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aethersea · 7 months ago

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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

#finx rambles #worldbuilding #for writers #honestly I quite liked the asoiaf books I read #it's a well-constructed story! it's a well-constructed world too on its own merits #none of this stuff about grain and spinning is actually important to the story #the problem is that grrm himself seems to just. not realize this #and goes about blithely insisting he's created an extraordinarily realistic fantasy world where all the tax policies make sense #he has not!#he has invited people to tear his creation apart if they can and! it turns out! they absolutely can!#this shit's got no tensile strength! it's made of glue and popsicle sticks!#you're not supposed to put weight on it

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anaquariusfox · 8 months ago

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I spent the evening looking into this AI shit and made a wee informative post of the information I found and thought all artists would be interested and maybe help yall?

edit: forgot to mention Glaze and Nightshade to alter/disrupt AI from taking your work into their machines. You can use these and post and it will apparently mess up the AI and it wont take your content into it's machine!

edit: ArtStation is not AI free! So make sure to read that when signing up if you do! (this post is also on twt)

[Image descriptions: A series of infographics titled: “Opt Out AI: [Social Media] and what I found.” The title image shows a drawing of a person holding up a stack of papers where the first says, ‘Terms of Service’ and the rest have logos for various social media sites and are falling onto the floor. Long transcriptions follow.

Instagram/Meta (I have to assume Facebook).

Hard for all users to locate the “opt out” options. The option has been known to move locations.

You have to click the opt out link to submit a request to opt out of the AI scraping. *You have to submit screenshots of your work/face/content you posted to the app, is curretnly being used in AI. If you do not have this, they will deny you.

Users are saying after being rejected, are being “meta blocked”

People’s requests are being accepted but they still have doubts that their content won’t be taken anyways.

Twitter/X

As of August 2023, Twitter’s ToS update:

“Twitter has the right to use any content that users post on its platform to train its AI models, and that users grant Twitter a worldwide, non-exclusive, royalty-free license to do so.”

There isn’t much to say. They’re doing the same thing Instagram is doing (to my understanding) and we can’t even opt out.

Tumblr

They also take your data and content and sell it to AI models.

But you’re in luck!

It is very simply to opt out (Wow. Thank Gods)

Opt out on Desktop: click on your blog > blog settings > scroll til you see visibility options and it’ll be the last option to toggle

Out out of Mobile: click your blog > scroll then click visibility > toggle opt out option

TikTok

I took time skim their ToS and under “How We Use Your Information” and towards the end of the long list: “To train and improve our technology, such as our machine learning models and algorithms.”

Regarding data collected; they will only not sell your data when “where restricted by applicable law”. That is not many countries. You can refuse/disable some cookies by going into settings > ads > turn off targeted ads.

I couldn’t find much in AI besides “our machine learning models” which I think is the same thing.

What to do?

In this age of the internet, it’s scary! But you have options and can pick which are best for you!

Accepting these platforms collection of not only your artwork, but your face! And not only your faces but the faces of those in your photos. Your friends and family. Some of those family members are children! Some of those faces are minors! I shudder to think what darker purposes those faces could be used for.

Opt out where you can! Be mindful and know the content you are posting is at risk of being loaded to AI if unable to opt out.

Fully delete (not archive) your content/accounts with these platforms. I know it takes up to 90 days for instagram to “delete” your information. And even keep it for “legal” purposes like legal prevention.

Use lesser known social media platforms! Some examples are; Signal, Mastodon, Diaspora, et. As well as art platforms: Artfol, Cara, ArtStation, etc.

The last drawing shows the same person as the title saying, ‘I am, by no means, a ToS autistic! So feel free to share any relatable information to these topics via reply or qrt!

I just wanted to share the information I found while searching for my own answers cause I’m sure people have the same questions as me.’ \End description] (thank you @a-captions-blog!)

#anti ai #ethics

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fallingformatt · 7 months ago

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SINCE WE’RE PLAYING GAMES M.S.

Matt x fem!reader

summary: what happens when you try to cheat your way to win a game of twister?

warnings: SMUTTTTTTTT! unprotected sex, slight bdsm.

word count: 2.5k

a/n: Yall are some freaky fucking fucks… over a thousand notes on my post? Yall are insane, im so thankful for yall dirty minded ass people. I truly did not expect that to happen on my second post ever. And thank you all for almost 300 followers yall are the GOATS!!!

Let me know if I should write a pt. 2 for FIRST GLANCE M.S. available here

post is not proofread

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I'm currently at the triplet's house. The sun is setting, casting a beautiful orange hue to the living room where we all are sitting, drinking some drinks, and just talking. The music in the background isn't loud but I can hear it clearly.

"I'm bored, let's do something fun," Matt says looking down into his half-empty cup. "Well I don't have any ideas," Chris shrugs his shoulders. "I have an amazing idea," Nick yells, startling me. "Nick, you scared me, I almost spilled my drink," I say out loudly slapping his shoulder. "Please ask me what my idea is, please, please, please," Nick tries to plead to make us ask him what his idea is.

"So what is ur 'amazing' idea?" I ask looking at him with a serious face. "We're all gonna play twister," Nick says ecstatically clapping his hands together like a kid. "No Nick, we are not playing twister, we're not five," Matt says annoyed. "Oh look I'm Matt, I'm so tuff and boring, I don't like to have fun," Nick mocks Matt, making me and Chris laugh.

"Well I don't know about y'all, but I'm tipsy, there's no way I could play twister right now," Matt says tugging on the collar of his black t-shirt, his eyes from across the room to meet mine, sending butterflies to my stomach.

I've always had a little crush on Matt, but I never really did anything about it, because I didn't want to ruin the friendship between us. I mean yeah, sure I would sometimes tease him, wearing something revealing, making his eyes wander to places they shouldn't, for example, today, I was wearing short, low-waisted shorts and a small leopard print baby tee, but I knew that, me doing something with Matt would probably change the dynamics of the group as a whole, so I left it as is, hoping my crush on Matt would sooner or later die down.

"You're just scared that you'll lose, so I have a proposition, whoever loses takes a shot of vodka," Nick says proudly. "That's the dumbest thing I have heard in my life," Matt says crossing his arms. "Well, as far as I know, five-year-olds can't drink vodka, so who's the five-year-old now huh?" Nick defends his idea. "We all are a bit tipsy so the chances of you winning are fair, you're just a pussy," Nick says trying to provoke Matt. "Yeah Matt, don't be a pussy," Chris joins in. "Okay, that's it, we're playing, and I'm going to win," Matt says and smiles confidently. Nick claps his hands excitedly as he stands up and walks to the pile of board games that are stacked on a shelf above the TV.

"Found it! Y'all are going down, I hope y'all like the taste of losing, because y'all are gonna be licking the L's shortly," Nick says with a devious smile. "Okay, this one's clearly had more than enough to drink," Matt says as he facepalms.

Nick sets up the game, laying the playing pad down on the floor and placing the spinner next to the mat. "So, who wants to go first?" Nick says grinning. "I'll go," Chris answers and bends down to spin the indicator. "Right foot on red." He says out loud and steps on the playing mat. We all take our turns and the game is starting to get intense.

"Nick you are going to lose," Matt says his voice getting higher at the end of the sentence. The poses we are in are criminal. We are four, grown adults standing on this little mat, meant for children. At this point in the game, the slightest movement could make us all fall down. "Chris, you look like a deformed frog," I say as I'm laughing, almost snorting. Chris's right foot is still on red, his left foot is on blue, his right hand on blue, in front of his left leg, and his left hand is in front of his right leg. Nick is chilling in a comfortable position, meanwhile, I'm stretched out, so close to fall.

