#sfgate

[pruesgaultier]

DOVESSO + UPDATED SOCIALS

in honor of my 1 year anniversary of the og post

[soapdispensersalesman]

[nerdsworld]

What did you sacrifice to go see Barbie? 👛🍧

This writer apparently sacrificed the comfort of his behind,went and saw BOTH the Barbie and Oppenheimer movie.

Thank you,Drew 💋

Saturday

07.22.2023

Update:

🍧👛🍧👛🍧👛🍧👛🍧👛🍧👛🍧👛🍧👛💋

[california-slow-take]

“I would speculate that he saw it as a city that symbolized the kind of tensions and optimistic future that he wanted to depict in ‘Star Trek,’” Bernardi says. “... Different people — different aliens, in other words — coming together, struggling together, on a ship, i.e., San Francisco.”

Over the decades, “Star Trek” has returned to and expanded upon its version of San Francisco. Helmsman Hikaru Sulu, played by George Takei, was born in the city. The original starship Enterprise was canonically built at the Mare Island shipyard. In 2161, the Charter of the United Federation of Planets was signed in San Francisco, just as the Charter of the United Nations was signed here in 1945, another San Francisco fact that may have endeared Roddenberry to the city. 

The Golden Gate Bridge has been destroyed and rebuilt in the series. When the crew of the Discovery visits 32nd century Earth, it makes a point of visiting Starfleet Academy in what looks like the Marin Headlands to hug a tree. And, in what I would argue is the absolute best “Star Trek” movie, the cast of the original series lands a Klingon ship in Golden Gate Park and spends 122 minutes gallivanting around 1980s San Francisco in order to bring a pair of whales to the future. (Though you, like me, might scream at the screen when Kirk and Spock walk through a “Sausalito” that is clearly the Presidio as they discuss how they’re going to get back to San Francisco.)

[transpondster]

[cormancatacombs]

Photo taken in 1905 of a person wearing a ghost costume in a rural schoolhouse.

[waybackwanderer]

Great-Grandma Dominatrix Gets Dungeon Tools Returned by Police Aug 1995 Archived Web Page

[msclaritea]

"Movie lovers were supposed to breathe a sigh of relief last week when Warner Bros. Discovery announced the un-firing of Turner Classic Movies head programmer, Charles Tabesh. This move was in response to a deafening howl of outrage from a passionate community that, increasingly devoid of quality options at the multiplexes, cherishes the long-running cable channel as a vital outlet for intelligent, well-crafted adult fare from a time when cinema ruled the entertainment roost. It kinda did the trick. Knowing Tabesh, one of the most respected film programmers in the world, would still be around to complement beloved classics with the deepest of cinema cuts meant TCM wouldn't become the "Casablanca"-every-other-day channel.

WB Discovery also continued to hype the programming/curation input of Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson — which is a terrific PR win for embattled CEO David Zaslav but does little to move the needle outside of the industry. It's actually more heartening to know that creative oversight of TCM has shifted from Discovery veteran Kathleen Finch to Warner Bros. Pictures honchos Michael De Luca and Pamela Abdy. You'd much rather have the genuine film buff who greenlit "Seven," "Boogie Nights" and "Magnolia" co-leading TCM than a reality-show-driven exec who lists "90 Day Fiancé" as one of her proudest artistic achievements.

But De Luca and Abdy are movie people tasked with restoring Warner Bros. Pictures to its former glory by making movies. They don't have time to manage TCM, nor does the Spielberg/Scorsese/PTA triumvirate. So if this group is genuinely committed to the survival of the cable network, and venerating the studio's vast, varied library, they've got one screamingly obvious option that'll allow cinephiles the world over to exhale.

A wolf in a movie buff's clothing

Warner Bros

If Zaslav is the classic film fan he repeatedly claims to be, he should be familiar with the observation, "It's no trick to make a lot of money, if all you want to do is make a lot of money." This saying applies to saving money as well.

