#shakes them... they're so stupid

[ahsterism]

@fablewrote asked: " "what's poppin'!" my will to live like a balloon, saint. " ....renjiro // shit my friends say

"AWW, c'mon Renji- you can't keep goin' if your will to live is that fragile!" Saint leans back and forth before bouncing over to see what the balloon-popping issue is. As if he wasn't already being annoying, he decides to rest his head over Renjiro's shoulder to do it ( which he has to stand on his tip-toes to achieve— it's those god damn heels ). "What I was asking is what you're doing to make your will to live deflate like a bunch of helium. It can't be that bad."

[theplantbish]

Mikke in his ig story saying that they wanted to do an exclusive material thing from euro tour last year but couldn't find a way to do it, but now they have

Like.... my guy. Dude. Patreon has been a thing for forever now. Fucking use the OF that people are already paying for. There are really good options available that don't include blockchain and NFTs

[fromtheseventhhell]

I also find it funny that fandom will only accept Lyanna being her non-conforming, wild self in the context of saying that Arya isn't meant to be pretty; Any other day we get back-to-back posts about how Lyanna is actually super traditionally feminine cause she sniffled at a song once, so she's actually more like Sansa. Instead of constantly speaking on Arya and Lyanna, how about you guys reflect on why your standards of beauty for women are attached to how well they perform feminity within the patriarchy?

[metiredlr]

I like to believe that back in S2 when they revisited Teikoku if Endou wasn't a libero that one time, Genda would've helped Endou "find his true sakka" and Ijigen the hand would've been born cuz like. Look at these. WE COULDVE HAD IT ALL

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[smile-files]

i think the main issue in arguing with zionists is that, well, they believe in zionism! if israel did deserve to exist, then the genocide and injustice in palestine could be argued for (not like it should be, but it certainly could) -- and zionists believe israel deserves to exist.

i, unfortunately, have a large amount of experience interacting (personally) with zionism and zionists. most of those i've talked to feel for the palestinians, and the violence they are facing, but they fail to realize (or they staunchly deny) the very, very active part israel and the IDF have had in that -- and how it's representative of what the nation has always done.

at the same time, they focus more on israeli hostages than palestinian ones -- and i know, of course, that these zionist jews i've interacted with are either israeli or have loved ones in israel, and so have a very personal stake in the safety of israeli hostages (which may very well be friends or family members), but i find it strange how much emphasis they put on hamas' cruelty in taking hostages while the IDF is doing the same thing (in essence; the exact details of who's doing it worse are important to note, but not relevant right now, because folks should realize that their side is being at least as cruel as the enemy's).

recently i was drawn into an argument with an israeli zionist (who, unfortunately, is very close to the action and tragedy by being israeli), and she was incredibly offended by my anti-zionism and my opposition to israel's abject cruelty to palestinian citizens, as it seemed (to her) like i was bypassing the cruelty hamas has enacted on israeli citizens -- which is very telling. i've noticed that we as jews have the tendency, whatever the situation may be, of focusing more on our pain than the pain of others, even if we are the ones hurting them. that person has every reason to be scared and hurt, and i'd be lying if i said her response wasn't at least somewhat sympathetic, but her pain in this horrible, violent conflict does not invalidate the pain on the other side. jews, throughout this recent crisis, have consistently not talked in depth about the constant losses in palestine -- am i suddenly being callous by focusing on those losses, and not our own? (YOUR PAIN AND THEIRS AREN'T MUTUALLY EXCLUSIVE, YOU DOLT! sorry...)

because it all comes down to believing in israel! my mom has always told me about how beautiful it is there, about her time living on a kibbutz... and sure, it might be nice. i can't argue with that. but why is it that our nationalism for israel is so strong, so virulent? i have not seen patriots as loyal for any other country. and when you criticize israel, israelis feel like you're criticizing their entire existence -- and many non-israeli jews do, as well. because zionism has been built so deep into the modern religion! it's made to be a necessary piece! belief in it is the default!

