#setting is from southeast asia

[leafmindscape]

Part 1 gojohime because ao3 is down

This is 60% based from my experience from elementary to highschool. I was thinking of how my classmates were doing then thought of this friend, "Huh we're like gojohime but I friendzoned him."

5️⃣🎶♥5️⃣🎶♥5️⃣🎶♥5️⃣🎶♥5️⃣🎶♥5️⃣🎶♥5️⃣🎶♥

2nd Grade & 4th Grade

Utahime was in her 4th Grade in elementary school when her driver took a detour to pickup another kid from her old school, just a few kilometers away from her current one to save time and gas.

She hopped off the tricycle by the time the driver parked next to the fencing of her old school. Her driver told her not to wander off as he entered through the gates to collect his charge. She stood next to the fencing, she could see the students, from pre-schoolers to 6th graders, emerging out of the building to run at the campus playground or to wait for their chaperones.

She noticed there were minimal changes in her old school the last time she attend in her 2nd grade: the trees are taller, the playground has a new slide, the teachers have new uniforms and plenty of unfamiliar faces mixed into familiar ones.

Directly across where she stood is a basketball court and the one-storey building for the 1st and 2nd graders connected to the main campus one. She recalled a boy called Gojo from the pre-school rooms who used to follow her around like sneaking out of his classroom just to make faces in front of the windows while her former teacher was writing on the chalkboard or bother her for sweets from her lunchbox. The pre-schooler was quite a troublemaker who never understood bathroom privacy. She remembered his blue eye used to peak through the keyhole while she washes her hands. She shuddered at the the memory.

She observed few of the familiar ones playing at the swings trying to jump out of it. There was a quick movement in the corner of her vision originating from the 1st-2nd grade building but she choose to ignore it because she recognized a tiny girl named Shoko making a perfect landing by jumping out of the swing. Another boy with black hair cheered from another swing, his voice mixing with the ambiance of the students.

It is very noisy from her spot because of the sounds of purring engines from vehicles and the voices of laughing and screaming children. But it is not enough to drown out the high pitch voice of a certain someone...

"UTAHIME! I LOVE YOU!"

"Wha-?" Her head swiveled towards the direction of the 1st-2nd grade building. She spotted a familiar figure with white hair standing between the building and the baskteball court with legs spread out and hands cupped on either side of his grinning mouth.

"HaaAAAH?!" It's that pervert boy Gojo! Gojo's classmates that were loitering in the court laughed at him and cooed.

The grinning boy took a deep breath and shouted.

"I SAID UTAHIME! I LOVE YOU!"

Utahime didn't get a chance a reply because her driver, either was unaware of the commotion or was very good at appearing apathetic, tapped her shoulder to return to the trike. She followed him and the newly picked kid but not without looking over her shoulder and irritatingly starred at the grinning Gojo who starred back.

Good thing Utahime doesn't attend to that school anymore. Oh, the embarrassment and the teasing that she would get the next day if she does. Hopefully she would never see the kid again. She thought as she hopped back inside the trike.

Utahime saw him again in middle school.

[canisalbus]

Whenever someone says "This would kill a Victorian child." Or "This would kill a medieval peasant." I have to think about Machete. Would he... would he survive eating a Dorito?

.

[hauntingofhouses]

Seeing fan discussions about Blue Eye Samurai and especially Mizu's identity is so annoying sometimes. So let me just talk about it real quick.

First off, I have to emphasise that different interpretations of the text are always important when discussing fiction. That's how the whole branch of literary studies came to be, and what literary criticism and analysis is all about: people would each have their own interpretation of what the text is saying, each person applying a different lens or theory through which to approach the text (ie. queer theory, feminist theory, reader response theory, postcolonial theory, etc) when analysing it. And while yes, you can just take everything the authors say as gospel, strictly doing so would leave little room for further analysis and subjective interpretation, and both of these are absolutely necessary when having any meaningful discussion about a piece of media.

With that being said, when discussing Blue Eye Samurai, and Mizu's character in particular, I always see people only ever interpret her through a queer lens. Because when discussing themes of identity, yes, a queer reading can definitely apply, and in Mizu's story, queer themes are definitely present. Mizu has to hide her body and do her best to pass in a cisheteronormative society; she presents as a man 99% of the time and is shown to be more comfortable in men's spaces (sword-fighting) than in female spaces (homemaking). Thus, there's nothing wrong with a queer reading at all. Hell, some queer theorists interpret Jo March from Little Women as transmasc and that's totally valid, because like all analyses, they are subjective and argumentative; you have the choice to agree with an interpretation or you can oppose it and form your own.

To that end, I know many are equally adamant that Mizu is strictly a woman, and that's also also a completely valid reading of the text, and aligns with the canon "Word of God", as the creators' intention was to make her a woman. And certainly, feminist themes in the show are undeniably present and greatly colour the narrative, and Episode 4 & 5 are the clearest demonstrations of this: Mizu's protectiveness of Madame Kaji and her girls, Mizu's trauma after killing Kinuyo, her line to Akemi about how little options women have in life, and the way her husband had scorned her for being more capable than him in battle.

I myself personally fall into the camp of Mizu leaning towards womanhood, so i tend to prefer to use she/her pronouns for her, though I don't think she's strictly a cis woman, so I do still interpret her under the non-binary umbrella. But that's besides my point.

My gripe here, and the thing that spurred me to write this post, is that rarely does this fandom even touch upon the more predominant themes of colonialism and postcolonial identities within the story. So it definitely irks me when people say that the show presenting Mizu being cishet is "boring." While it's completely fine to have your opinion and to want queer rep, a statement like that just feels dismissive of the rest of the representation that the show has to offer. And it's frustrating because I know why this is a prevalent sentiment; because fandom culture is usually very white, so of course a majority of the fandom places greater value on a queer narrative (that aligns only with Western ideas of queerness) over a postcolonial, non-Western narrative.

And that relates to how, I feel, people tend to forget, or perhaps just downplay, that the crux of Mizu's internal conflict and her struggle to survive is due to her being mixed-race.

Because while she can blend in rather seamlessly into male society by binding and dressing in men's clothing and lowering her voice and being the best goddamn swordsman there is, she cannot hide her blue eyes. Even with her glasses, you can still see the colour of her eyes from her side profile, and her glasses are constantly thrown off her face in battle. Her blue eyes are the central point to her marginalisation and Otherness within a hegemonic society. It's why everyone calls her ugly or a monster or a demon or deformed; just because she looks different. She is both white and Japanese but accepted in neither societies. Her deepest hatred of herself stems primarily from this hybridised and alienated identity. It's the whole reason why she's so intent on revenge and started learning the way of the sword in the first place; not to fit in better as a man, but to kill the white men who made her this way. These things are intrinsic to her character and to her arc.

Thus, to refuse to engage with these themes and dismiss the importance of how the representation of her racial Otherness speaks to themes of colonialism and racial oppression just feels tone-deaf to the show's message. Because even if Mizu is a cishet woman in canon, that doesn't make her story any less important, because while you as a white queer person living in the West may feel unrepresented, it is still giving a voice to the stories of people of colour, mixed-race folks, and the myriad of marginalised racial/ethnic/cultural groups in non-Western societies.

