#seriously that those characters could be the plot for the comic

[castlephantom]

One interesting thing about the lost comic Lament of Innocence is that we also original characters:

The concept of a vampire huntress rescuing her so to-be-husband is pretty intresting aspect(since the comic was released in 2007-2008 before Order of Ecclesia when Shanoa was introduced), but she dies after she fought with Leon against Joachim. (At first when I found the name Liza I read as Lisa because of one later and the similarity of their names)

Justine was mentioned by Rinaldo but not by her name. If someone miraculously finds the lost comic, we could have chance to know her as well. The idea to bring her back by Succubus is literally how to traumatize a parent to kill his child again. We don't know how old she is but I prefer Justine as a teenager.

Bianca is the first parent of an antagonist to be introduced in the series, but I have a headcanon that Walter's hair and (maybe) the eyes color inherited from his mother. I like to imagine about her personality at this point that she was kind, but also uncaring due to her marriage with unknown husband that was cruel and possibily didn't care of her child anymore during the pregnancy and her soul was sacrificed so Walter can live (so we at least we know that Walter was born cursed due to that situation).

Volks was Bianca's servant but is a theory that the became the Forgotten One in the comic (but that giagantic creature is said that was created by humans). Exist only one possibility: some sorcerers capture Volks and used him to create the Forgotten One and one day Walter capture the creature that once served his mother. I like to think that Volks betrayed Bianca and her husband out of nowhere and some years later after Walter capture and finds out from the memory that Golem keep it that the creature was once a human and served his mother and as the punishment the vampire imprisoned the creature in Prison of Eternal Torture.

[snekdood]

gonna be very annoyed if ppl insist on tryna turn all 5 of my dude characters into women when the majority of other characters in my comic already identify as women

[mandacantu]

10 Reasons Why I Actually Loved The Crow Remake

FKA Twigs - I'm not going to sit here and pretend I am not a huge twigs fan, because I love anything she touches and especially her music. This was her first time as a leading lady and I thought she did a good job. I do think there were some points where her line reading could have been a little more fast paced in some spots, but overall, I think she was captivating, eloquent and emotional. And wow, so many stunning visuals that we got of her from this movie!

2. We didn't have to see depictions of brutal and violent deaths of women in this film. I didn't want to spend too many of my thoughts on comparisons to the original The Crow, but one thing I noticed was that I didn't have to endure the violent and sexually abusive death of Shelly or any other woman in this movie. I do like the original movie but never cared for the way they went all in on Shelly's death. In this remake, we still see Shelly die but we don't have to endure gratuitous SA scenes whilst losing the leading lady. I appreciated that and was able to relax more, honestly.

3. The villain had actual motivation for killing and being a villain. There was some decent backstory and character development for the villain and that is something that I always appreciate. Some of my favorite pieces of media (like Spirited Away and Knives Out) do well to at least give the villain a story or a reason for being bad. I think it adds depth to the story and for me, helps immerse me into the plot more.

4. It felt like a comic book come to life. From the color grading and palette to the way scenes were cut and moved from one to the next, it felt like I was flipping through a comic book. There were moments that were very whimsical in depictions of love and then very gritty scenes. The contrast in some of those scenes felt similar to flipping a page in a comic.

5. It was very romantic and spent a lot of time focusing on their love story. I thought their love was believable and felt like that whirlwind kind of love where you just want to party and kiss all night. It gave me a reason to care about both of the characters and it gave Shelly a place in the spotlight where she becomes so much more than just a symbol of loss for character development. Focusing on their love and giving us some romance was a timeless decision and puts their love story up there with Romeo and Juliet or Christian and Sateen.

6. Soundtrack was amazing! If you are into some new wave, some goth tunes and some dance tracks, this is the playlist for you. Beyond just the soundtrack, it was truly a different experience to see it synced up to parts of the movie as intended. The intro was amazing, I thought it was like a James Bond meets Underworld mixed with some NIN music video sprinkled in there. The folks who worked on the score deserve a standing ovation. There were moments where I was tearing up because of how well the music paired with the scene. Most memorable and moving was Joy Division's Disorder when they bust out of rehab together and a perfectly placed Boadicea by Enya. There were so many other good ones too, I'm seriously considering seeing it again just for the mini music videos you get from the film.

7. It was aesthetically pleasing. And I'm not just talking about the eye candy that was Bill Skarsgård, though lets give him his flowers for being a true Mr. Fanservice! The actual visuals were beautiful. I loved the cinematography and color choices. It was truly a feast for the eyes. Just take a look at this beautiful gif set by pizgif!

8. I could easily see a story about grief and the longing for justice for loved ones. I thought it was a good story and as I watched it, I thought to myself that the person who wrote the original comic must have gone through an immense loss. It wasn't until I looked it up that it seems to be confirmed that The Crow was inspired by such loss. The moodiness of the movie itself added to the weight of the tragic storyline. In that, I liked that it takes a while for Eric to become The Crow. Losing someone you love transforms you and in this sense, the movie is all about that transformation and pain and longing.

9. I liked the ending. I don't want to say too much to spoil it, but I enjoyed the different ending and I was definitely teary eyed and sniffling as I left the theater.

10. It was goth as fuck. I think goth can be a multitude of styles and honestly shouldn't be something that has a gatekeeper. This was emo-boy-goth, it was e-boy-tiktok-hottie-goth, it was goth in a different flavor. I think folks are quick to see this new Eric not dressed like a new-wave-leather-daddy-goth as decidedly not dark enough. To quote a favorite musician, he was "goth as fuck, even when [he's] not in black, gothic is the pain you feel and not the clothes that's on your back."

Closing thoughts: A lot of the negative criticism is coming from men or diehard fans of the 1994 movie, so I am not surprised. This rendition felt like the same story, just done differently and with more emphasis on the love story than the revenge plot. There is nothing wrong with that and nothing wrong with a gothic romance heavy action flick.

This was intended to be a different version of The Crow and that isn't a bad thing. I personally think that if they had done the styling to be an exact replica of Brandon Lee's rendition then the movie would still get tons of hate, if not more. It was a "damned if you do, damned if you don't" situation for sure. I'm glad they took a risk and deviated from the '94 version.

We have been doing remakes since the creation of art. It has always been common to hear that the new movie coming out is actually a retelling of this classic tale or continuation of that scary story. Remakes are not a new concept and some of them do well to tell the same story in a different way. We are in the day and age where there isn't really an original idea anymore, anyway. In a world full of countless retellings of Batman/Joker and Spiderman movies, why not remake The Crow? I say fire it up!

I think they do a good job to pave the way for others to retell this love story in the same vein as The Joker and Harley Quinn. Hell, I would say to keep going, next let's see a remake where The Crow is about two badass lesbians. (I might have gotten too peppered up watching the movie, it was hot.)

P.S. I loved that there were little things like Eric wearing Shelly's jacket later in the movie. I feel like a lot of critics saw him wearing this jacket and were quick to bash the costume design too, but this is the kind of attention to detail that made their love believable to me. And I thought he looked cute as hell in it.

Okay, the end.

[lurkinglurkerwholurks]

Hello! I am a big fan of your writing, especially for the Batman fandom. If I amy ask, without trying to be invasive, why do you like WFA, Wayne Family Adventures? I do not mind if there is an obvious reason for it, I merely wish to know your thoughts. I've seen some people complain that the characters depicted are being "woobified" and made to lose their edge, putting them off from reading it further, like Jason with therapy and Duke being, "bland". I'd like to hear your opinions.

Also I'd like to know, if you could rewrite any plot comic arc in the Batman comics, especially the recent ones, which would you choose, and how would you do it?

May a kind weekend grace you. Eat your vegetables and drink daily.

Hi!

The pithy answer is it's like a fanfic melange made canon, what's not to like?

Seriously, the last three seasons have been such an ode to BatFam fanfic. I don't know who CPC Payne is but they so clearly are part of the fandom. I love a family that not only loves but also actively likes each other. I love a good dad Bruce! I love jokes and hijinks and a family that encompasses not just those that live at the Manor but also the Gordons and the JLA and the Titans and the Outlaws and all the other fan faves that I personally don't know or care about but that other people do and that therefore expands the definition of what a family can be.

