#self appreciation post i think

[gotchibam]

Ogerpon & Darkrai ko-fi doodle for CyclopeanSpook!

[xxplastic-cubexx]

Snap: *draws a Megaman-inspired Magneto*

Me: ...Perfect modernization.

wait now that its not 3AM i can do you one Slightly better

bonus:

[snackugaki]

one orrrr

two?

[gideongrovel]

folie reignited my love for him 🥺❤️ sorry i just had to doodle some stuff of us

[slavhew]

fun fact the word "dirk" sounds exactly like the root of the croatian verb "drkati" which means to jack off

get the dirk brush here

[mintjeru]

thank you for 1.3k followers!! i'm incredibly flattered that you all like my work ^^ i'll have even better art to share in the future 💕

open for better quality | no reposts | textless version under the cut

[monocrowee]

my silly mouse guy for @hydropyro mouse army !!! ty for doing this as well as making this got me to finish and post something:]

[spinjitsuburst]

ramble about ur favs i wanna hear abt ur thoughts -zaptrap

HAN’S INFODUMPING ABOUT JAY... START!!!!

so like sgdkdhdkdhd I say Jay and Lloyd are my “favorites” but honestly it’s so hard to pick favorites out of this skittles squad like I love EVERY character for a variety of different reasons. I was going to also infodump about Lloyd but then I started talking about Prime Empire and then this post got. Long. So. it's just Jay I may infodump about Lloyd another day especially since I'm very Conduit Brained Rn but yea yea!

this is long so i'm putting most of it under the cut so y'all don't kill me for making a huge long post

I considered putting Zane and Sora on here as well since I’d also consider them my “favs” but like this is already gonna be. A lot of. Infodumping (also i typed THIS part before I even started and decided not to yell about Lloyd because this already got long enough). Maybe I’ll make a separate post for those two hmm hmm much to consider but for now MY (technically) FAVORITE NINJAGO CHARACTER: JAY WALKER

THE SPARKPLUG WHO INVADED MY BRAIN LIKE A PARASITE

so hey his name is a pun this makes me laugh ridiculously hard every time I remember he is named. After a misdemeanor HSKSHDKFH

Jay is such an interesting case of a character for me because I started out the show not liking him. Which is. Stares at my entire account I think my feelings have changed somewhat

Jay starts out as an asshole I don’t think anyone can disagree with me there (although honestly they’re all assholes in early ninjago they bullied a ten year old and left him dangling several feet off the ground) but over the course of the show you can see him start developing into a much more interesting character. He goes from being so insecure he's faking everything about himself to someone who knows who he is and is so genuine about it

now yea we could argue about whether his character was too uwu-ified post-season 10 but this is the FUN HAN POST SO WE'RE NOT GONNA TALK ABOUT THAT the point is you can SEE the growth that Jay has gone through and I am going to show you that growth through what I call

✨ The Skybound to Prime Empire Effect ✨

I AM SO PASSIONATE ABOUT THE IDEA THAT PRIME EMPIRE WAS WRITTEN TO BE A DIRECT PARALLEL OF SKYBOUND AND WAS CENTERED ON SHOWING HOW THE NINJA ESPECIALLY JAY HAVE GROWN THROUGHOUT THE SEASON

when season 12 rolls around we are at the point in Jay's development where he is CONFIDENT in who he is. He's a fun-loving jokester with the power of lightning and the drive to help people whenever he can. He uses jokes and humor to help alleviate tension and get people through whatever's happening. And when on his own what does he do?

BECOME AN ENTERTAINER BABEY

i like to think jay's club in prime empire was a safe haven for anyone stuck in the game who figured out hey. we Can't Leave and felt freaked about it. Also Jay would generally try and spread the word that hey something ISN'T RIGHT HERE which would lead people to want to stay with him

(totally plugging my friend's fic but this kind of thing is explored in would you like to enter prime empire by @finn-m-corvex y'all should check it out cool cool)

also the prime empire shorts which i watched all of in the midst of typing this video cuz i love them go watch them please please please jay was publically fighting the red visors which I imagine may have raised some red flags for some players

THIS SOMEHOW TURNED INTO PRIME EMPIRE INFODUMPING LMAO ANYWAYS Jay's confident! He becomes an entertainer because it's who he knows he is! And it's something that will get people hyped and having fun, which is very in-character for Jay to do! He uses those kinds of things to mask the Bad Things going on and get people remembering what's good