Zaslav, who inherited a debt-ridden WarnerMedia when the company merged with his thriving Discovery, is currently in slash-and-burn mode to please shareholders and, perhaps, make the studio flippable somewhere in the near-ish future. Per his company's own PR, he's personally due nine-figure compensation if he more than doubles the company's stock price. So he's doing the easy part first: firing as many people as possible, and selling off assets (like half of its music, film and television catalogue).

It's filthy business, but Zaslav has his Hamptons reputation to worry about. Still, as ruthless as he promised to be when he seized control of WarnerMedia, he assured movie lovers that he was one of us. He valued WB's history. He fell in love with movies as a regular, middle-class kid growing up in Brooklyn, and dreamed of running a studio. He works from Jack Warner's desk in his office, where TCM is always playing in the background. He spoke at last April's TCM Classic Film Festival (alongside Spielberg and PTA), and assured the audience the channel's future was secure.

Prioritizing vanity projects

Warner Bros.

His first greenlight after the merger was to blow the dust off of Hamptons lunch-buddy Nicholas Pileggi's "Wise Guys," a gangster project that had been kicking around the studios since the early 1970s; attaching Barry Levinson as director (who hasn't made a commercially successful film since 1997's "Wag the Dog") puzzled several industry insiders with whom I've spoken. It was old Hollywood chumminess that reeked of rich white-guy back-slapping, and this was before Zaslav erased Adil El Arbi and Bilall Fallah's already finished "Batgirl" movie. Shot on an apparent $50 million budget, the film is in post-production, and has a slated release date of February 2, 2024, although that could always change.

So when Zaslav cleaned house in June by firing five of TCM's top execs, while slashing the staff from somewhere around 90 to around 20, cinephiles were furious. You don't need an MBA to know that a personnel cut that deep is meant to hobble, not sustain. Zaslav didn't care; however, his Hamptons buddy, Steven Spielberg, didn't appreciate being used as a rubber stamp at the TCM Fest. A Zoom call was arranged, which resulted in an empty press release assuring viewers that the three aforementioned filmmakers would mind the short-staffed store. When absolutely no one bought this, Tabesh was reinstalled as head programmer.

Zaslav must make TCM whole again

Warner Bros

Though I'm amused that Zaslav has turned Tabesh into a rock star amongst movie lovers, he is but one man. Tabesh can't do what he's done so brilliantly alone. He needs a team steeped in every facet of film history to help him track down and license those obscure titles that nourish our desire for, ironically, discovery. Basically, he needs everyone Finch and Zaslav axed.

On a practical, strictly corporate level, this should not happen. TCM is currently only available on cable (streaming-wise, no one associated with the channel has anything to do with that embarrassingly shallow hub on Max), and cable is speeding toward total obsolescence. Its 70% profit margin is evidently meaningless to Warner Bros Discovery. If Zaslav hadn't so shamelessly dampened Spielberg's backside over the years, TCM could've easily been shuttered last year.

According to a recent Hollywood Reporter article by Kim Masters, Zaslav underestimated the widespread industry love for TCM (even Ryan Reynolds leaped into the fray). But what jumped out to me in that piece is that he was most miffed that outsiders "were telling him how to run his business," which is not the sentiment of a chastened man. Indeed, that he's still holding firm on the decimation of TCM's staff — which, to give you a sense of the petty scope of this brouhaha, was hastened by a $3 million cut in the channel's budget — suggests that he's still determined to win this battle. And if that's all he wants, TCM is living on borrowed time.

You bought it, you honor it

Warner Bros

What's his endgame? My most charitable read is that he'd like to have a boutique outlet that flaunts his prestigious industry connections, e.g. Scorsese presents "The Treasure of the Sierra Madre." This is where the directors he supposedly worships need, as gently as possible, to remind him that in acquiring WB, he became a steward of Hollywood history. Name-dropping a handful of black-and-white movies as evidence of his love for classic cinema won't get it done. Sitting at Jack Warner's desk is the emptiest of gestures if you're disinterested in sharing his studio's output with the public.