[kissmypoets]

i do not think i could ever write an hp fanfic because (in general) british accents make me laugh (i mean that i am delighted and distracted by it.... tickled, if you will! this is NOT an insult) and i cannot take them seriously

[madewithangst]

svt + soft italicized 'oh' moment

PAIRING: seventeen (ot13) x gn!reader FORMAT: drabble/headcanon WARNINGS: a few swear words and cheesy terms of endearment NOTES:

🍒Seungcheol

It isn't a secret to everyone that Choi Seungcheol is an alpha. Along with being an alpha comes the excessive spoiling to his S/O. Sometimes his own band members would get a little concerned about the amount of love aggression he's been giving you. One day, probably just a few weeks of you dating, they were locked in the studio to finish an album that was on a deadline. You surprised him with his favourite food and flowers. FLOWERS. This man has never felt butterflies in his stomach until that day. Basically, he just wanted to be babygirl-ed too, despite his strong demeanor.

😇Jeonghan

Yoon Jeonghan wanted to come home. He hadn't seen the sun all day, and now it had already set. They had been doing a photoshoot for a PR campaign since 2am that it had gotten to a point where smiling was now painful and he's pretty sure his face was bruised up from all the makeup touch-ups. The sun has hidden away from the world again and all he's been thinking about was his shared bed with you. Your limbs all tangled in the warmest and coziest sheet. Just thinking about you helped him relax. Oh.

🦌Joshua

Joshua and you have a shared passion for travelling. He'd shown you LA, Italy, Australia, Africa, and basically the whole of Southeast Asia. So when you got sick on your birthday, he was so devastated not only because you're actually sick, but also the fact that your travel plans had to be postponed. You were lying on the couch wrapped in a thick comforter like a burrito (Joshua's idea) while he made you soup. When he finished, he sat in front of you on the floor and replaced the wet cloth on your forehead. You managed to free your hand from the tightly secured comforter and opened the TV. Despite Joshua's protests, you were able to show him a video. You know those youtube LIVE videos where it's CCTV footage or a person walking around touring the place? That's it. And Joshua realizes now what you're doing. He can't help but think 'I'm so going to marry you.'

😺Jun

He hates when this happens. There are days when a recording of his part wasn't "perfect," to say the least. There would be days when he was sleeping and a phone call would wake him up in the middle of the night to record his part again. Days when he's in the middle of finishing his favorite Netflix series. Or days like when he’s in the middle of a date. He hates when it happens, but when it does, he falls deeper in love with you. You’re so selfless in his eyes that even when you’re about to watch a movie you both have been waiting to see together, you’re still there for him. Waiting and watching as he perfects his solo part of that one song. As he sings, he can't tear his eyes away from you, you were looking back at him with equal amount of adoration.

🐯Hoshi

Kwon Soonyoung, now this man couldn't leave without you by his side. Call him clingy, call him a slug, call him a koala, he doesn't mind all that as long as he's holding you, especially your hands. So on every tour, as long as you're free, he manages to bring you everywhere he go. So one day, while you were touring Europe, your company called you to let you know about a disaster that was going on in the office. Of course, Soonyoung was devastated but understood the situation right away. As he was walking the streets with seokmin and mingyu, he couldn't imagine that he'd feel a physical itch to hold your hand. He almost grabbed Seokmin's while walking. It dawned on him. Oh.

🐈‍⬛Wonwoo

This might sound cheesy, but what better scenario to give to Wonwoo than him gaming? But seriously, you have zero knowledge of what game he's playing right now. You don't even know who the characters are, the mechanics of the game, or how it's even played. And yes, Wonwoo is aware of that all too well. And he knows another thing too: that in the middle of him ranting to you about another player who, quote and quote, "is a fucking menace to society! I would be ashamed if I was their mother. Such a disgrace child," he couldn't help but feel so supported and understood because you were there. Eagerly listening to him. Your evident expressions changed depending on Wonwoo's story. With that, he felt it.

🍚Woozi

It's no secret that Jihoon is a great music prod. It's also no secret that he basically lives in his studio now. Having a S/O was even a fantasy to think about but here you are. They thought that Woozi found a low-maintenance partner, but deep down, you just truly love and support him in whatever he does. That's why you were there for him on the night he was locked in to finish a song that was due the next day. Jihoon was basically done with all his to-do list, but something just wasn't sitting right for him. So, when he played you the songs while you both ate your Chinese takeaway, you suggested a lyric change. He thought his love for you was at its peak already, but being able to help him and achieve the satisfaction he's been longing for in the song, he's even more deeply in love with you (and also the other members because you helped make the song sound so much better).

⚔️Dokyeom

Lee Seokmin is an angel. Everyone knows that. This man always has surprises up his sleeve. He thinks you might get tired of his gestures with how long you two have been together. He just loves love-bombing you all the time, and he shows you that by surprising you. Surprising you with flowers, showing up at your office at random times, food deliveries at ungodly hours, surprise trips—anything you could think of, Seokmin has already given you. But every time he’s running out of ideas, he falls even deeper in love. Because with the effort he puts into his surprises, your reactions are always worth it. You would practically jump into his arms, cry out loud, take a picture of it, and hang it on your wall. So every time he looks at your “wall of Seokmin’s gifts,” he’s reminded that someone loves him just as much as he loves them. And that warms his heart.

🐶Mingyu

He's a photographer, director, filmmaker, and video editor. His favorite subject? You. As he was looking through his files one night, he couldn't help but notice (I mean it wasn't hard to notice at all) that every clip and every photo he had was mostly of you. Of course, some of them were of the boys, but they were either casual shots or social media posts. But yours? He couldn't help but look at his shots as masterpieces. His creativity soared through the roof. Kim Mingyu thinks he should he should be working a different career because of how great these are. There was one shot where he was the focus. You were in the background, watching him with a look that made his heart skip a beat. It was a look he knew well, one he often gave you.

🐸The8

Between you and Xu Minghao, let's admit it: He's the better cook. Not a single dish gets repeated in the household because of his culinary knowledge. So obviously, the way to his heart is a good meal. They just came back from tour. He chose to go straight home instead of attending the after-party, knowing you weren't there. He chose to be hidden in your arms and order some Chinese takeout instead. But that wasn't what surprised him when he arrived home. Instead, there was a full meal on the table, candlelit and mood lights, the finest china and tablecloth in sight. But something was missing, you. He saw you sleeping on your arm in the bar stool, your arm was probably numb by now. But you did all this for him. You'd gone to so much trouble for him, and it meant the world. Oh.

🍊Seungkwan

Everyone knows Boo Seungkwan's insecurities. Immature people would criticize him for this and that (but we all know it's not just Seungkwan who suffers from this). Even his members understand him. They would support and defend him in any way they can. But you, you were gentle and kind, and you know the truth. But once a comment really presses on an "issue" that isn't really in there, you would defend the fuck out of Seungkwan. And that's what he loves you the most. He would bet his life when someone dear to him was hurt, but when he's hurting, he forgets to fight back. "You don't need to change your nose, your laugh, your teeth. You don't need to change a thing, Boo," you'd assure him, your voice a soothing balm for him. "You're enough, just the way you are." And in that moment, he felt it.