It's okay that other people don't like WFA. Their enjoyment or lack thereof has nothing to do with mine or yours. But I would also note that those folks have decades of grimdark, depressing Batman to pull from, where no one goes to therapy and everyone is edgy and miserable and trauma is addressed through violence and neglect, if at all. They can go read those runs to meet their needs. I have this little webcomic and it's mine and I'm pleased to have it.

[enjoyertrying]

One thing I love about Lois Lane from Maws is that she is a female character who actually has her own personality. She could make mistakes, she could get mad about something, and the way Maws team portrays her is treated her as the main character.

Some people on the twitter argue that Maws Lois has many romantic stories, and she definitely lacks her character, but that kind of argument proves that they don’t even watch this show carefully. In Maws, we can see Lois Lane as the main character, just like Superman. She is not some kind of girl who is only Superman’s girlfriend. She has her own issues, she has her own background story, and the Maws team literally let her be the one who could be involved in Superman’s adventure, she is not just a side character. I know that Lois Lane is always the main character in DC comics and many Superman adaptations but in Maws S01E07, the whole league of Lois Lane? Well I literally see some people be pissed off by those plot because they think Lois Lane is just A FEMALE NEED TO BE RESCUED. Some people literally just get mad because Lois as a main character.

In STAS, we sure see that Lois Lane is an intelligent, stubborn, and beautiful lady, but in STAS, it is more like a Superman solo show. Superman is the main character, and all the other characters are side characters. Although STAS Lois is pretty good, in my opinion, the STAS team does not give her full attention. I love STAS, too; I don't particularly appreciate how they try to portray Lois Lane. Something like Lois only falls in love with Bruce but not Batman; she only loves Superman but not Clark Kent. It is kind of misogyny: it is like in man’s view, females only love strong men.

But in Maws, we can see Lois Lane is a female character who has her own arc, you can see her grow. She makes a bunch of mistakes, she tries to fix things, she is stubborn, and always full of anxiety because of her father…she never thinks that Clark Kent is just a dorky softy Smallville that do not deserves her attention, she actually loves those characters from Clark. The reason why she cares about Superman is because he is Clark Kent, the man she loves. Some people always use the plot about her trying to jump off the roof to prove Superman’s identity to accuse her, but seriously? The reason why she doing this is obviously in that episode. She saw Clark get hurt, she does not like people lying to her because her dad is asshole, she care about Clark…and some people call her as toxic character. Unbelievable. People sometimes just don't accept that female character can gets flaw. People all know that Lois Lane is Superman’s girlfriend, and in many Superman adaptation, they clearly does not have enough time to protrary Lois Lane as a character who has feelings and tempers. In most of the Superman adaptation, Lois is just a girl who admires Superman so much that she even could not notice Clark Kent.

But in Maws, the situation has changed. Lois has her own life, and her own path and her flaws make her a really independent character. She loves Clark Kent because of his kind heart, even his dorky side; she pursues her career with her heart, bravely solving problems, stubborn and cute.

In my opinion, Maws Lois Lane is the best Lois Lane in my heart. Can’t wait to see the third season, to get more story about her.

[redbuddi]

Do NOT Read "Lady Crystal is a Man"

People who know me know that I'm a little bit of a webtoon addict. I'm basically always reading a million different fantasy romances, even as someone who is not personally interested in romance in real life. Because of this, I am well aware of the more problematic elements of a lot of webtoons, to the point where it's easier to list webtoons that aren't problematic than to name ones that are. It's unfortunate, but it's a common aspect of webtoon consumption that most people get used to. (Note: When I say webtoons, I am talking about the genre of phone-optimized romance webcomics as a whole, not just things from the WEBTOON app. The series in question is on Tapas.)

Because of that, I will admit it is partially on me for assuming this comic was going to be more progressive than it actually was. People new to webtoons may be fooled, but I should have known better. On top of that, I am well aware that female-oriented romance stories can sometimes be a little toxic, and while this is a problem that needs to be worked on, I also know about what can happen when something meant for teenage girls is criticized. Even when the criticism is in good faith, it can start a trend of bashing anything teenage girls like and shaming them for wanting to explore media that is anything but flawless. I don't want to add to that.

But this series isn't just a little problematic. It doesn't just have some questionable elements or common plot failings. This is a series that has the potential to seriously hurt anyone who is trans, gnc, or gender questioning, and could give anyone who isn't any of those things the wrong idea about what is and isn't appropriate when it comes to trans/gnc/gender questioning individuals.

If you would like the td;dr, then in a nutshell this comic portrays material that could make an individual feel shame, discomfort, or even body dysmorphia. And on top of that the protagonist is cruelly gaslit and manipulated in ways that the series presents as if it were just light teasing, and that is all only in the 19 chapters that I was able to stomach before dropping the series entirely.

If you would like a more detailed description of this series' flaws, then I will continue below the cut.

cw: transphobia, body dysmorphia, gaslighting

Lady Crystal is a Man follows the story of a man raised as a woman attempting to escape a forced marriage by going to the mysterious and dangerous duke Illian, unaware that Illian is secretly a woman. The story is essentially a combination of two tropes, the Crossdressing Romance trope, where the main character and/or their love interest is secretly not the gender they present themselves as, a trope which has been around for as long as female-oriented comics has existed, and something a little more specific to webtoons (to my knowlege,) the Contract Marriage trope, wherin the protagonist escapes a bad situation by entering a temporary marriage with someone else, only for true romance to bloom between them. I have read many webtoons about Contractual Marriages, but not very many about crossdressing. As a nonbinary person, I tend to be uncomfortable with the highly traditional way many webtoons portray gender roles, and so I try to steer clear of series that tackle gender directly, but that is not to say no webtoon as ever handled it well. In particular one of my favorite webtoons, Alien Idol, tackles gender in an extremely understanding and informative fashion, even taking the time to acknowledge places where it's knowledge is lacking, which I've never seen a comic do so honestly before. Most webtoons are not like this, unfortunately, but that is only to my knowledge, and recently I've been wanting to expand my horizons a little bit. How can I be sure so many comics handle it poorly if I don't even read them for myself, after all? That is what convinced me to check out Lady Crystal is a Man.

In the first few chapters I was hooked. The series has extremely good artwork, and it first appeared to me that they might be trying to do a metaphor for t4t couples. Crystal is constantly coached on how to act and behave as a woman, because if he lives as a man he will be killed by his cruel and uncaring family. He takes a drug to halt his growth, and this drug is actively harming him, he is literally being torn up from the inside having to live as something he is not. He envies masculine traits he observes in others, and dreams of running away to live with the people who truly love him, cutting his hair short, and living as himself. It's because of this that I made the mistake of buying multiple chapters in advance instead of just waiting for them to unlock, and that's why I read so far into this series when normally I would have dropped it the moment it started to go downhill. Anyway, Crystal meets duke Illian, and already a connection is established by the narrative in how the two have had to live in fear of being who they really are. And at this point I was ready for them to start relating to each other and forming a bond.

This does not happen. Not really, anyway.

Illian tricks Crystal into thinking that the marriage paperwork went through extremely fast, and that they are now husband and wife. This is a red flag, but in the same chapter Illian reveals that she's just teasing Crystal as payback for trying to trick her, and that she will fully support Crystal's escape to be with her family as soon as the snow clears up. But then she doesn't. Even when Crystal admits the truth to her, and the snow clears up, Illian maintains the facade that they are married and that Crystal will have to keep staying with them until the annulment paperwork can go through. This happens because Crystal, under the impression that they are really married and that he has tricked Illian into falling in love with him only to have her heart broken, decides to take responsibility for his actions instead of running away like he originally planned. And Illian, hearing this, continues to lie to Crystal about their being married. This establishes a pattern that will continue from here: Crystal will show genuine care and consideration for others, and will be rewarded for it by being continuously manipulated by the people around him.

