#seeing him really activated me like a sleeper agent

[ponthion]

It’s been 10.000 years since I last drew him (aka 6 years when BotW came out..)

[iwannakisskissyoureyesagain]

more percy jackson headcanons

- there’s a small communal kitchen in the big house. it’s usually used for cabin dinners as a bonding activity, but percy and annabeth like to use it when they visit so they can cook and catch up with their friends

- percy loves to cook and he’s really good at it. sally started teaching him in montauk and now he does it whenever he’s stressed. now he’s teaching annabeth so they can do it together. she’s not as good as him, but she’s a fast learner

- nico and hazel like to watch gravity falls together

- reyna is like a sleeper agent when it comes to makeup. she learned a lot on circe’s island, though she doesn’t wear it a lot herself anymore, now that she’s a hunter. it’s not uncommon to find her and some of the aphrodite girls giving each other makeovers whenever she visits camp

- will and piper are both totally obsessed with short & sweet; his favorites are “slim pickins” (unsurprisingly) and “don’t smile,” and hers are “bed chem” and “please please please”

- will keeps trying to convince nico to dress as sabrina and jenna for halloween with him

- almost everyone who interacts with percy at new rome university ends up falling head-over-heels for him. he has no idea until they tell him, and he kindly has to explain that he has a girlfriend. he’s very flustered and confused every time it happens and immediately iris messages annabeth if she’s not with him. she thinks it’s hilarious every time

- annabeth and her roommate manage to hide a stray dog that annabeth found on the street in their college dorm for a week. annabeth cries when her ra finds and confiscates him, until it turns out that his owners have been putting up missing dog signs around new rome and she just kidnapped some poor family’s dog by accident

- piper dyes her hair cherry-cola-red and makes nico, will, annabeth, and percy help her/hang out in the big house bathroom for hours with her. chiron tries to come in and finds five teenagers sitting around a bathroom that literally looks like a murder scene, piper’s hands and neck and nico’s hands and arms splattered with red dye that will’s trying to scrub off, percy sitting on the toilet seat with his legs crossed and clenched because he’s had to pee for the past thirty minutes and no one would let him, and annabeth actually trying to tackle the dye in and around the sink. chiron made an announcement at breakfast the next morning that the big house bathroom was off-limits for hair dye and anything else that stains

- drew is a dress to impress FIEND

- sally watched the waitress proshot when it was in theaters and sobbed

- annabeth and sally carry around emergency spray bottles of water, partly because demigods are always in danger, but mostly because percy is accident-prone and falls off his skateboard or down the stairs on a daily basis

- sally and paul get annabeth a folklore cardigan for christmas and she sobs

- calypso LOVES ethel cain

- frank teaches hazel and ella about wikipedia. no one sees or hears from either of them for the rest of the day

- will is astounded to learn that nico doesn’t wear his seatbelt

- piper has a hat that says “women want me, fish fear me,” percy has one that says “women want me, fish want me too,” and leo has one that says “fish fear me, me fear women”

- percy and hazel like to sit in the stables and gossip with the pegasi whenever hazel visits chb

- meg has a breakdown when she learns that pigeons are considered feral instead of wild because they were domesticated and then abandoned by humans

- when estelle’s old enough to visit montauk, sally and percy take her, annabeth, and paul out there for a week because sally has never taken paul and percy has been saving annabeth’s first trip for when they can take estelle. percy lets estelle bury his legs in the sand and annabeth sculpts him a mermaid tail

pt. 1

pt. 2

[cupcakeslushie]

Sorry if Tumblr did not in fact eat this message and you get a duplicate, but I'm confused about some things in the feral Leo AU and was hoping you could provide some clarification without spoilers. What's the purpose of taking Donnie as well, for the Krang? They already have pretty much the perfect pawn with Leo (at least probably in their eyes), so was their goal to eventually get all of the brothers? Does the hivemind include the Technodrome, so they're using him to try and pilot another one? Is Leo brainwashed by the Krang, possessed, or something else entirely? It's not really entirely clear to me at this moment.

And where are April, Casey, and Splinter during this entire debacle?

Sorry I got it, I just haven’t had much time, until today to go into my inbox!

Kraang’s whole thing is consume or control, so yeah, they want all the turtles under their command, because they can see their strength. Of course they’d try to assimilate them into their new army.

The hive mind doesn’t necessarily include the Technodrome. It’s a separate consciousness that they control. They have full access to it, but the Technodrome isn’t given the same courtesy. It obeys whoever is at the helm, and the Kraang don’t converse with it. Only give it orders. Since Brother Kraang is dead, yes. They need a new pilot/source for the start of their new Technodrome. We’ll just have to see what their plans are for Donnie.

Leo’s part of the hive mind right now. Prime forged the link during their time together in the prison dimension. Leo didn’t realize that type of connection of control was there, and was kinda activated like a sleeper agent. Once Mikey gets rid of the link, Leo will be back to his feral—but less murderous, healing self.

Casey, April, and Splinter are gonna be in the next update, they were coming up a second or two behind Mikey, but if I wanted to add them in it would’ve meant more panels, and at least another week’s wait until I could upload it. I had to finish it and put it out before my “weekend” was up.

[thepunkmuppet]

thinking about an alternate season 7 wherein instead of every potential slayer being hunted and then activated, every past slayer gets brought back to life. I don’t really like post-chosen content anyway, but when I do read / look at it the whole slayer academy, everyone’s a slayer thing is really stupid to me ngl 💀

previous slayers, though… nikki wood and xin rong interacting with spike, actually finding out about the slayer before buffy, slayers with different backgrounds and situations and personalities, KENDRA?! I just love it so much.

you’d be able to focus on a relatively small cast of slayers, much like the potentials, throughout the season. this would include buffy, faith, kendra, nikki, and some other american slayers from varying time periods with a couple interesting international characters too (maybe a slayer from ancient greece / rome / egypt, or an anglo-saxon one or something). these are all experienced slayers, so no need to focus on training - it would be more about lore, history and their personal character journeys, assimilating them into society (creating some fun bottle episodes, maybe a day out on the town with dawn and a historical slayer) and trying to figure out why they were all brought back. also, if you want to keep the first as the main villain, then it can look like any one of them because they’re all technically dead, which means you can still have that episode with the dead potential revealing herself as the first and all the mistrust that’s threaded throughout the season.

plus with nikki back, there would be no need for the stupid sleeper agent thing with spike or the ridiculous fight between him and robin. all the same ideas (and the flashbacks to spike’s mum) could still be explored, and in a way better way imo.