We all spin a few times. When all of a sudden Chris loses his balance and falls. "Hah, it wasn't even your turn, you're out, take a shot," Nick yells, happy that he's still in the game. "This is so annoying, 100 bucks on Nick falling next," Chris says as he takes a shot of vodka. I'm now in a compromising position, both of my hands are on red and my feet are on green and yellow, my position is leaving my ass high up in the air. Nick is now barely staying in the game.

"Nick it's your turn," Chris says out loudly, the alcohol he's had, making him unaware of the volume he's speaking in. Nick spins the spinner, "right hand green," Chris says. As Nick tried to move his hand, he lost his balance and fell. "Fuck," he yells out as he stands up. "Where my money at?" Chris says as he hands Nick a shot of vodka.

"Spin it," I say to Matt, and he does. "Left hand red," I say and Matt starts to move his left hand. Now both of his hands need to be on red and the only place in order for him not to fall is on either side of my hands. As he moves over me he brushes against my ass making me lose my balance slightly. Placing his hand next to mine, his head is now next to mine, "sorry," he says quietly, his hot breath brushing against my skin, sending shivers down my spine.

It's now my turn and if I don't think of something quickly, I'm going to lose. I look over my shoulder to see what Chris and Nick are doing, they are currently in the kitchen getting some drinks. My lips move making a small grin, this is perfect.

As I reach for the spinner, I pop up my ass, making it brush against Matt's crotch. "Right hand red, looks like I'm safe for now," I say as I turn to Matt, a smirk appearing on my lips.

After taking my turn, I move back, again brushing against his crotch, now feeling something hard. "Don't do that," Matt says in an almost moaning tone. "Do what?" I say looking at him. "Don't try to act all innocent," he says in a serious tone. "It's your turn," I say, a smile plastered on my face.

Matt takes his turn and spins the spinner, "left foot green," He says, looking at the spinner. As he tries to move, I once again pop up my ass, making him brush against it once again, the tension on his crotch getting too much for him, making him lose his balance and he falls. "Ha, I win," I say as I stand up clapping my hands together. Nick and Chris rush over to the living room.

"Did Matt lose?" Nick asks. "Yeah because she cheated," he says, anger and frustration can be heard in his voice. "What did I do, that counts as cheating?" I ask, raising one eyebrow, as a smirk creeps on my lips again, knowing he can't say anything without explaining him further. "Nothing," Matt murmurs. "What's that? I couldn't hear you," I tease him. "I said, nothing," Matt raises his voice, standing up and storming off to his room.

"I am too drunk for this," Chris says throwing up his hands as he turns around and heads to his room. "Can you help me clean this up?" I ask Nick, and he nods kneeling down.

We cleaned everything up and put the game back in its place. "You ready to head to bed?" Nick asks. "You go, I'm going to come later, I'm going to check on Matt," I say as I start walking to Matt's room. "Goodnight Nick," I say smiling. "Goodnight." He answers.

Without knocking I open the door to Matt's room. "Hey, you okay?" I ask as I look at him. He's sitting on the edge of his bed looking straight at me. "I was waiting for you to come in, want to play a game?" Matt says. "Sure, what game?" I ask unsure what game he had planned.

"Since we're playing games, let's play a game you can't cheat in," he says a smirk creeping on his lips. "Simon says, close the door," Matt says. Oh shit, we're already playing. I close the door not moving an inch. "Simon says turn around and lock the door," his voice getting deeper. I do as he says. "Simon says turn back around and stand in front of me," he says. As I turn around, about to walk in front of Matt, my eyes meet his, his eyes grow dark and his lips form a slight grin.

"Simon says strip," he says his tone getting even deeper, a hint of lust accompanying his voice. "What?" I ask, my voice slightly trembling. "You heard me, Simon says strip," he repeats. I start off by taking off my baby tee throwing it on the ground leaving my upper body fully naked. I slip out of my shorts, letting them fall to my ankles before stepping out of them. I pick up my head to look at Matt, he stares me up and down licking his lips.

He stands up and walks closer to me, his hands move my hair to one side of my shoulder, then proceeds to leave a wet kiss on the back of my neck, sending shivers down my spine. His hand reaches over my body, touching my neck as he stands behind me "Left hand red." He says as slides his hand down my neck stopping at my breast. He massages my boob, pulling on my nipple making me moan.

"You like that?" He whispers in my ear. I don't answer. "Simon says answer," Matt says as his other hand slides down into my panties, pressing his finger against my clit before rubbing circles, making me moan. "Yes Matt I like that," I say as I throw back my head resting it on Matt's shoulder. He pulls out his hand, "Simon says turn around," Matt says and as soon as I do, he smashes his lips onto mine.

Matt wraps his hand around my waist taking small steps, leading us to his bed without breaking the kiss. I brush against his clothed cock, rubbing it slightly before I feel a slap on my hand making me break the kiss, I look up. "Nuh uh," Matt says shaking his finger, "Simon didn't say," he smirks and pulls his black t-shirt over his head throwing it to the ground next to my clothes.

He removes his belt, sliding it out of the belt loops of his oversized jean shorts, making them slide down a little, revealing the band of his boxers. He looks at me before moving his gaze to my hands.

"Simon says, extend your hands." His voice was demanding, I brought out my hands, and he grabbed them and put them together before wrapping and tying them together with his belt.

Matt puts his hand on my hips pushing them back, guiding me backward. As I take steps backward, I eventually fall on his bed. He crawls on top of me, spreading my legs with his knee, making space for himself.

He yanks up my hands by the tied belt, pinning them above my head, immediately, Matt attacks my neck with his lips, leaving a trail of kisses from my neck to my breasts, he kisses softly, slipping in a few bites. His hand slides up my thigh, stopping at my heat, his thumb starts to draw circles on my clit.

"Matt," I moan out. "Shhh, we don't want Nick or Chris hearing us do we?" He says looking up at me, taking his lips off of my breast. I shake my head in response and he smirks, "good girl," he says as he continues to rub circles on my clit his lips now moving back from my breast to my collarbone to my jaw before meeting my lips.

"Matt," I moan out as I try to pull my hands out of his grip. "Matt what?" He says as his hands push harder on mine, making sure I can't move. "Please, I need you," I whimper. He lets go of my hands and pulls away from my clit, making me let out a whimper from the loss of contact.

I immediately bring my hands down to my clit and start rubbing circles on my clit, pleasuring myself. As he unbuttons his jeans, he notices my hands, he grabs and pins them above my head again. "Are you gonna make me punish you?" He says his voice filthy and dark. "No," I say, shaking my head and looking at him. "Yeah, be a good girl for me," Matt says practically growling.

I move up and down my hips trying to get some relief as I watch him undo his jean shorts pulling them down, his boxers with them making his cock spring out, hitting his lower abdomen, precum glistening on his tip. Matt looks at me, "see what your little strategy to win did to me," he says raising his eyebrow.

"Please Matt, I can't take it anymore," I say as I scoot closer. Matt moves on top of me pinning my hands again, his other hand sliding my panties to the side before aligning himself with my heat. He pushes his cock in slowly before pulling it out almost completely, then pushing back in hard. "Oh- my- god- Matt-" I moan out between thrusts, his hand moving over my mouth to muffle my moans.

