#seventy one
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ryan-nugenthopkins · 9 months ago
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Ryan McLeod | PRACTICE: BIGGER PICTURE | 15.03.24
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redmulyacuties · 2 months ago
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fkatwigsfashion · 1 year ago
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FKA twigs at the SEVENTY ONE x Reference Studios launch party in Berlin - 12/9/23
Wearing:
Anona Cracked Mini Bag by Dentro
NHARNHURUN Chain by Nino Gojda
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atomic-chronoscaph · 11 months ago
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1970s Burger King mascots t-shirt iron ons
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beeduoo · 6 months ago
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i really like this meme
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babsi-and-stella · 3 months ago
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Marianne Faithfull by David Redfern, 1975.
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post-it-notes7 · 3 months ago
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Please tell me this will be a happy ending
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dearest anon, only time will tell
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saturngalore · 1 year ago
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the roaring twenties 🎺
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anatomyofjamesyates · 10 months ago
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colorized
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marypsue · 1 month ago
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I just finished watching the 1966 Hammer flick Plague of the Zombies, and I'm fascinated by it. The premise is that the squire of a small Cornish village, who was raised in the Caribbean before being called home to take over after his father's death, has turned to voodoo to try to get workers to reopen the tin mines that made the village's fortune.
The movie sits neatly in an uneasy horror space between the original horror of the zombie - of your will being overridden by another's, of continuing to be enslaved even after death should have released you from all earthly woes - and Romero's ghouls and everything that they spawned. A nightmare sequence features hands pushing up out of fresh-dug graves, dead faces closing in all around one of our protagonists - but in the end, the only person the zombies are truly dangerous to is the man who created them. The true horror of the story is the absolute power that the squire holds over the people of the village, made metaphorical as voodoo.
The tin mines were closed after multiple fatal accidents caused the men of the village to refuse to work there anymore, so the squire removed their ability to refuse by killing and raising them as zombies. At the end of the day, he owns these people, body and soul, and there's nothing that the police or the vicar or anyone else who is supposed to be responsible for the villagers' wellbeing can do, so long as the squire holds this position of absolute power.
If you feel you simply must transplant zombie horror based in voodoo into a white European context, I feel like using it to highlight the injustices of a system of government directly descended from feudalism is not the worst choice you could make.
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whothehellisoli · 6 days ago
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do you think this qualifies as an autism diagnosis
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fictionadventurer · 2 months ago
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I keep thinking about Lewis' review of The Hobbit, because he claimed that the main thing contemporary reviewers compared it to was Alice's Adventures in Wonderland. Was fantasy in that poor of a state that Alice was the closest thing they could think of? Comparing that chaotic fever dream to Tolkien's intricately crafted world? Lewis does specify that the comparison is that both books are by an "Oxford professor at play", but they're otherwise so different that putting the two in the same category baffles me.
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cleopatragirlie · 2 months ago
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❀ 𝐌𝐚𝐫𝐥𝐞𝐧𝐞 𝐊𝐧𝐚𝐮𝐬 ❀
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daily-pearl-doodles · 4 months ago
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Shes flying
(Day seventy one)
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atomic-chronoscaph · 9 months ago
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Pinball Wizard t-shirt iron-on art by Ed Newton - Roach Studios (1974)
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babsi-and-stella · 8 months ago
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Marianne Faithfull by Robert Mapplethorpe, 1976.
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