🐼Vernon

Vernon is a simple man. Mans just want his sleep and jam. (Un)fortunately for him, you weren't simple. The way you would take care of him and make him feel loved was always extravagant. I think his "Oh" moment was seeing you asleep on his side of the bed. Coming home earlier than expected was supposed to be a surprise. He was probably the one caught off guard now. Not only were you sleeping on his side, but you were also wearing his favorite basketball shorts and sweatshirt. He was a simple man, and a simple gesture like that melted his heart.

🦦Dino

Lee Chan has maknae privileges in Seventeen. But when he’s home with you, he’s back to being the mature, caring, and fatherly (to your cat and dog) Lee Chan. He loves wrapping you in his arms, tangling you in his legs. His best days are just cuddling on the couch all day. You were both watching a drama on TV, lying on the couch in Chan’s arms. You were drifting in and out of sleep but really trying to stay awake because you knew how much Dino had been waiting for this episode to come out and he liked to watch it with you. He looked down at you, a soft smile playing on his lips. Your effort, though small, meant the world to him. Oh.

[nazrigar]

Beast Fables - Megafauna of the Continents Part 2.

Part 2 of jotting down the great Megafauna of my Beast Fables setting, featuring the regions of Samudria and Ifranika.

Samudria is essentially Fantasy Southeast Asia and Oceana, and all the island critters that essentially call it home. Because of this, evolution takes a lot of turns, including here in a (relatively) low fantasy setting.

Ifranika meanwhile is a continent filled to the brim with Megafauna, from giant birds to the very last Deinotheres. However, it's also a lesson in that, just because it's a fantastical setting, doesn't mean all the animals above are thriving. The raketusk elephant (Deinotherium), is not only the last of its genus and line, but dwindling in numbers.

[coralinnii]

Hello Coral~~💖💖✨✨ Congrats on your 2.7k Milestone 💐🎂✨ Like many others, I love your villainess au and happy that many people is supporting it ✨✨ For the event request, I have some brain rots about Sebek Silver Malleus being in a friendly culture (maybe theyre visiting Yuu's hometown and its really welcoming like the people from Kalim's Hometown)!! they refer to them as like their family, gifts them foods the very moment they visited, and not bothered that theyre faes since they know theyre just creatures who protects nature~ i think its a nice culture shock for them considering how secluded and proper briar valley is ✨

‧₊˚✧ It Takes a Village‧₊˚✧ 

↳ Getting Culture Shock from Your Hometown

feat: Sebek ❋ Silver ❋ Malleus genre: fluff, note: no pronouns were used for reader, established relationships, set before Book 7 (mostly because I haven’t finished it yet),

A lot of the scenarios are inspired and modeled after my experiences growing up, which is very Southeast Asia-coded. So, I apologise if this is not actually how you envision. Hope you still enjoy, though. 

similar post: Getting Culture Shock from your Friendly Family (Sebek, Silver, Malleus)

2.7K Followers Writing Event 2023

You’d be absolutely evil if you didn’t even try to warn your uptight boyfriend. I’d love you for that  

Sebek has finally found his match as his own voice gets drowned out by the boisterous market vendors and customers, but he’s more surprised by the forward way everyone seems to address each other. 

“Sir, it’s a pleasure to meet you, I’m-” 

“Sebek, he’s not really my uncle. We call everyone that.” 

You would have to keep Sebek on tight hold because he’s a gullible green bean. The freshman burns in embarrassment at every “handsome boy” or “strong guy” comment calling out for his attention. He won’t lie, his ego is inflated quite a bit but it’s still strange to hear someone other than you call him that. 

On the other hand, he’s not too sure how to feel when vendors of all ages were calling out to you the same way. You may be used to it but Sebek isn’t, especially if he’s not used to calling you beautiful or cute himself yet. 

But, he could take this as a challenge to improve himself. For every compliment they give, he’ll give you tenfold. This he swears!

To your luck, it seems that the market the two of you were visiting was hosting a mini concert as music and lights filled a well-known open space near the market. 

Visitors and locals young and old surrounded the space, either resting while eating their confections or grooving to the catchy tune of the music blasting through the speakers. 

Then, a particularly famous song began to play, and Sebek flinched as the crowd suddenly burst in excited cheers and laughter, you included. Many women and men jumped to their feet, with some confidently running to the center of the space. You jumped to your feet as they did, but you chose to stand close to your confused boyfriend. 

Sebek’s expression was a comedic masterpiece as he watched you and many others start this synchronized sequence of silly movement, identical to the minor beat. Those who didn’t join were still clapping in unison while joyously laughing. 

What sort of local ritual was this? 

The synchronous dance was short lived, and soon people were divided into those who resumed their previous activity or continued swaying to the melody. 

You fell into the latter category, even reaching to Sebek hoping to persuade him to join you. 

Sebek was shocked and a little offended. He was a man of great honor and pride. He’d rather be caught dead than to devolve himself to this undignified manner of dance, if you could even call it so. No, he would never stoop so low, even if the string lights gave off this tempting glow around you, your soft hand still reaching out to him while you looked at him so lovingly… 

Well, the knight-in-training thought he could allow such exceptions once in a while, especially when you smiled so beautifully when he joined you on the dance floor. 

Don’t let Sebek know, but he became sort of a local online sensation as someone slyly took a video of him smiling so softly at you after putting on such a grumpy persona. 

Every reshare of this video was always paired with the caption, “Scary man turns into puppy for his lover”  

See, you can’t tell if your community is being especially friendly, or maybe it’s just that the beautiful young man next to you is just too irresistible to ignore. 

All the chatty aunties were cooing over Silver and even the laid-back uncles sitting around were praising the cut of Silver’s muscular figure. 

But, you won’t say anything because you just wanted Silver to smile and bask in the well-deserved praises. 

“The locals here are quite friendly to strangers like me, even offering small treats.” 

“Mhm, they sure are.” 

Silver is amazed by the seamless blend of close bonds and community from what he sees. Customers casually chatting with workers as children run around without worries in this homely environment. 

In comparison to them, Silver felt a little inadequate as he couldn’t express himself as openly as the locals do so easily. 

But maybe because they’re so open with everyone, he feels this sense of safety to try. 

“So you’re not from around here, are you?” The kind woman asked the silver-haired man as her fingers deftly package and wrap some snacks you two picked out to share with others back in NRC. 

“No, I’m actually from Briar Valley.” 

“Hmm, that’s the fae kingdom, right?” The woman’s curiosity peaked. “Are you fae, then? I couldn’t tell.” 

“Well no, I’m human. I was adopted by my father who’s from Briar Valley.” 

“Just him? No one else?” The store owner asked without looking at Silver once, instead moving back and forth to get things done behind the counter, but her attention was still locked on him.

“There were a few others I grew up with, but my father was the one who raised me” 

It was only then when the busy woman slowed down a smidge, pausing for a moment before untying the bag that held your snacks. You watched her tossed a few more small packets of snacks near her counter. 