Matt fastens his thrusts, with each thrust going in deeper, making me moan out loud, he leans into my ear. "That's it, sweetheart, take my cock so good," Matt growls, pushing in me deeper than ever, his tip hitting my g-spot with every thrust. "Mmmm Matt you feel so good, I'm close," I moan out feeling my climax creeping up tension building in my stomach.

Matt moves his elbow next to my head, positioning himself so he's able to thrust even deeper. I arch my back as the pleasure takes over my body. His quiet moans landed in my ear, his hot breath sending me over the edge.

"Matt, I'm about to cum," I moan out. He smashes his lips onto mine in order to contain my moans as he plants a few more thrusts before I feel my walls tighten around his length, feeling the knot in my stomach releasing, my climax coming over me, I moan into the kiss. His hips continue to move as he thrusts in me a few more times before planting his cum inside me groaning, breaking the kiss.

He pulls out falling next to me, turning his head to look at me. "Who won?" He says smirking. "I did," I answer smiling, knowing this will piss him off. "Can you untie me?" I say as I shake my hands. "You didn't say Simon says," Matt answers teasing me back. "Simon says round two," I say as a devilish smirk appears on my lips.

I guess I won't be heading to Nick's room tonight.

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physalian · 1 year ago

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Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

#writing advice #writing tips #pacing #writing tools

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moonselune · 7 months ago

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How would Astarion, Gale, Lae'zel and Karlach (separately) react if they witnessed someone random insulting Tav and her only ignoring the offender? As if, no comeback, no fight, just 100% pretending not to hear anything.

Hehehe we love some protectiveness from our dearies don't we?

─── ･｡ﾟ☆: .☽ . :☆ﾟ. ───

Karlach:

The marketplace was alive with activity, the sounds of vendors shouting their wares and children laughing as they ran through the stalls. You and Karlach strolled through the bustling crowd, her large frame a comforting presence by your side as she slung an arm around your shoulders. The sun was beginning to set, casting a warm glow over the scene.

As you admired a display of colorful fabrics, a gruff voice cut through the pleasant atmosphere. "Look at her, thinking she belongs here. Pathetic."

You felt a flush of embarrassment but chose to ignore the insult, keeping your attention on the fabrics. Karlach, however, immediately bristled, her temper flaring up.

"Oi!" she barked, her voice commanding and loud enough to make several heads turn. "You got a problem with her?"

The offender, a scruffy-looking man with a sneer on his face, shrugged nonchalantly. "Just calling it like I see it."

Karlach stepped forward, her eyes blazing with anger. "And what you should see is a beautiful woman who has more strength in her little finger than you do in your entire body," she said, her voice dripping with contempt. "Buddy, you don't know who you're dealing with."

The man took a step back, intimidated by Karlach's fierce demeanor and the flames flickering from her skin.

"I didn't mean anything by it," he muttered, suddenly looking very small.

"Apologize," Karlach demanded, crossing her arms over her chest, her muscles bulging. You couldn't help but smile at her.

The man mumbled a quick apology before scurrying away, his tail between his legs. Karlach turned back to you, her expression softening as she saw the tension in your shoulders.

"You okay, love?" she asked, her voice gentle now.

You nodded, a small smile playing on your lips. "Thank you, Karlach. You didn't have to do that."

She grinned, wrapping an arm back around your shoulders and pulling you close. "Of course I did. No one gets to talk to my girl like that."

You leaned into her, feeling a rush of warmth and gratitude. "I'm lucky to have you."

"Damn right you are," she replied with a wink. "Now, let's get you something nice. I think you deserve a treat after that nonsense."

─── ･｡ﾟ☆: .☽ . :☆ﾟ. ───

Lae'zel:

The training grounds were buzzing with the sounds of warriors honing their skills, metal clashing against metal, and the grunts of exertion filling the air. You and Lae'zel were making your way through the camp, her presence a beacon of strength and determination. You walked beside her, your head held high despite the stern glares of the githyanki warriors around you.

As you passed a particularly burly githyanki soldier, he spat out a venomous insult, his voice dripping with disdain. "Look at her, pretending to be a warrior. She's nothing but a weakling."

You felt the sting of his words but chose to ignore him, your gaze fixed straight ahead. Lae'zel, however, stopped in her tracks, her eyes narrowing as she turned to face the offender.

"Repeat that," she demanded, her voice a low, dangerous growl.

The soldier sneered, clearly not intimidated. "You heard me. She's nothing."

Lae'zel's hand moved to the hilt of her sword, her posture radiating lethal intent. "You dare insult one under my protection? You question my judgment?" Her voice was like ice, each word cutting through the air.

The soldier faltered, realizing too late the gravity of his mistake. "I-I didn't mean—"

"You will apologize," Lae'zel interrupted, her eyes blazing with fury. "Or I will make an example of you."

The soldier, now visibly shaken, muttered a hasty apology, his bravado evaporating under Lae'zel's fierce glare. Satisfied, she turned back to you, her expression softening slightly. You offered her a shy smile in response.

"You should not have to endure such disrespect," she said, her voice still tinged with anger. "Do not think that ignoring them means you are weak. You have more strength than they could ever understand."

You nodded, appreciating her fierce protection. "Thank you, Lae'zel."

She placed a hand on your shoulder, a rare gesture of affection. "Come. We have training to do."

─── ･｡ﾟ☆: .☽ . :☆ﾟ. ───

Gale:

The evening sun bathed the city streets in a warm, golden light as you and Gale made your way through the bustling crowds. The smell of fresh bread and spices filled the air, and the chatter of people enjoying the end of the day created a lively atmosphere. Gale walked beside you, his hand occasionally brushing against yours, his eyes bright with the simple joy of your company.

As you passed a group of townsfolk, one of them, a burly man with a sneer permanently etched on his face, called out, "Look at her, all dressed up like she thinks she's something special. Pathetic."

You felt the brunt of the words hitting your insecurities but you chose to ignore them, focusing instead on a nearby stall displaying the most beautiful tapestries. Gale, however, immediately noticed the insult and the way you pretended not to hear it. His expression darkened, and he turned to face the offender, his posture tense but controlled.

"Excuse me," Gale began, his voice calm but laced with an edge. "I believe an apology is in order."

The man looked taken aback, his sneer faltering as he met Gale's intense gaze. "What? I didn't say anything to you."

"No, but you insulted her," Gale replied, his tone unyielding. "And that is unacceptable."

The man glanced at you, then back at Gale, clearly considering his options. Gale took a step closer, his presence commanding and his eyes blazing with quiet fury. His hands crackling with untamed magic. "Apologize. Now."

The man muttered something under his breath, barely audible, before turning away and disappearing into the crowd. Gale watched him go, his jaw clenched, before turning back to you.

"Are you all right?" he asked softly, his hand finding yours and raising it to his lips, giving it a small peck

"I'm fine, Gale. Thank you." You chuckle, you quite liked this side of Gale, but you couldn't give that away so easily, not if you wanted to experience the fullness of this side of your lover.

He sighed, his expression softening. "I can't stand by and let anyone treat you that way," he said, his voice filled with genuine concern. "You deserve better than their petty insults."

You leaned into him, pressing a kiss to his cheek. "I know. And I appreciate you standing up for me."

Gale smiled, wrapping his arm around your waist as the two of you continued your walk.

"Always," he promised, his tone warm and loving. You couldn't help but notice the way the tips of his fingers pressed to you so forcefully and it made you smile. Oh yes, this would have to happen more often.

─── ･｡ﾟ☆: .☽ . :☆ﾟ. ───

Astarion:

The bustling market was alive with the sounds of merchants hawking their wares and customers haggling over prices. You and Astarion strolled through the crowd, his arm casually draped over your shoulder, a smirk playing on his lips as he whispered witty remarks about the various stalls and their goods.

