#send it across to me!

[padfootastic]

oooh i have thoughts about codependent golden trio, stay with me for a second:

- ron and hermione slowly training harry out of his touch aversion by consistently showering him with small, gentle, touches. they never make it a Thing, it’s so casual harry himself forgets it’s happening a bit, but it’s crucial for him to become comfortable with being touched by anyone

- slowly, as years go by and harry’s nightmares become worse, ron progressively moves from calling his name, to waking him up, to putting a hand on his shoulder(s), to practically moving into his bed to wrap himself around harry. the first time it happened, ron’s face was fire truck red and harry was baffled to the point of incoherence (and for a second, it seemed like all their progress so far would be undone) but as before, they slowly chipped away at harry’s defences with steady support

- hermione, who was able to tweak the protean charm for the DA, created a more specific one more her and ron. if the nightmares were particularly bad, he would ping for her and she would immediately bustle up to the boys dorms. this is rly how she became so comfortable up there and after a bit, the other boys realised why she was there and let her go about the golden trio business in peace.

- and so you have harry waking up with ron and hermione in his bed pretty regularly. they were able to figure out how to expand it pretty early on (combination of some theorising and dobby’s magic) so now all that’s left is figuring out nightly configurations. more often than not, it’s either hermione or ron in the middle bc harry cannot abide being boxed in both ends. but both of them always have an arm of leg on some part of harry, as if to reassure him, even in sleep, that they will never let go.

- some point on fifth year, when he’s so fucked by the voldy visions, the only way he gets any sleep is when ron’s tucked him under his arm and on his lap, or hermione has her hands carding through his hair and head on her thigh, turned towards her stomach as if protecting him from the world. he falls asleep in the common room armchair in front of the fire with ron’s hand around his calf, massaging lightly, and hermione perched on one side of it, arm around his shoulders.

- during the horcrux hunt, this only became more common. there were very few nights they did not sleep in the same bed. privacy was almost nonexistent. they often had to bathe one another when they couldn’t get out of bed due to the grief, or went catatonic with shock etc etc.

- after the war is when people slowly started realising their tendency to be so close. until then, no one really paid attention to these three kids, atleast not so closely. but now all eyes are on them. and so the adults, the order and the weasleys and remus and sirius, see how they go into the same room at the end of the day, come out of it together in the morning. how harry using the bathroom doesn’t stop hermione from going in to brush her teeth, or ron walks around in just a towel without any hesitation when it’s the two of them but yelps and covers up when anyone else walks in.

- they see how hermione hates having her hair touched but will happily fall into a light doze when one of the boys is playing with it, and harry, who will go stiff as a board when someone so much as brushes against his side, will literally melt into a puddle when ron or hermione hug him tight. they’ve never seen ron as calm, or as settled, as when he’s around the other two—he has a purpose, and it’s never been more clearer than in those moments.

[meowmeowriley]

Soap comes back to base after having teeth pulled and is not expecting Ghost to pounce the second he gets through the gate.

Ghost: "So where are they? I wanna see."

Soap: "What?"

Ghost: "The teeth. Gimme"

Soap: "I didn't... keep them?"

Ghost, upset: "They didn't let you?"

Soap, growing more confused by the second: "I didn't ask?"

Ghost: "You didn't- Johnny what the fuck?" 😟

Soap: "I was in a lot of pain, Lt., and still am, mind you-"

Ghost: "But... I woulda took 'em if you didn't want them."

Soap: "Ghost, my teeth were far from perfect, there's a reason they had to come out, not exactly great specime-"

Ghost: "THAT'S WHAT MAKES THEM SPECIAL!"

Soap: 😶

Ghost: "ONE OF A KIND!"

Gaz, who walked up in the middle of the conversation: "Think I've still got my baby teeth somewhere, you want 'em?"

Ghost, still distraught: "At least GAZ loves me."

Soap: "... my mouth hurts..."