TCM is small potatoes financially, but, as a reflection of the company's dedication to the art that made it what it is today, it's invaluable. You re-staff, eat that $3 million, and declare the channel off-limits. You run it at a (presumably minuscule) loss if need be. If Zaslav does this one, culturally good thing, and once he pays his writers what they're worth, his legacy might not be a disaster in the long term (though I know the short term is where his CEO ilk lives). He also might actually earn the love he seeks from the directors he purports to adore (which will make it so much easier for De Luca and Abdy to lure Christopher Nolan back into the fold, not to mention build out the studio's stable of top-tier filmmakers).

This isn't easy in our fiercely risk-averse age. Because while it's no trick to make a lot of money, it takes vision and fearlessness to make a lot of good movies. It is, however, financially feasible to show a lot of great movies 24/7 on TCM. 

Probably costs less than a summer of fine dining in the Hamptons — and, uh, which card are we using out there, David? Because that's an easy snip..."

Zaslav & Crew are deliberately killing 1000s of Hollywood jobs to hurt the economy and Zaslav gets rewarded with an Academy of Motion Pictures membership.

Academy officers[69]

President – Janet Yang

Vice president – Teri E. Dorman

Vice president / Secretary – Donna Gigliotti

Vice president – Lynette Howell Taylor

Vice president – Larry Karaszewski

Vice president / Treasurer – David Linde

Vice president – Isis Mussenden

Vice president – Kim Taylor-Coleman

Vice president – Wynn P. Thomas

Chief executive officer – Bill Kramer

Governors[69]

Actors Branch – Whoopi Goldberg, Marlee Matlin, Rita Wilson

Casting Directors Branch – Richard Hicks, Kim Taylor-Coleman, Debra Zane

Cinematographers Branch – Dion Beebe, Paul Cameron, Mandy Walker

Costume Designers Branch – Ruth E. Carter, Eduardo Castro, Isis Mussenden

Directors Branch – Susanne Bier, Ava DuVernay, Jason Reitman

Documentary Branch – Kate Amend, Chris Hegedus, Jean Tsien

Executives Branch – Pam Abdy, Donna Gigliotti, David Linde

Film Editors Branch – Nancy Richardson, Stephen E. Rivkin, Terilyn A. Shropshire

Makeup Artists and Hairstylists Branch – Howard Berger, Bill Corso, Linda Flowers

Marketing and Public Relations Branch – Megan Colligan, Laura Kim, Christina Kounelias

Music Branch – Lesley Barber, Charles Bernstein, Charles Fox

Producers Branch – Jason Blum, Lynette Howell Taylor, Jennifer Todd

Production Design Branch – Tom Duffield, Missy Parker, Wynn P. Thomas

Short Films and Feature Animation Branch – Bonnie Arnold, Jon Bloom, Marlon West

Sound Branch – Gary C. Bourgeois, Peter J. Devlin, Teri E. Dorman

Visual Effects Branch – Rob Bredow, Brooke Breton, Paul Debevec

Writers Branch – Larry Karaszewski, Howard A. Rodman, Eric Roth

Governors-at-large[29] (nominated by the President and elected by the board) – DeVon Franklin, Rodrigo García, Janet Yang

[thewaltcrew]

Imagineer Rolly Crump (February 27, 1930 – March 12, 2023) in "Disneyland's 10th Anniversary" from the anthology series Walt Disney's Wonderful World of Color, aired January 3, 1965

Roland "Rolly" Crump started his career at Disney as an animator in his 20s. The man who ran the animation department at the time of Crump's hiring reportedly told him years later that "what you showed us was the worst portfolio of anyone ever hired in animation."

His first three years as at WED Enterprises provided little interaction with Walt.

Crump: All I did was absorb. I watched how everyone reacted to Walt, and the strengths and the weaknesses of the different guys. I studied Walt Disney and what it was like to work with him, but I wasn't participating until after three years. That's when I started talking. I learned that if you show something to Walt, it has to be something he hasn't seen before.

He called the period working with Walt "the happiest time of my life."

Crump: It was a great job. You were thrilled to do what you were doing. I was, anyway.

Rolly Crump's strange, bold, chaotic, and graphic style stands out strongly among his Imagineering peers. With his distinct touch, Crump was able to create some of the most visually memorable iconography for Disneyland, including the façade of It's a Small World (based on Mary Blair's styling) and the tiki god and goddess statues in the Enchanted Tiki Room.