You stopped to admire a table of finely crafted jewelry, a stranger's voice cut through the din, sharp and disdainful.

"Look at her, the harlot," the woman sneered, her words dripping with contempt. "As if she doesn't get enough gifts from her gentleman callers."

You stiffened slightly but chose to ignore the insult, your gaze remaining fixed on the jewelry, it was rather beautiful. Astarion's arm tightened around you, his eyes narrowing as he focused on the offender. He could feel the tension in your body and the effort it took to ignore the woman's words.Astarion stepped forward, placing himself between you and the stranger.

"Excuse me?" he said, his voice dangerously calm. "Care to repeat that?"

The woman faltered, taken aback by Astarion's sudden challenge. "Oh, I-I just said—"

"I heard what you said, hag" Astarion interrupted, his tone icy. "But I think you should reconsider your choice of words."

The woman's bravado crumbled under Astarion's piercing gaze. He took a step back, muttering something unintelligible before scurrying away. Astarion watched him go, his expression one of cold satisfaction.

Turning back to you, Astarion's demeanor softened. "Are you all right, my darling?" he cooed, gently cupping your face.

You nodded, a small smile playing on your lips. "Thank you, dearest But you know you didn't have to."

He leaned in, pressing a tender kiss to your forehead. "Of course I did," he murmured. "Now I believe in fairytales such valiance is rewarded with a kiss."

You sighed and rolled your eyes, pulling him in for a kiss by the lapels of his jacket, knowing that the woman was watching you. Perhaps that's why you chose to deepen the kiss, putting on a show for her. She clearly needed something in her life.

─── ･｡ﾟ☆: .☽ . :☆ﾟ. ───

Hope y'all enjoyed it - Seluney xox

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weirdmorefics · 8 months ago

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Could you pls do a fake dating fic with Colin bridgerton? Tysm xx

A Life Long Scheme

A/N- Sorry for the delay! I really do have the fanfiction writer curse! I say that every time but I mean it! I got my appendix out and rode in an ambulance. They don't even play music in them FYI.

Readers Pronouns- She/Her

Word Count- 2,512

Summary- You convince Colin to fake court you to gain the attention of other suitors but jealousy consumes Colin.

I knew I would have a hard time finding a suitor from a young age. My family may be wealthy enough to attend balls but certainly not enough for a sizable dowry for each of their children. I grew up competitive trying to prove myself worthy even if I came with a small dowry. My siblings relied on their looks but I was determined to be the best at everything. I will treat coming out like I do life competitively. As the eldest, I must set an example.

I was lined up with the others coming out into society this year. They all nervously played with their clothes and looked to the floor. I too felt like doing that but I kept my emotions bottled tightly in my chest and held my head high. We all took our turns bowing in front of the Queen she looked completely unbothered by us, dare I say bored.

I was last in line she looked me up and down and said, "I am unsure if anyone qualifies as a diamond this season."

I can't fight back the sharp inhale I take, I can physically feel my heart launch its way into my throat. I feel as if I may hurl as she gets up and walks away escorted by her guards. I look around at others visible shock. I can't help but feel the Queen just left because of me. I mean I was the last one. I need to do something! I can't fail already I just came out into society!

My night was filled with pacing and plotting. There has to be a way to impress Her Majesty. My Mama tried to comfort me but Father quickly told her there was no point in speaking to me when I was like this. I hate to admit but he is unfortunately correct. Once I am in a thought spiral there is no getting out. I thought of other seasons for most of the night as I lay in bed. What did they do to gain the Queen's attention? The most notable season of late would have to be Daphne's. I can't recall the last time The Ton has seen a marriage done with such haste before. She had a massive amount of suitors after her though that was only after The Duke's appearance.

The idea hit me suddenly I launched out of bed, put my carpet slippers on, and ran out of the house. I am lucky my family sleeps so soundly because I am sure I sounded like a horse trotting as I ran through the house. The Bridgerton manor is right next to ours, so close in fact that I grew up playing games with all the Bridgertons. Colin has always been my dearest friend (even though Mama always told me a male friend was improper). I knew Colin would go along with my plan, we have been scheming and pranking since we were children. This should be no different! It unfortunately hit me how late it was when I stood in the darkness of the Bridgerton Garden. I was here now I refused to backtrack just because it was an untimely hour.

I used the bushes to help guide me to Colin's familiar window. Once there I gathered tiny pebbles and started ricocheting them off his window. It did not take him long to wake and open the window with a messy bedhead and a lit lantern. His face instantly flushes at the sight of me.

"My god Y/n what are you doing out here in this state!" He shouts

I follow his gaze to my clothes and feel my face heat. My god, I did not think this through as I stood in front of Colin Bridgerton's window in the dark, in my silk nightgown. I will see this through the damage is done. "I have a plan," I smile.

He sighs and rubs his forehead, "Oh no… you are lucky my sleeping schedule is still askew from traveling abroad. Now get inside before someone sees you!"

I met him in the drawing room and he refused to look me in the eye, "So what is so important that you have decided to grace the house with your presence at this ungodly hour."

"I am here to present you with a proposition," I clasp my hands as he finally looks at my face suspiciously.

"And what might this proposition be? I can assume nothing good," he questions.

I roll my eyes and pace as I recite my plan."As you know Daphne was utterly suitorless during her season courtesy of Anthony. However, the moment a Duke entered the picture she had men competing for hand. They could not care less about Anthony's interventions."

Colin nodded confused, "Your point?"

"My point is I need competition! So I propose that you pretend to court me! If you will? I know you are aware of my Papa's financial situation… I mean the whole ton is after Lady Whistledown published his unfortunate business decisions and his one-too-many daughters for a dowry. None of this will matter if I can get a suitor who loves me and will help my family but that can't be done if I can't attract a suitor!" I continue to pace as Colin looks entirely unsure of what to make of this situation. I take a deep breath, "So what do you say?"

Colin looks at me with puppy dog eyes, "Of course Y/n. You are my dearest friend. I must know why you decided to discuss this so late at night in your…" he flushes again and looks to the ground. "In your nightgown."

I suddenly became all too aware of my attire and became a stuttering mess, "the conversation was of utmost importance the time of day and clothing choices have nothing to do with it!"

Colin smirks, "I see."

"I must save my Papa's business if not for him but for the chance my sisters will get to marry for true love and not for financial gain," I sigh. Colin's eyes which were once teasing turn to sadness, "Do not look at me like that Colin. I don't need your pity, I need your help."

He nods and straightens his posture, "Of course Y/n. Of course, I will help."

I quietly snuck back into the house after speaking to Colin. The plan was set in stone he would be the first dance on my dance card and we would round up potential suitors together. We were joined at the hip for every event and I purposely chose the busiest times to promenade so the most amount of suitors would see us.

I soon began to gain the attention of many suitors and even had many coming to my house to call on me! Mama was so proud I was so happy to take her mind off the situation with Papa.

Mama pulled me to the side of the drawing room, "Maybe hanging out with the Bridgerton boy will help you! Maybe their fortune will rub off on us!" I was proud to inform her I was to promenade in the park today with Colin. It was odd to see her smile with excitement instead of pale at the thought of her daughter spending her time with a man who never planned to court her. I wish she wasn't only proud of me when I wasn't doing something that benefited me in finding a wealthy suitor. It's no matter though, I will do anything to make her proud, and it feels like I'm finally doing it. She spent the whole morning with me to find a suitable dress for my outing.