[ghost-proofbaby]

can y’all imagine sending one of those things where a girl texts her man about having a bad day or wanting coffee or something and he replies by sending her an insane amount of money (like $100+) to eddie, and just being like “why don’t you ever do this for me? 😐” as a joke

and then the man just sends you one (1) fucking dollar.

and when you’re like “REALLY??? A DOLLAR???” he just goes “I DONT KNOW WHAT YOU WANT FROM ME IM BROKE”

it would become an inside joke, him randomly sending you the smallest amounts of money possible and just going “buy yourself something nice 😏” or “don’t spend this all at once baby” to be a little shit

god i love eddie munson

[nocek]

Self fulfilling dog dad curse from the previous comic has self-fulfilled!. Threat of promised snoodie from another comic also has been fulfilled. And to tie it all up Deadpool's last visit was either this nsfw dream or just regular pestering.

and oh my god this one took forever >.< Idk if it was some sort of artblock, or I'm loosing like my fixation (oh god please no >.< I don't have a new one) but I don't actually have another comic idea and it's scary >.<

Please keep your fingers crossed I'll get over it >.<

[tonystarkstan]

brb crying over Mayday being held by her extended spider-family

[myokk]

WHAT IS UP WITH THE HOGWARTS LEGACY FANDOM?????????????

I am so fucking fed up with this fandom & honestly it makes me lose any desire to post anything here anymore.

So many people here look at EVERYTHING as a damn competition and it’s NOT. It should be a place for people to brainrot together, talk about theories, and enjoy seeing what other people draw and write etc. Have I sometimes felt insecure bc I don’t get as many notes as other people?! Yes of course…but I always focus on the connections and the lovely people I’ve met and like talking to bc that’s why I post in the first place. I didn’t spend 4 months posting my fic to 10 kudos and 1 comment with basically no feedback bc I care about popularity😆😆

I’ve never been part of a fandom before this one but honestly everything feels so immature here, especially lately. Is it NORMAL to send hate to people who interpret the characters differently than you?! Or send hate to people who ship something you don’t like???? Is it NORMAL to start a confessions blog that’s for people to vague post about others & give everyone reading it anxiety??? (And NO, it’s not “leveling the playing field” wtf). Is it NORMAL to be so close minded, that you’re always trying to start shit with other people?!!??

It is SO FUCKING EXHAUSTING & honestly I try my hardest to NOT feed into any negativity and I’ve never posted the hate I’ve gotten because quite frankly, it’s ridiculous.

I genuinely love seeing what all of you post and always try to comment when I have the mental energy, because I love having a sense of community and you’re all very talented.

[spoopdeedoop]

guess who did it again. part 2 of this video where i animate hobie over a guy named eddie on tiktok who is so out of pocket funny i am jealous

part one

part three

[paintpanic]

Res AU Joronia drawings. Character rambling and bonus doodles under cut.

This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.

He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.

Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.

The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.

She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.

Still, her deepest, most selfish wish is that they could be real friends again.

---

These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.

[canisalbus]

I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.

.

[iwasbored777]

Reflection in Gwen's eyes: My friends Peter and Mayday and Pavitr aaaawwww I love them ❤️❤️❤️❤️

Reflection in Miles' eyes: MIGUEL IS GOING TO FUCKING MURDER ME

[starry-bi-sky]

pouring one out for luo binghe in my disciple SQQ fic, poor guy has taken a backseat here. we're nearly 30k words deep and he hasn't even shown his face once. it'll be much longer before he even actually talks to Shen Qingqiu.

(i say im pouring one out but in reality im sitting in my director's chair chewing on a cigar and wearing a beret as he tearily and unsuccessfully pleads with me for more scenes with Shen Qingqiu)

[0xeyedaisy]

Random stuff

[brown-spider]

Your spideysona sees this mf looking lost as hell, wearing a day pass and restraining a deadpool on a child leash, wdyd?

[fiepige]

What about Hobie bouncing off and pulling up the bus and Peter smashing the car into Tombstone? Not much of a relation besides vehicular involvement, but their movements are just so cool in those little scenes

Vehicular involvement is all I need as an excuse to make a noirpunk GIFset lol

And agreed, their movements look so cool in these scenes! (I slowed both GIFs down a bit to get a better look at them)

Please feed me more noirpunk GIF ideas I love making these 💜

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[toshkakoshka]

im so invested in your pavitr x hobie fanart :D can you draw hobie sneaking up on pavitr to give him a surprise hug? (He gives Pav kisses) Have a good day :)

his nose poked him in the eye but thats ok <3