Without Motion' coming 19 Jan Now I haven't heard anything from the Yorkshire-based FERAL FAMILY so I am happy to listen to Deep Cuts. The track is one of those where even though there is no actual specific meaning behind it it does delve into more darker tones and themes of struggles and loss. I think that the genius behind this is that it's the fact that it's a somber track is what makes it great  STREAM ON ALL SERVICES  HERE  https://distrokid.com/hyperfollow/feralfamily/deep-cuts YOUTUBE  HERE https://youtu.be/Zm1cN1FmABM?si=kMFLaYPia1zk61eu FERAL FAMILY LIVE DATES 2023/4 NOVEMBER 11 BRIDLINGTON Bridlington Spa - TICKETS* https://www.bridspa.com/buy-tickets/?id=809802#buy-tickets 24 LEEDS Warehouse -  TICKETS** https://www.theleedswarehouse.com/event/the-view/ DECEMBER 01 SHEFFIELD Foundry -  TICKETS** https://foundry.seetickets.com/event/the-view/foundry/2644098 FEBRUARY 01 BIRMINGHAM The Victoria 02 DARWEN Sunbird 08 GLASGOW Nice n Sleazy 10 HULL BUDfest 16 BRISTOL Crofters Rights 17 NORTHWICH Salty Dog 18 LONDON Dream Bags Jaguar Shoes *Supporting The Lilacs **supporting The View John Francis Flynn shares new single - 'Kitty' - album ' Look Over The Wall See The Sky' out Nov 10th on River Lea For a song that it a bit longer than normal I found it to be somewhat of an interesting listen. Vocally, John Francis singing is reminiscent of legendary rockers Mark Knoplee and Shane McGowan in that it's got this gritty, almost throaty sound which actually gives it more depth. It's hard to find anything bad to say about it and I enjoy the rawness of the song  'Kitty' https://youtu.be/atheAeUuddU Single Smart URL: https://johnfrancisflynn.ffm.to/kitty Album Pre-Order Link: https://johnfrancisflynn.ffm.to/lotwsts Forthcoming In-Stores: Fri, Nov 10th – The RAGE, Dublin – 7pm – tickets here https://www.therage.ie/products/john-francis-flynn-look-over-the-wall-see-the-sky-lp-pre-order?_pos=1&_sid=51e0bd4ff&_ss=r Sun, Nov 12th – Jacaranda, Liverpool - 7pm – tickets here https://jacarandarecordstore.com/pages/john-francis-flynn Mon, Nov 13th – Vinyl Whistle, Leeds – 7pm – tickets here https://vinylwhistle.co.uk/products/john-francis-flynn-look-over-the-wall-see-the-sky Tues, Nov 14th – Rough Trade West, London – 5pm – tickets here https://dice.fm/event/vnaxv-john-francis-flynn-unplugged-signing-14th-nov-rough-trade-west-london-tickets?lng=en Forthcoming Tour Dates : Fri, Dec 1st – Set Theatre, Kilkenny Sat, Dec 2nd – Vicar St, Dublin Fri, Dec 8th – Roisin Dubh, Galway Sat, Dec 9th – St Luke's, Cork Sun, Dec 10th – De Barras, Clonakilty Thurs, Dec 14th – Dolan's Warehouse, Limerick Fri, Jan 12th – Out To Lunch Festival, Ulster Sports Club, Belfast Fri, Jan 19th – Brudenell, Leeds Sat, Jan 20th – Celtic Connections, Drygate, Glasgow Sun, Jan 21st – The Caves, Edinburgh Tues, Jan 23rd – The Exchange, North Shields Wed, Jan 24th – YES. Manchester Thurs, Jan 25th – Hare and Hounds, Birmingham Fri, Jan 26th – Clwb Ifor Bach, Cardiff Sat, Jan 27th – The Exchange, Bristol Tues, Jan 30th – Concorde 2, Brighton Wed, Jan 31st – The Dome, London Thu, Feb 1st – Point FMR, Paris Mon, Feb 5th – Paradiso Upstairs, Amsterdam Sat, Feb 10th – Silent Green, Berlin Thu, Feb 22nd – Theatre Royal, Waterford Read the full article

[tonin-terets]

The New York Times | More of life brought to life | Sneakers from Mackenzie Sheppard on Vimeo.