Colin arrived promptly at the time we set previously and accompanied me to the park. As we promenaded I felt many eyes on us they truly believed Colin would court the daughter of a family barely escaping financial ruin. It is truly almost humorous how easily we have swayed the ton.

"It is truly working Colin! Mother is so proud that I will be the one to save my family's reputation. Such a shame she picked such a layered gown for one of the warmest days of the season," I whisper and fiddle with the seams of my dress.

Colin sighs, "How many suitors are you getting from this Y/n? They can't all have honorable intentions given your beauty and your family's standing."

I roll my eyes, " Why Colin Bridgerton are you jealous? I would not think you are the type. Do not worry you will always be my dearest friend. No husband could replace you."

His face turns serious, "I am just worried. I hope you are doing this for the right reasons and not for the sake of your Mama… and I am most certainly not jealous."

For someone who said he is certainly not jealous he didn't sound quite certain. That, however, is not what distracted me. "You think I want to marry a man not for love but purely for financial gain? It is every woman's dream to marry for love! We can't all have the privilege to do so! Especially one born into a family with a gambling addict for a father and a mother too frail to defend herself. My mother has been preparing me for coming out since I was a child! This is my job as the eldest! To secure a good future for my siblings so perhaps they get the opportunity to marry for love as I will never get to!" I back up as if I may burn from Colin's shocking gaze but I still point a finger at him, "And the fact that you don't already know this Bridgerton is having me question if we ever truly were friends! Perhaps all those travel stories in your head leave not much room for anything else."

I storm away from the Bridgerton, I think after his initial shock he calls for me but my rage prevents me from looking back to see if it was true or a cruel trick of my ears. It was perhaps not the greatest idea to run off from a suitor with no chaperone. Maybe I wouldn't have found myself in such a precarious situation if I had chaperone. I find myself cursing my father in my head for his terrible gambling habits that prevent anyone from wanting to associate with the likes of us. Therefore getting me into this mess in the first place.

"Y/N L/N, we have been watching you for quite some time. Your father never described your intense beauty but how could one put it into words?" The seedy man approached me.

I smiled politely, "Thank you! May I inquire how you know my father?"

"Oh darling I think you know why we are here. I mean the whole ton knows about your father's habits shall we say." He smiles menaceingly and I think to myself of course this has to do with his damn gambling habits.

I back up in case I have to make a quick escape and he unfortunately catches on. He grabs my wrist to keep me in place, "We have been very patient with your father. Given his position in the ton, we thought we could be lenient with his payment schedule. However, it turns out we were mistaken. What is more shocking is the fact that his daughter thinks she has a chance of finding a suitor with no dowry."

"Sir please unhand me," I try to pull away from his grasp.

"You think being in the company of the Bridgertons will help your family situation? Perhaps we could take you as payment? You do draw a lot of attention despite your social ruin. We could use you to bring more men to the establishment," he smiles sinisterly.

I yank my hand away even harder out of fear but his strength still outmatches mine, "Why would I ever help you put more families in financial ruin!"

He laughs, "Darling you think you have a choice?"

His eyes narrow at something behind me and I hear Colin's voice, "I believe the lady asked you to unhand her."

"This does not involve you, sir," he growled.

"You see it is my business when you have your hands on my betrothed, Colin growls back.

My eyes furrowed in confusion. He had been fake courting me of course but we certainly did not discuss a fake betrothal.

The man laughs yet again, "I read in Lady Whistledown that you were courting her but the fact a Bridgerton would sink to the likes of the L/N family."

I took in a shallow breath and Colin growled in response. This situation was going quickly downhill.

"You will not besmirch the lady's name! Now I won't ask again unhand her!" Colin shouts.

"Whatever you say," he smirks and tosses me to the ground. Colin's grimace seems to only encourage the man more, "I'd honestly prefer to use her to replace her father's debt but if you want to drag your family name down with her so be it." He walks away with a peppy jaunt in his step and I glare at him from the ground.

Colin quickly helps me to my feet, "I would have dueled him right here and now if I was not in the presence of a lady."

I brush the dirt off my gown, "It's fine. I'm fine. I will handle it."

"No, you will not! you will not take a step towards that insipid man," he yells.

"Well, Colin you don't really have any choice in that matter! Do you? You are just fake courting me. Or fake betrothing me now? I don't know. I have lost track honestly!" I rant.

His face turns serious, "Y/n I care for you! I would forsake my whole family name for you! You think I do not burn with rage every time I see a new man attempt to call on you after I started court you! I noticed your beauty and your smarts before any of these men did! The fact that they only noticed you once another gentleman entered the picture is disgraceful! I will always notice you Y/n! I will never let your family go through this! I hope to be a love match for you and help your family."

Tears collect in my eyes. As the oldest sibling I've never been the one that was cared for but the one that does the caring. Colin's words made me feel full. I try to tease but it comes more out as a sob, "Mr. Bridgerton are you proposing to me."

He smiles, "I think it is about time I finally proposed to you after you always proposed your schemes to me. So what do you say Ms. L/N? Would you like to continue proposing schemes to me for the rest of our lives?"

I nod aggressively smiling. There was no stopping the happy tears now.

#bridgerton x reader #bridgerton x y/n #bridgerton fanfic #bridgerton fanfiction #bridgerton x you #bridgerton request #colin bridgerton x you #colin bridgerton x reader #colin bridgerton fanfiction #colin bridgerton imagine

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ohnoitstbskyen · 1 year ago

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I heard a raw line from Guilllermo Del Toro the other day about monsters being the perfect way to express human failure:

“…monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing.”

And i was wondering your take on this quote in relation to things like vampire and werewolf and other semi-monster subtexts. “Monstrous” humans that are ironically allowed to act more human more often than… humans. I just find the attempt to make an outlet for imperfection while still at large criticizing it fascinating.

I mean, yeah, there's a long history of interpreting monsters through queer, anti-colonial, feminist and other Outsider lenses for exactly those reasons. The monster is the Other who is vilified by the in-group, which represents all that the in-group hates. The monster must, by its nature, fail to live up to the standards and expectations of the in-group, which is why it must be destroyed. But that also means the monster is free from the standards and expectations of the in-group, including oppressive and bigoted ones.

So, as an example, if you're queer, and rhetorically treated as inhuman and monstrous and diseased anyway, or eugenically classified as a deviant mutation or sub-derivation of "real" people, there is real appeal and a real sense of resistance in claiming monsterhood, in embracing it and glorying in it.

In part, that's what the rallying cry "we're here, we're queer, get used to it!" meant and still means. It is a reclaiming of monsterhood as a source of strength and community and pride, rather than shame. Slurs are used to Other queer people, to set them apart from "real" people and mark them out as a monstrous deviation from the virtuous norm - slurs are used to call us monsters. And thus a lot of queer people find a lot of power and freedom in reclaiming them, in turning their Othering into a flag to rally around.

And I think that's still a big part of the appeal of the monster, honestly, that freedom from being what someone else thinks you ought to be.

If you're a monster, you don't have to have the perfect body, you don't have to suppress your lust or your love. You don't have to shave your body hair or dress correctly for your assigned gender, or have a white picket fence house with a spouse and 2.3 children. You don't have to sit primly at the dinner table, you don't have to repress your emotions, you don't have to hate the foreigner or despise the gays or fear the trans agenda. You don't have to have a small, straight nose or perfect cheekbones, you don't have to wait to fuck until you're married, or pretend you want to fuck at all. You don't have to want to get rich or be a CEO, you don't have to pull yourself up by your bootstraps or be on your grindset, or cheer when the cops clear out a homeless camp.

