#seriously i hate this moment so much

[barlowstreet]

Me: "The cursed Tess/zombie kiss really freaked me the fuck out."

My LOVING best friend: "I'm gonna make a cute valentine's day gif out of it. But I don't want to post it myself because I don't actually want to be on tumblr. Enjoy!"

True friendship goals.

[vaguely-concerned]

the mourn watch background gives you such a GIFT in having other characters notice and call out on-screen that rook code switches like a motherfucker. the whiplash of hearing my snarky 'heeey I'm just a little guy! :>' funnyman rook speak the heightened ritualized phrases of the mourn watch with perfect seriousness and gravity completely naturally and/or break into an academic tone that can keep up with emmrich at the drop of a hat never stops giving me such endless delight. truly their real mind is a riddle wrapped in a mystery inside some hideous mourn watch casual wear

[jerswayman]

freddy apologising to the fan who got his jersey instead of sway's, ft. the fan sweetly reassuring him that he's v.happy! alternatively titled: me about to throw so much love and affection at him that he will never doubt it ever again

[necrotic-nephilim]

I am always thinking TimJay thoughts related to the fact that they have matching scars from getting their throats slit, and not only that, but Jason slit Tim's throat first in an attempt to threaten Bruce, where Tim was nothing more than a pawn for Jason to use to emotionally manipulate Bruce.

batman (1940) #618

And then, just a little while later when Jason is trying to confront Bruce and do his whole dramatic moment with Joker in UTRH, and Bruce slits Jason's throat to stop Jason from killing the Joker.

batman (1940) #650

It makes me so Unwell. They have literal matching scars. When do you think Jason realizes it? When do you think, while running his fingers over the scar he has to always remind himself that Bruce was willing to jeopardize Jason's own life just to save the Joker, Jason realized it was the same scar *he* gave Tim? And does it click for him too, that he and Tim are a lot alike? Being used as pawns in Bruce's game? And for the first time he maybe understands Tim Drake, just another kid trying to get Bruce's attention and approval? And Jason did to Tim exactly what Bruce did to Jason? And that's part of what spurns on Jason's obsession with Tim, trying to "save" Tim from Bruce's ideology?

When they finally get together does it make Jason even more possessive? He put that mark on Tim and now he has his own to match. It's the closest to being understood and loved he's ever felt when Tim runs his fingers over Jason's scar at the same time Jason touches Tim's. Mirrors of each other, in a fun, fucked up little way.

[urfavisananimegirl]

walter white from breaking bad

Walter Hartwell White (Breaking Bad) is an Anime Girl!

[phoenixtakaramono]

There are only two episodes left in The Boys S4, but having seen the leaks and with what we got, I have some opinions.

My conspiracy theory is that they got too many cooks in the kitchen (writers in the writer’s room)—plus the writer’s strike and pandemic happening during this time—and it’s starting to make sense how they dropped the ball with this season.

[bugwolfsstuff]

THERES ONLY 20 PJO FICS ON AO3 WITH GOOD PARENT ZEUS TAGGED AND MOST OF THEM ARE CROSSOVERS OR PERPOLLO

[twilight-good-yall-dumb]

This is my formal plea to literally everyone that you STOP going out and buying tickets to Disney remakes and sequels. As someone who holds that studio very close to my heart for the magic they used to create, it genuinely blows my mind how they're still finding immense financial success with shitty reincarnations of their preexisting IP. Do people not understand? Hate alone will do nothing! The top people at Disney are suffocating their artists with corporate greed! The executives and the shareholders do not give a SHIT if people on letterboxd hate their movie. If it's making money in the box office, they will continue making garbage because it WORKS! Please get a fucking grip and support other animation studios or literally any new IP that Disney actually decides to take a chance on, because money speaks, and it's the only language these current money hungry cowards at Disney seem to understand! I know for a damn FACT Walt has been turning in his grave for the past ten to fifteen years and it makes the prior Disney obsessed child in me SICK!!!

[dcrthvcder]

aegon is a rapist btw

so is every other man in a song of ice and fire universe so where do we get from there

[lyril]

lumpus is a fascinating specimen glad theres other people also fond of him

HE SURE IS i will be honest i almost like him a Little Too Much because i Also live in my fantasy world of make believe where camp lazlo is a little more than a 6.4/10 show (I STILL LOVE YOU SWEETHEART!) and instead also includes all my insane 20k spiels of backstory stringing and talks about character writing but

(also. i do think it's funny how popular slinkman is in comparison, i love him just as much, but i actually see people mention really liking slinkman pretty frequently if someone happens to posts about camp lazlo which is GOOD because he DESERVES IT MAJORLY but the lumpus bug has Also caught me something awful even though i hate him and he sucks so i'm alone adrift in the world out here...)

edited this just for him

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[guinevereslancelot]

for the first time in my life i was just asked if i have kids instead of if i'm in college yet. the years start coming and they don't stop coming huh

[lavellun]

i finished it!!!! 🪞✨

[spacedace]

Okay, finished Death and the Maidens and uh, yeah. Everything I saw that said it was fucking terrible was right. Absolutely hated it. -10000/10.

There was exactly 3 things about all of that I liked:

The concept of Nyssa as Talia's older half sister that's been running around doing humanitarian efforts for centuries (and literally nothing else about her backstory because holy fucking shit what).

The single moment of Talia being happy and enjoying herself and briefly vulnerable and open about how she doesn't have many friends (could have truly been some great character moment stuff in something else)

Alfred's sass.

That's it. That was everything I enjoyed about that story line. What the absolute fuck did I just read?

Anyway, uh. I'm gonna take the 3 things I liked about the story, try to scrub the memory of literally everything else, and work out what I would have liked to see happen with Nyssa & Talia instead and figure out how to incorporate that into a fic.

[cowboylikeyouu]

my life would be infinitely better if sam & dean would just GIVE EACH OTHER A FUCKING HUG more often

[smile-files]

really liking a past teacher makes me feel so stupid. like ohhh ahhh what if he stopped working at my high school and i'll never see him again??? shut upppppp