#sfth wild wet and worrisome

[artstantpansies]

finally realized i don't have to choose between my love of traditional art and my love of tumblr incorrect quotes. sfth hand drawn meme blast (character ids in alt)

[iamonlypartlymajestic]

Guess who's back! Back again! With more SFTH AJ art because I have hyperfixated on a muscular bald British funny man.

So here is my gallery of AJ playing iconic female characters in longforms (or most of them, anyway)

Close Ups:

[hellsquills]

Wet, Wild and Worrisome Inside the Mysterious Cube The Excited Chinchilla

This one goes out to @letsbesharkfriends and this wonderful post that gave me the inspiration <3

Love Languages with SFTH: Words of Affirmation (Part 2)

Endless SFTH gifs [ 36 / ?? ]

I'm starting a new series called "Love Language with SFTH" (please send me ideas thx)

[svnnyd4ys]

more more more sfth character tweets!!

love making these idk if ive mentioned

[aa0n]

No thoughts just women played by Tom Mayo

[generalidiocy]

new sfth play thumbnails i love you

OMG Is This A Joke/All Eyes On Nigel - Great editing, looks so much cooler - put these together cause it's the same type of thumbnail with all of them from different points in the play

Beetroots and Murder - OMG I love it!!! This looks so cool, what a glow up! New favourite thumbnail

Inside the Mysterious Cube - love it, but has the same vibes as putting the end of the thirsty vamps sketch in the "coming up" segment lol

Marigolds, Bluebells and Hugh/Wild, Wet and Worrisome/The Unrelenting Aubergine - nice little additions there, mostly the same but with a bit more *va-va-voom*

[gaycatgirll]

Random sfth characters I hc as transfem

Madame romanoff (ballet on the battlefield)

Clarissa (Clarissa's DIY wedding

Maureen (moist and magical)

Persephone (wild wet and worrisome)

[practicedvmm13fullofpotatoes]

All of sfth's improvized plays described by someone with bad/selective memory (but remembers 90% of the lines they make up) pt. 3

11) Inside the Mysterious Cube

Gay cowboys gay cowboys gay cowboys!! Also, coob legs for both the wife and Bubba!! Why did the wife of the president want coob legs? Honestly, I don't think she knows why either

12) BUS

Something something Magnum O. Puss that's the only thing I can remember at the moment and kind of the only thing that matters. ALSO, BIG DICK 1, 2, 3, 4, 5 (and big vagina 1, 2, 3)

13) All Eyes on Nigel

Who's the king? Nigel. It's him. That's all you need to know

14) No! I Always Loved That Caravan!

"Welcome to Caravan Hutch! Where we buy your caravans :) Come on in! Sell all the caravans you have" "Splendid, do you have it on you?" "Up north? :0" "Yess, our fingers stretch very faar, very faar don't they. Would you be able to drive?" "YEES! Very good at driving, I am, a full set of hands!" "This is Fullset OfHands, he's more than willing to drive!" "Fullset O'Hands! Pleasure to make your acquaintance, hahahahahaaaah!" "Please to make your acquaintance! Yes!" "Mmm. Hhmhmm" "Do you guys like art?" "Aaaaah.." "Is that a yes or a no?" *looks at eachother* "Mmmm.." "Five grand what? GRANDFATHER CLOCKS?! "No, like five thousand, five thousand pounds" "Five thousand WHAT?!" "Pounds" "Oh, I didn't hear!" "(words words) I've got the new Tilimothée Chalamet in it (words words)" *walks towards him * "What do you guys think?" "..I wasn't listening, were you?" "He wants to put our name in the credits.. He thinks we need help.." "For four-five grand, like sponsorship sorta thing" "For four-five grand?" "Four-four-five grand??" "For fourty-five grand?! (Four hundred and forty-five?!)" "No! You give me five grand" "Yes?" "I'll give you a caravan (yes) and I'll put your name in the credits of the film" "Credits of what film?" "The new like, arthouse film (words words)" "Hmm.. A film in our house.." "I've always--" "We're not filming it in your house--" "WAIT!" "I've always wanted to be captured.." *spotlight* "Ah! You have such a pretty face!" "Yeees.. Ever since I got this face I've wanted it on film. It's so recent.. My love slash brother" "*Insert Tom & Luke noises*" "You don't have catering? There's no roles (rolls?) in the film?" "Ouh.." "Ugh!" "We're hungry! D:" "We need to eat! D:" "So hungry! D:" "What do you say? We're quite extra.." "I would love to be back in the ground, mhmhmhmmahahhaahaah.." "We'll do it" "Yes!" "Lots O'Hands!" "Caravan Hutch!" "Hutch!" "Here's the money.." "Are you wearing a bra?" "That's the money, I'm just itchy" (few scenes later) "I resent the description of me as creepy, hahahahaaa--" "You're meant to be going up north!" "I'm on my waay!"

15) Wild, Wet & Worrisome

"HEY! HEY!". I think they're Australian. Also, sirens and a forbidden love story? Hell yeah!!