Always a man who was protective of artist identity and integrity, he would often refer to rides by their primary visionary. The Haunted Mansion was Yale Gracey's ride, It's a Small World was Mary Blair's.

Crump: I was given the job of kind of supervising It's a Small World. I knew it was only going to work if everything looked like Mary Blair. As far as I was concerned, this is a Mary Blair ride.

And had the Museum of the Weird been built, it would've been Rolly Crump's.

It started out with Crump creating drawings and concepts for the Haunted Mansion. All the strange objects he describes in the "10th Anniversary" episode are all ideas and visuals he came up with. His peers told him his ideas would be "too weird" for Walt but after a presentation to the boss, Crump found Walt sitting in his office chair the next morning.

Crump: The first thing he said to me was, "You son of a bitch. All that stuff you showed me yesterday? I couldn't sleep."

Crump: The next day, what happened was Walt came in and said, "OK, we're going to do a Museum of the Weird, that's where we're going to use all that funny stuff you showed me yesterday." All he had to do was go home and spend some time with himself and he'd come up with everything. He was a delight to work with... You never felt like you worked for Walt. You felt like you worked with Walt because that's the way he made you feel. He encouraged your creativity. He was part of the magic. He was part of everything we did.

Unfortunately, the project died with Walt. After his unexpected passing, the project was dropped.

Crump: Management didn't like it. Walt passed, and he took the museum with him. No one else wanted to fool with it.

But the Museum of the Weird lives on. Marvel created a comic book based on the attraction called Seekers of the Weird. The fortune teller character Crump designed, Madame Zarkov, is referenced in Big Thunder Mountain Railroad and was written into the the elaborate Easter egg SEA (the Society of Explorers and Adventurers, a fictional secret society incorporated in many Disney attractions to tie their lore). And the window on Main Street USA that honors Crump for his work features three of his most famous pieces: the Tower of the Four Winds from It's a Small World (built for the 1964 World's Fair and unfortunately torn down because it was too big to move to Disneyland), Maui from the Enchanted Tiki Room, and the coffin clock.

video source [x] photo sources [x][x] research source [x][x][x]

[california-slow-take]

Cee told me that they believe that people go to Burning Man because they experience “something transformative” — the same thing that “deep meditators” and “people on mushrooms” experience. They call it “pure consciousness experience.” 

“You can have that anywhere,” they told me. People think they have to purchase a $700 ticket and travel hundreds of miles, they said, “but that's an illusion.” 

It’s hard not to wonder if “Burning a Man,” in its DIY, trademark-dodging glory, channels the original spirit of Burning Man. The event started out as a beach gathering in the 1980s — only a few miles away from the site of “Burning a Man,” at Baker Beach. Like the original Burns, “Burning a Man” is unofficial, unauthorized, and unregulated. 

In the future, “these regional burns will take over,” said Marshall Smith, 77, a retired city employee living in Russian Hill. “I think the whole thing in Nevada’s getting unsustainable, so you’ll see more of this going on all over the place.”

[reasonsforhope]

"For years, California was slated to undertake the world’s largest dam removal project in order to free the Klamath River to flow as it had done for thousands of years.

Now, as the project nears completion, imagery is percolating out of Klamath showing the waterway’s dramatic transformation, and they are breathtaking to behold.

Pictured: Klamath River flows freely, after Copco-2 dam was removed in California.

Incredibly, the project has been nearly completed on schedule and under budget, and recently concluded with the removal of two dams, Iron Gate and Copco 1. Small “cofferdams” which helped divert water for the main dams’ construction, still need to be removed.

The river, along which salmon and trout had migrated and bred for centuries, can flow freely between Lake Ewauna in Klamath Falls, Oregon, to the Pacific Ocean for the first time since the dams were constructed between 1903 and 1962.

“This is a monumental achievement—not just for the Klamath River but for our entire state, nation, and planet,” Governor Gavin Newsom said in a statement. “By taking down these outdated dams, we are giving salmon and other species a chance to thrive once again, while also restoring an essential lifeline for tribal communities who have long depended on the health of the river.”