It's at this point that Illian finds out that Crystal is not a cis male. Not because Crystal told her, mind you, but because Crystal faints due to side effects from the drug he is taking, and Illian, who has taken the same drug, recognizes them. At first this is fine to me. I like that Illian does not get angry or upset, or even wants to confront Crystal on this, and at first I thought it was because Illian respected Crystal's boundaries and would only acknowledge it if Crystal decided to tell her. She even continues to refer to Crystal with female pronouns, even when she deduces that Crystal might be living as a woman just to not be killed in the battle for succession. But then, Illian decides to "make sure" that Crystal isn't cis. And while we aren't directly shown, it is heavily implied that Illian looked under Crystal's nightgown to see his genitals.

There had been one or two red flags up to this point. In particular, focus on the size of Crystal's hands. This was off putting to me, as this is something that could hurt people. Even people who aren't transfeminine could be hurt by this, the fact that having bigger hands than what is considered "normal" for a woman and how this is treated like a clue to Crystal's gender identity is something that would hurt anyone who identifies as a woman but doesn't fit what is considered a normal body standard. Focus on hands is even something that can be a big dogwhistle for TERFs, although I don't suspect the author is a TERF since I'm fairly certain this is a Korean comic, and I don't know what the discourse on gender in Korea is like.

Regardless, even with my growing suspicions, this was a massive shock. Crystal was unconscious at the time, unable to consent. This is unambiguously a massive violation, but the comic portrayed it as just a silly, over-the-top bit of shenanigans by our female lead. I know for a fact that this wouldn't have happened if the genders were swapped, in every webtoon I've read people who try to look under women's skirts are treated as disgusting perverts. But because Crystal is a man, suddenly it's cute and funny when his privacy is undermined. And this is the turning point where the series goes from a seemingly flawed but earnest attempt at a trans metaphor to a showcase of the most disgusting abuse I have ever seen in a story, all written as though it were just silly antics by people who are ultimately in the right.

Soon Illian and the doctor she had look at Crystal begin internally referring to him with masculine pronouns, all without asking if it's what Crystal wants to be seen as. As the doctor mulls over Crystal's potential circumstances, she thinks "Few people pretend to be the other gender, even fewer do so against their will," the series acknowledging the existence of trans people, but only as "petenders." And again, this is before they even know for sure if Crystal is doing this against his will. All the while, Crystal is portrayed in more and more infantalizing ways. He plays with snow like a child. He doesn't understand basic social cues, or even that people might be lying when they speak to him. He accepts everything Illian tells him without checking, even when he knew going into this that he would need to be careful. Illian secretly alters Crystal's communication devices so that she can see everything that Crystal says when he sends out messages to his friends in the east, who are waiting to take him in, unaware that he has been manipulated into staying against his wishes. Illian is drawn in by the way Crystal wears his heart on his sleeve, and doesn't want to let him go, even though she knows that Crystal has a home somewhere else. Crystal is prevented from escaping, and isn't even giving the courtesy of knowing that he is a prisoner.

There is another character in the comic, a cook who is portrayed as being large and strong, completely unfeminine despite being female. For one thing she's a show of hypocrisy, a cis female is a female, without question even if they don't fit eurocentric standards of femininity, but a trans female has to pass these standards with flying colors, and even then they don't really count. But there is another thing about this character. She is regularly referred to as a "monster" for her immense strength, size, and endurance. She owns it, seeming to be perfectly content with it, but not all real people who look like this would enjoy being called that. I feel that this is another acknowledgement of the other, that yes there are cis people who also don't perfectly fit their expected appearances, but they're not normal. They are exceptions. Monsters.

And then came the chapter that made me drop this series for good, completely overwriting my buyers remorse with disgust. Illian has to leave for a mission, and had instructed the Doctor to take away the drug that Crystal is using to maintain a feminine body. The doctor confronts Crystal, telling him that she "knows" he's a man, and blackmails him, threatening to tell Illian if Crystal doesn't hand over the drug. In exchange, the doctor gives Crystal a magic ring that she says will make other people perceive him as female. This is already bad for a few reasons, namely that even during this confrontation, the doctor never asks Crystal if he truly identifies as a woman or not. If Crystal did identify as a woman, then the ring would be a terrible trade. A person who wants to look at themselves as feminine does not do so in the hopes that other people will see them the same way. While the perception of others is certainly a concern, the main consideration is if the person sees themselves as feminine. A ring that only allows other people to see them as feminine would certainly be useful for people who don't want to be misgendered or seen in a way they don't want to be seen, but it wouldn't be an adequate replacement if it wouldn't help the wearer get a body that makes them comfortable. At best it would just be a supplement to something else.

But worst of all, it's all a lie. The ring doesn't actually work. It's all a trick to get Crystal to give up the drug. Yes the drug is harmful to Crystal, and Crystal himself doesn't want to take it, but as far as the Doctor knows Crystal could be trying to appear feminine for his own reasons. But without even consulting him, Illian and the doctor assume they know what's best for Crystal and trick him into giving up what could very well be the thing making him happy and comfortable in his own skin. Imagine how horrific things would be for Crystal if that was the case. Seeing his body change in ways he does not want, entirely against his will, and since the ring doesn't actually work his transformation would be fully visible to everyone around him. But instead of asking what if he wants this, Illian and the doctors decide to play the odds, and this is written as though they're being helpful by doing this. To add insult to injury, the doctor internally criticizes Crystal for accepting the trade without questioning it, seemingly forgetting that Crystal was essentially forced into it.

For obvious reasons, this was the point where I had had enough. This was abuse, plain and simple. Yes characters are not real people, and there is a place for stories that tackle things like abuse and manipulation, but this series never acknowledges the horror of what it's characters are doing, treating these things as though they're just cute and quirky romcom gags, maybe not normal but ultimately harmless. Meanwhile in the real world, these things are deeply harmful and hurtful to the readers of this series, especially those who, like the characters of the story, are forced to live in identities that are not themselves.

It's pretty common for webtoons to tackle things like this without really knowing what they're doing, and usually I'm able to shrug it off and keep reading, even if still criticizing it, as long as it seems the writers have the best of intentions. Making mistakes is how we learn, after all, and a lot of webtoons are written by young adults living in conservative societies who just need the chance to see other people's experiences. But there is a point where I draw the line, and that is when there is no perceivable compassion whatsoever for the types of people they are portraying. As I mentioned, the comic clearly shows an understanding that there are people who do not live as the gender that they are assigned at birth. But it does not see them as people. Even beyond the "pretend" line, gender is portrayed as concrete, inescapable, with terrible consequences for trying to change it. It portrays transfeminine people as clueless, weak, and unable to decide for themselves what's good for them, and illustrates anyone who doesn't fit typical standards of appearance as a strange and terrifying other that shouldn't be considered on the same level as everyone else. In general webtoons already have a massive issue with beauty standards, (don't even get me started on the way fat people are usually written,) but this is a whole other level of cruelty. While this comic was probably not specifically made to harm people, it takes careful steps to put people it doesn't like "in their place." It wants you to feel bad about yourself. This comic and comics like it should never be supported, not just for political reasons, but because, like it's characters, this comic is trying to enforce ideals that it feels for best for you, regardless of if it's what you actually want. And no one deserves to be hurt like that.

So if you see this comic or a comic like it, I encourage you to turn away. If they won't portray us as human, then we don't have any obligation to give them our support.

[silverthehedgehogharacteristics]

Silver Characteristics Part 2

Warrior -  fought and struggled for half his lifetime in the hellish Iblis future, constantly fighting against Iblis, monsters and putting out disasters including Flame Tornadoes for most of his life to bring peace to the world. Shadow describes him as a Fighter in Team Sonic Racing. Enjoys Fighting and can be quick to start fights(Fights almost everyone for both in Rivals 1+2 and Infinite in Forces, almost fights Blaze in Colors DS and Otherworld Comedy and Bowser Jr and Jet in the Olympic Games). Extremely Brave(No regard for his own safety, Instant fight response when surprised in Sonic Generations, fought Iblis monsters since he was Cream’s age). Values bravery and dislikes cowardice/cowardly tactics(Rivals 1+2, Colors DS, Team Vector interview). Has high aggression, determined expressions and aggressive body Language during anything he's focused on. Often makes fists, punches things when he’s frustrated and gets up with his fists in Sonic Forces. Due to his backstory he is deeply appreciative of peace and prosperity but also has a violent personality.