I reckon the reason they were brought back would probably be the powers that be (tying nicely into angel ofc) trying to defeat the first. and of course the ending would be this huge battle, as all the slayers from around the world come to sunnydale, and maybe to add some drama they would all disappear and die again when the battle’s done as they have fulfilled their purpose (a classic finale knife to the heart that would have everyone sobbing, especially over nikki and kendra).

there’s also the added thing of like,, I appreciate the show was leaning towards a theme of “hope for the future” with the potentials angle, but literally every other aspect of the season is about harkening back to the past. faith, robin, the first taking the form of previous characters, the high school, the slayer origins, etc etc. so I just think this idea would work so much better with the themes of the season, and tie in really nicely.

and the most obvious perk of this concept is kendra! she was forgotten about so quickly, and this season would really give the writers a chance to redeem themselves for the terrible way poc characters have been treated throughout the show (ignoring what they did to robin. FUCK that but that’s another conversation). I think the show really downplayed how much kendra’s death would have affected buffy, and seeing the two of them interact after buffy has changed so much and kendra’s still the same would be amazing. there’s also the interesting concept that, having been brought back from the dead, kendra still be 17, and therefore closer in age to dawn than to buffy, which could make for some really nice interactions between the two of them. also of course the biggest most exciting thing is having buffy, faith and kendra all interact. they all represent places on a spectrum in terms of personality, and I would LOVE to see kendra and faith interact and how much of a unit they would likely become as a trio.

there’s also the theme of buffy feeling (and being) alone in this season that would hopefully go away, as she would now have dozens of people who truly understand her, giving her a proper support system which I would love to see (season 7 scoobies can actually eat shit btw <3)

so. was this born out of my hatred for insufferable kennedy and the annoying potentials? yes absolutely. do I now want them to rewrite and re-film the entire last season 20 years later? yes absolutely I’m so glad you understand

side note wouldn’t it be sick if in the final battle there’s just this one slo-mo shot where buffy stakes a vamp and through the dust she sees the first slayer looking at her from across the battlefield before she disappears amongst the fight. WHAT it would literally be awesome hello?!

also also other side note sorry but Mother(TM) nikki wood would NEVER kick buffy out of her own house. fuck them kids fr

[thespiritssaidso]

some people do it by the book (but i prefer to go by feel)

Summary: Shawn and Lassiter are undercover at a high-end resort where all visitors get their own private cabin. All the two need to do now is settle in — and chop up some wood to make a fire, of course. 

Notes: okay, so I’m basing this place off of the Big Cedar Lodge (I went there one year with my family on a road trip). I’m not sure if there’s a resort like it in California, but oh well. Currently as I’m writing this, it is 3 in the afternoon and the internet at my job is crappy and won’t let me look at maps without taking forever and a half to load it up. And if anyone knows me then they know that my patience is extremely limited (part of the reason why I’m only good at writing one shots lmao) and I don’t really feel like taking longer than necessary to make sure the made-up place I am writing for the made-up people to stay at actually exists. 

TL;DR this place exists in Branson, Missouri, but I’m too lazy to make sure a place like it also exists in California. 

Anyways, enjoy!! I know we all love a good Shassie at a cabin au.

Flufftober day 8: Chopping and Piling Wood

—————

Lassiter grunted as he swung his ax into the block of wood, chopping it neatly in two. He leaned over and tossed the half still sitting on the block and tossed it onto a small pile that was slowly building up. After throwing the other half onto the pile right after the first, he reached up and wiped a line of sweat beading on his forehead. 

Currently, he and Shawn were undercover as a married couple to investigate a few disappearances that were happening at the Great Pine Lodge. 

The place was as fancy as a cabin in the woods could get. Full plumbing, air conditioning for when it got hot, heaters for when it got cold, a large king size plush mattress complete with expensive feeling sheets and covers. And that was just the cabin. 

About a stone’s throw from where they were staying was a large beautiful lake, with water so clear Lassiter could almost see the bottom. 

The other cabins people were staying at were a decent distance from their own, close enough to see but not close enough to hear the inhabitants if they were inside. 

A paved road ��� not a gravel road — sat in front of the cabins, shuttle buses on speed dial on the rotary phone sitting on the bedside table inside, so that visitors wouldn’t have to waste their own cars’ gas to go to the dining hall, or the gift shop, or even the arcade (yes, this place had an arcade). 

Lassiter had always dreamed of going here one day. It was the perfect vacation spot for him and Shawn; fine dining, a beautiful view, activities the both of them would enjoy. 

But now was not the time for dreaming of a perfect vacation (although hopefully there’d be some time left for them to do so). Now was time for investigation. Or more aptly, chopping firewood, in Lassiter’s case. 

Before chopping another log, Lassiter stopped to reroll his sleeves that were slowly unraveling themselves. At the moment, all he was wearing was the button up he normally had on under his jacket, the pants to match said jacket, and his work shoes. He probably should’ve put a little more thought into his wardrobe. 

Too late. He’d committed and now he had to stick with it. Lassiter was just glad that Shawn was still unpacking inside. He was always self-conscious about his arms, how much of a stick he looked when he wasn’t wearing something loose — like his suit jacket. 

He looked at his biceps with disdain. It wasn’t like he was weak and couldn’t lift anything. His muscles just never showed unless he flexed them, hiding like some kind of sleeper agent, or whatever they were calling it nowadays. 

Whatever. So long as no one was here to see him make an idiot of himself trying to chop wood. Lassiter was eventually able to cut them into halves once he figured out a comfortable rhythm, but the start was just godawful. His first swing into the first log didn’t have enough weight behind it and was at an awkward angle, so it had bounced away from the wood and left only a small dent. His second swing was too strong and split right between the log and lodged itself into the chopping block. 

But he was better now, after cutting for what felt like hours, though realistically it had probably been thirty minutes. 

After placing another log down, Lassiter prepared to swing the ax once more when-

“That is the sexiest thing I’ve ever seen.” 

Lassiter nearly jumped out of his skin. There, leaning against the door was none other than his boyfriend. From what he could see, it looked like Shawn made himself a mug of something warm, judging by the faint steam emanating from it. Tea? Coffee? Hot cocoa? Probably the latter, knowing his boyfriend’s taste for sweet things. 

Lassiter felt the tips of his ears warm, and he knew they’d gone red. “How long were you standing there for?” 

“Ah, time is irrelevant-”

“Shawn.” 

“At least ten minutes.”

Ten minutes. Ten minutes of just watching him swing an ax at wood. Lassiter had no clue what he looked like when he was cutting wood, but he was probably ridiculous. Shawn had probably seen every mistake he’d made. 

Lassiter turned back around, doing his best to ignore the way Shawn was staring at him and lifted the ax once more. He swung with precision and split the log neatly. “Don’t lie, Shawn.” He said, referring to what Shawn had said that startled him. “You know I hate it-”

“What? No no no! Carly, I’m being serious! Look, this is my serious face.”

He didn’t look, not wanting to see his boyfriend who was most likely holding back laughter. He didn’t say anything either, simply returning to the task at hand. Although now he knew he had an audience, which somehow made swinging an ax ten times harder than it was originally. 

There was quiet, uncharacteristic for Shawn. Only the crunching of dead leaves and the swish of grass told Lassiter that he was walking over to him. 

“Back up. I don’t want to accidentally hit you with the-”

“Carlton, look at me. Lemme see those baby blues.” 

At the use of his name, Lassiter turned his head to Shawn. The lack of a nickname and his tone told the detective that he really was being serious. 

And he was right. Lassiter couldn’t remember the last time the otherwise childish man looked this serious about something. He said nothing as he looked into Shawn’s eyes, grass green grounding him. He dropped the ax, a dull thud breaking the quiet. 

“I love all of you, Carly. Doesn’t matter how much you hate it, I look and see you. I don’t see flaws, I see the sexiest body a man could ask for.”

Lassiter couldn’t help the grin, or the tiny laugh that bubbled out at the last thing Shawn said. “Alright, if you say so.” 

“I do say so, and my word is law. You should know this by now, Carlytown.” Shawn stated matter-of-factly. 

This time, Lassiter let out a snort at his boyfriend’s statement. “Is that right?”

“It is.” 

“Mhm. By the way, did you finish unpacking our stuff?” If his calculations were correct, Shawn had taken all of twenty minutes. And from past experience Lassiter knew that it took him at least an hour to get everything perfectly situated for the both of them. 

“We can do that later, I know you have a specific way you like to have your toothbrush set up. Right now there’s a suspect somewhere that’s begging to get caught.” 

“I’m not sure any criminal actually wants to get caught.”