“We had a really incredible moment to share with tribes as we watched the final cofferdams be broken,” Ren Brownell, Klamath River Renewal Corp. public information officer, told SFGATE. “So we’ve officially returned the river to its historic channel at all the dam sites. But the work continues.”

Pictured: Iron Gate Dam, before and after.

“The dams that have divided the basin are now gone and the river is free,” Frankie Myers, vice chairman of the Yurok Tribe, said in a tribal news release from late August. “Our sacred duty to our children, our ancestors, and for ourselves, is to take care of the river, and today’s events represent a fulfillment of that obligation.”

The Yurok Tribe has lived along the Klamath River forever, and it was they who led the decades-long campaign to dismantle the dams.

At first the water was turbid, brown, murky, and filled with dead algae—discharges from riverside sediment deposits and reservoir drainage. However, Brownell said the water quality will improve over a short time span as the river normalizes.

“I think in September, we may have some Chinook salmon and steelhead moseying upstream and checking things out for the first time in over 60 years,” said Bob Pagliuco, a marine habitat resource specialist at the National Oceanic and Atmospheric Administration in July.

Pictured: JC Boyle Dam, before and after.

“Based on what I’ve seen and what I know these fish can do, I think they will start occupying these habitats immediately. There won’t be any great numbers at first, but within several generations—10 to 15 years—new populations will be established.”

Ironically, a news release from the NOAA states that the simplification of the Klamath River by way of the dams actually made it harder for salmon and steelhead to survive and adapt to climate change.

“When you simplify the habitat as we did with the dams, salmon can’t express the full range of their life-history diversity,” said NOAA Research Fisheries Biologist Tommy Williams.

“The Klamath watershed is very prone to disturbance. The environment throughout the historical range of Pacific salmon and steelhead is very dynamic. We have fires, floods, earthquakes, you name it. These fish not only deal with it well, it’s required for their survival by allowing the expression of the full range of their diversity. It challenges them. Through this, they develop this capacity to deal with environmental changes.”

-via Good News Network, October 9, 2024

[is-the-post-reliable]

(reposting as I am unable to reblog the original.)

requested by @kodicraft

🔶 Rating: Partially Reliable 🔶

The Devils Hole is home to the endangered Devils Hole Pupfish.

From the National Park Service's page on Devils Hole: 'Devils Hole--a detached unit of Death Valley National Park--is habitat for the only naturally occurring population of the endangered Devils Hole Pupfish (Cyprinodon diabolis).'

The existence of the pupfish does prevent the pumping of groundwater in the area, after a legal battle. I am not sure this would apply to all mining.

From a High Country News article on the pupfish: 'The Cappaert case went all the way to the U.S. Supreme Court, testing the power of the Antiquities Act and the weight of the new Endangered Species Act. In 1976, the High Court affirmed the federal government’s right to maintain water levels sufficient to support the pupfish, even at the expense of water rights held by nearby ranchers.'

The habitat of this fish is incredibly small. However, it is slightly larger than suggested, as the fish swim at least 20m deep; the rock shelf referenced is the only place where the fish feed and spawn in the wild.

From the same National Park Service page: 'Although pupfish have been found as deep as 66 feet (20 m), the fish forage and spawn exclusively on a shallow rock shelf near the surface, feeding on the algae and diatoms found there.'

It is true that multiple conservation attempts have failed. Previous attempts to breed or crossbreed the fish have not been successful.

From a National Park Foundation article on the pupfish: 'Despite past efforts to create a similar artificial platform for the pupfish, as well as attempts to breed Devils Hole pupfish and hybrids in captivity, this small ledge remains the sole spawning and feeding shelf for the fish.'

I have not been able to find any references to 'assassination attempts'. One individual did threaten to pour pesticide into Devil's Hole, but it seems this was never attemped. If anyone can find anything on this, please let me know, but in the mean time I have to say this claim is unsubstantiated.