I've talked about this sort of thing before but that's Jay's whole philosophy as early as season 9! Which is a DIRECT contrast to how he views it in season 6, as Nadakhan puts it scarily accurately

"You make jokes to mask the fact that you're afraid"

(i was gonna grab a screenshot for that like i did with the hunted scene but netflix has bloCKED THE ABILITY TO TAKE SCREENSHOTS THE WAY I USED TO and i don't have them already and i'm too lazy to grab them from elsewhere so alas trust me he says it)

making jokes to hide your fear and using humor to remind yourself of what's good and coping with the bad are two VERY different outlooks on it

so I think this outlook is what drives him to make this glamrock persona in the first place - this is a bad situation, one he's in with other civilians, and what better way to keep him and themself safe until the others get there than throwing a big performance at a safe place!

also it's just so gender okay I want to look like Superstar Rockin' Jay so badly

it's also interesting to see his outlook on his parents change over time! In season six he finds out Ed and Edna aren't his birth parents and feels upset about it, not understanding why his birth parents would've abandoned him. In season twelve, that outlook changing is EXACTLY why Jay's able to get through to Unagami

"I was abandoned by my parents, too!... I never understood why, and I never had the chance to even ask. But I always hoped there was a good reason. What if there's a reason?"

(again curse you netflix i wanted SCREENSHOTS whatever whatever)

It's this scene that gets Unagami to calm down long enough for Milton Dyer to get there, and presumably is what stops him from just. Flattening him and Jay like a pancake.

to piggyback off of this i absolutely adore how Unagami and Jay consider each other adopted brothers in that one book I still haven't read and I hope he's in Dragons Rising at some point Unagami is my favorite "villain" (no longer a villain) in the whole show he deserves more screentime

like this is where i found out about this and it's plagued my mind ever since. i need to read. this book just for them

SO YEA OKAY Prime Empire is "Who is Jay as a Person Post-Skybound" to me also it opens up so many fascinating things about Jay. I rest my case

so backpedaling a little bit. JAY CARES SO MUCH ABOUT HIS PARENTS GUYS IT'S SO SOFT AND I'M sobs

like yea the first episode with Ed and Edna in it has Jay avoiding them like the plague but this gets explained very easily when you remember he was bullied for his home life before he became a ninja. It makes a lot more sense why he wouldn't want them around his new friends, assuming they'd react the same way. Also how was he supposed to know literally all the rest of the groups parents were either dead, presumed dead, or had a toxic relationship with their kid lmao

(Cole calling his mom kills me. Cole's mom is dead. I know they probably just didn't think that far ahead when writing the dialogue but it's so funny mans pretended to call his dead mom to get on Jay for not appreciating his parents iconic behavior)

anyways literally every episode Ed and Edna are central to (except like the one in skybound) Jay stops at nothing to protect his parents and it means the absolute world to me he's so much like them!! They raised an inventive little nerd and he will stop at nothing to make sure they're safe and it's. It's SO IMPORTANT TO ME OKAY

ALSO this is an excuse to clip my favorite piece of dialogue possibly in the entire show. Except Netflix won't let me now. So you just get the text dialogue

Jay's just fallen from the sky with a messed up eye and is incredibly distraught that all his friends are captured. And his dad just. The woRLD IS FALLING APART AND HE'S EATIN' SOUP-

Ed i love you

anyways

anways anyways this just turned into me rambling about prime empire and then Ed and Edna and a lot of disjointed other stuff but thank you for this opportunity i was going to also ramble about lloyd but i put this post in a word count and

yea i think that's enough for a tumblr post anyways! If anyone wants any like. More logically thought out and direct thoughts about characters feel free to send me asks this was fun thank u @zaptrap for this opportunity to scream about jay

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[jingerpi]

While I do often reblog posts about privilege experienced by those in the imperial core, even marginalized workers, I do think there is something to be said for colonial subjects within places like the US. While it's certainly important to recognize the benefits of imperialism as well as the fact that there are apartheid systems in the global south largely because of US influence, it's also important to recognize that the US is still a colonialist project and there are people here who live under a pseudo-apartheid. Many already recognize this, but I do want to emphasize it. it's very possible to acknowledge and discuss both of these simultaneously.

Though there are few laws explicitly about race, the ways Black and Indigenous people are treated by this government and legal system are markedly different from how white people are treated by those same institutions. The statistics on incarceration alone paint an extremely clear picture of this. We can conclude the purpose of a system is what it does and say this is intentional, or we can even look at the professed motivations of members of these systems, either way it's very clear that the systems of this country treat Black and Brown people very differently from white people, and even differently from each other in many ways. Black and indigenous communities have their own histories and complexities which are often completely overwritten because of their shared victimization by the USA, as do Latine folks and many other demographics.