“Really? Because I’m sensing they’re at the arcade right now, writing a secret message in morse code at the game where you have to shoot down those rubber ducks.” 

“Are they, or do you just want to go play games?” 

“That’s neither here nor there. Point is, I’ve already called a shuttle to pick us up and take us to the main building. They should be here in about… five minutes?” 

Lassiter stared at him incredulously. “Five- five minutes? And you’re only telling me this now because why?” That just barely left him with enough time to get out of his sweaty button up and into something clean. It was just the arcade, but he’d prefer to go out without smelling weird in public. 

“Well, I would have told you earlier, but I just couldn’t stop watching you chop that wood. Seriously, Carly, you have no idea how hot you looked swinging that ax.”

“I- alright, fine. Could’ve used more warning time, but it’s fine. Where’d you put my clothes?” 

“In the dresser on the left of the bed, everything’s in the top drawer.”

—————

Notes: yeah yeah yeah, the name of the place they’re staying at is just a rip from the place I based it off of. Sue me. 

oh and the title is a lyric in C'mon Girl by Red Hot Chili Peppers, i couldn't come up with an actual title by myself, sorry

ao3 link

[cursedvibes]

Where is this story going?? What is happening

I really hope kenjaku isn’t actually dead

I hope so too because that would be very dissapointing. All it took was to distract Kenjaku and cut off their head? I would've accepted it (kinda) if it was Takaba who killed them. Given Kenjaku's words, they would've preferred that too, expected it even to some degree, but having Yuuta barge in there and do it is so anti-climactic. He never had any real connection to Kenjaku that would give this move any meaning and the way he did it there was no way to form one either. Anyone could've stood in his place and done it, there's nothing special to it.

All the possibilities for how Kenjaku could "survive" don't seem very good to me either. Cursed Spirit makes no sense because Yuuta is right there, he could just destroy it again, stomp their brain to mush. Plus it would remove a lot of nuance from Kenjaku. Other option is that Kenjaku's CT reforms them somewhere else. The theory that more of their original body is left could be true and they come back through that somehow. Don't like that either because that version of Kenjaku would inevitably be different from the Kenjaku we knew before and I just don't like there being multiple versions around. The character development of the last chapters would've been for nothing. Even if the new Kenjaku is the exact same with the same memories (despite the brain not being the same or even missing? or can Kenjaku create little parasite brains that activate when the main one dies?) I don't like the implications for their cursed technique. Why take on vessels at all if they can regrow? I'd need a very good explanation to believe that.

Last option would be someone else finishes Kenjaku's plan, but I don't know who. Sukuna would feel weird because he has no passion for it at all, although at least he has a connection to Tengen. Yuuji being some sort of sleeper agent would be weird too and take what little agency he has away. He doesn't care about Kenjaku or their plans at all, so that would be very out of nowhere. I'd like Yuuji to step in Kenjaku's footsteps, but only if he does it consciously and I'd also like some actual conversation between them before all that happens. Could also be that Tengen gets freed now that Geto's body is dead for good and spreads chaos. Probably the option I like most? Because that means at least something came of that.

My main problem is that as far as I can see there will be no meaningful connection to Yuuji. They won't meet and they won't talk. With the positive development through Takaba I could've seen Kenjaku be more open and honest about their intentions with Yuuji, but Yuuta's actions ruined all that. Instead Kenjaku dies somewhere far away, while Yuuji is busy with Sukuna and doesn't spare a second thought about it. He wasn't even at the meeting discussing the plan for how to kill Kenjaku. No struggle of what being complicit in matricide would mean to him, he doesn't have to face his last close family member at all, doesn't have to deal with all his family issues and more importantly doesn't even get one good conversation with the person who is responsible for all his suffering. Sukuna hurt him more directly, but Kenjaku is the reason Sukuna is even here and used to be inside Yuuji. They birthed him just to be a vessel, an experiment. They dehumanized him and while they do care about him, Yuuji doesn't know that. That would've been very important to make his thoughts on Kenjaku more meaningful. To him they're just some person he met once, who attacked him with centipedes, told him confusing stories and then dipped with the Prison Realm in hand. Just some mad scientist he abstractly knows is responsible for his trauma and what his half-siblings went through. Plus a weird dream he once had and that he seems to want to forget.

He could still find out more about Kenjaku and their intentions and past (through Sasaki for example), but that will mean a whole lot less without Kenjaku actually being around.

Idk, maybe I'm looking at it too pessimistic, but I don't see a whole lot of good coming from this. We got proof that Kenjaku is capable of caring about people, even now, even ones they haven't known for very long, and it all seems to become meaningless. Giving them depth just to cut them off when it becomes most important is such a weird decision. Depending on how Kenjaku's "will" manifests in the future, I might change my mind, but right now it just saps a lot of tension from the story. All they need to do is kill Sukuna and that's it? Well I guess they still need to stop the Culling Game somehow because with "Geto" dead the conditions for it to end won't be fulfilled. They could destroy the prime barriers Tengen erected, which will also destroy jujutsu society as is, but...idk Kenjaku succeeds in a way, but if that really is the end for them that makes this even more unsatisfying.

Anyway, we'll see...

[akito-shinonome-daily]

Hi hello!!! For the fandom ask game, 19 (with pjsk, since this blog is pjsk related), 17, and/or 22 (both with akito since this is your akito blog, unless you want to do someone else (idk I’m just a tourist in this fandom))? :D

fandom ask game

17.) What's a book, movie, or show you think Akito would like?

➥ akito definitely is not a reader. he has only ever read books that were required for school. toya has tried to offer him some of the novels he enjoys, but akito just can’t do it.

➥ i do see anime fan akito tho. i’m a little torn between him liking just whatever’s mainstream and him being big into sports anime. either way i think he’s like a sleeper agent for it? he never brings any shows he’s watched up unless somehow promoted. like he sees someone performing an op at a live and is like “oh this is the op for so-and-so anime.” and an is like “why do you know that??”

➥ i never named any specific show so i’m gonna say he likes haikyu and he and toya watched death note together. and he’s been keeping up with jjk.

19.) What's your favourite thing about the pjsk fandom?

➥ this might be kinda a copout, but i like that it’s very active and has lots of people creating stuff for it all the time. it’s also just very comfy. i don’t feel like i see terribly much animosity or fighting. most people are able to be chill if they see a ship or headcanon they don’t like. that’s not to say i’ve never seen any assholes/creeps in the fandom, just that most people are able to get along and enjoy other people’s interpretations and preferences even if they’re not their own.

22.) Give us a headcanon for Akito.

➥ for headcanons i haven’t talked about before…

➥ one is lefty akito. he just has that energy to me, so i tend to draw him that way. but he leans closer to ambidextrous than your typical righty, since more stuff is designed for righties.

➥ the other one is i think akito has a decent amount of natural artistic skill. he’s never bothered to learn anything about it, so he wouldn’t be able to magically make a really good finished piece to rival ena’s, he just has a knack for capturing the likeness of something if he were to randomly go at it with a pencil. even that much annoys ena tho bc that’s not where her skills and talents lie.

[mugsy]

Good god I haven’t actively posted any art for this fandom in forever. Ummmm hi I listened to Prison of Plastic again recently and it infected me with brain worms. Oops! Anyways I took those worms and decided to revamp an old ee oc of mine so: here’s Collin! I changed quite a bit about his whole backstory and aspects of his personality and now he feels more like a fleshed out and likeable character to me! Yay!