“These are very popular, share them with your father.” She looked sternly into your boyfriend’s iridescent eyes, the first time in a while since you’ve been in the store. “Make sure to visit him, okay?” 

Silver wanted to protest, to correct the misunderstanding. The snacks the two of you picked out already included some for Lilia and he couldn’t possibly ask for more without paying. 

It was up to you to intervene. “Just give up, Silver. You can’t change a woman’s mind.” 

The store owner nodded. “Listen to the smart one. Just take it, I insist.” 

With a sliver of guilt but a lot of warmth, Silver eventually accepted the kind woman’s offering before leaving the establishment. 

What Silver didn’t see however, was you sneaking a few snacks and a drink onto the counter with adequate fare tucked underneath. You shared a look with the store owner before leaving, playfully staring her down to not to refuse your offering. 

The store owner let out a laugh, thinking what a cute couple you were. 

Regardless of wherever he goes, Malleus sticks out like a sore thumb, a very intimidating sore thumb. 

Eyes naturally glance at him with curiosity throughout the market, amazed by the regal figure walking around, like a celebrity strolling around the local areas. 

If your hometown speaks another language, some of the market vendors would tell you not-so sneakily how attractive your lover was while Malleus was none the wiser.

But, as curious as the humans were, they were quick to accept him as is, which shocked the fair-skinned fae. It wasn’t as though he was being avoided or judged, but rather the community took him and his inhuman appearance as typical. Undaunted by anything, the nosy sellers would joke and compliment him like any other walking around here. 

“What a handsome fae you are, you can be a model!” “And tall! He can reach the top of our tent, haha!”

Malleus can tell his horns and ears are eye-catching to say the least, but everyone was quick to grow accustomed to his features, even warning him to watch his head should he bump into anything in this crowded alley. 

“Are those with my features a common prevalence in your homeland?” 

“No, you’re a rarity around here. But that doesn't mean you don’t belong here any less.” 

“Ah, so this is how a beautiful soul is cultivated,” Malleus thought, gazing softly as you and a kind merchant searched around the store for a shirt that could fit the future king.

The day was setting, and you and Malleus decided to rest at a popular park that was famous for its view of the town. You weren’t alone as both locals and visitors filled the space, either resting or making memories with their friends and families. 

Then, you heard a whisper from a timid voice behind the two of you. 

“Um, mister.” You turned around to see some local children looking curiously at Malleus. 

“Are you fae?” The eldest boy spoke first, nervously clutching his jacket. 

When Malleus calmly responded in affirmation, the other children lit up with excited smiles. 

“You’re super tall, taller than my dad!” Another child exclaimed, “Are all fae tall like you?” 

Malleus smirked rather haughtily. “Very few others, fae or otherwise, stand on par to myself.”

”I’m the tallest in my class!” The eldest boy blurted out, even puffing his chest and slightly leaning on his toes. “It’s because I drink my milk everyday. Do you drink milk?” 

You abruptly nudged your lover before intervening. “Yes he does, which is why you need to drink milk and other healthy food to keep growing.” 

A little girl, hidden behind the first two children, spoke out. “How long is your hair? My hair is really long too!” 

She pushed her long braided hair to the front, comparing her neatly combed hair to Malleus’s direction. 

“Your hair is quite long indeed, perhaps matching mine in length at first glance.” Malleus commented back, amused by the children’s competitive nature. 

After sharing all of their thoughts, the curious children finally left when their guardians called them back, waving at the two of you before running out of sight. Now free, Malleus looked to you with curiosity of his own gleaming in his striking green eyes. 

“The offspring of this land are inquisitive as they are fearless,” Malleus smiled in your direction. “I wonder if all children hailed from here shared these traits.” 

Were you like them as a child? 

You picked up on his unspoken question and replied with a cheeky expression. “Wouldn’t you like to know~” 

Would he? Would he like to know if you were the type to run around so carefree and see the world with such interest and curiosity. If your future children would be like those endearing little ones just now…

Yes, he would.

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

[louisupdates]

INTERVIEW: Lottie Tomlinson: we lost our mum and sister. Louis saved me

At the age of 20, the sister of One Direction singer Louis had already lost her mother, Johannah, and sister Félicité. Now 25, the social media star has written a book about how they coped

Alice Thomson | Tuesday July 23 2024, 5.00pm BST, The Times

Losing Mum was so hard. I was only a teenager but at least I knew that her death was a possibility, even though she didn’t accept it. She was 47 and had cancer. But when my sister died three years later, I was on this hotel balcony in Bali and I was screaming, ‘No, my baby sister, no.’ The pain was indescribable. I kept thinking, ‘Why me? This can’t be happening again. When is this going to end?’ ”

We are sitting on Lottie Tomlinson’s immaculate white sofa in her pristine white house in Chislehurst, southeast London, where she is curled up in tiny shorts with a perfect tan and impeccably applied make-up. But her French manicured nails are digging so hard into the sofa I think they might snap, the heart tattoo on her minuscule wrist is throbbing and her eyelashes are clogged with tears.

Her life sounds blessed. The influencer has 4.8 million Instagram followers waiting for her to dispense advice on how to apply mascara; the fake tan brand, Tanologist, that she launched at 19 has gone global; and she has a devoted fiancé, Lewis Burton, who runs a luxury concierge business and whose former girlfriend was the late Caroline Flack. They have an adorable son called Lucky, who is dripping ice cream on her marble counters. Her new book is also called Lucky Girl; her older brother is Louis Tomlinson of One Direction and she was touring the world with the band as a make-up artist at 16.

But after her mother died when she was 18, Tomlinson was left looking after her younger sister and two sets of twin siblings, aged eight and two, while creating her businesses, and trying to process her grief. Her father had left their home in Doncaster years before after a battle with alcohol. “Dad had a drinking problem. We’d see glimpses of his good side but he let us down,” she says. “I ended up trying to take care of him rather than the other way round.”

When her mother died, life felt bleak, “I lost the one person who loved me unconditionally, and then when my sister Fizz [Félicité] died of an accidental overdose, I thought I could never be happy again,” she says. “I found the lead-up to Mother’s Day devastating without my sister as well. It was a constant reminder that I was now different from my friends. In my dreams, my mum was still there; she was alive. I woke up feeling comforted, only to realise that she’d gone.”

Tomlinson, who is now 25 and a patron of the bereavement charity Sue Ryder, moves easily between telling you how to apply the best tan and how to talk about death. She cares passionately about both subjects and takes them equally seriously, worried that I’ve never tried a bronzer or used foundation before asking how I coped when my mother died during the pandemic. Her soft Yorkshire accent is both reassuring and no-nonsense.

Born near Doncaster, she was only two when Fizz was born and six when the first twins arrived. “I’ve always been the big sister — Fizz and I each got one and then more twins six years later.” While Louis had his own space, the girls all shared one room with bunk beds. “It was chaos, but my mum, Johannah, was a midwife and loved being pregnant and having so many babies,” she explains. “I used to be in awe of the way she could feed the twins at once, one on each hip. She would do the night shifts, while I held the fort at home.”