To be a monster is to be free from the inhumanity that is forced on us by white supremacy, by fatphobia, by heteronormativity, by imperialism, and by the interests of capital. To be a monster is to be human in all the ways that are inconvenient to oppression.

... but I went off on a tangent there a little bit - vampires and werewolves, right. I have no theoretical or academic basis for any of this, so this is entirely a personal hot take, but I think vampires are perhaps a bit more about "passing" as a fantasy. Not necessarily in a gender sense, but the ability to keep your true nature undetected by the "normal" folk, while the secret things that make you different also make you dangerous and powerful. Surviving by stealing sustenance from a world that hates you, on terms that are entirely yours to dictate. "I will survive even if it kills you," that kind of vibe.

Werewolves, on the other hand, feel more like a defiant, angry embrace of the monstrous. Transforming into something vast and powerful and furious, growing out of your skin, out of your form, out of your boundaries; howling your nature to the moon and mauling any motherfucker who has a problem with it. Giving in to all the beastly unnatural urges, and diving into the horrible monstrous wants and desires that boil inside you (which, remember, include things like Not Wanting To Fuck or Wanting To Hold A Girl's Hand In A Lesbian Sort Of Way). Less the "I outfoxed your social game and drank you dry" slick vampire power fantasy and more the "call me a slur one more time and I'm going to wear your entrails like a fucking scarf" power fantasy.

Again, that's just personal hot takes, everyone's understanding of the monstrous in relation to themselves is different. I've seen a number of genderfluid and nb people use monstrousness as a way to defy occupying a shape that can be gendered for example.

#tb answers #monster #queerness

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chrissgirl4ever · 6 months ago

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GAMES - MATT x READER

Warning: SMUTT!!

Play song for the vibeee!!

Have fun!~ ;)

As I reach for the spinner, I pop up my ass, making it brush against Matt's crotch. "Right hand red, looks like I'm safe for now," I say as I turn to Matt, a smirk appearing on my lips.

"I am too drunk for this," Chris says throwing up his hands as he turns around and heads to his room. "Can you help me clean this up?" I ask Nick, and he nods kneeling down.

"Simon says, extend your hands." His voice was demanding, I brought out my hands, and he grabbed them and put them together before wrapping and tying them together with his belt.

I guess I won't be heading to Nick's room tonight.

#matthew sturniolo #matt sturniolo x reader #matt sturniolo #sturniolo triplets #matt sturniolo smut #Spotify

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monsters00km · 3 days ago

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Arcane is a Tragedy.

I think this needs said. And Boldly and Italicized.

tragedy, branch of drama that treats in a serious and dignified style the sorrowful or terrible events encountered or caused by a heroic individual. By extension the term may be applied to other literary works, such as the novel. - encyclopedia Britannica

I keep seeing people talk about how the Zaun and Piltover issue is unresolved. And I NEED you to hear this. This show is a tragedy.

This is not some YA where everything gets tied up in a bow. Or a fantasy that ends with the great and powerful evil being destroyed and now we need to build a new society based on good.

The ending is supposed to be unhappy. And I need people to understand this.

I understand if you don't like it. But I need you to stop saying it's unresolved. Bc it is. It just isn't resolved in a manor that you like.

And if you look at the definition this fits Arcane perfectly.

Who are the Heroic individuals?

Jayce

Viktor

Mel

Caitlyn

Jinx

Ekko

Almost every one of them made decisions that made things worse. Regardless of their intentions. Mel gives Jayce and Viktor the opportunity to create hextech. Jayce creates Hextech. And as a result to this, Viktor gets consumed by Hextech and tried to "save" everyone. Ekko follows Jayce and sets everyone on this path. Jinx tries to save her family and end up killing them. Vi is constantly trying to save everyone, and no matter how hard she tries she can't. Caitlyn tries to help Zaun and makes the right choice in not killing Jinx. But in doing so Piltover gets attacked and her mother dies.

Vi is a great example of this. She tries again and again, but each outcome is negative. And pretty much everytime is not because of her, it's because of everyone around her.

She tries to turn herself in. Benzo dies and Vander gets kidnapped. Tries to save Vander milo and claggor die. Tries to step away from powder to calm her rage, gets imprisoned and Powder gets taken in by Silco. Tries to go after Powder and let Caitlyn and Ekko go to Piltover, Jinx attacks the bridge in a rage. Gets caitlyn to safety powder blows herself up. Gets Jayce to infiltrate and take out a shimmer factory, jayce kills a kid. Stops caitlyn from hurting Jinx, council gets blown up. Stops Caitlyn from hurting Jinx, gets broken up with. Helps save her dad, dad loses himself after Jayce kills Viktor. Like poor girl. Is out here trying her best. And to no fault of her own, everything just keeps failing.

And those are just scratching the surface. This entire story is that Viktor quote "In our pursuit to do great, we failed to do good."

It's is everywhere.

Silco tries to free Zaun, but in doing so, he enslaves Zaun children and gets a large portion of the population addicted to Shimmer.

Hemeirdinger tried to create a city that valued science and progress and failed to see the corruption around him, which caused inequality.

Vander, in his pursuit to save the undercity, makes a deal with the sheriff. But in doing so, he doesn't help Zaun with any of their problems. All he is doing is keeping them safe.

Sorry, i feel like this was sporatic, and i don't know how to fix it. But this show was never about a happy ending. Or an ending where everything gets resolved to the satisfaction of the characters or the viewers. It is a tragedy. That is about these characters and the choices they make and the realistic ending.

And before you say it! Think about if it is actually realistic. And not an idealistic reality that you want.

#arcane #caitlyn kiramman #vi #jinx #viktor #jayce talis #mel merdada #ekko #silco #vander

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xoxo-sarah · 1 month ago

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Okay here is another idea because I love spamming you with them! It’s for our Stevie boy! Okay so basically neither Steve or the reader have had good role models for relationships. So because of this they kinda have a bad relationship, but know this so they sit down and talk and make a promise not to yell or storm out. So they fight and the reader is like whatever and leaves but Steve yells. It’s just their way of showing they care(the reader doesn’t like to fight so they leave to cool off and Steve needs to talk it out). Again this one is really just for me because I’ve never had a good relationship and my one relationship I had I dipped when things got semi hard 🤦🏼‍♀️ but like she tries that after they had their talk and Stevie won’t let her blah blah happy ending please because I need happy endings

Promises Between Us

(The headers have nothing to do with the fic but I didn't know what else to put)

↝a/n: quick fic. thank you for requesting! Enjoy 🩷 ily 💋

↝pairing:Steve Harrington x fem!reader

↝warning: relationship problems, bad family issues, parent issues/ arguing, Steve's parents mentioned, crying, not proofread & rushed

|| Disclaimer: I do not own Steve Harrington, or any character from Stranger Things. I only own y/n and any characters I create with my own brain. ||

↝⎙ 12.23.24

Steve was terrible at relationships.

He had never been good at them and would let you know if you were to ask him.

Growing up, he didn't have the best examples to follow. His parents were always away, and when they were home, they barely spoke to each other. Out in public, they had the "white picket fence and happy couple" fecade perfected. Honestly, it irritated how fake his parents were. They were the perfect couple to anyone who looked their way.

You, on the other hand, had your own set of issues. Your parents fought constantly, and you learned early on that sometimes it was better to just walk away. All the grief you felt as a child, stuck with you through your children, teenage years, and the start of your adulthood. It probably always will.