One aspect that used to exist for him was like. He was a childhood friend for Sylvie? Or smth? I decided to change that bc Sylvie would never have friends SO now it’s like. They’re basically strangers that went to the same school but they were in different classes and they didn’t really know each other? But they were both NERDS so they ended up getting compared every now and then. I think it’d be incredibly funny if Sylvie was specifically still holding a grudge over a time when he was like 7 and he lost the spelling bee by one (1) point cuz he got all flustered. And it’s like something that only resurfaces when he sees this guy’s face it’s like a sleeper agent awakening with the express purpose of acting so incredibly childish and petty over a loss from when he was a CHILD

Even funnier to me is the idea that Collin barely remembers this guy. Anyways here have a comic I spent an excessive amount of time on

[soopertiddies]

Did season 12 make you not like spencer :(

Thank you for the question, and also I'm gonna answer this with a love letter to reid and also the CM fandom.

Short answer, no, absolutely not. They could bring him back for evolution and absolutely butcher his character and I'd be LIVID (here's to hoping they do not do that) but I'd still love his character.

Long answer:

I'm really good at pretending the stupid choices they made for his character never happened.

He is my all-time favorite character. I saw revelations when I was 8 and watching television unsupervised and it scared the absolute hell out of me, but I loved Reid and part of the reason it scared me so much was because MGG acted the SHIT out of that episode.

And tbh, I think part of what makes spencer reid such a lovable character is MGG's acting. Even when they tried to 'alpha-tize' Spencer, MGG acted so well that you could still see the core traits that made Spencer himself. He was still just as compassionate, loyal, and he still wanted to see the best in people.

IDK what episode but there's this part after he gets out of prison and he tells a woman something like: There's this moment right after you wake up, where you forget everything that happened. And it's like your brain is trying to protect you.

It was so genuine and SUCH a spencer thing to say.

They have, no joke, screwed up almost every storyline Spencer has ever had.

I think it's part of the reason 'reid girlies' are so protective of him. But the best thing about this fandom, is that there's such great fan content. I've read fics that dwelled on: post-prison spencer, the fact that spencer's hatred for this father was more than abandoment- and that man was way more sinister, the walls spencer puts up, and etc.

And you can tell that the fandom knows and understands spencer more than the CM writers do. So, that alone, will make me always love Spencer.

Also, I was an autistic child in 'gifted programs' with the worst imposter syndrome you'll ever see. So... even if I'm in other fandoms my love for Reid will always lie deep inside of me like a sleeper agent waiting for an activation code.

[multiimistakes]

👓 Ashley "Ash" King / 25 / Aquarius 👓

■ The unhinged wine aunt friend. Typically the most responsible adult in the room but also the one who probably encouraged tom foolery in the first place.

■ The stereotypical ambivert. The guy everyone gets along with and who is always happy to hang and chat but who thrives in more quiet and intimate social groups. Often mistaken for a pure extrovert since he mostly hangs with the quiet introvert dweebs and has to default to being the more talkative/social one.

■ Lives in baseball caps and pullover sweaters and hoodies. Prefers the vintage graphic print ones from like the 90s but also loves a good ironic and shitpost one. Would also unironically wear that 'Women want me, Fish fear me' baseball cap. Aviators all day baybeee. Shorts in the summer and sometimes the winter. Man loves his shorts.

■ Ears are pierced but rarely wears anything in them.

■ New York born and raised. Accent as thick as he is. Big boy, 6'4.

■ Big and loud means people typically listen to him even though he really doesn't put forth any sort of 'leader' persona

■ Sleeper agent talented at baseball, pool, and darts. Can also hold his booze extremely well. Will hustle you in all of the above.

■ The unaware final boy. Born lucky with how he seems to just be able to dance around pitfalls and life threatening situations without even realizing it.

■ Did some college. Dropped out. Found out he's really good at managing people and doing business shit. More or less a social influencer manager now.

■ Somehow looks like the most trustworthy brown eyes, brown hair man and the most untrustworthy one at the same time.

■ Will bum a cigarette but doesn't actively smoke. If anything, prefers a nice cigar. Usually smacking on gum or mints or the odd toothpick.

■ If you fuck around with him, you will find out.

■ Vintage knife and lighter collections. Seeing them is oddly harder to unlock than his tragic backstory lore.

■ Sometimes you have to go through a dramatic twink death in high school to end up a hot adult.

■ Kinda giving Dodger from Oliver & Co.

■ Questionable flags include being way too excited about random bruises he gets or little injuries. Likes fire a lil' too much. And the knife collection, obvs.

[four-color-words]

Okay, so. Thoughts on Charley, his resurrection, and the retcons...

The teal deer of this post is this -- I don't think a heel-turn, as presented in canon, makes much sense. But, with a different motivation, and a couple of changes to the plot, I think it could have made for a very emotionally impactful story.

This post is going to be long, so get a drink and settle in. And it's gonna get image-heavy, so I'm putting it under a break, to preserve your dashboards as much as I can.

With that warning (seriously, this thing is at least four pages long, I'm sure), let's go --

See, what we get in canon is this: Charley was a Titan, he was killed by the Wildebeest, and that seems to have been the end of this impact on the story. (The New Titans (1988) #72).

Image ID: the Wildebeest, a supervillain in horned, bestial armor, pins Charley to the ground, tightening a garotte around his neck. "...Now I should kill you," he says, "I should keep tightening this wire until there's no air left in your lungs..."

(page seven)

(Disclaimer: I haven't gotten to this arc yet. My Titans read is still sitting circa 1987; I skipped ahead when I first started looking into Charley some time back)

So, Charley dies, and then Slade and Dayton just sorta. Leave his body there on the rocks. Which feels... rude? But also, they don't really know this kid, and what would they even do with his corpse anyway?

I dunno. It doesn't feel ooc for either of them, but it does feel strange, if that makes any sense

Anyway, that seems to be the last we see of Charley-boy until 2005, when he finally reappears in Hawkman (2002) #37

Image ID: Charley Parker, in updated armor, makes a dramatic entrance that takes up the whole page. His wings are spread proudly behind him as he alights. The dialogue reads "Nope. The name's Golden Eagle!"

So... How did he come back? What's the story here? Well, let's hear Charley's version of events:

Image ID: While fighting Carter Hall, Charley says the following over the course of two pages: "My father was a hero... A credit to his race. But everyone betrayed him! My mother deceived him... And then his so-called loyal friends were next! Eventually, even the Thanagarian people turned their backs on him!" ... "He was once a hero to this world, fighting side-by-side with the Justice League!" ... "I'm talking about Fel Andar, my father! You and Katar Hol destroyed him!"

(Hawkman (2002) #45)

Which... Okay, he's Fel Andar's son. That's a surprise, but plausible. As part of his cover, Fel was married to a human woman. That's part of the retcon they made back in Hawkworld, where Fel was introduced. Sure, there's a lot of weird stuff in here about Fel being a hero, but that could just be a kid wanting to believe that his deadbeat dad wasn't a total asshole. Charley's not a reliable narrator. But then it gets convoluted:

Image ID: Charley continues his story: "My grandfather was Andar Nal, who in 1947 during a mission to study Earth with his brother Andar Pul, had fallen in love with a woman named Naomi O'Neill. A year later, they gave birth to my father, Fel Andar, and he was raised on Thanagar... unaware that he was a child of two worlds." ... "...My father was dispatched to Earth by the war council as a spy, to prepare for Thanagar's eventual invasion. Like his father before him, he fell in love with an Earth woman, Sharon Parker, my mother, and as part of his cover as a sleeper agent ... he married her. Soon after, they had a son. I was four years old when Thanagar called my father to active duty."