Focused - Is Focused on saving the Future(06 design docs). Very serious and focused when it comes to his mission or dealing with potential danger. Very proactive in dealing with things as he was the only one actively trying to defeat Iblis and change the world(06) and the only one trying to find the truth of Dodon Pa and Eggman(TSR). Has a Straight-To-The-Point mindset(doesn't care what the plan is called, only that it works in Forces) and doesn’t like things getting in his way. Very goal focused(even during competitions, he says the Jade Wisp Ghost ability is the only item he likes because it lets him disappear and focus on racing(Team Vector interview)). Takes things much more seriously than Sonic and sometimes gets mad at Sonic for not taking things seriously or messing around(JP TSR, PlayStation Comic). Has pointed angular eyes like Sonic’s other rivals which represent intensity, danger and seriousness in character design.

Can be Ruthless - “sometimes calls forth great power without mercy”(Sonic x Silver). Has fought dirty(Played possum to hit Sonic in 06), tried to assassinate Sonic, snuck past Soleanna guards. Mugs Tails in Sonic Rivals 2, has no qualms with fighting small children like Tails or Bowser Jr. Leaves his enemies to die even if they beg for life. Has the pragmatic “get-it-done” mindset of Future Trunks/will do whatever it takes to save the future.

Intuitive - Solves problems by using his mind in all his major game roles including figuring out how to revive Sonic(06), being a detective(Town Mission 13), uncovering Eggman/Nega’s plots(Rivals 1+2, TSR) and solving various puzzles. Very perceptive(Sees through Eggman Nega’s disguises by noticing small details), turns his fight with Sonic into a race to collect Chao to advance his mission(Crafty). Intuits Blaze trying to control great power when seeing it for the first time(Otherworld Comedy). Not trusting(Didn’t initially believe in time travel, Immediately suspicious of Dodon Pa in TSR, questioned Mephiles’ mission even as Blaze reaffirmed it as their only option, takes time to work with others in the Rivals series).

Challenger - Enjoys challenges and seeks out ways to test himself(Climbed Tokyo Tower, disappointed when Orbot and Cubot don’t pose a challenge). Very Competitive(Almost fights Blaze when they start one-upping each other over who could deal with Orbot and Cubot on their own in Colors DS). Self-confident and has a smug attitude about his abilities but is otherwise pretty humble. Cherishes his friends and strongly believes in/very grateful to those who help him. Regularly trains off screen like Sonic’s other rivals and said to make Steady efforts to improve(Wallpaper Comedy). Bold and undeterred by any threat(“We can take them all on!” when facing Eggman, Knuckles and Rouge in Rivals 2, “I’ll just destroy him everywhere at once” when facing Solaris)

Curiosity - Has a certain curiosity and likes seeing new and different things(“Interesting”).Can praise or call things cool as much as he insults others. Might have a weakness for cute things(Has a soft spot for/plays with Chao in Sonic Rivals 2 and an official PlayStation Magazine comic). 

Skills - Powerful psychic with various super powers(Sonic Runners). Like Sonic’s other rivals he has various skills including car racing, acrobatics, fighting near the level of Shadow, sharp shooting among the best in Soleanna’s 1500 year history. Has been a detective, delivery boy, butler, top ranked ice skater and “genius” skating coach celebrity(He takes offense to being treated like an amateur for a reason). Fly/Skill-type character so he specializes in more technical sports like ice skating and drives a car with high balance(TSR, Team Vector Interview).

Polar Opposite of Eggman Nega(Blaze’s best friend, Pure, Young, Honest, Rude, Empathetic, Impulsive/Reckless, Naive, Practical/Focused, Altruistic, desiring Peace and Happiness and willing to die to protect the world opposed to Eggman Nega being Blaze’s arch enemy, Twisted, Old, Deceitful, Polite, Psychopathic, Calculating, Sophisticated, Petty, Egoistic, desiring Chaos and Destruction and willing to die to destroy the world)

Enhancer-Emitter - Enhancer being someone that is determined and simple, never lies, hides almost nothing, is straightforward in actions and thinking, whose words and actions are often dominated by their feelings and is very focused on their goals. Emitter being someone that is impatient, not detail-oriented and quick to react in a volatile manner but can also calm down and forget easier

Lives in the good future when not helping Sonic in the present the same way Blaze lives in her dimension. Thinks things in Sonic’s time are dated (sometimes, in Sonic Rivals and Colors DS) Often implied/shown to like apples(Ate apple flavored calorie bars in the Iblis Future according to Sonic Pict) and live in Soleanna(He was originally going to be named Venice because he lived there, he may be Italian coded as his counterpart Galahad uses an Italian dagger as a sword). 

[kit04kat]

Ranking the batfamily most to least likely to become a supervillian. (Plus all my ramblings about why I put who where [disclaimer, i have not read the comics due to me not having that kind of money]) I started thinking about this while reading a fanfiction where Dick, Jason and Tim were taken in by villians instead of Batman and it got me thinking. Anyways, let's get to the rankings.

1: Tim Drake. Starting off strong with our resident boy-genius with stalker tendencies. This may shock some of you, but I look at this human disaster and see a plethora of supervillian potential. You take away this man's adult supervision and the world may never be the same. What was happening with the league of assassins? And the fact that he tried to clone his best friend out of grief? Also I feel like we all skimmed over the fake uncle shenanigans too quickly. I once saw someone say something like Tim's moral code is copy-pasted off a house rules sticky note on the fridge and I agree.

2: Jason Todd. Seriously, we all saw this coming. Now, you might ask me, "but Kat, why is Jason at number 2? Didn't Red Hood already do the villian thing?" And to that I say, Ha! I am ranking them on supervillianiousness(???) Jason had his whole revenge plot and crime lord thing in Gotham but after that was done, he kinda settled out a little bit. So no, I don't think Jason has ever been a supervillian, just a villian, and after that he was more like an antihero/vigilante. That being said, I don't think he is incapable of being a supervillian, which is why he is number 2.

3: Stephanie Brown. Ok, I'm gonna be honest, I was really wavering on the order of the people in the middle. Also, I'm not gonna claim to know a whole lot about the adventures Steph has been through. That being said, I feel like she is just a tad bit more unhinged than the rest of the people in the middle, and therefore more likely to go insane. And if she had the proper motivation, she could totally be a badass supervillian. (Kind of reminds me of Jason in that way)

4: Damian Wayne. Alright, here's the thing. A lot of Damian's character development has been about him overcoming his heritage and learning that the things he learned with the league of assassins were bad. That being said, I don't think he will ever leave behind those ideologies as thoroughly as Cass and Bruce did. I think he sees the world in a lot more shades of grey than they ever will, and because of that, I've decided to put him forth on our list.

5: Barbara Gordon. I'm putting Oracle right smack dab in the middle. Not because I couldn't figure out where to put her, but because that's where she belongs. Listen, do I think she would ever become a supervillian? No, not really. However, if for some reason she had to become a supervillian, she'd be able to do it. If she ever turned to the dark side, it would be completely thought out. Calculated. And my girl doesn't do anything half-assed.

6: Duke Thomas. Now, Imma be honest, I don't know a whole lot about Duke, and I didn't really know where the best place to put his would be on this lineup. I put him in 6th cause I don't think he'd turn into a supervillian but he's more likely than the last three. He probably deserves to go further up the list, but oh well.

7: Bruce Wayne. I know some people will probably say he should be further up the list, but here is my reasoning. Batman's whole kinda thing is that he's always toeing the line. He's doesn't kill because he knows he wouldn't be able to stop. He is Darkness, Vengeance, the night, all that stuff. (It's why Batman needs a Robin) If he broke, he'd be broken. I don't think he'd be able to come back from that (I also disagree with myself a bit, cause there's no way his kill count is 0. I mean, he's been beating people up at night instead of therapy for decades) Anyways, that being said, man is stubborn and has been doing this vigilante stuff for a longggg time. I simply don't think he's gonna turn.