Prev // Next

[oosyerdad]

Rewatching Wild, Wet and Worrisome and this is how I imagine Persephone to look. :)

Image credit: https://connectparanormal.net/2024/02/22/sirens-of-the-ancient-seas-mermaids-in-greek-lore/

[instantpansies]

on hour three of painting details on a piece of stupidly complex fanart for a british improv comedy group. again. they put something in those plays that infected my brain istg

the only concept of time i have is the fact that the lights in here are on a 1 hour timer lmao

uh. progress sneak peek ig?

[cricket-the-kobold]

One of my favorite longforms, I love Tom’s siren so much :)

I decided to base the bird part off a Cormorant because they are so lanky and strange (like Tom!) but also because they are sea birds so it fits

[artstantpansies]

FINISHED!!! i think. what is it about wild wet and worrisome that compels me to recreate renaissance masterpieces........gaughhhh

this has been a ~12-cumulative-hour-long project. i had a ton of fun but ohhh my word. i'm glad to be done. it's not perfect but i think it's good and that's good enough for me :3

wahoo yippee

[youling-the-ghost]

I don't care that "technically" Geoff left the rocks and returned to his normal life with his brother, in my mind he stayed with Persephone and they built a happy little home in the middle of the sea as healers helping sailors who were injured.

[i-may-be-an-emu]

SFTH Fic Masterlist

#15. Wild, Wet & Worrisome

Full masterlist here

[svnnyd4ys]

more sfth plays as Richard Siken quotes

if anyone wants me to explain why i chose these quotes just lmk and i'll like do an analysis or smth!!

plays 12-22~

BUS. "He's pointing at you with a glass of milk as if he's trying to tell you there is some sort of shining star buried deep inside you, and he has to dig it out with a knife." (the dislocated room - Crush)

ALL EYES ON NIGEL "Let's say the Devil is played by two men. We'll call them both Jeff. Dark hair, green eyes, white teeth, pink tongues- they're twins. The one on the left has gone bad in the middle and the other one on the left is about to. As they wrestle, you can tell that they have forgotten about God, and they are very hungry." (you are Jeff - Crush)

NO! I'VE ALWAYS LOVED THAT CARAVAN "The hunter's son watches the hunter. The hunter paints more rings onto his glasses. Everything is a target, says the hunter. No matter where you look. The hunter's son says nothing, and closes his eyes." (the stag and the quiver - War of the Foxes)

WET, WILD & WORRISOME "The fisherman's son knows nothing worth stealing. Perhaps, perhaps. He once put a cat in a cardboard box, but she got out anyway. He once had a brother he lost to the sea. Brother, dead brother, who speaks to him in dreams. These are a few things worth saying." (war of the foxes - War of the Foxes)

THE CARDBOARD STEGOSAURUS "I wanted to fall down right there, but I knew you wouldn't catch me because you're dead. I swallowed crushed ice and pretended it was glass and you're dead. Ashes to ashes. You wanted to be cremated, so we cremated you and you wanted an adventure so I ran and I knew you wouldn't catch me. You are a fever I am learning to live with, and everything is happening at the wrong end of a very long tunnel." (straw house, straw dog - Crush)

THE INGREDIENTS "The sooner you embrace it, the sooner it will leave you. Okay. The bruise: milk-yellow. You are what you cover up." (glue - War of the Foxes)

THE EXCITED CHINCHILLA "You wanted happiness, I can't blame you for that, and maybe a mouth sounds idiotic when it blathers on about joy but tell me you love this, tell me you're not miserable." (seaside improvisation - Crush)

THE PRIME MINISTER'S FIRST DAY "Every morning the same big and little words all spelling out desire, all spelling out You will always be alone and then you will die. So maybe I wanted to give you something more than a catalogue of non-definitive acts, something other than desperation." (litany in which certain things are crossed out (GOATED) - Crush)

THE LEFTENMOST WINDOW "The voice wants to be a hand and the hand wants to do something useful. What did you really want? Someone to pass this with me. You wanted more. I wanted what everyone wants. He raises the moon on a crane for effect, cue the violins. That's what the violins are for. And yes, he raises the moon on a crane and scrubs it until it shines. So what does it shine on? Nothing. Was there no one else? Left-handed truth, right-handed truth, there's no pure way to say this." (unfinished duet - Crush)

THE NEIGHBOUR'S UNDER THE BED "I wanted to explain myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myself sleep. Something's not right about what I'm doing but I'm still doing it-" (birds hover the trampled field - War of the Foxes)

THE MILKMAN "More love streaming out the wrong way, and I don't want to be the kind that says the wrong way. But it doesn't work, these erasures, this constant refolding of pleats. There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pyjamas and grains of sugar on the toast, love love or whatever, take a number. I'm sorry it's such a lousy story." (litany in which certain things are crossed out - Crush)

[eli-is-an-idiot]

oh god ive been listening to nothing but sea shanties for the last three days and now I want to write a lost in your eyes fic