Holy exposition dump, Batman! The part where Fel is half human feels new (and unnecessary?) to me, but the rest of this checks out so far... Given the caveats I've mentioned. Charley wants to believe his parents loved one another. He wants to believe his parents loved him. Anyone would, really, so we can't blame him for that. But this is about where the story starts to fall apart:

"...He couldn't allow Thanagar to know he had fathered a child. In their eyes it would have compromised his loyalties. As a result, my mother was reprogrammed to believe she was Hawkwoman, while I was given up for adoption. When my mother discovered the truth, she vowed to expose my father to the world. Fel Andar had already made his choice between Earth and Thanagar. With her dying breath, she destroyed his legacy."

...Okay, that... Mostly fits with what I remember from Hawkworld...? I mean, the part where Fel genuinely loved Sharon doesn't, but again, unreliable narrator. But the part I don't understand is... How this is supposed to make Charley sympathize with his father, instead of his mother. This is a story that paints Fel Andar as an awful man who betrayed the woman he loved and his son, Charley, who is telling this story, for the sake of a government and a planet that destroyed his family. He sucks.

"By this time, my father had already proven himself as a hero here on Earth and wanted to stay, but you returned from Limbo with the JSA and ruined everything."

I call bullshit! This didn't fucking happen? Did I miss a comic somewhere? What would he even have been staying for, if he'd betrayed his wife, lost his son, and tried to help destroy the planet?? There's no goddamn way I can believe this guy:

Image ID: Fel Andar, his secrets revealed, fires a massive alien weapon at his faux wife, Sharon Parker, amidst a burning house. As he does so, he tells her "Die like the dog you are."

(Hawkworld (1990) #23, pg5)

...Had any reason to stay. I'll keep the less kind language off the post, but this man hated Earth and the humans that lived on it.

Ugh, whatever. Charley, please continue.

"My father fled to Thanagar where, by the grace of his lineage, he was imprisoned... But spared the death penalty. He escaped and returned to Earth twice after my mother's death. Once when he gave me the Golden Eagle armor. And once as I lay dying on the coast of Long Island." (Hawkman (2002) #45)

...And. That's it. That's all he says. We're supposed to believe a high-profile prisoner managed to escape twice? That he willingly came back to Earth? Saved his mostly-human son? A son he loved, and felt no shame over? That doesn't line up with anything else we've seen about Thanagar or Fel Andar himself. And really, a lot of things about Charley's story here don't make any sense when you start to tug on the threads. Let's wheel it back to Charley's pre-Crisis origins here for a moment -- the clearest origins we get for how and when he got that armor:

Image ID: Sixteen-year-old Charley Parker, dressed in a homemade Hawkman costume, is running around playing pretend. His narration reads: "I was jumping down some steps, pretending to fly... When all of a sudden..." The Charley in the flashback takes over then, with internal monologue. "Ohhh! Being zapped by something... Feel tingly all over!" The next panel, he's midflight, the costume turned real. The narration box reads: "The next startling moment found me soaring high into the sky -- as if I'd been doing it all my life!" Flashback-Charley continues his monologue: "Holy cow! My imitation wings... My hood... They're not a costume anymore...! They're real... Alive... Part of me! I look like a real golden eagle.... Fly like one!"

(Justice League of America (1960) #117)

We find out, as this story goes on, that one of Hawkman's villains -- aggrieved at Carter's absence -- has accidentally magically turned Charley's dorky larp into reality. But that's period-typical silliness. We don't really see him again 'til the formation of the Titans West in Teen Titans (1966) #50, where he mentions how he's gotten wings that will last beyond Matter Master's meddling:

Image ID: Charley, speaking to the other members of the Titans West, says "Yeah! I met the Justice League once -- And Hawkman gave me this set of wings -- But I never met you!"

...Heavily summarized, key details missing, but sure.

Now, this is all pre-Crisis! Normally, I'd just dismiss this as having nothing to do with post-Crisis canon, and leave it at that. Except... Charley and Carter clearly have some sort of connection. If they don't, then where the hell did this photo come from?

Image ID: Charley, at his desk, examines a photograph of his younger self standing with Carter. Both are smiling, and dressed as their alter-egos.

(Hawkman (2002) #42)

Charley himself gives a version of events, one that I had at first dismissed as a complete lie. It's several pages of giant panels, but the short version is this: Charley had a rough life, growing up in orphanages and foster homes. He didn't think he had much of a future, and in his depression, attempted suicide. Carter saved him, gave him a job at the museum, and ultimately took him on as a sidekick. This is also in the midst of him claiming Carter is his biological father, and that he got the Golden Eagle armor from Carter and Adam Strange (Hawkman (2002) #43). As parts of this story are later revealed to be a lie (in issue #45), we can't quite be sure which parts are true.

But some of it must be. On top of that photograph, we have this little anecdote of Dick's:

Image ID: a partial panel wherein Dick, as Nightwing, is speaking to Wally, as Flash. He says: "Flash, you were one of us. You know the worst thing you can do to the Titans is to show up unannounced. You used to hate it when Aquaman and Hawkman would knock on the tower door for an impromptu "cookout" -- We all knew they were just keeping tabs on Garth and Charley." Wally, regretful, admits: "I... I guess that did bug the hell out of us."

(Teen Titans (2003) #6)

I checked the publication dates, and this bit of dialogue was in place a whole year before Charley's return. Is it just Geoff Johns wanting to namedrop his blorbo? Probably. But it has consequences for the whole narrative they're presenting here. After all, Dick would have no reason to bring up Charley and Carter, unless this was a real thing that had happened. And Wally would have no reason to corroborate the story.

Image ID: a gif of Oprah Winfrey asking her unseen interviewee "So what is the truth?"

WELP, if we're gonna figure that out, maybe we should see what Carter has to say on the subject. I mean, if this kid was his sidekick, he ought to have known him, right? Had some kind of reaction to seeing him come back from the dead?

Image ID: Two sequential panels from Hawkman (2002) #38. Carter wakes up in a hospital bed. Charley comes into the room, dressed in a suit, coffee mug in hand. He greets Carter: "Carter, I'm so glad to see you up and moving around. How are you feeling?" Carter answers with a question: "Do we know each other?" Charley replies: "Kind of. My name is Charles Edmund Parker... Formerly Golden Eagle. I was a Teen Titan." In the following panel, Carter says "I heard that Golden Eagle died awhile back." Extraneous dialogue has been cut.

...Oooooor not. Yikes on bikes, this sounds bad. No matter how you slice it, Charley looked up to Carter. They had a bond, a relationship of some kind. One that's compared, in that tiny little anecdote, to the relationship between Garth and Arthur. Carter is implied to be a goddamn father figure to Charley. And... Carter doesn't even recognize him. Doesn't remember Charley's name, or his moniker. Shows no reaction to him being dead, or alive, or alive after being fucking dead.

It's goddamn tragic, the story this presents us with. Charley was a kid who was so unbearably lonely, so hungry for a family, for connection. And then, for a fraction of a moment, he thought he had it. He was a hero, a Titan! He had a mentor he could learn from, friends he could trust! He had a home! A family! Finally, he had somewhere to belong!

And then... He lost it. He was lured into a trap and left to die, alone, on the cold rocky shore. Forgotten, completely, by his friends, by his mentor, by everyone who he'd believed loved him. He had no one.

Who wouldn't want revenge, after that?! Who wouldn't be in pain?!

But is any of that brought up? Is any of that stated to be why Charley is seeking revenge on Carter? No. You know why Charley wants to kill Carter and take the Hawkman mantle?

"All Carter Hall did was loot Nth metal from a Thanagarian battleship that crashed on Earth centuries ago! His blood isn't pure! He has no claim to the uniform or understanding of what it signifies!"

