#series vs comics

[traveller-of-the-knight]

Comics Vs Series: Steven stepping in edition

Moon Knight Vol. 9 Issue 12

[derangedsilly]

More Panel Edits…

[the-army-brat-and-the-nerd]

Clark Kent beaming and blushing for being entitled to the cutest most adorkable nickname in comic book history

[spocks-husband]

DC Vs. Vampires was so fun and cool and enjoyable until I got to issue six and it ruined my life and I'm honestly fighting the urge to just stop reading now because I don't see a point anymore because I'm SO SAD but anyways. Here's some Batfam highlights from issues 1-5 that we can all look at and pretend nothing bad ever happened to any of them ever <<3

[lunarin64art]

Scollace Week Day 2: Pining(???)

Based on this

[flx-res]

CHAOS - part 1

<< Previous comic

The fifth story of my show-timeline comics, set after “Butterfly Metamorphosis”. Mina Loveberry is willing to dethrone Eclipsa at any cost (decent engame villain remember?)

[friendlyengie]

I think one of th things with soldier is that a lot of the times ppl just put him at his Maximum Everything. Maximum idiot maximum LOUD. But the thing is hes not really at 100 all of the time. Hes a very 0 to 100 type character. In the comics at least. Like i remember rereading the first comic and just sort of being fascinated by how he Is. Chill isnt really the right word but I dont know how else to explain it.

“The heart makes its own rules” what are you saying.

Anyways i think part of soldiers whole thing is that he operates in his own world on his own rules. He will say shit so casually or matter of factly but hes not always screaming it. Sometimes hes just. Saying things. With a tone that could convince you he knows what hes saying until you register the words and realize he is saying nothing sentences to you.

[ixtaek]

Kindest reminder that aside from Sky and Wild, none of the others have even heard of the Goddess Hylia before meeting up. The goddesses they would invoke, if any, would be either Farore, Din, or Nayru.

[cocksley-and-catapult]

ISSUE 896: we are sex bob-omb

08 december 2023

[gnomewithalaptop]

Okay, I'm sorry but

[derangedsilly]

Guys there’s a bed right beside you guys why are you sleeping on the sofa guys guys guys

[the-army-brat-and-the-nerd]

He held her clutched to his heart..he was just too scared to lose her.

(insp).

[bairdthereader]

Nick Asking Charlie Out: Intention

The differences between the show and the comic in the scene where Nick asks Charlie to come to Harry's party are striking and, I think, are Alice's brilliant way of adding intention into this evolving relationship in a way it hadn't existed before.

In the comic, we get a panel that shows the boys' notebooks and their hands, but not their faces, as Nick says "Are you going to Harry Greene's party on Saturday?" Though Nick is obviously deeply interested in Charlie's answer, this is still a passive inquiry; the stakes are low when the question is framed this way.

In the show, on the other hand, we first get this moment of intense, silent struggle while Nick works up the nerve to ask a real question, a question that he knows is weighty. There's a second where he checks in with himself--you can see it in his eyes (Kit is brilliant here)--where he's asking himself if he's actually going to do this.

And, yes, he decides, he is. This is easily the most nervous we've ever heard Nick to this point. The words rush out, squeezed together and slightly high-pitched: "Do you want to go to Harry's party?" This in and of itself is still not a particularly loaded question; it's the fact that Nick managed to ask it at all that lends it consequence. He thought hard about it. He knew what he really meant when he asked it. He's still incredibly, intensely confused, but he also knows he's taking a concrete step toward exploring a romantic relationship with Charlie, even if he's still completely unsure of what that really means for his own identity journey.

And Nick wants Charlie to have a clear understanding of what he's really saying, too (as is Nick's way). So then comes the bit that really scares him, but about which he's undeniably most hopeful. This is where this scene deviates most noticeably from the comics, in which Nick never specifies that he wants Charlie to go to the party with him. I love that Alice made this change, because we get to see Nick, for the first time, making an intentional decision not only to act on his attraction to Charlie (in a seemingly small but for him really quite monumental way), but also, importantly, his intention to make Charlie aware, on some level, of his changing feelings.

In the comics we get Charlie's reluctance, and then Nick's admission that he doesn't want to hang out with his own friends. Then "I have you now, so . . . so will you come?" Again, Nick is asking Charlie to attend the party, and clearly wants him to say he will, so there is some kind of intention behind his ask, but he frames it safely in the context of wanting someone there to hang out with whose company he actually enjoys.

In the show, Nick is very purposeful and decisive in the way he responds to Charlie's reluctance. "I want you to be there." This is not passively allowing closeness to happen under the guise of friendship. Yes, Nick carefully walks the line between a platonic ask and a romantic one by not actually calling it a date, but this is still a critical point for him. This is intention, purposefulness, acting toward a specific, desired outcome.

I love the panel in the comics that appears after Charlie says he'll go to the party, that it will be fun if Nick is there. It's adorable, and Nick is clearly flustered and excited that Charlie changed his mind about the party based on Nick's desire for his company.

But in the show we get This Face. ⬇️ The I can't believe I just did that face, immediately followed by the thank god he said yes face (along with a tiny little sigh of relief that he managed to say what he wanted to say). This whole interaction is basically a preview of the rest of their relationship. Nick constantly acting in a very considered, purposeful way, pushing himself and surprising himself . . . in part because Charlie promises to be there, is happy to be there . . . and Nick not believing his luck.

[Side note: Charlie's face says a lot here too. It says "I think, maybe, that might have been an actual ask out!" Then it says "But maybe not, don't get too excited." Because despite Nick's intention, Charlie's past experiences and pain--not to mention everyone around him--have been telling him there's no way Nick could mean his question in the way Charlie wants to interpret it. Charlie's uncertainty even after this interaction makes Nick's next really purposeful, intentional, purely internally motivated move--taking Charlie's hand after their first kiss--that much more important.]

[vertigoartgore]

2009's X-Men vs. Agents of Atlas Vol.1 #1 cover by cover artist Ed McGuinness, inker Dexter Vines and colorist Justin Ponsor.

[dungeon-meshi-tournament]

Masterpost