8: Dick Grayson. We are getting towards the bottom of the list here, to the people I think are least likely to become a supervillian. Dick has been through so much. With Renegade, Red X, Spiral, whatever was up with Ric, he took up the cowel and became Batman when Bruce was gone (which is something he never wanted to do), he's had so many of his friends die, family die, and that's not even all! He's been through a lot, but he's also the light to batman's dark. He's been through all that and still chooses to be good. There's no way he's ever becoming a supervillian (even if it is a very interesting plot in fanfiction)

9: Cassandra Cain. Last but certainly not least, Cass. I personally think she is the least likely to become a supervillian. She was raised as a weapon and taught to kill, but she has completely overcome that. She won't kill at all, much like Bruce, but she's also more emotionally sound. Her morals are strict, and she doesn't have to fight with herself to keep them. I love her so much, truly one of the best of us.

I'm gonna put Alfred as a honorable mention. He doesn't get to go on the list cause honestly, if he ever became a villian, it's over. He's have the world in his clutches before the week is over. Gotta respect him for having the patience of a saint.

This was so long! Anyways, feel free to add to this or tell me how you would rank them differently!!

[hollowsart]

seriously, Marvel. please consider a little series of comics that focus solely on the mundane side of Spider-Man's rogues' lives. like focusing solely on those who were and are a part of the Sinister Six cuz those are popular favorites.

let us see more about them beyond being villains and plotting and scheming to rob banks/tech facilities or take down Spider-Man. let's see more of their more mundane side.

I'd do ANYTHING for a comic about Mysterio and his every day life outside the villain persona. I already know a Doc Ock focused one would do MAD Numbers from his fanbase.

no lie, Electro fans would go haywire if there was a comic focused on Max Dillon and his less energetic lifestyle.

I ADORE world building and I think we could use some more for the villains. their environments can tell a lot more about them as a character and I think we really could use more of that in general within Marvel as a whole. there's a lot of focus on the characters and their relationships, but it's limited to purely dialogue. a telling and never really showing. and what it tells doesn't do too much.

slap some more DEPTH and INTRIGUE into these characters!!

What are their daily morning routines?? When they're NOT plotting and scheming and having to secretly meet up with other bad guys to make top secret exchanges to further their devious plans. Like.. HOW do they prefer to live and decorate their living spaces?? Show and tell us more about their likes and dislikes!!! DO they have other talents? Did they have any other career ideas they would have enjoyed besides the ones they ended up with? ANYTHING more would be nice!!

I'm just a sucker for world building and character developments beyond the base narrative limitations.

[physalian]

On Fight Scenes (Or, getting creative with your magic system)

This is coming from a reader’s perspective, not a writer’s, in what I like to see and what my thought process was when writing my fight scenes—I hate these things and can’t call myself any authority on the matter. They’re tedious and translating what’s in my head onto page is always frustrating.

This is also for fantasy and sci-fi: Fight scenes that have some magical or technological element to them, not a straight-up action story with two dudes punching each other. This includes anything from fights in Harry Potter to battling a Xenomorph to bending in ATLA to a throwdown between superheroes.

Side note: I really, truly hate “two dudes punching each other”.

—

I have a friend who loves comics, specifically DC Comics, and watches all the DCAU films. When we lived together, I often watched a lot with them. My favorite remains Constantine: City of Demons because unlike literally every other DCAU movie, it doesn’t drop the ball in the third act and devolve into a stakes-less fistfight. This dude faces *consequences*.

I’m not a comics (like actual, paper comic books) fan, but without fail, every time the setup is good, the characters are good, the first 2/3s are good with pacing and usually a mystery and passable character development like Batman: Under the Red Hood…. The last 15 minutes or so always abandon what had been a good plot for just superheroes punching each other and I get so bored. I’m invested and then they rarely deliver any payoff.

But I do like Constantine. Dude needs a nap.

Point is: On top of those fight scenes not really mattering, by the nature of what comic books are in that they can never stray too far from the status quo, or if they do, it doesn’t stay that way for long, the people who made these characters don’t get all that creative with their powers.

I think, actually, I liked Constantine so much because his stuff is rated R and it doesn’t shy away from the more realistic effects of living in a superhero society… without being gratuitous like The Boys.

I just get bored. The fight stops when the plot says so. Knockouts are arbitrary, power scaling is arbitrary. Someone can get thrown through a wall and walk it off but the villain or their buddy can come up behind them and hit them really hard on the head and that’s enough.

Anime is its own thing and would take far too much time to address here but I do want to talk about My Hero Academia real quick, following up on a previous post about tournament arcs.

Season 2 of the show has three main arcs: The tournament in the first half, and the Stain fight/final exams in the second.

For a while, the show actually seemed to take injuries rather seriously (for shonen, at least), and got insanely creative with characters’ very niche powers. In season 1, their teacher, Aizawa, gets pretty brutally beaten by a horde of villains and his powers are permanently impacted by his recovery—he can’t use them for as long as he used to, and he has a new scar.

Midoriya, too, whose powers break his bones on the regular, has consequences for overusing them, like his hands and forearms not healing properly despite superpowered medical intervention.

Power scaling, too, was fantastic…. Until the Stain fight.

I will never understand the thought process behind this logic:

“Hey let’s show how powerful Todoroki is by having him manifest an entire glacier in about 3 seconds!” *9 episodes later* “Hey let’s make this fight with a dude who only has various blades to work with super tense by making Todoroki completely nerfed in a legit life or death situation!”

Buddy couldn’t take two seconds to yell at his friends to get the fuck out of the way? Was he worried about damage to the buildings? I feel like nepotism could have spared him from some consequences if breaking a few windows meant him not getting murdered. It wasn’t like he had daddy issues over his ice powers.

The rest of the show (until I DNFed) had similar issues. Powers were as competent as the plot allowed at any given moment, which I guess is the nature of shonen, but if you’re going to go out of your way to establish realistic rules and consequences really early on, breaking them willy-nilly because it looks cool later is annoying.

Which is applicable across all fantasy sub-genres: Consistency.

I might not be the best at writing the step-by-step choreography, but damn it if I don’t know how to make sure I’m not opening up plot holes in how much damage my characters take and dish out.

—

So. How I approach fight scenes as told by Eternal Night and my sci-fi WIP.

Before anything else, establish a reason that this has to be a fight, that it has to happen now, and what’s happening beneath the combat to keep the story progressing. The plot will not stop just for fisticuffs.

A magic system is only as cool as what its characters cannot do with it, and breaking those limits ruins the magic system.

Make sure this is a fight that can only happen in this story, taking full advantage of the various powers/abilities/magic system rules, if this is meant to be flashy and grand.

Eternal Night is about vampires, thus my vampires, being immortal, can take a lot of hits and not suffer long-term consequences compared to a mortal. I adhere to a lot of classic vampire lore while also making up my own rules. They don’t have super speed, super strength, or compulsion, they just have a lot of experience and know how to use their weapons well, and can essentially go at 100% without mortal limitations of fatigue.

Basically: My vampires are only as strong as a mortal in absolute life-or-death situations, but that’s also dependent on how strong they were in life. Somebody who was a couch potato isn’t going to be as strong as a bodybuilder, and that carries over. I don’t have “younger/older vampires are supernaturally stronger” rules.

They have the same immortality risks as most versions: Stakes, beheadings, sunlight. Anything else is survivable.

Simple magic systems tend to be the most robust because there’s less rules available to risk breaking or forgetting (why ATLA's bending feels so real).

So when I was writing ENNS’s big fight, on top of making sure they weren’t all gods with their weapons—they missed shots, got tired, made bad calls—priority one was making sure I kept killing blows consistent, and when they’re temporarily “dead,” that the timing of when they revive isn’t determined by the plot.

Meaning: If I have a vampire who, idk, gets stabbed by a regular sword and it “kills” them, they have to stay “dead” for whatever amount of time I’d previously established and not wake them up early to participate in the plot again. Those are my rules and I have to work with them.

And in that way, yes the choreography is frustrating, but even if it’s an average description of a fight, I will appreciate that the writer respects their own rules and still be entertained.

With that, in the sci-fi WIP I had incredibly complex and diverse magic systems, 3 complete and unique practices split between two characters. One of which was incredibly OP.