Within a few years, Tomlinson would be touring America, Asia and Europe, flying first class with Louis, part of the biggest boy band in the world, but until she was 15, the family had only ever gone to France once a year all packed into a seven-seater car, with her mother’s new partner, snacks laid out in the middle. They stayed in a caravan park. On a Sunday, a treat was to go to their mother’s hospital to see the babies.

While Louis just wanted to sing, play the guitar and listen to Oasis, the girls were obsessed with make-up. “From the age of 12, I struggled academically, but I loved cropped clothes and my mum’s highlighters and mascaras.” She learnt how to apply everything from YouTube tutorials, rather than doing algebra. “We didn’t have much money — we sometimes couldn’t afford to top up the electricity meter so used candles — but everything my mum earned she spent on us. We all looked immaculate — I remember her being horrified when I dyed my hair orange. So it was lovely later when we could treat her.”

Saturday nights were spent watching The X Factor. “My mother and brother kept applying; in 2010, he got in and the whole family went for the audition. We believed in him, but we never thought it would go that far.” One day the family were going to the live shows, the next the boy band was formed with Harry Styles, Zayn Malik, Niall Horan and Liam Payne. “He was 18. For my mum it was a big shock. It was all so sudden. The press and fans were in our front garden every day.”

The older twins had already made their first TV appearances — they sound like Doncaster’s Von Trapps. “My mother was gently pushy,” Tomlinson says, smiling at the thought. “When I didn’t get good enough GCSEs to stay at school, she sent me off to join Louis on tour as work experience. I was so scared. I remember her ringing up Lou [Teasdale], their hair and make-up artist, and saying, ‘Lottie has not got through to sixth form; she’s going to come and assist you.’ I was in the car going, ‘No, please don’t.’ But it ended up being the best thing that happened to me. I went for a week and stayed two years. Lou and I are still so close.”

Suddenly, the two eldest Tomlinson children were circling the world, eating room service and ducking the paparazzi hanging out of helicopters taking snaps. “At first Louis didn’t really want his little sister gate crashing his new rock-star life, but now it feels like the best time of our lives — we experienced that craziness together,” she says.

The teenage Tomlinson found it harder to cope with being photographed wherever she went. “I had some puppy fat which made me very self-aware, and the filler culture was coming in and I felt I had to look perfect.” She had her lips done first at 17. “Then I became addicted: cheek filler, jaw filler, more make-up, blonder hair, slimmer and more tanned. My mum thought I looked perfect, but I was always searching.”

Five years later, when she became pregnant with Lucky and her lips started to swell and crack, she realised she didn’t need the enhancements any more. “I had everything removed, the false eyelashes too. It was liberating.” She kept her boob job, however. “That was just enhancement,” she says laughing. “The rest radically changed the way I looked. My breasts also got huge when I was pregnant and it was a bit painful. But I still breastfed. I loved carrying my child. I felt fantastic even when I was sick and exhausted.”

She leans forward, wraps her bronzed arms around her stomach and whispers, “I am pregnant again. We don’t know yet if it’s a boy or girl. It’s only 13 weeks, so this is the first time I’ve said it publicly. I think I want a big family. I loved having Lucky but after a year I wanted to give him siblings.”

Tomlinson’s influencer career began once she established herself on tour. Soon everything she did, even dying her roots rainbow-coloured, went viral and fashion companies from Asos to Dior wanted in on it. “I was just going for it. I couldn’t believe the money I was making and spending — money I didn’t know existed as a child.”

Then suddenly her mum came home from holiday with flu. “She didn’t want to get out of bed. The doctors quite quickly told her she had leukaemia and she went straight to London for treatment. It all happened so fast. I remember being in London at work and getting a call from her partner — she couldn’t say the words herself, it was too hard for her.” The family were told it was treatable. “We kept so much hope.”

Her mother asked the family to keep her illness secret. “It was hard because you feel so isolated, but I understood. Louis was in the public eye and she didn’t want him questioned. She was determined to fight it and didn’t want everyone pitying her. My friends noticed I was acting differently for a few months. But I wanted to respect her wishes. It was her one request.”

She also dropped everything to go back to Doncaster to help her grandparents with the twins. “The younger ones were two and I wanted to keep everything as normal as possible. I can’t imagine what my mum was feeling leaving her kids to go to hospital.

“I would take them down and treasure seeing her — we tried to keep it light, no serious conversation. The only way Mum could cope was to keep it normal. Then, when the doctors said the transfusions hadn’t worked, she came home to die.”

Tomlinson tries to sound matter-of-fact. “We went to see her in hospital in Sheffield and the next morning we woke up and were told she had died. We felt numb. We didn’t know what to do with ourselves. Now I am involved with the Sue Ryder charity, I am surprised we were offered no support or counselling at all, from the GP, the teachers, the professionals. They all kept away.” Her nan and grandad picked up the pieces.

It’s not surprising she can’t remember the funeral. “I just remember getting really drunk to numb the pain. I couldn’t come to terms with it. I can’t even remember how we organised it. My instinct was to take over as the eldest girl and step into my mum’s shoes so that is what I did.” Meanwhile, her older brother, who was launching his solo career, ensured there was enough money. “He’s incredibly generous. We looked after each other.”

Tomlinson returned to London months later, after her grandmother said she needed to become a role model for her siblings. Her younger sister Fizz worried her most. “She was very academic — she got straight A’s without trying — but she always said she felt different. She was bottling her grief for so long; it was too much and made her turn to other things. I think Mum’s death destroyed her. Only my mum seemed to understand her. If she had been offered some help at the start, things might have been different.”

Meanwhile, Tomlinson’s self-tanning brand was soon being sold in Los Angeles, New York and Australia, while her own fanbase grew; she hardly ever needed to pay for drinks, meals or holidays. However, she finds the term influencer obnoxious. “I don’t want to act like I tell people what to do. I am more of a content creator,” she explains. “I get paid by brands to create content for their clothes or beauty products and promote that to my followers. I also wanted my own business. I was quite aware that, at the end of the day, I was just working with an app. That’s why I started Tanologist with my business partner. I was always using tanning treatments that would end up turning my sheets orange and my face would break out in spots — this is more natural.”

Louis was also forging his career as a solo artist, eventually creating the song Two of Us about his mother’s death. “We were always so proud of Louis and what he was doing. We were not going to match up to being a global superstar, but we didn’t want to — ‘successful’ looks different for everyone,” she says.

But her sister Fizz was slipping and struggling. “She was old enough to do what she wanted at 19; she was partying and taking stuff to numb everything. She did go into rehab but to me it didn’t feel like an addiction problem, but a way to blank out her grief.” When Tomlinson was invited to Bali, she asked Fizz whether she wanted her to stay behind. “She said she was OK, and then it happened while I was away,” she says. (Fizz accidentally overdosed on cocaine, an anxiety drug and painkillers, her inquest found.) “Louis called me…” She stops talking.

The shock of a second death must have been devastating. She doesn’t speak for a minute while she twists her huge diamond engagement ring. “We weren’t mentally prepared,” she eventually says. “I can’t even remember if the two funerals were in the same church. I think grief has affected my memory a lot and that’s quite common. Grief is such a powerful emotion; it takes up a lot of your brain.”