(Hawkman (2002) #44)

...Bro, what? This doesn't make any goddamn sense. By Charley's own admission, he's mostly human. He doesn't have a leg to stand on in that extremely gross, racist argument. Besides that, Carter was the first Hawkman. Fel was a fake, Katar was a successor. If anybody gets to decide what it means to be Hawkman, it's Carter.

This is fucking dumb. You had a perfectly good, understandable, valid motivation right there. And you just... Dropped the ball to make Charley be a piece of shit for no reason. Why. Why do you do this to me. To me specifically.

I mean, sure, in his prior characterization, he could be a bit of an ass:

Image ID: Two panels, out of sequence, from a conversation between Charley and Garth. In the first, Charley comments: "I've got a summer house a few miles south." Garth replies: "I remember the party you threw when the old Titans disbanded. I don't think Donna's ever forgiven you for hiring that stripper." Charley laughs it off -- "Aahh, she was always uptight. She needed a laugh." In the second panel, Charley continues with his attitude: "Hey, I liked foes I could beat up with my right hand tied behind my back. Certainly made us look more impressive."

(The New Teen Titans (1988) #72)

...But he was a kid, somewhere between nineteen and twenty-one, nothing more or less. He had room and time to grow. We can see that, behind the jerk who's begging for a headlock, Charley's a loyal friend who doesn't hesitate to defend his friends:

Image ID: A closeup of Charley's panicked, angry face. He calls out: "Garth? Garth? Oh, my dear god." In the next panel, he swoops at Wildebeest, attacking from above. "If he's dead, you bast--" Wildebeest interrupts Charley: "Not my intention, bird-boy."

Unfortunately we don't have a whole lot of characterization for him post-Crisis, prior to his death. Aside from this, the most we really see of his character is him not getting along with Hawk (but who does?) and expressing that he's worn out in The New Titans (1988) #56 and doesn't wanna stick around while Lillith tries to revive Gnarrk. Neither of these things conflict with his pre-Crisis characterization, but they don't give us a strong sense of a whole character, either.

So, let's look at pre-Crisis canon, because that's most of what exists in terms of Charley's appearances. (At least what's listed on the wiki; if I'm missing stuff, let me know. It's a lot of comics to cover!) We can see that Charley struggles with asserting himself in his civilian life:

Image ID: A physically imposing man looms over Charley, working as a gas station attendant. The man growls: "Listen, punk -- I told ya $3 worth!" Charley protests: "But, sir -- I distinctly heard you say "fill 'er up"! You owe $12.45!"

In the rest of this sequence (Teen Titans (1966) #50), the man proceeds to bully Charley into letting him drive away without paying at all. His boss says this is the third time this has happened this week, and says he'll take it out of Charley's paycheck. Charley, sick of this mistreatment, quits. As he walks away, Charley says this isn't the first time he's been out of work, and expresses a desire to go back to being the Golden Eagle:

Image ID: Charley is seen from behind, walking away from the gas station. His internal monologue is as follows: "Well, scratch another job for Charlie Parker, boy nebbish! I guess I should start lookin' for a different way to earn bread -- but I'm not in the mood! I'd rather go home and do my Golden Eagle gig--!"

The implication here is that he doesn't associate being the Golden Eagle with profit or earning money. He's not a mercenary, so he's genuinely doing this out of a desire to do good. And maybe to exert a little bit of control over his life, take on a more confident persona. But that's hardly a villainous motivation, especially for a sixteen-year-old nerd who larped being a superhero. He started being a hero because he wanted to be like his idol, Hawkman (Justice League of America (1960) #116). This doesn't exactly conflict with the arrogant jerk we see just prior to Charley's death. Rather, it paints that as overcompensation. Charley is concerned with how impressive he and the other Titans come across, flaunts his "summer home," and hires a stripper for a party -- all because he's trying to look cool and confident, and hide crippling self-doubt.

He's not the asshole we see in Hawkman (2002). This characterization comes completely out of left field, to my mind. There's not the barest clue of it in anything Charley was in before now, pre- or post-Crisis.

So what would make sense, with that prior characterization in mind? Well, I've got an idea, but that might be for a different post. This thing is already a mile and a half long, and it's killing my browser and internet connection.

Either way, what we get in canon doesn't feel right to me. Maybe there's more in the Rann-Thanagar War arc that will explain the part about Fel's sudden and total change in characterization, but at present, I have a hard time buying it. I sincerely doubt they'll be able to make Charley's bullshit motives for this heel-turn make sense.

I really think Charley had the potential to be and do more than he got in canon. He got twisted into a sad facsimile of himself, a prop to make Carter look better. And it really breaks my heart, because I think this story could have been a huge turning point for Carter and the Hawks as a whole. But my thoughts and feelings on that are an essay in themselves, to be honest.

Anyway, that's the end of this for now. If you actually read this thing all the way to the end, I am absolutely shocked and flattered. Thank you for listening to me rant.

[unlimitedgolden]

I wish to acquire knowledge about funny green deer man, quick list your ten favourite tidbits about the character or the Soil Charge Triad to use on you will be decided

⏱️

you've activated my toontown sleeper agent (I NEED TO PLAY IT AGAIN) This is gonna be long so I'll put the reading thing HERE

Dr. Zippety Wonderwhatsit (Just "Zip" for short) was not a generated name, it was handcrafted. "Dr." because I like mad doctor characters, "Zippety" somewhat in reference to "Zebedee" from "The Magic Roundabout", "Wonderwhatsit" to mimic when people say "whatchamacallit", and just shortened to Zip sometimes for peoples sanity.

He was just intended to be a Toontownsona, but has actually now become my fursona. In doing so he's replaced Fatlip, my previous fursona (Though I still cherish Fatlip, since he was made by an old friend I'll never see again)

Zip gets paired with a few of the different characters in TTCC. You've probably seen him with Buck Ruffler and Alton S. Crow, but Dave Brubot is the 3rd addition to his collection of Robot Wives. Zip is also paired with my boyfriends Toon "Cap'n Snappy Gigglesnout". With this, I hope it's obvious Zip is polyamorous!!

Zip does have a sibling, my sisters Toon "Little Pearl" (the kiwi). Though to explain why they're different species and still related? TL;DR what happens when a toon and a cog fall in love + headcanons on how Toons are "born" (drawn into existence) and Zip is the result of a joke, Little Pearl had more thought.

The first gags Zip had were "squirt" and "drop". For Clash players you're probably screaming at the top of your lungs for this combo and in my defence: I thought it was really funny.

A majority of the time you will NOT find Zip without a hat in game, but in art I draw him with nothing added on. This is because he looks so bald in game it hurts my soul. You'll also never find him without those shades, I've never taken them off since the moment I put them on

Zip has influenced both my internet and irl life. During my last hospitalisation I had "toontown fixation withdrawls" and recreated him in Splatoon out of desperation. After that he influenced the decision of getting circle glasses just so I could get matching circle shades, and my favourite sets of clothes that I have bought since his creation are all shades of green (a.k.a my VFX classes worst nightmare). This also means after years of not knowing my favourite colour, it's blatantly obvious what I like now

Zip, like me, is British. Just like me the angrier he gets the more British he sounds (going from "oh my god fuck off die" to "You fucking wanker piss of you tosser. dickhead"

A little ramble: Zip is probably so intertwined with myself because of transgender metaphors. I've seen deers used as trans metaphors with the whole antlers thing, either losing them (mtf) or gaining them (ftm). Sometimes I forget to draw him with antlers but I feel it fits his entire [waves hands] trans thing

FINAL FACT: Zip takes a GREAT PRIDE in his house. It is very well decorated and usually changes around with the seasons (e.g. changing wallpapers to match halloween/christmas). In typing this I realise I've missed a bunch of catalogues in game <- will never recover

OK THATS ALL I THINK <- still could talk more he feels

[whovianwatchingstartrek]

A Whovian Watches Star Trek for the First Time: Part 105 - Deep Cover In An Alternate Dimension

Star Trek: Discovery - Season 1 Episode 10 - Despite Yourself

I return from my brief day of rest, for the continuation of Star Trek Discovery.