This was a very reluctant OP character who wouldn’t use the full extent of his powers even to save his own life, often to the ire of his team who suffers the consequences of unnecessarily complicated battles when he could one-shot the enemy but chooses not to.

Internal limits tend to be stronger than external ones if you have an OP character, because they’re more believably toggled on and off without breaking the lore.

Even with OP character stubbornly making life harder for himself, he was still OP. He had two different magic systems at his disposal, and beyond his internal limits, they had two very easily exploitable external limits.

Magic system A was tied to a physical artifact he had on his person. If he got separated from it, he couldn’t use it. A is also a lot harder to use if B is also busted.

Magic system B was counteracted easily by users of Magic system A, and by the enemy military who’d developed weapons specifically to nullify those powers, and that weapon was everywhere.

Which meant my fights concerning OP character were rarely “why doesn’t he insta-kill them” it was “oh shit, he can’t insta-kill them, now he has to be clever to get out of this alive”.

One of my favorite fights was at the tail end of Book 2 where he was stuck with two of his non-powered teammates, on a ship dead in the water being overrun by the enemy. The ship had no power, the radios were dead, and the engines were fried.

He had already been sick for half the book and physically and mentally exhausted, and when the enemy arrived, they nullified the rest of his powers. All he had was Magic System A, but in his condition, it was like being asked to do long division on paper by hand, because his calculator was broken.

Dude was not having a good time.

Which meant he was basically useless, with two of his basically useless teammates, who all had to work together to get creative and clever with the tools that they had, on a ship they all knew like the backs of their hands.

So many things they would not have had to do in any other situation, with stakes so much higher because OP was powerless. The characters came first, not their powers, which I think is the most crucial ingredient to any fight you want people to keep talking about for years to come.

—

I can’t tell you how to choreograph your scenes, but I do think that why they’re fighting matters far more than what they’re fighting about, and especially in fantasy: What’s the point of writing magic if you don’t take full advantage of your magical characters?

[adreamfromnevermore]

Watched Dead Boy Detectives recently and read some of the comics, putting some thoughts here to get them into words. Minor speculation for the future if we get a second season (which'll be under a cut)

In the comics the boys are younger, somewhere around 12 or 13 I think and their deaths are a little different. The first major plot is actually focused entirely on the school, I like the shift from that and the way they took the cases in the show a lot actually. Although having them meet Crystal in boarding school would've been funny.

I think aging them up was actually the better option, especially if we want more than one season. Actually having them be as young as they were in the comics would've made it so they had to recast every few seasons since dead boys don't exactly age. I think it also allowed for a wider audience, having two main characters as 13 year olds would've been a little young for a lot of viewers to take the show seriously and to tie in with the Sandman show.

I'm really interested to see where they go from here, if they've decided not to use the school at all and how they handle Crystal and her parents. In the show so far we've only really seen the one glimpse of them but they have a bit more depth (like a tiny bit) in the comics and I do wonder if we'll see anything like that or if they'll be just as absent if we get a season 2. A few of the separate big bads they deal with in the comics come from the school, I'm leaning towards that being mostly left behind because of what we saw with Simon, in the comics he was definitely not someone who was ever going to be redeemed or make peace.

I'm putting the rest under a read more for season 2 spec that some people might not want to see (primarily a bit about Niko and where she might be)

So, my first thought is the Neitherlands. Idk how much it shows up in Sandman comics because I haven't gotten to those and is pretty big plot wise in the 2014 DBD run.

The Neitherlands is where a few different characters are trapped, namely 2 friends of Crystals, Hana and Rosa. In the original comics Rosa is taken as a child while with Crystal on a rollercoaster and Hana is sacrificed so her body can be stolen by a demon. Neither of them are exactly what happens to Niko but we don't really know what that charm did and I'm willing to entertain the idea because of it's connection to Tragic Mike.

Now, the thing that made me think of this at all is the most striking feature of the Neitherlands, snow made of bone. In the comics it appears without color, but the main defining feature from the beginning is snow made of bone. I could be entirely off base, but in the comics they are able to rescue and return people from the Neitherlands.

The question about that, is that in the comics the bodies are still alive. Rosa in a coma and Hana possessed by a demon. If Niko is in the Neitherlands while her body has died what does that mean for her return?

(other slight connection between the Neitherlands is that slightly more walrussy Tragic Mike has a direct path in his shop that allows him to go to the Neitherlands. Direct path as in like, him drowning for a while I think, but it works for him. And he did give Niko the lucky charm)

[spaceorphan18]

You said you saw Deadpool & Wolverine - how did you like it?

Oohh, thanks Nonny! I had been planning on writing my thoughts! :)

I liked it!

I thought it was a very apt bridge between the old Fox films and Deadpool coming into the MCU.

I'm not a huge fan of uber violent things but something I appreciate about the Deadpool films (and Ryan Reynolds' brand of 12yo humor) is that behind it all is a lot of heart. And this film retained that, through all the crudeness, the point is that ultimately, Deadpool/Wade is a really good guy. And I can respect that.

Getting into specifics... which are very spoiler-y

I thought the plot itself was very thin, and this whole thing probably works better as a bunch of sketches, but it's fine. I was never asking for a lot from this film, and it did the only thing I was really asking of it, which was provide entertainment and get Deadpool into the MCU.

I appreciate that they really didn't shit on Logan's legacy while bringing Hugh Jackman back. Jackman seemed to be having a good time of it, which I'm glad to see.

Btw, loved all the musical jokes we got in this! Loved it.

I LOVED the montage of various Wolverines -- I understood most of the references! Yay me for reading X-Men comics for so long!!

The Henry Cavill cameo? Perfect.

I'm not surprised we didn't see a lot of Wade's family and friends, but it is sad they got such a small amount of screen time.

Ooff, Vanessa continues to be the one really weak piece of this whole thing. Does the actress not want to be there? Does she have limited time? Why is her character always being reduced to love interest whom Wade does everything for but there's no development of her character? Idk.

The TVA stuff is fine. I feel like it's so convoluted now that it doesn't really matter that it ultimately doesn't make much sense. I do think the MCU needs to start moving away from the multiverse stuff. It's just getting too mucky and it's lost focus.

Oh, why is Thor holding Deadpool, I'm sure it was just a gag, but oh god would it be hilarious if they brought it back at some point.

The Happy stuff. It's always great to see him, but how did Deadpool end up in the main universe? Why am I even questioning this?

Cracked me up that they hid Peter's face in that picture. Can't give Sony any more money than necessary.

Oh, in general, I love LOVED all the fourth wall breaks. This is why I watch Deadpool movies.

Cassandra Nova was fine as a villain. The actress was great! She just feels... a little too seriously evil to be in this comedy movie. Idk.

All the returning c-list villains were fun!

Having Chris Evans return as Johnny Strom was a brilliant move and I loved it. Having him just be the opposite of Steve Rogers on top of it was hilarious. Perfect use of a cameo, film.

Wesley Snipes returning as Blade. Goddamn. I'm kinda surprised he agreed to do it!

Great to see Jennifer Garner return as Elektra. I'm kinda glad I made myself watch all those marvel movies (which I still need to finish...) I appreciate this cameo more (and the dig at Daredevil).

Yay Laura returning! Could have always used more of her, but she did what she needed to.

Okay. Okay, let's talk about it. Let's talk about Channing Tatum as Gambit...

The Pros : The accent was fun, the way they used his powers was fantastic and original, they didn't make him the butt of jokes or treat him like a joke, there was a general respect for the character overall and I really, really, appreciate that being a Gambit fan

The Cons : Look, I have nothing against Tatum personally. He just doesn't look right. He's too think in body shape (not meant in a derogatory way), and his face just doesn't work in the headsock. Not to mention the costume looked plastic and cheap.

I really hope Gambit is back, but can we have Tatum as Gambit here like we had JKras as Mr. Fantastic in Dr. Strange? Just a one time fun gag? Please??

Remy is having a really good year despite dying everywhere.

The Deadpool squad (or whatever) I'm afraid I haven't read enough Deadpool to really get it, but it was fun. The side scrolling action sequence reminded me of a video game. And honestly, Wolverine with his cowl on, just kind of loosely moving reminded me of a video game as well.