Five years later, she now knows how to remain positive. “I had an amazing mum for 18 years. I have the most amazing family, my little boy and my career, and that is because of her. The same with Fizz — I had an amazing sister. It’s heartbreaking they aren’t with us any more, but they are together and they are looking out for me,” she says, sounding as though she is repeating a mantra.

Having a baby made her feel closer to them both. “He was a boy — it’s funny, he actually looks a lot like Louis did — and I thought, this is what my mother must have felt. But then I had so many questions I couldn’t ask, even more because she was a midwife.”

Her biggest problem was her terror that something terrible would happen to her son. “I became fixated [on the idea that] something bad would happen to him, so I couldn’t sleep. You go to the worst-case scenario, because that’s happened to you twice, to two of the closest people in your life. I couldn’t turn the lights off at night; I needed to see him all the time. Luckily, it calmed down quite quickly.”

We are still flitting between her story and advice on make-up, exercise and clothes.

“I like sharing advice. If a child lost their mother, I would say there is no magic answer. But the point of this book is to show that you can have tragic things happen and still keep going.”

What would the 25-year-old now say to her younger self, struggling at her second funeral at the age of 20? “I would say, ‘You are going to be OK; you will live a nice life.’ I didn’t think I could. I thought this will be a really sad, lonely life without my mum and sister. I wouldn’t have believed then that I could be happy again. But it would have been nice to hear.”

Lucky Girl by Lottie Tomlinson (Bonnier, £22). To order a copy go to timesbookshop.co.uk. Free UK standard P&P on orders over £25. Special discount available for Times+ members

[tinylongwing]

I'm super excited about the upcoming board game Nature by NorthStar Games! I've already shown some teasers, but here's the original art for the cover of the Flight expansion set, now in better resolution than what I could show off before.

The cards focus on the birds of Nepal through Vietnam! The bird on the cover art is an Indochinese Green-Magpie, Cissa hypoleuca, an incredibly colorful relative of the crows, jays, and magpies, from Southeast Asia.

[zenodotus-xxiv]

Sick of the Moo Deng '''""'discourse'''""' on this site. Khao Kheow Zoo is an internationally accreddited organization and one of the best zoos in southeast Asia. Moo Deng and her family are being cared for by experts in their field and are INCREDIBLY IMPORTANT animals, given that pygmy hippos are an endangered species suffering from poaching and habitat destruction. She is played with and handled for about an hour or two a day by a zoologist who is an expert on specifically pygmy hippos and their behavior, who looked after her mother and brother at Khao Kheow zoo as well. She lives in a large, lush enclosure with security to make sure she isn't bothered by the guests, and they handle her so they can make sure she is not injured or ill. If Moo Deng didn't want to be handled, she could very easily go off into the river or hang out with her mother.

Khao Kheow zoo is funded by visitors who are permitted to buy feed to give to a select few of the animals, all of whom are looked after by vetinarians and zoologists. Moo Deng doesn't get fed by visitors. She spends literally all day lounging and sleeping in her river with her mom, except for when she is played with and in the middle of the night when she is most active.

If you don't believe that she is ahppy and healthy and being kept in a suitable environment, (because you believe you know more about the body language and needs of a rare hippo than Literal Experts In Their Field,) you can watch her livestream below on the cameras they set up to keep her safe and surveilled to prevent visitors from disturbing her.

TL;DR, Moo Deng is being treated very well and Khao Kheow zoo is a great place for her to live, and anyone saying otherwise is 1. Misinformed 2. Racist or 3. PETA people who have no damn clue what conservation entails.

[dromaeo-sauridae]

big cave post

you like caves? no? im showing you anyway. you hear cave and probably think of like, a video game cave. maybe a minecraft cave with axolotls? while i have my gripes with axolotls in caves, this is about the caves themselves. so here, lets get started:

number 1, lod cave in thailand. now, i could do a whole posts about JUST caves in thailand, but here's your first taste of caves from this area. this is a karst cave, formed by water trickling through soluble rock like limestone. it's what most of the caves on this list are going to be. it's one of the most common types of caves. if you've been inside a cave, it was probably a karst. very cool! i particularly enjoy the man shaped stalagmite in the middle (joke, thats just a real guy)

number 2, ellison's cave in georgia, usa. featuring a drop over a thousand feet deep, this one is pretty high on my bucket list. this is what's called a chute, formed by waterfalls cascading downwards. not recommended for people with a fear of heights! if you watch jacon geller, youve probably heard of this type of formation when he talked about krubera (not on this list, sadly)

number 3, mammoth cave in kentucky, usa. one i've been to! mammoth is the longest cave system in the ENTIRE world, that we know of. another one the jacob geller fans are familiar with. i would love to go back someday, pictures dont convey the magnitude of this place. they also used to host church services in here. well worth the visit

number 4, han son doong in vietnam. the LARGEST cave in the world! wait, didnt i already list that? nope, while mammoth is the longest and is massive in its own right, son doong trumps it by having a ceiling 660 feet (200 meters) high. it has stalagmites the size of skyscrapers. its one of the many caves in southeast asia to have its own rainforest system. a bit of a hike to get there, but another i desperately want to visit someday.

number 5, fingal's cave in scotland. though not record setting, its one youve probably seen before. or, maybe my perspective has been skewed as someone who looks at a LOT of caves. ive seen this exact picture more times than i can count. its a sea cave formed from our good friend columnar basalt. upon further research, apparently its also known for its natural acoustics. the more you know!

number 6, grotta azurra in capri. that photo isnt edited! only accessible by boat (and laying flat on your back to get through the entrance) this place looks ridiculously magical. i dont really have much to say about this one, i just think its really cool.

number 7, domica cave in slovakia. this one was brought to my attention by an anonymous asker (if youre still here hi) and i am in love with it. just an absolutely gorgeous cave with some of the most beautiful formations ive ever seen. just look at it! augh! the tiered pools arent something ive seen in any of the caves ive been to and theyre captivating. i love caves.

number 8, ending it off with a bang. here's the gloup.

[makapatag]

🪷PEACE AND LOVE USED LIKE A BLADE WILL CONQUER⚔️

If you haven't yet, you can try out the Martial Epic Fantasy Tabletop RPG skewered through by Southeast Asian story and lore GUBAT BANWA for free with the quickstart! A fantasy take on what a Southeast Asia looked like before the rise of modern borders and categorization!

GUBAT BANWA'S FREE QUICKSTART and MUSANGHARI, a GUBAT BANWA MODULE have both been updated. Want easy ways to get into Gubat Banwa's system and setting? Check them out!

Quickstart:

Musanghari on Itch

Musanghari on DrivethruRPG: https://www.drivethrurpg.com/product/422021/Musanghari

Additionally the game has been given a Patch 1

I always say that I can only personally reckon with these things, Southeast Asian past, directly through Fantasy because so much of is it lost to us and it is a false venture to found a National Consciousness from Pre-colonial Cultural Artifact so Gubat Banwa is a violent revelry of the things we've lost and the things we know we've lost, the connections removed to us, the similarities severed through borderline and empire. Everyone is welcome to join the feast! Also we should be having our Backerkit set up pretty soon!

