#sex with Izzy
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jakelinestradlin · 20 days ago
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Thanks for this @prettypersuasion made my day too ♥
Even though it was summer, I was wearing black leather boots with pointy heels. The first time I ever heard the word 'wicked' be used in such a cool way, was by Izzy Stradlin. He looked at my boots and said simply, 'wicked boots.' Then he took them off me. The sun was going down by the time he completely undressed me. I weighed 97 pounds, and he threw me around like a little blow up doll, into more sexual positions than I can remember. I had only experienced the missionary position, but I went with it. After 45 minutes, I remember thinking, 'I wonder if he's ever gonna cum? Am I supposed to do something to make him cum? Maybe I'm not doing what I should be doing.' When he finally came, he threw on some sweat pants, pulled a blanket over us, and we cuddled up and fell asleep.
An excerpt from the book, One Night Bands by Pamela Des Barres
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babycowbow · 10 months ago
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ldrmas · 1 year ago
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He called him Captain! 😭😭😭
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toastywindow · 1 year ago
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i was like, i should take a shot for every cut to izzy about to cry. then after watching 3 epsiodes, i realized i would fucking die
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leincendiaire · 1 year ago
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no but gentlehands really is great like you would think the two characters who hated and dueled and stabbed each other while crushing on the same guy the entire first season would have like. a really slowburn friendship but no. izzy's like ok well new captain hours i guess. I just hang out in this man's room 24/7 now and I watch him twirl around in his pretty coats and I spout ominous poetry at him and give him pirate lessons while making sure I touch his ass and I HAVE TO look softly and proudly at him when he is good at pirate captaining. this is just what I do now
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wolfpoets · 1 year ago
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ed being SO judgmental of anne & mary's Intricate Rituals as if his own intricate rituals with izzy didn't start with take off your boot and ended with i had a dream last night that you killed me.
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laniidae-passerine · 1 year ago
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Izzy moving from the thorn in Stede and Ed’s side to their relationship therapist. Told Ed to leave Stede alone after a traumatic event because he knew it wasn’t a smart idea and then later told Stede to leave the bar to avoid a fight which immediately broke out when Stede got upset and drunk. And he’s hot for these two idiots which is fine because he’s an idiot as well. Love them all <3
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ourflagmeansgayrights · 2 years ago
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saw someone be like “why does nobody ever talk abt black pete when discussing toxic masculinity in ofmd?” and like. it’s bc there’s nothing interesting to say abt it. he was sexist abt doing feminine things. then he had gay sex and it fixed him. the end.
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perilousandwicked · 3 months ago
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Y'all...Con loves his tits as much as we do
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xoxytoxinx · 3 months ago
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Born to be a groupie, forced to be born in 2004
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sarucane · 11 months ago
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Ed Teach's Stories
From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.
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This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.
In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.
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And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.
At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.
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So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.
All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.
What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.
The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.
Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?
Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair
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But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.
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In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.
Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.
In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.
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And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.
Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.
Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.
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And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.
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Sometimes, it means understanding. Means acceptance, safety, connection.
From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.
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arsenicflame · 1 year ago
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absolutely delicious flavour of edizzy is where theyre Actually Married but neither of them know it, while also being acutely aware of everything-
they celebrated 25 years of their matelotage. they are having sex on the regular. both of them think the other thinks their contract is purely for financial reasons and the sex is just fun + convenience.
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rocknrollflames · 1 month ago
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Day Nine: A Picture of a Band You Would Have Sex With
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30 Day Band Challenge
I know, I know! But it's the ONLY band I would EVER consider! (I really wouldn't, lol. But if I was the type of person who would ...)
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euuuuuureka · 8 months ago
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堆一下:D
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tumbleweed-run · 7 months ago
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I was unaware you could get Astarion’s “romance” scene BEFORE the party. I got it on my current play through before I even got to the the goblin camp.
I’m not even doing an evil run 😂 just being very careful about making sure he’s far away while helping everyone at the grove.
Also I’m playing a gnome romancing Astarion and (eventually) Halsin because I think I’m funny.
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sinfulsunni · 8 months ago
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anyyywayyysss. totally unrelated to any previous posts or potential current WIPs (lie) I have a headcanon that izzy is like. ridiculously loud during sex. and I don’t just mean like, moaning and whimpering (which he does do) but like,,, have you heard how much that man swears? and how LOUD he can swear?? his unchallenged yelling prowess? you can NOT tell me that my man wouldn’t be the most noisy ass bottom alive in bed but in like the most aggressive way possible. if it almost sounds like he’s angry with you then you’re doing it right. just raging lustful screaming echoing for ten miles in every direction like “FUUUCKKKFUCKFUCKFUCKFUCKFUCK OH FUCKING SHIT - NGH - FUCK - DADDY - FUCK - JESUS FUCKING BALLS FUCKING HELL ED. 💖EDDIE ED EDEDEDDIEOHEDFUCK - NGHHH SHIT - AH-” etc etc you get the picture. the crew of the queen anne have never known a full nights sleep in their entire lives.
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