More to the original point, while there are some privileges functionally everyone in the US receives, like easy access to the English language as well as the default currency of the USD, many people in these demographics primarily face disadvantages due to their presence in the USA, rather than benefits. While these oppressions aren't necessarily on the same axis', it's important to recognize the Imprisoned Black man utilized for slave labor is not better off for having his ancestors trafficked to the US, as if he weren't in the US he likely wouldn't be forced into slave labor in the first place, due to the racial subjugation that takes place under these systems. That being said!!! there are still people in these conditions in other countries! While being enslaved in the US is worse than being a free man, it is disingenuous to suggest it is the worst oppression Black people face, or that there are no countries which utilize slave labor in this way and have no access to English or the global trade enabled by USD.

To summarize this: while many who face oppression in the US do not face oppression across all the axis' a person in a similar position in an imperialized country would face, this doesn't necessarily mean that being in the US is on the whole a privilege, as many people in these positions would not be experiencing the same conditions of oppression in the first place were they not colonized and enslaved both historically and continually into the present by the USA.

I think it is quite possible to acknowledge and discuss both of these truths, without claiming that indigenous communities somehow benefit from being colonized, or that colonized people in America somehow have it worse than colonized people in other parts of the globe. (seriously please stop saying minorities here have it worse, we do not)

Finally I want to add that while this issue is close to my heart for a number of reasons, I am white and in the imperial core and will necessarily be lacking in experience or understanding. If you're in a similar position please don't stop this discussion here with me and other white people, seek out and read works by people who experience some of the things I've discussed. and if you are one of those (many, many) people colonized, imperialized, or both, by the USA, please don't hesitate for a moment to critique me. This discussion requires more voices than mine, I only want to amplify with my voice, not center the discussion on myself.

[doomdoomofdoom]

god fucking damn you mike flanagan and your profound horror series making me feel things about life and love

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[finalgirlminamurray]

remember when halloween 2018 (or as i like to call it, halloween h40) came out and people were making those flowchart-style diagrams explaining the various halloween timelines? i like when people try to do that for the texas chainsaw massacre series because it is a fool's errand. you cannot divide that series into distinct specific continuities because there aren't any. there's a good argument to be made that every single film in that series takes place in its own completely separate timeline because it so often does not bother to meaningfully connect them beyond the single recurring character of leatherface.

i've mentioned before that tcm2 is my favorite sequel and the only one i actually like and will accept as a canon sequel to the original film, and part of that is because despite the complete 180 in tone it does, it's the only one that bothers at all to be a sequel. i think it's the only one that makes sense as a continuation of the first movie - the only glaring continuity errors are confined to the opening scroll text, which you can take or leave as part of the films' canon. (by this i mean the first movie's opening implies that the sawyers' crimes were discovered after sally's escape, while the second film explicitly says no evidence was found. also it retcons sally's last name to be "hardesty-enright" instead of just making lefty's last name also hardesty, for whatever reason.) there's one newly introduced member of the family but you can infer why he wasn't there in the first movie, and the one who isn't there this time has a good reason to be absent (he's died.) one of the main characters in this movie is a relative of the first film's final girl and his involvement in the plot is explicitly connected to what happened to his niece and nephew. the events of the first movie clearly happened in this universe. low bar, i know.

this could be attributed to this being the only sequel also directed by tobe hooper, although the original film's screenwriter did not return, and him having more of a vested interest in continuing the story of his own work. most of the original film's cast did not return for this one (can't say i blame them), but they work with that pretty well. i do think the film ends in a way that pretty decisively puts the brakes on any possible continuation from there, which could be attributed to hooper not really wanting to do a sequel in the first place and trying not to get asked back for another one. (i agree this was not a film that should ever have had sequels, much less become a full-on franchise. but you can tell that upon having to do it they were just like fuck it, let's have fun. hence the tone.) not that that stopped the studios from valiantly trying again and again to profit off of this title.

which might explain why the later sequels are so particularly weird. they don't really have a lot to go off of, i guess. i think part of the problem is that this is one of the few slasher films where the villain is actually a group of people, not a single recurring killer or identity various killers take up. they do have a silent, masked slasher who can be played by whichever new stunt guy you get for each film, but what about the rest of the family? it's always felt important to me that there isn't anyone outside of this isolated little unit in the first movie, but sequels keep inventing totally new characters out of nowhere with no explanation as to where they've been in previous installments. doesn't matter - we're in a new continuity now. tcm3 does not logically follow in any real way from tcm2 or tcm1. it's not a sequel despite the number in the title. it's a reboot.