[fatehbaz]

About the entanglement of "science" and Empire. About geographic imaginaries. About how Empire appeals to and encourages children to participate in these scripts.

Was checking out this recent thing, from scavengedluxury's beloved series of posts looking at the archive of the Budapest Municipal Photography Company.

The caption reads: "Toys and board games, 1940."

And I think the text on the game-box in the back says something like "the whole world is yours", maybe?

(The use of appeals to science/progress in imperial narratives probably already well-known to many, especially for those familiar with Victorian era, Edwardian era, Gilded Age, early twentieth century, etc., in US and Europe.)

And was struck, because I had also recently gone looking through nemfrog's posts about the often-strange imagery of children's material in late nineteenth- and early twentieth-century US/Europe. And was disturbed/intrigued by this thing:

Caption here reads: "Game Board. Walter Mittelholzer's flight over Africa. [...] 1931. Commemorative game board map of Africa for a promotional game published for the N*stle Company, for tracking the trip of Walter Mittelholzer across Africa, the first pilot to fly a north-south route."

Hmm.

"Africa is for your consumption and pleasure! A special game celebrating German achievement, brought to you by the N*stle Company!"

1930s-era German national aspirations in Africa. A company which, in the preceding decade, had shifted focus to expand its cacao production (which would be dependent on tropical plantations). Adventure, excitement, knowledge, science, engineering prowess, etc. For kids!

Another, from a couple decades earlier, this time British.

Caption reads: "The "World's globe circler." A game board based on Nellie Bly's travels. 1890." At center, a trumpet, and a proclamation: "ALL RECORDS BROKEN".

Same year that the United States "closed the frontier" and conquered "the Wild West" (the massacre at Wounded Knee happened in December 1890). A couple years later, the US annexed Hawai'i; by decade's end, the US military was in both Cuba and the Philippines. The Scramble for Africa was taking place. At the time, Britain especially already had a culture of "travel writing" or "travel fiction" or whatever we want to call it, wherein domestic residents of the metropole back home could read about travel, tourism, expeditions, adventures, etc. on the peripheries of the Empire. Concurrent with the advent of popular novels, magazines, mass-market print media, etc. Intrepid explorers rescuing Indigenous peoples from their own backwardness. Many tales of exotic allure set in South Asia. Heroic white hunters taking down scary tigers. Elegant Englishwomen sipping tea in the shade of an umbrella, giggling at the elephants, the local customs, the strange sights. Orientalism, tropicality, othering.

I'd lately been looking at a lot of work on race/racism and imperative-of-empire in British scientific and pop-sci literature, especially involving South and Southeast Asia. (From scholars like Varun Sharma, Rohan Deb Roy, Ezra Rashkow, Jonathan Saha, Pratik Chakrabarti.) But I'd also lately been looking at Mashid Mayar's work, which I think closely suits this kinda thing with the board games. Some of her publications:

"From Tools to Toys: American Dissected Maps and Geographic Knowledge at the Turn of the Twentieth Century". In: Knowledge Landscapes North America, edited by Kloeckner et al., 2016.

"What on Earth! Slated Globes, School Geography and Imperial Pedagogy". European Journal of American Studies 16, number 3, Summer 2020.

Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire, 2022.

Discussing her book, Mayar was interviewed by LA Review of Books in 2022. She says:

[Quote.] Growing up at the turn of the 20th century, for many American children, also meant learning to view the world through the lens of "home geography." [...] [T]hey inevitably responded to the transnational whims of an empire that had stretched its dominion across the globe [recent forays into Panama, Cuba, Hawai'i, the Philippines] [...]. [W]hite, well-to-do, literate American children [...] learned how to identify and imagine “homes” on the map of the world. [...] [T]he cognitive maps children developed, to which we have access through the scant archival records they left behind (i.e., geographical puzzles they designed and printed in juvenile periodicals) [...] mixed nativism and the logic of colonization with playful, appropriative scalar confusion, and an intimate, often unquestioned sense of belonging to the global expanse of an empire [...]. Dissected maps - that is, maps mounted on cardboard or wood and then cut into smaller pieces that children were to put back together - are a generative example of the ways imperial pedagogy [...] found its place outside formal education, in children's lives outside the classroom. [...] [W]ell before having been adopted as playthings in the United States, dissected maps had been designed to entertain and teach the children of King George III about the global spatial affairs of the British Empire. […] [J]uvenile periodicals of the time printed child-made geographical puzzles [...]. [I]t was their assumption that "(un)charted," non-American spaces (both inside and outside the national borders) sought legibility as potential homes, [...] and that, if they did not do so, they were bound to recede into ruin/"savagery," meaning that it would become the colonizers' responsibility/burden to "restore" them [...]. [E]mpires learn from and owe to childhood in their attempts at survival and growth over generations [...]. [These] "multigenerational power constellations" [...] survived, by making accessible pedagogical scripts that children of the white and wealthy could learn from and appropriate as times changed [...]. [End quote.] Source: Words of Mashid Mayar, as transcribed in an interviewed conducted and published by M. Buna. "Children's Maps of the American Empire: A Conversation with Mashid Mayar". LA Review of Books. 11 July 2022.

Some other stuff I was recently looking at, specifically about European (especially German) geographic imaginaries of globe-as-playground:

The Play World: Toys, Texts, and the Transatlantic German Childhood (Patricia Anne Simpson, 2020) /// "19th-Century Board Game Offers a Tour of the German Colonies" (Sarah Zabrodski, 2016) /// Advertising Empire: Race and Visual Culture in Imperial Germany (David Ciarlo, 2011) /// Learning Empire: Globalization and the German Quest for World Status, 1875-1919 (Erik Grimmer-Solem, 2019) /// “Ruling Africa: Science as Sovereignty in the German Colonial Empire and Its Aftermath” (Andrew Zimmerman. In: German Colonialism in a Global Age, 2014) /// "Exotic Education: Writing Empire for German Boys and Girls, 1884-1914". (Jeffrey Bowersox. In: German Colonialism and National Identity, 2017) /// Raising Germans in the Age of Empire: Youth and Colonial Culture, 1871-1914 (Jeff Bowersox, 2013) /// "[Translation:] (Educating Modernism: A Trade-Specific Portrait of the German Toy Industry in the Developing Mass-Market Society)" (Heike Hoffmann, PhD dissertation, Tubingen, 2000) /// Home and Harem: Nature, Gender, Empire, and the Cultures of Travel (Inderpal Grewal, 1996) /// "'Le rix d'Indochine' at the French Table: Representation of Food, Race and the Vietnamese in a Colonial-Era Board Game" (Elizabeth Collins, 2021) /// "The Beast in a Box: Playing with Empire in Early Nineteenth-Century Britain" (Romita Ray, 2006) /// Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (Mary Flanagan and Mikael Jakobsson, 2023)

[abbyfmc]

Yandere Emperor! x Opera artist! reader Headcanons:

Warning: I will use the Chinese imperial harem system, plus it will be set in a kind of forbidden city (yes, I have seen Chinese palace dramas, XD). Topics to talk about: Mention of kidnapping, abuse, possible manipulation and murder. Although I use elements of ancient China or imperial Asia, I am not describing any emperor in particular; instead, I'm making up my own.