I'm super curious to see how Deadpool plays within the MCU now. Let's go for it.

The credits were a nice touch. I'm glad they could honor those films for what they did, and I'm glad we can now move on from them.

Tl:dr it was fun and I liked it! :)

[animalinvestigator]

any manga recommendations?

yessss oh my gosh always, gladly. so honored you would ask little ol me about such a thing... i haven't been reading much lately so here's just a little list of things ive picked up in the past few months or things i've liked for a long time..... all of them are on mangadex so just look em up... Im editing this to put them under the cut sorry i didn't do it before ive been on the clock for like 4 hours and im tired Lights cigarette

fool night yasuda kasumi !!! it's currently ongoing and i recently got caught up... if i had to describe it in two words.. "post-chainsawman." it's very similar in a lot of ways, but has very different priorities.. what i really like about it is that it has kind of a tighter focus on the "poverty and capitalism" angle that chainsawman definitely covers but doesn't really devote its full attention to. in a world where the sun no longer shines, plants can't grow, so humans are constantly at a deficit of oxygen... to combat this, government facilities offer a payout to desperate people who can't afford to live if they allow themselves to be "transflorated" -- basically fed on by a magical spiritual plant that will eventually kill them and release oxygen in their stead. one such desperate person undergoes the procedure only to find he has the special ability to communicate with transflorated bodies after theyve passed... and then he becomes a Plants Detective and shenanigans ensue. Super good it made me cry... art is beautiful..... definitely worth a read if youre looking to pick up something ongoing

babel no toshokan by tsubana - stumbled upon this after reading the artist's other work "wakusei closet" on a whim... this shorter story is much preferred and has engraved itself deeply on my heart. a girl with a strange set of beliefs about reality enters a strange relationship with a boy who can read everything that's ever been written just by touching an identical sheath of paper..... seriously so good. give it a go if you want something short and sweet

planet laika & scorched earth of love by mayuri yoshida, this is a short manga and one shot bundled with it that has been one of my favorites for like FOUR YEARS NOW!!! mayuri yoshida's sickly cute animal people + loving intricate lineart combine to create a really unique visual aesthetic. its about the titular laika , as in, the dog launched into space, who has since become the ruler of a planet of dogs, and her plot to take revenge on humanity. also she has a lesbian wife. the one shot is so good too SO DONT MISS IT!!!

anyone who has heard me talk about comics for the past year or so probably knows i've been trying to get Just yknow everybody on earth to read dead dead demon's dedededestruction by inio asano. nothing i could ever possibly say about it could do it justice it's seriously my favorite manga of all time. it's about being in love with your best friend and the end of the world and aliens and politics and the internet and stuff. asano's art is truly breathtaking and unlike anything else on earth, the characters are all infectiously lovable, and it's just like... endlessly life affirming and heals my heart in a way i have a hard time articulating.

and last one... not strictly manga but i have really enjoyed keeping up with wanan's webcomic no home recently... its a long one, but i read about 275 chapters of it in like 3 days, because it's that hard to put down, LOL... extremely inspiring character writing and also just insanely fun, eunyung became an all time favorite character of mine on impact and it has one of those casts where you can't help but have fun watching them be together in literally any situation. it's about a bunch of kids with shitty family situations trying to figure out to learn to live with eachother. its an extremely good example of mundane character drama being written so compellingly that it will make you start slamming your head on walls at work. Speaking from experience.

miscellany... everyone tells you to read witch hat atelier, do it its good... everyone tells you to read dungeon meshi do that its good... Chainsaw man part 2 is getting crazy right now ...... uhhh... i have a billion more so if none of those interest you let me know and i'll share more. thank yew so much for your interest in my opinions and i hope there's something here you can appreciate!!!~~

[tokyo-tower-symbolism]

Karen kinda starts off as basically the comic relief side character

She has a those two guys dynamic with Mahiru. She has the normal background character reactions of the main characters are so cool, and makes Junna stand out since she's not like that. She's could have been the token normal in the friend group who everyone has to keep a secret around so they can keep their normal life along side the cool stuff. She's very high energy in a cast of relatively serious characters. She’s ambitious enough to get plots moving but not enough to be a rival to the main character. She’s like designed to be one of those characters that the audience enjoys but is not supposed to take seriously

[pluckyredhead]

We made it, you guys! I'm wrapping up my blitz through all the Fourth World canon. I've already covered the comics of the 70s, the 80s, the 90s, and the 00s, so now let's get into everything post-Flashpoint!

Wonder Woman (2011): I'll be honest: this series is Not Valid, and Orion only shows up as a supporting character for about a dozen issues, so I just skimmed his appearances rather than actually reading the whole volume. Anyway this version of Orion slaps Diana's ass and hits on her relentlessly and isn't even from Apokolips. Highfather is emotionally abusive. No one else from the Fourth World even shows up. Throw it all directly in the trash.

Infinity Man and the Forever People (2014): Genuinely who was asking for a New 52 book about the Forever People (the most optimistic of Kirby's creations) written by Dan DiDio (a man on the record as saying he wanted "to take the smile out of comics")? Shockingly, it's not as bad as I was bracing myself for. I mean, the lore changes are baffling (Darkseid and Highfather are brothers! the Infinity Man is Highfather's conscience and that's why New 52 Highfather's such a dick all the time! Big Bear is from Apokolips and has a secret, angrier face because he's like a bonus Orion now!). And the art rotates through four or five different artists and all of the issues not drawn by Tom Grummett are hideous. But mostly it's just very boring and pointless? Let's all ignore it forever.

Green Lantern/New Gods (2014): Hey, do you remember when Green Lantern was one of DC's most successful franchises and they were publishing five simultaneous GL-related ongoings and they oversaturated the market so badly they could barely keep one GL book going until recently? I'm not saying shit like this is what killed the goose that laid the golden egg, but...I'm not not saying that either. (No seriously, I am genuinely fascinated by whatever the fuck DC did to the Lanterns in the 2000s and 2010s as, like, a publishing cautionary tale, but that's a story for another post.)

This was a three-month crossover across all five GL books - Green Lantern (Hal's book), Green Lantern Corps (John's book), Green Lantern: New Guardians (Kyle's book), Red Lanterns (Guy's book), and Sinestro - plus a New Gods one shot and a GL annual. That's 17 issues that are meant to be read in order to follow the story, and then you can optionally also read the tie-in issues of Infinity Man and the Forever People, which makes a whopping total of 20 issues dedicated to this storyline.

So what was the plot of this grand saga? Uh...Highfather tries to steal all the rings of every Corps like he's the fucking Trix Rabbit or something. The end.

Yeah, it's a mystery what killed the GL publishing juggernaut. 🙄

(Side note: this crossover adds a brand new Original Character Do Not Steal who is from Apokolips and was raised by Highfather and has a Secret Rage Face. After Infinity Man and the Forever People also gave Big Bear a Secret Rage Face. STOP STEALING ORION'S SHIT. You don't need extra bonus Orions, Regular Orion is right there!)

Bug! The Adventures of Forager (2017): This is a very charming, very strange series that isn't in continuity (it was part of the Young Animal imprint) and doesn't really forward the plot of the New Gods in any way, but it's funny and enjoyable. Basically, Forager wakes up after his death in Cosmic Odyssey (29 years prior, for those keeping track) and goes on a time- and reality-hopping adventure in which he interacts with various characters Kirby wrote and drew for DC over the years (although oddly, very few New Gods). It's the sort of series that rewards the long-time comic book reader, but I still enjoyed it even though I was very aware I was missing references. I wouldn't recommend it if you're brand new to comics, though.

Hal Jordan and the Green Lantern Corps (2016): Orion's in a couple arcs of this run, and they're pretty fun. Orion's heart gets removed from his body and Kyle keeps him alive with a construct! Hal races Lightray! Orion helps the GLs fight a shit ton of Darkstars! There isn't much in the way of advancing New Gods Lore (TM) here, but this is a pretty good series in general. A fun time!

Mister Miracle (2017): Sigh.