Picking up from where we left off, with the bridge trying to figure out where we are. They are at the right co-ordinates, but nothing else is where it should be. We run across a Vulcan cruiser, who respond to Discovery's hails by immediately opening fire.

According to another Federation ship, the Cooper, these Vulcans are rebels, and after a bit of good old technobabble, our crew comes to the conclusion that we're in a parallel universe, and the ready room discussion last episode set up.

I'm interested to see exactly how this universe differs from the main, I have a lot of questions, not least of which is why is starfleet fighting against Vulcan Rebels?

Well, after the intro, it's up for our crew to get a lay of the land, as Paul is still very much out of commission with whatever he has going on at the moment. I'm liking the writing going on between Lorca and Dr Culber, and the clash between Lorca's more cold objective outlook and Culber's relationship with Paul.

Discovery sends out Ash to survey the wreckage field to get information about this universe, but her starts having flashbacks behind the wheel. While these ships are klingon, there are also Vulcans and Andorians inside among the dead, and it's not just a stolen ship either, the data chips in the ship are Vulcan components.

Ash returns to Discovery, and tires to convince the Torturer to explain what happened to him, but she activates his sleeper agent programming. He manages to snap out of it however, and puts her back in her cell.

I love how the episode slowly builds the pieces on this new universe, and how I'm left to put the pieces together with the crew, and every new piece of information has me eager to see how it all fits in place, until around halfway through when Michael and Tilly manage to crack into the data from the Klingon-Vulcan ship

Apparently, the Federation doesn't exist here, and in it's place is human centric government called the Terran Empire. The dead Klingons, Vulcans and Andorians we encountered form an inter-species rebellion against this Empire. Additionally, Saru concludes that this Universe's discovery has made it's way into the main universe, and apparently Sylvia is it's captain.

The Cooper tries to hail discovery, so Sylvia has to push through her anxieties to pretend to be a Fascistic captain, and the scene is hilarious. Sylvia is just literally me, she is precious and I love her. Also I'm Scottish, so hearing Lorca jump to a Scottish Accent when told to conceal his voice just filled me with glee!

Lorca decides to prepare to train Discovery and her crew to blend in with this new Universe, so they can survive until they find a way home. Federation badges and uniforms are switched out for Empire ones, and everyone . I'm actually really interested to see where this plotline goes. Deep cover mission like this absolutely effect people, and I'm really excited to see our crew's morality put to the test in a universe that just doesn't have the same moral compass and values are our crew.

I'm also really curious to know more about this Terran Empire universe. The whole Evil-Parallel universe is a really common thing when stories go the multiverse route, and rightfully so, there are a lot of ways you can the concept of an evil parallel universe. Doctor Who, my main Sci-Fi fandom, did it in a 1970 Third Doctor Serial called Inferno, which is a really interesting study of Nature vs Nurture, and my favourite part of Inferno is that the Inferno-Earth characters are deep down the same people as their original N-Space counterparts, just buried deep under and twisted by shitty fascist upbringings. I'm really curious to see where Star Trek's take on the evil-parallel universe falls on a similar nature vs nurture spectrum.

Apparently, Michael's counterpart is dead, and Lorca's counterpart murdered her. Apparently, Lorca's counterpart also led a coup against the Emperor, which really caught my attention. I really want to know more about Lorca's counterpart. Was he leading a coup for his own gain in a similar way to how Sylvia's counterpart gained the captaincy after murdering the previous captain, or was he genuinely trying to overthrow this facist empire? I want to know more! Point is, Lorca's Counterpart is still out there in this universe, as he's a fugitive and wouldn't be on the other-Discovery, which if the principle of Chekov's Gun applies, mean we're probably gonna run into him, and I'm excited for that!

Also, one more thing, while searching through the data core, Lorca finds that Discovery isn't the first ship to make it's way to this universe. A ship called the USS Defiant, apparently will, at some point in the Federation Universe's future, will end up in the Empire Universe's past. Wibbly Wobbly, Timey Wimey. And Lorca believes that this information could be the Discovery's path back home. The Plan is to sneak onto the ISS Shenzhou to retrieve information on the Defiant.

Michael's prep speech to tilly about how the Terran Empire's strength as all a smokescreen to hide their constant fear of both the outside and within was great, and after the prep Mary Wiseman really got to show off her acting chops here, switching from our lovable normal tilly to the projection of the evil captain tilly was fantastic.

Meanwhile in medbay, Ash's status as a sleeper is detected by the Doctor, and in response, he cracks, then snaps the doctor's neck. Michael, Ash and Lorca beam over to the ISS Shenzhou, and their cover mission is played perfectly, and the insights we get into Terran society are fantastic. I loved the fight in the elevator, and Michael having to mask her near breakdown over killing someone who has the face of someone knows. Unfortunately, Michael is unable to get the information on the Defiant because the entire crew is either trying to kill her, like Connor, or is playing up a entirely Sycophantic angle to catch her favour.

I'm really excited to see where this arc goes. I've kinda already covered all the stuff I would normally put in my conclusion, but I'm hoping we get some deconstruction on the Terran Empire's Fascism, we kind of already did with the aforementioned prep speech between Michael and Sylvia, but I want more of that. It's all to common for fictional evil empires to use the aesthetic of Fascism without really doing anything to deconstruct it or show it's failings (Cough, Star Wars, Cough). On the whole I am optomistic for this though, it's definitely falling more in line with the kind of Multiverse story that I like, and fingers crossed it stays that way.

[awesamcozy]

kind of in him. if he uploaded regularly at the very least he would’ve retained some fandom

When has he ever done that cmon we knew we were in for the long haul. Besides im not sure anything could have saved us this year has felt like limbo 😭 its been really nice to have an ongoing interest for me on the backburner while i have more active things on the front idk i have stuff to do and a life to live. 2 years ago i was choking on how much there was to see and do but i like the more calm content output speed theyre doing rn

And ik a lot of people feel the same way. We have a lot of sleeper agent fans that wake up when stuff happens then leave for their animes when its quiet. And thats healthier than salivating like a dog refreshijg dreams youtube 24/7

[doctorweebmd]

Because I’m nosey for the author ask…Hope you don’t mind :-)

🙋🏻‍♀️❌💔💲

ahhh NO THIS ISNT NOSINESS i LOVE oversharing get ready and also THANK YOU FOR SENDING THIS!!! it was super fun and distracted me from the agony that is writing plot and remembering that its sunday night 🥺

🙋‍♀️ - do any real-life people know what I write fanfic? Uhhh. My husband does but I've never let him read any of it. I do tell people that I write 'fiction' in my spare time, because its like, my one hobby, but definitely don't extrapolate. i'm making the assumption that most people in the medical field don't know shit about ao3 but i also know for a FACT that there are multiple weeb sleeper agents out there. doing medicine. while weebing. BUT. i'm sure if anyone recognized any of my stuff it would be a 'what were YOU doing at the devils sacrament' situation haha

❌ - a trope i will never write? Probably alpha/beta/omega stuff. Some people do them really well and I've certainly read really great ABO, but its one of those dynamics that I would never want to voluntarily explore. Its actually the one tag I actively filter out when looking for new fic. On that same note, Pregnancy/Kidfic. Babies and parenting give me the major ick (this may be colored heavily by the fact that i dont want children and am at that age where people keep ASKING ABOUT IT.) tbh i'm also not much of a fantasy person or historical person, so a lot of hybrid/mermaid/royalty AUs are a no for me. and, probably most controversially? established relationship. listen i am here for the drama i dont care about healthy loving domestic stuff! i want miscommunication! i want pining! i want discovering each other for the first time! i want fumbling and blushing!!!