From a High Country News article on an incident of tresspassing and the pupfish: 'A Pahrump newspaper editor even threatened to throw the pesticide Rotenone into the sunken cave to “make the pupfish a moot point.”'

The fencing was initially installed after two people drowned, not after an assassination attempt. Later, more fencing and security was installed after three men drunkenly tresspassed and killed a pupfish.

From the same National Park Service page: 'Subsequently, the Hole was fenced after two divers drowned in its water.'

From a High Country News article on the incident of tresspassing : 'Since the incident, Devils Hole has become an even more formidable fortress. The Park Service capped its towering fences with additional barbed wire. The public can only view the sunken cave from a distance now, more than 20 feet above it. And inside the fenced viewing area are even more cameras, motion sensors and “No Trespassing” signs.'

There is a breeding program at Ash Meadows Facility, where scientists have attempted to mimic the natural habitat of the pupfish.

From a National Geographic article on the breeding attempts: 'And when they built the Ash Meadows facility, the scientists tried to create a mirror image of Devil’s Hole, which meant bringing in water, substrate, and algae from the natural environment.'

It is possible that a different research/breeding facility is being referred to, but the Ash Meadows Facility does not seem to have a secret location. In fact, the facility is open to visitors, according to their website.

I wont attempt to fact check whether the cave is haunted, but I can confirm that at least two people drowned and were not recovered from Devils Hole. Whilst the cave is not truly bottomless, the bottom has not yet been found.

From an SFGATE article on Devils Hole: 'When the bottom of Devils Hole is one day found, the skeletons of two brothers-in-law may finally be recovered, fathoms below the frolicking pupfish.'

The breeding program has been more successful in recent years. This may be due to the discovery that diving beetles were eating the eggs and larvae, and the beetle population in the artificial environment being controlled. (This fact was not included in the original post, but I thought it was cool.)

From a National Geographic article on the breeding attempts: 'As Feuerbacher watched the infrared footage, which can visualize objects in the dark, a tiny pupfish larva smaller than a peppercorn flitted into the camera’s frame. This was big news. When a population gets as low as that of the pupfish, every animal—wild or captive, larva or adult—is critical to the species�� survival.

“I was pretty excited to see there was reproduction going on in the tank, and I just watched it for a little bit,” says Feuerbacher, a fish biologist with the U.S. Fish and Wildlife Service. “Then I saw a beetle swim past.”

It began circling the fish, and closing in.

“Then it just dove in and basically tore the fish in half right while I was watching,” says Feuerbacher.

[...]

During the first beetle collection, facility manager Jennifer Gumm says they caught 500 beetles in three hours. And on the very next pupfish egg collection, which is done by leaving out pieces of carpet that the fish like to lay their eggs on, the team retrieved close to 40 pupfish eggs.

Before this, they had been lucky to find four or five pupfish eggs during a refuge collection. Usually, it was zero.'

[stochastique-blog]

Love me

The Transamerica Pyramid playing hide and seek…. … . . . Credit 👉🏆📸 @415urbanadventures . . . Follow 👉 🇺🇸@conexao.america for more photos and movies about United States 🇺🇸 . . . Alliance @america_states @enjoy_la_ @latinbrazil . . . ✈ Mark your photo with tag #conexaoamerica or @conexao.america and we’ll post it! . . . . #sanfrancisco #transamericapyramid #downtownsf #embarcadero #streetsofsf #pier7 #karlthefog #fog #hideandseek #415urbanadventures #visitsanfrancisco #california #mysecretsf #sanfranciscoworld #sanfrancisco_now #sfgate #onlyinsf #sfchasers #citygrammers #sanfranciscophotographer #sanfranciscophotography #photooftheday (em San Francisco, California) https://www.instagram.com/p/ChIKcl8r5n2/?igshid=NGJjMDIxMWI=

[longreads]

The Top 5 Longreads of the Week

In this week's Top 5:

* Suffering from environmental illness (Harper's Magazine) * The double-edged sword that is social media (The Walrus) * Uncovering painful family secrets (New York Mag) * Jail library book treasures (Split Lip Magazine) * Cooking as a free man (SFGATE)

Learn why our editors are recommending these stories.