Enjoy it!

1. Yan Li was about 29 years old when he became emperor, and at that time he had an empress whom he loved very much, but she died in childbirth with the first prince due to her poor health, and from then on he became very sad and depressed.

2. You were a beautiful street opera artist who sang and danced at different events. You ran away from home after your noble parents planned to marry you to a man of not very good intentions.

3. You suffered a lot the first few years, but slowly you gained a group of artist friends, and among them is this girl from a humble class named Lili.

4. On the other hand, you had met a young blacksmith named Zhou, with whom you had a secret romance, which only Lili knew about. You and Lili had become confidants.

5. Due to your escape from home, you were also able to avoid the mandatory imperial selection for a long time. In this selection, girls from certain clans were taken to the palace to be selected to be consorts or concubines of the emperor or princes present.

6. You had lived happy and free, without problems until that fateful day…

7. Yan Li's mother, the Empress Dowager, saw how depressed her son was, so she convinced him to organize a trip to the southeast of the country to distract himself, and after a while, Yan Li agreed. After this, the townspeople and ministers organized all kinds of spectacles for Yan Li's arrival.

8. You and your group of artists were hired for those shows, and you were the main actress, not knowing that that would put you in hell.

9. When he arrived at the town where you were, everything started well until the show started and you started acting, dancing and singing. He was captivated by your beauty and your voice, a quality that his wife also had.

10. For him, it was like seeing his wife back. He watched you do similar dance moves, and he remembered his wife doing these same dances for him in the past.

11. He was very impressed with you, which made him come to the conclusion that he wanted to have you.

12. After the performance, you sensed that something was wrong, so you told Lili and your group, and then fled through the darkness of the night to a neighboring town.

13. Yan Li finally set out to find out about you and your whereabouts, and was not at all amused to find out that you were gone.

14. You began to flee with your group of friends from Yan Li's clutches, and you even met with your beloved Zhou and told him about your situation. Yan Li on the other hand, was already getting impatient for not finding you, so he gave the following order:

--Look everywhere for her, and if anyone is hiding, kill them and bring her to me!-- 15. The guards questioned each villager to find out about you, and thanks to that you were located and caught trying to escape with your friends at night.

16. Yan Li walked up to the scene, walking with a smile as his men captured you and your friends. You were very scared; Yan Li holds your face lightly by your chin, making you look at his face. Seeing the situation you put your friends in, you began to beg for their lives.

17. --I…I will surrender to you, but please let them live, your majesty-- You begged Yan Li. He was surprised that you didn't resist him, so he just ordered them to put you in his carriage. Lili tried to do or say something, but Yan Li told her to stay out of all this.

18. Yan Li had you put into his carriage and tied your wrists and ankles and then Yan Li got in, sitting next to you and that's how he ended up taking you to the palace.

19. He talked to you the whole way and although he seemed kind, it didn't take away your fear of what he might do to you. Basically when you arrived at the palace he locked you in a palace that he had prepared just for you.

20. After investigating your past, he discovered your bad relationship with your parents and what you did after running away from home. You seemed magnificent to him and in a way… bold and brave.

21. When he let your parents know that you would be his consort from now on, they agreed. You weren't expecting anything good from them, but this last one definitely hurt you, since they sold you to him just like that.

22. The wedding took place, and Yan Li conferred on you the imperial title of "Noble Lady", and immediately had your green label prepared. The green labels are labels that contained the names or imperial titles of an emperor's consorts, which turned the label of the concubine with whom he wished to sleep.

23. Yan Li spent his free time with you and explained to you personally what things were like in the palace, something he had not done with any other woman, in addition to emphasizing that he would take care of you and love you.

24. When your green tag was ready, Yan Li immediately turned it over and sent word that you would sleep with him that same night. He sent for you with eunuchs and everything. When you were locked in his room, you were wearing fine silk pajamas that Yan Li loved. It was a beautiful dream to see you like this; you wanted to run, but he held your hand tightly, reminding you of what he was capable of doing to your friends, innocent people, and possibly your loved one, so you ended up submitting to him.

25. He did this every time he wanted to get you pregnant, which is why you ended up having six children with him; four princes and two princesses, while your first son, the "third prince" was the eldest of all the princes. You had to rise through the ranks and use Yan Li's hands to protect yourself and your children from palace intrigues.

26. Thanks to Yan Li, you have gone through the following ranks: Noble Lady, Imperial Concubine, Consort, Noble Consort and so on until you reach the empress.

-End of part 1. Have a good night :3

[maquet591]

We need to talk about the Watcher "fans".

These are the top comments on Shane’s IG post. Just look at the number of likes.

“Steven Lim is a greedy, manipulative evil CEO that twists his white co-founder's hands and forces the said co-founder into his will!!!” – this narrative is being prevalent in this fandom since April 19. People harassed him all across social media on every platform. People wrote nasty comments not only to his social media accounts but also to his wife and friends.

People made a Change.org hilariously dumb petitions to have him leave the CEO post.

People gleefully demonize and tear down his reputation. Twist his words out of context in to something vile. Weaponize the years old inside jokes his friends made on camera.

“This is not racism!!!” they say. “These are just the facts!!!”

No they aren’t. And here’s why:

because this

is the same as this:

Covert racism in language, or coded racism, is the deployment of common stereotypes or tropes to elucidate a racially charged idea. Rather than expressly perpetuating racist tropes, covert linguistic racism is seen as rational or "common sense", and many are not aware of its impact.

Racial stereotypes. Racial or cultural stereotyping refers to generalizing a group based on a simplified set of norms, behaviors, or characteristics.

The Yellow Peril (also the Yellow Terror, the Yellow Menace and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia[a] as an existential danger to the Western world.

Fu Manchu is a fictional character created by Arthur Ward, a music hall writer and journalist in London in the early 1900s. Writing under the pseudonym Sax Rohmer, Ward had absolutely no knowledge of Chinese culture or Chinese people – but his invention of a Chinese supervillain struck a chord in Victorian Britain and became a smash hit.

Fu Manchu was the original fictional Asian villain, a trope which became embedded in popular culture and Western psyche spawning spin-offs, spoofs, pop songs, video games and even consumer goods. But how damaging is Fu Manchu and how much can he tell us about modern Asian racism?

Ward wrote Fu Manchu as the personification of the so-called Yellow Peril threat: exotic, alien and inhuman, a mastermind boasting degrees from top universities. Using sinister powers to control minds, he aimed to undermine Western civilisation.

"This led to the idea that the Chinese were deceiving – they weren't being honest, they weren't revealing who they really are as people. This spawned into stories of Chinese as cheats and liars and deceitful – never giving you the truth, always fabricating."

Seven Lim being labeled as “greedy” “evil” and “manipulative” (of his white co-founder) is rooted in Anti-Asian racism. Whether people admit it or not.

Racism is not always derogatory slurs or white hoods. Racism is also casual micro-aggressions and putting people of color in the metaphorical boxes of harmful stereotypes. Racism is twisting the narrative and shaping it into a vile stereotype straight from the 19th century.

Also, let's not forget that people are happy to jump on Ryan in the similar way for the same reasons.