(i've kind of come around on tcm4 aka tcm: the next generation. i used to think it was the worst sequel but now i think i get what it's trying to do a little better, although it is a pretty stupid movie in a lot of ways. some people have described tcm2 as a deliberate parody of the first film but i think that applies way better to the next generation, seeing how it follows a lot of the same plot beats but done in a more outlandish and parodic way. also, hey: same screenwriter as the original, returning this time as director.)

then the remake made a shit ton of money and kickstarted a new direction for 2000s horror (great. thanks for that.) and got a prequel that also actually made sense as existing in the same continuity as the film it was a prequel to. (again it probably really helped that they were able to get most of the cast back. no need to invent new family members when you still have all the same people playing them.) then in 2013 we got a sequel that promised to Finally be a Direct sequel to the original movie and...it made no sense as one. they try to pick up right where the original left off but right away there are once again a whole bunch of new characters who definitely weren't there in the first movie suddenly appearing in the house, including a baby whose existence is crucial to the plot.

(i'm sure everyone knows about the bizarre timeline decisions of this one, namely the main character ostensibly having been born in the same year as the events of tcm1 but only being about 18 years old during the main events of texas chainsaw 3d, despite it seeming to take place in the modern day. however there is an explanation for that! originally the film was supposed to take place in the early 90s when a character born in 1973 would have been that age, but studio meddling forced them to reshoot it to be 2013. you might notice that any mention or depiction of the exact year the opening scene takes place seems conveniently obscured in this film, implying that it is yet another alternate timeline where the events of tcm1 occurred sometime in the 1990s. this also serves as further demonstration that 1. studio executives are the dumbest people alive, and 2. people really don't care that much about the first movie. more on that later.)

leatherface 2017 is an attempt at a prequel that also makes little to no sense as a backstory for its titular character; i wouldn't be surprised if it started out as an original screenplay that got retrofitted into a tcm movie. there are no new sawyer relatives invented for this film (i don't think), but it does seem strangely insistent on keeping its leatherface away from the family for as much of the film as possible, making it feel especially like it didn't actually want to be a tcm movie. (the twist of the titular character's identity is clearly meant primarily to be surprising and not to make sense, but i can only say: there's no way that the original film's leatherface grew up apart from his birth family for that long and also used to be a "normal"-by-neurotypical-standards, verbal kid. different continuity.)

then in 2022 we get yet another attempt at No Guys Seriously For Real, This is a Direct Sequel to the First Movie, and i should have known things weren't looking good when it was announced this was actually getting dumped on netflix in february but my expectations plummeted to rock bottom when that teaser came out that thought the most relevant part of the movie to sell to people was a "canceled" joke. jesus. tcm:tng i'm sorry, this is the clear worst sequel. (if it was just that one dumb joke it might not be, but there's so much more that's awful in this movie - whatever.) anyway continuity-wise i guess this isn't completely disconnected, there is clear acknowledgement that the events of the first movie happened, but it's really not relevant to the main plot at all, when you get right down to it. pro tip: if a slasher sequel advertises the return of the original film's final girl, she will most likely not be in the film for more than five minutes. there's some implied backstory about leatherface running away to this neighboring town and being taken in by the lady who runs the orphanage, but honestly this could easily be yet another different continuity where leatherface is the adopted son of a kindly old lady (who still has a confederate flag in her window, jfc, i think this is the first time that imagery has ever been used in this series and it's associated with a character who's supposed to be sympathetic??) who was keeping a lid on his murderous tendencies before she died. points for effort i guess but i don't think it deserves much.

i really don't know why this series in particular is like this. most horror franchises will have their movies clearly follow each other and exist within the same continuity, sometimes with a reboot or two if they've gone on long enough (see: halloween having at least three different timelines, but all clearly branching from the same source.) if it's supposed to be an anthology series, they'll just...say that. i've heard it said that this series works best when viewed as variations on a theme, like the original film's events are an urban legend of sorts being told and retold around the campfire and every version is different because everyone remembers it differently or makes up their own. i do like that and think it makes the franchise make more sense but i know most people watching these movies aren't thinking about it like that, they're thinking of them all as sequels to the same movie, with the remake and its prequel being the only ones clearly existing in their own separate continuity.