When Steve and the you started dating, you both knew it wouldn't be easy. You both cared deeply for each other, and tried to make it work with everything in your being.

But the past made it hard to navigate the complexities of a relationship, some days. You had your fair share of arguments, and more often than not, they ended with you storming out and Steve yelling after you. You always came back, and Steve always apologized. He made sure to make it up to you. You spent more time together, talking, asking each other about the other's day. Anything to erase what was said in the heat of the moment.

Today was one of those days where it was all too much. Steve came home from work, pissed. You simply woke up in a mood. Those two didn't mix well together. After one small comment, it all unravelled.

"You're not listening!" The words echoed through the house, yet seemingly not making their way to Steve, who stood heaving in fury.

"I don't want to deal with this right now- i shouldn't have to!" Steve scrubbed his jaw, feeling it clench.

You two stood across from each other, tired, yet too stubborn to see it from the other perspective.

Closing your eyes, you sighed, "Whatever, Steve." And walked to the bedroom, already getting ready for bed at 5 P.M. Steve stayed in the living room, grabbing something to drink. You both needed to cool off, and that's exactly what you were going to do.

Steve tiptoed his way to the bedroom, with night having already fallen. He stood in the door way, watching as you read a book while leaning against the bedframe. His chest fell.

"I'm sorry."

When you looked up, Steve immediately wanted to kick himself. Around your eyes was red, along with under your nose. The tissue box on the bedside table didn't help extinguish his assumption. You had been crying.

"I'm really sorry. I shouldn't have brought it home and taken it out on you." He moved forward, toward you. Putting the book down, you sniffled, before nodding.

"Yeah, and I should've been more understanding." You watched as he sat beside you on the bed, before he grabbed your hand.

" I don't like arguing."

So, you both made the promise: no more yelling, no more storming out. You would talk things through, no matter how hard it got.

But promises are easier made than kept.

A few weeks later, you found themselves in the middle of another argument. This time, it was about something trivial, but it quickly escalated. You felt the familiar urge to leave, to cool off before things got worse. The living door invited you more and more as the argument escalated. Air, and quiet. That's all you wanted in the moment.

"Whatever, Steve," you said, turning towards the door.

"Wait," Steve's voice broke, desperate. His dark eyes were pleading, any hint of anger long gone. "We promised, remember?"

You stopped, hand on the doorknob. "I just need some space."

"No," he said, stepping closer. "We need to talk this out. I can't lose you."

Tears welled up in your eyes. "I don't want to fight." The air that had become thick from the tension, released. Vulnerability aired out the living room, nipping at your fingertips like the cold weather in December.

"Neither do I," he said softly, taking your hand. "But leaving won't solve anything. Please, stay."

Looking into his eyes, you saw the sincerity there. Slowly, you nodded. "Okay."

You sat back down, and for the first time, you both really talked. You shared your fears, your insecurities, and your hopes for the future. It wasn't easy, but it was a start.

By the end of the night, you were both exhausted, but there was a new understanding between you two. You knew it wouldn't be perfect, but you were willing to try.

Steve pulled you into his arms, holding you close. "I'm not going anywhere," he whispered.

"Me neither," you replied, resting your head against his chest.

•2021-2024 by xoxo-sarah on Tumblr•

•My work is not to be translated, copied, modified, and/or reposted on any other site without my permission. [I don't give permission!]

#xoxo-sarah 🩷#🕶️#stranger things fanfic #stranger things x reader #steve harrington fluff #steve harrington imagine #steve harrington x fem!reader #steve harrington x reader angst #steve harrington angst #steve harrington x you #steve harrington x reader #steve harrington x y/n #stranger things imagine #stranger things fanfiction #stranger things x y/n #stranger things x you

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thewriteblrlibrary · 1 year ago

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A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

----------

The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

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anamericangirl · 2 months ago

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What's wrong with gentle parenting?

The main problem I have with the concept of gentle parenting is that it's a feelings first oriented way of raising a child.

It supplements the teaching that there are right and wrong behaviors with the idea that you shouldn't do x, y z because it makes the child or the person the child is interacting with unhappy in some form. It doesn't help children learn that the reason you don't hit people when you're upset is because that is wrong to do, it teaches them we don't do it because the person you hit might not like it.

I think there are some good things about gentle parenting, like giving your child the chance to express themselves and helping them work through their feelings and not getting frustrated because they're crying too much and stuff and genuinely listening to them and giving their thoughts and feelings respect like you would to give to any person, but the things gentle parenting lacks and doesn't do well I think are things that are vital to living and growing as a human being and two of those things that it lacks are

1 discipline and consequences for outright bad behavior

2. respect for authority

Like it's one thing to confront your child gently and explain there's reasons we don't behave certain ways but when they are just behaving badly or being deliberately disobedient then that's where the child should experience some discipline.

For example, if a young child is playing too rough with their toys and starts throwing them around take your gentle parenting approach if you want and say "hey let's not throw our toys ok, be gentle with them." Then if they don't stop try again and say "Don't throw toys, ok? You could hurt someone." And then they still don't stop throwing them the gentle parenting approach (at least from what I've witnessed) is "I see you're still throwing your toys. What is making you want to do that? Maybe you're tired of playing with those toys let's try something else." And I think in that instance that does damage to the child. I think a more appropriate response if you tell your kid three times not throw toys and they deliberately disobey you that's a time to go "Hey I told you to stop throwing that toy and you didn't so now I'm taking that toy away from you." Distracting a child from their bad behavior doesn't address the bad behavior. The child needs to understand the reason they lost the toy is because they disobeyed. They need to associate those two things.

As for the respect for authority, this is one of the things that really irks me about it. And the way I've witnessed it made it really hard to for me to bite my tongue in those moments. The relationship of the gentle parenting method sets the child and their parents up as equals when that's not what they are. As people yes, they are equals but not in status. There's no concept there of I'm the mother or I'm the father so I'm ultimately in charge and you have to listen to me it's more like "you listen to me and I'll listen to you."

Like one thing I saw was a mother walk up to give her son a hug while he was playing and he says to her "stop it mommy go away." And the mother's response was "ok you did say stop so i'm going to stop because when people say stop we need to listen." And I'm just like. wow. Like yes it's important for a child to understand that concept but also they need to understand that speaking disrespectfully to someone, like a parent, isn't ok. And that's just not something that gentle parenting is good at teaching.

And this may not be such a big deal when the kid is four or five. Like my nephew is one of the sweetest children ever but I think the repercussions of being raised that way will be evident when he's older.

He is being raised without having real discipline or consequences for his behavior and he is going to be thrust out into a world that does and he will have to learn it the hard way.

If he is driving one day and gets pulled over the policeman isn't going to sit there and explain why we don't speed. He's going to get a ticket. If he gets mad and hits someone when he's an adult the police aren't going to gently tell him hitting people isn't ok, he's going to get arrested.

If he goes to college and doesn't study and do his work the professor isn't going to say "Maybe you're tired of studying for this class why don't you do something else?" He's going to fail.

Kids, just like all people, need to understand that some laws and rules just have to be followed not because not following them makes you or others feel stressed or anxious or unhappy but because it's the right thing to do and that if you don't follow them there are very real consequences for it.