You know, the frustrating thing about this series is that some aspects of it are really good. The art is superb. Some of the humor really lands. Funky Flashman as the Frees' nanny is an utter delight. (The bit where he retells the Galactus Trilogy as "Jake's story" is especially charming.) The subtler take on Granny and the way Scott is still wrestling with her abuse and his complicated feelings about her is heartbreaking. And the big twist, when Darkseid demands baby Jacob in exchange for peace, and Scott's agony over the decision, is utterly wrenching. It's such a good conflict to give Scott, to have him try to wrestle with the decision his own father made and what the right answer is. I even believe King read more than one issue of Mister Miracle (1971) to research this! I mean, he references the Lump. That's a pretty deep cut.

But it's all undercut by his decision to make Orion a villain. King's Orion isn't just brutal and wrongheaded, like some earlier writers have portrayed him - he's a vindictive sadist who craves power and enjoys humiliating someone who, in all previous canon, he eagerly embraced as a brother. He has elaborately cruel plans and enjoys making others know their place - Orion, who is historically as subtle and refined as a two-by-four to the head. He's out of character in basically every possible way.

But this isn't just me being like "How dare you get my blorbo wrong?!" (That's my reaction to King's depiction of Lightray as a simpering toady.) Making Orion a villain, as I have said many times at this point, betrays a fundamental misunderstanding of the Fourth World's central concept, which is, like...not a hard concept to grok. The point of the baby swap isn't to see whether nature or nurture is stronger. It's that both babies grow up to be heroes. It's that good is stronger than evil. And if Orion isn't a hero, the whole thing falls apart. Instead, we get a bleak and fundamentally unbalanced take on the Fourth World that begins with a suicide attempt and ends with Scott resigning himself to a life from which he desperately wants to escape. And again, again, King's pessimism is mistaken for depth because someone else drew it real good.

Anyway I hate this comic, the end.

Justice League Odyssey (2018): The New Gods didn't really have a home base post-Flashpoint, which is why I'm covering so many books that aren't really New Gods books (Wonder Woman, the various GL books), because my crops are dying and I'm desperate for Orion to show up on his little scooter. Anyway this is actually first and foremost a Jessica Cruz book, which isn't really a complaint because I love her. Basically, Cyborg, Starfire, and Azrael (who is pretty OOC and also why is he here??? he doesn't know these people and he can't breathe in space?????) decide to go on an Illegal Space Adventure and Jessica tries to stop them and they all get swept up into an incredibly convoluted plan by Darkseid to turn everyone but Jessica into a NEW New God and take over the universe? Or maybe destroy it? UNCLEAR. Also the last time they all saw Darkseid he was a baby but now he's not anymore. How? UNCLEAR.

Darkseid kills Jessica but it doesn't take because she's the GOAT, but now he's taken control of Vic, Kori, and JPV, so Jessica has to team up with Orion, Blackfire, and Dex-Starr the Red Lantern cat to defeat Darkseid and rescue the others. Overall this book is so unrelentingly high stakes and cosmic that I kind of tuned out. After a while I just hit "we have to save the universe!!!" fatigue. But a huge part of the second half of the series is just Jessica yelling at Orion until he grumpily does what she tells him, and I truly could have read 40 more issues of that. I hope when it was all over he went and pouted at Lightray about how the Green Lantern was SO MEAN to him (he deserved it).

Verdict: Don't bother to read for New Gods continuity, do read if you love Jessica Cruz.

Mister Miracle: The Source of Freedom (2021): This book reintroduces Shilo Norman to the post-Flashpoint universe as a celebrity superhero and escape artist who aggressively protects his secret identity, because his predecessor Thaddeus Brown, who is Black in this series (and presumably going forward), had a public identity and dealt with horrible racism from the public. But his mask is partially torn off when he's attacked by N'vir Free, the daughter of Scott and Barda Free - who Shilo has never heard of. While Shilo tries to figure out who the Frees are and why N'vir thinks he stole her father's legacy, he also discovers that Thaddeus was secretly his grandfather, and has to unpack all of his emotional hangups about his own identity and legacy.

This is a great book for the humans of Kirby's Mister Miracle and a terrible one for the New Gods. Scott and Barda are not only dead, but their memories have been erased from most people's minds. N'vir is an awful character with a stupid name, and also a fascist dictator, which is...a choice for Scott and Barda's kid. (I'm assuming all of this is either taking place in a different universe than the main DCU, or has been retconned away, because Barda is currently appearing in Birds of Prey and is perfectly fine. And perfectly perfect. Please read Birds of Prey.) Orion does show up for a bit and he's great here, but he doesn't remember Scott either, which hurt my heart.

But it's a great book for Shilo, who gets to be a complicated, endearing but flawed protagonist instead of a sidekick who tends to get forgotten for years at a time. I'm a bit torn on having him be related to Thaddeus, since I like the idea of Shilo becoming a hero on his own smarts and spunkiness rather than inheriting it, but it allows for some really beautiful themes about legacy and being proud of where you come from, so it suits the story really well. And Oberon is a delight the whole way through (as always). Overall a good book, but somewhat to the side of the overall New Gods saga.

THE END. We did it, you guys! Now DC please greenlight a new New Gods book, thank you.

(Actually it should be double length and reversible so when you hold it one way it's a New Gods book and when you flip it to the "back" cover it's a Mister Miracle book and the stories intertwine. Do you see the vision???)

[noxer]

Second season of Earthspark

I watched the second season of Earthspark, and I want to share a thought that came to me. I would also like to point out that this is not an objective opinion and is just a first impression, so do not take it seriously.

There was one thing that haunted me and scratched my brain, and only now I finally understood what it was.

The main problem of the EarthSpark, without which the series would not only become more balanced, but would also drive away a significant part of the haters, is that Cybertronians, neither Autobots or Decepticons, are simply NOT NEEDED here.

Let me explain. The writers do an excellent job of developing the young Terrans, their problems, and the lessons they must learn. This is what you expect from a competent screenwriter. And then we have Cybertronians who just... are? They have no or minimal development, they have no meaningful story, and as the second season begins, they barely even serve any plot function. The only reason they exist is to be the recognizable face of the franchise and attract old fans. But neither are they designed to entertain old fans. They have neither compelling characters nor interesting development, which is what causes such dissatisfaction among those who came precisely because of these characters. They serve as background while Terrans go through their adventures.

What could fix this? Throw the Cybertronians to hell. Let the Terrans learn to be mechs through the comics and stories of their parents. Let the Cybertronians be the legends they have become to the fans. Let fans explore the past of Cybertron with children, without any snippets of dialogue between Autobots and Decepticons, which are not explained in any way and seem unnecessary. Make the appearance of the Autobots and Decepticons, if it ever happens, seem significant and impressive, so as to evoke the same reaction in the audience as in the children. Let the Chaos Terrans show up from the start so kids can fight and win against kids like them rather than outrun soldiers with millions of years of experience in war because I can't help but see how that would be disappointing to people, especially Decepticon fans. The antagonist should ultimately be a dark reflection of the protagonist, not just some evil guy that the protagonists have nothing in common with.

The only one I would keep is Bumblebee. First, he is a character who, decades before, served as someone with whom young viewers could identify. Now he has to be a mentor. Secondly, his arc should be as fleshed out as the Terrans' and not just be a source of lore.

This is just my subjective opinion, but for me it would greatly improve the series. Now the series is struggling to juggle the development of the Terrans, who need to be developed because they are new characters that we know nothing about, and pieces of old franchises that stick here frankly poorly. The writers should have chosen one direction and moved along it. Even if they lost some part of the audience, at least it would have happened painlessly. People would see that there were no familiar old characters here, and if that was all they came for, they would just silently leave (I hope I'm not overestimating humanity again). Now people are coming, people are seeing how the show treats their favorite characters (relegating them to the background, deliberately weakening them, etc.), people are getting angry.

Although I can see that this is not so much the fault of the writers, but of the company, which needs to sell toys with familiar images, and it does not matter that these characters do not fit into the story and unbalance it.

Earthspark would score even more points for me personally if it were a story exclusively about young creatures, without trying to parasitize on the nostalgia of old fans. But this, again, is my opinion.