and, from the inside looking in, i can't be surprised that many jews take anti-zionism as being antisemitic -- because, to them, israel and zionism stand as the pinnacle of safety and support for the jewish people. it is impossible to argue with them about anything above that base layer, as the base layer itself serves as a foundation: so long as a jew thinks that israel is right, deserved, and necessary, no proof will sway them into hating israel. it's just impossible, and that's very frustrating.

for me in particular, i find it very frustrating, as this single idea has turned so many people i know to support a genocidal entity. they believe in and support israel, so they stand with it now -- even if they condemn its current actions, they neglect how those actions are just an extension of its inherent existence -- whether they think israel's doing the right thing or wrong thing right now, they don't really care at the end of the day, because israel, to them, is necessary in keeping the jewish people alive. they stand with it, thinking that jews can only stand at all if they do.

but a genocidal crutch is no crutch at all: it only breaks us more. zionist jews make me so mad, and the worst part is that i could never express that to them in a way they'll understand.

[synthshenanigans]

Ik Heart literal wise is the actual heart but like what would Mind be? Cos im thinkin it about it an since Heart & Mind are stated to be the halves of the brain, he cant be the brain then?

[eff-plays]

Came up with an idea for a scene in my fic and I'm trying to find a balance between letting Astarion show the same sort of care and emotional maturity for Hira that he shows for a Durge character without making it too twee and OOC 🤔

[bashfulkisser]

SORRY sorry for being so chatty but ough... I need to be a funny little shrimp getting hit on by a Demigod wannabe and watching his various attempts to show off...

[hotasfahrenheit]

poor Sprite and First, my idiotic himbo sons, i can see exactly what the narrative is doing to you because i've seen enough shows with story arcs of this nature with the someone hiding their identity giant secret going on but like it still sucks for them.

if First was my friend and came up to me and was like "i've been seeing this guy but suddenly he's swinging back and forth between being super sweet then acting like a total asshole and like he barely knows me and then he tells me to ignore how he behaved when he was like that because he wasn't being his real self" i would absolutely tell him to run far away because that person is abusive. like i hate that even with Sprite obviously not intending it, his behavior paired with Zee's is doing serious damage to First right now. it's not fair and it's not right and i'm not happy about it.

i know that next week is episode 11, which means First will finally find out the truth (even tho he was obviously A HAIR AWAY from figuring it out on his own this whole episode MORE THAN ONCE and i wanted to throw something at the screen) and he'll be hurt and upset and feel betrayed, then the whole team will find out and they will also feel hurt and upset and betrayed because they have more or less finally accepted Sprite, and he's been lieing to them all this whole time, and it won't matter that he's a much better person than Zee.

will they all get over it by episode 12 and everyone will be friends (but not with Zee, screw him, he needs to go to therapy) again and First and Sprite will be able to date for real? obviously yes. that F+Z is going to get turned into an F+S and it's going to be fine. i know that. it's just going to drive me insane for the next week (or two weeks) waiting for the show to finish jumping through the Legally Required Plot Devices before fine will be a thing.

i wish First had found out sooner so we could have gotten some shenanigans of him helping Sprite hide his identity and get through games and etc. there's a lot of missed potential there for things the show could have done in place of The Inevitable Episode Eleven Break Up Drama but episode 11 is about to come crashing down on us and there's nothing we can do to stop it. at least Ryan and Frame have continued to be ABSOLUTELY UNHINGED on social media so we have that to get us through the nonsense.

[shikai-the-storyteller]

Had a long chat with some of my coworkers today about work stuff and the state of the world and money and it was grim as hell, but it felt nice to complain and feel validated about said complaints.

But also damn. Nobody in my generation is doing ok.

[denimshortsdean]

HAS ANYONE OUT HERE READ PALADIN'S HOPE?? PLEASE SAY YES I'M CLIMBING THE FUCKING WALLS

[italictext]

I desperately need to befriend a Death Note fan irl who likes Death Note the way I do.. The only DN fans I've met irl are anime only Near haters :'(

[icharchivist]

concerning the whole API situation on twitter, a3′s twitter account recommend people to save their transfer code to not rely on twitter in case twitter shuts them down. Word of advice.