#anon #answered

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probablyasocialecologist · 5 months ago

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Being a “centrist” sounds eminently reasonable, doesn’t it? A centrist is a moderate, right? Someone who is rational and practical and takes the middle ground. Someone who isn’t extreme like those crazy ideologues on the far right or far left. A centrist, logic dictates, is really what everyone should strive to be. But stop for a moment and ask yourself how you would define a centrist in more specific terms. When you start spelling out what the word really means, it becomes clear that it obfuscates more than it illuminates. The word does not describe a set of ideas so much as it reinforces a system of power. This, of course, is a feature not a bug of political language. As George Orwell wrote in his famous essay Politics and the English Language: “In our time, political speech and writing are largely the defence of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness.” Orwell wrote that essay in 1946. Today, 78 years later, it feels just as relevant. Look, for example, at the carnage in Gaza and the West Bank. Look at the statements from Israeli leaders that clearly suggest genocidal intent. Look at the tragedies that barely make a dent in the public consciousness any more. Last week, for example, an Israeli airstrike killed four-day-old twins, along with their mother and grandmother, when their father went to collect birth certificates in central Gaza. Look at the levels of brutality that barely seem to register any more: there is video evidence of the sexual abuse of Palestinians at a notorious Israeli military prison (though the more accurate term is “torture camp”) and, even with that evidence, we know there will be no real accountability. Look at the dead. Nearly 40,000 people in Gaza are now dead, including nearly 15,000 children. When you look at the scale of devastation, it seems likely that those figures are an underestimate. Further, counting the dead is excruciatingly difficult: kids are being blown into fragments so small that their surviving relatives have to collect pieces of them in plastic bags. Then there are the tens and thousands more who are now dying from starvation, or facing a looming polio epidemic. Look at the West Bank, meanwhile, where Israel has published plans for new settlements, which violate international law. Since 7 October, the Israeli army and settlers have displaced 1,285 Palestinians and destroyed 641 structures in the West Bank, according to the United Nations Office for the Coordination of Humanitarian Affairs. Ethnic cleansing is taking place before our eyes. Now look at how all of this is being justified. This war isn’t just being waged with bombs, it’s being waged with “euphemism, question-begging and sheer cloudy vagueness”. When you lay out what is happening in clear language, it is indefensible. So political language dresses all those dead and starving children up in euphemism. It obscures ethnic cleansing with vagaries. Don’t believe your eyes, political writing says. What you are seeing is far more complex than your eyes can possibly comprehend.

[...]

In order to defend the indefensible, politicians and political writers move away from concreteness, from clear language, and hide behind the respectableness of terms like “centrism”. Pro-Palestinian protesters are labelled the far-left or extremists. Continuing to unconditionally send arms to Israel and shield the country’s far-right government from accountability, however, is considered a centrist – and therefore reasonable – position.

[...]

As Orwell wrote, atrocities can be defended, “but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of political parties”. If the Democratic party were to be honest about why it is doing very little to stop the carnage in Gaza and the settlements in the West Bank, the bluntest argument would be along the lines of: “Israel is an important tool in maintaining US imperialism and western interests. The ethnic cleansing of Palestinians is expedient to those interests. Human rights law doesn’t apply to atrocities enabled by the west.” Of course, being pro-ethnic cleansing doesn’t quite square with the do-gooding branding of the Democratic party. Instead, we are bombarded with the idea that massacring children is somehow a centrist and moderate position.

22 August 2024

#centrism #israel #palestine #gaza

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buttered-milky · 3 months ago

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Russingon being an incestuous couple is so fucking interesting to me for what it represents narratively. (Yes, I know they are not canonically a couple. No, I do not care, because I do believe the coding is on purpose. Even if it’s accidental, it’s still there.)

If you don’t have a lot of experience with incest in other fiction (for example: the staple gothic horror), incest usually represents deviance. That’s just what it says on the tin: diverting from norms. Usually in a bad way. Deviance can be narratively treated as bad or wrong, and there is plenty of deviance from our meta societal norms with these two, but I digress. I don’t want to talk about that today.

I want to talk about subversion, and the deviance that is sometimes good, actually, and the message that sometimes you must break norms to do good.

[PS guys if you read all this and want to add your thoughts please do! This is kind of half-baked and I’d love to see more opinions because I’ve not seen anyone talk about this much.]

They are so fucking fascinating, because they are deviant! They are! Their entire relationship is baffling politically because of the Finwëan house feuds. More importantly, they have individual deviances that this relationship is telling you to pick up on.

Maedhros is a Kinslayer. Maedhros is also arguably the most heroic one of his siblings.

No, we can’t burn the ships. How the fuck are we gonna get Fingon over here?

No, I have to go parley with Morgoth.

I have to abdicate the crown because I’m becoming something I don’t want to be.

No, I have to put myself in front of everyone else. I have to hold Himring so the rest of Beleriand doesn’t get nuked.

I have to summon everyone for the Nirnaeth.

And then after Fingon dies in the Nirnaeth, Maedhros (as we all know) goes fully off the rails—which is to say, he becomes fully Fëanorian. He goes back to the norm for his family.

There are more Kinslayings. He tries once to save two twin children, and that’s it. He gives up. There is no more hope. Maglor is responsible for taking in the next set. Maglor also wants to beg the Valar for forgiveness, and maybe Maedhros would’ve seen the sense in that once, but instead he becomes the second coming of his father and dies burning, clutching onto his Oath.

The deviance from Fëanorian standards was the only thing keeping him from becoming a monster for all that time.

Fingon is also (very likely) a Kinslayer. He’s also the family extrovert and hope incarnate.

Unlike Aredhel and Turgon, he does not seclude himself for his own protection. He does the opposite.

No, we can’t just stay here in Aman. We need to protect the other half of our people??

No, we actually have to get Maedhros. Fine, I’ll do it myself then. I’ll reach out to the gods while I’m at it, since none of you will.

Of course we’re going to join every battle. Of course we’re going to help hold down Beleriand.

If I have to face evil alone I suppose I will, then.

And he dies when he’s alone against those Balrogs. Fingon is also like his father in many ways—but in some ways he is not. He is brighter, sometimes. He is hope incarnate in the worst of places.

I’m far from the first person to acknowledge that what Maedhros and Fingon have going on is a very strong message to never give up hope. But like—not just that. What kills me is that, you know, the hope and the heroism and the goodness is the deviance.

They like each other while most of the Noldor are off getting doomed or fighting with their relatives. You get to those little bits where it mentions Maedhros and Fingon still keeping up their friendship and you kind of have to think “damn, at least some people still genuinely love each other in the midst of all this horror.” It’s sweet. And yet it’s deviant.

And that’s weird, right? Usually deviance is bad. But I think here it’s more neutral. Just presented as: this is not the common option, not the norm. It’s not the common option, but it leads to one of the kinder relationships in the Silm.

The Silm wants you, the reader, to take away that you should have hope and goodness, even when everything around you is hell. Even when it is the hard option. When it becomes hardest to hold up light and help others, that is when it’s needed most.

It will be scary sometimes to be hopeful, and that’s okay. It will be scary to extend yourself. It will be scary to trust and to defend others. That’s okay. Do it fucking scared and keep doing it.

#incest was prob the weirdest way to do this message so idk if I think there’s authorial intent here #but. it’s still fun to read into subtext and pick apart the book #silmarillion #russingon #maedhros #fingon #this was like a little puzzle for me #I spent so long thinking about Fingon because he’s not as clear cut #these two are so deeply compelling. why are you like this guys #if there’s typos ignore them I’m Eepy #I’ve tried to make sure there are no egregious ones but knowing me I forgot an important word somewhere #btw if I start seeing arguments about incest morality please read the room. this is not about that #essay tag

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