it's a little sad to see how no one making official movies in the series seems to really care that much about the ostensible source material. maybe i'm biased because it's the film my brain latched onto the hardest when i started really getting into horror, but i think this movie is so interesting and there's so much there to explore with the little we're given about these characters and their dynamics and what they do and why they do it, and even if you can't really dive into all that in a movie you could at least use what's already there for your sequel and most of them just...don't. like they don't seem to have watched the original movie even before writing a sequel to it, just going off their own vague memories about that one scary movie about a guy with a human skin mask and a chainsaw. i know i shouldn't be expecting any more from a slasher franchise on its 9th installment but...whatever. it is what it is. this was never supposed to be a franchise in the first place. at least i can shout into the void about my thoughts and feelings on here.

(i think i read somewhere that the filmmakers were actually forbidden from referencing cannibalism in the script for texas chainsaw 3d and if that's true...oh boy. talk about missing the point. if you feel like something significant is missing in the later films in this series that's probably part of it.)

[mourn-and-watch]

people get angry at solas' potential redemption because anders never received that kind of treatment but i think we really. shouldn't blame his writer for actually liking their character and giving him some depth and opportunities to take his arc in different directions depending on what players think of him. there are other people responsible for all the questionable choices in anders' writing and i think it's actually a good thing their approach to morally grey characters isn't a standard for the series anymore

[asquinate]

Since apparently this guy is the easiest to draw for my brain, I present more Shinomori for @fractiflos' Middle May

Practice sketches and things Ive done with him in it under the cut

i also wanted to put some of my headcanons for him or stuff that just made sense to me

Hikage

birthday is in September, if I had to pick a day, I'd say the third.

Huge history buff, he strikes me as the type of guy that just knows so many strangely specific dates.

Also, you can kind of see it in the expressions practice but I HC his hair color was like light brown as a kid and just got lighter as he grew up. then he got OFA which rapid aged him and it didn't stop getting lighter until his hair was white. :/

Orphaned, I imagine his parents were killed in a protest which led to him joining Bruce and Kudou's resistance group.

because he used to work with Bruce I genuinely believe this man knows how to handle even the most bizarre of weaponry. like someone's confused on how to load a rocket launcher or throw a dagger and he's just ready to help. <-this for sure freaked out Banjo the first time he complained about not knowing how to use a gun and Hikage just pulled one out and did an impromptu lesson.

He knows, and is good at Widdling.

Cats v. Dogs argument comes up this man replies with squirrels or crows.

This may just be me projecting but, he's AroAce for sure. Man lives in the forest doesn't want to have to talk to anyone or have any romantic relationships? Be less relatable my guy.

bro has like a bunch of craft magazines that he just goes through. he has a dealer for this so he doesn't have to leave the forest.

He strikes me as an action movie fan

love languages would be words of affirmation, and gifts.

[yanderomantic]

as someone who used to identify as antiship & took all of that shit too seriously, it is genuinely incredibly rewarding to selfship without fear now. to actually explore the dynamics I want to explore, dynamics that feel therapeutic for me & allow me to process traumas and those victim mindset desires I ignore in my real life, (yknow--those internal "I miss being abused" complexes victims will often feel.) exploring these dynamics without fear, without repression or reworking it to be "less problematic" & guilt free--it's rewarding. it's therapeutic. it's actually helpful in processing aspects of myself. nothing about my f/o dynamics are truly different, they're just more honest--and in that vein, less romanticized. less apologized. less glorified. I know antishippers view shameless "problematic" self shipping as romanticization/normalization/apologization, but it's the reverse. when you're holding an imperfect dynamic but you have to reword the circumstances to yourself and others to make it healthier/less worrisome, that does more for normalizing the unhealthy aspects than anything. being able to go "yeah, this character who is a millenia older than me being manipulative in our relationship IS grooming, actually" does far more for undoing normalization than "rewriting" it to justify the manipulation as unrelated to existing power dynamics; ie. "oh, it's just toxic yaoi, not grooming lol"

no, actually, a portion of my F/Os would be considered groomers in their relationship with me and that's ok, it's fictional, I'm exploring dynamics I've experienced with characters I adore, processing things & having an outlet for the ugly desires a victim will be left with. it's helped me process myself and process how this shit actually works, the dynamics at play, structural violence, I'm much MORE educated on the circumstances of abuse now that im allowing myself to explore these circumstances in fiction. it's no longer something untangible caused solely by the mythical "Bad Person" , which is what these "wholesome us vs problematic them" mindsets get us to internalize