[scattered-winter]

YOU AND ME BOTH it feels so insane right??? I mean i thought i was prepared and could handle anything dc could come up with but APPARENTLY NOT bc now they're pulling THIS horsepiss or whatever. seriously what tf is going on inside the company what the fuck

YEAH LITERALLY ,,, i stopped reading that webtoon around the second or third chapter because i couldnt stand their portrayal of jason and im???????? i have no context for that scene at all but its so. what the fuck. horsepiss is a GREAT adjective to use because its like ????? batman the vigilante who breaks the law is paying more attention to a fucking. poll. of random people saying he should fire jason !? what the fuck my bruce wayne and my robin jason would NEVER. what the fuck. dc I am doing this to you:

[bumblingbabooshka]

tags from @twlvie : EXAAAAAAACTLY. People need to move beyond writing/portraying Tuvok as just 'Stock Vulcan' or 'Janeway's Long Suffering Friend' because he actually has several things deeply wrong with him that perfectly compliment the several things deeply wrong with her and analyzing their relationship is very fun. Alot of the time I see him portrayed as just 'Vulcan Who is Wise'/'Janeway's Long Suffering Friend' in fandom but his actual personality means so much to me because Janeway DOES like him very much and he DOES return those feelings to the point that he calls her his friend several times [despite claiming that Vulcans don't have friends], calls her 'irreplaceable', allows her to touch him but rarely touches her back. Janeway says she's never minded the distance between her and her crew before the delta quadrant. All of these things are interesting. They have such a strange and specific combination of intimacy and distance in their relationship due to their near consummate professionalism and commitment to rules, regulations, what they should and should not do interpersonally which they both stick to like a code of honor regardless of their own personal desires. Tuvok must behave a certain way as he is Vulcan and Janeway must behave a certain way as she is Captain. They're both sort of looking to one another for reassurance but that gaze has become corrupted wherein Tuvok agrees with her because she's the captain [this comforts him, if it's an order from the captain it's 'right' to carry it out] and Janeway takes his agreement as a moral thumbs up [this comforts her, if the approval comes from Tuvok it must be the right thing to do] even though he's stated and demonstrated to others that he'd follow her orders regardless. Tuvok never thinks of himself as suffering beside a silly reckless human - it's implied that this may have been the case when they first met but they are decades past that point now. Now they are going to kill that goddamn whale together if it's the last thing they do. "If it's you, I can do anything" they think, looking at each other, and a finger on the monkey's paw begins to curl.

People honestly portray Tuvok as far too "rolling his eyes, reluctantly going along with Janeway's silly little shenanigans" - he's literally so serious about being right there with her on every decision she makes. Janeway's like "I'm going to stay behind if the ship blows up" and Tuvok's like "I'm staying with you." Janeway's like "I'm going to deliver every member of the Equinox crew into the jaws of death via an alien revenge massacre" and Tuvok protests a grand total of one time before being fully on the bridge assisting her. He was the only one with her when she made the decision to honor the caretaker's wishes and save the Ocampa, dooming them all. He was willing to get court marshalled in order to fulfill a wish she couldn't grant by her own hand: Get them home [no matter what happens to me] <- wherein 'me' is Tuvok. This was the same wish that spurred him forward when he had to leave her on that planet and everyone left thought him cold for trying to fulfill it without her when in his mind it was akin to a dying wish, the last thing she'd ever express to him: Get them home [no matter what happens to me.] <- wherein 'me' is Janeway. He told Seven that the golden rule to follow is that the captain is "ALWAYS RIGHT" <- (His ACTUAL words) and when Seven asks if the captain should be followed even if someone KNOWS she's wrong he says "Perhaps." This man is perhaps the most ride or die dude in the universe about Janeway. Despite her labeling him her 'moral compass' he is by NO means impartial or unbiased. He'd defend her to his last breath. He canonically makes detailed psychological observations about her and has for years. He accounts for her luck when calculating the success of certain plans. It's implied in 'Twisted' that Janeway typically listens to Tuvok's suggestions and follows them nearly without fail - to the point that he's surprised and obviously irritated when Chakotay doesn't. Despite this they've been inside one another's quarters so infrequently that Tuvok can remember each instance. They call each other "Captain" and "Mr. Tuvok" even though they've known each other for twenty years. There's something wrong with them.