.... wow there are a LOT of things i dont think i'd write lol yikes.

💔 - Is there a fic of yours that broke your heart? Not to be predictable but yeah. Zero-sum game. In part because it was a very vulnerable place of writing emotionally - both because i had not, for many years, tapped into my own mental health experiences for fear of it being triggering while writing, but also partially because i was working in the icu during peak covid and everyone was dying and it was so fucking depressing and demoralizing. I teared up at a couple of scenes - this ended up super long so i'm going to break it down by chapter:

Chapter 7 when Katsuki walked by the bar his friends were having a reunion at, Jirou ran out to get him and Kirishima stopped her, saying 'we have to let him go.'

Chapter 12, Katsuki asking - are you afraid? And Zero looking up at the sky saying - Am I afraid? And then reciting that poem. 'Though my soul may set in darkness, it will rise in perfect light. I have loved the stars too fondly to be fearful of the night.' That scene I can see so so vividly in my head, hear their voices, intonations, expressions - and it breaks my heart. The tent scene at the end of Chapter 12, too - 'Do you think that's what love feels like?' 'Fuck if I know.' FUCK ME UP. ARHGHH S.

Chapter 15 - Mitsuki saying 'But you’re gonna eventually have to find a way to love people without hurting them. Or you’re going to end up alone.' and Katsuki having a breakdown after. Then later in the chapter, Inko asking '“… I wonder, sometimes. Who he would become if he never met you.” WHAT THE FUCKKKKK

Chapter 19 - god. Where do I even start. The entire confession scene is like punch after punch to the ribcage. Specifically:

"How does Katsuki explain that the first time in his life he considered he might be in love is when hands he’s dreamt off for nearly twenty years (Now just the one. Half is gone, because it has to be, because to be complete is to give Katsuki more than he deserves) wrapped themselves around his throat, making him wonder if love might be a bit like dying, might be a bit like that last fucking breath when nothing in the goddamn world can feel more cathartic - that last strawberry, the last sip of water, the last bullet in the chamber - and they bled and fought and fucked and destroyed each other and nothing has ever felt to pure and perfect and devastating and absolutely holy - if that’s not love, then what the hell is?"

and

"“Yeah. Yeah, that’s right. I love you and I’m walking away from you and I never want to see you again. Okay? I never want to see you again.”

AND

“…What am I supposed to do now?” Inko Midoriya whispers out to the street. No more fretting, no more restless nights, no more ‘what if’s.’ Her son is back, but despite that, she’s still alone. They both are.

“I don’t know.” Katsuki responds honestly.

“Find something else to live for, I guess.”

Chapter 23 - the proposal scene. Specifically:

'Not because you saved me physically – and you did, you did, you’re always saving me, and I’m always saving you, I fuckin’ know, we’ll always save each other because that’s who we are, but it's more than that. Its more.'

AND

“But you need to know – you need to. That, with all of me, I love who you were, I love who you are, and I love who you’re becoming.”

“I want to spend the rest of my life with you. No matter how short, no matter how painful, no matter how fucking temporary all of this is. I want to experience it with you.”

“Marry me.”

AND. Finally and most of all. The authors note at the end. Even re-reading it now, its so raw. I think about this a lot:

'It all anchors on the belief that you can still be who you want to be. The belief that ‘broken’ people can get better. The belief, the ever present faith - because it has to be faith, because all tangible things are friable but not faith, not this - that you can be found. That you are not irredeemable. That there is a future worth fighting for.'

I have moments from 'we will wait and wait in that space' and 'nothing else fills' that made me tear up, but it still won't match the raw levels of emotion and vulnerability that was channeled in zero-sum. even now, years later, its still my heart.

Wow sorry this got SUPER long. but i loved going through zero-sum and picking out my favorite scenes so thank you for that :) :) :)

💲 - would i ever open commissions? gosh no, probably not. i'm not great at one-shots and deadlines and i work super inconsistent hours and tbh i have minimal confidence in the consistency of my writing to offer it as a service. i'm also very lucky to be pretty secure financially so i wouldn't have that kind of external driving force. but i'm very flattered that that's even a question. 🥺 id happily give away all my mind-vomit for free.

AHHHH i'm sorry this is so long THANK YOU FOR INDULGING ME i adore you ❤️

[donatellokinnersinner]

what do you want me to ask?

also can you pls talk about the stuff you talked about with ttp donnie going blind? pls i love him so much

As me anything!

And yeah... TTP Donnie has really gone through the wringer with me. The first instance of his vision loss was with the shredder in his arc, where he got those scars across his right eye. He ended up losing most of his vision in that eye, only really able to detect changes in light.

Later though, in progress of being written (so if you don't want spoilers, flee now) is the kraang arc, mainly centralized around Mikey, and pushing Donnie back into more of a suppoet role in later adventures.

The kraang messed with both Mikey and Donnie, and ended up doing the same thing they did with Rise Raph. They put sleeper agents in them, resulting in kraangification. However, unlike in rise, they were able to interact and act normally until those agents were active.

Mikey's kraangification was basically like Rise Raph's, where he was attacking and trying to kill his brothers. Donnie, on the other hand, just made him collapse. The Kraang in TTP seek out individuals with strength and power to aid in their purposes. Mikey has physically enhanced strength, and deadly electricity that when controlled, makes for a great weapon to Kraang. Donnie was marked as valuable for his power as well, and the kraang managed to manipulate his ninpo to see various futures and the results of their various strategies. When he escaped and was later krangified, they made a wireless connection to continue using his visions, however, the wireless connection drained Donnies body, rather than the kraang ship that they used to power it before.

He ended up getting out of the kraangification with Raph's help and the three brothers had to battle Mikey, in which Leo got injured and Raph became preoccupied protecting him. Donnie jumped in to distract Mikey and consequently his battle shell was broken and slashed open by his own little brother.

The shell damage was... Extensive.

Leo immediately attempted to heal him,despite his protests, since he was bleeding out, but that left harmful residue and other smaller issues in the wound that could have been avoided if they had tried to clean it out properly first. It did get infected, worsening the later effects.

He ended up with several issues, most of which he attempted to hide. He lost all feeling and usage of his left arm, keeping it in a sling for as long as he could until it atrophied and was removed. The main problem with the arm was that the neurons connecting to the muscles past his shoulder were completely severed. He is unable to make a prosthetic for it since he's lost any and all movement from his shoulder joint down.

There's also his vision, which similarly lost it's connection, however the part that broke their was in his actual eyes, cutting off most of the information of what he perceived from getting to the brain to be processed. He still knows how to see, and his eyes are seeing, but there's a disconnect between those two processes. At most he can see some slight movement and colors out of his left eye.

He ended up making a visor that he reconnected to his visual vortex of his brain, so he can still see when he has that on. He made it easily removable to prevent any further damage, but that presents a weakness in combat that his brothers refused to allow.

He is later pushed back to primarily a support role, building things and keeping up communications during missions. He can still see during his visions, but only then since it doesn't actually filter through his eyes.

Thank you so much for the question and I apologize for that massive dump of information, lol.