CREDITS Agency: Droga5 N.Y. Chief Creative Officer: Scott Bell Executive Creative Director: Laurie Howell Executive Creative Director: Toby Treyer Senior Copywriter: Sara Muchnick Senior Art Director: Ben Muckensturm Copywriter: Aaron Araya Art Director: Ross Weaver Copywriter: Ian Hart Art Director: Charlotte Simons Senior Designer: Melanie Reichert Co-Head of Production: Ruben Mercadal Senior Producer, Film: Kyla Bridge Senior Producer, Film: Patrick Wood Associate Producer, Film: Harit Muttreja Muttreja

Head of Business Affairs: Dan Simonetti Senior Business Affairs Manager: Ann Marie Turbitt Senior Traffic Manager: Mary Thornton

Senior Music Supervisor: Mike Ladman Junior Music Supervisor: Mara Techam

Executive Group Account Director: Lea Mastroberti Account Director: Colby Burlingame Account Manager: Collin Wolf

Chief Strategy Officer: Harry Román-Torres Chief Strategy Officer: Colleen Leddy Group Strategy Director: Keir Moreano Strategy Director: Claudia Vitarelli Head of Media Strategy: Ben Nilsen Group Communications Strategy Director: Justin Schneider Communications Strategist: Moi Lee Data Strategy Director: Ty Matsunaga

Group Project Manager: Karen Tshimanga Project Manager: Skye Harper

Production Company: Bonaparte Co-Production: ProdCo Director: Mackenzie Sheppard Managing Partner: Nico Kries Managing Partner: Philip Töpfer Senior Producer: Jana Reinermann Director's Rep: Michael Gugger Creative Assistant to Director: Rico Noël Production Coordinator: Aratrika Das Motion Design Coordinator & Post Production Tech: Alex Vozar 2nd Unit Assistant and Post Production Tech: roy Levin Production Assistant: Johanna Katz Production Assistant: Julian Mathieu Visual Research: Jess Lipington; Visual Research: Marisa Nuxoll Data Organization: Cora Ge Data Organization: Vivienne Makumbirofa Data Organization: Sarah Masete Data Organization: Julia Tham Assistant to Production Dept: Zoë Heimann Assistant to Production Dept: Tina Paffen Office Management: Marco Piana Office Management: Johann Oeding Office Management: Lola Chalmers

Senior Editor: David Gesslbauer Senior Editor: András Guti Senior Editor: Shane Lester Senior Editor: Søren Schneider Offline Editor and Camera Operator: Maximilian Elske Motion Designer / 3D Artist: Lukas Hertlein Motion Designer / 3D Artist: EVEROE Motion Designer / 3D Artist: Sarah Masete Bonaparte Sound Dept: Alexander Wolf David Bonaparte Sound Dept: Denis Elmaci

Post Production, VFX: The Mill N.Y. Executive Producer: Chris Connolly Producer: Kyla Graham Art Director: Laura Nash Designer: Chris Rodriguez Designer: Evan Bech 2D Lead: Anton Anderson 2D Lead: Yoon Bae Compositor: Luke Bedillion Edit Assist: Joseph Zappulla

Sound Design & Mix: Wave Studios N.Y. Executive Producer: Vicky Ferraro Producer: Eleni Giannopolous Sound Engineer: Aaron Reynolds  Music Company: KO Music Music Composer: Philip Kay Music Producer: Andy Oskwarek Track Name: "The Rabbit Hole"

[tjkl895]

Shane Connolly and Coach Ward (https://www.youtube.com/watch?v=G-iKMUSqzkE)

[genevieveetguy]

God's Creatures, Saela Davis and Anna Rose Holmer (2022)

[washingtonburakovsky]

im sobbing this is the most wholesome thing to ever be on instagram

[nhlists]

2017-18 Washington Capitals Astrological Signs

Aries: Tom Wilson 🐏

Taurus: Chandler Stephenson, Madison Bowey, Brett Connolly, Lars Eller, Brian Pinho, Jakub Jeřábek, Evgeny Kuznetsov 🐃

Gemini: Devante Smith-Pelly 👯‍♂️

Cancer: Shane Gersich 🦀

Leo: Dmitry Orlov, Christian Djoos 🦁

Virgo: Michal Kempneý, Travis Boyd, Braden Holtby, Alex Ovechkin 🧘‍♀️

Libra: Brooks Orpik, Alex Chiasson, Jay Beagle ⚖️

Scorpio: none

Sagittarius: Nicklas Bäckström, Philipp Grubauer, Matt Niskanen 🏹

Capricorn: T.J. Oshie, John Carlson 🐐

Aquarius: André Burakovsky 🏺

Pisces: Jakub Vrána 🐟